Itsudatte Bokura no Koi wa 10 cm Datta. – 03

Miou and Haruki had started to grow just a little bit closer to one another, but the sudden revelation that Haruki’s brother died saving Miou throws their intercept course, as it were, way off, until Miou is suddenly sprinting in the opposite direction.

Even when Saku tells Miou Chiaki was always frail but nevertheless risked himself to save others. Miou living a good life for his sake is “how it should be”, and Miou shouldn’t feel any shame for being the one who was saved.

But she does. She blames herself for Chiaki’s death, and doesn’t see how she can even face Haruki, let alone talk to him, let alone close that 10cm distance.

So Miou suddenly disappears from the center Haruki’s life. She doesn’t get near him or talk to him, and flakes out on the painting competition.

Haruki wonders if there’s anything he did or said to cause Miou to change like this; and he can’t come up with anything, which only increases his frustration. That frustration makes it difficult to focus on editing the film.

When he finally catches her on the rooftop at lunchtime, Miou attempts to retreat wordlessly. Haruki bars her way, and tells her she has to tell him what’s wrong or he won’t understand.

Since there’s no way Miou can tell Haruki what’s really wrong, all she says is that “she’s no good”, and he shouldn’t talk to her anymore.

Haruki’s friends are worried about Haruki, and can immediately tell he’s distracted from the quality of his work. Haruki is mad, because he’s helpless to discern what’s wrong with Miou. Without revealing him the secret he and Miou share about Chiaki, Saku only tells Haruki that Chiaki would have “done what he believed was right.”

All well and good…Haruki doesn’t know what to do! That night Haruki reminisces about how kind and loving his big bro was, and how strong and brave he was, never letting Haruki see him so much as frown, despite his body continuing to deteriorate.

Honestly, I feel for Miou. I don’t know how you’d comfortably broach the topic to Haruki of who saved her from drowning and what happened to that person. I guess you simply don’t do it comfortably. It’s not a pleasant thing to do, but it’s the truth, and I’m of the mind that truth has to come to light if there’s going to be any future for Miou and Haruki.

Both Miou’s secret, how she handled it, and the sudden notice that Haruki has won the chance to study in America, conspired to make this episode feeling very somber, even fatalistic. Here’s hoping next week will bring a ray of light to cut through the gloom, if only a bit.

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Itsudatte Bokura no Koi wa 10 cm Datta. – 02

“Summer, Fireworks, Color of Love” is this week’s title, and it pretty succinctly sums up what we get. If you’ve heard of these themes in romance anime before well…you’re not alone! But what this show lacks in original themes, it makes up for in solid execution and attention to detail, and variety.

We get looks not just into the budding romance of Miou and Haruki, but see how close Yuu and Natsuki are without officially dating, as well as Souta’s attentions towards Akari. The plot of making one last film together, starring a character who is an art student in love, is pretty hoaky, but super-charming if you can switch off the cynicism.

In her desire for her art (and not Akari’s) to be chosen by Haruki, Miou puts undue pressure on painting the perfect canvas, and ends up unable to paint anything at all. Haruki seems to get a bit jealous when he overhears that Miou will soon meet the man who saved her from drowning.

But they largely set aside those issue when the six friends gather for a fireworks festival. Natsuki sets things up so Miou and Haruki are alone, while Souta’s in the right position to catch a stumbling Akari, breaking the ice. All three couples have great chemistry and it’s fun to watch them interact.

Everything seems to be ruined when Miou faints and she and Haruki end up with an obstructed view of the fireworks, but they find a platform to get a better view. Haruki tells Miou he’s looking forward to seeing what art she comes up with (adding to the already high pressure of that project).

When he awkwardly offers to grab something for them to eat, Miou bravely, finally closes the 10cm distance by grasping his shirt. The two come this close to kissing, but are lamely interrupted by a couple of yappy dogs. LAME, I say. At least they can laugh about it.

Then the next day the thing I knew was coming came: Miou learns the man who saved her life is dead. Not only that, he’s Haruki’s big brother, Chiaki. She goes home, and rather than paint what love looks like for Haruki, she defaces the painting of her memory of being saved, ashamed that he lost his life, and Haruki lost his brother, all for her sake.

Itsudatte Bokura no Koi wa 10 cm Datta. – 01 (First Impressions)

What’s this, eight weeks into the season? A new high school romance comedy-drama from Studio Lay-duce (formed from ex-Bones members) that, at least for the moment, does not involve love polygons or an obsession with communication through the LINE app.

Instead, we have a built-in compatible couple in Aida Miou (Toyosaki Aki) and Serizawa Haruki, both creative people born in the spring. There’s mutual attraction, but due to the contrast between Haruki’s flashiness and popularity and Miou’s modesty bordering on self-loathing, the two find it difficult to get any closer than ten centimeters together.

Gimmicky title aside, this first episode efficiently establishes both Miou and Haruki as good decent people who are novices when it comes to romance, and the dynamic between their different outward personalities and a kind of inner connection that draws them closer together.

The fact that coming closer happens so organically, before they realize it, a friend of Haruki plasters the chalkboard with playful slogans. Miou does not like the spotlight, or even appearing in Haruki’s camera lens, but Haruki wastes no time telling his buddy that this kinda thing is not okay, while telling Miou not to let it get to her.

The network of friends, which consists of three girls and three boys, doesn’t seem ripe for any kind of conflicts. Miou’s friends assume she and Haruki are already girlfriend and boyfriend, even though they just go home together most afternoons because they’re “headed in the same direction.”

Of course, as we watch their chemistry unfold together, it’s clear it’s not just practicality that drives their after-school walks. Haruki likes Miou and Miou likes Haruki, but Haruki wishes Miou wouldn’t criticize herself so often, using the phrase “somewhat like me” like it’s going out of style and having no confidence. Yet for all his bombast, Haruki isn’t any closer to drawing nearer than 10cm from Miou. It’s something they’ll have to figure out together.

While hardly a groundbreaking or risky show, 10cm is thoroughly competent and enjoyable, with a minimum of the teen angst that tends to sour these kinds of shows. It also has the benefit of a totally stacked all-star cast including Toyosaki and Suzumura Kenichi, Kamiya Hiroshi, Tomatsu Haruka, Kaji Yuki, and Asumi Kana.

I don’t care what you’re making, if you get this amount of talent behind it it’s bound to be good. Looks like this will be only six episodes total, so I don’t see the harm in checking it out, late in the season though it may be.

Tsurezure Children – 12 (Fin)

Tsurezure Children’s finale starts with Sports Day and a soccer tournament, during which time Kurihara cheers for Yamane, Kanda wonders if it’s okay to cheer Takase, Takase wonders if it’s okay to look her way, Kana and Chiaki are still cool to each other, and Patricia joins the boys.

Chiaki gets the opportunity to save Kana from getting hit by the ball, and as thanks, Kana starts cheering for Chiaki—in her own way, telling the idiot to impress her. Chiaki can’t help but oblige, and comes this close to scoring (a goal) when his run is blocked by Noro, who, not having a girlfriend, resents the guys who do. Patricia then swoops in and scores, ruining Chiaki’s chance to be cool for Kana.

On the last day of school before Summer Break, plans for a beach trip crop up. Takano’s friend tells her Sugawara may come, and Sugawara’s friend (Chiaki) tells him Takano will. But neither believe the other cares whether they go or not, and so remain noncommittal.

However, this is only the beginning of an apparent conspiracy between their friends to get the two alone together, and in the process, Kana ends up alone with Chiaki, even though he didn’t get her message because his phone battery died.

Chiaki concedes that they’re broken up, but he realizes the error of his ways in being so comfortable in a relationship with Kana he thought he could do no wrong. He asks that the existing breakup stand, but that Kana allow him to confess to her once more, because he doesn’t want to lose her again. When he asks her out, Kana, who never truly wanted to break up in the first place, quickly says yes, her face drenched with tears of joy.

In the classroom, it’s Takano who takes the initiative, first asking Sugawara in a voice well above her usual volume whether he’s going to the beach, and then, when he’s ready to sheepishly leave, telling him it won’t be fun without him. Just like that, the two are able to connect and move forward. It’s a happy ending and smiles all ’round for two couples who had suffered so much, as we suffered with them, and a sweet place to end.

Tsurezure Children stuck to a simple formula and executed it admirably, utilizing the variety, realism, relatability and rootability of its sprawling ensemble cast. Of course, not every relationship has been resolved; I wouldn’t mind another go.

Koi to Uso – 12 (Fin)

Ririna doesn’t simply say she’s willing to abandon their arranged marriage for Yukari and Misaki’s sake; she lays out in a very detailed and realistic way exactly the way it’s going to happen, and it involves her and Yukari pretending like they hate each other’s guts—in other words, lying.

Yukari doesn’t like the sound of that one bit, as he doesn’t want to even pretend he doesn’t like Ririna. But Ririna appeals to Yukari’s deep and inspiring love for Misaki—without which Ririna would never have come out of her shell—and is able to get him to agree to her plan.

That means, at some point, if all goes as planned, Ririna will have herself “recalculated” to find another partner to marry, and asks Yukari to ‘show her what to do’, so to speak. The practical excuse aside, both Ririna and Yukari are lying here as well.

Ririna loves both Misaki and Yukari, so she doesn’t want to hurt either. What she fails to realize is that Misaki and Yukari have the same exact reason they don’t want to hurt her: they love her too. Forget about levels or tenure; love is love, and especially during one’s youth it can be extremely hard to distinguish one form for another.

As a result, Yukari initially stays away from the wedding dress fitting, convinced he’s hurt both Ririna (by agreeing to her plan) and Misaki (by kissing her in the chapel), and not wanting to cause any more pain to either. Nisaka shows up and lays it out as only Nisaka can: people who are hurt by loving him is not his problem; it’s theirs.

Nisaka speaks from experience here; he knows he’ll never have Yukari or even get him to look at him the way he wants…but he’s not going to bother him about it. He tells Yukari that when it comes to love, you have to look out for number one.

In Yukari’s case, he doesn’t feel comfortable living life without Misaki or Ririna. At the chapel, Misaki assures Ririna that her plan is impossible, because she, Misaki, loves both Ririna and Yukari. She couldn’t let Ririna drop her marriage to Yukari any more than Yukari or Ririna wanted to hurt Misaki by getting married.

It’s quite the conundrum! And certainly one for which there are no long-term answers. Presumably, Ririna and Yukari will one day marry, just as Misaki will marry her match (we finally learn definitively that she hasn’t received her notice yet). It would seem that love is not a problem for any of the three; it’s just a matter of learning what kind of love that is, and how that will (or won’t) jibe with cultural and societal norms.

Is this finale a cop-out that lets everyone off the hook by delaying a concrete decision on who marries whom? Sure is. But I asked for someone to win last week, and it would seem that, for now at least, everyone wins…Except Nisaka!

Ultimately, this show lacked the teeth that I had expected of a premise in which people were, if not outright forced, very strongly nudged into arranged marriages. As I’ve stated in earlier reviews, Japan’s appallingly low birth rate is a crisis that threatens the nation’s very existence. Drastic societal measures are needed that the notoriously unreliable bureaucracy likely won’t even begin to tackle until it’s too late.

Koi to Uso was initially, and could have remained, a fascinating look into the “what-if” scenario. But ultimately, The Yukari Law was little more than window dressing for a watchable but otherwise by-the-numbers youth-love-polygon show. It could have been much more, but would have had to go to darker places it clearly wasn’t interested in going.

Tsurezure Children – 11

There’s a lovely momentum to this week’s quartet of stories, befitting what may be the second-to-last episode (though I wouldn’t mind a second cour) – things seem right on the cusp of coming together for some of the more stubborn pairs, thanks in part to third parties.

Take Chizuru, who learns through Ayaka’s now active and thriving relationship, what it actually means and how it feels to be in love. There are too many coincidences for her to merely shrug this off, and too many who have heard the rumor Sugawara likes her.

As for what I consider the most emotionally close (if physically furthest away) relationship, Kana ignores Chiaki after the first kiss incident, and he thinks he’s been dumped. Kana’s friend tells her breaking up is a bit much for a muffed first kiss, and she knows that. It gets to the point where she thinks she’s ignored him enough, and starts to worry that he might hate her.

The two are so in sync, Chiaki decides to send one last message just as Kana decides to accept one last message, if he apologizes. Everything’s looking good…until she drops her phone in the tub! I’m not too too worried, though; if these two really love each other, they’re not going to let technological snafus keep them apart.

Still reeling from their technological snafu, Takase and Kanda are both still interested, but weary of making the first move, even to the point of asking for/offering pencil leads for final exams. Enter Minagawa, the third party, to tell Kanda to get them from Takase as a means to get closer.

She chickens out, but Takase, who has the easier job here, thankfully doesn’t. When Kanda runs out of lead, he tosses her more, and after the exams they’re on friendly speaking terms again; which is what they both want.

The third party in Ryouko’s case is the entire rest of her class. As she crams for the exam after so many months of slacking off like a yankee should, she gets super-self-conscious about how that class sees her, worried they’re all better than her because they studied more or something.

Akagi wants to offer support while she’s studying in class, but won’t (and orders the Prince kid to hit him if he does), since Ryouko will be alone for the actual exam, after all. We’ve seen precious little of Akagi without Ryouko around, and it’s nice to see his hands shaking in anxiety because he’s worried about his girlfriend.

Ryouko doesn’t have what you’d call a fun time during exams, but who does? When she drops her eraser, she’s even too self-conscious to raise her hand. Her classmate Patricia Shibasaki picks it up for her, and adds that she’s rooting for her. Her nerve restored, Ryouko can continue.

Koi to Uso – 11

With Yukari, Ririna, and Misaki making little progress in discerning who’s going to end up marrying whom, the three (plus Nisaka) end up at…a wedding. Subtle. Ririna and Misaki are also recruited by the ceremonial hall’s marketing rep to model wedding dresses. Also subtle.

The wedding itself is highly scripted and a bit stiff, with all the usual traditions and nothing in the way of really breaking the mold. The individuals actually getting married seem a bit lost in the procedure of the thing.

Still, a wedding is a wedding, and Misaki and Ririna have a blast, and are glad they were able to attend together. Misaki echos Arisa’s assertion that Ririna has become more open and easier to talk to, and Riri attributes this to her time with Misaki and Yukari.

Misaki also says she’d love to see Ririna’s wedding, all but surrendering Yukari to her. But Ririna can probably sense the lack of conviction in those words, especially when she peeks in on Yukari comforting a crying Misaki with a big long kiss.

I’m sorry, but at this stage, Yukari is being a big fat jerk here. I’m sure Yukari didn’t like seeing Misaki cry, but kissing her will only provide the briefest relief if he ends up marrying Ririna, which, that’s the case, he shouldn’t be kissing other girls. Get your fucking shit together, man!

Ririna seeing Yukari kiss Misaki casts a pall over the rest of the episode, as Ririna and Yukari’s families join forces to mudge their betrothed kids a little closer together at a splendid hot springs inn, even putting them in the same room together.

Their tour of the town demonstrates their easy chemistry with one another, and the fact they both genuinely enjoy each other’s company. They’re not exactly setting the world on fire with their romantic passion, but who cares? They’re a nice, cute couple!

So after witnessing Yukari and Misaki kiss, and Yukari telling her how he’s the person he is today because he followed Misaki and admired her from afar like a goddess…in the night, Ririna decides to tell Yukari she thinks he should choose Misaki over her.

If Ririna and Misaki weren’t such good people and good friends, they wouldn’t be falling over each other trying to sacrifice their happiness for that of the other’s, but Yukari’s persistent indecision—and his appalling indiscretion where Misaki is concerned—has also led us to this point.

The only satisfying way Yukari can respond to this by either accepting or rejecting Ririna’s concession. I’m fine with both, honestly. I may have sounded like a Ririna x Yukari shipper of late, but I’m fine with either girl “winning.” As long as someone wins, dammit!

Oh, and throughout all of this, why haven’t Misaki and Nisaka received their notices? Are Yukari and Ririna really that much older than them? The fact we have no idea who their assigned spouses are leaves me worried the show’s withholding that info for a last-episode cliffhanger—perhaps even a prelude to a second season I neither want nor need.

Tsurezure Children – 10

Motoyama has to endure the extreme wussitude of his friend Yamane Kurihara, the girl who likes him. She made pudding for him, so asks him behind the school, but Yamane take Motoyama along, and once he’s there, Kurihara doesn’t want him to leave either!

When he finally does, Kurihara simply hands the pudding over to Yamane and the two depart just moments later. An exercise in futility, as long as Yamane continues being so low on himself.

Kamine and Gouda are faring much better, but there are still things Kamine wishes her boyfriend would improve upon, like not being so sudden, calling her by her first name, and not holding hands with other girls—even if it’s to arm wrestle with the foreigner Patricia. (Opening bottles is okay, but if he’s nice to another girl he has to be nicer to her).

Gouda takes all of this in stride, not minding at all that she’s being a little needy and selfish because, well, he likes her, and thinks she’s only gotten cuter since they became a couple.

When a passing Kana and Chiaki spot the happy couple doing things they never imagined Kamine or Gouda would do (especially in public), you could say they are inspired, and try to have their first kiss right there.

Unfortunately, it is interrupted by…Kamine and Gouda, and the two couples exchange ‘what are you doings’ with ‘aw nothings’ and that’s that. Only Kana and Chiaki actually did nothing.

So it was exciting to see the show stay with Kana and Chiaki for the final segment, though in hindsight I might be sorry I wanted such a continuation. Chiaki invites Kana to his otherwise empty house with the express intention of kissing her before she has to be home by 8.

After a lot of awkward interactions, he decides to do a skit—one in which he pretends to be drunk. Chiaki assumes he drank something, and would rather their first kiss be something they can remember with fondness, even if it isn’t a big deal.

Then Chiaki reveals he’s just acting and surprise-kisses Kana, then invites her to ‘play along’ as if it were another one of their skits…and she is NOT into it. In fact, she storms out in tears, declaring their duo over. Is it really over? I hope not, but Chiaki had better apologize!

Koi to Uso – 10

I probably say this too often…but that’s more like it! Interaction between Yukari and Ririna is bascially why I watch this show. I’m not a rigid follower of the orthodoxy of the Yukari Law, but they were deemed the best match, and everything I’ve seen of them suggests that despite a few bumps in the road, they’re realizing that too.

But what about that damned Shuu? What did she mean about notices and fated partners? Both Yukari and Ririna want to find out, so they call a “truce” and arrange a meeting. Yukari tries first but fails, and Ririna comes to comfort him while he’s feeling low on himself, and sure enough, she knows the kind of burial mound he’s building in the sand.

Ririna doesn’t have any trouble arranging a meeting, but when she comes right out and asks Shuu what she meant (in her usual Ririna straightforward way), she demands a change of venue to a cat cafe. There, while playing with badly-drawn cats, Shuu underscores her one and only goal: to protect Misaki.

Shuu didn’t use to think much of Misaki, until she found out she was in love, and has been awe of that part of her ever since, noting the way she “shines.” But while Shuu’s grandmother designed the Notice system and she herself is some kind of genius and tech whiz, Shuu is still simply taking a side based on her own feelings, which is not what the system is all about.

Yajima, who tracks them all down, makes Shuu understand in no uncertain terms that love between government-matched individuals can’t really compare to two people who just naturally fall in love…but that’s not the point and never was. Surely, for instance, there are other matters of compatibility she’s discounting.

Indeed, The System, in its dispassionate way, seems able to discover pairings that would never have naturally happened, such as that between two people as different in personality yet alike in their isolation as Yukari and Ririna.

And what do you know, paired together and given the chance, they seem to be doing quite well. So much so, that their affection for one another is starting to take precedence over the third party’s happiness, even if neither is interested in hurting her.

Misaki herself has already said many times she’s willing to live with the fact she wasn’t chosen. I wish Yukari would hurry up and state for the record who he’s choosing. But it’s good to see the episode begin and end with him and Ririna back on good terms, having come out of the first true conflict in their still-new relationship none the worse for wear.

Tsurezure Children – 09

This show, and this episode in particular, is brimming with wrong assumptions made in the heads of the young and in love. Those assumptions make progress slower than it would be if they could only properly communicate with the ones they like.

But again, these are kids, and it’s their first love, so rookie mistakes are to be expected. It’s those tiny steps in the right direction that make me not only stay invested in all these various couples, but gives me hope that some day they’ll figure it out.

Sugawara and Takano’s eyes meet so many times, both wrongly assume they’re bothering one another…but a tiny bit of progress is made when Sugawara tells her he was, in fact, looking at her. Takano said she was looking at him too…now she just has to say it to the correct person, not Gouda!

Few couples got off to a worse start than Kanda and Takase, but neither likes the distance that has grown between them, and so they make up. That they both wrongly assume the best they can get out of the other is friendzoned is a concern, but they are talking to each other again. Progress!

I’m on record in older reviews of her work as saying Ogura Yui’s trademark syrupy-sweet voice sometimes sounds like nails on a chalkboard, but I’m enjoying her work as Kamine, who is the most aggressive of the characters this week.

Unfortunately the body language she exhibits while struggling with the fact she “blew” her first kiss with Gouda is being wrongly interpreted by Gouda as having gone too far in kissing her. Kamine tries to force the issue by pretending to fall asleep on his lap, but for her trouble, Gouda nods off for real and they nearly touch faces.

Finally Furuya is sick of dragging things out, and wants to properly, seriously give Minagawa an answer. But he wrongly assumes that all of her different kinds of “likes” she throws at him (kudos to Hana-Kana here) is all part of an extended teasing regimen, when in reality, teasing is what gives Minagawa the courage to say the things she does.

When she says that none of the ways she says she likes him are adequate, she has Furuya close his eyes and…well, does she kiss him? Sure looked like it to me, but then she had those fingers up. Minagawa thinks Furuya should know whether her lips met his…and she’s right! Lips and fingers don’t feel the same!

Koi to Uso – 09

A nervous Yukari spins his wheels the whole episode cursing himself for doing more in a school festival that does little more than take up time better spent with him and Ririna making up. Ririna barely has three lines, occupying the margins of the episode with her new buddy Arisa.

While the school play scenario was tolerable last week, another entire week of contrived “Romeo & Juliet” dot-connecting went a bit too far, and some last-second shenanigans from whassernam, the Yuki-Onna…Igarashi, mark a return to the plotting issues of the first episode, and make for a tedious, meandering episode.

I get it; Yukari’s in a weird place right now, and he’s hesitant to do or say anything that will make that place any weirder, and neither Nisaka nor Misaki make it any easier for him (not that they should).

But honestly, I felt like I was caught in an endless circle of Yukari milling around, worrying about things, not to mention his ultra-weak flyer game. Nisaka and Misaki seem to be putting on their performances for Yukari’s sake, as a means of openly expressing how they truly feel through the lines of their roles.

Unsurprisingly, the two knock it out of the park due in part to the real emotions and conviction they put behind their acting. When it’s over, Yukari is back to wandering around the school like a headless chicken, and runs into Igarashi, who drops the bombshell that calls the notice that names Ririna as his future wife into question.

Igarashi tells Yukari that Misaki, not Ririna, is his “destined partner,” and JUST THEN Ririna just HAPPENS to walk by and hear that bit, and like Yukari, demands to know what Whitey-chan means. We’ve seen her in a control room doing tech stuff for the Ministry, but if you ask me, it doesn’t matter anymore which girl is supposed to be his chosen future wife.

We’ve got a love triangle between them regardless, not even counting Nisaka, and that’s not going away just because all doubt of the notice’s veracity has been extinguished (which may not even be possible). Fewer plot contrivances from tertiary characters—and a little more time inside Ririna’s head—would be greatly appreciated.

Classroom of the Elite – 07

As soon as it was clear this was not only a pool episode, but an underlying operation by the guys to peep on the girls in their changing room (immediately), I sat back and settled in for what I imagined would be a pleasant but lightweight episode, “7” stamp in my hand, ready to strike.

But hidden among all the usual pool episode fanservice cliches and peeping scheme antics, this episode turned out to be something I didn’t know it was until the end, and felt silly for not realizing it. At the same time, it ever-so-gently nudged a character towards a slightly more normal human high school life.

If this episode were a sandwich, the insides would be pretty monotonous, while the bread, particularly the bottom slice, would be where the true action is. Yet the middle part—let’s call it egg salad for the purposes of this metaphor—was nevertheless crucial in setting up the twist at the end.

Clues are everywhere as to what kind of phone conversation went on between Horikita and Ayanokouji that led to her joining him, the three bad apples (including Sudo), Ichinose, Kushida, and Sakura at a lovely Summer day at the pool, rather than her usual day composed solely of study, eating, and sleeping.

‘Leisure” and “friends” are a waste of time and energy for Horikita, so what is she doing here? Nah. Merely humoring Ayano and the others? Worried he and Kushida (or Sakura, or Ichinose) will get too close if she’s not there? Nope.

Once the ridiculously overwrought and over-dramatic peeping scheme is in dire jeopardy, and Ayano asks Horikita to climb the highest diving board and deliver a stirring speech that gets the nod from her Class D colleagues but rankles the other classes, it should be clear she’s not in on the peeping scheme either…and neither is Ayanokouji.

Rather, Ayano, AKA Argos-4, served as a double agent, knowing the other guys would go through with the scheme even if he protested or failed to participate; better to let them think he’s on their side and let them fail all on their own. But the consequences of failure would spread to all of Class D, so Ayano appealed to Horikita’s pride and desire to reach Class A, and help him neutralize one more obstacle to that goal.

She does, swiping all of the SD cards from the cameras set up in the changing room, and thus while the guys’ scheme failed, Ayano’s succeeds. Getting to see Horikita in a bikini, and having her hang out with people who would be her friends if she just let them, is pretty much just a bonus for Ayano. He dunks Horikita, but when reaching out to pull her out, she pulls him in with her…as “payback” (Sakura also tries and fails—quite hilariously—to join in the fun).

Back home and in her usual routine, Horikita gets a text from Ayano: a photo of him and her with the others at the pool; a memory of a fun time. Horikita collapses on the bed, maintaining that being alone is “easier”, but does she truly want everything to be easy? Doesn’t a challenge make one’s results more satisfying?

Classroom of the Elite let its hair down a little this week, but it deserves kudos for taking the tired pool episode and peeping scheme premises and adapting them to the specific thrust of the show: Horikita and Ayano keeping Class D above water as part of the greater goal to get promoted to Class A. It also allowed Horikita to loosen up ever so slightly, while perpetuating the complex relationship between her and the still very mysterious Ayano. A win on all fronts.

Tsurezure Children – 08

Kamine and Gouda make more progress by learning that both are okay with the other being clingy and even a little possessive; everything in moderation. To that end, Kamine draws closer, cuddles, and holds hands with Gouda, who decides to surprise her by giving her her first kiss in the middle of which she unfortunately coughs.

But hey, it’s a kiss, out in public, which is more than Kana and Chiaki can manage. They try to work through the problem through the excessive use of soccer metaphors, and even when Chiaki thinks he’s angered Kana to the point she won’t speak, she still offers him “stoppage time” in order to kiss her. Unfortunately, she moves her head at just the wrong moment, and all he gets is her nose; a second attempt is thwarted by onlookers.

Meanwhile, Masafumi and Ryouko are one of the most comfortable couples, and even have to go to the library because they’re fooling around too much at home. But Masa still likes to keep Ryouko on her toes, asking if it’s okay to touch her boobs. His persistence eventually bears fruit (no pun intended), but he doesn’t go through with the feeling-up; he just wanted her to know that he’s holding back.

Finally, Kazuko once again comes upon Shinichi, who is battered and bruised after a fight with…someone; possibly (but probably not) the “god of romance.” Kazuko wants dearly to be his, and he hers, even whipping out her own ultra-speed moves to counter his. Shinichi is definitely the weirdest of the guys we’ve seen, but he seems to have found someone just as weird.