Sagrada Reset – 20

Urachi strikes the first blow, and as soon as Kei commits to preserving the abilities in Sakurada, all the abilities in Sakurada go bye-bye in an instant. After some momentary disorientation from the memories clashing in his head, Kei finds himself in a new world.

But from the moment this world “begins”, Kei doesn’t seem comfortable in it. How can he, when he has all his memories from the previous one? And how can he live life here knowing there’s a chance he can reverse Urachi’s handiwork and bring abilities back? If he can make it so Haruki’s last text to him isn’t an unnecessary apology?

In this world, Souma Sumire attends his high school and is an ordinary girl who likes him. But she notices something’s ‘off’ about him and through some discussions about the fallacy of memory, the five-minute hypothesis and being happy with the simple, unflashy life one has been given, Souma can help but feel rejected.

But it’s not just her: it’s this entire world. Kei can’t stay; not as long as he has those memories. And due to his ability, his memories will never go away.

In this world, Kei was born in Sakurada, while in reality he was born elsewhere and only moved to Sakurada in the sixth grade. In this world, his parents are dead and he is adopted. But he remembers the apartment he grew up in, and also remembers the taste of his mother’s curry. So he pays a visit to that hometown.

What I didn’t expect was that he would meet his mother, and the sister he never knew he had, whose name, Megumi, shares the same kanji has his name, Kei: both represent deep love, as their mother says to them; since names are what others use to call you.

Of course, Kei’s mother has no idea Kei is her son, so when he brings up something horrible he did to his parents and doesn’t think he has the right to seek forgiveness, she firmly corrects him. She may not know who his parents are, but they surely love him, even if they can’t forgive him, so he should apologize.

Of course, he can’t. Leaving his family was the price of remaining in Sakurada.

Little did I know (and possible little did Kei know himself) that his visit with his mother and sister would be crucial in his plans to undo what Urachi has done. When he visits Haruki, she’s back to her robotic, emotionless self of two years ago, and does not remember or trust him.

What she does do is humor Kei quite a bit, coming along on a bus ride, conceding a text was sent from her phone, proving they are acquaintances, than helping him hold a Polaroid of the cherry tree they’re standing in front of.

That photo, which was in Haruki’s hidden diary, turns out to be Kei’s key to getting back in the fight, as it transports him and Haruki to the time the photo was taken, back when she had the reset ability. All her memories rush back, but they’re a jumble, and she struggles to stand from the stress.

For whatever reason, she still can’t quite remember him, and when he tells her she should Reset, she tells him she can’t, because it “doesn’t feel like the right time.” That time comes almost immediately, however, thanks, again, to Kei’s experiences earlier in the day.

He thinks about the home and family he can never go back to, and the true meaning of his name, and dearly wishes for one last chance to undo some of the things he’s done. He didn’t cry over his past experiences on this day, but he does cry here, and Haruki remembers that that is her cue to Reset: when she sees someone crying. So she Resets.

And what do you know, Sumire Souma is also crying, by the water, in that very moment, upset that even after everything that happened, she’s not the one.

Back on the evening of October 22nd, Kei and Haruki are outside her house, and he can’t help but steal a big hug, so happy he is that his Haruki is ‘back.’ She can tell a lot has happened, and is worried about him. Kei tells her what’s going to happen the night after tomorrow unless they do something…they, not just him.

Haruki asks if abilities are really necessary, and Kei says no…the town would be fine without them, but he likes them, so he’ll do everything he can to protect them. With her help, he’ll attain the MacGuffin.

Sagrada Reset – 19

This week, in the “Boy, Girl and —” arc finale, Souma Sumire comes to Kei’s place, makes chicken curry, telling him about how Urachi grew up while she cooks. Urachi is basically Kei’s opposite: he wants all abilities to be wiped out, because he believes they’ll hurt, rather than help, the weak in the world (though we’re just talking about one small town here).

Then Souma takes a shower, because, as Kei presumes, she knows she’s going to cry. She tells Kei that Souma Sumire died so that when she was ultimately brought back by Kei’s efforts, she wouldn’t really be Souma Sumire anymore, which allowed her to pass Sakuin’s lie detection.

This “artifact”, as she calls herself, still intends to hinder Urachi, and so did everything possible to give Kei a chance to thwart his plans—except tell him everything before she set her plan into motion.

The fault for this lies in the Souma of two years ago who no longer exists, and though “Souma II” admits she and her are pretty much the same, it was that first Souma who acted “foolishly”, letting Kei get stolen away by Haruki, then forcing all of the “hard parts” onto her replacement. She can’t forgive her, but like her, Kei’s happiness comes first.

Kei expresses his gratitude to both Past Souma and Souma II, and as they eat the curry, he notes how the flavor is “oddly nostalgic.” Souma used her ability to draw from his mother’s know-how, but just as she’s not 100% the Souma Sumire she used to be, something made with “a mother’s love” cannot be 100% replicated.

Kei commits to beating Urachi, which he intends to do by claiming all of the abilities in Sakurada, as the MacGuffin promised to do. The miracles they’ll create will be happy, not a danger or nuisance as Urachi so strongly believes.

Kei made sure to warn Haruki that Oka Eri may pay her a visit, and to let him know if she takes her Reset ability (again). Sure enough, Urachi arrives with Oka, and instead of having Oka take her Reset right there, he uses his own ability on her, “rewinding” her to two-plus-years ago, before she met Asai Kei (and when she had really long hair.)

He leaves the sleeping Haruki with Oka, telling her to take her Reset once she wakes up in the hospital.

Oka Eri wants to beat Senpai, but a part of her still admires, looks up to, and loves Kei, and so when she heard his voice message in her head, telling her he’s been “backed into a corner”, and asks if when the time comes she won’t take Haruki’s reset…it puts Oka in a moral bind.

Just as Souma got around Urachi’s lie detector through rather desperate measures, I wouldn’t be surprised if Kei has to make similar sacrifices in order to succeed in his mission.

The stakes couldn’t be higher: his relationship to Haruki and the abilities of the town hang in the balance, and Urachi, preparing to wake up his “petrified” mother after 20 years, is playing for keeps.

Shingeki no Bahamut: Virgin Soul – 15

Another face from Genesis makes his first appearance in Virgin Soul: the fallen angel Lucifer, who holds court with a handful of elite demons. He convinces them to hang tight as they’ve been doing since the fall of Cocytus. He saw what happened to Beelzebub; he has no more confidence the humans will be able to control the power they’ve stolen.

Azazel is also back, in the worst-kept secret in anime. Like Thor in the upcoming Ragnarok, he’s fighting in the arena as a gladiator, but he’s not quite sure why he’s bothering to remain alive. Meanwhile, the elder dragon manages to just get Jeanne and Nina through the barrier into the land of the gods—by throwing Bacchus’ wagon like a baseball.

Speaking of Bacchus, Sofiel has him try to make some headway with El, who has been “pouting” ever since the gods’ defeat at Anatae. When Jeanne and Nina arrive they receive a cool welcome, and are struck by how sparsely inhabited the otherwise gorgeous lands are.

A guardsangel intercepts them, and when she hears Nina comment on how the place isn’t as “bright and sparkly” as she expected, takes them to what amounts to a mass god grave, with each streaking blue light representing a god fallen. They sacrificed themselves to save the surface world from Bahamut, only for Charioce to launch a crusade against them.

It’s good we get some perspective from a rank-and-file angel; it further demonstrates the mission El believes only he can accomplish: righting the evils in the world below to preserve both humanity, god-kind, and demons like Azazel, the one who saved him after he and Jeanne were separated.

That brings us to the most heartwarming/wrenching reunion of Shingeki no Bahamut’s run: the reunion between mother and son. It’s nicely balanced by the comedy of Bacchus and Hamsa thinking Nina is crying about reuniting with them rather than “Mugaro.” (Bacchus and Hamsa are also prove useless yet amusing in trying to get through to El before).

El proudly regails her mother of how he ended up hiding among demon slaves, and was about to be sold to humans who would do gods-know-what to him before Azazel freed him and the others. El followed his mom’s advice to stick with the first person to help him, which was Azazel.

Now, El, believes, it’s his turn to save everyone…but Sofiel (who was also elated to see Jeanne) is doubtful El has enough power to achieve what he’s aiming for, deferring to her superior Gabriel’s judgment. She’s loyal and dutiful to Gabriel, and with good reason, but El thinks Sofiel is wasting her time.

El is supremely confident of his abilities, especially now that his mother is safe and by his side. And with a wry smirk, he makes it clear he intends on making everyone else into a believer.

P.S. Nina is upset that Charioce is doing so many things that make everyone hate him, because she can’t stand the thought of everyone hating him. Sure, fine.

Shingeki no Bahamut: Virgin Soul – 14

For the record, I am not on board with Nina x Charioce. Simply put, the show hasn’t made Charioce likable or sympathetic enough to overcome the significant evils he has committed against humans, gods, and demons alike.

It makes no further progress in convincing me this week…aside from showing that he won’t allow a Black Knight gut his barber after accidentally cutting his neck with a razor.

Another mark against him is that he has Kaisar imprisoned and seems to be having him tortured for information. Still, Kaisar is a lot tougher than his endless eyelashes suggest, so I’m sure he’ll be fine.

His spirits—and those of his visiting lieutenant, Dias—are also surely lifted by the news that Jeanne is free, and the men hold out hope the noble Orleans knights will rise again…one day.

Meanwhile, Nina and Jeanne arrive at Dragon Village, where Nina is swarmed and greeted warmly by her many siblings and friends, and the two ladies can have baths, haircuts, and a new change of clothes, as well as ask the village elder (a very old and tiny lady) how to reach the Land of the Gods.

Nina’s Charioce conundrum inevitably comes up, though obviously she doesn’t refer to him by name; otherwise Jeanne would surely drop the talk of “embracing contradictions” and tell Nina to get over that mass murdering, enslaving, poor-tipping despot.

Being around so many smiling, laughing, happy children also makes Jeanne wistful of the time she still had El; she seeks out Nina’s mother in the night, who is more than willing to provide an understanding ear and a shoulder to cry on.

I loved, well, the love evident in this scene; suffused with maternal instinct and affection. Nina’s mom even brings up her daughter’s tendency to transform and rampage when around “men like her father” as a coping mechanism.

The next morning the elder has agreed to show them the way to the Land of the Gods—her own back. She transforms from tiny old lady to massive, grizzled dragon, with a back more than broad enough for Bacchus’ entire carriage, complete with hippogriff.

I am pleased, at the very least, that the Charioce issue can at least be tabled, as the more pressing issue is reuniting a mother with her son—righting yet another wrong perpetrated by the prettyboy king who imprisoned her. I maintain that if the show wants me to feel anything other than contempt for the dude, it’ll have to make one hell of a pitch.

KonoSuba 2 – 09

This week Aqua leans in on the job one would think she was born (in human form) to do: the job of a high priest. That means confessional duties, which she takes very seriously, to the point of stonewalling Kazuma and forcing him to “confess” to breaking her favorite cup and drinking her good hooch, at which point she gets flustered and whiny.

You can’t say Kazuma doesn’t know how to press her buttons! But she’s also cheeky enough to give an old man troubled by the temptation from Eris’ boobs a mantra to repeat whenever he feels that temptation again: Eris pads her chest. The artful way she says it really makes it sound like a mantra, too.

Kazuma, now convinced he won’t be able to get Aqua to reign in her overzealous, abusive followers (who have reduced Megumin to a crumpled ball of nerves, but continue to turn Darkness on), hits the baths. The mixed baths.

There, he sees (and sees, and sees) a buxom (and creeped out) she-elf, a man on the brink from all the proselytizing, and hears an earful of genuinely good things said about him by Megumin and Darkness, but only because they thought he wasn’t there, trying to spy on them.

Still, it’s nice to occasionally hear from the characters why they stick together.

That night at supper, Aqua is in another state, this time because she was kicked out of the very church that worships her, for accidentally purifying the hot springs.

In an ill-conceived effort to re-win the people back, she decides to blame the purification on the Devil King, and asks her party-mates for help in her crusade to save her people and their town. Darkness only agrees to help when Aqua gets up in her face (and purifies her grape juice…how rude!)

I also greatly enjoyed the running gag of Aqua’s holy-element tears of distress actually doing harm to poor, undead Wiz, to the point she’s basically on the verge of death this entire episode.

Kazuma and Megumin are out, obviously, because they have no interest in helping the townspeople, who in their opinion ruin an otherwise perfectly nice town.

In an otherwise lovely day, those people proceed to do jut that: ruin Kazuma and Megumin’s day with constant urgings to join the church, until the two are on the brink of madness.

The townsfolk may be unrelenting in their enthusiasm for aggressive recruitment practices (we witness a number of fine examples), but they’re not fools. Their golden goose is the hot springs, and when Aqua seems to be the culprit in purifying them, they’re not happy.

They also don’t believe, even for a second, that she’s actually the goddess Aqua…even though she is. These are people who live among magic, fantastic beasts, and demi-humans. But the suggestion that Aqua might be an in-the-flesh goddess elicits only stifled laughter or anger.

That anger boils over into an angry mob surrounding the gorgeous inn where Aqua and the others are staying. And all I can say is, how has it taken this long for Aqua to end up with an angry mob (with torches and everything!) eager for her blood? I guess she’s just been lucky.

In any case, the peoples’ refusal to believe their own goddess contrasts with non-Axis followers Darkness, Megumin, and Kazuma’s acceptance of Aqua in their party. They’re all misfits, after all. These guys just don’t do well in big crowds.

And while the mob doesn’t pose any danger (one EXPLOSION from Megumin could resolve the standoff) and may not even be picked back up next week. But it’s a fitting end to a visit to a city Kazuma and Megumin can’t leave soon enough, Darkness can’t help but love, and where Aqua may have lost faith in the faithful.

3-gatsu no Lion – 05

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For the last four episodes we’ve watched Rei in a really nice situation with caring loving people, and he still seems a bit uncomfortable, like he’s out of place. We’ve also seen glimpses of his Dark Past, but they come fully to the surface this week, as having to pick up Momo (and then tend to her kid wounds) triggers a memory that haunts and will always haunt him.

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Rei’s whole goddamn immediate family went and died instantly when a drunk driver killed them. They left the world, and left him with the rest of his blood relatives, who are portrayed as almost comically awful.

Despite having the means to adopt him, one of his aunts suggests an orphanage, far more concerned about her husband, the younger brother, taking control of the hospital with Rei’s dad out of the way. They’re a real great bunch, I tellya!

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Rei is saved by his dad’s old shogi rival, Kouda, and by a lie: he tells Kouda he loves shogi and wants to pursue a life of shogi, even though he only played shogi as a way to bond with his busy father. Kouda is kinder than any of Rei’s surviving family, but his kids, who are also trying to enter the world of shogi, are not.

Well, at least Kyouko does; the girl from that violent-looking flashback last week. She and her little brother Ayumu are quickly surpassed by Rei, who rises fast in a field he felt he had to pretend to be interested in to be adopted.

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Rei also blames himself for being a “cuckoo chick”, edging out the rightful offspring of the parent out of the nest; tearing a family apart after his was taken from him, like some kind of unconscious revenge/paying backward. Did I mention this is all very horrifically depressing?

I’m glad we’re finally getting Rei’s story of why he is the way he is in the present, but it kinda smothers you in a dark grey cloud of awfulness. The one bright spot is Momo in the first half, being her adorable Momo self. The fact we can understand what the cats and dogs are saying also lighten things up a bit.

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3-gatsu no Lion – 04

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Hina’s longtime crush, a baseball ace, has a Big Game coming up, and she wants to be there cheering him on, with a big, fancy bento in hand for when he’s done. She becomes so consumed with what to make she doesn’t realize she has no cash.

Rei buys her the food, but despite waking up early, Hina has problems with the tricky dishes she’s making for the first time, forgets to pick out what to wear, and is ultimately late.

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The previous night, and at the Big Game, Rei sees a side of Hina he’s never seen before: a side that seems to be in love. “Love” seems to be a triggering word for Rei, because he suddenly gets a black-and-white flashback to a very unsettling scene where a woman—his mom?—removes his glasses and gets on top of him. Clearly Rei’s concept of “love” is distorted in some way, but there are no details beyond this glimpse.

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As for Hina, as happy as she looks during the game, when it comes time to deliver her bento, the object of her affection is surrounded by teammates and other girls, and they all go off to eat dinner. He doesn’t even notice Hina’s there.

I’m not sure if Rei has just been hanging out watching Hina this whole time, but when she tries to throw out the bento, he stops her, and suggests they go home and eat it together. Once there, Akari, who Hina believes doesn’t know what she’s going through because she’s so beautiful and good at cooking.

But the truth is, the very same thing happened to Akari once, which is why she gave advice to cook something simple. It’s the same advice their mom gave her. Basically, fellas: after a ball game, make sure to look around for girls with handmade bentos, and accept them before letting yourself get whisked away to other things.

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Part Two of this week’s episode dispenses with any other hints as to what that black-and-white flashback was all about (aside form what I saw it as, which was some kind of abuse), and takes a much lighter tone as Nikaido  and Rei run into the sisters while in town grabbing lunch.

Nikaido proves to be a popular guy with Momo and Akari. Momo likens him to Boboro, a popular children’s character who is big, fat, soft, and intelligent; a comparison Nikaido gratefully accepts. Rei also laments that Momo seems happier with Nikaido than she ever did with him :(

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As for Akari, we learn that she harbors an unreasonable adoration for “soft fluffy things” as much as Working!!’s Takanashi loves small cute things. It’s the reason she brings in animals, and Reis, who are skin and bones, and fills them up until they’re her preferred soft and fluffy.

Nikaido is the pre-done deal, and when he asks for a less salty, fattening menu, she takes it upon herself to pull out all the stops for his sake, ignoring Rei, the cats, and Rina (the only Kawamoto not enchanted by Nikaido’s presence).

This episode makes Nikaido more likable, as it shows he’s a decent, kind lad who knows how to go with the flow. Sure, he can be a little pushy with Rei, but his insistence that he and Rei are best friends is in no way insincere or mocking. He’s a nice guy. A nice guy under constant surveillance from his butler!

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3-gatsu no Lion – 03

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3GL‘s third episode is again split into two vignettes with an overarching theme: Rei encountering those with more powerful outward emotions than he expresses, leading him question if the way he handles his own emotions is really optimal.

The first vignette deals with his self-proclaimed rival Nikaidou Harunobu, whom Rei beat on the rooftop of a department store in the searing summer heat years ago. In what he describes as an arrogant presumption, he wished to defeat Harunobu quickly so the poor kid could get out of the hot sun.

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But his strategy only made Harunobu play harder, desperately dragging out the game until he was totally out of moves. Years later he faces Harunobu in a professional match, and Harunobu is pumped up, but nothing has really changed.

It takes many hours, but Rei eventually defeats Harunobu once more, because like him, he doesn’t want to lose. Harunobu’s new line of attack is better than the last one, but Rei is better too, and he does what has to be done to win again. He’s both bemused and a bit inspired by Harunobu’s raw intensity.

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The second vignette, a real tearjerker, marks the welcome return of the Kawamoto sisters and their gramps, completing their Obon observance with an elaborate meal. Rei comes late but Rina has his dishes ready, in appropriately small portions to match his slight appetite.

As they light the fire to see off their lost loved ones they only recently welcomed back with a similar ritual, Rei sees the barely-contained pain in the faces of the Kawamotos, though Akari is still smiling outwardly and Momo hides her face. He doesn’t see the point of doing something that brings out so much pain.

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When Hinata suddenly says she has to grab a manga at the convenience store, Gramps sends Rei to go with her, but Rei keeps his distance, even as Hina’s pace quickens and it’s clear her destination isn’t the store, but the river. There, he finds her crying her eyes out, the gorgeous July moon shining down on her.

As with Harunobu, Rei is a bit in awe of Hina’s intense display, a display he long gave up on when he decided to push the pain of losing his family away. There is no doubt Hina is not okay, but just because he’s not crying doesn’t mean he is.

Again he wonders if the path he chose in dealing with his loss was the right one, all while staying with Hinata and giving her all the time she needs to cry it out. Just as certain defeat isn’t enough to rush a match to its conclusion, pushing pain aside doesn’t make it disappear.

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Flying Witch – 06

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This may not make much sense, but Flying Witch felt like it was almost trying too hard to be about nothing all last week, which pulled of took me out of its world. But this week it returns to its effortless coziness. Like the magic it contains, Flying Witch is not usually flashy, but it can be powerful.

Just seeing Mako in the air on her broom again was a sight for sore eyes, and Akane’s suggestion that she not try to ride a broom she is levitating, but levitate herself along with the broom, provides invaluable insight into the ways of witching.

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While Makoto figures out how to ride properly, Chinatsu is satisfied she’s seen enough: she wants to be a witch too, and formally requests Akane take her on as an apprentice. Akane entertains the request, waiting until the young child is out of the room when she tells Kei that it’s a difficult, possibly life-changing path for one who was not born a witch.

But young and impulsive as Chinatsu is, there’s no arguing with her assertion Akane and Makoto are cute and amazing. And Chinatsu’s fantasies of how she’d use her powers are just as cute.

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Akane drives home the point that magic isn’t always about telekinetically manipulating toys, transforming cars into pumpkin carriages, or creating candy houses that eat people. The basic stuff is subtle, and yet still requires precise preparation to work at all.

Akane proves to be a good teacher, precise in her directives while maintaining her pupils’ faith throughout, in spite of evidence of the spell working. I like how Kei, meanwhile, is simply sitting on a bean bag watching dumb movies. Hey, after that weeding, he earned a break!

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When the spell is finally complete, and Makoto eats the newly-enchanted Pocky, I perked up to see what, if anything, would happen. Turns out the lesson also served as a prank, which is it’s own lesson about the power of even minor spells. Makoto ends up crying at everything for about an hour, while Chinatsu ends up laughing at everything

Cats be all like “humans be crazy”, Kei’s movie is interrupted by their noise, while Chinatsu and Kei’s mom has a little fun making her daughter laugh (though I dunno about letting Makoto handle a knife while crying uncontrollably). As for their dad, he eats both snacks and is domed to spend the next hour laugh-crying over everything. Magic, man: You gotta respect it.

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P.S. One issue I wish would be addressed, but probably won’t be: the music. There seems to be one main musical theme to FW, and it’s used every week, usually more than once. It was cute and matched the mood, but it’s totally played out. More musical variety, please!

Ore Monogatari!! – 09

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This week’s episode begins in somber fashion, Suna dreaming about sitting on that bench (the way Takeo did last week) during a particularly red sunset.

As Suna and Takeo part ways for their very different activities, the question becomes: can Oremonogatari have it’s expensive cake you need to get a part-time job at an aniki cafe to afford to buy, and eat it too? And this episode responds resoundingly: Sure, Why the hell not?!

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In the first minute of their meeting and mutual beaming at each other, one can tell it’s already Yamato’s happiest birthday EVAH. And while it’s not his birthday and he has Suna constantly on his mind (since Suna helped him craft the schedule for the day), Takeo can’t help but be happy around Yamato, too.

First up is bowling, which is all kinds of great, from the largest heaviest ball looking like a softball in Takeo’s hand, to the juggling that makes Yamato giddy, to Yamato trying to lift his ball, then going for a lighter one and splitting the pins.

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Their infectious giddiness continues at the expensive patisserie I mentioned, where Yamato is almost content just to look at the amazing confections on display, but fortunately for her Takeo not only made enough at his job to treat her, but has the staff sing her “Happy Birthday,” which sends her into heretofore unexplored depths of elation. She’s just happy Takeo is with her on her birthday, but even moreso that he’s going the extra mile for her sake.

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That’s when the constant references to Suna finally gets Yamato to ask Takeo a question he can’t dodge: “Where’s Suna?” After a pause, and handing her the schedule and planetarium tickets, Takeo tells her the truth; about how Suna’s with his Dad at the hospital, and how Takeo can’t bear to leave him alone anymore and must go to him.

Yamato is upset, but only because Takeo didn’t tell her something important sooner. She urges him to hurry to Suna’s side. At this point, she’s already had a gas, and because both she and Takeo are always thinking of others before themselves, she completely understands; which comes as no surprise. Frankly, a pissed or sad Yamato would be out of character.

Rather, Takeo having to take his leave is precisely why she loves him so much, just as her kindness and selflessness is a big part of why Takeo loves her so much right back.

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Suna must’ve felt bad about the fact his dad’s surgery fell on Yamato’s birthday, so he told him he’d be happiest if Takeo went and had fun. But this was Suna putting Takeo’s happiness ahead of his comfort. By the time Takeo arrives, he’s already had lots of fun with Yamato and vice versa.

When Takeo arrives, he’s not surprised, but it does lift his heart. It also opens it a little more, with him confessing to Takeo that he blames himself for the situation his Dad is in, for not being there for the attack that led to his first hospitalization.

Takeo assures him that no one else feels that way about him. It’s what Suna needs to hear, because he’s had no one to listen to about the matter but his own thoughts for far too long.

Before you know it, the surgery light goes out, the doctor pronounces the op a success, and Suna’s mom and Makoto arrive to take over, glad that Suna didn’t have to deal with this alone after all.

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And wouldn’t you know it, when Takeo and Suna head down to the lobby, there’s Yamato, not only waiting for them, but making paper cranes. Turns out she wanted to finish out the date they organized for her, but couldn’t stop thinking about them and rushed over. I’m with Takeo: I LOVE HER.

This episode deftly avoids all the narrative pitfalls of a big date episode, despite having a heart surgery at it’s tail end. The surgery goes well despite Suna’s initial pessimism, and Yamato proclaims she had her best birthday ever, and she and Takeo, floating on Cloud Nine, proceed to brainstorm getting Suna a girlfriend…maybe one just like Takeo (whom I believe was in Danganronpa…)

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After seeing Yamato safely onto the train, Takeo and Suna, the brothers by other mothers, pay a visit to the butt tree, and the episode ends as it began: with a sunset. But it’s far less red and morose and gloomy as the one of the cold open. Even when the sun goes down and the night’s chill arrives, it’s warm and bright with Takeo by his side.

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Ore Monogatari!! – 08

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This week’s episode “My Friend” sets the theme immediately with a nostalgic dream Takeo has about the day he met Suna. Suna looks cool, even on the swing, but Takeo senses he’s lonely too. So he runs over, swings himself into a bush, and makes Takeo laugh. Ten years later, and it’s pretty much the same story with these two, who are for all intents and purposes brothers by another mother (and father).

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That past gives way to a present upon cloud nine, with Takeo managing to wring “Don’t Trouble Yourself For Little Old Me” Yamato, whom I notice Takeo isn’t calling “Rinko” yet (to do so would be a big step for the big guy). But as his super long-range vision indicates, her birthday is only ten days away. All she wants is to spend the whole day with him, but he wants to plan a special day for her, for the same reason she wants to  plan one for his birthday next Jan. 1: because he loves her, and doing things for people you care about makes you happy.

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Takeo also gets big news from his super-tough mama: at age forty (but physically 22 according to her), she’s going to have another baby. The talk of birthdays gets Takeo thinking about how people are born, and how glad he is that Yamato was born, and that he had the luck to find her. We already know Takeo is going to be a great big brother, and probably father as well.

What he’s not so great at yet is planning birthday dates; he packs the day with so much stuff without including travel time or accounting for the weather. Enter Suna, who brings the schedule back down to earth, ironically enough with a bunch of activities that he and Takeo once engaged in, and were instances when Takeo did something silly that made Suna laugh.

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Takeo’s kindness and funniness are what drive Suna to want to help him so. The scene where he effortlessly charms the salesperson into holding a broach Takeo wants to get for Yamato is a nice example: Suna knows of his powers, but rather than use them to live the life of a playboy, he uses them to help out a friend when he can.

So it’s interesting and intriguing that throughout the episode Suna is clearly hiding something from Takeo and reflecting any attempts for Takeo to learn what that is. This led a part of me to wonder when the other shoe was going to drop. Now that I know what it was that was really troubling him, I feel bad for thinking ill of him. That’s powerful characterization right there.

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Turns out while his mom and sister are abroad and incommunicado, he’s been all alone in dealing with his hospitalized dad, who has a history of heart problems, and he’s having surgery on Yamato’s birthday. Suna kept it from him because he knew Takeo would offer to spend the day with him instead of his girlfriend.

Suna tells him straight up: that wouldn’t make him happy. He wants his dear friend, who never had any other girl like him back (besides Suna’s sister, but he didn’t know that!) to spend Yamato’s birthday with Yamato. Takeo respects his wishes, and tells Suna not to worry about him, all while in his muscle-revealing “bro cafe” uniform (which is pretty much the perfect part time job for Takeo).

And like he did when Takeo first got on the swing next to him and performed a physical feat of buffoonery, Suna’s frown turns upside down. Seeing Takeo happy makes him happy. He’s a hell of a guy. But I still hope he too finds a nice girl at some point in this show’s run!

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Ore Monogatari!! – 07

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When two heavies in judo outfits confront Takeo while he’s on a pleasant stroll with his adorable GIRLFRIEND, I’m not concerned, because a.) two guys aren’t nearly enough against Takeo, and b.) they’re clearly there to ask him for help. Takeo says yes before he even finds out what they want: for him to join the team, replacing their injured captain.

Agreeing to commit to judo for a month is all well and good…but it will seriously eat into his Yamato time. Like a good boyfriend, he defers to her wishes. Like a good girlfriend, she tells him it’s fine by her. She’s legitimately glad he’s helping the team…not to mention she really wants to see him fight!

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The training is grueling—for the other judo team members, as Takeo tosses them about like ragdolls!—but that training is punctuated with texts of encouragement from Yamato, which he responds to with similar enthusiasm. It’s all very cute, especially when Yamato not only waits for Takeo outside his place with gourmet onigiri (“I can make other things!”), but confesses that she sneaked a look at his sparring—and loved every minute of it.

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There’s a slight chink in the mood when, after spotting a groper warning on a lamppost, Takeo brusquely tells Yamato she shouldn’t come by like this anymore. A chastened Yamato goes to Suna with a double shipment of scones, worried Takeo “doesn’t like her anymore”, but Suna sets her straight, assuring her it’s just another misunderstanding, and counseling her not to get so hung up on little things.

Yamato can hardly help it though, now that she knows what it’s like to be in love—mentioning the rush she gets from the bottom of her heart at the sight or thought of him. It’s a feeling she never wants to lose. She loves him so much, she creeps herself out, and even sees him in the stars, which would creep Suna out if a.) he wasn’t such an understanding and tolerant guy, and b.) he didn’t start seeing him in the stars too!

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Not that Takeo is any less crazy about Yamato. After a hard day of training, he just wants to hear her voice, so texts her and gets an immediate phone call from her. Suddenly on the spot, she starts by introducing herself and then improvising, but she gives him exactly what he wants: her voice.

On the day of the big match that will put Takeo’s school over their rival by one game in the historic series, Yamato (and Suna, for that matter) is hilariously dwarfed by all the huge bodies, but small as she is, her presence is crucial to Takeo’s success.

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When his old grade school buddy Tsuyoshi (who is about the same size as him, surprisingly) sees Yamato, he believes he’s already won, since Takeo has started “wasting his time” on romance. But he couldn’t be more wrong. Takeo may not know exactly what strength is, but Yamato’s presence increases his focus and his resolve to do his absolute best. He’s there first and foremost for her, not the judo team or glory. He wants to put in as much love and effort into his judo as she’s put into her cooking.

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After a spirited bout that excites everyone, not just Yamato, Takeo manages to throw Tsuyoshi down and win the match, putting his school over the top, 3-2. Afterwards, Takeo thanks a Yamato who is already close to passing out from excitement, taking her hands into his and making it plain that he won because she was there cheering for him.

Then the two of them and Suna drop some acid and look up at the sky and spot more constellations…of themselves! And Suna! And a macaron! (Seriously, Yamato would do well on Food Wars…) Takeo was crazy strong before he met Yamato, but now that she’s in his heart, and he in hers, he’s become even stronger. And I’ll tellya what else is crazy strong: this frikkin’ show.

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Ore Monogatari!! – 06 (Caught Up!)

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Due to watching so many romantic anime in which little problems needlessly snowball into bigger ones, it was refreshing to see one resolved in relatively short order. My theory was also proven correct, thanks to the intervention of a somewhat nosy but increasingly understanding Ai. But I don’t want to underscore the difficulty Yamato had in presenting her case to Takeo, which is why she hesitated so much.

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I imagine he’s been operating under the assumption that she’s good and pure because she sees the goodness in his heart and loves him despite his looks. In truth, Yamato likes Takeo’s body, from his eyebrows and full lips to his broad shoulders, rippling pecs, and huge hands. She well and truly has the hots for him, and wants more physical contact, not less.

At first Ai confronts Yamato with suspicion, but ends up agreeing with all the things Yamato says about Takeo, and totally understanding Yamato’s situation, and tells her to go to him and tell him everything she told her; he’s not so fragile he’d cast her aside. Yamato runs off, a huge weight lifted from her shoulders.

Her sudden and adorable faceplant, from which she shoots back up after a beat before continuing on her way, really underscores how pumped up she is, so eager to get to Takeo that she forgets the rudiments of ambulation.

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It might have been better for Ai if her initial suspicions were right; that Yamato was deceiving Takeo or having an affair, because this is the episode in which Ai realizes she’s lost Takeo—not to a hussy, but to a genuinely good person in Yamato, and she hid her own feelings for him too long—partially because they’re three grades apart.

Still, their age difference didn’t matter when Takeo made a “from the mouth of babes” compliment on a beauty she didn’t know she had. She had a growth spurt long before he did, and her tall, lean frame was mocked by classmates as reminiscent of a school statue with the same build. Takeo didn’t know anything about that; to him, she resembled a calla lily. From that point on, Ai was smitten.

But like Takeo aimed to do with Yamato, she decided to wait for him to “grow up,” but waited too long. Ai can’t hold back how upset she is about this, and heads back to college early. She’s happy for Takeo, but devastated that her long-time love has found someone else; someone just as worthy as she is. Good on you, show, for making Ai more than the cliched rival, but a tragic figure in and of herself.

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Ai and Suna find Takeo rescuing a cat from a tree, and tell him Yamato is headed to his place, in tears. They don’t have to say another word, as Takeo demonstrates his impressive running speed and endurance. He meets Yamato in front of his house, where he tells her whatever has been troubling her, she can tell him; she can tell him everything. And she does: She wants to hold hands; he wants to be cuddled; she wants to be kissed by those lips that won’t quit.

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Those are all big steps for her and Takeo, but Takeo assures her they’re steps they’ll take together. Now that she sees she had nothing to worry about, Yamato opens up more to Takeo about how she’s not the good person he thought she was: she found his address by asking around his school, and even left her cell in his house on purpose.

Learning of these tactics doesn’t disappoint Takeo; in fact they make him happy that she went to such lengths to get closer to him. His reassurances move Yamato to tears, something Takeo promised he’d never make her cry again, but Yamato tells him happy tears don’t count. After spending the last few nights worried the truth would cost her Takeo, tonight she’ll be grinning ear to ear knowing the conflict they overcame ended up deepening their relationship. They’re in a good place again, thank goodness. On to the next crisis!

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In the hilarious omake that closes the episode, Takeo, anticipating a kiss in the near future, decides he needs to practice on real human lips; lips that will remain sealed about his practice. Naturally, those lips belong to Suna. I find it ironic that every girl in their school, along with most other women in public, want nothing more than to lock lips with Suna, but it’s Takeo who actually gets to do it—albeit through a layer of plastic wrap!

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