Karakai Jouzu no Takagi-san – 12 (Fin) – A Gentle Nudge Past the Status Quo

The last episode of KJT starts with a long shot of Takagi looking over at Nishikata without trying to look like she’s looking. It’s the first time we’ve seen her since Nishikata unwittingly made her heart go dokidoki, and when we hear that the girls in class are on a letter-writing kick, it’s natural to assume Takagi would join in.

When Nishikata finds a love letter in his textbook, he does everything he can to keep that information from Takagi…right up until she tells him she put it there, she wants him to read it before school ends, because she wants his “answer” by then.

When Nishikata discovers the “love” letter is really just a written request to walk home together like they always do, Takagi gets the reaction she wanted. But in a way, it was a love letter, albeit a coded one: Nishikata’s reactions provide her nearly as much info as direct words.

Her ability to read him like a large-print book goes back to when they first met and spoke, back on their very first day of school. Nishikata is late, but not because he overslept. Takagi senses he wants to set the record straight, and her first words to her new desk neighbor are “you didn’t really oversleep, right?”

Later, Takagi is the one who’s late, giving Nishikata cover, but also sets up her first guessing game with Nishikata, correctly guessing he was late because he found her handkerchief and brought it to the staff room.

Nishikata (unaware that she was “Takagi-san” until just then) reacts in the over-the-top flustered manner we’re used to by now—only it’s the first time Takagi is watching it. From that day onward, she was hooked.

Back in the present, Nishikata receives bad news: there’s to be a seat rearrangement. Nishikata pretends it doesn’t bother him, but Takagi doesn’t hide her dispiritedness, which in turn makes Nishikata dispirited. The status quo is at stake!

Nishikata ends up joining someone else despondent over the rearrangement: Mano-chan, who was perfectly content next to her boyfriend Nakai-kun, and whose life is now essentially over. Then Nishikata loses his one chance to switch seats with Kimura-kun, and sinks into his new desk of despair beside Mano-chan.

Thankfully, things didn’t end there: through a number of seat switches, Mano and Nakai end up up front together, while Takagi returns to Nishikata’s side. Nishikata can barely hide his relief.

Then she asks what he wanted to say earlier, and he produces her handkerchief, which she used to bandage his knee a while back, and which also brought them together on the first day of school. Nishikata expresses his gratitude he was able to return it, and that they’re next to each other again; the feeling is mutual. For once, he says what he feels without worrying about being teased.

That night, while inspecting her hankie, a little note slips out, and suddenly Takagi is in the same position Nishikata is when he found the love letter in his book. It’s no confession, just a simple “Thank you”…but it’s another critical hit on Takagi, who plops onto the bed and buries her head in her pillow, giddy with delight.

It would be an understatement to say I’ll miss Takagi and Nishikata. Could I watch the duo grow closer and closer together as they enter high school, college, and eventually adulthood? You BETCHA. But since that’s sadly unlikely to happen, I have to be satisfied with the snippet of their lives that we got. And I am, very much so!

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ReLIFE – 17 (Fin)

Aw HELL yeah! I didn’t ask for much, just a happy yet satisfying ending that felt earned, and ReLIFE delivered exactly that. Initially framed by Yoake’s final report, things start out in the afterglow of Kaizaki and Hoshiro’s confessions. All their friends are super-excited for them, but they keep it very cool and low-key, which is just like two teenagers who are actually adults.

They’re both simply savoring every day they have left together, because they don’t have a lot of them. It makes you wish they’d gotten together much sooner…but then again, I couldn’t have asked for a better way for them to finally realize their feelings for another, and their love only deepens as the days pass, as evidenced by their late night phone call when simply messaging on LIME won’t cut it.

Graduation Day comes, and Kanzaki manages to graduate by the skin of his teeth (thanks to Oga). There’s goodbyes, notes of goodwill, flowers, smiles…and tears. But there are no tears more bitter than those shed by both Kanzaki and Hoshiro.

He finally gives her a hug, just when she needs one most, and it turns out he needed that hug just as badly. He says it feels like a break-up, even though they’ll see each other at the start of the college term. Hoshiro thanks him for being such a transparent yet kind liar.

And that’s the last they see of each other in their respective ReLifes—with a tearful embrace, assuring each other they’ll never forget each other, even if they know they can’t keep that promise.

Yoake congratulates Kanzaki for a marvelously successful ReLife, telling him he can look forward to very promising job placement in exchange for his cooperation with the experiment, and should hold his head high. Meanwhile, Onoya has her exit interview with Hoshiro, who never really warmed up to her newer support.

Describing her ReLife, Hoshiro describes how her heart is “ripped open” by getting close to people only to lose them, but admits she does feel like she changed “a little.” After taking her pill and falling asleep, Onoya accidentally discovers a marker Hoshiro used to write “I was in love with Kaizaki Arata”, and breaks down at Hoshiro’s failure to hide it better, as once Onoya sees it, she has to get rid of it along with all other evidence. It’s her job, after all.

Fast-forward to a bit of time after Kanzaki regains his 28-year-old appearance and starts interviewing for the jobs ReLife provided. Ultimately, however, he wants nothing more than to help others as he was helped, so he requests a job with ReLife, and is accepted. Now he is the one visiting shut-ins and other wretches, offering a way for them to find themselves again.

At a ReLife company dinner, Kanzaki arrives a bit late, but a space was saved for him. Turns out the seat he takes belongs to Hoshiro, but it’s no big deal or anything, as someone from another part of the restaurant is calling for her. As she turns to walk away, Kanzaki notices the strap on her bag…

At the end of the dinner (well, the first round, but the only round recommended for newbies), it starts to rain, but Kanzaki doesn’t have an umbrella. Just then, Hoshiro appears once more and opens the very same green umbrella the two shared just after confessing. She offers to share it, but Kanzaki politely declines, and she starts to head off on her own…but turns and says she heard the higher-ups calling him a test subject.

She then mentions her own stint as a subject, how it lasted two years, and how her supporter pushed for her to get a job at ReLife, and she took a position in the pharma section. Kanzaki asks if she’d tell him about her ReLife, and she compares it to…fireworks, like the ones she saw at the festival with her friends.

They both latch onto the spectacular yet fleeting nature of fireworks, and eventually both remember flashes of that night when Hoshiro told Kanzaki he was like fireworks. I tellya, I got an absolute thrill out of watching them gradually put the pieces together in their heads.

You could say the fireworks…sparked their memories, heh-heh. Once he recalls Hoshiro in her red yukata looking up at the sky, Kanzaki calls her by her name. Hoshiro needs just a little bit more, but she eventually remembers writing the note on her hand as she cried after taking the pill. And that’s it: in spite of the lab’s efforts, they found and remembered each other…and it didn’t even take that long!

Now, while the ReLife procedures were concluded with all due diligence, I’d like to think both Yoake and Onoya played roles in facilitating a reunion. Yoake accepting Kanzaki’s request to work for ReLife; Onoya predding Hoshiro to work there as well…even telling Kanzaki that Hoshiro’s seat was his in the restaurant.

But while the supports made the conditions more favorable for a happy ending, at the end of the day they were just that, support. It took Kanzaki and Hoshiro being friendly, open, and honest with each other, and especially Hoshiro bringing up how she heard he test subject, like her, at that crucial moment.

If she hadn’t they might have gone their separate ways, perhaps forever. But I’m immeasurably chuffed she did, and the resulting re-connection was nothing short of mesmerizing. Time for some #Adulting!

ReLIFE returned quite out of the blue to rip my heart out with the prospect of tearing apart two lovely people who had only just found each other…only to painstakingly reconstruct that heart, and fill it back up with love until it almost burst all over again, only in a good way!

Of course, you’re mileage may vary, depending on whether you read the entire web manga (I did not) and your particular emotional investment. Clearly, my investment was significant, and one and a half years of time away didn’t dull it in the slightest. This was a big win.

ReLIFE – 16

Well THAT escalated quickly! Christmas is approaching, and after Kaizaki recommends an almost too-pure-for-the-world Oga to just take Kariu anywhere and they’ll have fun, he suddenly finds Hoshiro not only avoiding him, but bolting away like a scared chipmunk whenever he makes eye contact.

Kariu and Tamarai kinda already know what’s up; both Kariu and Oga previously pegged Kaizaki and Hoshiro as being in love, so they convene in the locker room to get it from the horse’s mouth. Yet all Hoshiro can say about her feelings is “I don’t know.” Kariu, suddenly the mature one to provide the advice, tells her “I don’t know” isn’t going to cut it…not when she’s just “one step away.”

Later, Tamarai simply advises Hoshiro to ask Kaizaki on a date, just as Oga advised Kaizaki to ask Hoshiro. But just when Kaizaki thinks their distance couldn’t be any greater, Hoshiro sneaks up behind him and asks him if he’s free on the 25th and to expect further details by LIME.

That night, Kaizaki is a nervous wreck, but finally gets those details, along with another silly Hoshiro cat sticker. Hoshiro makes it clear it’s a date and she’s looking forward to it. After getting the all-green from Yoake, Kaizaki isn’t about to turn her down, even if he believes it will “ruin her Christmas” when she inevitably forgets all about him.

The date starts out a bit stiff, but both parties seem to be enjoying themselves immensely as they mill around the mall doing date stuff. In an adorable little detail, Hoshino, completely unaware that “Christmas” dates typically happen on Christmas Eve, set the date for Christmas day, but that ends up working out just fine, as it’s a lot less crowded.

The montage of their date is a somewhat creepy montage of photos taken by Yoake and Onoya, who are keeping a respectful distance but still watching and listening to their charges like hawks…while trying to get in some Christmas chilling of their own.

When Onoya acknowledges with a somber look that both of the lovebirds will forget all about their wonderful date, Yoake, always trying to find the silver lining, says that won’t mean it never happened…which, fine, but dude, that’s not the same of having a date and remembering it! The latter is much better, and these two deserve much better!

Yoake, having at least a sliver of heart, sends a quick message to Kaizaki informing him it’s actually Hoshiro’s birthday. When she gets him a present for Christmas, he gets her one for both Christmas and her birthday, bringing a warm and appreciative smile to her face.

When the two go up in a Ferris Wheel, Hoshiro asks Kaizaki what his birthday is. He tells her it already passed in August, and both get very troubled and pained when they say they’ll just have to celebrate it next year, knowing full well (at least at this point) that next year won’t happen for them, and saying they’ll never forget today. It’s hard to watch, I tellsya!

But even if nothing romantic happens on the Ferris Wheel, things turn around on a bridge. Kaizaki impulsively reaches out and takes Hoshiro’s arm as if to hug her, but she draws back. Apologizing, she tells him how much he’s “on her mind”, and the more he’s on her mind, the less she understands what to do.

It’s all the opening Kaizaki needs. He tells her she’s on his mind to, and that he loves her. That in turn allows Hoshiro to take the one final step Kariu was talking about: she tells him her feelings for him are the same.

With that, it suddenly starts raining. Ever prepared, Hoshino breaks out her umbrella and holds it out for Kaizaki. He takes hold just above her hand, but she puts her hand over his before they walk away together into the dark sacred night.

I honestly have no idea where things will go from here, and I can’t rule out the possibility Yoake will have his way and their memory of one another will vanish, which would be an appalling tragedy. That’s why I wouldn’t have minded if this was the final episode.

After sixteen episodes of these two, things are exactly where I want them. Will I regret watching one more episode? Am I a fool for hoping some kind of happy ending is still possible? One, perhaps, in which they meet and hit it off as strangers? Hey, I’ll take a relationship respawn over a system failure any day.

ReLIFE – 15

In this outing the Aoba Fest, with its maid/butler cafe and stalls and bonfire, comes and goes fairly briskly. Kaizaki and Hishiro alike try to make the most of their second chance at a pivotal time in high school life, but it’s a decidedly bittersweet experience.

It’s obvious why it’s sweet: the festival looks like a lot of fun, especially when much of it has Kaizaki, Hishiro, and their friends dressed to the nines. After Hishiro tried to get Yoake to slip up and tell her Kaizaki is also a subject, she tries to find out for herself by grabbing Kaizaki’s arm and drawing close to him, as if they were dating…with inconclusive results.

She could interpret him as being uncomfortable because he’s really an adult, or he could just be flustered because she’s acting out of the ordinary, which she kinda is. The bitter part comes when the festival ends, when Kaizaki laments that he’ll “vanish” when his ReLife ends.

Yoake corrects him by saying he has to take solace in knowing he left his “mark” with these high schoolers; things happened in their lives that wouldn’t have happened without Kaizaki.

Onoya has a similar chat with Hishiro, telling her to take pride in the fact she’s taken a “lovely step forward” by taking an interest in someone like Kaizaki. Whether it’s true love or not, that’s something the pre-ReLife Hishiro couldn’t do.

Yoake’s attempt to cheer Kaizaki doesn’t last when his class undergoes college counseling. Both he and Hishiro choose to go to Aoba U like Kariu and Oga, even though they know it’s “pointless” since in reality their ReLifes will end and they won’t be joining their friends, nor will their friends remember them.

Any way you look at it, that stings. That stings hard enough to wonder if it was a bad idea to do a ReLife in the first place, even when one considers how socially and emotionally improved it made them.

It stings enough for Kaizaki to ask Yoake if he really has to go back to his old life, and has to let all the friends he’s made forget about them. Yoake reminds him that Kaizaki didn’t become someone new in his ReLife, he regained the friendly straightforward person he was.

But that restoration couldn’t have happened if Kaizaki hadn’t lived his life as he had before ReLife, which he’s now asking to discard. Yoake tells him not to give up on “Original” Kaizaki; “High School” Kaizaki is, after all, only an illusion.

Onoya, having only just started becoming Hishiro’s support, has nevertheless been engaged with the whole crew for some time now, and unlike Yoake, hasn’t quite accepted what they’re doing and sees the end result as cruel, sad, and scary.

Continuing his role as comforter-in-chief, Yoake tells her ReLife isn’t about enjoying every moment to the fullest in a life that is fleeting by design, and all they can do in their capacity as ReLife staff is support them with everything they’ve got, without regrets.

That night, Hishiro resigns herself to the fact there’s really no way to find out for sure whether Kaizaki is a fellow test subject, and there’s no point in thinking about it…yet she can’t stop thinking about it. Could that mean it’s not so pointless after all?

The next day is class photo day, and Kaizaki and Hishiro both know that it’s a photo in which no one else in the shot, not even the good friends they’ve made, will remember them.

They’ll be like “ghosts” in such a photo. And yet, just as the shot is taken, they look in each others‘ directions, holding out hope that a fragment of a memory will still remain in someone’s mind when they look at this photo.

Must all of the dream-crushing things the vile Yoake says really come to pass according to plan? Must these two people really forget one another? I, like them, certainly hope not!

ReLIFE – 14

Well, this is a nice surprise on the second day of Spring when there’s a Nor’easter pummeling my coast: a bonus episode of one of my favorite shows of 2016, ReLIFE! These four new reviews won’t make much sense without watching the 13 that came before, which I highly recommend. You can catch up by reading my reviews here.

When we left the main couple of Hishiro and Kaizaki, we knew they were both subjects, but they didn’t know that they were, and so maintained a distance that was not bridged, since they both assume they’ll lose contact with the other forever because of the nature of ReLIFE.

Still, both have benefited tremendously from their experiences as high schoolers, and continue to do so. Meanwhile, real high schoolers Kariu and Oga are now an item, while Yoake is transferring Hishiro to his junior Onoya now that she’s entering an “unprecedented” second year.

Hishiro now rather strongly suspects that Kaizaki is a test subject like her, but Yoake will neither confirm or deny it, while warning her that if she learned that he was a subject, it would spell the end of his experiment and an immediate severance, and Hishiro would never see him again.

With that in mind, Hishiro treads carefully, but is still eager to learn the truth. To that end, when Kaizaki is made the class boys’ cultural festival officer, she volunteers to be the girls’ officer. They work tremendously well together and the paperwork flies off the proverbial desk.

Their work is momentarily interrupted by a problem Oga is having. He got in a fight with Kariu for shooting down the idea of her coming over to his place after a date, because he didn’t want to hurt his older shut-in brother and feared Kariu wouldn’t “approve” of him.

Kaizaki and Hishiro put on a veritable friend-cheering-up and advise clinic, with Kaizaki assuring Oga that the best way to act around family is naturally, without hiding anything, while Hishiro assures him if he just tells Kariu what’s up, she’ll accept it; in fact, she’s probably mad because he didn’t in the first place.

Afterwards, Kaizaki and Hishiro exchange words of mutual respect. Kaizaki, unaware that Hishiro is a fellow adult, continues to be astounded by her maturity and wisdom beyond her years, while Kaizaki’s very accurate suspicions persist.

The two continue festival prep, and Oga and Kairu make an appearance to show they made up nicely, but later in the day, when Kaizaki returns to the classroom to find Hishiro worn out and asleep at her desk, he resists the urge to touch her head in affection, while in his head admitting he’s fallen for her.

So, we’ve come a little further from the fireworks festival episode, in that Hishiro is on to Kaizaki (the level of her surety is up for debate, but the fact she’s right is indisputable) and Oga and Kariu are doing nicely as a couple. But both Kaizaki’s ignorance of Hishiro’s true age and Oga’s veiled threat prevented all the truth from coming out. We’ll see if that happens in the next bonus episode.

Karakai Jouzu no Takagi-san – 11

Since the new school term it seems like our lovebirds have been in a holding pattern, and the blame for that rests entirely on Nishikata, who continues to misinterpret pretty much everything Takagi says and does, and remains stubbornly obsessed with getting one over on her, despite the fact Wile E Coyote had more success chasing Road Runner.

When Takagi approaches a cat so easily, Nishikata is too proud to say he likes cats too, even though Takagi is already keenly aware of that fact, since Nishikata is such an open book. She rarely takes what he says at face value without challenging it in some way. Nishikata often accurately predicts Takagi’s behavior or responses, but where Takagi flaunts her ability to read his mind, he’s always second-guessing what he thinks is in hers…and almost always pays for it.

In art class, we find Nishikata and Takagi drawing portraits of one another, and right from the start I’m wondering: did they choose to draw each other, or were they assigned? Regardless, Nishikata tries to be funny by drawing how he “envisions” Takagi—like a monster—but she draws him exactly as he is, perpetually blushing around her with eyes to the side. The class likely can’t help but feel the chemistry.

The next day Takagi has her fortune told by a classmate handy with Tarot. After losing a game of rock-paper-scissors, meaning she has to help Nishikata clean, she tells him what it was about: she’ll do well with her crush. She even gets Nishikata’s fortune: he’ll do well with his crush too.

There were moments in this segment when I thought for sure Nishikata would let something slip, but instead, he has a revelation: circumstances definitely point towards Takagi liking him; she did lose the game on purpose, after all.

Further, Nishikata correctly analyzes his reactions to this kind of talk with the assertion that he likes Takagi. He quickly dismisses the thought in his head, but the seed has been planted.

The day after that, Nishikata has a very favorable horoscope, essentially invincible for the day, which for him means he’ll finally strike a blow against Takagi. Takagi, naturally, knows he’s both a Cancer and correctly predicted he’s Type O, and so knows he has an invincible aura.

Yet…nothing happens out of the ordinary. Nishikata is teased his usual several dozen times, and laments the 150 push-ups he’ll have to do when he gets home. Yet it’s only after he agrees without a thought to walk home with Takagi that he realizes he still has a chance to deal a “critical hit.”

While walking home, Nishikata and Takagi run into Nishikata’s friends, who invite him to their house to play a video game. We then cut to Nishikata still with Takagi. He refused the invite, and when Takagi asks if he’s okay not going with the boys, he says yes…because “I wanted to walk home with you anyway.”

Those words cause Takagi to gasp and stop dead in her tracks, but Nishikata is too busy straining to think how he can deal a blow to Takagi to realize he just dealt her one. That is, until he considers what he just said to be “super awkward” and runs off in embarrassment, believing he only managed to scored a hit on himself.

But he’s sorely mistaken. His hit on Takagi was indeed critical, and it went straight to her heart, something she says is “terrifying” before getting on her bike and riding the rest of the way home blushing just as brightly as Nishikata usually does, with an bashful smirk on her face.

It’s one of the best moments from one of the best characters I’ve come across this season. Raw, honest, and true to her personality. Can Nishikata get over the embarrassment and continue telling Takagi the things she wants to hear, or does she have to be content with him letting things slip then halfheartedly taking them back? We’ll see what next week’s finale has in store.

Karakai Jouzu no Takagi-san – 10

You’re not going to believe this, but this week Takagi teases Nishikata, he has no defense, and any feeble attempt to go on offense turns back on him. While Takagi engages in more physical contact and gets some interesting answers out of Nishikata, the fact remains he believes her primary motivation for hanging out with him is to tease him.

Their tandem riding lessons aren’t put to use, and neither do they ever text each other this week (although to be fair they’re rarely apart this week). But both the trio of girls and Nishikata’s nerd friends suspect he’s going out with Takagi, simply because they spend so much time together.

Takagi suggests they might think she’s the one in love with him because she’s always asking if they’ll walk home together, leading her to make Nishikata ask her directly, and seems very pleased when he does just that. He’s truly putty in her hands.

As for Nishikata’s grand scheme, it’s a poorly-planned game of asking Takagi “would you rather” questions, all of which she manages to answer without getting flustered, and then when it’s her turn to ask, Nishikata can’t help but get flustered.

That’s because Takagi wisely answers and chooses questions in a way that underscore one constant: she likes being with him. That means she’ll pick the tasty drink that gives her a fever, because it means he’ll come visit her, that he’d rather be teased forever than live in a world where she was gone…and would even rather kiss her than get zeros on all his tests.

Karakai Jouzu no Takagi-san – 09

You’d hope Nishikata getting a cell phone would be a chance for him to grow up a little, but he only sees it as the trump card in his futile quest to successfully tease Takagi.

Perhaps he grew up a bit in spite of his intentions, since it doesn’t take long for him to cave and spout his whole plan to Takagi, who saw it coming from miles away. In any case, Takagi wants his contact info anyway, so they exchange it, and she promises to use it.

For calling him out on his attempted tease, Takagi appeals to Nishikata’s general honor by telling him he should make it up to her by helping her with classroom day duty; Nishikata does not resist. He’s tired because he couldn’t sleep after watching a scary video on his phone.

When he sends it to Takagi, she first teases him by showing him a picture of a woman in a bikini, asking if that’s what he sent, then watches the video, only to not be that scared at all because it’s not nighttime (and because let’s face it, it’s a dumb video).

That night, at the same time Nishikata is about to send her another scary video, she calls him to head it off, again correctly predicting his behavior (though that isn’t that hard at this point).

What results is what she wanted all along: to simply talk on the phone with Nishikata, for the first time at night, even saying it makes her heart flutter. Because of that, Nishikata can’t sleep a second straight night, though for a totally different reason!

Nishikata’s efforts to take a phone photo that will beat his friends’ lead him to beg Takagi to do her patented funny face so he can snap it; Takagi’s cost is high: he’ll have to do “whatever she says.” When she finally does the face, Nishikata isn’t ready. Then Takagi pulls out a toy snake and snaps three pictures of his reactions.

While she’s laughing at those pics she’s so happy to have taken, Nishikata tries to take her picture, but she snaps immediately into a normal peace-sign pose. Nishikata proposes they each delete the photos of one another, but Takagi refuses, and tells him not to delete her picture off his phone, though also asks him not to show it to anyone else, as it’s “embarrassing.”

While he may have thought he’d have a new weapon to even the odds in his cell phone, the truth is Takagi is far more adept in its use. It’s a tool, after all; it’s all about the talent of the person wielding it. So he’s merely given her another avenue to “tease” him, though it’s mainly a means for them to get a little closer.

Cardcaptor Sakura: Clear Card – 09

“A lot happened, but today was a good day.” Sakura could say that about just about any day, considering how much she has going on in her life, but I’ll concede that this day was better than most because she got to finally go on a date with Syaoran.

Sakura arrives at the meeting spot early after a quick chat with Yue (during which Kero once again transforms for no reason other than ‘it’s cool’), but Syaoran is earlier still.

The date unfolds as one would expect, with the two periodically getting embarassed and blushing but also generally having a great time. Syaoran also gets to show off his encyclopedic knowledge of jellyfish—they’re poisonous…who knew?! ;)—as well as his fluency in English.

In an interesting scene, Touya appears as a waiter at the aquarium tea room, and Syaoran later feels bad for simply glaring at him (though Touya glared back!) Also, the height difference between Sakura/Syaoran and adults like Touya is a pretty weird quirk of the show. Look how low that table is!

It wouldn’t be a Sakura date without some kind of Card-related excitement, and Sakura almost seems to be expecting some, especially when she takes Syaoran to the same place where she secured the Watery Clow Card. That excitement takes the form of a cracked water tank, in which…something grabs hold of Sakura.

Touya hits the emergency drains and Syaoran plucks her from the water (interestingly, neither seems embarrassed by him carrying her). That tank burst occured just when Syaoran was going to tell Sakura he officially wanted to go out with her.

Instead, it’s a wash (pun intended), but there’s nothing saying they can’t go on another date in the near future. Indeed, when Sakura vows to return to the aquarium after dark to secure the Card there, Tomoyo dresses both her and Syaoran up and makes sure she has plenty of pics and footage taken.

Sakura uses Lucid to hide everyone from security, then goes through various Cards from Gravitation to Flight to Gale, and isn’t quite able to bring down the Card, which rather than watery, has the form of a kind of giant Slinky.

Syaoran comes through with an assist, freezing the Card with ice magic so Sakura can secure “Spiral.” While larger questions loom and few were answered, Sakura is still quite correct that a lot happened, but it was a good day. From the happy would-be couple’s priceless interactions to the gorgeous environs of the aquarium, to even Tomoyo’s next-level surveillance, it was a pretty good episode too.

Koi wa Ameagari no You ni – 08

The opening moments of this week’s episode almost felt like a dreaded recap, but thankfully was just meant to establish the fact that Akira and Kondou are FRIENDS! Yes, JUST FRIENDS.

After that hug, the show—and Kondou!—wisely slows things way down while the episode spends a lot more time with the secondary characters that populate the couple’s life, to very pleasing effect. Also, Akira has a big pimple on her right cheek!

Take Yoshizawa: He’s spent many an episode trying to befriend Akira, to absolutely no avail. When Yoshizawa hears Kondou is friends with Akira he wants to be friends too, but Kondou sidesteps the issue by scolding his long bangs, threatening termination before they have a chance to be friends. It’s a joke, but Yoshizawa takes it seriously.

Enter Akira’s other co-worker of similar age, Nishida, who likes Yoshizawa and wants to get closer. She finds one in offering to cut his hair for him after work, which he’s a lot more enthusiastic about than she expected. After he leaves, she and Akira engage in “guy talk” for the first time, to the benefit of both.

Nishida stresses the importance of taking things step by step, which Akira needs to hear, while Akira tells Nishida that a friendship can turn romantic given enough chances for them to get to know one another and deem them more than friends. But there’s no rush!

What’s nice about this post-hug transition is that Kondou doesn’t avoid or ignore Akira; he’s not even bothered or uncomfortable by her presence. This is to be expected: we know, especially from last week, that Kondou is a decent sort, along with being, you know, a full-fledged adult.

As such, Akira uses his loud proclamation of their friendship to take a very logical step: she says “friends text each other”, and successfully acquires his contact info. A little step that brings them closer; now she can converse with him and learn from him even when he’s not around.

As she leaves work she’s practically floating on air, but so are Nishida and Yoshizawa, clearly hitting it off as he’s given a haircut. There’s just good vibes all ’round, and Akira finally gets to dance in giddy delight without being interrupted by a self-important Kase!

The second half expands the show’s horizons to a very satisfying scene between Haruka, arguably Akira’s best friend, and the recently-retired captain of the soccer team, Yamamoto. At first his presence displeases her, especially when he brings up Akira (imitating her almondlike eyes). But when she runs away, he follows, and he gets hurt.

Like Akira, Yamamoto had to leave the club because of a leg injury. Haruka wonders if Akira doesn’t love running anymore. Yamamoto asks if Akira said as much, and if she didn’t, it means that’s not the case. He considers Akira far more talented than him, so while both he and she might still want to play soccer or run, respectively, the high expectations the track star has from both within and without make her extra-cautious.

Yamamoto thinks Akira will be fine, especially when she has friends like Haruka who care about her. It’s just what Haruka needs to hear, and he manages to cheer her up considerably. Like Nishida and Yoshizawa hitting it off, Yamamoto and Haruka simply feel right together, showing that After the Rain isn’t just a one-couple pony!

From there we’re back in the office with Akira doing her homework. She’s unfortunate enough to be applying ointment to her pimple right as the manager comes in, but much more fortunate that the subject of her homework is in Modern Japanese, specifically Rashomon, which he’s recently read, and not for the first time.

I love how into it Kondou gets, calling the very question she’s stuck on a bad one, unless it doesn’t count towards her grade, because it’s a question with many answers depending on the individual. It’s almost fate that Akira has a pimple in the same place as the servant-thief of the story.

The end of the story—with the servant running into the RAIN towards a town to commit a robbery—finishes with the words “what happened to the lowly servant, no one knows,” which Akira believes is the perfect opportunity for a sequel, something Kondou had never considered.

Kondou also says that if he were the thief he’d likely stay under the rashomon, out of the RAIN, to avoid causing trouble, since he’s old and lives timidly. He also sees her pimple as a sign of youth, since he doesn’t get them anymore. It’s all him trying to maintain his stance that he’s not worth Akira’s affection, and that she’s better off with some guy who still gets pimples.

In any case, the discussion is cut short when, while flipping through her book, Kondou finds the same doodles that first got her in trouble with Kase, and the manager retreats. In the meantime, Nishida is on cloud nine and Yoshizawa gets the praise he so desperately wanted from the manager.

While watching a potential couple blossom before her, one of whom she can consider a new friend in Nishida, Akira looks at all the Summer Festival posters Kondou put up and thinks about her older friend Haruka. A couple taps on her phone, and the next we Akira she’s positively resplendent in her yukata, meeting up with an overjoyed Haruka and taking her hand.

Akira has apparently decided to take her time and trust the process vis-a-vis Kondou, having faith that in time a friendship can become more, but not to worry about it so much she can’t enjoy that friendship with him or anyone else. It’s very encouraging that she can contact and hang out with Haruka. Like Haruka, I was worried about her for a little bit there!

Karakai Jouzu no Takagi-san – 08

This episode is bookended by instances of Takagi making physical contact with Nishikata and Nishikata having to deal with it. He seems to be mostly fine with her holding onto him while they bike, but it was a long, tough road, and his ribs are ticklish.

Now that they’ve mastered the skill, Takagi says they won’t have to practice anymore, and gets Nishikata to say he’s both relieved and bummed out (though in truth its probably mostly the latter).

The second term starts in a typhoon, and Nishikata stands in the wind and spouts giddy shonen lines like a chuuni. Naturally Takagi spots him doing this, and gives him a chance to win her silence. He fails, yet again because he dismissed his first, correct guess as to why she didn’t have her bike.

The marathon segment is an apparent test of wills, as the two have stakes on winning – having to do what the other says, as usual. When Nishikata’s classmates ask if he’s going out with Takagi, his reaction is Pure Girl-from-100%UL.

He’s also been training extensively in order to be good at long distance, and initially employs a “mind emptying” running mentality, but emptying his mind only makes it easier for him to fill that space up with Takagi.

He gets trapped in a mind game in which he tries to run far enough ahead to spook Takagi, only for her to pull the very same trick on him, only successfully. And again, she gave him an honest chance for him to win (he merely had to touch her) which he simply did not take.

On another trip to/from school, the touching theme continues, with Takagi taking the initiative (of course) by starting a habit of poking Nishikata in the ribs, with the very clear implication that he is welcome to poke her back.

When he doesn’t, she beats him in another match (making a funny face to make him laugh), and rather than forbid him from eating rice or reading 100%UL, she has a simple punishment: all he has to do is poke her ribs.

He gives one half-hearted tap against Takagi’s side after much hemming and hawing, and Takagi reveals that while she’s not ticklish in the ribs, she is ticklish in the armpits. Again, Nishikata is welcome to test her claim, but he’s too embarrassed.

Summer may have given Takagi a few new opportunities to tease Nishikata, but it also brought the two much closer together. We’ll see what the new term will bring.

Cardcaptor Sakura: Clear Card – 08

CCS keeps on keeping on, with Sakura capturing another card and only the slightest movement made on her “clock dreamworld” situation. She also learns that yet another frined of hers is stinking rich, or at least gets to live in the house of someone stinking rich; namely Akiho living in the house Eriol used to live in.

Eriol may have been “very mature and a wonderful person”, but he still hasn’t replied to Sakura about the Clear Cards. Nevertheless, Akiho invites Sakura and Tomoyo over to see her collection of books from her travels.

Sakura invites Syaoran, who can’t go because he has unspecified “plans,” but Sakura, undiscouraged, and asks him if he’ll go out with her the Sunday after that, to which he agrees before trying to flick a petal off her shoulder. Their romantic scene is rudely interrupted by Kero, telling them “the world ain’t just for you two!” Speak for yourself, purse rat!

After another school day and a successful cheerleading practice, Sakura heads home and is greeted by her brother who seems like he wants to say something but doesn’t, and when she reaches for her closet, ends up in the clock world again. No matter how many questions she asks, the cloaked figure won’t answer her, and the clocks only multiply. Frustrating, right!

That Sunday, Sakura and Tomoyo show up to Eriol’s former, now Akiho’s current house, and it’s not only huge and stately, but comes with a dutiful butler named Tuxedo Mask Yuna D. Kaito, for whom Akiho used to cause “all kinds of trouble” when she was little. As guests in such a house, the girls mind their manners, and flowery formal pleasantries fly freely.

After tea and cake that tastes so good Sakura lets out an exhortation in some other language, the girls hit Akiho’s book collection, which is basically a damn library. The book Akiho is currently reading and considers a favorite is not there, and when she runs to get it, Sakura notices a group of numbered books missing, along with a section of shelving: this week, she doesn’t have to fight the card or become friends with it; she only had to find where it was hiding.

The card, “Lucid”, thus captured after the oh-so-brief hide-and-seek, Akiho returns with the book, the cover of which looks just like the clocks and gears in Sakura’s now waking dreams. It’s called Alice in Clock Land, not written by Lewis Carroll. Sakura wants to learn more, but Kaito interrupts their discussion asking if they want more refreshment.

Back in the UK, an impatient Akizuki Nakuru complains to the cat Spinel Sun about why they haven’t gone to Japan to help Sakura out. Eriol insists that there’s nothing they can do but wait “for the time to come.” Cut to Syaoran studying some kind of magical tablet in his room in the dark, and roll credits.

I’m encouraged that the aesthetic of Sakura’s dreams has finally shown up in the real world, and that Akiho is most definitely connected in some way. Her interactions with Syaoran continue to be adorable beyond compare, though I wonder if they’ll be able to go on an entire date without interruption from Kero, a Card, or something/one else.

As for still being mostly in the dark about everything going on around Sakura, well, at least we have good company, in that Sakura herself is just as in the dark! Nothing for it but to keep capturing Cards as they come, and living life in between.

Koi wa Ameagari no You ni – 07

For good and ill, things take a major step forward for Kondou and Akira, though you might not have expected such progress early in the episode. Unable to come right out and ask if it’s okay to text him, Akira resorts to small talk, and ends up praising Kondou a bit too much for his taste while he’s working on spreadsheets.

He abruptly ends their chat by practically snarling the dreaded ‘You don’t know anything about me’—six words people who know plenty about each other say all the timeand the last words somebody who is awfully sure she likes someone wants to hear from the person they like. It’s no coincidence in a show called After the Rain that it starts to rain immediately afterwards.

Those words haunt Akira, but she’s determined to go to work and face the person who said them, even though there’s a typhoon approaching Yokohama. She gets there to find Kondou is out with a cold, and his absence, combined with the stress of their unresolves “spat”, throws her off her game, something Kase notices.

Kase, perhaps not thinking just about himself, warns Akira that Kondou may be trying to protect his position and uncomfortable about her attention to him, while she doesn’t want to lose something that’s “fun for her” again. It’s none of his business, but he manages to hit on what Akira is worried about most: that she’s just being a nuisance.

After work, as the weather gets worse and worse, Akira finds herself at Kondou’s front door, and it’s not as if he can turn her away in such conditions. Still, Akira hides her face in her arms, and tells him what she wants: to know him more.

Kondou apologizes for his earlier words, which he realizes were too harsh, but what he meant was that he’s nobody special who isn’t the adult she thinks he is. When she says he’s wonderful, he scoffs and returns the compiment, but she asks him why, if he’s nobody special, her heart aches so damn much.

Kondou demonstrates his affinity for pure literature by giving her a beautiful, almost lyrical response: youthfulness can be rough and vicious, but the emotions felt during that time become a treasure later in life.

Is she a nuisance? Is she not good enough? Both are absurd questions to Kondou. If anything, he’s grateful to Akira for making him remember the treasured emotions he felt in his youth but had forgotten.

The power is out from the storm, but lightning gives the room a gorgeous otherworldly light. This praise makes Akira blush, cry, and tremble, and all Kondou wants to do in that moment is relieve the anxiety of the girl sitting before him, even if he has no right to do so.

So he slowly draws nearer until she is gently in her arms. While he isn’t ready to call what he’s feeling “love”, he decides there and then that he’ll “get wet along side her in her pouring rain.”

Now, the translation probably doesn’t do that  line justice (and indeed may well do it quite a bit of harm), but I get what he’s saying: if she insists on being in his life with her rough, vicious youthfulness, he’ll weather it as they both weather the storm outside.

I’ll be honest, this scene made me very nervous, as in once-a-line-is-crossed-there’s-no-going-back nervous. But the show, mercifully, keeps things above board (though their two umbrellas falling on each other gave me a scare!), and the hug is just a hug.

With that said, I can’t underscore the stunning beauty and energy of this scene, perhaps the show’s best to date. Everything clicks: lighting, music (an orchestral version of the Aimer ED, “Ref:rain”), and of course, the emotions floating around. Our anxiety over how far this will go matches the characters’. The weight of that anxiety is balanced by the lightness of the ethereal atmosphere surrounding our protagonists. Really good stuff.

When Akira grasps his shoulders harder, Kondou promptly pulls away, tells her he only hugged her “as a friend” (riiight), briefly passes out (he is suffering a bad cold), then comes to and gets Akira into a cab.

The next day at the restaurant, Kondou is back but Tachibana is out with a cold. The rest of the staff remarks on the coincidence of the consecutive absences, but not in any way that would incriminate either party.

Akira is at home, in bed, with a fever and ice pack on her head. She then begins to fantasize about hugging Kondou…naked…and, well, you can surely connect the dots from there, though the editing indicates she keeps her hands above the belt.

Regardless, such is to be expected from a healthy young person who just experienced some of the closet and most emotionally meaningful contact with someone else in her life thus far. Her smittenness is tempered by the fact Kondou said it was only “between friends”

Meanwhile, Kondou smokes alone in the restaurant office, restless and doubtless uneasy about what he might have wrought with that hug, both in Akira’s heart and in his own. Here was a man, who if not content, was certainly resigned to a lonely life doing his job and raising his boy. That certainly seems to have changed. To be honest, nothing in his monologue indicated he desired Akira, but he does care about her very much.

P.S. After reading some discussion on this episode, someone brought up the possibility that Kondou’s “you know nothing about me” wasn’t even directed at Akira, but was a response to the Amazon reviews of the book that he wrote under a pseudonym. The “acquaintance” is actually him! I really like that angle.