Demon Slayer: Kimetsu no Yaiba – Entertainment District Arc – 08 – Collecting from the Blessed

Gyuutarou deeply resents Uzui’s talent and lucky lot in life, but that makes Uzui laugh. Not only does he not consider himself talented in the least compared to some of the other amazing Hashira he knows, but he’s one of only two surviving siblings in the Uzui family, and of them, only he decided to live life as a better man and shinobi, not treating his subordinates like pawns or his wives as expendable.

At the end of the day, Gyuutarou isn’t interested in Uzui’s life story, only killing him and continuing to be ridiculously evil, so seven minutes in, the their battle continues. While Uzui’s resistance to potion is impressive, it is not absolute, and he’s definitely at a disadvantage against both Gyuutarou and Daki. So he’s happy when his underlings make flashy entrances all at once.

Inousuke and Zenitsu take on Daki on the roof, with the latter showing off some lightning breathing (there’s nothing flashier than lightning) and the former showing off…well, his usual bluster and confidence. But when Gyuutarou closes one of his eyes below them and it appears as a third eye between Daki’s, the two are suddenly in synch, with his blood slashes and her beefed-up belts packing a nasty one-two punch.

While the brother and sister are fighting in harmony, Uzui’s poisoned state combined with the others’ inexperience mean they’re totally out of synch, a vulnerability Gyuutarou can easily see and is ready to exploit. That said, Uzui, Tanjirou, Inousuke and Zenitsu still have numbers on their side, and are just able to hold of the horrifying flurry of blood and belt attacks.

Their four-on-two advantage becomes five-on-one when the still-hobbled Hinatsuru makes it to a rooftop and fires off a fusillade of wisteria-laced kunai that Gyuutarou cannot escape. Even though Uzui gets hit by some of the blades, the wisteria doesn’t affect him, while it makes Gyuutarou slow and numb.

Hinatsuru’s assist seems to be just the thing to turn the tables in the battle, as now Gyuutarou is as poisoned as Uzui, and has slowed enough that Tanjirou can come within an inch of his neck. Of course, we know that he and Daki can (most likely) only be defeated if they’re both beheaded. But as next week’s episode is “Defeating an Upper Rank”, I imagine one way or another Daki and Gyuutarou are going down, perhaps after one or two more turns of the tide. Should be fun…and flashy.

Princess Connect! Re:Dive – S2 02 – Smiles and Shadows

Last week showed off Priconne’s impressive aural, visual, and comic chops when it comes to epic fantasy adventure, along with the sweet, lived-in chemistry of the main quartet. But I count myself among the many who were surprised without strong its dramatic chops could be. Last week we only got a slight glimpse of that as Pecorine looked at the palace where she should rightfully rule.

But this week is all about Karyl and her unique position in the Gourmet Guild as a spy and “princess knight” with divided loyalties. Her small act of rebellion against her majesty is forgiven, but with that clemency comes the threat that it better not happen again. And so just like last season, Karyl is torn between her love of her guild-mates and doing her royal duty.

Speaking of royals, Pecorine’s longing look at the palace is followed up upon this week when Kokkoro mentions that Peco still hasn’t told Karyl or Yuuki about her true identity. While she can’t do anything about Kokkoro knowing, she’s not ready to tell the others.

Peco asks Kokkoro to keep the secret a little while longer so she can tell them herself when the time is right. For now, as long as she’s able to keep the people of Landosol safe and smiles on their faces, she’s mostly content to maintain the status quo.

Both Peco and Karyl’s internal strife is briefly soothed by a visit to the clothing store owned by Carmina, a three-member idol group that sings, dances, and fights to put smiles on the faces of their fans. Their goals are thus aligned with Pecorine’s and the Gourmet Guilds.

This act introduces Tsumugi, Nozomi, and Chika, and also provides an opportunity to dress everyone (including Yuuki) like cute idols. To the show’s credit, however, our Gourmet Guilders’s idol cosplay doesn’t extend to actually taking the stage; that’s left to the professional performers.

When everyone is getting a good night’s sleep before Carmina’s next big concert (Yuuki having been warmly initiated as an official member of the Carmina Fan Club), Karyl slips out on her own as she tends to do. In the palace she meets Christina, who relays to her a mission for the two of them involving Shadows.

Before heading home, Karyl sits on a vantage point offering a gorgeous nighttime vista of the city…including the outdoor concert venue, where Karyl finds Tsumugi rehearsing on her own. When asks why she’s up so late without the others, Tsumugi says she doesn’t have the natural talent of Nozomi or Chika, but still wants to help them shine, hence the outfits and extra practice.

The big day of the concert arrives, and Karyl heads off on her own, telling the others she has something she needs to do. That something turns out to be fighting off all of the stray Shadows in the nearby woods that Carmina’s performances (and the crowds they bring) seem to lure out of their hiding spots.

There’s a contrast between Karyl and Christina’s “dirty work” in and with the shadows while Carmina shines brighter than ever on stage and make everyone who showed up to the concert smile. While the crowds are CGI, the three idols are smoothly animated in 2D; it’s a very nice-looking concert.

After her shadow-hunting duties are complete, Karyl is so physically and emotionally drained, she’s ready to pass out under a bridge in the dark. But her three guildmates, feeling it not proper to start dinner without their fourth member, head back into town to look for her, calling her name until she finally emerges.

Karyl tells the others their calling her name embarrassing her, but you can see in her wonderfully subtle facial expressions that she was also extremely happy they came out looking for her. It might mean there are no easy answers for her

Karyl’s problems aren’t solved this week, nor should they have been. I’m hoping that sometime before this season ends she’ll be able to pick a side and find happiness and peace—and hopefully it’s the Gourmet Guild’s side—but that’s far from certain right now. Even so, all Priconne, Peco, and Karyl can do is take things one day, and one family meal, at a time.

Rating: 4/5 Stars

P.S. The OP is back, and the same theme song is used as last season…which is just fine with me! If it ain’t broke…Having recently watched Twin Peaks: The Return, I’m struck by how similar Yuuki is to Coop-as-Dougie Jones…The new ED is a stunningly beautiful sequence of Kokkoro staying up late looking at photos from the guild album, followed by Peco and Karyl putting a blanket over her when she nods off, then Yuuki putting a blanket on all three of them. So simple, and yet so full of heart-bursting love…

Demon Slayer: Kimetsu no Yaiba – Entertainment District Arc – 07 – Tantrums and Lullabies

While Tanjirou is unconscious, the transformed and leveled-up Nezuko goes to absolute town on Daki, to the point where, again, I kinda felt sorry for the poor demoness. When Daki tries to counter by slicing her opponent to bits, Nezzy’s blood not only coagulates, keeping all her parts together, but burns Daki everywhere it splattered, reminding her of her human death in flames long ago.

The problem, is, Nezzy has no limiter but Tanjirou, and by the time he comes to she’s already inadvertently wounded some human bystanders (not to mention scared the absolute shit out of them). When she smells the humans’ blood, she can’t help but charge towards them. Thankfully, Tanjirou is there to stop her from killing anyone. But he calm his sister down and protect the bystanders from Daki, who is partially healed and pissed.

Things look bad for Tanjirou, but Uzui shows up just when he should, cutting all of Daki’s attacking belts in the blink of an eye. And nobody, not even Daki, realizes that he also beheaded her with that same arriving attack. Uzui doesn’t consider her an Upper Rank, as how could someone of such rank be holding their head in their hands like she is now?

Just as I love how Daki is someone with whome you can occasionally sympathize, I also love how nonchalant and casual Uzui goes about his business. When he sees a hulked-up Nezuko trying to break free from her undersized brother, he basically tells Tanjirou to get it together put Nezuko to sleep already. The problem is, Nezzy doesn’t seem to be listening to him.

That’s when Tanjirou takes Uzui’s offhand advice to “sing her a lullaby”, which he does while she struggles. Suddenly she’s transported back to better days when she was walking with her mom, who was singing a lullaby to her baby brother. Big Nezzy bursts into tears, then shrinks and falls right asleep, ending one of the many threats facing the Demon Slayers.

The next problem is that despite being beheaded, Daki’s body isn’t disintegrating. Daki doesn’t think much of this, as perhaps it will just take a while, until Daki starts having a full on tantrum about how mean everyone’s been to her. Then she calls out to her “brother”, and Uzui instinctively goes in for the kill…only for his strike to miss. A second demon sprouts out of Daki’s back and moves her to safety.

The second demon is her brother, Gyuutarou, as grotesque a demon as she is beautiful. He heals her and calms her down in much the same way we’ve seen Tanjirou calm his demon sister. What with Nezzy being almost ever-present in her box, you could say both pairs of siblings are attached by, well, not the hip, but certainly the back.

Uzui didn’t consider Daki an Upper Rank because she was so easy to behead, but beheading didn’t kill her, and now we learn that she’s not only not a single demon, but the brother within her is the demon Uzui has been searching for all along. It made me wonder if you somehow managed to separate Gyuutarou whether Daki could be redeemed, as he’s the brains behind their symbiotic existence, controlling her from within.

For now, she’s very much one-half of the latest boss, and powerful enough that even Uzui will have to break a sweat. With Inousuke and Zenitsu finally catching up and Tanjirou ready to rejoin the fray once he stashes Nezuko away (which…rats), this arc is ratcheting up at precisely the right time.

Akebi’s Sailor Uniform – 02 – See You Tomorrow

Komichi is an uncomplicated girl with a simple love: to emulate her favorite idol, Fukumoto Miki, by donning a sailor fuku to school. There’s an elemental beauty to that clarity that embues the entire episode. We get to witness the fateful moment she fell for both Miki and the uniform while watching TV with Kao resting on her lap. She’s in such awe of Miki’s cuteness, a snack falls from her hand into Kao’s.

We’re hearing the same story Komichi’s class is hearing in her extended introduction of herself and why she appears to be the class libero (in volleyball) or goalkeeper (in soccer)—the one who stands apart from the others. She more than stands, she does an elegant acrobatic move that is meant to show everyone something funny she does for her sister…it’s just she really should have worn bike shorts underneath her skirt!

When the class splits into quartets for lunch, we learn Komichi is one of the only Roubai students to have never attended cram school—such was her single-minded devotion to getting into Roubai so she could wear the fuku, she studied so hard she didn’t need cram school. We also meet two new classmates, soon to be friends: the kindly glasses-wearer Kojou Tomono, and the mischievous shit-stirrer Usagihara Touko.

Komichi may have attended school to this point alone—the only other person in her tiny school being her teacher—but just as she got into Roubai her own way, she also manages to be naturally gregarious without even trying; simply by being her own cute quirky self. She captivates her new classmates by perfectly reenacting the idol Miki’s lip gloss finger kiss gesture.

At Touko’s bidding, Komichi goes on to do a number of cute poses that capture the entire class’ attention. Turns out she had nothing to fear from wearing a uniform different than everyone else. Everyone in the class is different and unique in their own way, and the rookie homeroom teacher believes that will make them a fun an interesting first class.

While Komichi dishes out no shortage of entertainment for Usagihara, et al, she also happens to be having the absolute time of her life on her first day. Never is she so full of joy as when Usagihara and Kojou say “see you tomorrow” when she’s headed home. Komichi doesn’t walk home, she dances, bounds, leaps, and soars home, through achingly gorgeous, idyllic surroundings.

She comes home to find her father is home for the first time in what seems to be years. Perhaps demonstrating where Komichi gets her quirkiness, he’s so self-conscious about interacting with her all grown up, he pretends to be asleep. But after her bath with Kao (who insists Komichi bring Kizaki home to meet her) she finds her father outside, and the two talk as father and daughter under the stars.

When she learns when he has to leave in the morning, she tells him she’ll make a point to be up and in her sailor fuku so he can see her. Flashing another multidimensional smile, Komichi tells her dad what her new friends told her: “See you tomorrow!” Some curious yet still lovingly rendered animated tangents aside, Akebi’s Sailor Uni is comfort food that’s earnest, pure, and sweet almost beyond belief.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – Entertainment District Arc – 06 – No Regard for Safety

Tanjirou continues to just keep up with Daki, until the battle in her pantry results in her absorbing the belts of her subordinate/familiar and leveling her up, complete with more veiny skin and brighter, longer hair. All the commotion finally causes one of the townsfolk to emerge from their home to complain. Daki isn’t pleased by this human’s attitude.

She demonstrates her heightened power by destroying the entire block in the blink of an eye, killing several bystanders. I appreciated that the show finally acknowledged that this wasn’t just an abandoned part of the city, but an extremely dangerous place to hold a fight with an Upper Six, resulting in horrific bloodshed. Tanjirou is slashed across his chest shielding the complaining man (who still loses an arm) and for a few moments, despairs.

Then he remembers the letter from Kyoujirou’s father apologizing for his behavior, telling him he’s actually proud of both of his sons, and saying the red mark on Tanjirou’s head means he was chosen to wield Sun Breathing. Tanjirou isn’t so sure; after all, it’s not a birthmark but a burn sustained saving his little brother, then made worse during the selection. Even so, he’s still going to fight as long as he can. He grabs Daki by the leg and the dazzling battle continues on a rooftop.

Tanjirou says things to Daki that may just be representing his own sense of justice, but they match what his father said to Muzan once upon a time. Since Muzan’s cells are in Daki, so are the memories, mixed with fuzzy memories of the destitute human she once was. Seeing this, and watching Daki waiver in the present, give her character depth and even pathos, especially as Tanjirou gets stronger and faster and cuts through her many belts.

Even so, Tanjirou is only human, and has eventually bled and exerted himself so much he can no longer move and barely breathe. The timing couldn’t be worse, as he was less than a second away from beheading Daki for good. Thankfully, Daki is caught off guard by suddendly self-KO’ed opponent. Before she can kill him, Nezuko finally, finally takes the stage in her brother’s place.

Daki quickly makes mincemeat of Nezuko, whom Muzan ordered her to kill and whom she sees as an only partially-formed demon who hasn’t eaten enough humans to be a threat. However, Nezuko is as pissed at Daki as she is at Muzan for killing her and Tanjirou’s family. That rage causes her heal as fast as an Upper Six, power up into an adult form covered in leaf tattoos, and chomps through her bamboo gag, revealing her beautiful avenging scowl for the first time in a while.

Tanjirou’s brother once told him that it scared him when Tanjirou or Nezuko got mad for their siblings’ sake, because they would lose all regard for their own safety. Now that’s basically how Tanjirou and Nezuko always roll these days, so while Nezuko is stomping on Daki’s skull now, it may only buy her and Tanjirou a little more time. Tengen, Inousuke and Zenitsu need to hurry their asses up.

Akebi’s Sailor Uniform – 01 (First Impressions) – Clothes Maketh Girl

From the opening moments that linger on rice paddies shimmering in the sunlight, Akebi-chan no Sailor-fuku makes it clear it is not fuckin’ around in the animation department. It also establishes right from the get-go that our heroine, Akebi Komichi, has got the moves, running across the countryside and pulling off near-perfect gymnastic moves that reminded me of the famously spry Kinomoto Sakura.

That’s not the only thing that reminded me of the Cardcaptor. Like Sakura’s show, Akebi places family, and familial love, at the forefront. Amazingly, both of Komichi’s parents are living and while her father is away for work, he makes sure to congratulate his daughter’s acceptance to the private middle school of choice, the illustrious Roubai Academy.

Komichi’s dream was to attend school in a lovely sailor fuku, and so her mom, who also attended Roubai, takes it upon herself to maker her one, from scratch. I appreciated the episode taking its time and sweating the details when it came to the making of the uniform, from choosing the cloth to preparing the tacking.

The episode also takes care to show that while Komichi’s little sister Kaois proud of her for getting into such a fancy school, she’s also sad that they won’t get to attend the same little country school anymore.

In a touching bath scene that’s brimming with sisterly love, Komichi tells Kao that she’s nervous too, especially about getting alone with the rich Tokyo girls at the school. Kao then turns around and assures her big sis she won’t have any trouble making friends, because she’s really cool.

The day the sailor fuku is completed, it feels like a combination of  Christmas morning, a wedding day, and the dawn before a battle. Komichi carefully puts on the brand new uni like she’s donning armor, and when she shows the completed look off to her mom and sister, they’re struck by the sheer beauty of it.

Alas…it’s the wrong uniform!

Komichi doesn’t learn until she arrives at Roubai for the opening ceremony and find all the other girls in charcoal blazers. Turns out that while her mom and her classmates wore sailor fukus in her day, the academy has since revamped their uniforms.

That said, the headmistress remembers Komichi telling them at her interview that it was her dream to wear the fuku, and since it is still technically Roubai issue, and Komichi’s mom put so much love into it, she decides to allow Komichi to wear it…if she so chooses.

Choosing to do so means standing out far more than she thought, and combined with her “simple country girl” background, could potentially make things that more difficult for her socially. Komichi is crestfallen upon coming home, but Kao has zero tolerance for her pity party, and gives her big sis a big ol’ spank on her bum, as if to say Snap out of your funk this instant…you’re cooler than this!

The next morning, Komichi leaves for her first day super-early, but not too early that Kao isn’t awake to see her big sis chose to keep wearing the uniform their mom made for her. She’s going to rely on “confidence and a smile” to make friends, whether her clothes match theirs or not.

When she arrives at school (after running through several gorgeous painterly scenes of her idyllic, almost Kincaid-ian setting), she finds she’s almost the first person there. The first person there is Kizaku Erika, who is introduced very carefully clipping her toenails at her desk…and then smelling the clippers. What does Komichi do to break the ice? Why, smell her own feet, of course!

That gesture, earnest and not at all mocking, helps save what could have been a disastrous first meeting. Komichi learns that Erika was so nervous about her first day she couldn’t sleep and arrived way too early, and is comforted to know she wasn’t alone in her nervousness.

The two take their assigned seats right next to each other, having calmed each other down. And at seat number one, Komichi is positioned to greet everyone else who enters. I suspect she’ll have no trouble making more friends.

As I said in the first ‘graph, CloverWorks really outdid themselves; this is a surpassingly beautiful episode of anime, so much so that my main concern is whether they can keep up this level of quality for an entire cour. Murakami Manatsu is another great new voice as Komichi, while vets Kuno Misaki and Hana-Kana anchor the fam as her sister and mom. In all, a very impressive opening salvo to a gentle, heartwarming slice-of-life.

Rating: 4/5 Stars

Demon Slayer: Kimetsu no Yaiba – Entertainment District Arc – 01 – Flash in the Pan

I’m on record as saying Rengoku wasn’t established enough as a character to warrant what felt like a 20 minute-long death scene, and that maudlin atmosphere returns to start this new arc-opening double-episode, which is really more of a grab bag of epilogues to the Mugen Train arc. It does its job: getting our demon slayin’ boys off the grief train and onto their next mission to the entertainment (i.e. red light) district. But a cohesive episode it is not.

Lest we forget how goshdarn powerful Muzan is, Akaza arrives at the mansion where Muzan is posing as the adopted son of kind wealthy couple, and has his ass handed to him. Muzan is not impressed that his underling was able to defeat one measly Hashira; he wants every last demon slayer wiped off the face of the earth. It kinda makes you wonder: why doesn’t he just do it himself? He’s clearly strong enough.

Tanjirou visits the Rengoku home to deliver a message to Kyoujurou’s family, and meets his fallen friend’s meak and underpowered little brother Senjurou and his drunken former-Hashira father. Both grieve in their own ways, but Tanjirou is not about to let the dad get away with bashing and mocking his own son, and gives him a patented Kamado Headbutt.

After receiving Kyoujurou’s sword guard and a promise from Senjurou that he’ll piece back together the Flame Hashira Chronicles his dad tore up, Tanjirou returns to the Butterfly Mansion to rest, heal, and train, aided by Aoi, Sumi, Kiyo, and Naho. It’s a pleasant and fun enough way to re-introduce the cast for those who like me may not have seen them since last summer, while enabling the show to break out its comic zaniness.

Months pass, and the three lads all go off to defeat various low-to-mid-level demons in nearby villages. One such mission represents the only real non-flashback action sequence, and is also the first time we see Nezuko, which occurs halfway through this 46-minute outing. That’s too late if you ask me, but it was good to see the siblings fighting together to bring down a demon.

This new arc’s quirky Hashira character does not ingratiate himself with Tanjirou, Zenitsu, Inousuke, or me: not when he’s forcibly carrying Aoi and Naho away for some undisclosed mission seemingly requiring women. When the three lads surround him and Tanjirou says they’ll go with him in their place, it doesn’t make a lot of sense…didn’t he need women? He also spanks Aoi…for no discernable reason.

So yeah, this Sound Hashira Uzui Tengen guy seems like a real piece of work, in contrast to the brash but fundamentally decent Rengoku. I also have no idea what he’s going for in the fashion and accessory department…only that it’s a lot. Fortunately, the Aimer-sung OP shook off the cynical cobwebs and got be back into a Demon Slayer state of mind, which is to accept wild changes in tone from overcooked drama to madcap comedy and everything in between, this time in a fresh urban setting.

SAKUGAN – 12 (FIN) – THICKER THAN BLOOD

The Big Twist that starts the SAKUGAN finale is that Memenpu actually is a “Rainbow Child”, a child with an exceptionally advanced brain. This not only explains why she’s a genius, but what the “place in her dream” is all about: it was never a dream, it was a memory. Rainbow Children retain vivid memories even from their infancy. As Rainbow Children were bred to be the guardians of the Labyrinth, they are anathema to Shibito, who want them all dead.

Fortunately, Muro’s boss doesn’t let her kill Memenpu right away, even though it’s debatable what if anything he intends to do with her before killing her. This gives the remaining members of Team Memenpu the time they need to zero in on her location and rescue her. It’s definitely a team effort, with Yuri using a second-hand computer in a store to guide Gagumber and Zackletu, then Zack distracting both Shibito and the Bureau with sheer ballistic chaos.

Gagumber locates Memenpu, but by then she’s been placed in a bell jar, which soon shatters due to the Animus dripping on top of it. Memenpu seems to be immune to its deleterious effects due to her Rainbow-ness. But by the time her pops arrives, Muro’s boss (I don’t believe we got his name) has convinced Memenpu that she has no father. Whether their surroundings were meant to evoke that same father-y scene from Empire, I don’t know.

All’s I know is, this Shibito guy is a huge prick for messing with Memenpu’s head, and for all her advanced intellect, Memenpu betrays just how sensitive and naïve she his, simply accepting the guy’s words about Gagumber not being her father. She even puts herself between the guy and Gagumber, offering up herself in exchange for her not-dad’s safety.

Gagumber, rightfully so, says fuck that, treading through the shallow pool of Animus to reach Memenpu, melting away his boots and burning his feet. He tells her he is, always was, and always will be her father, and she is, always was, and always will be his daughter. Whatever she wants to do and wherever it leads them, he’ll be by her side on her journey. Memenpu, realizing she does have a dad in Gagumber after all, has herself a good cry in his arms.

Seemingly moved by this dramatic and cathartic exchange, the Shibito boss decides to let Memenpu and Gagumber go…for now. Gagumber recharges Big Tony and they take the shortest route back to Dream Colony proper—by drilling through the colony’s retaining wall. There, Gagumber zeroes in on Muro and blasts her through a hole in the floor for making his daughter cry.

There’s a ceremony honoring Team Memenpu hosted by Merooro, but when he produces arrest warrants and the team is surrounded by Bureau cops and bots, Memenpu unleashes a cloud of purple smoke from Tony and the quartet escapes with the Bureau in hot pursuit. Not sure why Merooro held a ceremony just to arrest them, but whatevs.

Back on the Labyrinth “road”, Memenpu leads her team on their original mission: to find the place in her dreams, come what may. It’s what she truly wants to do, and that’s more than enough for Gagumber to accompany her, and by extension Zack and Yuri. It’s been fun watching this found family iron out their warts and beat the bad guys…fun enough that I’ll likely give the expected second season a watch.

Rating: 4/5 Stars

Mushoku Tensei: Jobless Reincarnation – 23 (Part 2 Fin) – Be Strong and Wait

My interpretation of Eris’s reasons for deciding to sleep with Rudy and then run off with Ghislaine is twofold: First, she wanted her first time to be with Rudy, whom she loves more than anyone else. Second, her note about not being “well matched” should be taken literally: she is overmatched by him. Their encounter with Orsted proved it. So off she goes.

She couldn’t have imagined this would cause Rudy to revert to his old self, the one who, once shamed at school in one of the worst ways possible, could no longer leave his room, despite being surrounded by love, understanding, and kindness—first his parents, and later his neighbors. He rejected them out of paranoia they were all laughing at him. So in he stays.

This episode seems to hint that the isekai world is merely in Rudy’s head, and that he wasn’t actually hit by a car as he would have us believe. If that’s the case—I have no idea, and I’m also fine if it’s meant to be ambiguous—the isekai world is no longer an escape. He may have been reincarnated and given a second chance, but he’s the same depressed, paranoid, emotionally stunted man he was in the old world. Eris leaving him and him not being able to understand why was the straw that broke the ground dragon’s back.

He may not be surrounded by the same support system as the old world, but things are definitely looking up in Fittoa. I realize that part of why it looked so wasted and bleak last week was because Rudy and Eris (and we) were comparing it to how it once looked before the disaster. But also the bleak washed-out look reflected Rudy’s post-Eris leaving mood. But color is slowly returning to the land, and there’s hope in the voices of the survivors as they plant new crops.

As they  toil and sweat, the people of Fittoa long for a “return to normal”, but the old normal is gone and never coming back. That’s true for everyone, as Ruijerd confirms that the curse that makes humans afraid of him is gone. I’m so glad we got to see the big guy one more time, and his exchange with the three friendly townsfolk is one of som many scenes this week that moved me to tears.

Another one of those scenes is where Eris confirms my interpretation of why she left Rudy (not that it was very much in doubt), with touching details like observing how the hands of the one she relied on for so long were smaller than his. The wind blows her cat-hood off her freshly short-cropped hair as she climbs atop a rock to shout out her love of Rudy to the mountaintops, and her resolve to become strong enough to protect him when next they meet.

We also get brief check-ins with Tona, Zoruba, Geese, and the young adventurers they met in the Demon Continent. Everyone is moving forward, with their experience with Rudy and Dead End being something they’ll always treasure, even if they never see them again. Roxy, meanwhile, inadvertently becomes Kishirisu Kishirika’s newest savior when she pays the tiny troublemaker’s bar tab from the rowdy night before.

love how we get the briefest peeks of that party that pack a punch when we see how drunk Roxy got and how bad her hangover must be. But she’s rewarded for her generosity to Kishirika by learning that Paul, Lilia, Norn and Aisha are safe and sound and reunited in Millishion. We get to see—and cry from—this reunion scene. But Norn still wants to know where her mama is, and we learn that Zenith is alive somewhere in the Labyrinth City of Rapan on the Begaritt Continent.

Roxy also learns from Kishirika that Rudy is in emotional turmoil, but rather than go to his student, she trusts that he’ll pick himself off and be able to move forward without her assistance. She and her party are headed to Begaritt. At the same time, it’s a beautiful memory of Rudy, taking over the end-of-the-evening chores for Zenith when he sees she’s tired, that finally gets Rudy to sit up, get out of bed, and step outside his tent with his cloak and spear.

He’s able to push past the fear of everyone laughing and mocking him, because Zenith is family, alone, and in need of help. Unaware that Roxy is also headed there, almost ensuring a reunion, he has to go find her. For that, he has to get up and take one step, and then another, past the pain of being left alone.

In the real world, Rudy does the same thing, and while it’s a mystery whether this is symbolic look back at his past life or his actual life running parallel to his fantasy life, it’s a major breakthrough for our protagonist. Like the people of Fittoa planting new crops, Rudy doesn’t give in, stays strong, and looks toward a future where his family is reunited.

Meanwhile, at Ranoa Magic Academy, Sylphiette, sporting Oakleys and whose hair is now white, makes the case for the academy recruiting Rudy. It’s clear he too will need to be stronger if he’s going to defeat the Dragon God. But with Sylphy here and Eris working to become stronger, he won’t be alone in that effort. He just doesn’t know it yet, but hopefully he can follow the advice of his original parents and continue to be strong and wait, just as we must all be strong and wait for Part 3.

The aquatope on white sand – 24 (fin) – Fishness as usual

The eight-word review? It stuck the landing with heart and soul. Aquatope wraps with three big events, the first of which is the most workmanlike. The entire staff is mustered to stock the new White Sand Dome, and it unfolds mostly without dialogue, just showing us just how complex such an operation is, and how speed and efficiency is balanced with the utmost care and delicacy with the living things they’re welcoming to Tingarla.

The second big event is the first wedding ceremony. We start with Kaoru and Chiyu joining Kukuru, Fuuka, and Karin in preparing the little personal touches that make the ceremony special and memorable, like name cards that feature a sea creature that matches the personality of the named. The barefoot magical affair goes off without a hitch; even Suwa can’t help but smile at the success, both in terms of getting a couple married and getting their family and friends interested in aquariums.

The third big event is the Grand Opening of the White Sand Dome, for which there’s a line going out the door and all the staff are out on the floor to greet them. Karin is now an attendant, and Kukuru’s grandparents attend and are proud of the growth they see in Kukuru. That said, she still wonders if she made the right choice to stay in PR and asks her gramps what she should do. His wise-as-usual advice: do yourself the favor of turning the path you chose into the correct one.

Kukuru and Fuuka take a break at the White Sand Dome, and Fuuka recalls how when she first got to Gama Gama she felt like she was drowning in a dark sea, which is just how Kukuru felt after Gama Gama was razed. But neither of them feel that way anymore. They love Tingarla, and right on cue, the same “effect” once thought to only occur at Gama Gama happens in the White Sand Dome, as Kukuru’s parents and twin sister join her and Fuuka in reveling in the sea life.

The fourth and final big event is, of course, Fuuka departing for Hawaii (specifically Oahu, as we later catch a glimpse of Honolulu). The difference between their last airport farewell and this one is like night and day. There’s no frowns or tears, all smiles and heads held high. Kukuru says “off you go” to Fuuka like she’s leaving for school for the day, not two years. “I’ll be back,” Fuuka replies in the same casual way. By the time Fuuka is in the air, Kukuru is already back to work at Tingarla.

As I suspected, the two years practically fly by, both in that we get a time jump to Tingarla’s third anniversary and the day Fuuka and Kaoru return home. There are a lot of subtle changes you’d expect, both in Kukuru’s hairstyle to her more confident demeanor at her desk. You can tell she’s taken on what’s in front of her with all her heart, and thrived.

She’s not alone: Kuuya has embraced his role as chief attendant and senpai to his old friend Karin. Udon-chan is now Tingarla’s chef. Kai is back as an attendant, and Choko has found a pretty young mate. Suwa has promoted her from Plankton to Nekton…though honestly I would have been a lot happier if he just called her by her damn name.

While in the taxi back to Tingarla with Kaoru, Fuuka gets out to stop by the shrine to Kijimunaa that she and Kukuru set up in a little wooded area not far from the aquarium. Fuuka gives the deity an offering of Hawaiian Macadamia nuts. These last two years, she and Kukuru have continued to do what’s right, and everything has worked out.

In scene where the two run straight at each other and embrace, I had all the feels. I could feel the love between these two young women; I could feel the relief they were back on the same island together; and I could feel the strength and wisdom they’ve both amassed, finding and nurturing their new dreams. The spirit of Gama Gama lives on in both of them, and as Gramps said, the hardships they both endured eventually led to wondferful rewards.

Komi Can’t Communicate – 08 – Last of the Summer Juusu

Obon has come, so we get to spend some time with Komi’s family, both immediate and extended, talkative and taciturn. Turns out she’s even nervous about what to pray about and so has nothing to say to her ancestors, but she bonds with her middle school-aged cousin, and gets to lay her head in the lap of her granny, who is glad she’s having fun and making friends…but who is this Tadano Hitohito fellah on her phone?!

From there we move on to the next Summer Event: the festival. Najimi has Tadano arrive in a yukata, and he gets to be the first to see Komi in hers, looking tremendous as usual. Komi tries to get some actual words out, but only manages a staccato “Ta-“ until she finally hunkers down and says Tadano looks good too, which is the response to his compliment of her yukata hours ago. Better late than never…and always good to hear Komi speak.

When the two get separated from the rest of the gang, Tadano remarks at how fun it is with everyone. Komi writes with a twig in the dirt how it’s also fun when it’s just the two of them, but Tadano isn’t watching as she writes, so when he prepares to glance over, she wipes it all away. Komi, if you like Tadano, you’re going to have to be very obvious about it, because he’ll never believe it otherwise!

With the end of summer break comes the last dash to get summer homework done. Najimi invites themself over to Tadano’s, and Komi and Yamai also come, which means Tadano’s sister Hitomi gets to meet the two main women in her brother’s world.

She gets the wrong first impression of Komi, but by the time they’re reminicing on all the fun things they did and Komi tearfully presents her notebook saying how she wish it wouldn’t end, she gets it: this is a sweet gal whom her brother would be immensely lucky to snag.

Takt Op. Destiny – 09 – New York, Old Problems

While it’s a shame they skipped Baltimore and Philadelphia, there’s definitely a sense of sudden, profound accomplishment when we see Anna’s trusty blue 70s sedan rumble down Times Square. They’ve made it! Now Destiny can get tuned and stop sapping Takt’s life and everything’s going to be okay!

The sense of having arrived at one’s destination after a long road trip (with several exciting detours) is reinforced by the fact that Anna and Cosette’s elder sister Lotte and their parents live in NYC, which means reuniting with them feels like returning home. Anna, having finally gotten Destiny and Takt to the Symphonica, deserves a rest.

Unfortunately there’s no rest for the deserving, as Lotte’s tests on Takt and Destiny bear no promising fruit. Their contract between Conductor and Musicart, while more symbiotic than parasitic, will nonetheless soon result in both dying, confirming that Takt’s corroded arm is not only permanent, but cumulative.

Lotte tells the pair that their only hope is…to not fight. If they settle down, stop hunting D2s and live normal lives, they’ll live far longer. After a full-on New York Day of food, drink, shopping, sightseeing, and aquarium-ing, Takt and Destiny get a pretty decent taste of what that life might be like. The problem is, like everyone else in the city, their lives are constantly dependent on the Symphonica’s protection.

Neither Takt nor Destiny refuse the possibility of settling down out of hand, rather its just that Destiny still can’t imagine a life without battle, which is not only her duty, but purpose. Not to mention neither of them probably like the prospect of being “intentionally useless” by letting others fight and die for their sake. They still have the power to fight, and so they’ll keep hoping that the fighting will end and they can enjoy live music in the park together.

Except…they suddenly have to leave NYC immediately and takt Anna and Cosette’s family with them, according to Lenny sounding as grim as we’ve ever heard him. When Takt assures him he’s not an “outsider”, Lenny agrees to tell Takt the truth about everything: even the infamous incident ten years ago in Boston.

It all starts with Destiny hearing another tuning fork, which means Felix was far from the only Symphonica member using the D2 to fuel his own ambitions. From that musical stab as the camera locked on Heaven’s eyes, the trouble could go all the way to the top. Do Takt and Destiny retreat with their family as Lenny urges, or remain New York, where everything is happening, to see where the cards fall?

Rating: 4/5 Stars

Mushoku Tensei: Jobless Reincarnation – 20 – Odd Man Out

Back when the explosion that shatters the Greyrat family occurred, Lilia has the foresight to grab Aisha and hold her tight for the expanding blast. She ends up teleported into the water, but manages to swim to the surface before she and her daughter drown. She makes her way on foot to Shirone, only for Prince Pax to capture and imprison them once he learns Lilia knows Roxy.

While Rudeus intends for the Ruijerd figurines he’s crafted to improve the Superd’s reputation, this week they actually come in handy rescuing him from Pax’s clutches. Pax’s older brother Prince Zanoba, you see, happens to be a figurine otaku the likes of which Rudy knows well from his old life. Wisely Rudy only owns up to being the artist once he realizes Zanoba wants to praise him and become his apprentice.

Zanoba doesn’t care about Roxy like his perverted brother does, just the figurine of her, which we learn has a detachable clothes. As such, he cares nothing for Pax’s plots, and so is immediately an ally to Rudy by default. Meanwhile, we see Ruijerd, Eris, and Aisha’s side of things as they work with Shirone royal guards to free their families, whom Pax has hostage to secure their loyalty.

That shortsighted strategy backfires as expected, first when Rudy tells Zanoba to lower the barrier and Zanoba grabs Pax out of bed by the head and presents him to Rudy, revealing Zanoba is a “Blessed Child” with superhuman strength. Ginger is Pax’s last line of defense, but when she learns her family is safe, she turns on Pax, informing him she first swore loyalty to Zanoba to begin with.

Shortly after Zanoba and Ginger free Rudy, Ruijerd returns from freeing Ginger and the soldiers’ loved ones, along with Lilia, who is immensely happy to be reunited with both Rudy and Aisha. Basically, Rudy didn’t actually have to do anything to get out of his latest predicament, other than make that figuring of Roxy years ago. Everything else kind of fell into place.

Later, Lilia gives Rudy a big hug, along with the box containing Roxy’s underwear and a pendant Sylphiette made for him. Also, Aisha wants to join the “Kennel Master” on his continuing adventures, thus saving her from the “perverted clutches” of her half-brother.

After Rudy gives her his Dead End head protector, she either connects the dots about him actually being her half-brother, or decides to drop the charade. Either way, with Zenith and Sylphiette still missing, Rudy can go forward knowing at least one of his little sisters likes him!

Rating: 4/5 Stars

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