HenSuki – 04 – The Desired Outcome

Last week, before I endured a week of high-altitude training, I presupposed that Nanjou Mao has a particular interest in Keiki, but considering she was neither a sadist or masochist, the particular peculiar shape that interest took remained up in the air.

Keiki gets a bit of a reprieve this week when both Yuika and Sayuki independently offer their apologies for “going too far” and urge him to “make up” with Mao. When he confronts Mao after class, she asks if he’ll hang out with her and Shouma at the arcade, like they used to.

There, we get the second hint of Mao’s interest—her first was the very characteristic Stressed Mangaka Girl Look (AKA the School Queen/Home Nerd Look popularized by Kare Kano, but I digress). When Keiki slips and is about to fall backwards, he’s caught in an inadvertent wall slam by Shouma, which excites Mao very much.

Later, while walking Mao home, Mao wonders out loud if he wants to be in a couple rather than a trio. Keiki also notices Mao staring intently at a photo of Shouma, and gets the wrong idea that she likes Shouma. But when he pries too deeply and too directly, she runs off on him, even in the pouring rain, leaving him with the rank of Sex Animal Sergeant.

Having made next to no progress, Keiki seeks advice from Mizuha, of all people, who was previously peeping at his porn stash, puts his head in her lap, and hides an annoyed look from her brother when he discusses other girls.

Still, she advises him to go all out, but act naturally, and if it doesn’t work, she’ll surely will be there to comfort him. When Keiki once more confronts a sleepy Mao after class and apologizes profusely for hurting her feelings, and unwisely offers to do “anything” to make things right.

Mao declares she wants Keiki in a relationship…not with her, but with Shouma. That’s right: Mao is a fujoshi, and her Shortcake series uses Shouma and Keiki as her character models. She wasn’t jealous that other girls were coming on to him; she was angry that they were ruining her image of Keiki as a BL model!

If he refuses to date Shouma, she threatens do everything in her power to impede all of his other romantic endeavors. So now all three of the non-sister girls in Keiki’s circle have some quirk he’s not sure he can live with. If that weren’t bad enough, someone leaves an envelope in his shoe locker containing a photo of him groping Sayuki…perhaps an prelude from one of the yet-to-be-introduced other girls?

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HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

HenSuki – 02 – Kohai Master

Keiki flatly turns down Sayuki’s request that he make her his pet—he’s just not sure if he’s into S&M, and probably never thought about it. But that doesn’t stop her from hanging around him, even in the library, where she gets too close and draws the ire of their mutual kohai, Koga Yuika. When Keiki admits he took Sayuki out for a parfait and performed a romantic wall slam, she’s angry, but he can cure that anger by taking her on a date.

Keiki does everything right thanks to some pointers from his little sister Mizuha: Arrive early, compliment often, go to a movie she likes, have a relaxed lunch, match her pace, let her shop till she drops. He even has the opportunity to rescue her from some leering mall trolls. Yuika gives Keiki a pat and kiss on the head as thanks and then falls asleep on his shoulder on the train home. All in all, it’s a wonderful first date for the both of them.

Yuika always kept to herself in the library and was hard to approach (which he chalks up to her mixed heritage, which…okaaay), but he was persistent in his friendliness and kindness, and her suspicion and “ice in her eyes” gradually melted away to the point they’re now much closer. But is she “Cinderella” who included a pair of underwear with her love letter? The jury’s still out.

What becomes painfully clear, however, is that Yuika is not like Sayuki, and she does not want to be his pet. In fact, when she asks him to meet her in the library storage room, she reveals that she wants to be his master, and wants him to be her slave. As an incentive, she removes her underwear and offers them to him. When he doesn’t immediately take them, she punishes him by stuffing them into his mouth. Yikes!

Suffice it to say, this development comes as something of a shock to Keiki. He was so enchanted by their conventional date, he would have been content if he died the next day. Instead, he finds himself passed out in a closet with Yuika’s underwear in his mouth, and a commando Yuika sitting astride him. They’re tricky, those tides of fortune!

Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.

How Heavy are the Dumbbells You Lift? – 01 (First Impressions) – Feel the Burn

Sakura Hibiki eats too much of the wrong food and doesn’t exercise enough. That’s what brings us to her initial motivations: to slim down so she can snag a hot guy. Of course, this is not a finger-snapping affair, but a brutal, exhausting odyssey that will challenge every aspect of who Hibiki thinks she is and of what she’s capable.

Of course, Hibiki doesn’t have the willpower to undertake such a quest alone, which is why it’s surreptitious that another girl at her school, the rich, beautiful, and 16% body fat class president Souryuuin Akemi joins the newly-built Silverman Gym the same day she does. She soon learns that not only is Akemi a health and fitness fanatic, but cultivates a strong muscle fetish.

Thus we have our comedic duo for this edu-taining aspirational slice-of-life: Akemi as the wilder comic, Hibiki as the straight man who reacts similarly to how most of us would in the midst of all the intense musclery on display. Their coach at the gym is Machio Naruzou, who is always wearing a bright smile and whose Prince Charming good looks immediately persuade Hibiki to join despite seeming way out of her element.

But that’s the thing about trying any new thing: you can easily come to feel like you have so much to learn and catch up on that you put far too much pressure on yourself from the start, rather than trusting in a healthie, more incremental process. You’re so afraid of failure, and success feels impossible. In something like weight training, the body will follow the mind’s lead and you’ll get nowhere.

Where How Heavy excels is on how carefully and gradually Machio eases Hibiki into the basics of lifting weights, all while maintaining a supportive demeanor that never comes off as patronizing. It’s not an easy balance to strike, but Machio makes it easy.

Heavy is also fully aware that some of the explanations of the routines look and sound pretty…erotic, but hey, we’re dealing with sculpting the human body here, and the production values are more than up to the task, so the ecchi element is not just unforced, it’s executed splendidly. You’re not mean to leer at the bodies on display, you’re supposed to regard them with awe.

That’s exactly what happens when training wraps for the day, and when Machio says the word “besides” he suddenly becomes compelled to bust out of his tracksuit and strike a classic “side chest” pose, presenting his Arnold Schwarzenegger Mister Universe physique. Hibiki fell in love with his face, but is somewhat put off by the excessive muscles, while Akemi, she of the fetish, almost has a crisis.

After her first real workout probably ever, Hibiki feels ruined, and can barely stand in class the next day. As she and Akemi walk home and she continues to voice her reservations about continuing at Silverman Gym, Akemi tells her how happy she is to be able to train with a friend from school. That convinces Hibiki to stick with it. After all, this is already more about getting a hotter bod, or gaining joy and confidence in one’s increased strength and stamina…it’s about making a lovely new friend. Akemi certainly challenges her preconceptions about her “rich girl” status.

The next day, his “secret” revealed, Machio doesn’t bother hiding his tank of a body, and gets right into introducing Hibiki to squats, which are much tougher than the bench presses Hibiki thought were already plenty tough.

Hibiki is such a relatable protagonist because she approaches things realistically within her established modus operandi: try a bit, and quickly give up. As we all would if we were in her shoes! But with multiple motivating vectors including not wanting to let Akemi or Machio down, and yes, wanting to look hotter for the beach, she perseveres and blows past those old boundaries. That’s what the slogan “becoming a new you” is all about.

While walking home after another grueling workout, Akemi notices Akemi snacking and asks her how many times she eats a day. When Hibiki honestly replies “around six or seven, sometimes more,” she fully expects a stern scolding, like she normally gets from her best friend Ayaka. But instead, Akemi is duly impressed that Hibiki has been blessed with such a powerful appetite. After all, building muscle requires fuel.

Where the critical Ayaka sees the expanding Hibiki as a bomb ready to go off, Akemi sees great potential, not a threat—a diamond to be cut and polished from rough stone. While Ayaka’s concerns are legitimate and her heart’s in the right place, the tone is wrong. If Hibiki is going to make progress, she’s going to need positive voices, including her own. I look forward to her and Akemi’s iron-pumping journey!

Hajimete no Gal – 04

While wholesomely innocently researching “gals” on the interwebs to learn how to interact with Yame and Ranko better, Junichi comes across an extremely cute gal with a loyal following. This gal’s necklace has the same snake motif as Kashii Yui’s hairpin, so yeah, it’s pretty evident from the start that “Boa-sama” is Yui in disguise.

Yui is always presenting a calm, mature identity at school, but beneath that exterior she’s a vain, arrogant, imperious girl, labeling all of her classmates with various servant’s names and titles. Junichi has always been a loyal “doggy” to her, and isn’t interested in sharing him with some uncultured gal.

While Yame is hanging out with her galfriends, Yui springs out of the bushes and strikes like the snake she loves wearing, taking an extremely dumb Junichi on a date.

Meanwhile it’s on the tip of Shinpei’s tongue who Boa-sama reminds him of; an increasingly irritated and thus less careful Boa throws him a bone by describing him and his crew of losers to a man.

While secretly recording her flirting with Junichi in the classroom (which is illegal in Japan), Boa-sama gets final visual proof and shares it with the lads, who are shocked by the revelation. Despite Shinpei’s efforts to reveal his discovery in secret, Ranko gets wind of it.

Sensing that being blunt will be best against the painfully dense Junichi, Yui passionately confesses to him on the roof. When he turns her down (as he’s dating Yame), she immediately cracks and her extremely fiery, petulant personality gushes out.

She also plays her trump card: she secretly recorded her date with him (which is illegal in Japan), and orders him to break up with Yame and go out with her, or she’ll send the video to Yame.

That’s checkmate for Junichi…or it would be if he didn’t have a gang of friends watching both his back and Yame’s. Ranko arrives with the three losers, superhero-style (complete with ill-advised high jump off a ledge; Ranko lands as a hero would; the guys eat shit).

Ranko counters Yui’s Yame-harming blackmail with blackmail of her own: the knowledge that Yui is Boa-sama. Yui surrenders, but she won’t give up so easily, and the war has only begun…just as Junichi’s well-endowed childhood friend prepares to take the stage.

While the lack of any real suspense regarding who Boa-sama was, and Junichi’s general incompetence in everything but being an easy mark for…just about anyone, the episode was buoyed by Taketatsu Ayana’s strong performance voicing the many sides of Yui, and while the lolicon guy still needs to stop talking, the losers, Shinpei in particular, were in top form this week.

Hajimete no Gal – 03

As expected, Yukana’s very tan best friend Honjou Ranko inserts herself into her relationship with Junichi by writing him a love letter then mounting him behind the school. After a brief feint, Yukana laughs off Ranko’ actions as just messing around with Junichi…but Ranko seems determined to break them up.

A very predictable development, combined with a lot less comedy (a lot of it recycled jokes that don’t hit as hard, or at all, the third or fourth time around) made for a less-than-stellar Hajimete no Gal.

While out on a shopping trip, Junichi learns more of the challenges of dating a gal, like the need to properly choose which clothes look better on her, or defending her from man-sluts. In both cases, Ranko tries to upstage Junichi, finally meeting him at his house to talk.

She mounts him again, assuring him she’d rather take his virginity then let him get with Yukana, whom she’s secretly in love with. Ranko’s kinda all over the place, and Kitamura Eri does fine voice work, she doesn’t have much to work with here.

I guess I should be glad Ranko’s not in love with Junichi, but he still gets off the hook way too easily. Indeed, Junichi moves at the speed of a sloth throughout this episode, which I suppose is par for the course considering his self-image as a loser, but it’s still pretty annoying.

This week he did next to nothing—other than halfheartedly trying to tell off the guys hitting on Yukana, which failed—to deserve all the attention he’s getting. Next week it appears will involve more Kashii Yui, who was obviously going to be more than just the Miss Perfect Junichi believes her to be. She looks particularly pissed watching Ranko tease him.

Hajimete no Gal – 02

After Yame accepted his request to go out with her, Junichi is in a bit of a daze, not sure whether it’s all a prank or not, considering what he believes to be the logical fallacy of a cute gal dating the likes of him. His loser friends commit to standing by him come what may, only to immediately turn their backs on him when he receives a sexy selfie from Yame.

Despite this, Shinpei still offers advice to Junichi: take Yame to karaoke, which is how popular kids “get a room” for sex. He elaborates on the process with his “Karaoke XXX Rule”, before “dying” from exasperation that karaoke parlors have become indistinguishable from dens of ill repute.

Later that morning, Yame proves she’s not messing around by announcing to the entire class that she’s dating Junichi, then fielding questions. Both Kashii Yui and his “little sister” are dumbfounded. Junichi tries to ask her out to karaoke, but never finds the right opportunity until she asks him out after school to that very thing.

Corrupted by Shinpei’s overblown theory about karaoke parlors (which seems to be confirmed by a sign), Junichi is initially weary of their date, but once he sees how much fun Yame is having, he stops overthinking things and has fun himself. To his surprise, she even knows anime songs; the only kind he can sing.

But after Shinpei’s three tenets of the Karaoke XXX Rule are fulfilled (Yame singing a suggestive song; the two singing a duet; Yame removing her sweater), Junichi re-enters his head for a conference with all his various alter-egos, including ‘Good’, ‘Pessimistic’, ‘Horny’, and ‘Cool’, with ‘Cool” him eventually convincing the others that if he’s a true man, he’ll give her a kiss before moving on to sex.

Junichi tries to kiss Yame, only for her to point out an errant hair sticking out of his nose and excuse herself. Out in the hall, she regains her composure, certain Junichi just tried to kiss her. Far from the easy girl for whom sex is no big deal Shinpei, his friends, and Junichi himself believe her to be, Yame isn’t the kind of girl to even kiss someone so easily. She’s more like Junichi than he presently realizes.

Hopefully he’ll find this out in time, and stop interacting with Yame with misconceptions about who and what she is, just as she seems to be embracing him for who he is, not assigning a silly label. As for Yame’s friend Ranko, it appears we’ll soon learn how she feels about this new boyfriend.

Hajimete no Gal – 01 (First Impressions)

Hashiba Junichi is a pathetic loser and knows it. He’s in his second year of high school, saddled with the same trio of even sadder friends in Shinpei, Keigo, and Minoru, who if anything are partially responsible for holding Junichi back from his goal of nabbing a girlfriend and losing his virginity by now.

Note I said “partially”, because the major contributor to Junichi’s lack of success in securing a partner (sexual or otherwise) is himself. His friends truly have no one but themselves, but in the first few minutes Junichi is visited by not one but two “total hotties”: his well-endowed loli childhood friend Shizune, and the ethereally gorgeous academic ace Yui, who comes on pretty dang strong.

And yet Junichi turns Shizune away, still considering her a “little sister” with a “child body” (completely ignoring her huge boobs), and pretty much freezes when Yui talks to him, eager to talk more.

Blame for Jun-kun’s predicament shifts back to his very embarrassing friends—one of whom may be a straight-up pedo—when they brazenly peruse their smut mags in class, shoving a tasty one into his hands. And that’s when the titular Gal, Yame Yukana (God, what a Gal name) appears in Junichi’s life—to look down on him and call him disgusting.

But disgusting and pervy or no, Junichi’s friends have hatched a plan, and he’s their guinea pig (democracy in action): They choose him—tacitly acknowledging is the least repulsive of their sorry little band—to ask the Gal out, since, in their virgin minds, she’ll presumably put out without much fuss. (Junichi’s hastily-conjured sex fantasy with Yukana is suitably ecchi, with all the naughty bits covered by carefully-manicured hands).

One planted false love letter later, Junichi finds himself behind the school after class, and to his shock, Yukana has deigned to give her admirer an audience. After some rather lengthy, 7-grade setup and introductions, this is where the episode comes into its own, as we continue to be privy to every thought that crosses Jun-kun’s mind.

To his continued shock, Yukana is being incredibly patient and open-minded with him, and when he does what his friends said to do and beg on his knees, there’s the sense even she knows this is beneath him—and she barely knows him! From there, Junichi remains in survival mode, doing all he can to avoid an even worse scenario than rejection: the reputation for being a prevert and/or virgin for the rest of his high school life.

But as was demonstrated at the start of the ep with Shizune and Yui, Junichi is in a far better position than he realizes. That’s because, despite all logic, Yukana likes him, and agrees to go out with him. Or maybe not despite all logic; perhaps she’s as lonely—and trapped in her present persona (her a gal, him a loser)—as he is.

The art is crude and the boobs are over-sized, and Junichi’s friends can be really annoyingbut once this episode got into gear, I was really enjoying the passionate yet puerile discussion and display of sheer teenaged sex-and-bitterness-fueled awfulness that is high school.

And hey, sometimes it’s just satisfying to see a loser win for once, even if he’s only a loser because he believes himself to be one. It looks like both sides are poised to get something out of this, so let’s see where it goes, shall we?

Sin: Nanatsu no Taizai – 01 (First Impressions)

The Gist: Lucifer falls to hell but passes her blood to a mortal on the way down. Then she meets the seven deadly sins, which are demon lord ladies that want to kill and or do her or both. None of it makes much sense and none of it is voice acted or presented in an interesting way, but she beats them and sets a story min motion…

The Verdict: it’s slightly sexy, in so far as the uncensored version has nipples and touching between girls with huge breasts but it is not coherent nor H-enough to fill that kind of thrill. If you need an nonsensical christian’ish themed girl touching show… honestly, you can do better than this?

I mean, I know why it was made and who it is for and it is higher quality than your typical ecchi girl-touching fight genre show, but not by much. Seriously, just hang out at a bar till closing time and take whatever desperate hook-up that’s left home with you. You’ll feel less dirty in the morning…

 

Clockwork Planet – 01 (First Impressions)

One of the downsides of choosing what anime to watch, in part, by their promotional art, is that just as a mechanical clock will one day fail, sometimes a piece of art will let you down. Clockwork Planet is evidence of this. The promo art didn’t look that bad at all, but the show’s a dud.

Just to give a quick recap: In a post-apocalyptic world built almost entirely of gears (?) Miura Naoto is a fairly wimpy tinkerer who dreams of becoming a proper clocksmith. Just when he wishes out loud that automata would rain down upon him, one does, a state-of-the-art model named RyuZU. Naoto shows what he’s got by repairing her.

Then RyuZU becomes Naoto’s trusty servant, in a very silly ceremony in which she sucks on his finger (though it’s an efficient way to collect genetic material with which to imprint).

Later, they check into a love motel because his house was destroyed when she dropped in. Naoto can’t help but see RyuZU as a pretty girl and not a mere automaton, because, well, she looks like a pretty girl.

Meanwhile, Marie Breguet, who is some kind of scientific-commercial big shot despite being (or at least appearing to be) very young, laments the loss of an automaton (RyuZU), clashes with the military, and finds out that said military is going to purge the Kyoto Grid, sending 20 million people to their deaths. She also sleeps in the buff…because…

I needn’t go on. World made of gears? Casual military mass murder? Characters who look like little kids? A very low-budge and unattractive production? I believe I’ll pass.

Tsugumomo – 01 (First Impressions)

The Gist: One day, Kagami Kazuya’s sakura-patterned obi, given to him by his late mother, takes the form of a blue-haired girl named Kiriha revealing she is a tsukumogami.

After saving him from an attacking amasogi, Kiriha assigns Kazuya as her “servant” and shares his living space, remaining as inseparable as they were when she was a mere inanimate obi.

Roll Credits…

Even with a rather poor translation, I don’t think I missed much nuance here. Kazuya is defined by his utter lack of distinguishing features or personality traits—other than carrying around an obi and smelling it all the time, which would be kinda sweet, I guess, if it wasn’t also a bit weird.

Along with his one-note “class-rep” character, and his one-note big sister/guardian, there isn’t much depth to be found here, only reminders of shows past (and half-hours wasted on said shows).

We end up seeing many sides of Kiriha, and to her credit, between her superior, imperious attitude, propensity for making messes, and love of pudding, she also has Kazuya’s back (both out in the world and in the bath) and seems to mean well as a companion/protector.

But rather than working in her favor, these myriad sides only served to paint a muddled picture of who and what she is, beyond an once-inanimate object given (pretty) human form. Also, if you’re going to have blue hair and red eyes, you best come correct.

Throw in bland-as-paste Kazuya and a not particularly great-looking production (aside from one okay action scene) and there’s not quite enough here to encourage me to continue.

Gantz:0 Review

gantz-0

The Gist: a feature-length CG movie covering the Osaka Arc from the Gantz manga. This arc is between halfway and two-thirds through Gantz’ 383-chapter long story, which means the movie had to shed several characters and a ton of build-up to present a manageable story. For example, the manga’s co-protagonist Katou gets a modified introduction right at the beginning of the arc, which serves as a brief introduction to the rules and world of Gantz for the viewer.

Generally, the changes ‘function,’ from the standpoint of making a coherent movie, but that movie is not very compelling. Despite cutting characters, the arc requires introducing the Osaka team, which is huge, even if its only there to be blown apart. The arc also pits our heroes against a massive challenge, with no room for that core cast to build-up credibility for taking on that challenge, nor an emotional connection with the viewer should they fail.

The result is somewhat like asking the third Lord of the Rings movie to work as our only ‘movie’ adaptation for the novels. The viewer will probably understand what is going on, but why would they care?

gantz0

The Verdict: From a technical standpoint, Gantz:0’s character models, lighting, and sets are decent but not mind-blowing. The lip sync isn’t spot on, the lighting and framing don’t feel like they highlight scenes clearly, and the shakey-cam is oh my god stop it! Overall, it lacks thought or style.

There’s some irony to this because Gantz’ weapons and vehicles were already CG-rendered in the manga, and the manga did a great job framing out scenes and conveying what was going on.

Unless you are already a Gantz fan, it’s difficult to see a reason for you to watch this. Unfortunately, if you are a Gantz fan (especially if you’ve read all 383 chapters of it like myself), you’re not going to get much out of this either.

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