Shingeki no Bahamut: Virgin Soul – 23

War explodes in, over, and around Anatae, as Lucifer joins the battle in his flagship, and the Onyx Soldiers and Charioce loyalists battle the alliance of demons, gods, and men. While these zoom-outs to the wider fighting certainly make for nice eye candy, what truly interested me was when they zoomed back in on the smaller, more intimate moments between various pairs of characters, be it Jeanne and Azazel, or Dias finding Alessand.

Alessand cries, begs for his life, and then stabs Dias when his guard is down, betraying him again. At that point, Dias is done with Al, except to drive a sword into him, but a little demon boy, who can see through Al’s forced smile, doesn’t fall for it, and kills him with a dagger.

After making the wrong choice to murder El in sight of a grander station, Al ended up slain by a small, frail, hungry child and died bleeding out in a dark alley. No songs will be sung of Alessand. But hey, he did get Nina into the palace, right?

Nina doesn’t understand Charioce one bit…but she sure wants to, and that means going to him once more, even if previous instances of doing so didn’t really turn out so well for her or anyone near her. Charioce waits on the top deck of aboard his flagship, surrounded by the Onyx Soldiers…who aren’t doing too hot.

Their bodies reach their absolute limit at just the wrong time: when their king needs them the most to protect him. But the combined force of Jeanne and Azazel proves too much for them, although not by much…if the Commander had had just a few more moments of life, he might’ve managed to stab Jeanne in the throat with a hidden blade.

Lucifer’s flagship, Bacchus’ wagon, and yes, an elevating bridge made out of zombies amassed by Rita bearing her and Kaisar, all descend on the same spot, where Charioce is about to be charged by Jeanne and Azazel. It’s Kaisar who makes it just in time to protect his king, and gets stabbed and impaled by their snakes and spear. Rita is beside herself, while Jeanne and Azazel are sheepish.

Charioce is shocked, but he shouldn’t be: Kaisar Lidfort is, and always has been, a true knight. If the world survives this latest attack from Bahamut, it will need more Kaisars, not more Charioces. A few Favaros wouldn’t hurt though…

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Made in Abyss – 12

This week, while waiting for Riko to heal, Nanachi teaches Reg the “true nature” of the abyss, calling it, essentially, a physical, if invisible, trap of barbs that are easy to descend through but quite difficult to ascend. The Abyss itself is both something that doesn’t want anything going in, but also won’t let anything that does get in get out easily, or without exacting a toll.

That toll would seem to extend all the way tot he surface, where lil’ Kiyui (Kiwi) has come down with an awful fever; a growing trend that is claiming lives. When Girou (Gilo) takes him off the island onto one of the ships of the “Caravan Fleet” docked there, he recovers immediately, without any medical treatment.

It would seem that all that was needed was to get further away from the Abyss.

And yet Riko, like her mother Lyza, her mentor Ouzen, and Nanachi and Mitty, couldn’t help but get closer and closer. The longing to reach thebottom of the netherworld and discover its secrets is far more agonizing than any trap, predator, poison, or curse. It’s a curse in and of itself; an infinitely seductive world beneath the surface, simultaneously beckoning and warning.

Good News: Mitty isn’t trying to eat Riko, she’s merely being friendly, and as Nanachi says, uncharacteristically “emotional” toward a visitor (though it’s doubtful they have many other visitors). She also points out Mitty was once a girl like Riko, then demonstrates to Reg how terrible her cooking ability is, prompting Reg to commit to cooking for RIko once she wakes up.

Meanwhile, Nanachi uses a thin, transparent “fog weave” to very effectively demonstrate the physical qualities of the Curse of Abyss; how it morphs to take the shape of whatever it covers, and the consequences of recklessly bursting through it.

Back in the hut, we’re “treated” to one of the more disturbing sequences in the show: Riko, covered in a fleshy film of her own, sits in the pitch black darkness but for a hole, through which Mitty’s eye peers. Riko peers back, and hears not the cooing and moaning of the present Mitty, but the more lucid cries of the girl Mitty once was. Chilling.

Continuing her lessons, Nanachi places a device in Reg’s helmet so she can communicate with him in real time from afar as he responds to a call for help from a Black Whistle, who then bristles when he sees a mere child has answered and begs him to flee.

Of course, Reg isn’t an ordinary kid, and he has a score to settle with this particular piercer, so with Nanachi’s aid he reaches out and grabs the curse, (which the piercer uses to predict the future with its red “nose”) and fires Incinerator at point-blank range, forcing the beast to shed 80% of its quills and withdraw.

Reg calmly asks the stunned Black Whistle to relay a message to Girou up at the Belchero Orphanage: “They are continuing their adventure.”

Even being almost killed won’t sate Riko’s longing to continue, and Reg knows that, so whenever she wakes up and is well and strong enough to do so, they’ll resume their descent. Reg, grateful for all of Nanachi’s help, asks if she’ll accompany him and Riko on their journey.

It’s not that Nanachi outright refuses their offer, but has a request of her own that is more pressing: she asks if Reg will kill Mitty for her. We heard through Riko the misery Mitty lives in each and every moment; almost gone but not gone enough for it to not matter.

Barring some kind of miracle that could save her, killing Mitty would seem to be a mercy; it’s just that after what happened with them and Bondrewed, Nanachi hasn’t been able to herself do what she know needed to be done. She hopes there’s enough emotional separation for Reg to do it instead.

Classroom of the Elite – 11

Prior to watching this episode, only one persistent wish occupied my mind: Get off the damn island. Just get off. It’s been a convoluted mess and I’m honestly having trouble caring anymore. The primary reason I watch anime is to be entertained, and the island arc just ain’t getting the job done. It’s a slog.

Alas, we do not leave the island, as time only transitions from Day 5 to Day 6, with the girls and boys of class D continuing to bicker amongst themselves, a storm coming, and the hidden fact that their leader Horikita has been ill since leaving the boat.

Way too much time is spent on the secondary and tertiary classmates yelling at each other. I already get that there’s discord, the episode just repeats itself. Furthermore, there’s absolutely no reason for Yamauchi to put a clump of mud on Horikita’s head, except perhaps to serve the plot, as Horikita must exert herself by throwing him.

More importantly by having mud randomly dropped on her head, she has to wash it off, which means stripping down to her skivvies…which means temporarily not having her key card on her person. Her one primary job as leader is to hold on to that card, but she failed, and only informs Ayanokouji.

Their talk is interrupted by a fire at the camp, which sets off another round of argument. Hirata kinda loses it once it starts to pour, and then orders the others to do useless things like cover the already-wet firewood and collect the already-soaked clothes.

Completely independent of the events on the island, we keep making small check-ins on Ayano’s past as some kind of organization-raised “special” kid, the last one remaining among of a large group of potentials, for which he seems to be placed behind bars.

I honestly couldn’t tell how these little glimpses of Ayano’s past are trying to relate to the events of the present…unless, perhaps, Ayanokouji means to betray Horikita, and is the one who told Ibuki to steal the key card. It could also be an elaborate plan to make their rivals think chaos reigns in Class D, and “betraying” Horikita is part of that. Still, Ibuki doesn’t hold back on beating her up.

That person remains a mystery for now, but the reveal that Ibuki is the one causing all the mayhem feels a bit…obvious, even though the episode tried to keep its cards close. Ayano must’ve found something buried in the spot where he found her, and we don’t know that either.

I have no idea if we’ll get another cour of CotE, but if not, it’s been an interminable, disappointing, seemingly aimless final arc, in which everyone has become progressively dumber, except perhaps Ayano, whose true intentions remain stubbornly opaque. It will take one hell of a finale to bring all the disparate pieces together and deliver some satisfying answers.

Aho Girl – 12 (Fin)

The final episode of Aho Girl falls on the tenth anniversary of A-kun and Yoshiko meeting when she and her mom moved in next door. Yoshiko sought a playmate, and it was derision at first sight for A-kun, a stoic, studious five-year-old. She treats every attempt to avoid or get away from her as a game, and never wants to stop playing. When she gives him a big long kiss, he uppercuts her into the sky for the first time.

Realizing the key to keeping Yoshiko away is physical superiority, A-kun begins rigorous training, Rocky-style. Alas, he ends up training too hard and passes out. He wakes up with Yoshiko on top of him, she stayed by his side for an entire day while he was out with a cold. He almost allows that she’s “not that bad” until his mom tells him she was kissing him the whole time. To add insult to injury, his punches can’t even faze her!

If fighting her doesn’t work, A-kun considers other options; after all, he can’t let this go on, lest he end up marrying Yoshiko and having idiot kids with her. So he turns into a demented pervert and chases her around, flipping her skirt, until she cries and he feels guilty for going to far. But even here Yoshiko manages to get the wrong idea, and apologizes for making A-kun “hold back”, removing her panties and putting them on his face.

Ten years later, she’s wearing those same panties (which don’t fit her anymore at all), still trying to play with A-kun when all he wasnts is peace and quiet; and after all these years he still wants to kill her. But if he’s honest, isn’t he glad there’s someone in his life to make things interesting? No. He hates her guts. But does he? Yes.

Tsurezure Children – 12 (Fin)

Tsurezure Children’s finale starts with Sports Day and a soccer tournament, during which time Kurihara cheers for Yamane, Kanda wonders if it’s okay to cheer Takase, Takase wonders if it’s okay to look her way, Kana and Chiaki are still cool to each other, and Patricia joins the boys.

Chiaki gets the opportunity to save Kana from getting hit by the ball, and as thanks, Kana starts cheering for Chiaki—in her own way, telling the idiot to impress her. Chiaki can’t help but oblige, and comes this close to scoring (a goal) when his run is blocked by Noro, who, not having a girlfriend, resents the guys who do. Patricia then swoops in and scores, ruining Chiaki’s chance to be cool for Kana.

On the last day of school before Summer Break, plans for a beach trip crop up. Takano’s friend tells her Sugawara may come, and Sugawara’s friend (Chiaki) tells him Takano will. But neither believe the other cares whether they go or not, and so remain noncommittal.

However, this is only the beginning of an apparent conspiracy between their friends to get the two alone together, and in the process, Kana ends up alone with Chiaki, even though he didn’t get her message because his phone battery died.

Chiaki concedes that they’re broken up, but he realizes the error of his ways in being so comfortable in a relationship with Kana he thought he could do no wrong. He asks that the existing breakup stand, but that Kana allow him to confess to her once more, because he doesn’t want to lose her again. When he asks her out, Kana, who never truly wanted to break up in the first place, quickly says yes, her face drenched with tears of joy.

In the classroom, it’s Takano who takes the initiative, first asking Sugawara in a voice well above her usual volume whether he’s going to the beach, and then, when he’s ready to sheepishly leave, telling him it won’t be fun without him. Just like that, the two are able to connect and move forward. It’s a happy ending and smiles all ’round for two couples who had suffered so much, as we suffered with them, and a sweet place to end.

Tsurezure Children stuck to a simple formula and executed it admirably, utilizing the variety, realism, relatability and rootability of its sprawling ensemble cast. Of course, not every relationship has been resolved; I wouldn’t mind another go.

Kakegurui – 11

When Yumeko gives up two queens, it convinces Kaede she’s going for the choice to make the “weakest” hand win. When Itsuki fronts 100 chips for Yumeko’s cause, Kaede stays on the “high road” and simply continues to raise, knowing he has enough funds to best them and choose “strongest.”

Just as he expected, Yumeko raises and raises until there’s no more money left, until she brings up life plan she got from the council when she was in deep debt, stating one’s “life” in terms of the value appraised by such plans should be a bet-able commodity.

While Itsuki initially struggles with offering the value of her own life for Yumeko’s sake, she realizes she can’t win and stop Kaede and others from looking down on her if she isn’t willing to bet everything she has and everything she is and ever will be. As a symbol of her wager, she tears out her fancy nails with her teeth – which really would hurt more than she lets on!

Kaede doesn’t accept the raise at first, as he considers the life plans given to livestock to be mere collateral until debts are paid. But as dealer the Vice President gets to decide, not him or Yumeko, and she decides the bet is valid to the tune of 10 billion yen. When Kaede bristles at her authority, she removes her mask to reveal she is President Momobami; she never left.

This is where Kaede, in a desperate bid to regain control of the game, decides he’ll raise Yumeko and Itsuka once more by betting his own life, thus straying from the high road he was assured would take him all the way to the national finance minister’s office. He believes this can only happen if he usurps Momobami, and Itsuka’s funds are a crucial means to that end.

Having raised his life, Kaede is awarded choice, and chooses “strongest.” Itsuka’s initial reaction looks like one of shock over putting all her hopes in Yumeko and losing again…but Kaede’s three 8’s are no match for Yumeko’s three Jacks, and Yumeko and Itsuka are victorious. All because he left the high road…and couldn’t stop looking down on Itsuka, inspiring her to defeat him at all costs.

The loss leaves Kaede unconscious, with hair as white as snow, as if bled dry of all vitality. As he’s carried off by medics, Itsuka feels bad for him, without whom she’d never have gotten into the council, or stood where she stands now. Yumeko can’t help but think how beautiful is the sight of someone who bet everything…and lost.

That leaves Momobami and Yumeko boring holes into one another with their blue and red eyes, respectively. Having beaten Kaede (and drawn out a side of him she’s never seen), the president has all but confirmed that the one gambler who has a snowball’s chance in hell of standing beside her is this Jabami Yumeko person.

Yumeko seems to be similarly interested in what Momobami is capable of, and deduces her the root of her discontent all along, even as she watched the life escape from countless gamblers: What Momobami wants most of all is to see herself in that position…and that requires someone other than herself; someone who can surpass her. She can’t wait to see if that’s who Yumeko is, and Yumeko can’t wait to show her.

Koi to Uso – 12 (Fin)

Ririna doesn’t simply say she’s willing to abandon their arranged marriage for Yukari and Misaki’s sake; she lays out in a very detailed and realistic way exactly the way it’s going to happen, and it involves her and Yukari pretending like they hate each other’s guts—in other words, lying.

Yukari doesn’t like the sound of that one bit, as he doesn’t want to even pretend he doesn’t like Ririna. But Ririna appeals to Yukari’s deep and inspiring love for Misaki—without which Ririna would never have come out of her shell—and is able to get him to agree to her plan.

That means, at some point, if all goes as planned, Ririna will have herself “recalculated” to find another partner to marry, and asks Yukari to ‘show her what to do’, so to speak. The practical excuse aside, both Ririna and Yukari are lying here as well.

Ririna loves both Misaki and Yukari, so she doesn’t want to hurt either. What she fails to realize is that Misaki and Yukari have the same exact reason they don’t want to hurt her: they love her too. Forget about levels or tenure; love is love, and especially during one’s youth it can be extremely hard to distinguish one form for another.

As a result, Yukari initially stays away from the wedding dress fitting, convinced he’s hurt both Ririna (by agreeing to her plan) and Misaki (by kissing her in the chapel), and not wanting to cause any more pain to either. Nisaka shows up and lays it out as only Nisaka can: people who are hurt by loving him is not his problem; it’s theirs.

Nisaka speaks from experience here; he knows he’ll never have Yukari or even get him to look at him the way he wants…but he’s not going to bother him about it. He tells Yukari that when it comes to love, you have to look out for number one.

In Yukari’s case, he doesn’t feel comfortable living life without Misaki or Ririna. At the chapel, Misaki assures Ririna that her plan is impossible, because she, Misaki, loves both Ririna and Yukari. She couldn’t let Ririna drop her marriage to Yukari any more than Yukari or Ririna wanted to hurt Misaki by getting married.

It’s quite the conundrum! And certainly one for which there are no long-term answers. Presumably, Ririna and Yukari will one day marry, just as Misaki will marry her match (we finally learn definitively that she hasn’t received her notice yet). It would seem that love is not a problem for any of the three; it’s just a matter of learning what kind of love that is, and how that will (or won’t) jibe with cultural and societal norms.

Is this finale a cop-out that lets everyone off the hook by delaying a concrete decision on who marries whom? Sure is. But I asked for someone to win last week, and it would seem that, for now at least, everyone wins…Except Nisaka!

Shingeki no Bahamut: Virgin Soul – 22

While Charioce is in Eibos, trying to widen a rift, Jeanne is bringing demon, god, and man together in a grand alliance based upon their mutual hate of the asshole king, and Alessand is now in charge of the Orleans Knights, but a few of his subordinates wonder if they’re on the right side, and when Al tells himself he did nothing wrong, he doesn’t sound very convincing.

Kaisar, hopeless idealist to the end, tries in vain to halt Jeanne’s march by trying to shoulder responsibility for El’s death by giving Al free roam of their hideout. But this simply isn’t about who killed El; it’s about everyone Charioce has killed, hurt, or caused to suffer or despair. Like most things with Jeanne, this has grown into something far bigger than herself and her own desire for revenge…though she does want that revenge.

When Nina and Favaro arrive at Eibos via Bacchus’ wagon, through the obscuring fog they learn what Charioce is up to: awakening Bahamut. Nina rushes into the stronghold and takes down everyone in her path with ease, and even outmaneuvers and overpowers Charioce. But even with his own sword in her hand and the opportunity to cut off his arm and the bracelet attached to it, she can’t close the deal, even when he goads her to “do it”,  and backs down. Which…is a bit disappointing.

Instead, Nina and Favaro listen to Charioce’s advisor explain how this day was always coming; when Bahamut had to be dealt with on a permanent basis to prevent him from awakening anew and destroying the world. Charioce was the king that had been groomed to deal with this mission, and it’s one he’s more than willing to sacrifice his life to achieve. The rift opens further, Nina and Favaro escape, and Charioce comes into possession of a fleet of huge, advanced airships.

This is all very cool, it is…but while it’s now been helpfully explained why Charioce did so many terrible things (to acquire the power to destroy Bahamut) it’s still a classic ends-justify-the-means scenario, and just because he’s puting his life on the line doesn’t automatically make him a martyr.

That applies especially if the ends don’t work out; Bahamut is awakened and blows up most of Charioce’s fleet. Was…that supposed to happen? After all this, is Charioce in over his head? Whatever the case, Jeanne is fighting the wrong war; Bahamut has instantly become the Most Important Thing to deal with at the moment. The rebellion will have to wait.

Re:Creators – 22 (Fin)

With Altair, well, not defeated per say, but ceasing to be a threat to the world last week, Re:Creators can relax and do a leisurely victory lap. The five creators remaining on the battlefield accept their supporting roles in a story that ended up being primarily about Altair and Setsuna. The other creators congratulate Souta for his achievement, even if, especially for Matsubara and Takarada, it hurts that their heroines had to die in order to win.

But Meteora steps in to assure Matsubara that only one possible Selesia’s story ended there; there are countless others that remain alive, and more still as long as he’s committed to keep adding to her world…coffee, for instance.

After a celebratory feast at a down-home restaurant, Meteora also points out to the other creations that they will all have to return to their respective worlds soon, as her magic will eventually cease to work as the world restores its proper order (an order in which her magic doesn’t exist).

After the creations and their creators spend one last day together, saying what they want to say and suggesting what they want to suggest, Meteora opens a return gate.

One by one, the Creations say their final goodbyes and walk through the gate, disappearing from the world in physical form but not in the hearts and minds of their creators and fans. I was kinda wondering where Magane was in all of this, and I really wish we’d been able to see more of her…did she de-coalesce off-camera after using her ability to help Souta?

In any case, Meteora has one more plot twist in store: she’s staying. I mean, even if she wanted to go back, she can’t go through a gate she is keeping open any more than she can pick up and throw herself. But she loves this world, and has always seemed quite comfortable here. So while she loses the rest of her magic as soon as the gate closes, I have no doubt someone as strong and brilliant and charming as she will land on her feet.

A bit of time passes, marked by the emergence of several new advertisements around the city promoting new seasons of the creators’ creations, each with new stories that reflect their experiences during the Chamber Festival: Shou and Yuuya fighting side by side, Blitz with his daughter by his; Hikayu’s new martial-arts master alter-ego; Magical Slayer Mamika meeting Aliceteria.

Everyone continues to create. Whatever problems people had with the story of the Chamber Festival (and it did kinda go all over the place, if we’re honest), creators can’t look up to a standard they worry they’ll never approach; they can only keep moving forward, and keep creating. That’s the surest way to achieving happiness not just for themselves and those who consume their work, but for their creations too.

I’m also heartened to see Souta and Meteora exchanging texts in much the same way Souta used to do with Setsuna, only now he’s a little older, a lot wiser, and more importantly, confident enough in his ability as a creator in his own right, to be anything but proud and supportive of his friend’s efforts.

Meteora has pivoted to creation herself, and has decided to name her first work Re:CREATORS—the very work we just spent 22-plus weeks watching.

Sagrada Reset – 24 (Fin)

Haruki knows she faces a problem if she believes Asai Kei to be perfect and without flaw: it puts an untenable pressure on him to be flawless in order to continue being the Asai Kei she knows. But until she finds out what that flaw or mistake is within him, she won’t know him as well as she wants.

Fortunately for her, the power of abilities enables her to do just that in this, the final episode of Sagrada Reset. Kei has shifted his focus from Urachi (no longer a threat) to Souma Sumire (who has collapse). He wants to save her, and would like Haruki to put aside her differences with Souma and help him.

Haruki agrees – if Kei shares the memories he has of pre-Reset Harukis, through Sakagami’s ability. Kei agrees, and before you know it, Haruki remembers when she first said she liked Kei (having said it a second time just then), but also finds his mistake, which happened two years ago: when Kei kissed her, she was happy.

Kei apologizes for being an indirect and cowardly; Haruki admits she was the same. It’s a lovely and vital new step forward for this beautifully subtle yet increasingly warm couple.

The easy part thus completed, the hard part commences: Kei wants to “save” Souma, but what does that mean? Apparently, he aims to save her from the weight of her own longing over not being the girl who “won” him, and the intense feelings of perceived inadequacy and budding nihilism that realization cultivates.

He isn’t saving her because he’s a hero; he’s saving her because she’s his friend, and he wishes for her happiness to be “second-best” in the world (Kei makes no bones about who is Number One in his heart).

In Kei’s apartment in the dream world, Souma is sitting in the dark, hiding her face because she’s been crying. Kei takes her face in his hand and tells her however she’s feeling now, he can see a future, however far off, where she’s happy and smiling, despite him not being hers.

Souma is afraid of the prospect of being able to smile under such circumstances—where she essentially has lost to Haruki, and always will, every time. So she challenges Kei to one last game: correctly say her name, and she’ll go along with his plan for her.

But if he fails, she wins, and he’ll become hers, living in the dream world with him, like two stones, never being bothered by the world outside in the least. Cut to the end of the game, when Haruki appears to speak to Souma, and Souma holds out a stone she says is Kei, and tells her she’s won.

Haruki isn’t buying it; there’s no way Souma Sumire would wish for such a thing, and accuses her of having a “tantrum” and waiting for her to come and hand Kei over. Haruki tells Souma that she used to be able to use her ability by herself…until a reset led to Souma’s death and hurt Kei.

It stands to reason then, that if Souma’s turning of Kei into a stone also hurts him, there’s no reason to hold back and reset by herself again. But before she gets the word out, she holds back, because she believes that despite the stone trick, Souma really does have Kei’s best interests in mind.

Since Haruki isn’t buying it, and sees the stone trick as a means to get her to use her Reset of her own will, Souma tells her why: If Kei is going to assume responsibility for all of Sakurada’s abilities, he’s going to need someone by his side to help him, and if necessary, provide a check against him hurting himself. Souma concedes that Haruki is the best candidate for that job.

With both Haruki and Souma affirming their roles regarding Kei, Souma wakes up first, and Kei is watching her because her bed is by the moon and she looks pretty. That’s…kinda weird, but Souma doesn’t mind (at least, in this one little instance, she “beat” Haruki for once), and pledges herself to providing a voice of council to Kei, who agrees to listen to that voice.

Souma then shuffles off, and Haruki emerges from behind the curtain around her bed. Souma thought it would be awkward to stick around, while Haruki was embarrassed of seeing her, and lets Kei know that even if he doesn’t (and may indeed never) understand, she and Souma being “moderately adversarial” is “good”, i.e. “natural.”

Finally, Haruki places her hands on the shoulders of her man and tells him she’s thinking of letting her hair grow out, now that she remembers him saying, long ago, how he liked it that way. Now that she has those memories back, Haruki can love Kei of both the past and present instead of merely the latter.

That deeper understanding and affection, as well as Urachi and Souma’s respective redemptions, were only made possible through the existence—and judicious use of—abilities. So even if Asai Kei isn’t righteous or just or a hero, he was right to work so diligently to preserve abilities in Sakurada. They were and are the key to his happiness. They are…sacred.

And thus concludes a sometimes slow, sometimes maddeningly opaque, yet also almost always strange, intriguing and wonderfully offbeat show. I appreciated that the finale not showing us the results of Kei accomplishing all he’s set out to do—that would have felt cheap to go down in just one ep.

Instead, all his relationships are now in good standing, putting him in the best position to succeed. I close the book on this series wishing him and his the best in their endeavors to Keep Sakurada Weird.

Made in Abyss – 11

Thanks to the careful ministrations of Nanachi the Hollow, Riko’s arm is stabilized and she’d given another 12 or so hours of life to play with.

Turns out Nanachi had been shadowing her and Reg since they reached the Fourth Layer, but only revealed herself out of pity for Reg, who mewled like a “lost little kid” when Riko went blue.

She warns Reg Riko is far from out of the woods: to save her life, he’ll have to go back out into the Goblet to collect a number of items within those 12 hours.

Then another sound comes from the tent, and Nanachi introduces Reg to OH GAAAAAAAH JESUS CHRIST WHAT THE HELL IS THAT … THAT THING? Honestly, after the “meat” Ozen brought back to life and last week’s gruesome ordeal, you’d think I’d be more desensitized to the horrors of the Abyss, but “Mitty” provides another, well, layer of darkness and dread.

Nanachi makes it clear that Mitty in her current form (which is barely a form at all) is nearer to the rule, not the exception, where Hollows are concerned. Both Nanachi and Mitty ascended from the Sixth Layer. Both were changed irrevocably, but only Nanachi maintained her humanoid form and mental faculties – an “exception among exceptions.”

Mitty is…well, hollow. For most humans who undergo such a transformation, death by their comrades usually follows, but not in this case. Nanachi not only hasn’t put Mitty out of her misery, but keeps her around like a kind of pet.

Perhaps it’s an act of penance. In some flashes of the past we see what is probably a pre-ascent Mitty—a girl with eyes the same reddish hue as the eye of post-ascent Mitty—and a younger, post-ascent Nanachi being praised by the White Whistle Bondrewd the Novel, who is happy “the experiment” was a success. Perhaps Nanachi and Mitty were the subjects of that experiment, and only Nanachi survived (relatively) intact.

Reg collects all the items on Nanachi’s list without too much difficulty, only to learn that just one of those items—the purple mushrooms that grow on shroombears—was necessary to save Riko; the other things were merely for Nanachi to eat. But Nanachi makes a good point: she cannot forage for food while tending Riko, so someone had to.

Reg is also instructed to wash Riko’s soiled clothes at a nearby riverbank behind Nanachi’s hut. The utterly gorgeous verdant landscape he beholds is peppered with graves, somewhat souring the awe with melancholy.

But Reg starts seeing things – the field of flowers of fortitude, Blaze Reap marking a grave – and also hears his own voice speaking to Lyza. He wonders if he buried Lyza, but remembers Ozen said “no one was buried” there.

The thing is, “no one” could be construed as “nothing human”—i.e., a hollow—but when back in the tent, what’s left of Mitty suddenly approaches a sleeping Riko. Does this behavior suggest that Riko’s presence is somehow drawing out the humanity in Mitty, like the mushrooms are drawing out the piercer’s poison? Does Mitty recognize Lyza’s daughter?

Classroom of the Elite – 10

How could a show that started out so fresh, slick, clever, and cerebral feel so stale, dull, dumb now? The first mistake seemed to be taking the classes out of the proverbial classroom and onto an island…then proceeding to do basically nothing for five days.

Horikita conducts recon of Classes A and B, both times having unpleasant encounters with their respective leaders, both of whom are drawn as if they were in their thirties. Fine, I’ll forgive the disappointingly goofy character design—this is Lerche, after all—but I won’t forgive the obvious holes in logic that keep creeping up this week, even if the sexism subsides.

Remember how I said Horikita came into contact with the leaders of Classes A and B? Isn’t there a 50-S-Point bonus to anyone who correctly guesses the leader of another class—an a 50-point  deduction from the leader correctly ID’d? Am I missing something here? Katsuragi and Ryuuen aren’t exactly being subtle in their leaderliness—nor is Horikita herself.

Days 2 thru 4 breeze by without any incident…or any meaningful developments whatsoever, aside from more of Sakura flirting with Ayanokouji (who has never been portrayed as anything other than an unromantic, assexual character, making her flirtation seem like a futile waste of time), a mysterious scene in which a mystery student of unknown gender steals a girl’s bag from the tent, and Sudou suspecting Class C exile Ibuki of some kind of treachery.

I suppose I should look to the episode’s title for guidance, a Kierkegaard quote: “Every man has in himself the most dangerous traitor of all.” I’m no philosophy major, but off the top of my head, this seems to have dual meaning: everyone has the potential for treachery, but no other person is capable of betraying you more than you can betray yourself.

It could also just mean there’s a traitor in Class D’s midst, which Sudo believes is Ibuki, so I gravitated to her as well. Then, on the morning of Day 5, the girls are united in their outrage that Karuizawa’s underwear was stolen in the night. The rest of the episode deals with the investigation of this panty heist. See what I said about feeling a bit dumb and rote?

Despite that feeling, things to sharpen up a bit when Ike finds the panties in his bag. Clearly they were planted there, but by whom? What the heck would Ibuki have to gain by sowing discord, when her own Class spent all their points and headed back to the boat to party?

By the way, I’m happy Class C’s strategy was not immediately dismissed as the wrong one; none of the remaining classes are guaranteed to earn enough points to make all the trouble they’ve been through worth it. It’s almost as if the show is saying “yes, this whole island survival premise is indeed dumb, but only Class C and Koenji decided to reject it.”

Ike gives the panties to Ayano, and Hirata finds them when giving the boys pat-downs at the girls’ demand. But Hirata doesn’t turn in Ayano, because he understands the distinction of Ayano having the panties and Ayano stealing them.

Hirata takes the panties from Ayano, supposedly to protect his classmate, as Karuizawa’s boyfriend is the one the girls suspect the least to have them, but despite the fact it’s (I’m assuming) to prevent further discord from compromising the class, Hirata is betraying himself here, by lying.

And the fact he’s able to be dishonest here makes me start to think that maybe his whole upstanding, “Everybody Loves Hirata” act is merely cover for…more sinister designs.

Aho Girl – 11

This week Yoshiko intercepts Ruri lamenting another perfect “0”, and suggests that maybe studying and academics just aren’t in the cards for her…without suggesting what she should do instead. This leads Ruri to attempt to do a great many things—cooking, cleaning, riding a bike—and Ruri is terrible at all of them, which puts her into a state of depression no 11-year-old should have to deal with.

The next segment is one of the best in Aho Girl’s eclectic repertoire; when Ryuuichi helps Yoshiko try to find one of the last special banana frappuccino drinks in town, he is beaten up by toughs from “Dick High”. More importantly, they disrespect the bananas, which flips a switch in Yoshiko’s head from “Aho Girl” to “Badass One-Girl Wrecking Crew”. And every tough she defeats gets a banana in the kisser.

The final segment follows Dog when he gets loose from his chain. While trying to deliver a flower to Sayaka’s dog Pomi, he has to rescue a boy from the river, another boy from a car, and beat up some armed bank robbers, before finally giving the flower to a scared girl to brighter her spirits. Good Dog! Good Aho Girl, too…