Mother of the Goddess’ Dormitory – 01 (First Impressions) – Undress of Grievances

Nagumo Koushi is a 12-year-old sixth grader who is abandoned by his father after their house burns down. He’s wandering the streets starving to death when a green-haired beauty takes pity on him and welcomes him into her college dorm, which is full of beauties, almost none of whom have any qualms about waltzing around with nothing or next to nothing on.

This is a notorious “problem dorm”, which means these college students are generally ostracized by their peers. I can’t really blame them, considering some of their conduct with a 12-year-old kid. I’ll never be too old for anime, but I believe I have gotten too old for this particular brand of nonsense.

It’s a shame, because a lot of the fanservice and voice work is pretty well done, and there are moments of actual emotional resonance…but yeah, I’m just not feeling this one.

Mushoku Tensei: Jobless Reincarnation – 02 – Facing the Outside

Most isekai anime never return to the protagonist’s original world after the first episode, but as Rudy grows older and more accustomed to his new life as a little kid, his trauma begins manifesting as flashes of that previous life. First, we’re presented with a Rudy who skips his parents’ funeral so he can jerk off in his bedroom.

When three goons break in, he runs away, sees a truck about to hit some high school students, and runs into its path, resulting in the death we saw last week. Back in the new world, Rudy considers walking in on his parents loudly screwing when he sees Roxy masturbating outside their door. Symmetry.

As pervy as Rudy is, even he knows better than to disturb Roxy in such a vulnerable state, like the goons did to him the night he died. The empathy he displays here underscores the promise of this new life: the chance to properly develop mentally, something that wasn’t possible in his old life. It’s also an early hint of the respect he gains for Roxy, who isn’t just his master, but his first friend…in either life.

Six months, then a year pass since Roxy arrived, and Rudy is making fast progress with his magic, and no longer passing out after expending it. Roxy looks upon this progress with pride, but also a sense of sad inevitability: soon he’ll easily surpass her as a mage and she’ll have nothing left to teach him. As for the green-haired demonic “Superd” she warns him about, Rudy already knows about monsters from his past life.

In his previous life, Rudy was brutally bullied at school, regularly stripped down, tied up, and photographed by leering, laughing gawkers. Though we’re seeing things purely from his POV there’s no reason to think he’s embellishing things, and we see that this treatment led him to cease moving forward. He retreated into the safety of his room, where he remained in stasis.

Even though his two worlds couldn’t look any more different (a contrast that’s well-executed by the visuals), he feels the same fear of the outside beyond his family’s land as he did leaving his room, or even looking out his window. When Roxy recommends he attend Ranoa Magic University in the Red Dragon Mountains to further his training, he brushes it off as unnecessary; he’ll be just fine where he is, with Roxy.

Of course, Rudy is deluding himself. Roxy is a great teacher, but as he reaches five years old (the first of three 5-year intervals birthdays are celebrated in this world) they’re quickly approaching the point when Roxy has nothing left to teach him. To remain home would stunt his development, both as a mage and as a person.

For his fifth birthday Rudy receives a tome from his mom, a sword from his dad, and a wand from Roxy, along with the announcement that he’ll use the wand for his imminent graduation exam. The magic they’ll be learning is dangerous, so they must travel away from home. The prospect of going outside causes Rudy to freeze up; as Roxy aptly puts it, he’s finally “acting his age.”

Roxy assures him there’s nothing to fear, and helps him exorcise his past life’s demons simply by being her wonderful self. As they ride past other villagers, Rudy wants them to stop staring at him, but then realizes they’re staring at Roxy, who in just a year was able to win the entire village over despite the prejudice surrounding people with hair her color.

With nothing left to fear of the new land in which he finds himself, Rudy watches Roxy pull of the biggest magical spell yet, summoning a huge storm that accidentally injures the family horse, Caravaggio. Thankfully he’s easily healed up and then placed in a protective shell when it’s Rudy’s turn to cast the spell.

As with the magical trials Fran puts Elaina through in Wondering Witch, the full terrible potential of elite-level magic is fully realized by the surpassing visuals, as the idyllic landscape is entirely greyed out by blinding sheets of rain, only to emerge more beautiful than before, with tinges of pink and violet in the blue skies.

Rudy passed his first two big tests of life in his new world: stepping outside, and passing his final exam with Roxy. With that passage, there truly is nothing else Roxy can teach him. While I half-expected him to press further for her to stay—either by becoming the village’s resident mage or, say, becoming his dad’s third wife—Rudy isn’t the only one who needs to move forward, and Roxy intends to travel the world, re-hone her skills, and see what else she can learn.

So while Rudy is understandably sad to see her go (as are his folks, who fail to hold back tears for her goodbye), he lets her go, thanking her for imbuing him with knowledge, experience, and technique in magic as well as life. He will also never forget that it was Roxy who brought him outside and showed him it was nothing to fear.

While Roxy was little more than a pretty game character made flesh to Rudy when they met, she’s become someone with whom he formed a genuine human connection, learned more than he’d ever imagined, and healed him in a way he’d long thought impossible. For all of that she’ll have his everlasting gratitude and respect.

Of course, Rudy is still Rudy, as we’re reminded when Lilia discovers a pair of Roxy’s underwear he’d stashed away a few months prior to her departure…the little shit! But maybe, just maybe, he’s taken the first steps to becoming a little less of a shit. Baby steps.

Stray Observations:

  • Rudy died the same night as his parents’ funeral. Looks like they were last line of defense that kept the tormentors out of his house. We later catch them outside his door telling him not to give up.
  • While the extent of the public torture Rudy endured stretches credulity, I’m not putting anything past human beings after 2020.
  • Roxy is indeed the age where, ahem, “that kind of thing” is pretty normal, and this being a world that lacks the modern means of taking care of that, listening to two people having sex would have to suffice.
  • That said, the session she and Rudy overheard did not result in a baby sibling for Rudy. I presume he’ll get one at some point.
  • Rudy is not yet much of a swordsman despite Paul’s efforts, but in Rudy’s defense, he’s five. you gotta give the kid a sword his size!
  • Roxy brings up the Superd, who have green hair and red stones in their foreheads. They started the horrific Laplace War between humans and demons. Rudy visualizes them as similar to Sadako from The Ring.
  • Seeing the village kids leering with flip phones was hella creepy.
  • Social status, pride, and even race apparently don’t matter at Ranoa University. I imagine Rudy will be heading there as soon as he’s old enough…say seven.
  • The little aside of Zenith affectionately feeding Roxy and Lilia grapes was extremely cute.
  • Really glad Caravaggio pulled through! Poor horse looked like he was toast—literally.
  • Read Crow’s write-up here!

The Hidden Dungeon Only I Can Enter – 02 – Coasting Along in Easy Mode

Noir was accepted to Hero Academy, but the 300,000-rel tuition is too-steep for his baronet father, so he has to come up with the cash by himself. At no point did I doubt he’d be able to do so by the end of the episode. Olivia suggests he becomes an adventurer, so he registers with Odin, which just happens to be Olivia’s guild.

The receptionist Lola is skeptical of Noir’s claims, even going so far as to say she’ll lift her skirt up if he’s proven right by the Discerning Tome. Of course he’s proven right, and Lola is a woman of her word…but what a weird wager! It’s almost as if she knows she’s in an ecchi harem show.

Someone who’s known all along what kind of show this is is Emma, who soon joins Noir out in the field. He successfully catches a bunch of rainbow caterpillars to the tune of 250,000 rel, and his success seems to turn Lola on, resulting in a standoff between her and Emma. Are there, like, no other men?

Noir and Emma head back out into the field to defeat a giant evil rabbit to earn the remaining 50,000 rel he needs for tuition. Since this battle takes up the most time and seems the most hazardous, you’d think the rabbit quest would be worth 250,000 and the grasshopper quest 50,000. I guess it’s best just not to think…at all.

When Emma’s attacks prove ineffective, Noir decides to the skills Olivia gave him to increase her attributes, but Noir doesn’t feel like coughing up 700 LP, so he buffs her weapon adeptness instead to the tune of 500 LP. He gets more than enough LP to cover the magic with a slobbery ear-nibbling session with Emma. Her moans end up luring the rabbit to them, and she defeats it as easily as everything has fallen into Noir’s lap so far.

He gets the 300,000 rel he needs, he gets another hug from Lola and Emma (who make up after a rough start) and thanks to a skill he created that lets him store the dead rabbit in a trans-dimensional space, he ingratiates himself with the entire guild by offering it for a feast. When pressed for a speech, he thinks of how none of this would be possible without Olivia…only to not so much as mention her to the guild of which she was a member.

Looks like the easy times and make-out sessions are only going to continue from here. As I said last week, those looking for serious conflict, adversity, or any kind of surprises are barking up the wrong tree. This week I can add “receptionists unwilling to arbitrarily debase themselves” and “thrilling battle animation” to the growing list of stuff not in this anime.

Mushoku Tensei: Jobless Reincarnation – 01 (First Impressions) – Getting Serious About Living

Fast on the heels of Zane’s Horimiya comes another contender for Anime of the Season: Jobless Reincarnation, the latest in a rare collection of common stories told uncommonly well. Our protagonist is a 34-year-old NEET hit by a car and killed, but he’s reincarnated as a baby in a fantasy world with all his adult mental faculties and memories intact.

That all-too-familiar premise (for the record, the source LN dates back to 2012) hardly does Jobless justice: from the moment our boy realizes he is the child of the well-endowed young woman who just gave birth to him, his droll adult voiceover (Sugita Tomokazu, I believe) provides a hilariously dry running commentary on his new world.

Rudeus or Rudy, as his parents Zenith and Paul name him, grows up fast, going from a highly mobile infant to a precocious toddler. When he falls down go boom and his mom uses a real healing spell on him, he seeks out the five tomes in his family’s house, learns to read, and gradually learns how to wield water magic.

There’s a wonderful procedural structure to Rudy’s early journey of just figuring things out, but not so rigid a structure that it detracts from the human and emotional sides of his experience. His precociousness also goes noticed by Lilia the live-in maid, as Rudy’s facial expressions betray an older man’s inner wisdom of the world.

While his first attempt to conjure water results in him looking like he fell asleep and wet himself, Rudy hangs in there, gathering any and all basins in which to deposit the water he conjures. Notably, he is able to use magic without the incantations or magic circles the books describe as vital to the process.

Without really trying to, his magical growth remains largely hidden from Zenith and Paul, who are portrayed as dimensional characters with their own needs and wants (they get it on often, as one would expect of a healthy young couple). His family’s home is his entire world, and he’s usually shut up in his room, much as he was as a 34-year-old NEET. This explains a bit why we don’t get to see as much of his family as I’d have liked.

With that hikikomori mentality in mind, it’s as symbolic as it is momentous when Rudy accidentally obliterates the wall of his bedroom with his most powerful water conjuring yet—a giant orb that streaks through the bright blue sky, creating rain for the crops and a rainbow as well. The top-notch animation really sells how powerful—and frightful—magic can be in untrained hands, and how exciting it is to “figure things out.”

When Zenith sees him unharmed and with the magic book nearby, she puts two and two together, and cannot contain her pure joy and delight to have reared a magical prodigy. She and Paul bicker over the promise that he would be raised as a swordsman, but Lilia (showing she’s more than a mere maid—more of a second wife) suggests “Why not both?”

Rudy’s parents—his dad’s a Knight who basically runs the village, and so is not without means—hire a magical tutor to train him, but both they and Rudy are shocked to find she’s no bearded retiree but an adorable young woman with bluish-violet air, ably voiced with by with vulnerability and defiance by Kohara Konomi.

We have the fascinating situation in which Rudy is mentally older than his parents, let alone this mage Roxy Migurdia, and his otaku side comes out when he first sees her and sizes her up (or down, as it were). Roxy isn’t aware of this, has dealt with other parents who thought their kid was The Chosen One, and is dubious of Rudy’s abilities.

Still, she does her job, showing him how a focused magical attack can cleave a tree down in one swipe, then how said tree (treasured by Rudy’s mom) can be repaired with healing magic, which Roxy also knows. Then Rudy demonstrates he can use magic without incantations (again, accidentally, as he’s thrown off when Roxy’s skirt flips up), and re-fells the restored tree, and Roxy knows she’s dealing with someone worth training.

Roxy takes the blame for the tree, but Rudy uses a dating sim-esque line to comfort her, and it works. Then the family welcomes Roxy like one of their own to a sumptuous welcome banquet, and during these lovely warm images Rudy beautifully recites the mission statement of the show:

“It’s like a dream…a dream I’m having as I die from that crash. No, even if it is, I don’t care. In this world, I bet even I can make it. If I live and try as hard as everyone else, get back up when I fall, and keep facing forward, then maybe I can do it. Maybe even I, a jobless, reclusive bum like me can get a do-over at life…and get serious about living.”

I would never have thought I’d be so quickly and easily drawn into yet another Isekai series, but the characterizations and technical execution are so well done, the world it’s crafted so gorgeous and inviting, and the comedy so effortless, it renders Jobless Reincarnation all but irresistible. Yes, we’ve seen this story before, and yes, Rudy is a bit of a creep, but for once it doesn’t matter, at least for me. It goes without saying I can’t wait to see more.

P.S. Looks like Anime News Network’s early reviewers of JR weren’t as enamored as I was, focusing on Rudy’s abhorrent skeeviness and the fact this premise has been done to death.

While I respect their takes, which are just as valid as my own, I prefer to take a more clean-slate approach to the show, and execution can—and in this case, does—outweigh familiarity.

Also, and this is key, Rudy isn’t supposed to be immediately likable or virtuous. He’s just started on a long road of redemption, and his closing monologue suggests he wants to become a better person than he was in his past life.

P.P.S. Crow has written on this episode as well. Check it out here.

The Hidden Dungeon Only I Can Enter – 01 (First Impressions) – Born on Third

As a “mere” baronet, Noir Starga may be at the bottom of the noble caste pyramid of his nation. His family isn’t fuck-you rich, all the higher classes look down on them, and he has to get an actual job to support himself. But while his librarian job is stolen by a higher-ranking baron the day he’s supposed to start, life seems awfully sweet for Noir!

For one thing, he has two living parents, despite being a character in a fantasy anime! He also has a cute brocon imouto in Alice and a smokin’ hot childhood friend in Emma Brightness (excellent name), whom I’m just going to pretend is the non-masochistic sister of KonoSuba’s Darkness. Noir and Emma were going to be co-workers, but she still has a solution for the migraines he suffers: swappin’ spit!

So far we’ve got a kid with a loving fam, a future wife, and oh yeah, that Great Sage skill tells him everything about the world, including the unexplained. Again, pretty sweet life. When making out with Emma cures his headaches, Noir’s free to use it to locate a hidden dungeon just 10 klicks from town. There, he hears Horie Yui’s voice and follows it to the buxom adventurer Olivia Servant.

Olivia has been chained up for two centuries, and is just happy to talk to another person. Rather than let her considerable skills go to waste, she copies and bestows them upon Noir. They are Get Creative (conjure any skill), Bestow (give any skill to anyone) and Editor (modify any skill). The only catch: the skills use a ton of Life Points (LP), gained by, well, living: essentially enjoying money, food, and sex.

Noir tries out his new OP skills in the dungeon, but the LP expenditure tires him out. He learns lying in Alice’s lap restores a bit of LP, while embracing a more daringly-dressed Emma the next day restores a lot. When she complains of shoulder pain from her rather prodigious bust, he uses Editor to temporarily shrink it; she has him undo the change immediately.

Armed with so many useful skills and numerous ready sources of LP, Noir changes course and decides to take the Hero Academy entrance exam. The exam begins with the admitees splitting off into parties of three, and members of the higher castes mock Noir for even speaking to them, but thankfully Emma joins him, as she only got a job at the library to be with him. The haughty vicountess Lenore completes the triad.

They split up looking for valuable monster loot, and Noir heads to the hidden dungeon where he encounters a Level 99 Grim Reaper. Despite only being Level 23, Noir has enough LP to Create the Heavy skill and Bestow it on the Reaper to slow it down, then creates a giant stone bullet and shoots it at the Reaper, defeating it.

The Reaper skull ends up giving Team Lenore the edge, and then some: they scored 128,000 points when the next two teams only managed 11,550 and 5,890. Noir was misled by the fact Olivia is a master of the OP skills she gave him, to the point even a Level 99 Boss is a mere scrub.

If you’re looking for complex characters, conflicts, or drama, you will find none in The Hidden Dungeon Only I Can Enter. If you’re looking for a competently-rendered non-isekai renaissance-y setting packed with cute characters, JRPG rules, understated ecchi, and basically a lot of the hero getting his way without much effort at all (as befits his noble station), you’ve come to the right place!

Uzaki-chan wa Asobitai! – 03 – Slow-Roasted for Rich, Deep Flavor

This week we’re introduced to a new voice in this show’s “chorus”, the cafe owner’s daughter Asai Ami, who is also a senior and thus Sakurai’s senpai at college. Like her dad, Ami is an enthusiastic observer of people, but in her case that observation sometimes descends into ogling.

Sakurai’s tall frame and swimmer’s physique highly attractive, and can tell other women who frequent the cafe feel the same. When she meets Uzaki-chan and gets a taste of her dynamic with Sakurai, her desire to observe more of their hijinx quickly outweighs her carnal interest in his muscles.

After a frankly ridiculous instance of Sakurai spilling an entire pitcher of ice water on himself and Uzaki, he catches a bad cold and can barely move. Thankfully the cafe owner gives Uzaki his address, and she comes by to assess the situation. With no medicine or food in the house, Uzaki is eager to roll up her sleeves and show she can nurse as well as she can tease.

Between straightening out his kitchen and preparing some tasty rice porridge, wiping down his sweat, and sticking around after giving him medicine until he falls asleep, Uzaki proves quite capable of taking care of him in a pinch. As such, Sakurai’s opinion of her improves greatly…even if her frustration with a video game keeps him awake a bit.

To celebrate his quick recovery (not to mention the passing of an important step in their relationship), the cafe owner and Ami take Sakurai and Uzaki out for Korean BBQ, where Uzaki again makes sure he as many cuts of grilled meat as he can handle. While Uzaki is washing up, Sakurai assures his boss and Ami that “it’s not like that” between him and Uzaki; he values his solo lifestyle and doesn’t want to cause trouble for Uzaki vis-a-vis rumors.

The owner and Ami can communicate telepathically, so they agree that rather than meddling they should be patient and let things play out. It’s like Ami’s pops says, it’s like coffee: letting the beans slowly roast than painstakingly brewing them for the best flavor.

The next day at college, Uzaki tries to hypnotize Sakurai with a 5-yen coin to call her by her first name, like he calls his co-worker Ami by hers. She feels that considering how long they’ve known each other (regardless of how much contact they had earlier on) the least he could do is not address her with “heys” and “look heres”.

It’s one of the first times Uzaki mellows from her usual bubbly hyperactive manner, and Sakurai responds seriously, by getting down on a knee and apologizing sincerely. That said, he’s not usually comfortable calling girls by their first name.

As for not gathering a crowd hypnosis antics, he is unsuccessful, as the consensus of observers is that they’re a couple of “love dummies”. The fact he can so easily hypnotize her means she trusts him a great deal, and he no doubt trusts her more after she took care of him when he was sick. With that mutual trust established, the careful slow-roasting of their relationship can proceed.

Dokyuu Hentai HxEros – 03 – The Dream is Over

We rejoin the Super HxEros in the middle of a battle with pixy-like kiseishuu with a penchant for stealing underwear. Momozono Momoka unleashes her powers (and loses her clothes), while Kirara’s would-be decisive blow has no power due to her presently low stores of H-energy. To add insult to injury, the kiseishuu nabs her underwear.

It’s then, and on numerous occasions when upper and lower bodies of characters are prominent—whether wearing underwear or not—that we learn there are two kinds of censorship in DHH: the four-pointed stars that appear when characters are in HxEro Mode, and the classic “soupy fog” of various colors that completely obscures partial or total nudity.

Frankly, around halfway through this episode when we were learning about Momoka’s long-held resentment of her well-endowed model of a big sister in one of the most generic and half-assed backstories in recent memory, my enthusiasm for this show went *poof*—lost into one of those censoring clouds.

After Momoka’s ill-advised long soy milk bath (from which Retto must rescue her), the underwear thieves strike the girl’s locker room, stealing Kirara’s classmate Yuna’s “lucky pair” for her date later that day. Retto ends up tracking the culprit down and retrieving the pair, and Kirara actually does him a solid by vouching for him to Yuna & Co.

Yuna then takes Kirara underwear shopping, with the latter hoping to gain some H-energy with a lucky pair of her own. We then learn that Yuna’s date is with female senpai, which is oddly treated like some kind of punchline, even though her friends are apparently aware Yuna likes girls.

That night Kirara sneaks into Retto’s room to sleep back-to-back with him in her new sexy underwear, hoping it will charge up her H-energy. Both she and Retto remember when they were kids sleeping under a kotatsu and he initially tried to draw on her sleeping face, only to find it too cute and froze up. Their futon session is disrupted by the discovery of Tenkuuji sleeping between them, something I highly doubt they’d have not noticed until that moment!

Kirara finally manages to unleash her HxEros power again, though it happens quite randomly while she’s in bed, and she ends up wasting all of that stored-up H-energy without even accidentally defeating a kiseishuu boss this time. So basically, she has a lot to learn about controlling her clearly considerable powers so they’e actually useful.

I’d usually refrain poking holes in the logic of an ecchi anime involving battling alien libido vampires, but with its branching plots this episode felt so long and ungainly and the censoring so considerable (no doubt since I watched the broadcast version), I found myself gradually checking out. Going by the three-episode rule, I’ve decided to pass on the remainder of Dokyuu Hentai HxEros.

Uzaki-chan wa Asobitai! – 02 – Cafe Jazz

Sakurai seeks both employment and refuge at a serene cafe run by an old man for the last ten years plus. His business policy is to have a calm atmosphere for his customers, and Sakurai has proven adept at enacting that policy in his fine barista work.

That is, until a hungry Uzaki shows up wanting to tease Sakurai. Their ensuing bickering completely changes the carefully-cultivated atmosphere, but the owner doesn’t care; these two are surprisingly fun to watch. After two episodes, I tend to agree….tentatively.

Turns out Sakurai is also a big fan of cats and dogs, but has limited experience due to growing up and living without pets. When a friendly alley cat runs off, Uzaki tries to chase it but gets very awkwardly caught in a hedge. Her underwear is exposed and if she’s pulled out to fast her shirt will flip off.

This results in some very adult-sounding double entendres (“Are you pulling out Senpai? Hurry!” “Almost…there…just behave, will you?”) which two passing women overhear and obviously get the wrong idea and flee screaming. It seems at least once per week Sakurai and Uzaki will end up in one of these … entanglements.

Sakurai seems neither ready or interested in an intimate relationship with someone, but whether it’s the college dining hall or the cafe, Uzaki can’t leave him be, though for now it seems she’s strictly interested in friendship. She asks him to help her with a report, and when his boss says it’s fine, he acquieses to her request.

During this time Uzaki asks if she can come to his place, stating how she’ll cook meals and its proximity to campus. Sakurai’s mind can’t help but take such proposals to imply she wishes to co-habitate, but she’s actually interesting in coming by to play video games.

Both seem to be in a state of arrested development, with Sakurai so inexperienced with women he blushes at the very thought of one in his living space, to Uzaki with her impish energy and innocent motives.

Despite some fanservice, this ep prompted me look past her appearance (which caused the seasoned cafe owner to mistake her for an elementary student) and see what makes these two young people more alike than they’d care to admit—which is what makes them so fun to watch.

P.S. Looks like both Uzaki and Sakurai have friends! But still just one each, and they don’t have much to do…yet.

Dokyuu Hentai HxEros – 02 – Nothing Can Stand Against Two Beating Hearts

This week we get a look into Retto’s daily life at HxEros HQ, and it’s what you’d expect of three girls with high H-Energy levels. First, the dog Runba steals Momozono Momoka’s panties and gives them to Retto, and she reacts by condemning him for not taking them himself like a man.

Then Tenkuuji Sora wakes up in Retto’s own futon, having mistaken his room for hers. Finally there Shirayuki Maihime, the “most decent” of the three, who drops kibble down her shirt compelling Runba to burrow up her shirt and lick her chest.

So we have the brash, uninhibited girl, the sleepy forgetful girl, and the maternal airhead girl. All just thin caricatures so far, but it’s enough for now. As for Kirara, one meeting with Retto’s uncle and she’s out, not ready to hear she “has what it takes” (i.e. Eros) to be a crucial part of the team.

Back at school Kirara is back to her Iron Maiden act, breaking the heart of a guy on the baseball team, and Retto lets her be, honoring his promise not to tell anyone what went down between them. Kirara can’t help but remember just how precocious and forward she used to be with Retto, even putting his hand on her chest then pulling him close so they could compare heartbeats.

When Kirara asks why Retto bothers fighting the Kiseishuu, it’s because while he can’t do anything about the fact he and Kirara’s relationship was ruined by them, he’s determined not to let it happen to anyone else. Then a bee-like Kiseishuu arrives on campus and attacks the baseball player with a crush on Kirara.

The censor bug is drawn to the kid by his lewd thoughts about Kirara, but while he’s definitely heartbroken about her brusque rejection, he still doesn’t want the bee-woman stealing all of his emotions, and Kirara isn’t about to stand by and let her.

So she goes in, confronts her, and very nearly ends up on the wrong end of her stinger. The moment Kirara thinks her goose is cooked, Retto storms in and delivers a devastating uppercut to the bee-woman, defeating her on the spot, keeping his promise never to let a bug touch Kirara ever again.

The force of his attack is such that it destroys both his and her clothes, however, so when the baseball kid comes back with a cop, they have to huddle up inside an unlocked car. Naked and sweating so close to Retto, Kirara can’t help but remember how it felt comparing heartbeats as kids…only this time it’s her heart beating faster.

Heartened by those good old days when she and Retto had fun together, Kirara reverses her decision and decides to join the HxEros after all. All she asks is that Retto refrain from using her to “recharge” his “stores” of H-Energy and/or Eros. Just as she’s about to note there’s an exception to that rule for emergencies, a stuff breeze gives Retto a full look at her lower half, and the mood curdles instantly!

Over at HxEros HQ Momoka is eager to show Kirara around, but perhaps a bit too eager to have the new quintet bonding in a mixed bath. That said, there’s an unintended positive result of dropping Retto into a pile of naked ladies and accidentally groping Kirara: she gets such a shot of H-energy that when she raises her fist in frustration it not only pokes a hole in HQ’s roof, but destroys the episode’s final boss in one shot!

“GUILTY PLEASURE” are the two words constantly flashing in my head as I watch this funny trashy lunacy. The show is keenly aware of what it is and not ashamed to go all out and flaunt it. And all the details are wonderful: everything from suggestive imagery (upturned faucets, “creative” camera angles) to beats like the bee woman protesting “First I’ve heard of it!” in response to Retto’s promise.

There’s definitely not much to other HxEros, but there’s also an underlying sweetness and depth to the central couple that makes it easier to invest in this beyond just naked bug-busting nonsense. And with above-average visuals and music, it’s a show I have no qualms watching.

P.S. The title of his review paraphrases the Klingon legend of the power of two beating hearts in love destroying the gods and burning the heavens to ashes!

Uzaki-chan wa Asobitai! – 01 (First Impressions) – Super Huge Fun

This wasn’t originally on my animedar, but the “[Name] Wants to [Action]!” formula has generally been a good source of slice-of-life comedy entertainment, and in the case of  Master Teaser Takagi-san, occasional gems.

Well peeps, I can say without reservation that Uzaki-chan Wants to Hang Out! was well worth a look, delivering an irresistible blend of rom-com slice-of-lifeness, lightly dusted with ecchi on account of the titular Uzaki Kana having a very large bust despite being under five feet tall.

Sakurai Shinichi is a second-year college student and stubborn loner. When Uzaki, his old high school kohai, greets him, he remembers her name…then an entire dang year passes without the two of them interacting again. That’s one hell of a cold open!

Now a second-year herself, Uzaki is determined to establish a relationship with the now third-year Sakurai, and when their afternoons align she doesn’t take no for an answer. Their day together begins with a trip to the movie theater, where Uzaki mocks him for going to movies solo.

When he sees the genuine enthusiasm in her face and offers to pay for her ticket with his points, she then mocks him for having collected so many points by going to see so many movies alone. Throughout their interactions, which consist of her yelling a lot and him getting angry, they are mistaken for being boyfriend and girlfriend many times.

Aside from close-ups and the “SUGOI DEKAI” (“Super Huge”) label across her chest, Uzaki’s chest is never explicitly mentioned in dialogue, making it a strict ecchi sight gag. However, when she’s in a massage chair, it feels so good on her overburdened shoulders she can’t help but let out a series of thoroughly indecent sounds. She also puts on an inadvertently amorous show when she stands on a vibrating workout platform.

When she tries out the VR, Sakurai has a gas watching her frenzied, fearful reactions…until she absolutely obliterates him with a blow to the face; he was standing too close to her. The tables are turned when he tries out the VR in an underwater scenario, and one of his grasping hands mimicking swimming accidentally grabs and squeezes one of her boobs, marveling at the tech that apparently replicates feeling.

After a batting cage session that consists of Uzaki heartily and mercilessly laughing at Sakurai’s feeble attempts to make contact and Uzaki injuring her back out by swinging to hard, the two have dinner, where Sakurai learns that any unattended food he orders will be instantly hoovered up by the voracious Uzaki (clearly we know where all that food goes).

Sadly, we don’t get to see the two part ways or say good night, but the next morning Uzaki suggests they go right back to the cages so he can give her some pointers. What for Sakurai had been extraordinary infrequent situation of actually hanging out with someone, she’s determined to make a regular occurrence. Not that she wants Sakurai to get used to her—she’s  always going to keep him on his terms and be on his nerves.

But as he said earlier in their first afternoon of hanging out, “she has her moments,” and I have no doubt he’ll steadily warm to her sunny charm and brazen boisterousness, even as he ponders how Uzaki changed so much from that taciturn high school student by the pool.

Uzaki-chan is a zany superstar, thanks to adorable character design and the immensely talented comic voice of Oozora Naomi (who also voice Chio in Chio’s School Road). Her character strikes the right balance of abrasive and endearing, while Sakurai walks the line between annoyed and game. This show is a definite keeper!

P.S. There’s a stalker cat with a very creepy face. Huh!

Dokyuu Hentai HxEros – 01 (First Impressions) – Same as She Ever Was

We kick off the Summer 2020 season with something dumb, silly, and either fun or tedious, depending on your mileage: a show about teens fighting libido-sucking aliens with their pent-up sexual energy! The world is relying on youth to save it from a future in which no more children are born because they just can’t be bothered to get it on.

This silly (and very familiar) premise is anchored by two childhood friends Hoshino Kirara and Enjou Retto. While Kirara was once very close to and friendly with Retto, one day a switch flipped and she became someone aloof and so disgusted by boys she won’t even touch anything they touched without gloves. At school she’s given the nickname “Iron Maiden”.

Meanwhile, Retto became a superhero. Assuming an alien (called Kiseishuu or “Censor Bugs”) sapped Kirara of all her emotions five years ago, he swore that he wouldn’t let the same awful fate befall anyone else without him doing something about it. That “something” involves focusing his “erotic power” to defeat the Kiseishuu.

One day, while Retto is trying to apologize to Kirara for accidentally groping her when she slipped on steps (as you do), a Kiseishuu who has grown powerful collecting the libidos of townsfolk confronts the two, and Retto doesn’t quite have the necessary power to defeat it.

Retto takes Kirara’s hand in his and flees, and Kirara, touching a boy for the first time in years and not disliking it, is suddenly overcome by erotic energy. Turns out the Kiseishuu didn’t suck all of it out of her years ago; instead it realized she was an exceptionally ridiculous wellspring of the stuff, and she intentionally suppressed it out of shame.

With the monster bearing down on them both, she finally frees her heart from the iron maiden in which it had been locked away, and in the ensuing sharing of energy with Rettou, the two manage to pulverize the Kiseishuu into the stone age. Naturally, a side-effect of using their powers means all of their clothes are torn off.

In the afterglow of their ecchi victory, Kirara offers to help Retto with his alien-bashing work going forward, even slipping up and using his first name after years of refraining from doing so. Then the other three members of Retto’s HxERO superhero group appear to introduce themselves to Kirara, their newest member. Oh and by the way, they all live together, no doubt to keep their HxEro force in top form.

Both the realization she and Retto are nude and the realization he’s been living with three other girls compel Kirara to deliver a couple blows to Retto, but there’s no going back now! Like them, Kirara was born to do this, and no less than the future of humanity depends on their continued victories over the aliens.

So there you have it! As I said earlier, this was silly, dumb, fun, harmless stuff, and even has a smidgen of heart to it what with the pure childhood-friend affection between Kirara and Retto at its core. Production values get the job done, neither embarrassing or exceptional, while the ecchi elements so far follow a restrained less-is-more pattern.

It’s not great, but it was better than I expected as it went along. At the very least, I’ll be checking out the next episode to see how Kirara fits into the superhero milieu.

Gleipnir – 03 – Total Sunday

Claire is eager to learn more about Shuuichi’s beast mode, but since it’s a hot summer day, she strips down to nothing before entering him again. This is a bit too scandalous for Shuuichi (more than a girl climbing inside him, apparently), so they compromise: she’ll wear her school swimsuit.

It’s clear Claire has fun teasing him with her killer body, but I’d hardly call this behavior sadistic—”teasing” is an adequate description of it, especially when she tickles him with his own hands. Also, she probably wouldn’t do it as much if Shuuichi didn’t have such reliably amusing reactions.

Their relationship has softened considerably since their first fateful encounter, and it’s likely due to the fact they’ve become one more than once now. It’s no longer antagonistic, nor does it smack as “we have no choice” reluctant cooperation. It’s starting to feel more like a partnership.

It’s a lot more like…two high school kids who never really fit in, hanging out and figuring this stuff out together. Neither is prepared for when Claire unzips the sleeve containing her sister’s uniform. It’s soaked with the stench of blood and the death of untold number of people.

Still, Shuuichi is desperate to learn why he came to be in this predicament and if it’s possible to reverse it, and when he’s one with Claire he feels a measure of her fear along with his own. That empathy-through-communion steels his normally timid nerves, and he resolves to help her find Elena, no matter what dangers or horrors come their way.

Claire admits she didn’t expect him to grow a pair, even calling his attitude “cool.” She clearly sees him as more than a tool to be used, just as he still notices the high school girl in her when she inspects her face in the fridge door. Heck, during their stakeout, she even admits unbidden that she’s still a virgin, erasing an potential rich avenue of Shuuichi-teasing.

Remaining out of sight and utilizing Shuuichi’s strong sense of smell, they eventually encounter Elena coming off a train. While Claire’s original plan was to talk to her sister, to try to understand why she killed their parents, but that goes out the window when she’s in their sights. Claire pulls Shuuichi’s big gun and prepares to shoot her, but Shuuichi stops her at the least minute, exerting control in a moment Claire is acting on instinct.

Then things get weird. Elena appears to be a beast like Shuuichi, but she can take numerous forms, and her human form evaporates into her smoke demon form as she gloms onto the back of Shuuichi like a predator about to make a kill. Only…she stops, and suddenly adopts a much meeker personality. Hanazawa Kana handles both the good and evil Elena quite ably, mirroring her dual performance of Nadeko in the Monogatari Series.

This suddenly human-again, polite, contrite Elena tells them that she understands how they feel and doesn’t mind if they want to kill her, but that they should go somewhere out of the way so as not to bother bystanders. Once in an isolated field, she bows her head and apologizes. To Claire and Shuuichi’s surprise, she believes she’s talking only to Shuuichi, and is apologizing for making him take that form.

When Claire lets out a yelp of surprise, however, It’s no more Miss Nice Elena. She transforms back into a smoke monster, sensing Claire inside Shuuichi and furious about it. She declares that Shuuichi’s insides “belong to her” and rips off Shuuichi’s head, exposing Claire to mortal danger.

This was all but unavoidable. Neither Shuuichi or Elena could avoid searching for answers, even if it meant getting into this latest life-threatening situation. Whether or however they manage to get out of it, the handsome “alien” with the coins only living things can see got it wrong: the inhabitants of Earth are hardly “all good people.”

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