Tomo-chan Is a Girl! – 12 – Having It All

Misuzu performs her role as Cinderella seriously, even if Carol fails to be a remotely evil Stepmother. As she dances with “Prince” Tomo, it’s just another confirmation to her that she really is the perfect prince. This is who Tomo is, and Misuzu is still beating herself up for getting Tomo to think making herself more girly would appeal to Jun.

No, Tomo simply being her natural self is best. When Jun asks her to soak in the festival with him, she goes with the flow, and whether it’s coffee and cake or going up against each other at soccer, she realizes she still has a blast with Jun. But if they go out, can it still be that way, or will she lose that which she already treasures so dearly?

When Jun unexpectedly asks Tomo to dance (thereby breaking the hearts of at least a dozen girls who wanted to dance with her), it’s awkward. Tomo says he should be careful doing things like asking her to dance, or others will get the wrong idea. when he says they wouldn’t have the wrong idea, she runs off suddenly in a panic.

From that point on, Tomo forgets that exchange ever happened, and overcompensates by acting unnaturally energetic, even for her. Jun considers whether it’s her way of rejecting him, but wisely seeks out the advice of Kousuke, who tells him whatever is up with Tomo, the best he can do is be direct and upfront with her about his feelings.

Jun is…less wise in taking Misuzu to a quiet corner to apologize to her for being in love with Tomo. The fact that Jun might’ve been hesitating because he was worried about her feelings all this time is laughable to her, and she makes clear that she was the one who threw their brief relationship in the trash. But this is Jun, who can see the good girl clear through Misuzu’s evil girl façade.

Jun then uses the oldest trick in the book—a letter of challenge—to lure Tomo up to the roof, where she has nowhere to run or hide from him as he tells her directly that he loves her, and not just as a friend. Further, he apologizes for not being able to respond when she confessed to him way back under the cherry trees.

Tomo slugs him in anger, but immediately feels bad about it, since she, someone running away form a confession, has no right to be mad at Jun doing the same thing. Like her, he was afraid (and also felt unworthy). When Tomo rejoins Misuzu and Carol, the former immediately assesses the situation. Carol suggests that now they both know they love each other, they should just go out.

But Tomo isn’t sure what that means. What makes it different? How are she and Jun supposed to be? It’s here where Misuzu finally gathers the courage to tell Tomo that all this is her fault, and that there was never any reason to try to become more girly. Tears start to fall from her eyes, surprising both Tomo and Carol (whose hand Misuzu grabbed when Carol was about to leave them alone). Misuzu offers Tomo her blessing and a fist bump.

Tomo tracks down Jun, and assures him she won’t run away anymore, so give her another chance. The two start to walk, and Tomo has Jun confirm over and over that yes, he does love her. Then Tomo asks if he’s sure he wants to go out if it means they won’t be best buds anymore. But that thought never occurred to Jun.

Jun says he believes it’s not only possible but only natural that they’d remain best buds even when they start going out. He illustrates his point by suddenly challenging Tomo to a race up some shrine steps. He still wants to compete with her. They can be childhood friends, best buds, rivals, and boyfriend and girlfriend.

Why not? Who’s going to tell either of them they can’t? Nobody! Even supposing such people existed, they’d get their asses kicked! All Tomo needed was to embrace the concept of having it all—and realize that when it comes to who you love, sometimes it’s okay to be selfish. Now that she has, she can face Jun and tell him (again) that she loves him too. Finally, they’re on the same page—no telepathy needed!

In / Spectre – 21 – Clearing the Air

Of the three Otonashi family members gathered, Rion (voiced by Iwami Manaka) is the only one whose thoughts we’re privy to. She rightfully wonders just what the hell she’s gotten into, and also realizes she’s underdressed for the occasion. Kotoko breaks the ice with another vulgar remark involving her an Kurou, before leaving the three to decide on an a singular narrative for how the president murdered Sumi, and a mutually agreed-upon order of inheritance.

It takes Susumu, Kouya, and Rion less than three minutes to come to an agreement, which is so fast that Kotoko wonders if it’s an agreement that they came upon in advance. She then reiterates that both the president, his sons, his daughter, and her fiance all had cause to murder her, but since everyone had solid alibis and no further evidence, her death was deemed a random burglary and murder.

Rion picks up on the semi-accusatory tone as Kotoko describes the ways Sumi’s children’s alibis were all too convenient, timely, and fortunate—even her daughter Kaoruko breaking her leg. Kotoko further prods her by calling the theorizing entertaining. Rion speaks up for her older relatives, telling Kotoko she’s completely devoid of taste. In this moment I felt bad for Rion, because I knew Kotoko was so many steps ahead.

Kotoko makes clear that the president was adamant that “the crime get the proper punishment”. This is the opportunity for everyone assembled to come clean, and Susumu is the first to avail himself of that opportunity. To Rion’s shock, both he and her father Ryouma plotted to kill their mother, but someone simply beat them to it, while they were still planning. While Rion points out that her uncle and dad hated each other, they also both standed to gain from Sumi’s death, so they collaborated on a murder plot while remaining at odds about everything else.

Susumu even posits that his brother sent Rion to the meeting in his place so she’d learn of the crime, as a way of atonement. Before Rion can catch her breath, Kotoko gently prods Kouya, who also confesses that he and Kaoruko also plotted to murder Sumi so they could get married. The plan involved Kaoruko pretending to break her leg for the alibi, only to break it for real before she could do the deed.

Now that “the sins of the successors” have come to light, Susumu believes they’re all done there. But Kotoko doesn’t care about their past sins. She’s there to hear them give their explanation for how the president managed to murder Sumi before any of them could. She assumed that all the secrets flying around would disorient Rion, so thought it best to take care of all of those first, and then give everyone a chance to arrive upon a satisfying answer.

In effect, Kotoko proves that she is not someone to be trifled with, as she played everyone in the room like a fiddle. Everyone except Rion, the sole innocent, to whom Kotoko helped reveal her family’s dark secrets. Rion seems like an otherwise easygoing person who didn’t mind being ranked last in the inheritance. Will that change now that she knows the truth?

Attack on Titan – 88 (The Final Season E29-31) – A World of Sinners

This is it. Well…almost. This hour-long special comprises part one of Part 3 of The Final Season. The final final finale is expected to air this Fall, and then Attack on Titan will end. And would that it would end like this special began: with Eren waking up from a long dream. Mikasa asks why there are tears in his eyes, but he doesn’t know. He can’t remember.

As Eren walked through the city, he watches a poor boy getting beaten in an alley for stealing, but he doesn’t stop to help. How can he pretend to be righteous when he knows, and is resigned to the fact, that he will soon level this entire city and everyone in it with the Rumbling? He later apologizes to the kid with tears in his eyes, for what he believes can’t be stopped.

After that, we return to the present, in the midst of the Rumbling, and it’s a rough, rough watch. Just unblinking carnage among the rich and poor, men, women, and children, one of whom is the boy Eren met earlier and his brother. Like so many millions, they end up crushed under the foot of a Colossal Titan.

The Rumbling has begun, and there’s nothing the Scout Regiment can do about that, but they’re still determined to do what they can. While on Azumabito’s ship, Annie thanks Armin for talking with her while she was frozen, and he all but confesses he did it not for strategic purposes, but because he loved her.

Annie doesn’t believe she deserves such deference after all she’s done, but Armin has long ago stopped pretending he’s any “better” a person than she. The world beyond the walls wasn’t what he or Eren thought it would be (something Annie already knew), and that reality made monsters of all of them.

But as Falco and Gabi are told by Pieck that the Rumbling has begun and all their family must be dead by now, Armin tells Annie he still hopes there’s something out there, far beyond the walls, to give them hope for the future.

But again, for now, Armin and Mikasa and their meager fighting force are simply going to do what they can. That night at the port when the flying boat is being prepared for flight, Mikasa notices Annie and Armin’s thing and gets flustered herself.

She’s also resolute about bringing Eren, who has gone “far away” in more ways than one, “back”, with the unspoken “or die trying”, but is also accepting that Annie has fought enough, so she’ll fight so she can spend the time she has left more peacefully.

That said, Armin is going on this mission from which he may not return, and Annie is deciding to stay on the ship with Azumabito, Gabi, and Falco. Yelena confirms that Eren’s likely next target is Fort Salta, where the Marleyan airship fleet will no doubt be mobilized for a final assault.

Yelena also maintains that Zeke’s Eldian euthanization plan would have been preferable to the global massacre currently taking place…and Hange can’t disagree anymore. After Reiner and Annie share a heartfelt hug of farewell and apology, Armin shoots Annie one last wave look of acknowledgement before the ship steams off. He wants Annie to stay Annie.

Predictably, the launch of the flying boat does not go off without a hitch. Floch, who had stowed away on the ship, appears to shoot holes in the plane’s fuel tank, delaying the launch enough for the Rumbling to arrive. Knowing someone has to try to slow them down to give the welders time to repair the tank, Hange assigns herself what she knows will be a one-way mission.

She’s her typical happy-go-lucky and somewhat unhinged Hange Zoe self right to the last, naming Armin her successor as Scout Regiment Commander, and then flying off on her ODM gear for one last sweeping view of the port city, before blushing at the beauty of the Colossals before her.

Hange puts up a hell of a fight and brings a number of Colossals down (they’re very stupid, so they don’t dodge her attacks or even step over one another), but she is eventually enveloped in flames and falls to her death. But by the time she does, the flying boat is safely in the air, and hope of stopping the Rumbling is still alive. Hange, unfortunately, is not, and joins Erwin and a number of other fallen comrades under the blue skies of the hereafter.

The second half of the special is entitled “Sinners” as everyone from the main players of this story to their parents and parents’ parents, reflect on the lives they’ve led and how they may have contributed to the situation they’re in now, and how to make things better in the future, if they can.

Armin wastes no time asserting authority as commander in laying out their plan of attack once they get to Fort Salta and encounter Eren. Killing him will only be a last resort if dialogue won’t work. But just as they’re discussing such dialogue, Eren brings them all to the Path and declares in no uncertain terms that the Rumbling will not stop under any circumstances.

This begs the question: if he doesn’t want the Rumbling to stop, why are they all still able to use their Titan powers? He tells them he’s given them the freedom to choose. They can either sit back and watch him complete the purge of all non-Eldians from the world, or try to stop him. It’s not exactly an invitation, but Eren is well aware Armin and the others will choose the latter.

Back on the boat, Annie learns that Falco has been dreaming memories of Zeke. He still has a connection to Zeke and the Beast Titan, ergo if Annie so chooses, she can use her Female Titan power to manifest those abilities. Annie had just heard Azumabito saying she may not be able to turn back time or ever forgive herself, but she can still do what she can. Was that talk, and this opportunity, enough to bring Annie back into the fight?

Just as a train from the city being controlled by the Eldians (including Reiner and Annie’s folks) approaches Fort Salta, they see all the airships, their means of escape, have been launched in a last-ditch effort to stop the Rumbling. The fort’s commander vows to break away from the cycle of hate that caused this crisis should they somehow manage to survive.

The airship bombing run does not go well. The airships’ altitude is too high for accurate targeting, and the Beast Titan sprouts from Eren’s spine to lob lighting balls at the ships until they’ve all been blown out of the sky. All hope seems lost for the soldiers and refugees at the fort, united in their desire to survive. But then the flying boat peeks out of the clouds, running on fumes, just in time to drop the Scout Regiment right on top of Eren.

Armin, Mikasa, Jean, Connie, and Levi leap from the plane, joined by Reiner and Pieck, who transform into the Armored and Cart. The people at the fort can see what’s going on, and Reiner’s family revels in the fact he’s still alive. How long, however, remains to be seen.

As Armin prepares to get up close and personal with his former best friend, he has one more question for him: How is this freedom to him? Those colossal ribs look like nothing so much as a cage in which Eren is restrained, pulled and dragged along by what he feels to be his final fate.

But even after all the sins he’s committed and plans to commit, Armin and especially Mikasa are not ready to give up on him. They’ve sinned too, after all, as has every single living soul in the world. The time for judging one another is over. This is a fight for survival and the future, and if they lose, it’s the end of everything. Who will prevail? We’ll find out in the Fall.

Tomo-chan Is a Girl! – 09 – Carolization

Kousuke describes himself as a sullen boy in his earlier years, preferring books to the tedium of other people. He was miffed when his mother described Carol as an angel, but then he got his first look at her, and became a believer. There she was, an real-life angel in the flesh. And that was it. He was in love.

After the warehouse incident, Kousuke wants to get stronger. He goes to the right place for that: the Aizawa Dojo. But he soon learns just how out of his league he is, whether it’s Tomo, her dad, or Jun. He also doesn’t realize how much it irks Jun when he talks about wanting Tomo to “acknowledge” him. Of course, Kousuke isn’t after Tomo that way.

Like Jun, Carol gets the wrong idea about Kousuke training at Tomo’s house (and she doesn’t even hear that he was in her bed when Jun knocked him out!). Carol is pissed, and decides to get back at Tomo by claiming Jun for a day, then telling Misuzu in passing that she shouldn’t think she’ll “get her way”. Misuzu always knew Carol concealed an edge, but even she’s taken aback to see that edge fully bared.

Carol comes right out and tells Jun the score: she was mean to Misuzu earlier, and by being with him she’s being mean to Tomo, but right now she just wants to blow off some steam. Jun assures her that Tomo won’t be quick to give up on a friend just because they were mean to her. Then Jun and Carol somehow end up in his room, and she kisses him and jumps on top of him.

She doesn’t take things any further, but when Carol asks him why he’s so scared of women, and how if that doesn’t change he might have problems with Tomo down the road. Partly because he’s terrified of Carol and partly because he wants to prove her wrong, Jun runs next door and gives Tomo a big hug. Carol follows her to apologize to both. She’s let off her steam, and now she’s headed home.

The next day Carol tells Kousuke she hung out with Jun, including in his bedroom, and is treated to a “really weird face”. She reports this to Misuzu, who wonders if Kousuke has ever seen Carol being serious. When she meets with him, she and we get the gist of Kousuke’s deal. He loves Carol, but the thought of getting closer to her terrifies him, because he believes he’s weak, and she’s still so dazzling to him it’s hard to even look at her.

Misuzu rightly deduces that Kousuke needs to see Carol’s vulnerable side, in order to shatter his longstanding ideal of her as an untouchable goddess. But to do so, Misuzu has to be cruel. She tells Carol a lie; that Kousuke doesn’t like her that way, and that when she told him about Jun, it was more like a father giving away her bride than jealousy. Misuzu fully expects Carol not to break that eternal grin, but the face Carol makes is so startling that Misuzu, Tomo, and Jun alike are stunned.

Carol heads home early, and Misuzu quickly gets with Kousuke to tell him to go see Carol immediately to resolve the situation. Once he’s viciously headbutted by Carol’s mom, he enters her room to find neither an angel nor a goddess, but a lonely girl crying her eyes out because she believes the boy she loves doesn’t love her back.

Kousuke steels himself, knowing there’s no going back, and pulls Carol out of the darkness by telling her Misuzu was lying to put her in “a vulnerable state”. Then he tells her, straight up, that he loves her. Carol immediately brightens up and even gleefully shouts banzai before advancing on Kousuke, whereupon her mom blows a whistle and declares that will be enough of that for now.

Carol’s mom later tells Kousuke that she once told Carol she looks cuter when she smiles, only to find she started to smile and never stopped. She constantly worries that someone might take that smile away, but Kousuke assures her he’ll never do that, and that Carol has more friends now who have her back through thick and thin.

That comes through the next day when Carol returns to class wearing a creepy bunny mask, filling a guilty Misuzu with apprehension. She removes the mask to reveal a big goofy smile, and instead of punish or scold Misuzu, she thanks her for pulling the not-always-pleasant but necessary strings to bring her and Kousuke together.

And that, dear readers, is how the chaotic comic relief character absolutely steals Tomo’s show, like snatching candy from a large, muscular baby. All hail Carol Olsten and Sally Amaki, long may they reign!

In / Spectre – 20 – Paranormal Succession

Kotoko’s next case is brought to her by her parents, and the client is Otonashi Goichi, the president of a successful international hotel and hospitality chain. He ascended due to the murder by stabbing of his wife Sumi, who was detrimentally controlling the lives of their three children and about to drive the company off a fiscal cliff. The timing of her death was no accident; Goichi comes right out and informs Kotoko that he is the culprit. Kotoko’s reaction is classic Kotoko: cheerfully sardonic!

While Goichi didn’t wield the blade that killed Sumi, it was Goichi, who had cloistered himself in a mountain villa, who turned to the supernatural to solve his company and childrens’ problems. Specifically, a fox ayakashi known as a yoko came before him and offered to kill Sumi for him if he agreed to acquire and develop the next mountain over, where the yoko’s rivals lived. Within ten days, Sumi was slain by an unknown assailant, and Goichi was president.

He held up his end of the bargain, and not only did he back the company off a cliff, he shored up its finances to ensure long-term survival and success. Similarly, with the influence of their controlling mother removed, Goichi’s two sons and daughter could pursue their own life goals. His first son became a successful chef; his daughter married the man she loved (who was also successful); and his younger son became the heir apparent to the company.

Goichi waited for the consequences for turning to supernatural means to kill his wife to arrive, but the never came until recently, when he has been diagnosed with cancer and given about a year to live. Before he dies, he wants his children to know—and believe—that he was the one responsible for their mother’s death, and that what he did isn’t something that should be repeated lest they invite the wrath of the universe upon them. That’s where Kotoko comes in.

After meeting with the mountain yoko Fubuki, captured by his rivals, Kotoko works out a deal: he’ll tell her everything there is to know about his arrangement with Goichi, and she’ll use her stature in to ensure the severity of his punishment for his crimes is lessoned. From there, Goichi gave Kotoko free rein to create whatever plausible lie or web of lies is necessary to get his kids on board with the idea that he killed their mom.

After Kotoko completes her preliminary investigations, she brings Kurou up to speed, and Kurou is characteristically reluctant to be roped into this, even if he knows full well that’s what Kotoko is going to do. Over several rounds of a crane game to win a pack of naughty pens packed with fantastically adorable reactions, Kotoko lays out the basics of the plan.

It’s the classic In/Spectre move of spicing up what is otherwise a scene of exposition by having Kotoko/Kurou engage in something interesting. There’s a fair amount of suspense in whether they’ll nab the pens or not, and when they finally do, it’s because Kotoko is mad that Kurou tells her there’s nothing sexy about her…not even her paisley underwear. Rude!

When Goichi’s second son Susumu, the daughter of his first son Rion, and the husband of his daughter, Koya, are invited to a meeting with Goichi, Kotoko, and Kurou, they are tasked with coming up with their own explanations for how Goichi killed Sumi.

Kotoko, assisted by Kurou, will judge their explanations, give them a chance to amend them over the two-day-period, and will be the one who decides who has the best one based on truth and order. The winner will receive precedence in Goichi’s inheritance, so there is no small incentive for them to take this seriously.

While largely a table-setting episode, the GF/BF interactions between Kotoko and Kurou and the supernatural Succession-esque tale of corporate intrigue make it a table for a meal I’m looking forward to tucking into, especially once we get to know the three contestants.

Tomo-chan Is a Girl! – 08 – The End of Now

This week was a non-stop smorgasbord of excellence, starting with a girl’s sleepover in which Carol perfectly imitates Misuzu when Tomo won’t. That is to say, Sally Amaki perfectly imitates Hidaka Rina, while Takahashi Rie voices Tomo with her usual exquisite blend of haminess and sweetness. Sweet ham!

When Misuzu wins “King”, she orders Tomo to ask Jun to go to the fireworks together—just the two of them. They all go next door, Tomo asks, and Jun agrees easily, but also seems a little out of it to Tomo?

That night, as Carol snuggles with Tomo, Misuzu is almost on the verge of tears as she rues the day she ever set Tomo on a path that would only take her further away from her.

And yet Misuzu also quietly declares there’s “no going back”, and probably wouldn’t even if she could. That morning, she mysteriously wakes up right next to Tomo while Carol is sleeping peacefully in the bed.

Carol also invites Misuzu to join her and Kousuke at the festival, and while Misuzu doesn’t want to be a third wheel, Carol won’t let her be alone. That said, Kousuke demonstrates how easily Carol gets lost in crowds, and how quickly he’s learned how to retrieve her. Misuzu says he must “have it rough”, but Kousuke would never say or think that.

As for Tomo, she shows up looking so damn good in her red yukata, she is briefly too dazzling for Jun’s eyes, and she causes a sensation with the festival workers who can’t believe what a beauty she’s become. She and Jun-bo are notorious for winning every game they can throw at them.

And yet, as tough as Tomo is, she still freezes up when a couple of older guys try to chat her up. She makes the mistake of saying she doesn’t have a boyfriend, which only makes them more interested. But when Jun firmly pulls her away, the guys can just tell that a real Capital-C Couple is walking away.

Tomo starts to think that Jun’s shift in behavior is because he’s finally starting to notice her, but the truth is he hasn’t stopped noticing her since she confessed her love to him. Turns out he assumed she didn’t mean that kind of love. These two…I swear to God…

Tomo decides she’s going to try to confess again before the fireworks, but then realizes that when she does, it will be “the end of now, and the start of something.” That’s pretty damn poetic for Tomo! But it also happens to be true: not being quite sure exactly what “something” means, it’s always easier to settle back into “now”.

But “now” is already long gone for Jun, as after Tomo says goodbye to him, he admits that while he hasn’t quite sorted out all his feelings, he knows for sure that he’ll never be able to punch Tomo in the face again.

The next day at school, Tomo is full of long, restless sighs, as ever since the fireworks, Tomo has seemingly treated her with kid gloves, only grazing her shoulder with his pinky in the morning (which I agree is creepy!) She tells Misuzu and Carol about it, and Carol later tells Misuzu that exactly what she planned is going down…and Misuzu doesn’t want to hear it.

She may have helped facilitate Tomo getting closer to Jun, but she’s starting to regret it, in part since it could mean less Tomo for her down the road. It’s not clear whether Misuzu has romantic feelings for Tomo, but you could definitely interpret it that way.

Needless to say, she’s in a sour mood, which is not improved when the thugs who Tomo and Jun beat up before decide to target her. Her sharp, venomous tone and dark aura momentarily stun them, but alone aren’t enough to keep them at bay.

When Carol shows up, Misuzu tells the thugs that Carol “has nothing to do” with her or Tomo. As they start to escor Misuzu away, Carol whips out a stun gun and zaps the hell out of the thug leader. But when Misuzu takes her hand for them to escape together, Carol twists out of her grip…and faceplants in a mud puddle.

Misuzu and Carol hide out in a warehouse, where Misuzu says she only said she had nothing to do with Carol to protect her, and even says the truth is she considers her like “something of” a friend. That’s enough for Carol to forgive her and try to give her an enormous Carol Olsten bear hug. But it’s also enough to give away their position the thugs.

Fortunately, Misuzu and Carol don’t have to stew in terror for long, as that terror becomes the exclusive property of the thugs once Tomo and Jun arrive. Misuzu actually called Jun and specifically told him not to tell Tomo, but of course Tomo could see the murderous intent in Jun’s face (even Jun has an amazing face game this week!) and insisted on coming along.

When Jun makes it about him and accuses her of not trusting him to handle a few punks, she immediately corrects him. This isn’t about her not thinking he can handle himself. It’s about how completely against her entire being to sit around in safety while her friends are in danger. Her friends, her fight. Jun does smack one of the guys unconscious with withering nonchalance before Tomo yells at him to stand down and let her cook.

I hasten to add that Kousuke also learned that Carol was in danger and followed Tomo and Jun. While those to are fighting, he looks for the girls, and finds Misuzu helping Carol take off her wet muddy clothes. Kousuke assumes the thugs did something indecent to his Carol and Tomo and Jun have to work hard to keep him away from said thugs before Carol clears up the misunderstanding. I see you Ko-chan!

After the fight, Misuzu tells the others to buzz off so she can have a private chat with the defeated thugs. She explains to them that Tomo is the only daughter of the head of the Aizawa Dojo (whom they know to be a famous master delinquent) and promises the thug leader that he’ll be held personally responsible if any of the punks he’s gathered come near her, Tomo, or Carol again. It’s Mizusu at her most hostile, threatening, and scary.

Jun hangs back anyway to walk Mizusu home, citing the fact that scary she may be, she’s still a girl. Mizusu points out that so is Tomo, and immediately regrets it as Jun then starts talking about Tomo in a way Mizusu would rather not hear. She doesn’t want to hear it from him or “that squishy bitch”, which might just be the best nickname ever.

Balancing genuinely funny comedy with genuinely sweet romance and genuinely powerful drama…it’s just Tomo-Chan Is a Girl! and its immensely talented seiyuu firing on all cylinders.

The Quintessential Quintuplets Movie – His and Her and Their Circumstances

In the prologue, Uesugi Fuutarou is in a wedding tux, summoned by the bride, only to find five identical brides: the Nakano quintuplets. Polygamy is as illegal in Japan as it is in the states, so what exactly is up here? Rewind to the eve of Fuu and the Quints’ final school festival. Fuu gathers them in a classroom and tells them he likes…all of them. However, he realizes he owes one of them an answer, and she’ll get that answer, at the end of the festival.

From there the narrative takes a non-linear approach, starting by showing each of the five sisters alone at the end of the third day, followed by an account of the festival from each of their points of view. Ichika, Nino, Miku, Yotsuba, and Itsuki all get some quality time with Fuu, and all of them (except Itsuki) manage to steal a kiss from him. During the festival, each sister steps forward.

Ichika with her acting career; Nino with her resentment of their distant doctor dad;  Miku learns to be confident and assertive and mend fences between boy and girl classmates, and vows to go to cooking school; Yotsuba learns that sometimes she can be the one being helped rather than always helping; Itsuki rejects their asshole biological father who can’t even tell them apart, and embraces her dream of becoming a teacher like her mother.

Each of these segments represent both a summing-up and resolution to each of the girls’ arcs and points them forward. Indeed, each could have been its own episode in a third season. But when we come to the end of the third day and the movie throws every misdirection it can on who Fuu will go to, he ends up choosing…Yotsuba.

Yotsuba was “Reina”, the first sister Fuu met, and together they shared one of the happiest and most fun days of their young lives. But Yotsuba initially rejects Fuu, and it’s not him, it’s her who feels unworthy. The movie digs deep into Yotsuba’s past as the maverick of the quintet, the first one to differentiate her hairstyle with her green rabbit ribbon.

Yotsuba wanted to stand out from the crowd and be useful; this we know. But in trying to do so by joining (and excelling) at every club at school, she ended up flunking her exams, having to repeat her grade. When her father told her she’d be transferring to another school, the other four sisters said in no uncertain terms where she goes, they go.

Yotsuba runs from Fuu and his confession because she doesn’t feel she deserves to be “the special one” after trying to be just that in the past caused so many problems for her family. And yet, Yotsuba’s independent spirit was bolster by her meeting with Fuu, who like her wanted to work hard to become someone who was needed.

Even after calling herself “the best of the sisters”, the others had her back when she thought she’d cast away to be alone. When Fuu stumbles and falls and grabs Yotsuba’s ankle when he turns around to check on him, he tells her how much that day with her shaped him into the Fuutarou he is today. He chose her, he loves her, because she is special in that way to him. And when he asks directly, she can’t lie, she loves him too. She always has.

But just because Fuutarou loves Yotsuba and Yotsuba loves Fuutarou doesn’t mean they’re on easy street. Each of her four sisters reacts to it in different ways that suit their personalities. Ichika accepts her loss to Yotsuba, and now knows how Nino felt when she said she’d support her sister even if Fuu chose someone else.

Miku sings karaoke with Yotsuba all night, admits it’s hard to let go of Fuu, but ultimately gives her her blessing. Nino is the toughest, as one would expect. Always regarded as the strongest and sternest sister, the one who cared for everyone, even her older sister Ichika. She initially feels betrayed by Yotsuba for hiding how she felt until Fuu made a choice.

As Fuutarou and Itsuki are talking in a dark classroom, they have to hide when Nino and Yotsuba walk in to hash it all out. Ultimately, Yotsuba accepts that Nino can’t accept matters, at least not yet. But Yotsuba also assures Nino she won’t lose. In this context, Nino tells both her and Fuu to be on their guards; she’ll be watching, and if there’s any sign their love is false, she’ll swoop in and steal Fuu away.

A litte bit later, Yotsuba and Fuutarou have their first official date together, and it’s as adorably awkward and sweet as you’d expect. Fuutarou puts a lot of thought into the structure of the date, first taking her to a family restaurant where his family went, then to a library where he always studies, and finally to the playground where the two of them had a happy memory.

After Yotsuba takes a huge leap off the swing, Fuu attempts the same and ends up breaking the chain and falling on his face. But he rises to one knee and pledges to become a man worthy of standing beside her, and proposes marriage without a ring…on their first date.

Yotsuba points out he’s skipped a lot of steps, and warns that just about any other woman would probably hit the road…except her. By proposing to her, Fuu helped her remember another dream of hers: to become a bride. So while they can’t get married right away, she accepts his proposal.

Five years later, Ichika arrives back in Japan from her new home in America, Nino and Miku run their own café, and Itsuki is a schoolteacher. Yotsuba meets her sisters there and is all sweaty from riding the bike, even though the marriage ceremony is later that day. Their bridal gift to her is their mother’s diamond earrings, but they have to pierce Yotsuba’s ears so she can wear them.

The earrings are a sign of their collective love for her and blessing for her marriage. The momentary pain of the piercings are a reminder of the initial collective pain they felt when Fuutarou chose Yotsuba over them. With time, that pain has subsided. In the end, the quintuplets stuck together.

This brings us to the prologue of the film, in which Fuutarou is faced with five identical brides. Only unlike their asshole biological dad, and like their real date (Dr. Nakano), Fuutarou has long since been able to tell the five sisters apart. Fuu correctly identifying the sisters one by one is intercut with Yotsuba’s reception speech, where she thanks the sisters she loves so much for helping her become the woman she is.

Fuutarou then walks down the aisle with Yotsuba and puts a ring on her finger, and hey presto, a question two seasons and a movie in the making is finally answered. It was Yotsuba all along; the one who wrongly felt least deserving or worthy of Fuutarou’s love and favor. I for one couldn’t be happier.

And when it comes time for the honeymoon, naturally Yotsuba’s four sisters decide they’re coming along (though hopefully in separate, non-adjacent rooms). The only question is where they should go. On the count of three, the five girls point to five different spots on the map, just as they did years ago for their graduation trip. For all the ways they’ve changed and grown, they remain quintessentially quintuplets, and I loved each and every one of them.

Tomo-chan Is a Girl! – 01 (First Impressions) – One of the Girls

Aizawa Tomo (Takahashi Rie) is big, tall, strong, boisterous, and a girl. Her childhood friend Jun (Ishikawa Kaito) once thought she was a boy due to those traits. Now that they’re both in high school, she doesn’t want to be his “bro” anymore. But it’s not so easy to shift such a long-standing dynamic.

This is a dirt-simple premise and the show drops us right into this close-yet-distant relationship. Close because Jun is far more comfortable (and physical) with Tomo than he’d be with any girl or guy. Distant because Tomo still doesn’t feel Jun sees her as a girl or potential romantic partner.

Just having these two bounce off one another would be too simple, so there are some key supporting characters like Gundou Misuzu, another childhood friend of Tomo who is now on bad terms with Jun despite the fact the three basically grew up together.

Misuzu (Hidaka Rina) is a lot of fun as the acerbic meddler of the trio, who makes it her goal to help Tomo get noticed by Jun the way she wants. Tomo is eager for advice but not so great at executing it. But whether she succeeds or fails, Misuzu will be entertained.

There’s some early hope for Tomo when Misuzu arranges things so neither she has to walk with Jun under an umbrella. Tomo is too bashfull to get too close to Jun, and eventually runs off. But because Jun is if anything more athletic than her (they do karate at her family’s dojo), he catches up to her easily.

It’s here where he notices that yes, his “bro” Tomo isn’t just a girl, but a beautiful, busty young woman in a soaked uniform, so it’s his turn to flee. Tomo doesn’t understand what’s up with him, but if she thought about it with both of her brain cells, she’d realize he just felt the same awkward excitement she feels when he gets a little too close.

Aside from Misuzu, we have Misaki, Tomo’s senpai in the karate club (she murdered all the girls so she’s in the boy’s club). Misuzu has a little thing for Tomo, and when she expresses her exasperation and claims to be “a failure of a girl”, he can’t help but rebut the assertion.

When he says she has plenty of “feminine charm” and she crowds him, asking for specifics, Misaki-senpai wisely tells her the truth: there’s no need for her to change, or to be more classically “girly.” She’s plenty charming just being who she is. I gotta agree with him!

Misaki also happens to be a very pretty young man who attracts a couple of gyaru-ish classmates. When they spot Tomo, they invite her to an after-school meet-up. Tomo, naturally, assumes a fight is afoot and is all for it. Misuzu has to break it to her; they’re interested only in verbal sparring, not the kind with fists.

Tomo, not one to back down from a fight, meets the girls at the appointed time and place, and strikes a fighting stance just in case. The girls then tell him how they’re interested in Misaki, and she delightfully misunderstands that they approached her for love advice since she knows him. She’s all too eager—giddy, even—to take them under her wing!

That shows us it’s not just guys like Jun, but girls other than Misuzu who don’t treat her like “one of the girls”. We tend to want what we don’t have, so even though many a girl would be envious of Tomo’s relationship with both Jun and Misaki, she wants something else. Something it will take no small effort to obtain.

And there you have it. I should mention that watching and listening to Tomo is an absolute blast thanks to Takahashi Rie, who really brings it. Jun’s a jolly meathead who, while clueless about Tomo’s true feelings, is clearly not totally unaware of the fact she’s a girl. The only question is how much romantic progress they make in the 12 episodes to follow.

To Your Eternity – S2 08 – Baron Spring Roll

Bishop Cylira is on the ground, as is the entire assembled crowd for the execution. But Bon lies dead, his bloody severed head next to his body, so Ligurd!Fushi was too late, right? Wrong. Bon wakes up in the brick shelter Fushi built, flanked by his dead companions, but he himself is still quite alive, thanks to Fushi.

Appearing as Rynn, Fushi explains that she studied Tonari’s journal and developed an easily-replicated poison that knocked out the execution crowd and gave her time to rescue Bon and replace him with a dead copy. Fushi makes clear that he wasn’t clever enough to come up with such a plan, but his vessels’ assembled knowledge (not to mention wings) aided him.

While the Uralis royal family initially believes their son dead, and Bon watches from on high (a bit like Huck Finn at his own funeral) Rynn!Fushi presents them with the still-alive Bon, and they gang-tackle him with elation and relief. That said, now that the church believes him to be dead, he can no longer carry on as Prince Bonchein.

That’s fine with him, as he cuts his hair and shaves to hide his past identity. He now realizes that he’s happy just to be with his family, and no longer thirsts for the throne. Todo is also reported to have died serving his prince, so the now skinny-from-malnourishment Iris sees no further need to hide her true self.

Meeting Iris, the girl he met at the palace who gave him the flower handkerchief, briefly breaks Bon, due in part to how he treated her when she was Todo. After meeting with Chabo, he sulks in his bedchamber, then chews Iris out, as he can’t believe she and Todo were the same person.

This leads Iris to run to the tea table to scarf down enough food to get fat again, but Bon stops her, apologizes for his harsh words, and asks her to stay at the castle with him and his family.

Fireworks memorializing Prince Bon light the skies, Iris agrees, and the two commit to taking care of Chabo; a new found family of three. It’s a beautiful, fairy tale ending for Bon, now known as Baron Spring Roll, Iris, FKA Todo, and Chabo. All thanks to Fushi.

As Rynn!Fushi prepares to depart for her next destination, Bon mentions how he said he’d reward her for her service. Bon probes her by asking how she’d feel if all her lost friends were immortal. But after asking this, Fushi feels a pang of pain—it’s Kahaku.

Distraught over the fact the Guardians are disbanding due to Fushi’s condemnation as a heretic and how he was rejected by the woman he loved (Parona!Fushi), Kahaku got ruinously drunk in the stables and tried to cut his Nokker arm off, but failed. The Nokker arm then grabs a knife, not to hurt anyone, but to communicate with Fushi.

It tells her that the Nokker are simply trying to “help everyone”, including their brethren imprisoned by the Beholder. Nokkers are souls, and wish to free the souls of humans from their bodies. “In death you can be free,” etc.  It also says that Fushi can revive the dead, but Bon erases those words from the dirt before they sink in for Fushi.

Finally, the Nokker arm reports that the next target for the Nokkers will be the head church of the Church of Bennett. That means the church’s only hope is the one they just executed for being a servant of the devil. Fushi heads to the church regardless; humans are humans, and they need his help.

Bon prepares to leave the palace for a while, perhaps to help Fushi, and Iris tells him she’ll wait as long as it takes for his return, which is hopefully before Chabo gets lonely. Bon also says that Fushi said he’d be happy if all his lost friends were immortal. If only he knew he could bring them all back if he wanted…

To Your Eternity – S2 07 – Prince of Principle

Bon and Todo’s imprisonment continues, and Cylira makes it clear he won’t be released until he confesses to consorting with Fushi, a demon and servant of the devil, and begs for forgiveness and mercy of the church. Bon’s…not in a big hurry to do that.

It isn’t until he’s spent a fair amount of time in the cell that Bon even notices he’s not alone: there’s a little boy named Chabo, who is accompanied by the ghost of his mom (Bon tells him his mom is dead, but he doesn’t believe him). When Bon horks down his bread for the day, Todo gives him half of hers, and keeps doing so, because she loves him.

In between inquisitions from the church, Bon, Todo, and Chabo haven’t a lot to do besides sit or lie around. Todo learns that Bon really can see and hear the dead—it’s how he’s able to perfectly recite scripture, and know that Chabo’s mother was murdered by a member of the church. One evening Bon sees Todo’s shadow on the rocks and sees that she’s lost a lot of weight.

As she and Chabo grow thinner and Bon’s beard grows longer, Fushi is still alive, constantly sleeping and waking up. With only a couple of breaths of consciousness each time, he doesn’t have enough time to remember where he is or what he needs to do.

But as the weeks pass, rather than completely forget himself and waste away into nothingness, Fushi learns how to burn red hot like the metal that encased him. He melts the surrounding iron and begins to ascend from his cell, delighting his devotees but angering the followers of the church.

They douse the molten iron with water, resulting crude statue of Fushi frozen at the top of the metal cell. Cylira laughs and declares a great victory has been achieved by the church that will go down in the annals of the city’s history. He didn’t notice that Fushi actually escaped in the form of Tonari’s owl, Ricard.

Fushi flies to Bon’s cell, where Chabo has already wasted away and Todo is quiet on the other side. Once he burns through the bars and puts the gators to sleep, Bon tells him to take Chabo and Todo but create lifeless copies that will remain with him.

He’s decided to stay put and get released by the Church. He gets Fushi’s leave to confess to him being a demon, since that’s how he’ll stay alive. If Bon goes with him now, he’ll be a fugitive and the church won’t stop chasing them. He tells Fushi to tell Todo when she awakes that he’s sorry he didn’t make the right decision.

Of course, when morning comes and the church asks why a demon visited and killed Todo and the boy but not Bon, he claims that God protected him, proving he has God’s blessing. Cylira doesn’t quite buy it, but he does offer Bon a chance to confess and pledge allegiance to the church. But Fushi can’t do it. He won’t. He loves Fushi too much.

If that means he has to die, so be it. And so Bon is taken back to the capital to be publically executed by guillotine as a heretic. Bon is not alone on the walk to meet his end. The kind, gentle ghosts he’s seen and spoken with for years are right there beside him, assuring him death’s not so bad. Bon also meets his death with gratitude that he got to meet and spend time with Fushi.

No matter what the church says or does, It wasn’t able to destroy his faith or love in Fushi. Maybe his noble death will start a larger anti-Bennett uprising; maybe it won’t. But like Hayase’s will in Kahaku’s Nokker, Parona’s will in Fushi, and his ghostly friends, death most likely won’t be the end of Bon.

The Eminence in Shadow – 03 – Background Boyfriend

On their own initiative, Cid’s Shadow Garden one day decided they needed to leave him and spread out to fight against the Cult of Diablos, but he suspects they grew out of playing along with him and set themselves free.

Whatever the truth is (and it sure seems like the cult is real and they’ve gone out to fight them in his name until he’s old enough to join them) he’s not that bothered by being alone; such is the life of one who strives to become … The Eminence in Shadow.

It also sure looks like he threw himself into Truck-kun while trying to will magic into being, so there’s that!

Cid ends up attending Midgar Academy for Dark Knights like his far more famous and popular sister, but blending in will do just fine for him. He even finds himself two perfect best mates for Background Student A: Skel and Po, and fits right between them in terms of both height and unattractiveness.

When Cid loses a bet to his two friends, he must confess to the most sought-after-girl in school: Second Princess Alexia Midgar (Hanazawa Kana), who has become famous for her curt yet brutal rejections of the most elite male suitors. But where they failed, Cid succeeds … quite by accident!

Cid puts on an act to appear as loathsome and pathetic, but little did he know Alexia was waiting for a guy like him to come around, and accepts his offer. She also learns that he’s into fencing, and uses her royal clout to get him into the elite Section One class … where Cid learns that her fencing style is well-studied and practiced, but bland and utterly unexceptional.

Did I mention that like Cid, Alexia’s older sister is far more accomplished and revered? That doesn’t come up, but it’s clear from their chemistry that these two are used to toiling in the shadows. That may sound strange considering Alexia is the most popular girl at school, but compared to the greatest dark knight in the kingdom, she’s totally in a shadow.

She’s also betrothed to their fencing instructor, Zenon-sensei, whom she hates. Hanazawa Kana brings an interesting dimensionality to Alexia. She is at times incredibly cynical and even has a sadistic side, making Cid into her dog—something Cid’s all too willing to do in exchange for that sweet sweet Eminence seed money.

Cid is handsomely compensated in exchange for being a bit of unremarkable eye candy Alexia can use to try to make Zenon give up on marrying her, but two weeks pass and not much progress is made. That said, he and Alexia grow a bit closer in spite of their dispassionate relationship of convenience. Alexia prefers the company of people with flaws like him (or like the person he’s posing as).

At the same time, I wonder if she can somehow sense that there’s a lot more to him beneath the surface Cid is showing her. While on a train at sundown, she is vexed by the fact she can’t take her eyes off his fencing style, even though it’s just as ordinary as hers.

It’s apparent Alexia hates her style, and possibly herself, so when Cid challenges her by saying he likes her fencing style, and would be pissed if anyone dissed the things he likes, she draws a sword on him. When he doesn’t flinch or take back his words, she alights from the train with a final-sounding sayonara.

The next day, Cid and his pals are surrounded by knights who inform him that Alexia never came home last night, kidnapping is suspected, and the last person reported to be with her before she vanished was Cid. Fate seems to be pushing Background Character A into the foreground, and the mystery of what happened to Alexia is an enticing one to ponder.

Love Flops – 02 – Menage a Cinq

Asahi is so distracted by Aoi’s, er, display, he completely misinterprets her confession to him as a confession to going commando. When she asks him what he thinks and he says he might give it a try and isn’t one to judge others for their preferences, Aoi gets embarrassed and runs off. Not five minutes later Ilya confesses to him, Mongfa runs off and gives him hickeys when two men in black come by, and both Karin and Amelia try to ambush him with a spontaneous wedding.

After a day of absolute madness, Asahi is glad to be home…only to find it full of the mad ones. There they are, all lined up to welcome him home as if they were his five wives. His annoying robot plays a message from his father, who arranged all of this and is hoping Asahi ends up picking one of the girls (or the guy) to marry for real.

The audacity of having his house doubled in size in the few hours he was away from it is weird enough, but now we learn that his dad is undoubtedly someone of considerable means. We also learn that all five of his would-be brides (and one groom) are way too enthusiastic about asserting themselves.

They’re all over him and won’t leave him alone, and while this is clearly a fantasy for some, the episode does a good job heightening the sheer anxiety of dealing with five caffeinated wannabe waifus in a relatively small space. When Asahi escapes to the quiet blue night, it’s as much a relief for me as him!

Aoi ends up finding him at a shrine, and tells him how all of them are simply excited to finally meet their potential future husband, and it resulted in them being a little too overeager to please. With her gentle touch she’s able to convince him to come home and give this thing a try, while she and the others will “do their utmost” to tone it down a bit. Somehow I doubt that!

With that, Asahi’s wacky new home life begins. I’m honestly still not sure what to make of this, and will take at least one more episode to determine if it’s something I’ll watch to the end. So far it’s like train wreck from which I can’t quite look away!

Love Flops – 01 (First Impressions) – Five Uneasy Pieces

Kashiwagi Asahi lives in a spacious apartment with an AI assistant Lovelin (Nanachi again), and while listening to the morning news, his birthday of October 8 (just four days ago!) happens to be the luckiest for today. The mysterious fortune teller then lists off a series of “lucky words” that don’t make any sense until he starts his commute to school.

The first word, corner, refers to a rushing girl with purple hair and glasses colliding with  him when they meet at a blind corner. They end up in a risqué position, but he promises he didn’t “see anything” as a result of that position, and they part ways relatively amicably.

Then comes train, when he boards a completely empty car only for a busty green-haired woman in a chinese dress sits right next to him, falls asleep, clings to him, then nearly kicks his head off when he starts her awake.

The next “lucky” word is staircase, when a third beautiful girl stumbles down a flight of steps and she’s launched crotch-first into Asahi’s face. She mistakes the plastic banana holder in his pocket for being happy to see her, and smacks it before running off. So far, Asahi can hardly be blamed for these situations.

Next up is robotic cleaner, when he encounters said robot cleaner in a park trying to dispose of a diminutive redhead’s bra, then the girl herself. This girl accuses Asahi of hacking the robot into stealing her unmentionables. It then chases her away.

Next up is dog, as a silver-haired fellow is being humped by a very big and assertive pooch. To this, Asahi turns about and pretends not to see what is going on, rather than attempt to save the waifish lad and incur the dog’s wrath. It isn’t until he arrives in his newly reorganized class that Asahi learns that everyone he encountered is in his class.

The purple-haired girl with glasses is Izumisawa Aoi (Itou Miku), a transfer student; he short-haired girl is Karin Istel (Kouno Marika), from Germany;  the redhead is Amelia Irving (Taketatsu Ayana) from the USA; the silver-haired boy is Ilya Ilyukhin (Takahashi Rie) from Bulgaria; and the green-haired well-endowed lady from the train is his new teacher, Bai Mongfa, from China (Kanemoto Hisako).

Asahi can’t believe his rotten luck, even as he learns what the last lucky word, letter, referred to a love letter in his locker inviting him to meet after school. His contractually assigned friend Ijuuin Yoshio assures him he’s hit the jackpot; he has the pick of these three beautiful girls, one beautiful woman, and one beautiful guy. I’ll give Yoshio this: he’s refreshingly progressive!

As the rest of the episode unfolds, Asahi has second encounters with each of these potential suitors, in which he attempts to correct the misunderstandings that occurred in their first meetings. He and Aoi almost collide around a corner again, but don’t. Alas, when he fishes through his pockets for what he believed to be her dropped handkerchief, he instead produces Amelia’s bra, scandalizing Aoi and earning him a slap.

This encounter makes him late to order lunch, and there’s nothing left for sale, but he’s not alone; Karin was also too late, and is clearly very hungry. Because Asahi’s a decent guy, he offers her the banana he brought for lunch (this guy really likes bananas, having toasted one for breakfast), while also pointing out that its holder was what she mistook for his manhood. She meekly thanks him for the food.

Asahi then gets another chance to rescue Ilya from becoming unmarriable all over again, albeit not necessarily by choice. Ilya hides behind him, and the randy dog  targets him, even managing to somehow get his pants off. Asahi blacks out, but when he comes to, it’s looking up at a very grateful Ilya.

The dog also managed to bite him, which would normally mean he should probably get tested and treated for rabies, but since this is a goofy anime some alcohol and spray-on bandage will suffice. He receives this treatment from Mongfa-sensei, who doubles as school nurse, and apologizes for their earlier awkward interaction.

No sooner does she leave than Amelia Irving arrives with a very specific ailment: chafing in the chestal area. Fortunately for her, Asahi saved her bra from the trash robot. He returns it to her, and she apologizes for jumping to the earlier conclusion that he hacked the robot, having later realized that was…unlikely.

Having repaired four of the five new relationships he’s built on this most auspicious day, all that’s left is checking out what the final lucky word letter portends. Responding to the love letter, he arrives at a giant blossoming cherry tree he doesn’t remember being there (he has several memory gaps in this episode, though it’s never explained).

There, waiting for him, is none other than the first girl he ran into, Aoi. She’s there to confess her love to him, but because it’s so breezy, her skirt flips up and reveals to him that she’s been going commando ever since their first encounter. The item she dropped was not a handkerchief, but side-tying underwear. For once, Asahi is lucky here, as Aoi doesn’t realize what the wind is doing and the moment isn’t spoiled.

Love Flops thus introduces its lead and his harem of potential girlfriends by resorting to all of the shameless, risqué, fanservice-y clichés but the Bluetooth-enabled kitchen sink. While at times it seems like a very over-the-top satire of harem rom-coms, the fact that it may actually be a genuine and un-ironic contribution to the form almost makes it more amazing. It’s pure tasteless trash … and yet I couldn’t look away.