3D Kanojo: Real Girl – 13 – In It to Win It

Well well well, if it isn’t my favorite poorly-animated romance of Spring 2018, picking back up like nothing happened. In truth, it looks a little better, if still not very good. At least the light pastel palette is soothing enough. Visual shortcomings aside, I’ve always thought of 3DK as more than the sum of its parts, and stayed invested enough in the first dozen episodes to welcome a dozen more. Also, it’s a slow Winter so far.

So. Reaching another normie milestone, Hikari is voted cultural festival rep by his class. He and Itou have classically peace’d out for such things but this year is different, and he doesn’t have a choice. As for Itou, he’s trying to evolve, which means finally mustering up the guts to confess to the eternally pleasant Ayado, who turns him down simply because she’s not quite over the emotional turmoil of her first crush and rejection.

Hikari is there for Itou, and it doesn’t even take that long for Itou and Ayado to encounter one another and recover from the incident. They value each other too much as friends to throw that away, and so they agree to continue on as they have.

Ayado also offers to assist Itou with his class’ maid cafe, seeing as how she’s a pro at that. The next day Itou cuts his hair—which Ishino really likes—continuing to move forward with purpose.

The stress of Hikari’s job as festival rep is somewhat undercut by Itou’s exploits, but that’s actually okay. It’s Iroha who gets the really short shrift this first week. She and Hikari are cordial enough to start, but when he misreads her reluctance to enter the beauty pageant, she storms off, and by the time he sees her again, she’s already decided she’s going to do the pageant anyway. Hikari may be lucky, but he often lacks the best timing.

Itou worrying about Iroha slipping away from him when the pageant makes her more popular also feels like an older version of Itou; the one who didn’t understand why Iroha actually loves him.

Never mind; he’s been appointed a judge in the pageant, which means he’ll be judging his girlfriend. That shouldn’t prove awkward at all, no siree! So this was a brisk episode full of stuff, enough of it that I wonder where characters like Itou go from here if that is indeed that as far as Ayado is concerned. But I guess we’ll find out, won’t we?

Tsurezure Children – 09

This show, and this episode in particular, is brimming with wrong assumptions made in the heads of the young and in love. Those assumptions make progress slower than it would be if they could only properly communicate with the ones they like.

But again, these are kids, and it’s their first love, so rookie mistakes are to be expected. It’s those tiny steps in the right direction that make me not only stay invested in all these various couples, but gives me hope that some day they’ll figure it out.

Sugawara and Takano’s eyes meet so many times, both wrongly assume they’re bothering one another…but a tiny bit of progress is made when Sugawara tells her he was, in fact, looking at her. Takano said she was looking at him too…now she just has to say it to the correct person, not Gouda!

Few couples got off to a worse start than Kanda and Takase, but neither likes the distance that has grown between them, and so they make up. That they both wrongly assume the best they can get out of the other is friendzoned is a concern, but they are talking to each other again. Progress!

I’m on record in older reviews of her work as saying Ogura Yui’s trademark syrupy-sweet voice sometimes sounds like nails on a chalkboard, but I’m enjoying her work as Kamine, who is the most aggressive of the characters this week.

Unfortunately the body language she exhibits while struggling with the fact she “blew” her first kiss with Gouda is being wrongly interpreted by Gouda as having gone too far in kissing her. Kamine tries to force the issue by pretending to fall asleep on his lap, but for her trouble, Gouda nods off for real and they nearly touch faces.

Finally Furuya is sick of dragging things out, and wants to properly, seriously give Minagawa an answer. But he wrongly assumes that all of her different kinds of “likes” she throws at him (kudos to Hana-Kana here) is all part of an extended teasing regimen, when in reality, teasing is what gives Minagawa the courage to say the things she does.

When she says that none of the ways she says she likes him are adequate, she has Furuya close his eyes and…well, does she kiss him? Sure looked like it to me, but then she had those fingers up. Minagawa thinks Furuya should know whether her lips met his…and she’s right! Lips and fingers don’t feel the same!

Fuuka – 11

Ay Caramba was that a jumbled mess of an episode, full of people being selfish and awful, other people being pushed and pulled around like ragdolls, people saying things no normal people would ever say out loud, and peppered with seemingly even more superfluous fanservice than usual.

First up, Fuuka, who leaves the band she forced everyone into to begin with to sign a contract with a studio. You know she’s leaving the band because it’s too painful to be around Yuu, and I know that too, but Yuu doesn’t, because he’s an idiot.

This isn’t about pursuing her dreams. You can tell because throughout this episode she’s sad and saying out loud “I AM MAKING THE RIGHT CHOICE HERE,” as if trying in vain to convince herself.

As for the other girl whose feelings for him Yuu is totally unaware, Koyuki surprises him when he’s moping in the dark his bedroom, presumably a few days later. When Koyuki learns why he’s blue, she tells him it’s for the best, how she wants to be on stage with him, no matter how much he sucks at bass, then opens her blouse and pounces on him.

Yuu is just not feelin’ it, and Koyuki starts to sob, talking about how she knew she wasn’t the one, how she knew about the feelings he doesn’t know he has, and how he needs to “be honest with himself” before leaving the site of her almost comically brief and awkward attempt at seduction. I feel bad for Koyuki, not because she was rejected so utterly, but that she likes a schlub like Yuu in the first place.

Yuu isn’t just a schlub: he’s also a deeply selfish, destructive person. Mind you, it feels like only a few days have passed, but all the other members of the band have already moved on to other things; Fuuka was the now-absent glue that held them together. Without her, Nachi goes back to focusing on track, Mikasa prepares to move back home and be the finance bro his dad wants him to be, and the talented Sara instantly finds another band to play in.

The wound of the short-lived The Fallen Moon (ugh) is healing nicely for everyone…except Yuu. The band was, apparently, all he had, so he tears it back open, writing a song that “contains all his feelings” (ARRGH) and delivers them to the members one by one in person, totally ignoring their firm yet polite attempts to decline.

Mikasa’s egregiously soapy-yet-oddly robotic monologue to Yuu borders on self-parody:

Sorry, Yuu…I’d moved out of my family’s home as a rebellion against my father, but that’s over now too. I’ve decided to listen to my father. He’s literally promised me a happy future! So I won’t have to suffer or stress myself out chasing pointless dreams anymore!

Who talks like that? Who wrote this drivel??

Yuu doesn’t give a shit what you’re up to now. HE wants the band back together, and he knows if they just hear his song, they’ll come running back to Denny’s. And of course, one by one, the rubes prove Yuu right.

“You’re absolutely right Yuu! How silly of us to move on with our own lives after the most talented, charismatic member of our band quit. Let’s re-form the band on the recommendation of the least talented and charismatic member!” What are these people, lemmings?

The only one he’s not able to immediately bring back is the one who he let leave in the first place without a word of complaint, saying at the time, “if it’s her decision, there’s nothing we can do.” Moping in the dark, getting jumped by Tama-chan, and pouring his feelings into a song have changed him. Now he wants the band back, Fuuka included. Everyone has to do what he says, dammit!

It’s tricky, though, because Fuuka, perhaps not ready to face the band she started then abandoned, is using her mom to screen visitors to her house. She mopes much like Yuu mopes, clutching his feelings-song in her hands, insisting she’s on the right path despite all outward evidence to the contrary, to say nothing of the turmoil in her head.

The insinuation is that, like Yuu had been doing until now, Fuuka isn’t being honest with herself. So go ahead, pursue your dreams as far as your talents will take you…but only until Yuu incessantly hounds you to return to the band. You’re done with the band when he TELLS you you’re done.

I don’t like this show anymore!

Fuuka – 10

Fuuka still hasn’t written the lyrics. Everyone’s hounding her, but it isn’t until Yuu tries to offer some friendly help when she momentarily snaps. She’s sick of feeling the way she feels about Yuu, and seeing him flirt with Koyuki.

Of course, Koyuki isn’t satisfied either, because it’s not as if she and Yuu are really a couple. There something in between, something that just isn’t cutting it, and she can’t go on. So yeah, Yuu’s making precisely no one happy right now.

Fuuka eventually does finish the lyrics, and they’re apparently awesome. Yuu seems to think so. But whether Yuu’s calling her on the phone and being nice, smiling at her, or praising her awesome lyrics, Fuuka continues to feel like shit.

The night of their big gig we get a little slice of all the band members’ lives. Fuuka perches precariously from her roof, but we don’t see her family. Yuu’s sisters promise they’ll be there. Nachi’s grandma sparks some flint for good luck or something. And Makoto? Makoto’s getting disowned by his asshole father for daring to be in a useless band. I wish I cared…but I don’t!

Fuuka’s pink alpaca strap falls off right in the middle of the street, and everything seems to be pointing to Fuuka getting clobbered by the classic “anime truck doing 70 mph in the middle of downtown,” with Fuuka either buying it or ending up in the hospital, probably with a ruined voice on the eve of her big break.

Instead, she avoids the truck (she is pretty athletic), and leaves the alpaca strap behind, which is like a symbol for her attempting to be move beyond the torturous slog of pining for Yuu, something I’m still not quite sure why she’s doing in the first place.

So The Fallen Moon (uuuuuuggggghhhh) performs their Hedgehogs (I’m sick of capitalizing it) cover for the millionth time, followed by a slower number, and then Fuuka’s big number. Throughout the gig, there’s more than one person singing, even though Fuuka is the only one singing, which is weird.

Also, because apparently there wasn’t enough animated material in this episode, we cut to a slow pan of the classic “impossibly starry city sky” again and again. Honestly, the episode went to that sky almost as much as the band goes to Denny’s!

The gig complete (and a huge success), Fuuka finally decides she’ll do that solo contract after all. Mind you, this is the band’s second public performance, and she’s leaving the band. The band Mikasa got disowned to stay in. Nice.

Really though, Fuuka is making the right choice. Even though everyone in the band is pretty good, the offer with the cash wasn’t for the band, it was for her. And you gotta look out for number one. I’m not sure where this is going, but this is actually a mildly intriguing development.

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Fuuka – 09

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Wow, we’re already nine episodes into this? Wow, that’s pretty far. What better way to celebrate than Yuu going on a date with Koyuki. Wait, whuuuh? Last time we saw them, they were locked in a hug on a pier, now they’re touring Little Edo, AKA Tiny Kyoto.

Koyuki starts out wearing a ski mask, but removes all disguises except for magic glasses that make it impossible for anyone to identify her. Also good news: her voice is “back to normal”…but I’ll believe her when I hear her!

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In any case, inertia plus history plus chemistry equals these two becoming something of an item this week, which doesn’t go unnoticed by the band. Yuu is late for practice after all, and while Nachi jokes about him being busy with his girlfriend, Fuuka is less enthused.

After practicing the same damn HEDGEHOGS song for the thousandth time (aren’t they sick of it by now?) they go to Denny’s and Fuuka presents her Next Great Idea: she’ll write an original song…by ear. Yuu ducks out to talk on the phone with Koyuki, and when Fuuka goes out to see where he went, he hears their flirting and remains…not enthused.

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A song-writing montage ensues, filled with still images, one of them showing them going to Denny’s again in short order. Honestly, how can these unemployed kids afford so many trips to Denny’s? They must get allowance out the wazoo! You’d think they were already a successful professional band what with all the cash they’re throwing around.

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They get the instrumentation done, so all that’s left is the lyrics. I’ve never been in a band, so I supposed some bands do the music first then the lyrics, while others do vice versa, while still others do both at the same time. Fuuka, at least for this The Fallen Moon song (ugh, I forgot that’s the name they picked for their band), goes with the first strategy, but gets lyricist’s block, no doubt exacerbated by her heartache.

Then one day Sara’s brother asks Fuuka to have a meeting with him and a music producer, who heard her sing at the school riot. The guy is perhaps unreasonably obsessed with her from a single impromptu recording, but goes on to say she “ate Koyuki alive” on that modest stage, the implication being, for the first time, that Fuuka is just flat-out better singer than Koyuki.

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But Fuuka doesn’t even say she’ll think over the producer’s offer to make her, and only her, a pro. She’s sticking with her unfortunately named band. Her selflessness is rewarded when she once more runs right into the middle of a private Yuu x Koyuki interaction.

The show is really piling it on in terms of Yuu and Koyuki rubbing their longer relationship all up in Fuuka’s face. Girl can’t catch a break! But she can’t worry about stuff like this right now; The Fallen Moon (UGH) is opening for other bands in like, no time at all, and she needs to get those lyrics written or she will LET EVERYONE DOWN.

Still, I’m sure no matter what happens, cash will somehow continue to appear out of thin air for the band, with which they’ll continue to buy fried food and sundaes at the local Denny’s. Eat more fish, kids.

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Fuuka – 08

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Um, so yeah, I don’t know why I didn’t mention it last week, but band solidarity aside, it was really really dumb and selfish to stride out on stage before such a hostile, volatile crowd. By doing so, they put not only themselves, but everyone in that room (including Yuu’s sisters) in unnecessary danger.

It only takes a spark from a couple of n’er-do-wells for the audience to become a mob. So what I wanna know is, where in the hell were the adults in this? Isn’t this a school auditorium? Did no one bother to inform any of the festival organizers of the circumstances surrounding the performance, or the potential hazards?

The bizarre, total absence of any of the controls that would have put the kibosh on this show before it even began were conveniently missing so that “the show could go on.”

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So Yuu gets his bass wrecked and his head cut open from a bottle (which is pretty rock-and-roll, now that I mention it), and the crowd grumbles loudly, starts shoving Yuu’s sisters when they protest, and start to crush Koyuki when she reveals herself (another dumb move on her part).

And yet, like the flip of a switch, everyone in the rowdy mob just kinda…shuts up as if suddenly a single unit, and are so charmed by Fuuka’s powerful voice, her unison duet with Koyuki, and the talent of the other band members, their heckling and hostility turns to joy and cheers.

Are you takin’ a piss, Fuuka? Seriously? Quell the crowd with lame J-rock? Sorry…but I ain’t buyin’ it!

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After Koyuki is shuttled off by her minders, the band heads to Denny’s to celebrate their bafflingly successful concert, which was streamed on the internet and greatly boosted by Koyuki’s presence. They then come up with a band name, The Fallen Moon, which is, well, there’s no other way to say it, the worst name for a band everno hyperbole.

What did elicit a laugh was when Fuuka protested over using her surname to name the band, making it seem like she forced everyone to join, followed by everyone else confirming that yes, she did indeed force them. But why did you let her force you? Is she just that really, really, ridiculously charismatic?

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On the other side of the charisma spectrum is Koyuki, who is gently warned by her manager not to pull any more shit, and to stay away from Yuu lest she cause more riots and brawls. Yuu calls and calls, perhaps dozens of times, but Koyuki lets it vibrate, and he doesn’t seem to leave any messages.

All those ignored calls, combined with her guilt over what transpired and her production company cancelling all of her TV appearances (since she’s proven she’s a loose cannon no doubt) conspire to stress her out so much she literally can’t sing when called upon to do so, and has to cancel the last show she had left: the Christmas concert she invited Yuu to.

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While walking on the beach, Yuu calls once again, and it looks as if Koyuki feels she has no choice but to answer, or else he’ll just keep calling. The call is brief and curt. Yuu, not satisfied, hops on a train to track her down; not obsessive behavior at all! He finds her at the pier where Fuuka found them in the rain.

Why did she go there? Why did he know she’d be in that specific place at that specific time? Not sure, but Koyuki becomes a wreck upon seeing him, breaking into tears, blaming herself for everything, and begging him forgiveness “for loving him.” Aw jeez. Yuu’s answer is to rush at and embrace her, which…the sea’s right there dude. Be careful!

But it just doesn’t seem like Yuu loves Koyuki…at least anywhere near the extent she loves him. It seems more like an obligation hug, a comforting a friend hug, not an “I love you too” hug. But hey, at least they didn’t fall into the ocean, right?

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Fuuka – 07

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As expected, the photo of Yuu and Koyuki goes viral, creating problems for both. Yuu’s sister and mother chew him out for being so reckless with his celebrity childhood friend. He’s mobbed at school by both classmates and total strangers.

Fuuka is disappointed that when she told her she saw Koyuki, he didn’t feel the need to tell her he saw her too. But with their first concert coming up at the cultural festival, they decide not to get too bent out of shape out it.

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Meanwhile, Koyuki’s handlers coach her on the proper PR response to the photo. Yuu tweets that they’re just friends, while Koyuki’s company was ready to deny it was her and decline further comment.

Instead, Koyuki stays true to herself, and in a bit of a personal coup, blows things up even more, stating on live TV to the masses that the boy in the photo is not just some friend, but her unrequited love and muse for all her songs.

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While admirable, Koyuki’s decision is a bit selfish, and only results in more potential problems for both Yuu and his band when the day of their first show arrives. Koyuki arrives in disguise, not wanting to miss it, and sees that legions of her fans—and haters of Yuu, the guy who apparently won’t love her back—are amassed, ready to shit all over Yuu’s show…figuratively of course.

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Yuu apologizes to Fuuka and his bandmates over and over, but they understand it’s not his fault, nor is it Koyuki’s. What happened happened, and all they can do is put on the best performance they can. You can’t please or appease all the haters, and trying is a proposition of diminishing gains.

That being said, we’ve essentially jumped two months from last week to now, so all the bonding the band has done was done ‘off-camera’ (not that I particularly wanted to watch more band practice, mind you). It also seemed a bit anti-climatic to end the episode before the big performance takes place.

As for Fuuka’s dilemma about her feelings for Yuu conflicting with her pledge to Koyuki, well…at this point I still see Fuuka winning out. She’s the title, after all.

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Fuuka – 06

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This episode of Fuuka has no band/light music club practice, no Mikasa, Nachi or Iwami, and precious little Fuuka. Instead, true to its title, it’s all Hinashi Koyuki all the time, starting with a particularly bad day at the recording studio. Koyuki just can’t manage to find her voice, and it’s likely largely due to “Nico-kun” being back in her life.

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First, we look back on their friendship, when she seemed to have much harder edges and a tomboy streak. Yuu was a crybaby prone to moping, but took direction well, and genuinely seemed to enjoy spending time with Koyuki, adventuring and such. Indeed, at this time, Yuu liked Koyuki, he just couldn’t muster the courage to say anything.

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As for Koyuki, her home situation isn’t great, as she cries herself to sleep as her parents war downstairs. When she becomes a child of divorce and moves to Tokyo with her mother, her friendship with Yuu is tragically cut short, just when they’d made promises not just to make snowmen, but to start a band like their mutual favorite – HEDGEHOGS – and share the stage one day.

I understand Koyuki’s attraction to Yuu and vice-versa a little more now now – they were largely each other’s only and best friends. People fall for their besties all the time. Yuu, for Koyuki, was an escape from her unpleasant home. Koyuki drew courage and chivalry out of Yuu.

It’s just a bit unfortunate Yuu tells her he “likes it better when she smiles”, because it plants a seed in her head that her smile around him is some kind of prerequisite for him liking her. I’m sure ‘lil Yuu didn’t mean it that way, but still…

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Fast-forward to now, and when Yuu admits he avoided contacting her out of fear she hated him—when she avoided contacting him out of fear he hated her—the assertive Tama-chan comes back out, inadvertently bringing out the mopey, submissive Nico-kun. It’s a nice scene, because A.) it lets us see another side of Koyuki and B.) it shows how quickly their old dynamic from when they were kids can reassert itself.

When Yuu talks about the band Fuuka made him and others join, it really irks Koyuki, to the point she can’t listen anymore and has to go. She leaves on cordial, even upbeat terms, however, as she gets Yuu to renew their deferred promise to share the stage someday.

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Koyuki then gets splashed by a truck just when Fuuka happens to be running by, and invites her into the bathhouse she lives above. Koyuki gets to take the measure of her potential rival, and Fuuka’s bubbly exuberance and physicality contrasts nicely with Koyuki’s more modest, solemn bearing. Koyuki also learns Fuuka has never even thought of being in a relationship, which buoys her spirits as she heads home: maybe regaining Yuu’s affections won’t be so hard after all, eh? Riiiight.

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And because we can’t have two episodes of Fuuka in a row end on an upbeat note, we end instead with two amateur photogs in a “Starbuccos” looking over a shot of Koyuki and Yuu pinkie-promising in his street. I wouldn’t be surprised if this ends up on a tabloid magazine cover Fuuka happens to notice while walking by a newsstand, or something.

I’ll just close by saying I didn’t much mind the dearth of music or band practice this week, because, if I may confess, I don’t much care for that part of this show. It may yet change my mind, but for now I’m content with the relationship stuff.

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Fuuka – 05

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Fuuka continues to cement its role as my guilty pleasure of the Winter, thanks to its utterly shameless tendency to put protagonist Haruna Yuu in the most favorable situations imaginable, and still have him complain about it. That might sound unpleasant, but it’s actually pretty fun.

Adorable childhood friend coming by his house to reminisce? Sure, why not? Flipping through photo albums, where most of the pics are of Koyuki yelling at Yuu for various reasons, most of them related to him being a pushover? You got it! Yuu managing to blurt out that he liked her then…b-b-but not now! Seriously! (Now as well.)

Koyuki leaves suddenly, which Yuu takes as meaning he said the wrong thing, but little does he know she’s weeping tears of joy at the news her love wasn’t one-sided. I still don’t see her beating Fuuka. Fuuka’s the title.

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You know what this show didn’t need? Another girl! Especially not one who is impossibly tall and gorgeous, like she just jumped out of a magazine or something. But we get one nonetheless in the person of Iwami Sara, who seems very standoffish and aloof but I’m sure is really sweet deep down.

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She also happens to be the sister of Hisashi, one of the members of Hedgehogs (styled as HEDGEHOGS…because you have to YELL IT) who also graciouslly offers the use of one of his studios for the new light music club to practice…free of charge. Where’s this guy’s sense of entrepreneurialism?

In any case, the band…kinda sucks, particularly Yuu and Fuuka, but Sara is kicked off her third band and Fuuka decides to invite her into theirs, and the girl can not only play, but look very cool doing it.

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After practice they head over to Denny’s, I mean Danny’s, which—wait a second…

Kuzu no Honkai – 03

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Oh, that was Banny’s, not Danny’s. Nevermind…

…Back to Fuuka – 05

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Anyhow, the whole band is at some Denny’s ripoff, when all of a sudden everyone has somewhere to be…except Yuu and Sara. Did I mention Yuu’s face accidentally made contact with Sara’s boobs? Yeah…that happened, and then she smacked him in the face with a guitar, which should have caused a lot more damage to Yuu than it did. The magic of anime!

I’ve been ragging on this episode up to this point, but I have to say, I did not expect Sara to end up being one of Yuu’s best Twitter buddies, @0704-yamato.

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It happens so subtly as you expect Sara to be bored and checking her phone with just Yuu there struggling to find words to say. Turns out Sara’s the same way: finding it far easier to communicate through tweets than with her vocal cords, which so often uses the wrong words, or the right words the wrong way, resulting in misunderstandings (and getting kicked off bands).

When Yuu first started tweeting I was like “Oh great, this gimmick again,” but it paid off big league here, from the sundae, to Sara’s sudden change of character, for which she actually apologizes for by saying “sorry for the sudden change in character!”

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The next practice, held not at the full-up studio, but at Nachi’s ideal place (which he withheld so it didn’t look like he was as into this band thing as he really was), everyone has practiced a lot more, and they play a much smoother version of the show’s theme song, “Climber’s High!”

When Sara’s praise of Yuu’s progress is interrupted by Fuuka’s praise, and Yuu thanks her, Sara punishes him for allowing the interruption by jamming her guitar into his back. So this is how it’s gonna be, huh? Look out Koyuki: you’ve got more competition. (Note: next week’s episode is titled “Hinashi Koyuki”. Should be interesting.

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Fuuka – 04

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In what was for most of its running time the quietest and most emotionally engaging episode of Fuuka yet, Yuu gets caught in his web of omission, then the two have their first fight, as they both stumble over how to properly make up.

First of all, Fuuka has every right to be upset that Yuu was on a dock in the rain embracing her favorite idol. However close he is to her, Fuuka at least felt that at this point in their friendship he could tell her about Koyuki.

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Proving his inexperience in such matters, Yuu only makes things worse with his first attempt at an apology, inadvertently likening Fuuka to a “stranger”, which would be cruel if he weren’t so clueless.

For his inability to explain himself, Yuu gets the cold shoulder from Fuuka, making every moment of the day that follows a living hell where food tastes like ash and the beach at sunset is lonely as hell.

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Neither Yuu nor Fuuka want things to go on like this, so Mikasa takes Yuu aside and asks him to tell him straight up what’s going on. Yuu is able to articulate things, and also how upset he is he and Fuuka are fighting and how badly he wants to make up. Fortunately for him, Mikasa brought Fuuka along to eavesdrop, and she heard everything, and they finally exchange apologies.

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Fuuka also thanks Yuu for having her back when her track senpai shows up to harass her, then questions her designs on a band. Yuu has heard her sing and knows she’s good, and she proves it again when three of the five members of HEDGEHOGS (who were hiding in plain sight, including the restaurant owner) let her perform vocals while they play an impromptu trial concert that not only calls off the track senpai, but attracts a small audience from the beach.

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Fuuka even recruits the senpai as the drummer of the band, pegging Mikasa for the keys, herself for guitar and vocals, and Yuu for the bass (which he has no idea how to play…yet). All’s well that ends well, as Fuuka and Yuu, free of their row, are able to sit on the beach and admire the stars.

Fuuka even snuggles up beside him in his sweatshirt, but he panics, slips, and ends up with his hand up her shirt, ruining the lovely mood, both for Fuuka and me, the viewer, as I was enjoying the subtlety of their interactions to that point.

Naturally, when Yuu returns home, who is in his house waiting for him but the triangle’s third vertex Koyuki, no doubt unwilling to let some loud blue-haired girl snatch away her Yuu.

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One Week Friends – 12 (Fin)

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Yuuki’s present awkwardness with Kaori, and Saki’s avoidance of Kiryu, are both the fault of the guy, and it’s up to them to turn things around. Interestingly, it seems Kaori herself is the catalyst for all of it, by doing what we suggested Yuuki to do, and that is to not let one’s strenuous efforts to retain every past memory interfere with the making of new memories, which is how friendships strengthen and grow.

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She also asks Kiryu what’s up with Yuuki, and while he tells her grudgingly, he knows its something Yuuki may never admit to her: he’s afraid of being with her, lest she one day lost her memories. The tender earnestness of their exchange provides Kaori with much-needed piece of the puzzle (and the knowledge Yuuki doesn’t hate her), it also inspires Kiryu to sort out his own self-made problem.

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The conciliatory scene between Kiryu and Saki isn’t long, but it’s extremely sweet. Kiryu capitalizes on the fact their group is up on the rooftop cleaning to confront Saki, and on her inability to run too far away from him, owing to her modest height. Saki merely misinterpreted his reaction to her proposal, something he apologizes for. He agrees to keep letting her rely on him since she’s so intent on it, though he won’t “baby” her the way her girlfriends do. What goes unsaid is that he doesn’t mind being her rock, because he likes her, but it’s implied in their agreement.

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With that couple’s problem efficiently resolved, it’s back to Yuuki and Kaori, whom everyone, even Kujo, notices a change in their behavior, like they’re forcing themselves. They seriously needed to work things out, so I was heartened when the news came both of them would be going on winter breaks with their families, because that felt like a dead giveaway they’d end up crossing paths.

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Sure enough, both their family trips are cancelled (or those plans never existed in the first place…?) Yet despite this, Yuuki and Kaori walk to the same bridge in what they think are futile hopes of seeing the other there. Their mutual shock and elation at finding each other there is lovely to behold. Though many opportunities arise to part ways, they end up spending the whole day together, because the truth is, neither wants to part ways.

1w126

First, thank God, at long last, they FINALLY HIT UP THE CRÊPE PLACE! I’m in full agreement with Kaori that it’s “like a dream” watching them sitting there, enjoying the crêpes, together. Had the episode not done this, there’d be a far lower score at the bottom of this review, believe it. The dull grey of their surroundings is pushed to the edges of the frame by their warm colors; they look less in a gloomy fog and more in a kind of fluffy heaven.

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Yuuki walks her home, but they come across a shrine and decide to pray to it. Then Kaori starts to cry out of frustration, not knowing what to do in light of Yuuki’s wishy-washy behavior. While she doesn’t know what to do, she knows what she wants, and tells him: she wants to talk to him more, spend more time with him, and become ever closer friends. You know, what Yuuki wants. His wrongheaded attempts to keep her from crying caused her to cry.

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To Yuuki’s credit, he snaps out of his funk, hits himself in the face and insults himself for being such a dolt, and apologizes to Kaori, and goes further to say he wants the same things she does, and lastly, giving her a genuine, unforced smile, borne out of the progress they just made. From now on, they’ll worry less about losing the past or being burned in the future, but focus on making as many new memories together, in the present, as they can. They’re no longer just one-week friends.

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Final Cumulative Score: 8.33
MAL Score: 8.05

Stray Observations:

  • This was a thoroughly beautiful-looking episode, really making the cold overcast winter sky a major character all its own in terms of setting the mood and reinforcing that this was the end, or winter, of the show.
  • Like we said, as Kaori and Yuuki drew closer, they became a warm island, making the monochromatic starkness less ominous.
  • That’s not to say the whole episode was colorless save the characters. Kaori’s talk with Kiryu has a gorgeous palette and composition reminding us of a de Chirico painting, which also inspired the creator of Ico. An appropriate aesthetic, considering how isolated and lost Kaori was feeling.
  • Good on both Kiryu and Yuuki for getting over themselves, admitting they’re at fault, apologizing, and working to make things right. Like I said, the balls were in their courts.
  • I’ll admit I *gulped* when Kaori crossed the street, trailing behind Yuuki.
  • It’s notable that this episode didn’t contain any classic or overt “confessions”, but nor were they necessary, since couples are now on the same wavelength.

One Week Friends – 11

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We’ve known for a while now that Kaori’s memory loss dates back to when she suffered an accident, even if the injuries she sustained weren’t necessarily the cause of it, but rather something psychological. Now we find out more about the events that led to her getting in that accident, from the mouth of the guy who blames himself for everything that’s happened to her: Kujou Hajime.

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Yuuki is understandably curious about what happened at the crepe place—a confrontation that might not have happened hat Yuuki skipped cleaning duty and been on time, mind you. Hajime surprises him by gathering two other former friends of Kaori, sitting down, and laying it all out. What happened was as simple as it was heartbreaking.

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It boils down to the fact that, like Yuuki, Hajime always considered himself more than “just friends” with Kaori, even though they weren’t strictly dating. This led to other girls in the class thinking they had a shot at him. When Hajime invited Kaori to meet him alone in a park before he moved away, he inadvertently set her up. Her friends turned on her, and the shock of that led to a moment of poor judgement, leading to the accident.

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Stepping back and looking at things, the accident was just that—an accident—but Hajime couldn’t help playing with cause-and-effect scenarios in his head. But even if he had done what he couldn’t: confess to Kaori and go out with her, those girls were still going to be jealous, and might well have said those terrible things anyway. Also, it was elementary school…not exactly a bastion of rational or mature thought.

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Kaori, for her part, seems willing and able to turn the page on those dark days, because they were the past and she’s a different person in a different place with new friends, and history doesn’t always repeat itself. The one who is weary is Yuuki, who sees too mny similarities in his situation with Kaori to be optimistic, notably the way Kaori refers to him as “her special friend,” exactly what Hajime thought he was.

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Even knowing the mistakes Hajime made, Yuuki is still terrified of repeating them, since he’s letting his heart rather than his head drive his actions. And he may be right: continuing on the path he’s on may result in Kaori losing her memories of him, and losing her completely. For my part, it pains me to see him so caught up on what could be that he’s blind to what he has, here and now. Avoiding her isn’t the answer, that’s for sure.

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Saki, of all people, has been the one person totally upfront about what she has, and made an attempt to take it. But doing so has put her and Shogo in an awkward situation where she thinks she made him angry and is scared to talk to him, and he’s seemingly too scared to set things straight. Like Yuuki, he may benefit from switching his brain off a bit.

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