Karakai Jouzu no Takagi-san 2 – 12 (Fin) – The Real Game Begins

The entirety of Takagi 2‘s finale is devoted to the summer festival, as it should be. We start with Nishikata waiting nervously for Takagi, his hands already sweating with anticipation. She arrives positively resplendent in a yukata, nearly bowling him over with her beauty.

As they walk to the festival together, little kids and old people alike see them for what they are: a couple on a date. Nishikata thinks he can win a game in which no adults say they’re on a date, but he has to rely on semantics, and ultimately loses at the candy apple stand.

As the other members of the cast enjoy the festival, Nishikata tries to distract from the fact he’s on a date with Takagi by engaging in one competition after the other, from goldfish scooping to ring toss. He loses at all of them, but Takagi gives him an out: if he does “date stuff” with her, he’ll automatically win.

For once, Nishikata doesn’t want to win, or rather the little timid voice inside him doesn’t want him to fully open himself to the experience. He won’t feed Takagi, but he does give her the gift of a cute hairpin, eschewing the childish toys also available to choose.

On two notable occasions, the large crowds separate Takagi and Nishikata. The first time, he’s able to locate her quickly, but the second almost spells disaster, as they can’t find each other when the fireworks begin. Thankfully, Nishikata’s mate Kimura, with the assist of the episode, directing Nishikata to Takagi’s location atop the shrine steps.

Takagi has to endure the bulk of fireworks all alone, and her face has never been more morose…but when she spots Nishikata running up the steps her face brightens, and meets him halfway down the steps. Sadly, the fireworks end just as they reunite.

Far more importantly to Takagi, Nishikata finally takes her hand into his, unbidden, calmly explaining how it would suck if they got separated, not to mention the steps can be perilous.

DAWWWWWWWWWW

Takagi’s reaction above tells you all you need to know about how much this means to her. Just one episode after he finally asked her out, he mustered the courage to take her hand, and even if it was the practical move, it shows HUGE growth on his part to actually, you know, make it.

They descend the steps hand-in-hand and later we find them playing with sparklers on the beach; unassailably a date thing. Takagi tells him that throughout all the “losses” he’s endured, he’s never really lost, because, well, he has her. Her attention, her affection, her eyes on him.

No matter how you slice it, Nishikata is a winner. And in what I dearly hope will be a third season of this beautiful, uplifting show, perhaps he’ll keep gaining confidence, shaking off his childish hang-ups, and making the right moves. There’s a lot of game left to be played. But if this is the ending to this particular story, I’m glad it ended on a happy note.

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O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!

O Maidens in Your Savage Season – 08 – Where Legends are Made

This week, with the cultural festival as the backdrop, every O Maiden decides they’re going to make a choice that will hopefully ensure them happiness and stability as they move forward.  Naturally, things don’t start out smoothly for anyone.

For Kazusa, it’s deciding to tell Izumi upfront how she feels. As her performance with Niina looms, Kazusa is mindul, and nervous, of the fact that Izumi is about to witness her essentially rehearse her confession to him with Niina on stage.

Momo decides she’s not going to entertain Sugimoto’s vapid attention any longer, something she’s even more sure of when he shows up with two of his friends. When Rika sees another girl flirting with Amagi, she starts to realize they can’t have relationship if she insists on keeping it secret from the world.

Then there’s Niina. She seems the most lost out of everyone, caught between feelings for Saegusa and Izumi, but neither sure what those feelings are or how to act on them. For his part, Izumi is taken aback when she puts her hand on his face, leading to her scurrying off while he struggles to hold three teapots—which I’m sure is a metaphor for something.

Hongou finds her encounters with Milo-sensei almost completely dominated by the presence of the modern Japanese teacher Tomita-sensei, who has clearly taken a liking to Milo. Tomita doesn’t see Hongou as a threat, she sees her as a child and a student, and there’s clearly the sense Milo appreciates having Tomita around, almost as a shield from Hongou’s potential mischief. But any discomfort he has comes out of his refusal thus far to set clear boundaries, a responsibility that’s his and his alone.

While wallowing in the rest area, Rika is joined by Sonoe, and the two get to talking about the latter’s boyfriend. Sonoe, who it should be said is clearly ready to move on from bullying Rika to a conventional friendship between hotties, tells Rika how her thing with her boyfriend was physical at first, but became romantic when she learned he was a nice guy. Also, that it’s only natural to want to show off and be proud of the person they like. There’s nothing to be ashamed of.

Izumi in the audience would be awkward enough, but Saegusa also joins the crowd, sitting right beside Izumi. Suddenly, it’s a rehearsal for Niina as well as Kazusa, in which to somehow prove to Saegusa that she’s not boring, that despite having become a woman, she can still be unpredictable like a child.

When nobody expects it, and just when Kazusa is starting to get into rhythm with Izumi less of a source of stress and more of a calming presence, Niina flips the script, walks out into the crowd, and puts her hand on Izumi’s chest, shocking everyone there (and no one more than Kazusa), but eliciting an impressed smirk from Saegusa.

Izumi takes Niina by the wrist to talk in private, whipping the crowd into a frenzy as they hoot and applaud what looks to all the world like two lovers shuffling off to be alone. In the moment, it looks like a heel turn for Niina (if you’re an KaZumi shipper, like me).

Izumi is surprised when Niina tells him even she didn’t really know what she was doing, he surmises that it may have been to make Saegusa jealous, and that if she still wants to do that kind of stuff because she still likes Saegusa, he’s willing to help her. The key is, she should focus on what she wants, not how others will see it. A tall task for someone all but defined by observers. But the one thing Izumi can’t see is the real reason Niina reached out to him: she likes him.

As for Kazusa, she also considered the fact that it may be game over for her and Izumi before she even took her shot, but she’s determined to take that shot anyway. Seeing how Niina looked when she touched Izumi clinched it for her: for someone who clearly likes him that much to still support Kazusa, who only ever thought about herself…that’s the person she’d want to be with Izumi, rather than some rando.

Everything comes to a head at the bonfire that concludes the festival. Due to the buzz caused by the performances—no doubt supercharged by Niina’s improvisation—the whole school is aware of the urban legend about standing in the shadow of the one you love, and people are trying it out.

It’s the first time Hongou’s work has reached an audience so large, and the pride in her accomplishment fuels her confidence in wanting to try it out on Milo-sensei. Unfortunately she doesn’t come close to getting a chance; Milo is well away from the bonfire’s flames, chatting with Tomita-sensei.

Rika fares better. Turns out Amagi wasn’t as close to giving up on them as it seemed last week, but Rika goes for broke and confesses to him in front of everyone, telling him she can now see the difference between romance and sexual desire, but more to the point, she doesn’t care anymore about anything other than Amagi knowing she’s in love with him. He responds by hugging her, telling her he’s never been so happy.

Momo was successful in getting Sugimoto to take a hike, but that leaves her alone at the bonfire when everyone else is busy with their respective love interests. Still, you get the feeling she’d rather be alone than have those annoying dudes buzzing around her, so it’s a win for her.

Niina tells Saegusa that she’s decided to let herself “obsess” over someone for the first time, and see where it goes, after a lifetime of keeping her distance. She’s pretty much asserting she has to look out for herself, even if it hurts Kazusa and ends up fruitless, as Izumi just doesn’t see her that way, and has—has always had—someone closer to him.

That brings us to Izumi, who beats Kazusa to the punch and and confesses to her first, moving her to tears of joy and relief. He references that day years ago when he first saw her as a girl, and after all those years of her protecting him, he decided he wanted to protect her too. Big sister, little sister, good friend…she’s been all of those things to him, but now he knows all of those characterizations are reflections of the love he’s always had for her.

The two walk to the riverfront hand-in-hand to admire the cityscape, at peace and happy as clams. So many weights have been lifted on this night, but the smooth sailing will only last so long with four episodes left. Storms lie ahead, and the strength of all of the night’s confessions and rejections place will be vigorously tested. I’m fist-pumpingly happy for Kazusa and Rika, but love and pain do go hand in hand!

Karakai Jouzu no Takagi-san 2 – 07 – Wandering Stars

Nishikata has big plans for teasing Takagi on the camping trip, no doubt hoping a change of scenery will restore some of his mojo. During the class photo, he plans to make a half-peace sign that will look like a creepy hand behind her back. Alas, no matter where the two are, Takagi is always a step ahead, flashing a face funny enough that not only does Nishikata miss his chance, but he’s in the midst of laugher camera shutter clicks.

The show pulls out of the photo, presumably into the future, to a grown-up, smiling Takagi. Something tells me that isn’t the smile of someone who didn’t end up getting her man when all was said and done and the teasing and games turned to straight-up love.

Takagi and Nishikata end up paired up again when Mano needs a rest and they both make sure Nakai stays with her. It starts to rain suddenly (they’re in the mountains, where weather actually is that fickle) and end up alone in a small shelter together, watching that rain (not, as Nishikata points out, for the first time).

He decides to challenge Takagi to another game, involving blind tasting of the snacks they’ve brought. Clearly he didn’t think this through, because Takagi all-too-easily exploits his opening to make him feed her, his hand to her mouth. Even when the rain stops, Takagi wants one more game…so she can feed him.

After that, it’s time for the old Japanese school camping trip standby of homemade curry. Yukari cuts her finger, so Mina and Sanae have to do all the cooking among them. Nishikata, meanwhile, is too preoccupied with how he can stem what is so far a complete rout of him by Takagi in the teasing department.

When she approaches him, correctly observing he’s thinking of a way to get back at her, she presents him with game that all too easy to win: all he has to do is hold her hand. Nishikata bristles at such a potentially embarrassing gesture, but then remembers that hand-holding between sexes is all too normal during the folk dance ’round the bonfire that night.

To make things a little more difficult for Nishikata, Takagi is arranged in such a way that it takes a good long time for them to come around to each other. As Nishikata sees Takagi holding hands with other boys and smiling, I couldn’t help but notice a tinge of jealousy in his face, along with the thought that Takagi actually wants to hold hands with him.

Both are shocked when the music stops just when they’re about to pair up; their hands remaining an inch apart as the other kids disperse. “That’s too bad, Nishikata” she says to him before joining the other girls for a bath. “Just a bit more and we would have fallen in love,” referring to the school legend.

The thing is, Takagi and Nishikata don’t need any help from bonfires or folk dances to enjoy spending time together. Fate seems to already paired them up; all Nishikata needs to do is grow up a bit more. After lights out, when Nishikata can’t sleep, he encounters her making a wishing on the stars. When the patrolling teacher approaches, they have to hide in a very small cave, huddled closely together.

When the teacher finally leaves, they stay put for a little while, ostensibly in case he comes back, but also because it’s just frikkin’ nice. As they gaze up at the stars together, Nishikata asks what she was wishing for earlier. She tells him she wished for exactly what she ended up getting: to go stargazing with him.

While he may consider that more teasing, one look at Takagi’s face makes it clear she was being completely honest. My wish is that Nishikata will realize that one day.

Karakai Jouzu no Takagi-san 2 – 06 – Getting a Grip

When will Nishikata learn that no amount of training will prepare him for the mind games Takagi plays on him? Not this week, as he revives their gym challenge (which he also lost last year). The thing is, even though he sucks at toe touches and fails the grip test due to imagining he’s holding her hand, Takagi still technically loses. She just gets him to admit defeat before she tells him he has a higher score. Better luck next year, I guess!

With Nishikata’s after-school committee work done and the class camping trip looming, Takagi picks up on his desire to leave school together (even though he doesn’t want it to look like he wants to, she reads his mind) and they practice one-on-one dodgeball. Again, Nishikata’s proficiency with dodging does him no good, as Takagi first tricks him by making him turn his back, then gets into the weeds about whether he’ll dodge or catch, causing him to ask, again and again, “We’re talking about dodgeball, right?”

When the three girls stop at a sweets shop after work for some snacks, a black-and-white cat inexplicably swipes a piece of candy Mina just gave to Yukari after her stomach growled, and the girls give enthusiastic chase through various obstacles. The athletic Sanae is the only one able to keep up, but when she finds the cat giving the snack to three adorable kittens, she gives up and tells the others she lost track of her. Clearly, the mama cat needed it more than Yukari!

Takagi and Nishikata end up at the same sweets shop, where Takagi proceeds to buy the opposite of everything Nishikata picks out, so that they can exchange with each other later. After the dodgeball Nishikata is also hungry, so he buys a cup of noodles to eat in-store, and Takagi does the same. This marks the first time just the two of them are out to eat, which Takagi observes makes it a date—inducing a hot ramen spit take from Nishikata.

He’s confident he can deny to anyone who sees them that they are on a date (i.e. intentionally spending time and sharing a meal together one-on-one), but when his two nerdy friends enter the shop, they slink in, make their purchases, and slink out without saying a word, as if no denial from Nishikata would even matter. They know what they saw!

With that, Takagi expresses her excitement about the coming camping trip, implying it will be yet another new setting for new forms of teasing (i.e. flirting). Kudos to Takagi for finding new ways to expand their interactions despite his outward reluctance, as well as to Nishikata for inwardly admitting it probably was a date they were having then and there.

Karakai Jouzu no Takagi-san 2 – 05 – Kyun Kyuun!

The Strong, Silent Type—That’s what Nishikata aims to be one day, not giving Takagi an opening to tease him, like the Dandy of the Old West, another show he watches. Of course, Nishikata always has an opening: his ticklish sides.

Also, Takagi is a fan of Dandy too, so the two play a game involving questions: the first person who can’t answer gets a bang—in this case, more tickling. Takagi asks loaded questions about her crush, who naturally can’t answer them.

In a short aside, Mina (who also watches Dandy) is thought by Yukari and Sanae to be kind due to her thick eyebrows, but since she initially thinks they’re mocking her, she says something very unkind about Yukari’s bangs that can’t really be taken back!

When Yukari has to flag Nishikata down for after-school committee activities, she feels bad about separating him and Takagi. When she sees him counting on his hand, she imagines he’s lamenting how many days he hasn’t been able to walk home with Takagi; in reality, he’s counting how many times she’s teased him, which is lower than usual due to their being apart.

Still, they don’t stay apart long, as when Nishikata’s birthday arrives and he’s sent out to pick up his birthday cake from the bakery, who does he run into but Takagi, once again resplendent in street clothes. Nishikata thinks going to get your own cake is pathetic, so tries to lie about where he’s going, but fails, because Takagi is headed to the same place.

Nishikata lets Takagi go ahead of him at the counter, hoping, for a moment, she’ll pick up her order and leave. Then he suddenly realizes it’s highly unlikely she’d actually do that! Instead, she takes his hand and places her order in it; it’s for him, as a gift for correctly guessing she was headed for the cake shop (But also because she knew it was his birthday, since she’d ordered ahead of time).

Once home, Nishikata rushes to his room to see what Takagi got him: some personalized cat-themed cookies and a talking 100% Unrequited Love keychain that goes “Kyun Kyuun”. Two sweet, thoughtful gifts from someone who knows him almost better than he knows himself. Daaaawwww.

The final segment involves sneezing, or rather, how people in Japan sneeze whenever someone’s talking about them. In a clever sequence, one sneeze is followed by the mention of someone else, who is then the next to sneeze, eventually looping back to Takagi, whom Nishikata almost notes has a cute sneeze, but holds his tongue.

But even if he can’t call Takagi cute to her face (and that’s how he’d truly beat her, by the way) he at least has the wherewithal to properly thank her for her gift. As Takagi tells him he’s welcome, she walks ahead of him. He can’t see it, but she’s blushing from his thanks. Kyun Kyuun indeed!

Karakai Jouzu no Takagi-san 2 – 04 – Brains Beat BOSS-Drinking Brawn

Nishikata is the best arm wrestler in his class, due to the fact he does three push-ups for every time Takagi teases him during the day. But all that extra brawn is for naught as long as he doesn’t exercise that most important of “muscles”—his head.

Case in point: Takagi genially challenges him to arm wrestle, and in the first round starts she pretends to be far weaker than him, and simply waits for him to let his guard down. In round two, Nishikata is done playing around, but is then flustered when she asks if he wants to hold hands walking home.

In both cases, Nishikata’s superior strength is neutralized by Takagi’s mind games. And yet all Nishikata will do as a result of his losses is do more push-ups. After all, he simply can’t predict every trick Takagi has up her sleeve. He could plan 100 moves in advance and she’d be ready with Move 101.

After Hina tries to make a big display of how mature and grown-up she is by staring out the window, sighing, and talking about the impermanence of things (mostly foods) which only leads to Yukari and Sanae laughing at her, Nishikata decides to show Takagi how mature he is by taking the advice of one of his guy mates (never a good idea) and drinking the bitterest coffee he can buy.

That coffee, clearly a non-copyright-infringing stand-in for Suntory BOSS, proves way too bitter for him to not make all the faces one expects of someone who hates coffee, and in addition to being a Teasing Master Takagi is also mastered reading Nishikata’s face.

She does the practical (and truly mature) thing and buys a delicious melon soda, and offers Nishikata a sip, pointing out it would be an indirect kiss. To accept her offer would actually show maturity on his part, since an indirect kiss shouldn’t be a big deal to a grown-up.

Not to mention Takagi isn’t about to stop teasing him even if he convincingly enjoyed a can of BOSS; she’d simply devise new ways to tease him. It’s what she does.

Finally, Takagi meets Nishikata for their walk to school, but for once without her bike. He recalls her saying something about the brakes on their last walk, and assumes that’s the reason why, but Takagi warns him that if he guesses wrong it’s an “instant loss,” so he ponders other reasons as they take detours not possible with a bike.

Ultimately, Nishikata sticks with his brake answer, thinking Takagi was throwing a bunch of other potential reasons (stairs, hopscotch, cats) as a distraction. But of course, he’s wrong. Takagi actually had two genuine reasons that he did not consider. One, she didn’t bring her bike because she wanted to watch him struggle to determine the reason. Two, she actually did, and does, want to hold hands with Nishikata, hence no bike.

Of course, whether it’s dropping her -san or sipping from her can or holding her hand, Nishikata remains nervously reticent, despite now being a second-year. Because he makes her laugh so much, this doesn’t seem to bother Takagi so much, but as Hina says, nothing lasts forever, so one would hope that applies to Takagi’s patience.

At some point, Nishikata is going to have to reckon with the fact a girl likes him, and he likes her back, and pursuing that is more important than winning and losing silly games.

Karakai Jouzu no Takagi-san 2 – 01 – Beyond Teaserdome

And now, for the show I’ve been looking forward to most this Summer: the continuation of one of the more low-key charming shows about young unspoken love you’ll ever come across. There’s nothing added to the formula, but the two seem to be at about the same place they were last season, a teeny bit little closer than they used to be.

Of course, you’ll never hear Nishikata admit it. He runs all over the school asking to borrow an English textbook, just so that he doesn’t have to suffer the embarrassment of sliding his desk next to Takagi’s so she can share her book with him. That’s what happens, of course, since theirs is the only class who has English that day.

Like an adolescent Wile E. Coyote, Takagi whips up another half-baked scheme involving vertical messages hidden in notes, and while Takagi the Road Runner refuses to take the bait and turns it right back on him, culminating in a note that is full of genuine affection with no hidden message at all…something that only makes Nishikata blush more.

In the next segment (this show does a nice job breaking up its episodes into multiple skits) Takagi offers to be Nishikata’s subject to test a pendulum he made to induce hypnosis, and for a good long time, Takagi makes him believe he was successful, by wearing a glazed-over look and obeying his every command.

When he orders her to pick her nose and she’s about to do it, he blurts out that he changed his mind—believing he was an a real position of power, he proved too kindhearted to let her go through with it. But in the same moment he retreats, Takagi advances, ruthlessly tickling Takagi in his side, the vitality in her eyes fully restored.

After that, a brief entr’acte involving Mina, Sanae, and Yukari, in which Mina watched the same TV show about hypnotism and ended up hypnotised herself. The three discuss their sleep preferences, and Mina reveals that while she may seem lazy at school, she works her ass off at home, watering the garden and making breakfast and lunch for the whole family before school. No wonder her hair’s askew!

Back to Nishikata and Takagi walking home, when the former suggests they hit up the riverbed. Takagi knows full well he intends to instigate a stone-skipping contest, and offers to forfeit immediately. All he has to do is hold her hand. He refuses emphatically, and the contest proceeds.

Takagi make Nishikata choke by claiming she can skip a stone 30 times, so that her modest three-skip stone beats out his zero skips. But when he’s a bit too excited about finding another perfect stone, they bump bums and she starts falling towards the water. In that moment, Nishikata grabs her hand and pulls her away from the river with such force that he ends up throwing himself in the drink.

If Nishikata ever wanted to truly catch Takagi off guard, this was the time. Alas, he refuses to admit they actually held hands, giving her the automatic win. Still, the fact he saved her at the cost of his own personal dryness is still more proof she won’t be losing interest in him anytime soon.

The mundane setting is bright and cheerful. Takahashi Rie and Kaji Yuki demonstrate their ample seiyu chops with their sensitive and nuanced performances. The characters are lovingly drawn, animated, and lit. Takagi-san is back. We are all better for it.

Senryuu Shoujo – 11 – Peonies in the Sky, I Can Go Twice as High

It’s summer festival time, and both Nanako and Amane are resplendent in their yukata; the proverbial garden peonies while standing, tree peonies while sitting, and lilies while walking. Eiji looks pretty good too!

But Amane soon detects a problem: she’s definitely a third wheel, even if Eiji’s the kid of dude who spends entire days catching bugs like a five-year-old (he makes Takumi in Ao-chan look like Gene Simmons).

Even so, sometimes he’ll surprise you, like when he tenderly slips a glow ring he won on Nanako’s dainty finger. It’s like he’s already proposing! When Amane and Eiji go to the bathroom, Nanako stays behind and gets snatched up by three classmates who saved a spot for the fireworks.

The thing is, Nanako’s one wish on this night was to see the firworks alone with Eiji. Eiji knows this, so when the two are separated and fireworks time draws near, he starts searching for her.

While doing so, he leaves Amane and the bulky “Famistation” she won behind, but fortunately she runs into Eiji’s family and thus isn’t alone. Eiji manages to find Nanako thanks to the glow ring, and takes her hand just as she’s tearing up from having to watch the fireworks without him.

It’s a very well-orchestrated, powerful moment when the two lovebirds finally reunite at just the right time. I’ve maybe witnessed dozens of this kind of scene before, but it gets me every time when executed well, and it couldn’t happen to a nicer pair of kids here.

3D Kanojo: Real Girl – 14 – Festival of Conviviality

Hikari and Itou are alone in the classroom painting and sewing late at night, and falling behind, but Ishino arrives with a squadron of classmates to help out. They thought she was a ghoul at first, so unaccustomed to being assisted in things that were foisted upon them. Things have certainly changed for the better with these two.

The day of the festival arrives, and Itou goes all out for the class, cross-dressing and wearing a wig. To the surprise of male and female classmates alike, he’s stunning, and even Ayado can’t help but take a break from her own busy day to check in on Itou, and is similarly enchanted.

When Ishino asks Itou why he’s working so hard, Itou tells her: because someone helped him get the lay of the land maid cafe-wise, and it would be an insult to her not to give it his all. Ayado happens to hear this from the other side of the wall, and she’s both glad her advice went to good use and flattered it was taken to heart with such conviction.

As the preliminary beauty contest vote comes in, Takanashi tries to joke around with Ishino about not having a chance…until she starts legit crying. Knowing he went way too far, he course corrects by giving her his honest opinion, with no joking around: she is pretty, and was cute in the maid outfit, and for what it’s worth, she has his vote. Frankly, his vote is probably all she wanted anyway!

Iroha’s main rival tries to rattle her, and when it’s time to give a little speech on stage, that rival’s voice is suddenly an octave higher and much more playful. While Iroha played around with the idea of winning this thing, her own attempts to sound stupid and cute ultimately fail when she gives up in the middle and instead tells the assembled student body that she’s plenty satisfied that the friends she has love her for reasons other than her looks, and she doesn’t really give a crap about anyone else, especially if they don’t know her.

Her no-BS honesty probably ended up helping her cause, as all it would’ve taken is a vote from her boyfriend to win. But because she told him she wasn’t really all that interested in winning, Hikari votes for the other girl instead. Iroha predictably takes her defeat in stride, and is consoled by hearing some (but not all) of the many reasons Hikari likes her besides her looks.

That night, as the festival winds down, Iroha’s class rep serves her some soup from their cafe, knowing she probably didn’t have an opportunity to try it, while she insists he use the opportunity at the bonfire to talk to the girl he likes.

Itou finds Ayado still hard at work cleaning up, and when he tries to lend a hand, that hand ends up touching Ayado’s hand, spooking her. She runs off to collect/admonish herself, even giving herself a slap and calling herself stupid. She feels she has no right to have any feelings for someone she turned down.

But Itou, worried about her, heard every word, and doesn’t care; if holding his hand helps her to see him as someone she could love, then he wants her to hold it as much as possible. Iroha and Hikari almost intrude upon this tender moment, but thankfully don’t. So maybe it’s not as hopeless for Itou as he thought last week!

Iroduku: The World in Colors – 12 – The Firework Called Love

Yuito and Hitomi’s embrace late last week felt like a turning point in their romantic development—as scenes  in which two sides of a couple run towards each other in the middle of the night tend to feel. But the aftermath of that embrace is tempered by two factors this week.

The first is the looming dread of Hitomi having to return to her time, despite not wanting to. The second, and possibly most unfortunate, is that as romantic pairings go, Hitomi and Yuito are just a bit dull. The flame of last week’s dramatic gesture was fizzled out rather quickly and anti-climactically, without so much of a hint of the ever-important confession.

But maybe that was the point. After all, what’s the point of confessing your love to someone you may never see again…though considering Kohaku is still around in the future there’s a good chance Yuito could be too—more on that later.

The club has a festival to execute, and despite her issues, Hitomi puts on a brave face and gives it her all. The result is some of her most impressive magic to date; Kokahu notes after the immensely successful first day that it’s the result of Hitomi’s training, not to mention being around people she wants to make happy with her magic, something she didn’t have in the future.

Back home, Kohaku’s folks have prepared a lavish feast to send Hitomi off, but some of their practical logistical talk initially harms the mood until they drop the subject and just let Kohaku enjoy her last night there, while preparing for her last day.

Festival-wise, the second day goes as well as the first; so well that Asagi, having made a mint off her bunny postcards, decides to kick Hitomi and Yuito out of the clubroom to explore the festival together, a sweet gesture on her part that shows how far she’s come.

Asagi later tells Shou people shouldn’t apologize for having liked someone (in his case Hitomi). She respects how Shou was able to put himself out there, and hopes one day she’ll have the courage to do the same. Naturally, she doesn’t specify whom she’d muster the courage to confess to, and even if she did, Shou still might not quite get it.

As for Hitomi and Yuito, they have fun running around the festival, culminating in a visit to what frankly seemed like a pretty lame haunted house—only one thing jumped out at them. Still, the darkness is an opportunity for the oh-so-timid couple to hold hands some more.

When they exit, Hitomi decides to cut their break short, perhaps satisfied with the moments they shared, but possibly also because she doesn’t want to get too deep into anything so close to ZHIEND.

During the festival wrap party, Kohaku and Hitomi join forces once more to create magical fireworks. While watching them burst in the sky, Hitomi describes how she feels, and Kohaku remarks that it sure sounds like it’s “happiness.” In that moment, Hitomi sees color in the fireworks—a huge improvement from when she saw them in black and white back in the future.

Unfortunately, the fireworks are the only thing she sees in color, and when they’re gone, her vision is back to monochrome. Perhaps there’s one thing she needs to do to make the colors permanent: tell Yuito how (I presume) she feels.

Whether she can do that in the past, or track him down in the future (when I imagine he’d recognize and remember her, as would the others), who can say. Maybe she’ll never confess openly at all, or maybe the magic ritual with the clock won’t work. However happily or bittersweetly it’s likely to end, I’m eager to see how this story resolves.

Citrus – 12 (Fin)

The Citrus finale ends predictably, but starts with a bit of a surprise: Nina’s brute strength is all but neutralized by Yuzu’s sheer force of will. Nina realizes she can’t hold Yuzu back from doing something she may regret the rest of her life. But that doesn’t mean she won’t tag along when Sara summons Yuzu.

Nina has always seen her sister as someone who will put her own happiness last, and when she and Yuzu arrive, Sara appears to be doing just that by giving Yuzu a chance to confess to Mei. But letting Mei go and supporting Yuzu does make Sara happy. She can tell they’re a better match; they just need to work harder at understanding each other.

Sara is also happy because she has a little sister who cares about and protects her so much. And she has no intention of ceasing to be friends with either Yuzu or Mei. When you put it all together, Sara gained more than she lost.

As Yuzu takes the long walk to the shrine where Mei is waiting, her friends give her a wide berth. Matsuri wanted to inject herself into Yuzu’s trip, but resists the urge to bother her.

Harumin and Himeko spot Yuzu running like a bat out of hell, and both admit that her whirlwind nature is what draws them to her. Harumin has never minded supporting Yuzu as much as she has because she has so much fun watching her figure things out (that, and she’s a natural mama bird).

Night has fallen by the time Yuzu finds Mei on one of those bridges where confessions usually happen, but Mei is not in a receptive mood, and bolts when Yuzu tries to press the issue. Not quite sure if the ensuing chase was absolutely necessary, but it does add to the dramatic mood, especially when it ends with an accidental full-body tackle by Yuzu.

By the time Yuzu has Mei down by contact, she’s said a lot of the things she hadn’t said before but needed to, like admitting a lot of what Mei says and does just doesn’t make any damn sense to her, but also knows Mei feels the same way about her. She goes through the times Mei tried to reach out with her feelings when Yuzu was only thinking about her own.

Yuzu regrets putting Mei through those things, but it doesn’t change the fact she loves her and wants to do better, so if Mei loves her too, she should give her a kiss. Suddenly too bashful to do so, Mei has her mini teddy bear kiss Yuzu instead. Yuzu, in turn, gives Mei a kiss.

After much groping (literal and figurative) in the dark, the sisters are finally sure about one thing, even if Mei says she needs to date Yuzu to find out for sure. With that, they hook back up with Sara and Nina, Nina gives Mei and Yuzu her blessing and tells Mei to try to be more selfish at times, and they part ways with a promise to take a trip to Kyoto again, just the four of them.

Sara also said she’d “forgive” Mei for choosing Yuzu if Mei held Yuzu’s hand as they headed back to the hotel. On another cold night, Yuzu is thankful for Mei’s warm touch, leading to them sharing another kiss on another romantic bridge.

Back at school, Mei, Yuzu, Harumin and Himeko make a fine quartet, and Mei shows how much Yuzu’s confession meant by holding hands with her, even there on school grounds. Whatever the future holds for Yuzu and Mei, they’re going to enjoy their present.

That’s nice! I’m glad the stepsisters aren’t on tenterhooks and are moving forward with an attitude of honesty, openness, and a desire to understand each other more. With friends like Harumin, Himeko, and Sara (and…okay, fine, Nina too) supporting them, who at times threatened to steal the show away from the core couple, they’ll be just fine.