O Maidens in Your Savage Season – 02 – Holey War

After Kazusa reads about masturbation at the bookstore (no doubt learning it’s natural and healthy and thus way less of a big deal than either she or Izumi are making it out to be, even if it was super-embarrassing) she finds Niina in the clutches of some mouth-breather, and gets a text asking her to follow, along with other instructions.

When Kazusa joins them at the cafe, Niina is acting like “a different person”, talking about having to “take on three guys at once” later, then asking the dude if he’d hook up with her “super slutty friend” instead. That’s when Kazusa declares, loudly and proudly, that her crotch is really itchy. The guy flees.

Turns out it was all according to a script Niina’s friend at a theater troupe gave her to use as a defense against the many guys of all types who have projected their fantasies on her due to her ethereal, girlish good looks, and in doing so push past normal social boundaries. It’s a sad but very accurate commentary on the need to know how to deal with such men; many of whom won’t take rejection well.

Because of her looks, Niina grew up a little faster than the other girls. As for Kazusa, she really only grew up when she walked in on Izumi, who her clueless dad invites over for pizza. Izumi and Kazusa have a mature and productive chat about it briefly tries to make Kazusa forget by grabbing her head and shaking it (the childhood friend rambunctiousness coming out at the worst time) but ultimately would prefer if she just forgot it ever happened.

Later that night, in the shower, Kasuza puts herself in Izumi’s shoes, and of all the things she’d want to cover if he walked in on her, she determines she’d probably most want to hide her face, as if like an ostrich with its head in the ground, it wouldn’t be happening if she couldn’t see it.

At lit club, Rika instructs each member to come up with ten more “literary” words to use in place of the inartful English word “sex”, since it’s an otherwise unavoidable word with the works they’re reading. Then the writer among them gets a call from a potential editor, telling her she’s not quite there yet, but coming by his place will “probably help her chances.”

Then Rika gets “bothered by the chidings of lascivious beasts,” causing her to hurt her crotchal area on the vault; one of the girls doesn’t laugh and wonders out loud if she just “broke her hymen”; Rika later admits to herself she “doesn’t know how to check”.

It’s just and overall unpleasant-as-hell experience, but as she’s washing her face in the sink, Amagi comes by and calls her cute again, even comparing her to a model. There’s no reason to think the kid is messing with her, but Amagi isn’t prepared for the praise, and flees in a cloud of dust.

Then, the inevitable: the girl who boasted to her friend she’d take Izumi’s virginity makes her move. Kazusa is instinctively ready to riot, even tossing out the lame excuse of “having to keep an eye on him while his mother is busy with work!” She ends up getting to watch the meeting thanks to Niina paying her back for “having an STD for her” the other day.

Izumi ends up turning Asada down, but when she learns he doesn’t like anyone in particular, gets him to agree to “think about it,” as she’ll wait for him “forever.”

After Asada leaves, Izumi spots Niina snooping and recording, but Kasuza comes between them and tells the truth: Yes, they were snooping, but he didn’t give the girl a straight “no.” Then she asks if he just wants to “do it” with girls, and Izumi doesn’t understand, she blurts out a variant of one of the club’s euphemisms: “Ess Eee Ecks!” before running off.

The next day, with the whiteboard full of vulgar words and phrases, the principal and vice principal, both men, declare that absent a faculty advisor to keep them in line, the lit club will be dissolved. Kasuza starts weeping form the news; she doesn’t know what she’ll do if there’s no lit club (answer: they can always meet up somewhere after school and in the summer).

But Niina knows better. She knows Kasuza’s tears that just won’t stop aren’t just about the threat of the club dissolving. She gets Kasuza to admit that a “storm is raging in her heart”, and that if she absolutely had to “do it” with someone, it would be Izumi, which indicates she likes him. This may be something we’ve known for a while now, but only then, on the riverbank, does she finally have the official epiphany. She’s in luuuuuuve.

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O Maidens in Your Savage Season – 01 (First Impressions) – Crazy Train

Onodera Kazusa is an almost aggressively normal high school girl. She doesn’t really stand out anywhere, and is part of a literature club whose members include both a budding author, a glasses-wearing prudish type, and a serene senpai who is perfectly comfortable reciting very steamy sex scenes in the book they’re all reading.

Kazusa has a best friend in fellow lit club member Sudou Momoko, and she has a childhood friend in the train-loving Norimoto Izumi. She and Momoko are each other’s main source of verbal and emotional support in these trying adolescent times. She and Izumi were once as close as brother and sister, but have drawn further apart due to his increasing popularity—particularly with other girls.

Kazusa is voiced by relative newcomer Kono Hiyori, who does a splendid job modulating her voice for Kazusa’s vulnerable and frustrated inner monologues. It also helps that she closely resembles Shizuku from Whisper of the Heart, a rare Ghibli film grounded in contemporary life and one of my favorite anime works.

It helps because Shizuku never strayed past the “pure and innocent” phase of her romance with Seiji; the film ended (spoilers!) with her suddenly proposing marriage after they bike up the highest points in West Tokyo and watch the sun rise on the city. It’s beautiful, and it marks a major milestone in their trudge toward adulthood…but it’s incomplete.

O Maidens in Your Savage Season (written by the great Okada Mari) is not incomplete. It reveals all of the insecurities and worries and downright dilemmas far beyond simply developing feelings for someone and being frustrated by one’s comparative lack of accomplishment. By the end, we have a nearly complete picture of who Kazusa is (just a kid), what she is gradually becoming mentally and physically (an adult) and how she feels about that (not so great so far!)

When Kazusa’s mom—whom she says many describe as “child-like” even though she’s most definitely not a virgin due to Kazusa’s existence—asks her to take some food to Izumi’s next door, the comfort of their familiarity is evident, but so is a growing awkwardness punctuated when Izumi asks if he should talk to her around other people.

Kazusa’s wishy-washy reply (depends on who and where) doesn’t help matters. Talking about their issues clearly would be optimal, but again…these are kids. She’s aware enough to know she didn’t handle her interaction with Izumi in a satisfying way, leaving so much up in the air and unclear, but she doesn’t yet possess the tools to do so, hence her frustration and very Shizuku-like private mope on Izumi’s front stoop.

Back in lit club, Sugawara Niina, with her confident stride, ever-calm tone, and shorter skirt, all indicate she’s more mature than the other four members. To put it far more harshly, some boys consider her a diamond atop a pile of dung. But when a story with the premise of “doing something before you die” comes up, she blurts out “have sex,” because as mature as she looks and sounds, she’s still a virgin—still in the bubble with the rest of them. Despite all the classy smut they’ve read, it’s still a totally unknown world.

But her stated desire to have sex before death brings that subject too the forefront, like poking at the bubble until it bursts. Now sex is the first thing on the minds of the four other girls, from Rika (glasses) telling some gals to shut up about sex and being verbally abused by some classmates and then complimented by another; to Kazusa overhearing two of the girls who like Izumi talk very openly about wanting to take his virginity.

The more Kazusa hears about Izumi and sex, the more those two seem like something possible and thus terrifying—a far cry from the little boy with which she used to run around, fall over, and wade in the kiddy pool. The boy who’s crazy about trains. With the bubble of obliviousness popped by Niina, Kazusa finds herself on the deep end, her surroundings growing darker and more morose. But she has to kick and swim and breathe, or she’ll drown.

Things already feel like they’re starting to spiral out of all control for Kazusa, who asserts that she doesn’t like this and isn’t ready for it at all, but she has no idea what’s coming down the track to knock her off the rails of innocence for good, where she was once only teetering and threatening to fall. In an absolutely stunning sequence that plays like, well, a train wreck, Kazusa hears music inside Izumi’s, and so enters through the unlocked front door.

She makes her way up the stairs to Izumi’s room, where the door is cracked but not closed, and lets herself in without knocking. Izumi is inside, his pants down and his feet on the desk, masturbating to porn on the internet. The director lets the two just sit there in the moment of horror, completely silent but for the (likely fake) orgasmic screams of the woman on the laptop. Izumi gives a half-hearted “Hey,” then asks if she’ll keep this a secret. Pretty smooth, considering one of every guy’s worst nightmares just came true.

Kazusa…snaps. She bolts out of the house screaming and just…keeps running and screaming (the action animation is superb) through a market district. Naturally, every food sign is a double entendre, lending credence to her lament that there’s just too much god damn sex in the world.

Worse, her pure, innocent Izumi has changed forever. The boy is dead; a man has taken his place. The last time he saw her penis it was tiny and harmless. Now, not so much. As she stops on a bridge over a train track to catch her breath, she tearfully declares out loud that “that won’t fit in there!” Then, in a moment perhaps almost too on the nose but also pretty damn effective, a train passes beneath her, lining right up between her legs, and enters a very tight tunnel. “It fit,” she says, relieved, but she soon collapses back into a heap of adolescent frustration.

O Maidens is a refreshingly bold, sincere, brutally frank depiction of sexual awakening and its maaaany pitfalls. So far the experience is largely horrifying, terrifying, and overwhelming for Kazusa, and it’s sure to continue to be so. But the show balances the drama and comedy, never letting you forget these are human beings with human being minds and parts, all of which are in a state of open rebellion, but all of which are also very complicated.

The stakes for Kazusa and her friends are far higher than looking fit in a bikini for the summer. This is for all the marbles. All we as viewers can do is ball our fists and hope she hangs on for dear life to this train ride that can’t be stopped, until the ride becomes at least little smoother, if not joyful. I’ll be in the cafe car, quietly cheering on these maidens in their savage season.

Ao-chan Can’t Study! – 02 – Kijima Wants to Study

“I have no time to concern myself with sexual desires,” Ao thinks to herself, but her curiosity about those desires, along with her ill-fated attempts to suppress them, only puts them even more at the forefront. Matters aren’t helped by class chatter about Kijima being big…down there, to the point where it’s not comfortable for a woman.

Ao goes to the vaunted authority on such things, her dad, who gives her the brass tacks about long shafts, so to speak. She’s understandably mortified about such a scenario, but decides to “confirm” whether Kijima is really that big before outright rejecting him. Considering how well her first knee-jerk rejection worked out, it’s unsurprising that her clumsy attempt to “touch” Kijima while he’s sleeping leads to her hands in his (and they are big hands).

He tells her didn’t confess on a whim, but because he wanted to give it his all and do things properly. And so far, he’s been nothing but a gentleman, despite Ao’s weird thoughts. He admits there’ll be times when he too will be uneasy about certain things if they go down that road, but that doesn’t make that road any less worth travelling.

Despite herself, Ao is touched (emotionally, dammit!), and returns to her dad for further advice. He understands how it must be tough to talk to him, but he wants to help, and so gives her a novel to read that also serves as a kind of “training manual.” Naturally the cover looks just like the cover of Kijima’s studying notes, and when the two come together in class the books get switched.

When Ao learns of the switch and reads Kijima’s apparent reactions to it, she gets extremely anxious, especially when he suggests they “do it” outside in the park, suggesting he’s into “public play.” Of course, Kijima hasn’t read the contents of Ao’s book, and so by “doing it” he’s only talking about studying together.

Bottom line, Ao’s belief that Kijima is some kind of crazed sexual animal is gradually eroding, and only her own dirty thoughts, obviously influenced by her illustrious father, only make things worse for her. This was a better episode than the first, but it’s still pretty inessential.

ShoBitch ShoDropped

ShoBitch was never great, or even good. It was merely okay, and watchable in a nothing-else-is-on kinda way.

But after an episode that was less watchable—due to the addition of a sheltered rich girl with views on courtship every bit as quirky as Akiho’s and her mom’s—I’ve decided to cut bait.

Unlike Aho Girl, this is a full-length show, and despite decent voice work from Yuuki Aoi, the repetitive humor and predictable MC reactions just aren’t enough to keep me interested or coming back.

To even out the author responsibilities to four apiece, I’ll be taking over 3-gatsu no Lion reviews. Expect little change, as both Preston and I love the show—not to mention she initially took over the first season from me in a similar balancing maneuver.

Carry on, all!

My Girlfriend Is ShoBitch – 03

Honestly, one of the worst things about ShoBitch is its title: it should actually be called Watashi no Kanojo wa Totemo Iidesu. (ほんとに私の彼女はとてもいいです。or My Girlfriend is Really Nice). Because Akiho is not a bitch! She just goes way beyond what is decent in normal daily conversation when it comes to analyzing her boyfriend’s sexual preferences.

Now we learn the reason she is the way she is: her mother Fuyumi gave her this “education.” Haruka learns this rather quickly upon meeting Akiho’s mom, while Akiho’s dad is essentially…Haruka, grown up. You can kinda see in his eyes that it’s been a lot of work living with Fuyumi, but the fact that every other aspect of her is perfect (like their daughter), he has no cause to complain.

In fact, Fuymi is almost too dutiful, to the point of making her husband feel like there’s no way he deserves someone so good. Then he remembers: not everyone could put up with all the innuendo…not to mention imbue their daughter with an almost identical attitude towards…that kinda stuff.

The day of Akiho and Haruka’s first date arrives, and Akiho predictably over-analyzes and over-prepares, to the point of deciding that 30 degrees is the ideal amount of head tilt to maximize her attractiveness to her man, which…yeah, Haruka doesn’t care about your head angle, especially when you’ve got such a cute outfit for the date!

Haruka runs into a bit of bad luck when across from him and Akiho is a real-life pervert with what looks like a blow-up doll-kinda thing(?), and Akiho takes comprehensive notes on both that and the movie they go to see, which is far raunchier than Haruka thought it would be.

That being said, Haruka, like Akiho’s father, is built for this kind of relationship, able to take any and all strange comments and requests, and only gently steer her back in the right direction of things veer off too far. Just being with her for the day made him happy, but that only makes Haruka feel bad for letting her research dominate the date.

Haruka says it’s no biggie; they can just go see the cherry blossoms on Sunday. The thought of another date so soon fills Akiho with joy, but she goes right back into her pattern of over-preparation, and she’s so anxious about the day she becomes sleep-deprived and even gets a fever.

After a trip to the (very inappropriate) nurse’s office and her mother picks her up, Akiho vows to get better for Sunday, and Haruka, not getting his hopes up, is shocked to discover on the day of their date her fever has disappeared. Let’s call it an efficient immune system, shall we?

Alas, most of the cherry blossoms already fell before they got there. Akiho is crestfallen, but again, Haruka reiterates that it’s no big deal (not a lot is  big deal to him, unless she’s on her knees before him in the school hall, speaking in a tone of voice that could be easily misinterpreted).

They can always come back next year, he tells her. Insinuating they’ll be together an entire year from now is awfully bold, but I don’t currently see anything getting in their way. I mean, look how happy Akiho is to hear that!

Speaking of ‘getting in the way’, I was glad none of the other girls in Haruka’s circle made an appearance this week; after the last episode I needed a break, and the show shines best when the lead couple is on screen. It was also neat to meet Akiho’s parents—It was essentially like looking into Akiho and Haruka’s future.

My Girlfriend Is ShoBitch – 02

After Haruka learns Akiho is a lot less comfortable sharing an umbrella in the rain than walking in it and getting her shirt wet (revealing that she’s not nearly as raunchy as all the research she’s collected suggests), we spend a seemingly impossibly long time with Haruka’s moe sister Kana, who is really annoying.

She’s only a year younger than her brother, and learning he has a girlfriend is a shock. Thankfully, after meeting Akiho, Kana realizes it’s not the end of the world; indeed, after some posturing, the two get along swimmingly, much to Haruka’s relief (and after clearing up some misunderstandings)

Akiho is class rep, which means it’s her job to fire up the class to do a formal cleaning, which she does with a stirring speech that inspires the boys about not letting their rooms get so dirty their moms clean them and find their dirty mag stashes.

Akiho is very prone to misunderstandings, so when she hears two guys equate switching girlfriends to discarding trash, she gets very nervous. Luckily Haruka is a sentimental guy who doesn’t like to throw stuff out, but treasure his “personal belongings”, which she also takes as meaning she’s safe from being discarded.

After watching an anime perpetuating the girlfriend making lunch for her boy, Akiho exposes one of her weaknesses (besides taking almost everything anyone says or does the wrong way): she’s a bad cook. What a shocker! Interestingly, Haruka doesn’t even get to try the eldritch abomination; Akiho keeps it away.

Instead, after seeing how good Shizuku is, she begs her senpai to be her cooking master, and in between the inappropriate arrangement of vegetables and the use of many a double entendre, they whip up a mean pot of beef stew.

When Shi asks for Haruka’s banana for desert, he seemingly calls her bluff, making her flustered…but he’s really just giving her his banana (this was a stretch, as they’re in Shi’s house, so they’re her bananas, surely).

Haruka walks Akiho home, but it’s raining again. Both have their own umbrellas, but Akiho decides to take a little step forward by pretending she doesn’t, so she and Haruka have to share, and walk close together so as not to get wet.

ShoB***ch is the definition of pleasant, lightweight rom-com fare. I still found Kana and Shizuku a bit too intrusive this week, and I’m hardly optimistic about the prospect of still other girls entering Haruka’s orbit, gumming up the works. While they’re tolerable at the moment, the show shines when it’s just Haruka and Akiho, with Yuuki Aoi delivering a nice low-key performance with the occasional burst of passion.