Classroom of the Elite – S3 11 – Warmth through Contact

This week’s opening quote, from the 19th century French writer Stendhal, states There is only one rule in love: bring happiness to those you love. Ayanokouji Kiyotaka was born in the “White Room” facility. It was run by his father, who made it a point to tell his underlings not to go easy on his son, even if it broke him.

Ayanokouji was raised without love or happiness. One day Sakayanagi Arisu visited the facility with her father, who loved her and encouraged her to love others. She spotted Ayanokouji playing chess from the observation gallery, and she was immediately smitten, vowing to one day face off against him.

That day has finally arrived thanks to the circumstances of the final special exam, and while Ayanokouji is his usual neutral self, Arisu having an absolute blast. Class C jumps to a 3-2 lead with wins in basketball, typing, and archery, while Class A secures wins in English and Math.

When the Mental Math subject comes up, Kouenji doesn’t take it seriously despite likely knowing all the answers, and Class C loses. Ayanokouji took a calculated risk and accepted that he wouldn’t be able to control every element in the exam. This leads to a 3-3 tie.

The deciding subject is chess, of course, and not even Ayanokouji could convince Arisu that it isn’t destiny that they face off against one another in the final game. That said, they are represented at the physical chess board by their proxies, Suzune and Hashimoto.

The two novices begin play on their own, with Suzune only learning a week ago and Hashimoto only a few months earlier. The latter tries to psych Suzune out by talking about Ayanokouji, but she already prepared for that eventuality. Arisu starts issuing instructions first, and for a few tense moments, Suzune is left hanging, but then Ayanokouji issues her instructions, and the real match begins.

Unfortunately, the animation of Suzune and Hashimoto as well as the chess board itself are rendered in somewhat stiff and plasticky CGI. This was most likely a cost-saving measure, but I suppose I’ve seen worse, and it didn’t pull me out of the game. In fact, I was spellbound as the game went on and each move gained more importance.

To Suzune’s distress, Arisu ends up winning, but later she learns the match was rigged: an instruction Ayanokouji sent to Suzune was edited by Tsukishiro, likely on orders from Ayanokouji’s dad. While he loses, the protection point prevents him from expulsion. That’s no solace for Arisu, who is disgusted by the interference, and promises Tsukishiro that he’ll “pay a high price.” I’m just glad Tsukishiro didn’t knock her over again.

The adults can’t keep our two scheming geniuses down, however; they replay the match as it unfolded in person the library, but this time, with none of his moves edited, Ayanokouji beats Arisu. He probably would beat her every time. She’s satisfied with the result, and more importantly glad to have gotten closure on their competition. It’s her loss, and she can live with that.

But it’s also her gain, because she was finally able to compete against the boy she saw in that cold, loveless White Room, and learn something in the process: his genius wasn’t and isn’t artificial or manufactured, but simply a product of his birth, like hers. She likens herself to a childhood friend pining for someone she wasn’t able to find, but now she has, and she’s elated.

Arisu is positively glowing for this final scene, and Hidaka Rina’s voice has never been kinder, gentler, or prettier. She admits that she chose to be a captain so she could spend as much time beside him as possible. And since he showed her he was a true genius, she tenderly takes his hand in both of hers and impresses upon him the importance of the warmth of human contact.

In the end, Arisu wasn’t some conniving mastermind hell-bent on destroying Ayanokouji, but a surprisingly sweet, emotionally intelligent girl in love who refuses to accept that anyone—not even unquestioned geniuses—can survive without love, warmth, and happiness. Is Ayanokouji is truly beyond saving, or is there still hope he may one day grow a heart in that chest of his? I’m sure if you asked Arisu, she’d say anything is possible.

Author: braverade

Hannah Brave is a staff writer for RABUJOI.

3 thoughts on “Classroom of the Elite – S3 11 – Warmth through Contact”

  1. At first I thought it was quite sweet that it seemed like Arisu wasn’t an overly competitive genius, but rather just a girl with a crush. But once she started talking about genetic purity and how genius should only be passed down through blood lines, all that perceived sweetness kind of got washed away for me. For one thing, scientific research has shown over and over again that intelligence is not passed down genetically at all. So it seems weird that a student so intelligent would believe in something so unscientific and backwards. And yes, I understand that this is “Just an anime”, and it doesn’t have to be realistic. But this anime is presented in a realistic/slightly sci-fi setting and so it’s supposed to be at least somewhat realistic. If this same point of view was presented in a fantasy anime, and a high profile character stated that magic could and should only be passed down through a family line, I would be fine with that. After all, the anime is clearly not trying to be realistic and maybe in this magical world magic is attached to genes some how. But that’s not the kind of anime Classroom of the Elites is. And then there’s the yuck factor of a prominent character believing that only a genius with the right genes could be her love interest. The only part that was redeeming for me was that she IS supposed to be a bad guy, so I guess it’s okay if there’s a bit of a yuck factor to her.

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    1. All very good points, Momo, and worth thinking about! I’ll admit to being quite uncomfortable with her rhetoric about genes and purity, and fully admit to chalking it up to “it’s just an anime” (see also: a lot of the students have the physique of men in their 20s and 30s).

      Where I agree with Arisu is that there should not be programs of human experimentation like the White Room, in which children like Ayanokouji were treated like lab rats without their consent and utterly deprived of love to the point he only seems able to simulate human emotions on a superficial level.

      Long before she confirmed he’s a “natural” genius with this competition, Arisu saw Ayanokouji in the White Room and felt bad for him. She saw him for what he was, and is: a victim. His only salvation may be people like her and Kei, willing to give him the love he never got from his family.

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