Eromanga-sensei – 03

When Masamune investigates the abandoned, possibly haunted house next door, he’s surprised to find Yamada Elf has just moved in: and likes to play the piano naked after a shower to get inspired to write.

After the standard accusations of peeping tommery, she invites him in, and most of the episode is given over to making Elf a little more dimensional, if still grating in her intense, obnoxious arrogance.

As Sagiri’s bedroom window faces Elf’s office, you’d think it wouldn’t be long before she found out who Eromanga-sensei is, but Elf sees Masamune’s sister and thinks she’s just that: a little sister who has fun drawing, not the person whose services they’re fighting over.

It’s also a bit shitty of Masamune not to even mention to Sagiri his little wager with Elf, considering Sagiri is the ‘prize’. Then again, it’s a good thing that Masamune isn’t the perfect MC while everyone around him is flawed in some way.

Indeed, Masamune’s flaw seems to be that in spite of Elf’s toxic personality, incessant pretentiousness, and pronunciation of ahhh-neee-may, he can’t help spending time with his new neighbor, nor indeed being a fan himself, even if meeting Yamada-sensei wasn’t what he expected.

For a time, it doesn’t seem like Elf invited Masamune in just to rub his nose in her superior success, but to spend time with a fellow author. She earnestly asks why he’s a fan, and he earnestly answers: after a death in the family, her books cheered him up. They taught him that novels can “save lives” of some readers, and for that she has his heartfelt thanks, competition or no.

Elf’s reaction betrays a softer, more genuine side to her, even if it’s short-lived and she’s back to being awful the next day. But it’s also clear that she’d rather have Masamune around than not, and also strongly disagrees with his workaholic approach to authoring, as she considers her job a “hobby” and only writes if her motivation is maxed out.

Despite knowing nothing of their competition involving her, Sagiri is uneasy anyway because her big brother, who has been All Hers up to this point, is suddenly ‘in the web’ of a cute, rich next-door neighbor.

While her music and online fans keep Eromanga merry, I feel one of the factors that drives her motivation to draw is knowing Masamune will always be there in the house, serving her meals and protecting her.

Yamada throws a thorn in that arrangement, and it will be interesting to see whether that motivates Sagiri to explore beyond her room. But yeah…Masamune really should tell her about his wager with Elf.

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The beautiful girl at the door turns out to be Sagiri’s classmate and class rep at school, Jinno Megumi. After a joke about how much she loves dicks, the very flirtatious “Megumin” states her purpose for being there: she wants Sagiri to come to school so she can be friends with her, like she’s friends with everyone.

Well! That’s a strong personality to contend with, but she doesn’t get her way, at least today. Sagiri never meets her in person, but only overhears her conversation with Masamune through his phone—and later, without his knowledge, through Megumi’s, leading him to say some very nice things about his “pride and joy”, Sagiri.

After that new girl encounter, Masamune jumps into an old one, Takasago Tomoe, who seems to be a classmate and/or childhood friend whose family runs the bookstore where his manga are sold.

Well, they’re offered for sale, but to Masamune’s horror, it doesn’t look like any have actually been sold. He wants Tomoe to help him out by putting them in a more prominent spot, but she doesn’t bend: if he wants better placement and sales, he has to write better stories that touch people’s hearts.

The third girl Masamune encounters is perhaps the worst, Yamada Elf, a thoroughly unpleasant, petulant, arrogant young author who couldn’t be more different from Masamune (or Sagiri for that matter). She lets her “#1 on Oricon” standing go straight to her head, believing she isn’t just the Savior of LNs, she IS light novel. Yikes!

Masamune encounters Elf trying to poach Eromanga-sensei away, something even Masamune feels would benefit his little sister, so when he goes home he’s extremely contrite and gives an offering of not-so-tasty (according to Sagiri) snacks. I don’t see Sagiri abandoning her brother anytime soon…at least until the fourth girl arrives, whom I am predicting is another artist who tries to poach Masamune, the way Elf wants to poach Sagiri.

Until then, a tiny bit of progress seems to have been made in Sagiri; she asks if her brother’s heard back from Megumi, and also tells him she’ll wash her own underwear from now on, which means she’ll have to leave her room, however briefly.

DanMachi Gaiden: Sword Oratoria – 01 (First Impressions)

This spin-off of the original DanMachi follows the powerful sword princess Ais Wallenstein, newbie mage-with-potential Lefiya Viridis, and the rest of Loki Familia as they explore Level 50 of the Dungeon below the city of Orario.

Lefiya’s mentor, fellow mage Riviera Ljos Alf, wants her protege to get some practical experience on the front line in order to build up some nerve to go with her magical potential. Ais and the Amazon twins Tiona and Tione bail Lefiya out, to the chagrin of their comrade Bete.

The Familia runs into a foe they’d never before encountered on the boundary between Levels 50 and 51: colossal caterpillars spewing highly caustic acid. The party’s heavies sweep into action to relieve their less powerful comrades, only to find their conventional attacks aren’t that effective.

Riviera again charges Lefiya with performing the incantation that will summon the magic that will turn the tide of the battle, which is a mage’s job. That means standing there and chanting while all hell breaks loose around you, and not losing your nerve.

Lefiya…loses her nerve, so Ais has to use her Tempest ability to slice through the nearest caterpillars. Bete uses some of her power to make his kicks stronger, and Tione, tied up with caterpillar tongues, gets pissed off and tears her captors apart, with no regard for the integrity of her skin.

After that, Riviera herself chants a long and grandiloquent incantation that serves as a coup-de-grace or overkill move, mopping up the remaining caterpillars. With a number of injuries and no idea what else is beyond, their leader Finn orders a retreat for now.

Up at Level 17, a huge force of Minotaurs busts out of the walls, but they’re essentially small-fry to the higher-level adventurers like Tiona, who has a bit of fun running up to a Minotaur and icing him with one swift, brutal bicycle kick. Suffice it to say, I had no complaints about the combat animation, nor the dramatic but very appropriate battle music.

While the Minotaurs are no match for Ais or the Amazons, if any were to escape to the higher levels, it could mean big trouble for one of the lower-level adventurers, like, say…Cranel Bell! Hey, guy, wonder where you were at! It’s not his or Hestia’s story this time, however.

Instead, we see everything that led up to him being rescued by Ais…including him simply running away screaming after she did so. As Riviera said to Lefiya, Ais has problems too…they’re just different ones.

This was a solid re-introduction to the world of DanMachi and the vast and hazardous dungeon below the city of Orario. It seemed designed to shake us from our slumber by throwing us into one big battle after another, while also showing us how well-sorted Loki Familia is.

Mind you, I do miss the warm friendship between Bell and Hestia; we’ll see if Lefiya and Ais can carry a season. They certainly have plenty of supporting cast backing them up.

Eromanga-sensei – 01 (First Impressions)

Izumi Masamune is a popular light novel writer despite still being in high school. He lives with his stepsister Sagiri, whose face he hasn’t seen in over a year. One day while he’s watching a livestream of Eromanga-sensei, the mysterious illustrator of his works whom he’s never met, he notices the note he left with Sagiri’s meal, proving that she is Eromanga-sensei.

She finally lets him see her face, and even invites him in her room to talk, but despite having collaborated with each other on light novels for three years, the road to re-connection won’t be a smooth one.

Eromanga-sensei’s value isn’t in the twist that the siblings are artistic collaborators. I figured that out the moment Masamune said he’d never met his illustrator. Rather, it lies in excitement bred from the sudden disruption of a long-standing status quo; a stalemate between Masamune and Sagiri that had no end in sight.

Now that they ‘know who each other are’, so to speak, they have an opening that I imagine they’ll be ever-so-slowly exploring throughout the show. A show with a crisp, clean, airy look and theme of emotionally distant siblings that viewers of he Oreimo series will find familiar, due to the two shows sharing the same character designer, Kanzaki Hiro, and writer, Fushimi Tsukasa (the two collaborated on the source novels of both shows).

The moment Sagiri finally opens her door is a momentous moment, but the Schrodinger’s Cat-style tension it releases is replaced by the long, difficult, and outright awkward road ahead.

As Sagiri says, this is all very sudden, and it’s hard for adults to wrap their heads around and process such sudden changes in life, let alone a kid who hasn’t left her room in three years.

It’s far easier for, say, Masamune to wrap his mind around this, because the mystery of who Eromanga-sensei was always irked him, and he never suspected for a minute it was his sister (Sagiri, on the other hand, seemed to harbor some vague suspicions, as his pen name is the same as his regular one, albeit in katakana).

Masamune also has the benefit of being able to leave the house at will and interact with other people face-to-face rather than exclusively through technology. Sagiri’s voice-amplifying headset is a nice touch for illustrating how ill-prepared for social interaction she really is. Even having Masamune in there is so strange, on more than one occasion she cuts off their encounters so she can return to the normalcy of solitude.

This is all to say that I really admired the way Sagiri’s condition is portrayed. She’s not slob; her room is neat and tidy, and there’s no denying she’s an immensely gifted artist, especially considering her age. She just…can’t leave her room, nor has she been able to since her mother (who encouraged her to draw) passed away. We all process grief in different ways, she did so by shutting herself off from the world that took her mom away.

Learning her brother is Izumi Masamune doesn’t change any of that. She still feels trapped in that room because of her mother’s death. And unlike Masamune, she doesn’t think they’re family just because they live in the same house and he serves her meals. It’s a combination of frustration over her self-confinement and shame that she’s been such a ‘troublesome sister’. Masamune’s unconditional love is confusing and frightening, and Masamune does come on a bit too strong with his enthusiasm over learning the truth at times.

But one thing’s for sure: Sagiri loves drawing for the enjoyment of fans and readers, just as Masamune loves writing for the same reasons. She likes the interaction her livestreams and blogging allow. She is every inch a child of the 21st Century, in which even self-imposed prisons still contain windows to the world. It will be interesting to see if, when, and how Sagiri is able to emerge from her room, and from the house to see the world again with her own senses.

…It will also be interesting to see if Masamune ever asks Sagiri where she’s been stashing the cash she’s made illustrating, and why she hasn’t contributed to living expenses!

Fune wo Amu – 10

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There’s a missing word in The Great Passage. The ship has a hole in the hull before it’s been launched. That’s actually a good thing; better now than when it was on sale. But Majime can’t let this one word go.

There could be others, so he mobilizes a small army of temps, and together with Kishibe and Araki, sets to work re-checking each and every one of the Passage’s 240,000 words.

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It’s a massive undertaking due to the limited time frame — which is never actually stated, but must limited, or else everyone wouldn’t work almost around the clock and not leave the editorial office. Fatigue inevitable sets in, and like it did in “33”, the first (and best) episode of Battlestar Galactica, it’s engrossing to behold.

Not necessarily Majime’s too-on-the-nose dreams of words escaping through a tear in his “construct“, but in the way people start to get slower and more tired, but still have a job to do, and struggle through. It adds a welcome touch of adventure to the proceedings.

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Of course, eventually Majime has to send everyone home to get some real sleep (no Cylons chasing them, thankfully), and he comes home to a Kaguya who is nothing but warm, loving, and caring, feeding Majime a home-cooked meal before sending him back out to fight the good fight.

Kaguya understands pride in one’s work; she’s an accomplished restaurateur. She knows it’s pride that drives her husband to ensure without a shadow of a doubt that the ship he’s building is as perfect as he can make it.

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Marking time throughout the episode (in addition to the changes in people as they tire) is a huge table where each section completed is marked in red. For much of the episode less than half of it is marked, but it eventually becomes fully red.

In the surprisingly thrilling final minutes, Kishibe, Araki, and lastly Majime officially finish the checking, immediately after which the legion of temps, all of them having just shared a life-changing experience they won’t soon forget, either cheer in exultation or breathe deep sighs of relief it’s finally over.

Only it isn’t. The book still must be printed, bound, put on sale, marketed, and most importantly, it must sell, or everyone involved will likely have to fall on their swords, Majime most of all.

As for Matsumoto, he’s seemed ill since the time-shift (which the show somewhat cheekily nearly admits was pretty abrupt, as hardly anyone’s appearance has changed), and the episode’s final shot in his empty house seems to suggest he may not live to see The Great Passage leave port.

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Fune wo Amu – 09

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Kishibe is a lover of words – but also, apparently, of alcohol, and is a bit of a lightweight. Still, she powers through hangovers to work hard under Majime, and The Great Passage starts its final phases of construction. It’s about this time Kishibe tries, through Nishioka, to understand her chief a little better.

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Nishioka sets her on a little mini treasure hunt that leads her to Majime’s love letter to Kaguya, which Nishioka (somewhat creepily) photocopied and hid in a book in the stacks. Still, it gets the job done: Kishibe sees how carefully (if variably successfully) Majime chooses words from the many many words he knows, and is amused, heartened, and inspired by his efforts to woo his future wife.

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The overwhelmed feeling Kishibe had is replaced by stalwart optimism, which she successfully transfers to the paper guy, Miyamoto, even as Majime rejects paper after paper. But since the editors like Kishibe are working so hard, Miaymoto keeps at it, until he finally gets the right balance of strength and stickiness.

Unfortunately, with The Great Passage set to be launched (i.e. published), Kishibe spots a leak, and all of a sudden Majime wonders in horror what other words may be missing. Will the great ship sink on its maiden voyage, or is this just a problem all of those who dared to make great dictionaries were faced with in the final stages?

This was another *okay* episode, but ever since Majime finally made his feelings known to Kaguya, the show has frankly felt a bit sedate (well, more sedate than usual). The time jump of many years still seems like an awkward move, as the characters look pretty much the same.

As for characters continuing to wax philosophical about the power of dictionaries and words, well…everything’s pretty much been said already, so it’s getting rather repetitive.

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Fune wo Amu – 08

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When newbie Kishibe arrives at the dictionary editorial department, she’s surprised to learn the only other full-time employee there is Majime. She comes from a fashion magazine, and like Nishioka, didn’t have much choice in transferring. This episode centers on her, and as a result, I felt a little bit of, as she herself puts it, “out of placeness” coming off of it.

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When Majime’s paper guy shows up with samples that have the right thickness and opacity but aren’t sticky enough for TGP, it’s clear said TGP is coming along, if slowly. We later learn thirteen years have passed since TGP was started. That’s a huge time leap, and I’m not sure how I feel about it yet. It’s shocking how much time has been skipped over, just to end up in another relatively sleepy workaday episode.

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Other changes include an ailing Matsumoto, a part-time Araki, a slightly older-looking Kaguya who is now both a restaurant owner and Majime’s supportive wife. There’s no shrine to her mother, but we don’t see her, so she may have passed in the interim. At her welcoming party, Kishibe has a little too much to drink and freaks out about not being able to cut it as a dictionary editor.

When Majime’s words of encouragement don’t work, Nishioka tracks her down and shows her how being good with words, as she is, is a very good thing. Her confidence thus buoyed, she asks Majime, and he agrees, to let her edit his own fashion definitions, which she finds “lacking.” Turns out her experience in another field will help enrich TGP.

I just wish so much damn time hadn’t passed so quickly. It’s disorienting! Ah well.

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Fune wo Amu – 07

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After another scene illustrating how hemmed-in Nishioka feels, having to force his girlfriend to walk far ahead of him on the way to work, and decline the squid ink paella place lest they be seen there together, we get into the nitty-gritty of manuscript editing.

Matumoto proudly listens as Nishioka and Majime work like a two-part well-oiled machine as they sift through Professor Oda’s extraneous verbiage and cut to the core of what a certain Great Passage word definition should consist of and why.

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It’s just a shame they only have one more month together. This is a show that seems to shift between Majime and Nishioka; the former too often a prisoner within himself, the latter too often a prisoner to outside forces, like the ones that enabled the Passage to survive.

But while Majime is sad to see Nishioka go, as Nishioka seems sad to be leaving something he felt at the time was very important, they’re still pulling for each other in the future, even if that immediate future doesn’t involve working together.

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We simply don’t see any of the aftermath of Majime and Kaguya connecting; only the indication that things are moving along fine, with Majime going to Apricot to sample the first dinner she has full control over; essentially to support her on her next step on the long road to realizing her goals.

Nishioka has a nice girlfriend in Remi, but definitely seems to dislike how careful they have to be in public (not sure why this is, so I’m assuming it’s company policy). It’s nice to see their domestic scenes together as a contrast to the distance they must flub when out in the world, but it can’t go on this way if Nishioka is to be truly happy.

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When Professor Oda calls Nishioka in to bitch at him about the extreme editing to his manuscript Majime has done, as well as to complain about the lateness of his transfer announcement, Nishioka turns up the charm, flattering Oda by saying most other writers need far more editing than he.

It’s when Oda tries to get Nishioka to kneel down in apology to him that Nishioka finally demurs. He feels such grovelling beneath the noble builders of The Great Passage, and instead essentially blackmails Oda with his knowledge of his young student mistress.

With Oda back under control, Nishioka goes a little further, rebelling against the same structures that give weight to his threats against Oda by texting Remi to meet him for dinner at the squid ink paella place. Appearances be damned: he’s going to live and enjoy himself.

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Re:Zero kara Hajimeru Isekai Seikatsu – 25 (Fin)

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This was an episode full of tying up loose ends, the most important of which being Subaru presenting himself before Emilia a better and more useful man than the last time he saw her. He even gets to be a badass action hero! But as a loose-ends episode, it works very nicely, even if it’s not perfect, and leaves a lot hanging in the air (likely for another season, but not anytime soon).

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The first loose end is Betelgeuse, who very annoyingly won’t go down much of the first act. I was pleased Subaru used the Witche’s curse to expel Betelgeuse from his head so Julius could finish him, especially since we got a good look at the Satella herself. She does look a lot like Emilia…if Emilia were all black with a purple outline and glowing eyes!

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I rolled my eyes a little when moments after defeating Betelgeuse, Juli and Subie get a call from Felis another problem fresh out of the blue: an unaccounted-for sack full of fire stones.

There wasn’t any doubt that sack would be stashed in the wagon Emilia and the village children just happen to be riding in, nor was there the slightest chance, even in an often sadistic show like this, that this latest particular bomb would go off.

When Subie and Otto are acting like a comedy duo in a wagon Otto has nitrous’d with his magic in the last episode, it’s reasonable to assume things will work out.

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The whole rescue attempt felt like an excuse for Subaru to confront Emilia as the one who led the army, something she only just learned about from some snot-nosed kids who don’t know how to keep their damn mouths shut. Betelgeuse’s extended demise further delayed the inevitable reunion, and by the time Betel had become a Ghibli Goop Monster with his head on fire, I had long since had my fill of the manic bastard.

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But the how of how Subaru came to triumphantly reunite with Emilia didn’t mar the fact that this episode took great strides to repair what had been an estranged relationship not just between these two, but between myself, representing the non-manga-reading audience, and Emilia. Takahashi Rie does a great job reintroducing Emilia-tan to us, as she gets to express a good number of powerful emotions during the final ordeal.

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Subaru basically gets to make the perfect series of gestures to reunite with Emilia, swooping in, grabbing the bomb, and running off to get it away, but not before telling Emilia he loves her. After smashing the whales, the giant fallen tree is the gift that keeps giving, as its trunk largely shields Subaru from the blast he’s still pretty close to when the stones detonate.

It is here when Emilia, still processing everything Subaru has done for her these last few days/weeks, completely unbidden, springs into action, rushing into the danger, desperate to find Subaru alive and alright. And perhaps because the show is finally done torturing us, he is!

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From there, there’s no long, sprawling epilogue, showing what becomes of who. Just a simple scene of Subaru lying on Emilia’s lap, the two of them overjoyed to be together again.

The way Subaru describes it, Emilia is made happy for the first time by the prospect of “special treatment.” This can’t quite match the Rem Confession episode in emotional power, but it comes darned close with much less time to work with.

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I also appreciated that Emilia doesn’t have an instant reply to Subaru’s confession. It’s all well and good to say “I love you too”, but loving and being loved are so new to her it’s going to take time. Time Subaru assures her she has.

Subaru doesn’t wake up back in front of that convenience store, but merely admires Emilia’s tearful, radiant smile, as the episode fades to white and we’re treated to an extended mix of the original ED.

All in all, an imperfect but still solid and satisfying, and entertaining finale. If a second season comes along one day, I’ll surely be tuning in. If not, it was a fun ride. Often stressful, enraging, and heartbreaking…but also fun.

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Re:Zero kara Hajimeru Isekai Seikatsu – 24

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So, the first attempt to save the village and take out the Witch’s Cult was met by some mishaps, such as the time-consuming misunderstanding that led to a confrontation with Ram, the killing of villagers before evacuation was complete, Emilia taking the field of battle, putting herself at risk, and oh yeah, Subie getting possessed by Betelgeuse.

But when Julius and Felis killed him, he died and came back just like he always did, without any twists due to his possession. And fortune not only smiles, but beams on him, as he wakes up right in the middle of the planning phase, allowing him to casually introduce the new information he gleaned about body-snatching, the traitor in their midst, and Ram.

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His new plan revolves around convincing Emilia to go along with “Crusch’s plan” to evacuate the mansion and village, including Emi-tan herself. She agrees, because she believes the plan put before her, while not entirely or even partially of her own making, is the best plan as far as she can tell.

So she’s put on a wagon with some enthusiastic village kids, and sent off to safety, while Subie and the knights capture the traitor and take the metia he was using to pass information to the cult. It’s important to note Subaru himself wore the recognition-blocking robe Emilia threw at him, so she had no idea he planned all this.

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Suffice it to say, thanks to learning the lessons of last week’s ‘dry run’, everything goes off without a hitch, as Subaru once again confronts a Betelgeuse now weakened by a lack of fingers nearby. Subie also allows Juli to uses a spell, Nect, that lets him see with his eyes, alowing him to see the unseen hands and cut through them.

This achieved one of Subie’s secondary objectives: to properly make up with Julius. He is, after all, a crucial part of the plan and why, when the episode ends, it looks like the end is near for the Sin Archbishop, and very good for Subaru, who has once more learned from his past mistakes, put pride aside, planned carefully, and relied on and trusted in others.

This is how he has truly become Emilia’s knight.

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Re:Zero kara Hajimeru Isekai Seikatsu – 23

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False Alarm: No Fresh Hell, just not completely dealt-with Old Hell on this week’s menu. Hell leftovers, if you will. Ram puts the convoy under an illusion spell because she fears Subaru switched sides and the convoy is his invading force. This is due to a misunderstanding: the letter sent to the mansion was blank, usually a declaration of war.

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No harm, no foul, then, right? Ram accepts Subaru’s explanations, and while she’s not in love with him like her sister, he and she still have quite a bit of history which lets her withdraw her aggressive stance with confidence.

It’s also confidence Subaru needs in order to tell the people of the village they need to evacuate. At first a couple of malcontents curst the “half-elf” who brought this upon them, but with Ram’s help, Subie successfully persuades the villagers, even the racists, to cooperate.

Just when Subie is about to head for the mansion with Juli and Felis, the latter discovers one of the merchants has been possessed by a member of the witch’s cult. The man self-destructs, nearly killing Felis and Subie, and the remnants of Betelgueses fingers attack the village.

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Smoke (and Unseen Hands) fills the sky, blood stains the ground, adn the scene starts to resemble one of Subie’s past nightmare scenarios. But this time, he isn’t singularly responsible for failing to detect the cult’s, inside men; he’s just one part of an alliance made up of far more capable people than he who also missed this one.

That being said, and in spite of her earlier warnings to the villagers falling on deaf, non-pointed ears, Emilia arrives to help deal with the threat and protect the villagers who still live.

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She and Pick manage to take out all of the fingers…that they know of, all of whom talk and move and act like Betelguese. But even Emi’s last defeated opponent isn’t the end. When one of Juli’s lesser spirits, deployed to protect Subie, leaves Subie’s body, Betelgeuse possesses him.

Since we’ve never seen Betelgeuse leave a body that went on to survive, it sadly looks like the end for this version of Subaru, as he compels a reluctant, emotional Felis and Juli to kill him before Betelgeuse completes his hold. When the curtain falls on the episode, it would seem they obeyed him.

Will we shift to the focus of everyone but Subaru now that he’s left this world, or will we continue to following him as he respawns…wherever it is he respawns? Whatever the case, I doubt this turn of events will be resolved as quickly as Ram’s misunderstanding…

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Re:Zero kara Hajimeru Isekai Seikatsu – 22

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With the White Whale(s) defeated, Subaru redirects his allied force towards the Witch’s Cult, which no one will be taking lightly despite the huge advantage they seem to have. This requires Subie more-or-less make up with Julius, who has arrived to help.

Subie still maintains he hates “Juli’s” guts, but the two still exchange apologies and words of gratitude. While Puck assures an exhausted Lia that she and the manor will be safe, Subie uses his stench to lure the cult members, who appear right on cue.

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It’s the return of Smug Subie, as he’s holding all the right cards this time, and it’s the cult and Betelgeuse who don’t have a clue what’s coming. Mimi and Hetaro swoop in and demolish Betel’s base with their shouts, then Old Man Wil bisects Betelguese from behind.

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It’s almost too easy, leading me to wonder when the other shoe will drop. Sure enough, in the midst of celebration and preparation to go after the ex-sin archbishop’s “Fingers”, Unseen Hands quite suddenly appear out of the woods and quickly kill five anonymous members of Subie’s allied force, then an arm drags Subie into the trees.

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There, he meets someone of indeterminate gender but the same exact manic way of speaking and biting their nails raw as Betelgeuse. Their only problem is they dawdle far too long before killing Subie, and Mimi, Hetaro, and Wil are able to arrive in time to kill them and save Subie.

Now that they know the remaining 99 or so cult members could all be Sin Archbishops, Subie laments putting everyone in such grave danger. Wilheim won’t hear of it: he asks Subie to keep fighting as long as he’s still standing. Not to become stronger, but simply to be strong. This guy speaks from experience, so Subie takes the simple but powerful words to heart.

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With that, the hunt for the remaining fingers, and the evacuation of the village and manor in Margrave Mathers’ lands continues. Just as Subie is heeding Felix’s suggestion that he should finish making up with Julis, he sees a blue petal float past his eye, and everything freezes.

He and his ground dragon are left alone in the blue, icy stillness, with a blue flower-clutching Ram before him. What fresh hell is this?

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Re:Zero kara Hajimeru Isekai Seikatsu – 21

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Even getting as far as Subaru did in forming an alliance to fight the White Whale felt like a victory to me, but the fact remained, the actual battle was far from over after some hard fighting last week. Subaru hadn’t gotten an arc victory since saving Rem eons ago. The victory we got this week was a little safe, but it was what I wanted, when I wanted it, so it’s all good.

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I enjoyed Krusch going all in on another Subaru Crazy Plan, then using him, the “weakest among them”, to rally her depleted troops. Subie’s plan is indeed quite crazy, as it involves Rem firing him up to the “lead” whale that’s controlling the other two, and using the Witch’s curse to lure it where he wanted it – underneath the colossal tree Krusch agrees to fell.

The timing worked out extraordinarily, almost lazily well, and it seems like an unspeakable crime to bring down a tree that must be millenia old, but their options were limited.

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From there, Wilhelm, who is not dead and escapes from the whale that swallowed him, delivers the coups-de-grace to the whale. In the process, we see that Wil challenged Theresia to a duel shortly after she was named Master, and he won the duel, making him demonstrably the better sword.

I still maintain that Theresia would have prefered the man she love live a long life not dedicated to facing and fighting the whale that killed her (and very likely getting himself killed in the process). But Wil needed this for closure, and to make up for failing to protect her.

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Both Wil and Krusch express their deep gratitude and desire to continue working together. Subie even half-jokingly suggests Krusch as his #3 Girl, though Krusch only admits to the occasional tug of the heartstrings. She also vows to always be friendly and show favor to him, no matter what happens in the selection fight to come. Krusch is great.

Speaking of great, Rem is too injured to move and immediately join Subie on his next mission to destroy the cult, but he reiterates all the ways she’s already saved him, and how she can let herself rely on him now and again. He also promises she can remain by his side when they return to one another, and share a farewell Eskimo kiss.

I like how this episode contained the climax and end of the battle as well as all the celebration and rest needed. Next week, one of only four episodes left (that I know of) will thus be able to focus on Subie’s goal to eliminate the cult and its threat to Emilia…who I also hope we’ll see at some point.

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