Iroduku: The World in Colors – 11 – Suddenly, Out of Time

The club is putting the finishing touches on their photography, art, and magic exhibition (I love how the principal asks Kohaku to define “event”) as the day of the festival approaches, but the impending joy of sharing their gifts with classmates, friends and family is suddenly, jarringly preempted by a new and bizarre development: Hitomi is starting to experience “time gaps” as a result of the future Kohaku’s magic wearing off.

At first, Asagi thinks she was just mistaken in not noticing Hitomi in the room into which she’d just walked. But it only takes us one look from Kohaku to realize that something very wrong is occurring, and it can spiral out of control fast if not dealt with immediately. All of a sudden, all of the interpersonal problems that have occurred among the club so far pale in comparison to the very real threat of Hitomi permanently vanishing into oblivion.

Kohaku contacts a scholar and expert in time magic, as well as a fellow mage at a bookstore, to confirm her suspicions: whatever time magic she used sixty years in the future, it must be used again to return Hitomi to her proper place in the timeline, lest the universe excise her by force. For as much as she’s fit in and become comfortable, the fact is she is the kind of space-time abnormality the universe abhors.

There is no easy way to break this to Hitomi, and as a result of the suddenness and finality of the news (You gotta go, ASAP, The End) she’s just not sure how to process it, what to do or what to say. It’s sobering to know there doesn’t seem to be any time magic Kohaku of the present could perform on Hitomi to stabilize her presence in the past.

The next day’s weather reflects Kokahu and Hitomi’s moods, but the rain reminds Hitomi of the night Yuito offered her an umbrella, and she takes comfort in the belief it’s a memory she’ll always recall whenever it rains. Unfortunately, she also disappears right before Yuito’s eyes, and her umbrella depressingly falls to the ground.

When Yuito reports the incident to the others, Kohaku comes clean about the extent of the danger Hitomi’s in. She and Yuito find Hitomi where she vanished, sleeping in a bed of flowers in a disturbingly funereal scene that shakes Kohaku to the core. Back home, she sits vigil for her granddaughter, but her own grandmother tells her to get some rest herself. After all, Kohaku’s future self tacitly trusted her past self to pull off the time magic that will bring Hitomi back…but she won’t be able to do it if she’s exhausted.

Hitomi wakes up the next morning literally tied to Kohaku with a string, and  ends up staying in for the day. Still, she gets up and leaves the house and ends up finding Kohaku on the beach with the others, gathering star sand for use in the spell that will return her to her time. A lot more sand than usual is washed up due to the typhoon that just blew by.

While no one is happy about the prospect of Hitomi having to go, and so soon (especially Asagi and Yuito), when Kohaku asks for help, they help, for Hitomi’s sake. They collect enough sand and she gets it to her acquaintance, who assures her they’ll have it ready to go by tomorrow.

Meanwhile, back at home, Hitomi finally finds a way to reach out to Yuito from across the town: a magical homing paper airplane, which taps on his window. He flashes his lights on and off, as does Hitomi. When her second airplane seems to go off course, she jumps into her shoes and chases after it.

Turns out it’s still en route to Yuito; he’s just not at home anymore: he’s racing towards her just as she’s racing towards him, and they meet in the middle, under the almost-new moon, and embrace. It took the urgency of impending oblivion for it to happen, but the two have finally come together and are on the same wavelength. It’s just too bad the time they’ll have after reaching this state looks to be all too painfully short…

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Cardcaptor Sakura: Clear Card – 22 (Fin) – A Duel that Never Happened

Cardcaptor Sakura: Clear Card ends with some fireworks, danger, and a much-awaited reveal to Sakura that her new friend Akiho is the cloaked figure who has been haunting her for months—only for that reveal to be undone by Yuna D. Kaito’s time reversal magic, the use of which fatigues him.

It just underscores what a contemptuous cad Yuna D. Kaito is to not only make Akiho do these things, but not even have the courtesy to let her remember. Akiho has been in the “Clock Land” of her dreams so often, the lines between dreams and reality are starting to blur, as she feels she’s somehow being a bother to Sakura in real life.

One night, while reminiscing about meeting Kero-chan for the first time, and how she’s glad she met everyone she’s met on her Cardcaptor adventures, she’s interrupted in mid-thought by yet another waking dream, only this time Cloaky is really there, balanced on an electrical pole.

Sakura releases her staff, activates Flight, and flies out to meet the figure, but Kero is blocked from leaving the same window by some kind of magical boundary he can’t break even in Big Mode. It’s clear Cloaky wants this confrontation to be one-on-one.

What follows are the aforementioned fireworks, with Akiho sending a giant ball of broken glass (which Sakura destroys with Blaze), a curtain of flame (she dissipates with Aqua), and a barrage of glowing projectiles (she gathers up with Spiral). Then Cloaky re-seals Sakura’s staff and begins to draw her key towards her.

When Sakura tries to re-release an grab her key back, Akiho dumps out all of Sakura’s Clear Cards, and even deactivates Flight, sending her careening to the earth from hundreds of feet in the air. It’s the tightest of tight spots Sakura’s ever been in, and as she falls, the cloak is pulled back and she catches an unmistakable look at a very out-of-it Akiho.

That would’ve been a fine cliffhanger on which to end things, but if Yuna was going to swoop in and undo it all, I’m glad it happened now and not in the next season, lest I get my hopes up for too long that the reveal would stick.

While inspecting the frozen Akiho and Sakura, Momo is of the mind Akiho will simply think this was all a dream as usual (she’s been “sleep-acting” as Cloaky all this time, after all), but Sakura will remember, spuring Yuna to use more taboo time magic to undo the duel.

I can’t help but feel terrible for poor Akiho, who is little more than a tool doing Yuna’s bidding while he hangs back, observes, and intervenes when necessary. In the season that follows I’d love to see her somehow break free of his hold on her, though that would require an awareness of her situation she still doesn’t have.

As for Sakura, she has no recollection of her big fight with Cloaky and losing all her cards and nearly her life, and simply continues on with what she was saying to Kero-chan after he dried her hair: with all of the wonderful people she’s met by her side, she’s confident she’ll be just fine, come what may. After that close call, I can’t yet share her confidence.

Kokkoku – 08

Sagawa completes his merging with a Specter while able to maintain his own will. I just wish his various “experiments” he performs had a bit more bite. Now he’s essentially just a Hulk-like OP monster man, and he doesn’t even seem to take much if any joy out of his success. As he says, he’s a cautious man and always has been, but in this case a cautious villain is a dull villain.

Killing off his remaining followers didn’t really do much for me, since I never knew them anyway. It’s Sagawa’s apparent disinterest in quickly dispatching the Yukawas, Majima and Sako that confuses me.

More than once they butt right up against him, and he doesn’t put a lot of effort into taking them out, giving them ample chances to escape him, and even leaving Tubasa with them.

At this point in the story it feels like things have stalled, which shouldn’t be the case considering how the villain has powered up and become even more lethal. But it feels stalled because Sugawa is such a drab, boring dude who has slowed to a crawl right before the finish line.

It’s even more concerning that this is the eighth of what I presume to be 11-13 episodes. If things are this slow now, and the only remaining baddies remain as dull as they are, how in the heck are they going to fill the time?

Perhaps the family drama that results if Gramps really is expelled from Stasis, and Takafumi continues to oppose the rest of the family’s desire to be rid of Stasis, will inject some energy into the proceedings. All I know is the increased focus on the bad guys this week didn’t do the show any favors.

Kokkoku – 07

Shouko’s brother Yosuke is alive after all, if profoundly malnourished. Shouko is overjoyed, and watching her embrace her long-dormant kin leads Juri to embrace Makoto just as tightly when he’s released. Mr. Eyelash Spots, AKA Sako, wants to join the Yukawas as an ally, if they’ll have him. I guess he’s had his fill of all this Stasis shit. He’s not alone.

For once, “Great Lord” Sugawa and the Yukawas have something in common: they want to seal the Stasis spell. However, Sugawa, who had the sacred manuscripts of the Genuine Love Society researched, determining that they were all written by the same person over 500 years, wants to follow the founder’s path and live a much longer time.

While Sugawa discusses his plans to let the outsider Shiomi succeed him as Great Lord, one of his disciples—a true believer—is eavesdropping, and is so often the case with these kind of organizations, a leader like Sugawa must always beware of those so committed they’ll put the Cause before its leader.

There are only four true believers left, plus one hired muscle, Shiomi, and Sugawa. They are all who remain to oppose the Yukawas. Once Juri changes into some new duds (which she’s also now wearing in the OP) the plan is laid out: she’ll expel the seven remaining opponents, leave Stasis and seal the spell.

Takafumi is the one member of the Yukawas who doesn’t want the spell sealed, and thinks the others are fools for wanting to do so. But the Master Stone ends up in the hands of the disciple who believes Sugawa betrayed them, and the handover is tense.

Sugawa tries to smooth things over by saying Shiomi will only be a temporary arrangement, but his disciple knows what he heard and has already made his choice and draws his blade. Sugawa then gives his “last sermon”, asking what it’s like to be completely controlled by a specter.

I imagine he’s going to be able to proceed even if his disciples try to interfere. It will fall to the Yukawas to stop him and reclaim their lives.

Kokkoku – 06

Damn, this was going to be my “last chance” episode that would decide whether I would drop Kokkoku, and what do you know, the story finally shows some signs of life! Granted, it does so in an episode full of death, starting with the guy Tsubasa is fighting. Tsubasa basically suffocates him as he struggles.

It’s an ugly, nasty business that makes Tsubasa, who can’t find Makoto after killing someone, start to despair. Thankfully Juri, Gramps and Takafumi encounter him before he turns into a Handler, and Juri’s expulsion of the jellyfish/specter stops the transformation.

So Tsubasa is fine, but now Stalled. Then Majima appears, saying she has the kid (who is with the crotchety guy who amusingly hates kids) and wants to deal. When Juri hears Majima’s terms, she wonders why she didn’t just come and talk to them rather than causing so much chaos.

Majima doesn’t have a good reason, beyond perhaps wanting at the time to give the Yukawas a taste of revenge for what they did to her family. Juri will help her try to retrieve her family, but she won’t forgive her for doing things the way she did.

Majima’s plan is to summon three Heralds, but she can’t summon the necessary murderous intent to do so. The summoning falls to Takafumi, who is just experimenting whether he can do so on a whim, and can. Talk about coming through with a hidden power in the clutch!

In any case, the Herald/Handler appears, and Gramps works overtime transporting himself and Takafumi out of its deadly reach, while Juri jumps onto it from above and begins expelling the three jellyfish within the body.

This makes for decent, novel action, with parts of the Handler sloughing off into clouds of wood, sand, and dust, but those clouds eventually freezing along with the rest of Stasis.

Unfortunately, while Juri released the jellyfish from Majima’s parents and brother, she can’t bring them back to life; only their semi-mummified bodies remain. Majima solemnly takes them into her arms and dusts off their faces.

So what’s next for this bunch of misfits? Will Majima honor the agreement and return Makoto? What about Sugawa? And how many underlings could possibly still be running around to serve him?

Kokkoku – 05

At last we see Majima Shouko’s side of the story of the time she and Juri last crossed paths. She was riding in a car with her mother, father, and brother (the latter two being violent dicks) when the Yukawas activate Stasis.

Overwhelmed by despair at their sudden predicament, one by one her family is surrounded by tentacles and dust and floats away, leaving her alone. She finally meets another moving soul in young Juri, who is so upset about her dog dying she expels Shouko on sight.

Juri’s goal, which is different from Sagawa’s, is to retrieve her family from Stasis, if she can. She believes Juri’s ability may be the only way to do that, and manages to get one of Sagawa’s men to side with her in exchange for sex at a later date. Suddenly Juri teleports in and expels that guy, leaving Shouko with just one guy.

There’s a fleeting opportunity for Shouko and Juri to talk, woman to woman, but it doesn’t happen, because there’s no trust on either side. So Shouko and the eye-spot dude go to Sagawa, who again uses a sacrifice in order to summon not one or two but three separate Heralds, which Shouko believes to be her lost family members.

Shouko seems to refine her goal on the spot to simply recover her family’s bones, not get them back alive, which while noble, is simply not as pressing or compelling as the situation of the Yukawa’s, who are all still alive and haven’t given in to despair.

Juri and Gramps manage to rescue Takafumi, despite his resisting when they come to get them (Sagawa apparently set him up outside like bait with a big tin of chocolate). The bickering Yukawas are immediately surrounded, and Gramps teleports them away, but it’s going to be another chase. Yippee.

Finally, Tsubasa and Makoto make it home, but their tail gets there first and takes the note Juri left for her brother. Thankfully, Tsubasa can sense something isn’t right just in timeto save Makoto from getting stabbed.

Somebody ends up stabbed in the end, but as the fabric the knife goes through is the color of the towel Tsubasa was using as a shield, we don’t know who yet.

While it’s good to know more about Shouko’s motivations, things continue to move at a snail’s pace, while the cat-and-mouse game through the drab, lifeless Stasis has long since grown stale.

Kokkoku – 04

Juri’s would-be attacker is stopped by Gramps’ catlike reflexes and Juri’s own power, and she gets Gramps to talk about the incident from her youth in which the two went to the Stasis because her dog Andre was about to die, then she used her power out of anger to almost cast Gramps out of Stasis. While running around looking for her, he passes a young Majima on a bridge with her big stuffed cat.

When more thugs go after them and Gramps has to stop to rest, it’s No More Miss Nice Juri. She’s done running, and decides to launch a counterattack on the thugs, pulling out their specters one by one. The fight works up an appetite, so they head to a konbini for some food and drink.

There, they find the place a mess thanks to the thugs, and Juri curses them for being so awful before trying to turn matters to the girl on the bridge years ago, which Gramps only somewhat remembers.

They later can’t find Tsubasa or Makoto where they left them, but Juri believes the specter of the man killed by the Handler transferred to Tsubasa, which means he’s moving around somewhere.

Meanwhile, Takafumi is being grilled by Sakawa and his friend, who think the Yukawa family has been selfish and reckless in their ownership and usage of the Master Stone.

Takafumi, the worst negotiator in the world, doesn’t seem like he’d resist whatever ridiculous terms these sinister sweet-talkers come up with, as he still believes they’re holding his family members hostage.

Back at the Yukawa residence, Majima and the other henchmen sit around. One gets restless, and decides to demonstrate the proper way to strangle someone on a stalled guy, but gets killed by a much smaller and weaker but still deadly Handler/Herald.

When Majima inspects the remains of the Handler, she finds a desiccated human body, and tells the others that those that stay in Stasis and give up control of their bodies to the Specters end up as Heralds. Someone in Majima’s family met such a fate, which goes a little further towards explaining her present beef with the Yukawas.

Kokkoku – 03

Juri escapes death by strangulation when her eyes go white and she spontaneously gains the ability to expel “specters”, the jellyfish-like beings humans must merge with to be able to move in the Stasis. Before long, the three men in her house are stalled, and Juri escapes with The Stone, much to the chagrin of Majima.

Now that we’ve seen flashes of both Majima and Juri’s memory, it’s clear the two knew each other, and were both involved with specters during that time. Majima remembered, Juri didn’t, and now Majima is with the bad guys, working against Juri’s family. It’s not much, but it’s something.

Meanwhile, the Bad Guy leader (Sagawa) tests the abilities of the Herald on an expendable henchman, and learns that the monster is getting smaller, and thus his power isn’t limitless. Before long, they may even be rid of it, and able to do affect change in Stasis as they see fit.

Coincidentally, the specter within the now-dead henchman travels to Makoto and merges with him, enabling Ma-tan to wake up, much to the delight of Tsubasa.

With all the Yukawas now free except for Takafumi, Sagawa decides to try to talk man-to-man about ownership of the Stone. In the fact of such intimidation, I fully the gentle, passive Takafumi to fold like a cheap suit.

The tougher members of the family in Gramps and Juri thankfully reunite, but not before Juri gains another tail from a group of thugs who were looting a store when she walked past…not trying to hide herself or her movements in any way despite not knowing who may be around and after her. Baka Juri!

One of those guys appears and tries to keep up a story about simply being some guy who happens to be able to move as well, which lasts all of ten seconds before he and his friends start to rush Gramps and Juri.

With a series of short teleportations, the two are able to get away, and stick to the middle of the road to avoid ambush. However, they don’t take the extra and very obvious precaution of staying away from other people, regardless of if their motionless or not.

The huge goon in sunglasses doesn’t have to go anywhere to get his knife in a position to stab Juri to death; she strolls right up to him! I tell ya, I’m rooting for the Yukawas—there’s no one else worth rooting for—but they aren’t making things easy for themselves with these constant tactical blunders.

I get it; they’re merely civilians unaccustomed to being in this kind of situation, they’re way outnumbered, and they’re scared. But if they want out of it with their all organs still internal, they’ll have to do better.

Kokkoku – 02

Kokkoku’s second “moment” delivers some welcome answers. The bad guys are part of some kind of religious cult, they want Grandpa’s stone, and the giant “Handler” (the cult calls it the “Herald”) stops anyone who tries to break the rules of the Stasis (crunching a hired goon’s head for trying to kill the “stalled” Makoto.

However, after a relatively nicely staged and directed opening action set piece last week, things kind of devolve into wandering around the drab frozen city, with Grandpa filling Juri in more on the details, while the bad guys send goons after them as they kinda stand around and wait.

One important new addition to the cast is Majima, a mysterious woman who seems to have assited the cult in finding the Yukawa family stone, which they call the “Master Stone” and is crucial for their plans.

A flashback seems to suggest Majima and Juri may have been friends at one time, and she witnessed the stone being used; this also explains Juri’s vague memories of being exposed to the time-stopping powers before.

There’s a funny moment when Gramps and Juri realize they left Takafumi behind, but in keeping with this family’s tendency to close ranks when shit hits the fan, there’s no question of rescuing him before using the stone again in hopes of escaping to a new Stasis, leaving the bad guys behind.

Just a few issues: One of the “jellyfish” turns Tsubasa from stalled to moving, and he’s very, very confused and flustered. When he finds Makoto unresponsive, he heads to the nearest hospital, where he’ll get no help whatsoever (and may even incur the wrath of the Handler).

So if they commit their plan without Tsubasa, they’ll never see him again. But even more detrimental to their plan is the fact Gramps didn’t know the cult was after the stone until he and Juri split up (never a good idea), with him going to free Takafumi and Juri going home to grab the stone.

Unfortunately, Juri simply ran there without trying to be sneaky at all. Even if she had been, the whole group of bad guys were staking the place out, waiting for someone to show up. Since it’s Juri, who they presume they don’t need to activate the stone, her death by strangulation is ordered, and she passes out before the credits roll.

Now, you and I both know Juri ain’t dying…but perhaps something more interesting will happen as a result of the goons’ attempt. Whatever that is, I think it’s time the Yukawa’s were allowed some kind of win. I also want to know what’s up with Majima; if and how she and Juri are connected, and why she’s okay with her being strangled.

Kokkoku – 01 (First Impressions)

I love shows about distinctive families, be they rich or down-on-their-luck, and the Yukawas definitely fit the bill in lacking in the luck department. 22-year-old Juri works tirelessly to secure a job that pays enough to enable her to move out, but for now she lives with her NEET brother Tsubasa, 31, her laid-off (and seemingly defeated) father Takafumi, her older sister Sanae, 25, a single mother to young Makoto, and last but not least, their retired grandfather.

There’s an immediate tension between those who work in the family and those who sit on their asses, but also a close-knit feeling that things aren’t so bad they’ll all one day turn on one another. Tsubasa may be a layabout, but Juri is able to sufficiently shame him into picking up his nephew from school.

There, another kid immediately calls him out as a suspicious character and Juri jokes about it over the phone. She’s having a little fun at Tsubasa’s expense, but is also proud he gave enough of a shit to actually do something for the family. It’s neat little family-centric details along with their general underdog nature, that quickly endear the Yukawas to me.

Just when you thought they had enough to deal with, circumstances thrust the family into a crisis situation straight out of the movies, when a gang of toughs kidnap Tsubasa and Makoto and ask the impossible: for 5 million yen to be delivered to the designated location in 30 minutes time.

Knowing they don’t have the time or the money, Juri grabs a knife and prepares to head to the kidnappers, presumably to take back her brother and nephew by force. Her dad Takafumi, suddenly awakened from his slumber by the emergency, deems only he as head of the house should go (with his dad’s savings).

It’s Grandpa Yukawa, however, who presents an alternative: that they use the mysterious, ancient stone that’s been in their family for years…to stop time.

And that’s exactly what Gramps, Juri, and her dad do. Once time slows, we’re treated to a number of fast moving things freezing in mid-air, along with strange “beings” made of light within the suspended time. Suddenly with all the time in the world, they strike out into the “stopped world”, and Gramps explains what he can as they head to the exchange spot.

Juri, for her part, experiences memories of the stone from when she was a young girl, while Gramps also points out that anyone who can move about in the “Stasis” too long ultimately becomes corrupted by the power they have over those who can’t move.

The inter-family banter is again a winner here, with Gramps expressing both affection and disappointment in his son, Juri’s dad, and when they find Tsubasa and Makoto among their now-frozen captors, it looks like they’re going to come out of this on top, thanks to a little hereditary time magic.

Of course, things don’t go that easily, because there are other people who can move in the stasis, much to the Yukawa’s shock and confusion. They’re assaulted, forcing Gramps to pull out another trick from his bag: instantaneous transportation from one spot to a spot a few feet away in either direction.

It’s not a game-changing power, however, and they can’t take their still-frozen family members along for the rides. When two bored-looking men in suits arrive with a band of henchmen, it becomes clear there’s more to this than careless kidnappers who decided to target a family with no money. One of those suits is jealous of Gramps’ power, so it’s likely this whole ordeal was set up to draw Gramps and the Yukawas out.

Just when it looks like the Yukawas are done for, a gigantic tree-like monster emerges from the sky and descends on the henchman holding a knife to Makoto. Is this tree-dude a friend to the Yukawas; some kind of guardian for Makoto, or an enemy to all of the humans in this bizarre static realm? I don’t know, but his appearance sure does pump up the supernatural vibe. In any case, I hope the Yukawas can get out of this mess.

Stocked with both very realistic human characters and said bizarre baddies, Kokkoku struck a good balance of show and tell, drama, peril, and dark comedy, and was bookended by fantastic opening and ending sequences. This one’s a keeper so far.

GATE – 22

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This week everything inches incrementally toward some kind of final confrontation in the capital, where it’s quickly becoming clear to everyone interested in peace that Zolzal can’t be allowed to rule much longer. The Rose Knights continue to fight for his bedridden father, against men who don’t at all want to slaughter the women they respect, who were allies until today. But it’s either the Roses or their families.

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As for Lelei, the assassination attempts continue as she attempts to make a presentation for her promotion to master; a cat-woman under the apparent influence of the Pied Piper. This time, the attack is foiled by Lelei’s fellow mages, watching her back and prompting Itami to wish the JSDF had magic.

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Of course, it’s good old-fashioned dagger in the chest by someone unexpected that seems to get Lelei, as the opportunity for Shandy to strike presents itself, and she takes it.

Meanwhile, as the low-morale Imperial soldiers continue to be beaten back by the knights, Tyuule tells the Oprichnina leader to either gather more men and get the job done, or kiss his own position and life goodbye. All the while, the SDF awaits official orders to intervene in the Jade Palace siege.

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Speaking of inching along, Pina is a “free captive” for all of a day or so before Zolzal’s henchmen clap her in irons and a burlap shift and toss her roughly in a cell, dispensing with her status as a member of the royal family.

Tyuule takes great pleasure in seeing Pina wearing the same shift she wore, occupying the same cell she once spent an inordinate amount of time…perhaps enough time to drive her to her crazy, power and revenge-hungry state.

The thing is, she hasn’t referred to Zolzal as her ultimate enemy in some time; all she seems to be doing is doing his bidding, perhaps all in the name of bringing down the empire. Right now her priority seems to be remaining in power and taking sadistic pleasure in throwing her new-found weight around.

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Shandy, it turns out, was not under the Piper’s spell, but heard that Pina was in mortal danger and believed the only way to save her would be to bring Zolzal Lelei’s head. This is an incredibly naive and shortsighted strategy, so I’m glad she was foiled. But at least she’s able to relay the fact Pina is in a very, very bad way, and needs rescue before something terrible happens to her.

Fortunately, the SDF gets their orders, and a paratrooper unit is quickly mobilized for an operation to save the Japanese citizens and pro-peace asylum seekers. At the same time, Itami and his gang races to the Imperial Palace to free Pina.

Everyone still in play is moving into position, and hopefully their efforts will bear fruit in terms of stopping Zolzal/Tyuule’s reign of terror, which is benefiting no one.

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Akagami no Shirayuki-hime – 20

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This was a quiet, leisurely episode, especially after last week’s excitement on the high seas, but few shows do quiet and leisurely more pleasantly than Shirayuki, and in any case, a little rest and celebration is in order. Shirayuki and Zen are invited to the village headquarters of the Lions of the Mountain, whose chief, Mukaze, is indeed Shirayuki’s father. She remembers seeing him at her grandparents’ bar years ago, but held on to that memory in case she ever saw him, since those grandparents went against Mukaze by saying he was alive after all.

What I like about their reunion is that there isn’t any rancor or hard feelings; Shirayuki is just glad she had the opportunity to meet her dad, and vice versa. We even learn that his wife, Shirayuki’s mom, was once betrothed to Mukaze’s relative, but he stole her fair and square and was then banished. Not all that different from Shirayuki herself being “selected” by the earlier, awful-er iteration of Prince Raj!

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It’s not just a time for Shirayuki to catch up with her dad; Kiki manages a genuine “thanks” for Mitsuhide worrying about her. I’ve always enjoyed the rapport and, if we’re honest, love between these two badasses, even though it’s not romantic love. They care about each other, and it shows when it counts.

As for Obi, he’s so down about letting Shirayuki down by letting her get nabbed, he spends much of his time in the forest alone…until Shirayuki goes after him, to assure him she doesn’t blame him for what happened; it was an unavoidable, unfortunate situation all around.

Obi knows she doesn’t hold his failure against him, but that doesn’t make his failure any more acceptable to him. Even so, Shirayuki asks that he be her guard next time they visit Tanbarun.

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A night of light drinking and carousing ensures, with Mitsu, Obi, and Kiki matching drinks, Shirayuki talking with her dad and Kazuki. Later. Mukaze finds Zen on his own and has a conversation he’s probably been looking forward to, the “what are your intentions towards my daughter” talk.

Mukaze first asks if Shirayuki loves him, then realizes he’s the wrong one to ask, and instead asks him how he feels about her. Zen is forthright in declaring his love for her, leading Mukaze to shout “I won’t allow it!” – but he’s only joking, and always wanted to say that. Worse for Zen, Shirayuki overheard everything, and when he spots her on the stairs, the two turn an intense beet red that really pops in the blue-filter night.

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When it’s time to go to bed, Shirayuki asks Zen to stick around with her a little longer. Uh-oh, I thought…but only for a minute. These two aren’t really going to do anything until they’re good and married, so instead they spend a few hours simply chatting and enjoying each others’ hard-won company. Shirayuki is the first to doze off, whereupon Zen puts her to bed and gives her a tender goodnight kiss straight out of the fairy tales.

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Mukaze expresses his happiness that his daughter has found a place where she’s happy (even though it’s not where he is), and sees her off. Shirayuki, Zen and Co. then head back to Tanbarun, where Prince Raj is elated to see her once more, and the rescheduled ball is still on.

Raj’s little siblings again try to start some shit, but they are stayed when he tells them he doesn’t want Shirayuki at the palace “forever”, because that would be boring. It’s one of Raj’s better lines, delivered with his trademark snap, and is essentially a mic drop to the meddling twins.

A lovely ball ensues, with Raj having the orchestra play the piece chosen by Shirayuki, and the two having a nice dance together. Zen watches from afar, and is surprised how far Raj has come. Rajs owes a lot of his growth to his time with Shirayuki, including the predicament she ended up in.

When she was out of danger, she taught him how to be more self-aware and selfless and less presumptuous; in times of crisis he brought out his courage and stalwart determination to secure her safe release from baddies. Now they’re at the point that when Shirayuki’s hair grows out again, she’d be happy to show it to Raj, because now she considers him a friend, and the feeling is mutual.

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Akagami no Shirayuki-hime – 19

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I’d been waiting all Winter for an episode of Shirayuki to break out of its streak of polished and quietly competent 8s into 9 territory, and this action-packed conclusion to Shirayuki’s latest predicament did the trick nicely. Even better, it was a team affair, with everyone contributing to securing our heroine’s release.

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Raj is able to appeal directly to the masses and muster a merchant fleet to chase Umihebi, and then able to lead his flagship by the seat of his pants (with no seamanship, just will and pure dumb luck) in order to get past the “Blue Vortex” the pirates hoped to lose them in. Meanwhile, Umihebi marks her captive with her kusarigama, but Shirayuki’s gaze remains defiant.

Umihebi pays pretty quickly for cutting Shirayuki’s face by only being able to gloat about having gotten away for a grand total of, oh, about ten seconds, before Raj’s ship enters their “secret” cave and rams her ship, destroying it.

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Then Kiki takes advantage of the chaos and springs into action. Umihebi snags Shiayuki with her handy weapon once more, but it’s already the beginning of the end of the pirates having their way. First Mitsuhide jumps out of the shadows to aid Kiki, then Prince Zen himself, whose face is a sight for Shirayuki’s sore eyes.

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Shirayuki gets an opening in Umihebi’s hostage hold thanks to Obi, biting the pirate’s hand and then getting separated. As she and Kazuki are whisked away by Zen, the Lions of the Mountain surround the Claw of the Sea and start picking them off.

Kazuki soon joins his fellow Lions in the melee, giving Zen an unexpectedly early moment alone with his love, the first such moment in about five episodes. He doesn’t waste it, drawing Shirayuki in close as their mutual relief and happiness washes over them.

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After that, Zen rejoins the battle with the pirates until Umihebi is surrounded with just a handful of men on her side, and has no choice but to surrender. I wonder if this is the last we see of Umihebi (classically, pirates are hanged), who looked like a worthy adversary for a time but was ultimately not that huge a threat, at least against the unswerving dedication of Raj and Zen to get their girl back.

All’s well that ends well, but there’s one last twist this episode tosses our way. When Shirayuki gets her first good look at the leader of the Lions of the Mountain, she exclaims “Dad?” His hair is kinda reddish now, isn’t it? I personally like this and I’m interested to see how it shakes out: is he really her dad; if and how they’ll bond; what insights on her past he can provide.

There’s also the little matter of Zen telling his bro he intends to marry Shirayuki. After all, Zen didn’t drag his crown in the mud to rescue her, so Izana’s unlikely to ban her from the castle.

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