Magical Girl Spec-Ops Asuka – 05 – Magical vs. Badgical

War Nurse reattaches Nozomi’s arm, heals her abdomen wound, and gets her to safety, but Abigail catches up to her and transforms into a full-fledged Badgical girl, with razor-sharp barber’s scissors.

As for Asuka, once she expends a great deal of her magic to destroy the Russians’ water spirit, the mercs are no match for her, even when she’s out of practice…which is as it should be. Asuka wouldn’t have survived this long letting herself get beaten by lightweights like these guys.

However Abigail came upon her magical gifts, she proves quite the challenge to War Nurse, especially when she summons not one but two Halloween-class Disas at her (her dominatrix getup certainly stands in stark contrast to Kurumi’s good witch garb).

Kurumi takes one of the Disas out, but Abby presses her attack with the other. Kurumi has to be bailed out by M Squad, who keep Abby occupied until Asuka can relieve them. As Iizuka says, you need a magical girl (or girls) to fight a magical girl.

Now Abby’s against the wall, until she’s rescued by her “Queen”, in masked badgical girl form, who then retreats. While Asuka couldn’t defeat Abby or the Queen, the fact they destroyed two Halloweens and recovered Nozomi makes this a victory.

But there’s a cost: Nozomi may be physically fine, but her PTSD is so bad she can’t look at Asuka or Kurumi for more than a second before going into a paroxysm of terror before passing out. But hey, it’s all good: Kurumi can heal her PTSD too—she just needs to erase all of Nozomi’s memories of the last week to do so.

With that procedure carried out, Asuka and Kurumi wait for her to rest and recover, with Asuka lamenting that she can’t protect anyone or anyting. Kurumi begs to differ, as neither she, Nozomi, or the M Squad would be breathing were it not for her, to say nothing of the bystanders saved when she stopped the terrorists. Suddenly convinced once and for all, Asuka informs Iizuka of her intent to officially join the Spec-Ops M Squad.

Iizuka reports to his superiors, who tell her the powers that be want Nozomi to stay at her current school where she’ll continue to serve as potential bait for their enemies. Kinda harsh, but they’re banking on Asuka and Kurumi continuing to protect her.

Meanwhile, Nozomi seems to be fine; she’s just forgotten their fun pool trip…not the greatest sacrifice if you ask me (Sayoko’s complete absence from this episode was puzzling…if she was there, wouldn’t she have corrected Nozomi?). Even when Asuka resolves never to go see that movie, letting the wind take her ticket, as soon as she turns around Nozomi is there to invite her all over again.

So basically, they got their first good  look at the bad guys and what they’re capable of, but the battle resulted in a draw, while hitting the reset button on Nozomi reduced her horrible suffering to a motivating cautionary memory for Asuka. It’s all rather neat-and-tidy, but at least she’s no longer in denial about having to fight in order to protect those she loves.

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Magical Girl Spec-Ops Asuka – 04 – Taking the Bait

Asuka has a recurring dream where she’s too late to save her leader Fracine from her injuries. Before she dies, she names Asuka to succeed her, and assures her that while the world has a lot of problems, it is also full of beautiful things worth protecting.

Asuka apparently needed to be taught this lesson in the worst way  possible, as one of the current problems plaguing the world (groups who wish to use magic to hurt people and gain power) takes one of the beautiful things (her friend Nozomi) hostage.

Nozomi’s father is to blame for her capture, not Asuka. It would seem that terrible things need to be done in the name of national security, but it’s clearly better if the ones doing the terrible things didn’t have such lightly-protected family.

In a further display of cynical pragmatism that borders on comical, Nozomi’s dad is told his daughter will be a “sacrifice” that will give Public Safety the budget and mandate they need to go out there and really bust some heads.

Since no police or military unit will mount a rescue, it falls to Asuka. With Francine’s words still ringing in her head she doesn’t spend much time mulling over whether going into action to save Nozomi is the right thing to do.

Considering how sweetly and adorably portrayed as Asuka’s friends were, it was fairly inevitable that one of them would end up in some real shit. But while Sayoko was merely caught in some crossfire, Abigail and her twin Russian sorcerer mercenaries spare no cruelty as they burn Nozomi’s skin off and simulate drowning, all while the cameras roll.

You get the feeling even if Kurumi can heal her many physical wounds, unless she can also remove all memory of the ordeal, Nozomi is going to be severely scarred by the torture. But first thing’s first: she has to be rescued. Asuka and Kurumi have no trouble getting past the initial waves of guards, but Abigail isn’t remotely concerned they’ve arrived. In fact, she’s delighted they took the bait. She feints “freeing” Nozomi, but slices one her arms off.

Unfortunately for her, in such close quarters Abigail has the disadvantage, which Kurumi exploits by impaling her with a giant needle, after which she and her familiar Sacchuu grab Nozomi and rush her to safety while Asuka keeps the Russians busy with a grenade.

She knows that won’t be nearly enough to kill them, but is still confident in her abilities to handle the three mages alone. But she underestimates the Russians’ magic, getting smashed into a wall and allowing Abigail to go after Kurumi (who hasn’t even started getting serious yet).

Overall, the stakes were succinctly set: poor Nozomi’s life and many other lives will be lost in gruesome fashion if Asuka and Kurumi (and whatever other magical girls/guys wish to participate) can’t get the job done. I would hope that whenever this is all over, Asuka will cool it with the “not my fight” attitude, and Nozomi’s dad will quit torturing people. Bad guys are going to do bad guy stuff regardless…so don’t give them any excuses!

Sakurako-san no Ashimoto – 11

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A night at Sakurako’s moves Minami to tell her Hitoe’s location, and when they find her covered in butterflies the worst is feared. Alas, “only” her dog is dead and attracting the insects; she merely took a non-lethal dose of sleeping pills and soon wakes up. Not shortly thereafter, Hector barks from outside, announcing he’s found what Sakurako was hoping to find: more bones. Specifically, the bones of a young woman; Minami and Hitoe’s friend Futaba. And that’s far from all that’s unearthed this week.

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Minami recounts the tale of how Futaba showed her and Hitoe this abandoned cabin in the woods, and they made it their home, their place where they belonged. All three of them had their problems, but Futaba was the worst, and soon wanted to enter a suicide pact with the other two. Hitoe agreed, but Minami didn’t want to die, so she ran. When she returned later, Futaba was dead, having hung herself, while Hitoe injured her hands trying to save her.

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Minami buried the body, and that was that. Only…Sakurako-san wasn’t born yesterday by any stretch, and Futaba’s bones tell her a far different story. Not a story of Futaba hanging herself as Hitoe struggled to stop her, but a story of being strangled to death, as indicated by bones that would not have been broken by hanging, and the dubiousness of dying while hanging so low her feet touched the ground.

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Hitoe can’t keep up the fiction any longer, though she kept it hidden within her memory for so long, it flows out like a river through breached dam, all anger and despair. Futaba gave her an ultimatum: she’d either help her kill herself, or she’d kill her, then commit suicide. It was an impossible situation for Hitoe, who comes out and blames Minami for running. Had she been there, maybe Futaba would have kept it together a little longer (though considering both she and Hitoe were already considering suicide when Minami fled, I doubt it).

Isozaki is able to calm Hitoe, and puts all the blame on himself, not for failing to see the pain his three students were in, but for seeing the pain, and turning away, not wanting to be hurt himself.

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After burying Futaba, Minami and Hitoe drifted apart, partly because Hitoe started seeing other friends, partly because Hitoe reminded Minami of what happened to Futaba. Then she met Hanabusa, who she waxes poetic about as if her mind had been programmed to say these things. But it wasn’t; she simply fell victim to the honeyed words of a criminal mastermind, just as Hitoe would, and just as many other victims have.

Sakurako knows Hanabusa never loved Minami—that he’s incapable of loving anyone unless they’re bleach bones—and that Minami was just another pawn in his game. The thing is, she doesn’t really need to be so blunt about all these things at this particular time. For someone so good at detecting, she fails to read the room, and turns her back on Minami, who can’t handle what she’s saying and tries to stab her with a palette knife.

But Sakurako doesn’t get stabbed, because Shoutarou comes between her and Minami, catching the knife in his side. Remembering her brother, who apparently drowned in a rainstorm, she shouts out Shoutarou’s name.

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But it’s all okay; the stabbing wasn’t precise, nor was it lethal. Shou will be fine. But Sakurako isn’t. It was too close a call for her. As she hits the home stretch on tracking down the “abyss” that is Hanabusa, Sakurako has unilaterally decided she and Shou must part ways. It almost feels like a breakup…because it is, and Shou is heartbroken. But the bottom line is, Hanabusa is a dangerous, brilliant son of a bitch, and while Sakurako loves bones, she never wants to see Shoutarou’s.

Will Shoutarou really accept this? He’s too shocked and overwhelmed to protest here, but once he’s discharged, I wonder how Sakurako will keep him away, and whether he’ll honor her selfish desire to go it alone with Hanabusa. I’m hoping he won’t, because as the tear Sakurako sheds indicates, these two people belong together. Call them soul mates, if you will.

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Sakurako-san no Ashimoto – 10

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While on a bonehunt with Sakurako and Shoutarou, Isozaki-sensei gets called away by news that his former student Hitoe has disappeared. Sakurako offers to give him a lift, but is really interested in the mystery sticking with him offers. Hitoe is the second of three once-inseparable friends who were students in Isozaki’s homeroom.

Saku instantly notices how personal he’s taken the disappearance of the first and how he couldn’t bear to lose another. He also sees how he atones for not being able to do anything about the first girl who disappeared, Minami. When they visit Hitoe’s rich and haughty parents who know nothing about their daughter, Saku is disgusted, gathers all the clues she can about where Hitoe may be headed (a few days’ clothes and a phone battery away) and gets the hell out of there.

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We finally see Hitoe, the girl from last week’s cold open, still in a kind of trance, or possibly drugged, with her little dog and a bed covered in bandage wrappers, talking to her “sensei” about her “wings.” Shou learns from Yuriko that Hitoe modeled for a painter and was rumored to be dating him as well. So there’s the “sensei.” (Speaking of senseis, Yuriko makes sure to apologize for her harsh words to Isozaki, now that she knows he does know what it’s like to suddenly lose someone.)

They then visit Minami’s apartment, a far more downscale affair than Hitoe’s, and Sakurako gets a lot more out of Minami’s mom, who is at least in tune with her daughter’s life than Hitoe’s mom, even if she doesn’t know the full picture. When Saku finds the painting Minami modeled for—with a butterfly on her back just like a painting Hitoe modeled for—that picture starts coming together: we have a predatory artist who lures girls in with the promise of “wings” that will take them away from their awful homes and lives.

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Saku finds multiple receipts for a particular restaurant (not Wagnaria) in Minami’s dustbin, and that leads them right to her, where she’s anemic, exhausted, and clearly still traumatized by what she’s been through. Still, she tries to hold onto her secrets as long as she can, though Sakurako sees through her physical tics and decides a change of venue is better.

She takes Minami into her house and has Gran fill her belly. Perhaps, when she’s ready, she’ll be able to say more about Hanabusa-sensei, the painter both she and Hitoe loved.

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After a day when he got a good look at Sakurako’s ass when she was rummaging under Minami’s bed, Sakurako continues to surprise Shoutarou by personally inviting him for breakfast in the morning, a first for her. But in his monologue as the episode ends and we see the butterfly design etched into the showering Minami’s flesh with a painter’s knife, a future Shou recalls that while he was happy about Saku’s invitation, he had no idea at the time what her true intentions were, and the bones she truly sought.

This was another strikingly different episode from an anime that has always confidently blazed its own trail, exploring unique specific themes such as friends from different backgrounds, how friendships crumbled when they desired the same thing; the differences in their relationships with their mothers; the fact that ennui, depression, and the desire to rebel stretches across class and status.

This episode took a look into the secret world of young people most adults including their parents never see nor hear, and so may as well not exist to them; entire galaxies of hidden ideas and dreams, and one insidious little mini-cult of three, all worshiping this Hanabusa fellow who still lurks about in his coat and hat. He has much to answer for.

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