TONIKAWA: Over the Moon For You – S2 03 – Yanagi Brilliant Park

Ginga gave Nasa and Tsukasa day passes for the Muffy Land theme park, and Tsukasa is serious about having the best time possible. Tsukasa has been there before in his youth, so he’s hoping the park won’t disappoint. Things look grim when it’s raining the day of their trip, but Tsukasa finds a silver lining: adorable raincoats!

Nasa didn’t have to worry about the park coming up short, as Tsukasa is having a blast, from the haunted house to the Star Wars-esque rides (naturally she’s watched all the episodes). But the biggest attraction of all turns out to be Yanagi-sensei and her co-worker Taniguchi-sensei. It quickly becomes apparent Taniguchi didn’t “win” tickets, but just used that as an excuse to take Yanagi somewhere because he likes her.

That said, Yanagi is oblivious, thinking Taniguchi is just being nice because she doesn’t get out much. Tsukasa and Nasa make for a great soccer commentary pair in this little rom-com within the episode. Yanagi ends up scoring the first big “goal” by taking Taniguchi’s hand when they go on the scary ride. Nasa also learns a lot from Tsukasa’s perceptiveness that he’s possibly not as perceptive as he thought!

When an opportunity comes for Taniguchi to reveal his intentions (Yanagi comes right out and asks why he brought her to a place where people go on dates and even get married), he is actually about to tell her, but a high schooler in the exact situation beats him to it with his date. He says he likes her, she suggests they go out, he agrees, and Bob’s your uncle! Taniguchi is mortified, but notes that Yanagi found the exchange compelling.

Taniguchi may have hit the post on this try, but the beauty of a theme park is the opportunities keep coming, so he suggests they go get some lunch. Tsukasa and Nasa do the same, and Tsukasa decides to make a romantic game of it: who can make the better plate of the other’s favorite foods from the buffet? Tsukasa naturally nails it, and is almost telepathic in knowing Nasa probably put the curry next to the cakes, but it doesn’t matter. They’re both winners of this adorable game!

Throughout all of this, Chitose is shadowing Tsukasa and Nasa with Charlotte and Aurora in tow. However, at this point Chitose is resigned to the fact Tsukasa is in a committed marriage and isn’t interested in meddling, only observing. Along the way she and the maids have a lovely time at the park together, with large swaths of completely losing track of their targets. Call it Chitose’s deredere side simply wanting to bask a little in the marital bliss…and sink into the park mascot Muffy’s fluffy fluffy white fur.

When the nightly parade and fireworks take place, it’s Yanagi who ends up making the first move, telling Taniguchi what a fun time she had. When Taniguchi says he feels the same, Yanagi absent-mindedly asks if they should then get married, taking a page from her former student’s own remarkably efficient romance. She shakes it off, and explains that things just felt really comfortable and right today. They just make sense.

To that, Yanagi finally grows a pair, tenderly takes her hands in his, and just as a firework explodes above them, tells her he likes her. It’s just a sweet-as-hell moment. I was prepared for so many more episodes of will-they-won’t-they, but Tsukasa and Nasa helped paved the way for Yanagi to get out there, mix it up, and find a special someone. In this she was successful almost beyond belief … and almost as if Tsukasa and Nasa have a kind of cupid-like power to bring others together.

Three episodes in and we’re no closer to learning anything more about Tsukasa’s past teased in the OP, but just like last season, the need to learn more takes a back seat to enjoying her and Nasa, Yanagi and Taniguchi, and Chitose and the maids interact. Put simply, Tsukasa’s past is a bullet Tonikawa may never need to fire, should it choose not to. I’m almost leaning towards hoping the mystery remains just that!

Vinland Saga S2 – 13 – Revolt of One

This week’s cold (or rather burning hot) open had me a little confused. Was this an older, long-haired, wilder version of Einar we’re watching as he burns down his owner’s house and kills him, leaving only his wife and infant child? That would have been quite the time jump, and brings up all kinds of questions, like why he has wrist chains, or what happened to Thorfinn…and Arnheid.

That wild, violent escaped slave looms as we transition back to Ketil’s farm, where both Snake, Thorfinn and Einar note that Sverkel should have been home by now. They find him face down in his field, but he’s alive, so they take him home. Ketil’s wife appoints Arnheid as his caretaker, and while he may not be that keen on being taken care of, there’s a warm and lovely family atmosphere to the dinner Arnheid prepares for everyone.

Einar mentioned earlier he’s considering taking Ketil up on the offer to become a retainer, if only to stay with Arnheid and possibly one day free her. When Thorfinn asks if he’s really that in love, Einar says it isn’t like that, and perhaps that’s true, and Arnheid is fufilling the role of the sister Einar lost years ago. In any case, these fun and happy times simply can’t last, because this is Vinland Saga.

Turns out the longhaired murderous escaped slave is from a neighboring farm, owned by someone Snake knew mistreated his slaves. The owner’s uncle is offering a 3-horse reward if anyone can catch him, but as stealthy as Fox is, the two men he’s been saddled with are so loud they wake the slave up from his nap before they can charge and capture him.

As Sverkel’s condition worsens, Arnheid regards her scratched and battered hands (other anime have face games, Vinland has a hand game) just as a horse whinnys; it’s the escaped slave riding hard across Ketil’s farm. Snake orders him to stop and runs for his sword as Fox and one of his men give chase (the second man was killed).

Then Arnheid gets a glimpse of the fugitive, runs out to him, and yells “Gardar!” And Gardar stops and strikes a heroic pose, declaring that he’s finally found Arnheid…his wife. That’s quite a setup for the second cour, before the next storm—Canute’s men—even arrive.

I can’t imagine Gardar will survive if Snake and his men have anything to say about, so it comes down to what becomes of Arnheid. It’s bad enough she’s a slave, but to have to watch her husband be killed while trying to be free? That’s a tough hand to be dealt.

P.S. All due respect to Survive Said The Prophet, but their new cour 2 opening theme “Paradox” can’t hold a candle cour 1’s “River” by Anonymouz, which was so good I watched the OP in its entirety every week. Ah well…

Don’t Toy with Me, Miss Nagatoro 2nd Attack – 12 (Fin) – Not Just a Dry Run

On a perfect, dazzling day, suddenly Naoto and Hayase are off on their first date together. When Senpai steals a glance, Hayase makes clear this is just “practice”, but I didn’t believe her for a second. Meanwhile, Gamou and Yoshi are following the couple close behind, while Hana and Sana are in hot pursuit, with Hana fanatically determined to protect Senpai’s love.

Gamou and Yoshi are worried it’s several centuries too early for Naoto’s cherry to pop, likening it to Kushana releasing a God Warrior prematurely. When there’s a dang Nausicaä reference in the first two minutes, you know it’s going to be a special episode!

Despite all the potential interference, Naoto and Hayase end up having a blast, even with Hayase constantly “docking points” for various demerits. At the same time, she takes an unironic selfie with her arm around her Senpai, and he accidentally does exactly what she wants him to do when she takes her hand in his and runs. He’s spotted her friends, but thankfully, Hana and Sana block them from following.

The dating bliss continues with Hayase messing around with tasting each other’s ice cream until their cones collide and they get the indirect kisses she was teasing about. At the dolphin show, Naoto acts super cool by keeping a splash of water from hitting Hayase, who thanks him by drying him off with a towel (she came prepared!). Also hilarious is the way Hayase mimics penguins and turtles messing with each other in how she messes with Naoto.

Their date reaches its finish with a romantic sunset walk on the beach. Hayase tallies up all of Senpai’s point deductions and additions, and comes up with 50 (out of a thousand) points, which Naoto thinks is pretty harsh. That’s when he asks what she thought of her role in this date, whereupon she says she considered it “the real thing” (as opposed to just practice).

Naoto says he never thought of it as a dry run either, phrasing that Hayase immediately jumps on, as it sounds like he wanted a “wet run”. At this point, Gamou and Yoshi are ready to stop Hayase before she “takes Paisen’s virginity”, but in a shock twist, Yoshi acts on her own for the first time in the series and stops Gamou, lest they become “cock-blockers.”

Hayase proposes one of two endings for their date, since it is for real after all: a hug or a kiss. Naoto goes the safer route, which is more than enough for Hayase as at the end of the day she’s as shy about this stuff as he is. They open their arms to each other and draw nearer, only to be interrupted by the Sunomiyas chasing her friends. Hayase then pretends she and Senpai are merely practicing judo. No one is fooled, but the moment is spoiled.

Back at school, Hayase avoids Gamou and Yoshi for a time, but at Sakura’s urging, makes up with them by inviting them to eat lunch in the clubroom with Senpai/Paisen. Hayase is mortified to find Hana feeding him a homemade lunch as an apology for following him on his date. It’s here we get perhaps Yoshi’s best one-liner: “Foie gras!”, in reference to Hana stuffing Naoto with food.

Hana offers to make his lunches all week, but Hayase puts a stop to that by declaring she’s got his lunch covered tomorrow. When she asks Senpai if that works, he brings up her morning practice and not wanting to be too much of a nuisance. This pisses Hayase off, but he’s not done: he’ll make lunch for her tomorrow, then she can make it for him the next day. Needless to say, it’s a deal!

That afternoon on their walk home, Hayase exploits the fact they’re alone again and proposes they finish the ending to their first real date. Naoto is flustered, but ultimately game. What follows is one of the warmest, most tender and heartwarming scenes I’ve seen in an anime in recent memory, which not only another utterance of “creepy” from Hayase can spoil.

Seeing the two gently come together and stay that way, and seeing how happy it makes both of them to finally be able to be this close without putting on excessive airs, is the perfect way to end the episode, and the season. It wasn’t a kiss, but it didn’t matter. I award full marks, no deductions!

 

Don’t Toy with Me, Miss Nagatoro 2nd Attack – 08 – A Beautiful Throw

Naoto is sick of still-lifes, and wants to draw another portrait—Nagatoro specifically. She cycles through a number of martial arts poses until she gets to one specific one Naoto likes. It’s a judo pose, but Nagatoro seems self-conscious about it. Later, her friends come in, see the pose, and Nagatoro flees, not willing to tell Naoto what it means.

Gamou and Yoshi tell Naoto he should work out more; this is borne out during his judo club, when he’s annihilated in every match. Gamou gives him a flyer from her family gym, which features not only a photo of her, but also Nagatoro fighting. When Naoto sees that Nagatoro saw him “fight” and was thoroughly unimpressed, he decides to go for it.

Mind you, he arrives at the gym without telling Nagatoro, and ends up seeing her in the middle of MMA sparring with Gamou. For someone always barging into the art club room while he’s doing his thing, she’s awfully sensitive about him basically pulling the exact same thing on her!

When Naoto comes right out and tells Nagatoro he knows he sucks and judo but wants to get better, and asks if she’ll teach him, she runs off and returns with a white tunic for him. They get down to it, and Nagatoro relishes the opportunity to tussle around and pin her senpai—though her technique is so solid, he ends up committing a cardinal sin and calls her “heavy”. Not cool, Naoto!

Nagatoro is, as she says, “dainty”, which puts her at a disadvantage in MMA where mass and reach are more important. Naoto watches Gamou punch and kick her from great distance, before Nagatoro borrows a move from judo, draws in, and subjects Gamou to an epic throw. It’s notable that Nagatoro is also beaming from ear to ear when she does this.

On their way home, there’s little to no usual teasing. Instead, Naoto asks Nagatoro about judo again, and she actually opens up a bit, using her normal voice to talk about how she was once really into it but got frustrated with her physical limitations that kept her from beating the biggest and best.

Before they part ways, Naoto does her a solid at tells her the truth: her judo throw on Gamou was beautiful. He’s basically telling her she’s beautiful, so of course she runs of flustered to all heck!

A part of Nagatoro clearly still loves judo, so I wonder if Naoto will be able to convince her to participate in the same tournament he’s in and rekindle her passion. As for him, thanks to Gamou and Yoshi Sana finds out that he’s trying to get better at judo, and volunteers her services. She’s as pushy as Nagatoro, and isn’t wearing anything under her tunic to boot!

Nagatoro gets there just in time to see Sana burying Naoto’s face in her ample bosom, and briefly manifests the same powers of electricity as Lum, Uesaka Sumire’s Urusei Yatsura character. But it’s Naoto who tells Sana thanks but no thanks, he wants Nagatoro to teach him. That makes Nagatoro happy, and elicits a proud smile from Sana.

Then, Sana meets with a mini-Sana outside. Even with Naoto’s senpai done with exams and school, it looks like a new Sunomiya is about to enter his school life…and perhaps even give Nagatoro more healthy competition!

Don’t Toy with Me, Miss Nagatoro 2nd Attack – 07 – Ski ga Kirei

Naoto has decided he wants to try ditching his frames for contacts, but after failing to get them in the previous night, he gives up. When Hayase spots the box, she immediately volunteers to put them in for him. A few “is it in yet?” double entendres later, and Naoto is seeing the world—and Hayase—clearly without frames for the first time. When Hayase puts on his frames and flusters him, we learn he’ll do his glasses-straightening tic regardless of whether he’s wearing them.

Ditching the frames means he’s able to do more energetic activities, like skiing. As luck would have it, he and his guy friends are at the same ski slope as Hayase and her friends. The difference is, Hayase and her friends are much better at skiing and snowboarding. That hardly matters to Hayase, who invites her senpai to join him, aweing his friends by being so friendly with one of the “popular girls”.

But again, Naoto is bad, even on the beginner slope Hayase normally wouldn’t bother with. That said, she relishes the opportunity to teach him, and when he steers himself into the sides, creating a sequence of Snow Naotos, she doesn’t laugh but shows genuine concern for his progress, which is slow and, at least to him, not very noticable despite her pointers.

That night, when Naoto and his friends expect to be done with skiing, they spot the popular girls (and guys) going out for night skiing. Again Hayase invites him to join her, but he passes, citing sore legs. Hayase is clearly disappointed but respects his choice and leaves. Gamou and Yoshi then gang up on him, asking him if he’s sure, and he explains he doesn’t want to slow Hayase down from having fun. The other girls assure him that Hayase going at her own pace is not the point.

Naoto suits up and heads out, surprised he’s suddenly gotten into something like skiing, which he wouldn’t expect of himself had he not met Hayase. As he’s practicing, a younger skiier loses control and careens towards a tree. Naoto forgets all his hang-ups and skis beautifully in order to catch the guy before he injures himself.

Hayase saw him do this, and I’m sure she thought it was pretty cool. She’s also surprised to hear him ask her upfront if she’ll keep teaching him, which is, of course, what she wants to do on that slope more than anything. When she notices he’s always looking down at his feet, she skis a bit ahead of him and tells him to keep his eyes on her.

A backlit Hayase, with her black hair shimmering and snow-dappled trees behind her, makes for an undoubtedly arresting sight. Unfortunately, Naoto is overconfident the next morning, and when Hayase tells her friends to watch how far he’s progressed, he faceplants into the side once more.

Back at school, Sana tells Naoto that she got into art school, which was totally expected but something for which Naoto congratulates her nonetheless. Sana then asks her kohai what he plans to do, and he says with a level of confidence that surprises her that he’s going to try for art school too. She chalks up this confidence to “the cat-eared girl’s” influence.

Naoto denies this, but in his head, he looks back at the year he’s known and hung out with Hayase, and concludes that she really has influenced him. But even after all this time, there’s still so much he doesn’t know about her, and wants to know, like what plans she might have for the future.

Maybe he can apply his newfound assertiveness to keep cutting through her teasing smokescreen and ask her about serious things like that. I think if he does, he’ll find she’ll be quite happy to tell him.

A Couple of Cuckoos – 24 (Fin) – Part of the Flock

Cuckoos eschews any more huge revelations or decisions and instead opts for a laid back finale full of warm family vibes. We begin with Nagi, Sachi, and Erika receiving a gaudy invitation to Papa Yohei’s birthday, a celebration that he prepares and executes all on his own. It’s never explained why, mind you, but it’s safe to say Yohei’s a good and cool dude, so his wife and kids let him have his fun.

I find it odd that it would slip Sachi’s mind that her brother and Erika share a birthday as they were switched at birth, and even odder that Nagi would only now do the math and realize he was conceived before his folks got married. Among the annual family portrait, there’s a pale-haired kid who goes totally unexplained…maybe she’ll show up if this gets a sequel.

The biggest takeaway for Nagi and Erika (and Sachi, who later reports it to Erika’s dad) is that their folks simply want Nagi and Erika to be happy, and for Erika to be in their lives like she is now. They no longer believe they have to follow through on their engagement and get married to maintain that.

Of course, by putting the onus on whether to get married or not, Nagi and Erika actually have to think about it beyond something being forced upon them. Sure, on the bus ride home they worry that Erika’s dad might not agree with Nagi’s folks, but in his head Nagi wonders whether Erika being able to convince him means the “end of their relationship for good.”

The episode then segues into Erika’s Dizzy Fever Day, as she suddenly collapses in the middle of a study session. Sachi and Hiro take her to bed, take her temperature, and prepare to change her into her PJs to rest more comfortably, and of course Nagi barges in while they’re disrobing her.

But while Sachi and Hiro bar Nagi from Erika’s room while she’s sick, they let their enthusiasm and drive to help her recover as fast and completely as possible ends up simply overwhelming her. They look up remedies like sake and leeks tied to the head, and develop the crazy eyes as they go on about how they’ll make Erika better than new.

When all of that fails to lower her fever, Nagi decides to step in and offer her a hot meal to regain her strength. Erika claims not to be hungry, but her grumbling stomach betrays her. Nagi also took exception when Erika told the others “sorry for being a bother”, as she’s been nothing but that for him since they met.

That being said, he doesn’t dislike that Erika, and so wants her to get better so she can get back to being that Erika. He knows that since Sachi and Hiro started living and coming ’round all the time, she’s worked herself hard to keep up with the energy level and it took a physical toll. It’s all well and good to want to be present and active in the group, but not at the cost of one’s health!

When Erika asks why he knows her better than herself, he says simply that they’re engaged. ‘Nuff said. For all of Sachi and Hiro’s good intentions, it’s his job as her fiancé to take care of her, and vice-versa. Hearing Nagi acknowledge their engagement and how it’s still important to him even when his parents have all but given them cover to break it off gives Erika a smile. What was thrust upon them at first has become something neither of them want to give up anytime soon.

When Papa Yohei delivers a copy of the latest family photo, it has Erika front and center. It’s a photo full of love and joy (or, er…RABUJOI) celebrating the addition as the gift that it is. Nagi, Sachi, and their folks are as happy Erika is part of their family as she is to be part of it. The fact that the episode ends with Nagi and Erika nagging each other over house chores just goes to show how close they’ve gotten.

If there’s a sequel that ties up the loose ends (Sosuke, that mystery kid in the photo, whether Nagi and Erika actually marry, etc.) I’ll be sure to watch it out of the affection for this colorful flock of cuckoos.

A Couple of Cuckoos – 23 – Breaking Bad

Having come up with butkis in the search for Sousuke, it’s time for the crew to head home. But just as Erika and Sachi pile into their car, Hiro takes Nagi’s sleeve and declares that they’ll be taking the train home instead. On the ride home Erika tells Sachi about how Hiro said she wanted to “have” Nagi, and neither they nor their driver are convinced they’re not concerned.

As for Hiro, one reason for staying behind with Nagi is to visit a local shrine and collect another shrine stamp (naturally both these stamp nerds have their books on them). While Nagi prays for academic success with the occasional smidged of romance, Hiro admits to not praying for anything in particular, only expressing her gratitude that they made it there.

She could also be grateful for simply having Nagi to herself, a time that heavy winds and rain extend when the station is closed. With no buses home and a taxi too expensive, the two decide to spend the night in an inn. Sachi and Erika panic when they see Nagi’s text to this effect.

Nagi is a little out of his element too. It’s clear he and Hiro are being bad here, not just because they’re both engaged, but because they lie about being 22-year-old newlyweds (much to the delight of the inn staff). That said, youth is the time for being bad and testing boundaries.

This episode is replete with cute Hiro faces and poses, as she is in particularly playful mood, no doubt out of the aforementioned gratitude and contentment that comes with being all alone with the boy she likes. After the two bathe (in separate baths) and change into warm robes, they play the word chain.

Then a lizard (or gecko?) appears in their room and Nagi wigs out. Hiro moves towards it but trips on her robe, and the two end up in a very amorous position. Not only that, a flushed Hiro weaves her fingers into Nagi’s and asks him if, after a day of doing bad things, why shouldn’t they…keep going?

Nagi locks up, and Hiro then waves away the proposition by saying she wanted to go buy liquor, having placed a 1000-yen bill in Nagi’s hand. Nagi is scandalized, but understands Hiro’s desire to break free of her Model Student binds on occasion. That said, he’d rather they not get tore up. Hiro compromises and says she just wants sake.

Then a firm knock at the door comes, someone calls “POLICE!”, and Nagi indeed sees a Police badge through the peephole. Turns out it’s Erika and Sachi in sexy cop cosplay, complete with Sobasshi ID and pink cuffs. This is as Nagi was starting to change in preparation to make a run for it. I won’t linger on the questionable logistics of how the girls got there so damn fast.

Suffice it to say, their arrival prevented Nagi and Hiro from getting up to any more no good than they actually did, and on the ride home Nagi passes out after barely getting any sleep the night before. Erika asks Hiro what they did, and Hiro replies “just…stuff”, and cryptically declares that Nagi “really is a boy”.

Regardless of her lack of detail, Erika and Sachi now know Hiro is serious about Nagi. We’ll see if this spurs any action in them in the final episode, or if we’ll have to wait for another cour for any kind of break in the logjam.

Call of the Night – 13 (Fin) – Let’s Talk About Love

While Nazuna plays video games alone (a typical night for her before meeting Kou), Kou is invited to Suzushiro Hatsuka’s apartment, where they’re greeted by three of Hatsuka’s offspring who are completely in her thrall, so much so that they simply stood around eagerly waiting for her return.

It isn’t until they’re ordered to leave and Hatsuka takes a shower and forgets a towel that Kou learns Hatsuka isn’t a woman, but a very, very pretty man. Suddenly Kou has a distraction from the night, which had been turned into a disappointment by his encounter with Anko.

Nazuna heads to the rooftop lounge vamps to report that she may not be turning Kou into a vampire after all. Niko tells her that wasn’t their agreement. Nazuna asks that they spare Kou’s life, but Niko is furious. It’s one thing for her and Kou to take their sweet old time, but to abandon the whole enterprise? Niko won’t stand for it—which means violence is sure to follow.

Hanging out with Hatsuka turns out to have a great deal of value, as he learns that just like humans don’t really know that much about humans, vamps don’t know much about vamps either. For what it’s worth, he doesnt’ believe Nazuna was withholding anything from her, but also doesn’t think it’s likely he’ll fall for her, being an adolescent kid and all.

So he proposes a compromise: Kou will become one of his offspring, so he won’t have to be killed and Nazuna won’t have to face consequences. As far as “falling” for him, Hatsuka will simply use his vampire power to “glamor” Kou, as he did with his other children. But this isn’t about gender for Kou—he simply only wants to fall for Nazuna.

As Kou gets up, Hatsuka asks him what he hopes to do by inserting himself betwen Nazuna and a clearly enraged Niko (the others text him a picture of a destroyed table). Kou simply says he doesn’t want Nazuna to be bored. He wants The Night to remain theirs.

When he arrives at the rooftop lounge, it’s clear a huge fight has taken place, but Nazuna just left. Niko declares ominously that Nazuna “won’t be capable of proper conversation for a while”, and doesn’t want to see Kou. Kou doesn’t care. He wants to see her, and he’ll brave any vampire fracas or cop-infested pedestrian bridge to track her down.

When he does, a forlorn Nazuna is buying a beer at the same vending machine where they first met, with their positions reversed: Nazuna lit by the machine’s greenish light, and Kou looking sinister as hell in the shadows. We learn that all Niko “did” to Nazuna was insist they talk about love, because that’s what Niko likes best.

Niko makes a deal with Nazuna: she and the others will go all out and root for her and Kou, and she’ll do whatever it takes to make Kou fall for her. As long as Nazuna can honor this, they won’t lay a finger on Kou’s feathery little head. And as proponents of vampire propagation, this works out better for them too.

Nazuna insists that “it’s over” but Kou takes her by the shoulders. He tells her he thought life was boring too until he ventured out into the night and met her. Even if she “acted like a know-it-all” who only knew how to have fun, masking her ennui, it doesn’t change the fact that the two of them had a heck of a lot of fun together.

Nazuna admits that she’s had so much fun she’d forgotten the boredom that had been gradually crushing her for decades.By dint of Kou being by her side, even things she’s done before feel new and exciting. Kou says they should then simply keep finding new things to do; he’s determined not to let her ever get bored again.

In response to this, Nazuna gives him a kiss—not a vampire’s kiss to the neck like usual, but an honest-to-god kiss on the lips like the climax of a romantic movie. She’s never been the most comfortable with romance, but in Kou she has a kindred spirit, and they can navigate those uncharted waters together as she vows in her head to become “a vampire worth falling for.” Of course, Kou would be the first person to say she already is.

While this episode could certainly serve as a series finale, I hope that’s not the case. Not only is there apparently plenty more manga to adapt from, but this was by all accounts a very popular and well-regarded anime. I’m hopeful it gets a second season where we’ll have more of Kou and Nazuna feeling their way through what it means to be together.

Call of the Night – 12 – Part of the Ordinary

Nothing like watching a starving vampire die with your friends to put a damper on your fun, huh? That tension pervades this episode as well. While Mahiru speaks alone with Anko in her very classic noir detective office, Kou twists and turns in bed, and when he goes to Nazunas and she prepares to feed, he finds himself pushing her away.

After talking things out (she promises him she’s in no danger of becoming like that starving teacher) they go on a walk, and Kou feels a little better, especially after Nazuna sucks his blood. He was suddenly confronted with the dark side of vampirism, but feels now that he’s identified that fear he can manage it.

I also like the subtle ways Nazuna’s new maid café pay allows her to buy a new top and shoes, switching up her usual all-black style. Switching up her wardrobe makes her feel more, well, human, and less of the evil villainous monsters Anko believes all vamps to be, who would of course always wear the same outfit.

Either later that night or on another night, Kou and Mahiru hang out, Kou finally meets Mahiru’s older friend, and Kou can’t take his eyes of her, despite her not being a vampire (as far as we know). But Mahiru’s true reason is to get Kou to reconsider becoming a vampire, asking him to at least explain why he needs to be one so bad.

Hearing his old friend say these things, and bring up the very frightening prospect of either him or Akira getting hurt, sends Kou’s anxiety and doubt rushing back. He’s so out of sorts, when he next visits Nazuna, he simply needs her to hold him quietly for a bit. Sensing a change of scenery might help, she invites herself to his house, where his mom is out (and his dad’s been gone).

As Nazuna performs at thorough porn search, Kou realizes she’s the first girl he’s had in his room and on his bed; Nazuna notes how the bed smells like him, adding to the raunchiness. But then they turn to real talk, and she tells him it’d be weird if he wasn’t unsure about being turned after what he witnessed.

Kou says he wants to become a vampire because he loves the night and all its freedom and strangeness. He also likes Nazuna, who acknowledges all his emotions and is at the end of the night a decent person, vampire or no. But he can’t discount the potential for hurting his friends, so he wavers. When he then adds that Nazuna is “that eager” to make him her offspring, her resulting expression makes it feel like an uncalled-for low blow.

Nazuna expands on Kou’s love of the night, believing he truly loves it because it’s out of the ordinary. She asks him to compare his first night out to his latest, and Kou can’t deny the excitement has waned some. Then she says that she’s lived for decades as a vampire and felt nothing but boredom (or to be more precise, ennui*).

Rather than try to convince him to be a vampire, Nazuna can’t help but discourage him, since in her experience it’s not all it’s cracked up to be. She tried to make things as fun and exciting for him because that’s how she wanted to be, and how she wanted him to think vampires were like.

These two are no longer strangers to setting jokes aside and  saying what’s in their heart, but in this case, the truth hurts. It’s also not altogether surprising; immortality is bound to get dull once you’ve seen and done everything and nothing is new or exciting; when everything becomes ordinary.

Just as Nazuna turns to leave, Kou trips on his chair, drops the remote to the light, and falls onto the bed, on top of her. The bleak light of his room becomes a deep, dark purplish blue, and motes of dust sparkle in the moonlight. Just one little stumble, and suddenly things are exciting and extraordinary again.

Nazuna rises as if to kiss him, but her lips pass his and go to his ear, asking if he thought she was going to kiss him, then licking his neck marks and disappearing through the window.

One night, Kou decides to meet with Anko, curious about how exactly she kills vampires and why, and to basically learn more about her. But Anko isn’t the kind of person who is easy to get a read on, especially if you’re a middle school boy. She batters him with faux flirting and deductive reasoning. She messes with him the way a cat messes with a mouse.

And like a cat, her end goal is to destroy: not Kou, but Kou’s designs on becoming a vampire. In the beige, drab night (I love how the environment changes when she’s around) she offers him a stark black and white choice: abandon his plans, or be killed by her hand as soon as he becomes one.

His attempts to counter her arguments by describing the vampires he’s met fall on deaf ears; Anko doesn’t want to hear it. Vampires are evil and shouldn’t exist, period, and any human traits or behavior they adopt is in the service of feeding on and killing humans.

When Kou asks how he’ll avoid being killed by the other vampires if he decides not to become one, Anko simply says she’ll kill every last one. It’s chilling to hear someone with such resolve speaking Nazuna’s name. When he refuses to choose, she simply plays dirty, calling the police and reporting a middle schooler hanging out late at night.

Kou runs from Anko, but it will be hard to run away from her will, and now the night is tinged with that fear he thought he could control: the fear of losing the night where he feels most free. When a cop car turns on its lights and sirens, bathing him in red light, the paranoia briefly takes over, and he seeks shelter in a playground slide.

It’s here, where he wants nothing more than to be with Nazuna, talking with her about nothing of import, where he’s approached by Suzushiro Hatsuka. Hatsuka doesn’t seem there to threaten or hurt him, but simply to talk, having possibly smelled Kou’s fear and/or anxiety.

Don’t get me wrong: vampires shouldn’t be allowed to go around murdering people, or drinking their blood without consent. But the world has more than enough people out there who would gladly offer their blood to vampires, as Kou does with Nazuna.

Dismissing peaceful coexistence while shrugging over the awful things humans do to each other seems not only reductive but hypocticial. Then again, she could simply be an anti-vamp zealot, perhaps after losing a loved one. In any case, she’s definitely got her hooks at least partially in Kou (not to mention Mahiru), and is unlikely to loosen her grip anytime soon.

Call of the Night – 11 – Here Comes the Morning

Nazuna has put her sudden influx of maid café income to good use, procuring a new bed, floor lamp, a shelf for things, and houseplants (hopefully of the kind that like shade). She hopes the bed in particular will help her cuddle buddy/massage gig. But in what is one of her more questionable requests of Kou, she sends him, a middle schooler, out into the night to find “tired-looking” new customers.

He finds a particularly tired-looking lady on a bridge. The de-saturated palette, trench coat, and smoking habit all point to her being a private eye. Her name is Uguiso Anko, and she’s willing to hear Kou’s sales pitch. They go to a café to chat, and Anko immediately creates an uneasy atmosphere by reciting verbatim the labor laws his boss is breaking, then asks about Akiyama Akihito, quite out of the blue (or in this case, taupe).

When Kou lies that he’s never heard of him, Anko slams on the table and draws in close, the line of smoke from her cigarette twisting in a threatening spiral. Clearly she can smell a lie (and see the bite marks on his neck). Needless to say, Kou is way out of his element here! Fortunately, she backs down and leaves, but also leaves him her card.

When Kou returns without a customer but having hung out with another woman in a cafe, Nazuna is cross, so he’s unable to tell her any details about who he met or who she was looking for. Another night, Mahiru leads Kou and Akira on a fun night out together as good friends, feeling like that hasn’t happened enough since they were all small.

The three sneak into the school and explore the “seven mysteries”, then decide to investigate an eighth, regarding a teacher who went missing ten years ago. Upon opening a classroom door on a lark, they actually find this missing teacher, who loooks haggard as hell and extremely volatile. Combined with the tension of Kou’s sit-down with Anko, this is already easily the least chill episode of Call of the Night.

Shit officially shifts into the horror genre when the teacher repeatedly curses the fact these kids showed up, states how he’s unable to “hold back” any longer, and then pounces on Akira. Mahiru tries to pull him off, and after freezing for way too long, Kou finally clobbers Akira’s attacker with a chair (and those school chairs hurt, lemme tell ya).

The ghoulish teacher is only stunned, however, and as the three ponder what to do in the hall, the vivid blues, pinks, and purples suddenly give way to the near-monochromatic palette that seems to emanate from Uguiso Anko, Private Detective. After lighting a cigarette, she beckons for the man, who is a vampire, to come at her.

But when he drinks her blood he finds it disgusting. Anko says her working theory is correct: this guy hasn’t drunk human blood for all his ten years as a vampire. The man says he was tricked into falling in love with one and then turned into one. Anko simply embraces him with empathy and understanding.

Then she places what looks like a silver ring in his hand, tells him not to let it go, and then dawn arrives, the setting sun causing him to crumble into dust. It’s the first death of a person—undead or not—that the three kids have ever seen, and as you’d expect, they’re in something of a state of shock. Not so for Anko who explains that some of her cases involve vampires.

When Kou asks her why he had to die, her answer is simple: why let a monster live? She then moves in close and grabs Kou by the scruff, warning him that she won’t let him achieve his “dream”, because he doesn’t have the slightest clue about vampires…not really. As the sun rose and the long-suffering, starving vampire fell, so too have the chill vibes.

Kou walks home not necessarily considering Anko an automatic enemy, but suddenly feeling crushed by the weight of what he doesn’t know. Of course, he’d been operating under the ludicrous assumption that everyone who is a vampire wanted to be one, because vampires are cool. It’s a splash of ice water to the face, for sure, and Anko is a formidable and fascinating antagonist, thanks in no small part to Sawashiro Miyuki’s powerful performance.

A Couple of Cuckoos – 14 – Thinking About Pi

Nagi agrees to help Erika study for her make-up exams as long as she stays focused, but let’s be honest: even he knew that wasn’t going to be easy. Erika cosplays in a military uniform (and dresses up Sachi too) and plays lip service to this studying “mission” to hold the “territory” of their house, but …she also just might have undiagnosed ADHD.

There’s also the matter of her previous rich girl’s school not being nearly as academically tough as Nagi’s, and even if it’s not Nagi’s fault her father enrolled her there, the fact it was done because they’re engaged lends him a measure of responsibility, so he tries to help her study, but she keeps getting hung up on things like why the symbol for Pi isn’t a cute emoji.

But after more than three hours of not getting through a single problem, Nagi is fed up, and reiterates that he needs to study too in order to beat Hiro. Hearing her brought up is the last straw for Erika, who gives up and skulks off to her room, apparently resigned to move back in with her parents. Nagi, too annoyed by the lack of progress, doesn’t stop her, and Sachi’s attempt at mediation fails.

Later that evening, Nagi realizes that he’s become accustomed to this place, and isn’t in a hurry to leave it, but that’s what will happen if Erika fails the make-ups. That would feel like moving backwards. When he goes downstairs for some coffee he sees Sachi crashing on the couch. She tells him that Erika is still studying, and he should help her.

When he enters her room (without knocking) Erika is sitting at her little desk lamp fighting back tears as she desperately tries to cram, so while Nagi’s sudden appearance is unexpected, it’s not unwelcome. When she asks why he’s helping her when he’s fine with her going home, he says her problems are his problems, because she’s his fiancée.

While Erika continues to prove a tough toutee, Nagi pulls two straight all-nighters with her, and he’s there in the classroom when she receives the result of their hard work and perseverance: her grade improved, and her dad calls off the summons. Erika and Nagi share both revel in their victory with wide smiles. Her text to her dad with the news, complete with eyelid-pull emoji, actually makes him happy.

As a reward for passing, Sachi invites Erika to the festival being held at the shopping district where the Uminos’ diner is. She’s late getting ready, and the folks wander off to mingle, so the family yakisoba stand is run by Nagi and Sachi. You can tell when Nagi catches her after she trips on her laces that Sachi is happy for some quality Onii time.

However, things get awkward with them again when Hiro shows up. Nagi introduces her, she remembers the text on Nagi’s phone about going on a date, and reacts coldly, turning her head and ignoring Nagi when he says she’s being rude. She’s also offended when Nagi so quickly agrees to walk around with Hiro later.

She assumed that Nagi would hang out with her and Erika, especially since this is in part a celebration of Erika passing her exams. It’s kind of cold and oblivious of Nagi too, considering Erika told him to think of Sachi as less of a little sister, and I thought it got through to him. Apparently not!

Naturally, before Nagi is done cleaning up the stand after they sell out of food, Erika arrives resplendent in a yukata lends one to Sachi, and the two head out without him and bump into Hiro, because of course they do! Not only that, Erika introduces Sachi as her sister, when Hiro had already heard that she was Hiro’s.

It’s weird to think that Hiro has never officially met Sachi, but then again she isn’t aware that Erika and Nagi (and Sachi) live in the same house, nor did she even know Nagi’s home was a diner. She and Nagi have been through a lot, but there’s still a lot she doesn’t know about him and Erika, and it looks like she’s going to learn more very soon.

Whether that new knowledge will change how she feels about Nagi “changing her fate”, or makes her feel betrayed and hurt, only time will tell. But I for one believe she’s been in the dark too long as Nagi’s “side girl”. It’s time for things to come to light and let the cards fall where they may.

A Couple of Cuckoos – 13 – It’s a New Morning

After Nagi’s realization sparked by dad that he harbors feelings for all three of Hiro, Erika, and Sachi, he realizes something else: he cannot think about anything else. This realization, combined with the reality that he hasn’t been studying nearly as much as he used to, comes crashing down on him in the middle of midterm exams. He ends up bombing, falling from first to thirteenth.

Nagi shambles home and holes up in his dark room, feeling like trash, since he believes his primary value to be studying and acing tests. Under the pretext of complaining about dinner not being ready (complete with growling stomach), Erika enters his room to tell him that’s simply not the case, and no matter his rank, he’s “just as valuable” to her.

It’s an extremely cute and bold move from Erika coming off her “not yet” amendment, and Nagi can’t help but smile when he realizes she’s both trying and succeeding to cheer him up.

Hiro is a slightly different story. Back at school, she starts blatantly avoiding him, but then leaves one of her signature not-love letters in his shoe locker. Erika suggests that Hiro feels betrayed because Nagi was on his high horse about beating her once only to fall so far on the next exam. But as we learn when Nagi meets Hiro at the beautifully lit basketball court after school, that’s only half of Hiro’s story.

After Nagi apologizes for letting his guard down and commits to doing better, Hiro passes him the rock, giving a playful rhythm to their make-up talk. But it wasn’t just her respect for him as an academic rival that made her upset; it was learning how quickly he cheered up without any input from her. She wanted to be the one to cheer him up first but Erika beat her to the punch.

Watching Hiro make a layup in dazzling slow motion, it occurs to Nagi that while things are a lot more complicated with regard to his romantic life, he still loves Hiro aplenty, and still wants to beat her enough times at exams so he can “change her fate” she’ll process his confession. But as we saw during times when he and Erika were having what amounted to lovers quarrels in earshot of both Hiro and Sachi, everyone coming out of this happy and satisfied is a tall ask.

I’m not surprised Nagi wants to try his best to simplify and work on things he knows he can by getting back to his intense studying regimen and climbing back to the top of the rankings. Even then, Erika makes it known she needs his help studying, or her folks will bring her back home.

A Couple of Cuckoos – 12 – Not Yet

With Nagi and Sachi successfully making up, Erika decides she wants to take Nagi shopping after school…only he already has “something important” to do. That consists of having a study session with Hiro at the library, where they spend most of the time exchanging notes.

After that, Nagi is concerned with where else they can study more, but Hiro wants to show him more about herself, so she takes him to a kickboxing studio. Nagi isn’t completely physically incompetent, and thus impresses with his punch. Erika happens to walk by and see how much fun he and Hiro are having.

The last few episodes, Erika has been pretty okay with Nagi doing his own thing, and even said she’d root for him and Hiro, whom she adores. But actually seeing the two together has an effect she didn’t anticipate. She tries to counter that effect by reasserting their technical status as fiancés by announcing they’re going on a date together.

Just as Hiro did at the theme park, Erika takes the lead, buying Nagi some expensive clothes, taking him to a pet store to hang out with some reptiles, and finally going on an exhausting evening run. After each leg of their date, she stares at Nagi and looks disappointed. She eventually tells him: she saw him smiling like a goofball with Hiro, but he never smiles at her!

Nagi takes Erika’s problem to its logical conclusion: she got jealous and pissed seeing him and Hiro together, which means she likes him. Pointing this out doesn’t help matters, but Erika doesn’t outright deny it, simply saying “It’s not that I like you!…Yet!” before storming off.

Nagi, however, remains on the park bench until well after sundown, contemplating how Erika feels and how he in turn feels about that. He can’t deny his heart is racing, which makes him wonder if he likes Erika, and whether what he’s feeling for Hiro is love.

Nagi resorts to googling “love” then going back home for the first time in forever to consult his mega dictionary, but ends up finding a box full of love letters from his dad to his mom. Like, all of them were from his dad.

The letters are dumb, sappy, embarrassing…but his dad kept writing them, and his mom kept accepting them, and eventually accepted and returned his feelings, despite being seemingly out of his league. Sensing his son is questioning his love, he tells him to close his eyes and “ask his heart”—the one he loves should show up in his mind’s eye.

Nagi does this, and for the first time, all three girls appear at the same time, albeit with Erika in the center. Naturally, this is extremely confusing for Nagi, who has operated the entire first half of this series under the impression he loved Hiro and only Hiro. But between Erika and him living together and being pretty goshdarn great together and his realignment of how he sees Sachi, Nagi is finally seeing the full, multi-girl picture.

Of course, this is just the initial awareness stage. It remains to be seen whether he accepts that he has feelings of various levels for Erika, Hiro, and Sachi, or that one day a choice will have to be made that might break two of their hearts (or all three). But it’s a satisfying development nonetheless, and I liked his text response to Erika: he doesn’t like her either…yet. For both of them, “yet” is a shield, but it’s also a kind of invitation.