Higehiro – 08 – Such Sticky Sweet Sorrow

In hindsight, it was already over for Sayu the moment Issa showed up at her workplace. A man of her brother’s means and drive surely wouldn’t rest until his little sister had been found. Even though Sayu knows this this, and understands this is probably It for her months-long excursion, she’s understandably shaken by the close call, and freezes up. Rather than take immediate action to soften the inevitable blow, Sayu retreats to her happy place: buying snacks for her and Yoshida, who will be at the office late.

But more to the point, Sayu once again places someone or something—in this case Yoshida’s work and her obligation to handle the chores—before herself, even though well within her rights to insist upon being the priority. Her brother finding her also affects Yoshida quite a bit, and in more ways than one—psychologically, legally, etc.—yet Sayu keeps quiet. She doesn’t bother Yoshida.

Thankfully, just as her brother and his employee are about to spot her, Sayu rings into Yuzuha, who, after hearing that Sayu doesnt want to be found, helps hide her. We learn she does this as much to help Sayu out as she does to take the temperature of Sayu and offer some unsolicited but very much needed advice; even some tough love.

In yet another example of how Sayu’s youth has not gone the way most kids her age have, Yuzuha learns Sayu can’t sing with her, because she doesn’t know any songs, because she never had any friends with whom to go to karaoke. Yuzuha surely sympathizes with Sayu, but she’s also more concerned with giving her a thorough reality check than sparing her feelings.

As such, she sits down next to Sayu and asks her, if her pursuers are already here, and she has so little time left, what is she doing shopping? I don’t think Yuzuha is right when she says Sayu “doesn’t get it”, but she is right that Sayu isn’t taking this as seriously as she should. Not just that people are looking for her, but that she and Yoshida seem to have become co-dependent.

One can argue as a practical matter whether Yuzuha the character has really spent enough time with the two of them to make that determination so confidently, but that doesn’t really matter to me, because as much or as little as Yuzuha is assuming, she’s absolutely correct that Yoshida and Sayu have become far too comfortable with their arrangement.

I gave Yuzuha grief in an earlier episode for essentially reading both Yoshida and Airi the riot act for the way they’re going about their lives, but while her little stalking incident is still a mark against her, I for one am glad Yuzuha is here as the voice of reason. Sure, she has a massive conflict of interest in being literally in love with Yoshida (which is its own can of worms), but Yuzuha is no kid.

At this point I trust her more than anyone else to see the forest for the trees. That’s why she can love Yoshida, see the way he looks at Sayu when he arrives, and stay behind in the karaoke room to cry her eyes out, while still being very much in the right about how tremendously unprepared either Yoshida or Sayu are for what isn’t coming down the pike—but has already freaking arrived!

The remainder of the episode sets to work painstakingly validating Yuzuha’s concerns. I can’t blame her taking a rain check considering her feelings for Yoshida, but it really would have been better if Yuzuha had joined them for dinner. At least then, she might’ve been able to steer Sayu towards telling Yoshida that she’s close to being found.

Instead, Sayu says nothing to Yoshida about her brother, choosing to ignore her fate. The two see a poster for the Summer Festival, and in one of the more awkward transitions of the show, the episode cuts from one night to the next night, with Sayu resplendent in her pink yukata,gold obi, and geta. 

Then they go on a date that would be adorable, except for the fact that it’s an indulgence neither of them can really afford at the moment. I can’t really blame Yoshida—he’s in the dark about Sayu’s brother and wants Sayu to have another “normal high school girl” experience.

At the same time, I can’t really blame Sayu for not suddenly turning to Yoshida and saying the jig is up. After all, she hasn’t been to a summer festival since she was a little girl, wasn’t allowed to eat cotton candy even once, and has never been as close to fireworks as she and Yoshida end up being.

The temptation to forget about her imminent doom for just one night proves too strong to resist, but like a yukata rental, the quickly-melting cotton candy, and the fleeting light from the fire fireworks, the trappings of normalcy in which she seeks refuge are all too temporary.

Their interactions throughout are charged with romantic tension. When he sheepishly compliments her yukata, she asks, just under her breath so he can’t quite hear, if it’s prettier than Gotou-san’s. She feeds him some of her cotton candy. When a kid bumps into her, of course Yoshida takes her hand to keep her from falling, and she decides they should keep holding hands throughout so they won’t get lost.

Yoshida knows that were it not for Sayu, he’d have never gone to the festival. Images of his past life without her flash by in his head; it’s a place he’s not ready to return to. When he exits those thoughts, Sayu is no longer holding his hand, and he calls out for her. She’s right behind him, and teases him for thinking she’d disappeared, but we cut to his five-o’clock shadow as he asks, also just under his breath, if she’s really going home.

Even after the fireworks are over, Sayu keeps looking up at the sky. She recalls how she gave all the other guys an alias, but when she met him, her real name just came out. The moment arrives that has arrived in so many romantic anime where there’s either a confession and/or kiss or a failed/thwarted attempt at either.

Instead of either, Yoshida wisely gives Sayu a nice, platonic head pat. Sayu looks disappointed, but quickly smiles. She knows, even if she wasn’t a teenager, Yoshida is sure would have taken her in…and just as sure they wouldn’t have had sex.

Of course, while she knows this, and Yuzuha and Airi and Asami know this, the person to which that very crucial distinction matters most does not know this, at least not yet. That means when Yoshida comes to the door in his pajamas and Sayu is standing behind her in hers, Issa has absolutely no way of knowing Yoshida wasn’t sleeping with his sister.

Even so, Ogiwara Issa’s entire character as we know him thus far is that he’s polite but determined to find her, and now he has. His brief smirk seems more out of relief to have succeeded than a reaction to just how screwed Yoshida is. But that smirk soon straightens into a more serious face as he announcesnot proposes—what’s going to happen. He’s taking Sayu home.

Yoshida may have something to say about that, and Issa may be open to hearing him out, but because this is there first interaction, depending on the level of assumptions Issa is willing to level against him, I can’t imagine anything Yoshida says will move him. I guess we’ll find out eventually, but with next week’s episode entitled “Past”, we may have to wait longer than we should.

Rating: 4/5 Stars

Don’t Toy with Me, Miss Nagatoro – 07 – Senpai Unleashed

Naoto knows there’s a summer festival going on, and he knows he wants to go with Nagatoro, but instead of simply texting or calling her, he plays video games and waits for something to happen. When that doesn’t work, he goes to the festival alone, hoping to run into her by chance.

For his passivity he is punished with Gamo-chan and Yosshi for company, though if you ask me, he lucked out, as the two of them are cuties in their own right, even if they insist on putting a literal leash on him. They send a pic of the captured Paisen to Nagatoro, knowing she won’t be able to resist rushing over to reclaim her “pet.”

Of course, “pet” is just a code word for “boy she likes”, and Gamo is well aware of this, making Nagatoro fight to get Paisen back by playing various festival games. While shooting corks at prizes, Nagatoro wonders out loud if Senpai was waiting for her to invite him, then says very directly that if there’s somewhere he wants to go with someone (her), he could always try asking them (again, her).

After Gamo doesn’t accept Nagatoro’s win “by quality” for winning the biggest prize, Nagatoro bribes Yosshi and the girls part ways for the evening. Really, Gamo and Yosshi are giving their friend some time alone with her pe…the boy she likes. She swipes some of his takoyaki; she pops some cotton candy in his mouth…it feels like a date.

Naoto thinks dating requires people to “go through the proper procedures”, but the only procedures are if the two people like each other and want to hang out alone together for the purposes of learning more about each other. That’s really it; it’s not complicated!

He’s saved by the bang of a firework from having to overtly take Nagatoro’s hand when she holds it out, but when she almost gets swept away by the crush of people, he takes her forcefully by the wrist and leads her to a viewing spot he remembers from elementary school, the last time he saw fireworks live. Nagatoro is surprised….and flustered.

When she tries to mess with him by accusing him of taking her somewhere dark to do “something”, Naoto, who knows she has a tendency to be shy at times, nails her down, asking what, pray tell, she might be insinuating, exactly. It’s the first time he counters her virgin-shaming by pointing out that she’s not exactly Gene Simmons either!

When she says “grabbing hold of her and kissing her”, it basically confirms her bark is stronger than her bite when it comes to sexual stuff. It’s a most welcome challenge from Naoto in what’s steadily becoming a more balanced relationship with each passing episode.

And just in case anyone thinks Naoto is mistaken about Nagatoro’s shyness regarding hanky-panky, when she moves in to force a kiss on him, a giant red heart-shaped firework reveals other couples fully making out, the two are equally scandalized and skitter away.

The final sequence involves Naoto passing by when he notices Nagatoro having lunch with her whole “family”, including the rarely-seen, also tanned Sakura. He observes them from behind a tree like David Attenborough watching jaguars, but then two eyeless guys roll in and try to get Nagatoro to go out. One even  puts his arm around her, and she’s clearly not into it.

Naoto tries to move in for a closer look, but steps on a twig, a sound all the others notice. While he initially wavers like a wind dancer at a car dealership when asked what he’s doing there, he steels himself, looks straight at Nagatoro, and says “Let’s Go!” When the guys try to get him to repeat himself, Nagatoro returns the favor for getting her out of an uncomfortable situation, and replies “Let’s go, Senpai.”

Gamo is also all about getting out of there, and Yosshi—who we see is also clearly not interested in those guys in the least—follow Nagatoro’s lead and head out. Sakura has no choice but to abandon the guys and follow her girlfriends.

Naoto may feel like he doesn’t “fit in” at all with these loud, brazen, slightly boorish girls. But it’s clear they don’t feel the same way. They’d much rather hang out with him—whether to mess with him or not—than those boring,  faceless goons. Even Sakura notes his weird “aura”, while Nagatoro goes along with all of the ragging on the boy the four of them explicitly chose over two others who weren’t as fun.

But all Naoto needs to really pay attention to is Nagatoro’s expression when their eyes meet. She couldn’t be happier he rescued her, and that he’s by her side right here and now. This was another instance of things just working out, but hopefully in the near future he works up the nerve to actually ask her to go somewhere. If she’s free, here’s no way in hell she’ll ever say no!

Episode 7 “Senpai” Count: 22 (+8 “Paisens”)
Total: 257

Kemono Jihen – 05 – Don’t Let the Bugs Bite

While Kabane is cleaning the back room, he’s pulled into a room Inugami told the kids never to enter. That’s because the room is the domain of Mihai, a vampire. As with other anime, he’s defined by immense strength and cunning equaled only by his crushing ennui and desire to be both served entertained.

Kabane is tailor-made for both, going right along with it when Mihai declares him his slav—er, waitperson. Shiki protests, so Mihai says they’ll settle it with an arm wrestling contest. He beats both Shiki and Kabane easily, causing Kabane to mope in the park about not being strong enough.

That’s when everyone’s favorite kitsune good girl Kon falls out of a tree. She’s not there to take his head again; when she presented the last one to Inari, the lady didn’t even look in her direction. Thus shunned, she’s hung out in this park, eating small prey.

Feeling a little self-conscious after losing to Mihai, Kabane challenges Kon to a fight in a totally non-aggressive way. Kon goes all out, but she ends up flat on her back with a bloody nose.  Tears well up in her eyes and she starts to sob, but Kon takes her hand and stays with her until nightfall.

When she wakes up, he proposes she come live with him at Inugami’s, but she rules that out because I guess kitsune and tanuki classically don’t get along. Instead, she proposes Kabane move to the park with her. He still needs to buy stuff for dinner at Inugami’s, but he promises he’ll be back before too long.

Unfortunately that’s all we see of Kon, whom I adore, as Kabane is drawn into a new case that Mihai says Inugami is letting the kids take on alone. We then find that Mihai has locked Inugami in his lair. The case involves a sudden drop in suicides at an electronics factory from over a dozen to zero in an unnatural time.

In this very Foxconn-style facility, we learn that whenever the workers have had their fill of the repetitive, monotonous labor, they are escorted to the “employee counseling office” where their damn brains are sucked out by one of the three Kaga sisters, who are kanonba, or mosquito kemono.

Shiki, who has learned how to use his silk as camouflage, infiltrates the factory along with Kabane and Akira. Mihai determiens the kanonba sisters are only sucking brains, not organs or blood, thus keeping their automaton-like workers alive. Having gotten the intel, Shiki tries to sneak back out, but Mihai intentionally rams his RC recon car against the door of the womens’ office, causing a racket.

Shiki is discovered by one of the sisters, but the RC car she picked up electrocutes her; Shiki was just serving as bait for Mihai. When Mihai observes Shiki totally losing it with fear, he deduces that Shiki’s cautious, rational, boring way of doing things is a front for deep-seated trauma. Being an eternally-bored vampire, Mihai is way too excited to continue messing with him.

I’m hoping Inugami can break out and put a stop to Mihai’s sadistic mischief, but even if he doesn’t, perhaps Kabane, Shiki, and Akira can wrap this case up on their own, despite the high level of difficulty. In any case, he’s another colorful addition to the cast. I just hope Kon doesn’t worry about Kabane taking longer than expected…

Rating: 4/5 Stars

Horimiya – 05 – Breaking Through the Noise

I knew when Shindo was conveniently blocked out by Miyamura’s head that there would be trouble. Souta spots him with another girl and mentions it to Hori, who is already better but taking another sick day to avoid Miyamura post-his “I love you”.

To hear the words so clearly when she was meant to hear them has had a paralyzing effect, as Hori fears their relationship changing in any way from the lovely way it is. Only her inability to text or even face Miyamura for the next day and a half proves there’s no going back; the relationship has changed. There’s no putting the proverbial toothpaste back in the tube.

In a way, Souta’s extremely vague “other girl” report gives Hori leave to speculate that Miyamura is cheating, thus justifying their distance. But she can’t avoid him forever, and as soon as he has her alone by the lockers, he reiterates that he said he loved her knowing she was still awake.

Hori diverts to talk of the other girl, and Miyamura says it’s just Chika-chan, Shindo’s girlfriend, who was leaning on him because she twisted her ankle (Shindo was leaning from the other side because he too twisted his ankle, which is hilarious).

Hori buys the explanation, but is still angered. Why? Because Miyamura won’t stop saying “Chika-chan”. She throws two books in his face and runs off, but before long he’s at her place, calmly returning the books to her in case she had homework that night.

But Because this is Horimiya and not a lesser romantic show that would drag this conflict out over an episode or more for cheap drama, Hori interrupts Miyamura’s apology with her own for the misunderstanding. The awkwardness and tension fades away, and they return to being soothing presences in each other’s lives.

As they share a chair, Hori confirms she was awake when he confessed…which comes as no surprise to him. He apologizes again for springing something like that on her then running away, as he was more scared of how she’d respond than whether she would.

I wish they had more time in this moment to talk more, but they’re suddenly interrupted…by Hori’s dad, Kyousuke. She calls him by his name rather than “dad”, perhaps because he’s a total man-child, but he takes an instant liking to Miyamura, and—this is key—when he asks his daughter if he’s her boyfriend, Hori steps up to the plate and says “yeah, got a problem with that?!”

This, more than anything else Hori says or any other look she gives him, seems to affect Miyamura most powerfully. Just as he blurted out a confession not once but twice in the midst of a bunch of mundane conversation, Hori takes a page out of his book and essentially gives him a response to his confession by telling her dad he’s her boyfriend.

When their mom comes home and is worried not by Kyousuke’s presence, but the fact they won’t have enough dinner (though didn’t Hori just feed her dad?), Miyamura takes himself out of the equation so the whole Hori fam can eat together. Hori walks him home, apologizes for how annoying Kyousuke is, and casually starts holding Miyamura’s hand, blushing all the way.

Miyamura weaves his fingers into hers and they walk like this, affirming their desire to learn more about each other little by little. When they release to part ways, Miyamura takes her arm once more and thanks her, both for being her and for what she told her dad. When Miyamura texts Tooru about these developments, Tooru allows himself to despair a bit over losing to him.

The skies aren’t all cloudy for Tooru, however, as he has the normally serious and highly capable Kouno Sakura going into a daze while admiring him from inside the school. Remi notices Sakura’s uncharacteristic behavior and asks what’s up, but when Sakura sees Remi, she sees someone who is cute—unlike her—and so wouldn’t understand what’s bothering her. Remi, in turn, is bothered by that assertion.

Remi and Sakura have been nicknamed “Beauty and the Beast”, and that label has clearly affected Sakura’s self-esteem. She’s always stayed in her lane, but now that she has a crush on Tooru, she finds herself changing. It’s in the brief time after she ran away from Remi Sakura realizes that having “Beauty as a best friend” is more blessing than curse. When she next sees Remi, she tells her about her crush. Remi notes that Sakura is making a blushing face she’s never seen before…and it’s very cute.

Of course, Tooru is still 100% oblivious to Sakura’s feelings, but that’s not entirely his fault; he’s still feeling the sting of Hori’s rejection compounded with the fact that Miyamura and Hori are all but officially an couple. Still, Tooru doesn’t want things to get awkward, and insists to Miyamura not to worry about it. His pain is his to bear, and he’ll get over it.

The episode closes with another lovely cozy moment with Miyamura and Hori studying. Hori suddenly says “Izumi-kun”, and MIyamura assumes she’s calling him by his first name. Turns out it’s just Souta’s friend’s last name, but the truth is Miyamura would like her to call him by his first name.

She tries it, but amends it with a Baka, then descends into a baka spiral just as Souta comes home, causing his friend Izumi to ask if his family’s okay. Trust me, it’s just fine, kid! As for Miyamura, I’d advise him to start calling Hori Kyouko if he wants her to call him Izumi!

Horimiya – 04 – Not Going Anywhere

After a particularly cute scene with StuCo member Kouno Sakura, Tooru meets up with Miyamura, who has ice cream courtesy of Hori (not present). Unfortunately, the other ice cream is melon, which Tooru can’t eat. Thankfully they run into President Sengoku, and soon the boys are comparing tongue color and length, as guys do!

When Sengoku invites the two to stop by the (blessedly air-conditioned) StuCo office, they show up with Hori and Yuki, making for a full house. They use janken to determine Horimiya should grab everyone drinks, but when they’re gone too long, Tooru gets worried about what they’re “up to”. When they’re back, there’s a misunderstanding, but Kouno is there to help set him straight…and with a towel to clean his soda, which Miyamura dropped.

Back at her house, Hori apologize for the A/C not working, but Miyamura says he doesn’t mind. When the subject of his sleeping in underwear comes up, Hori impulsively asks to see his tattoos, and he immediately strips. This throws her off, but it shouldn’t, she’s seen them before. She wonders what if anything makes him blush or get flustered, and he assures her…there’s plenty!

For one thing, his middle school friend Shindo, who he bumps into while in town. Shindo has seen Miyamura with Hori enough to assume they’re dating, something that flusters Miyamura. Then Shindo sends him a photo of him with his GF and suggests a double date…a text Hori doesn’t get to see.

What Hori does see is Miyamura getting flustered and raising the volume of his voice, but calling Shindo just to yell “PISS OFF!” As with every time she sees a new part of him, Hori is fascinated…and also a little sad that there’s still so much about him she doesn’t know. Only one thing for that, Hori: keep asking!

Next time Hori’s in town, she’s approached by Shindo, not having a clue who he is. Miyamura spots them while he’s walking with Tooru, and he immediately charges Shindo and starts punching and slapping him. The thing is, Shindo barely reacts at all to this, meaning it’s just their dynamic. Like Hori, Tooru is fascinated, and the four decide to do lunch.

Unfortunately, we don’t get to see that lunch, but we do get a glimpse into Miyamura’s middle school life, thanks to a very effective smash cut to the past. He was shunned for being gloomy and depressing by everyone except Shindo, who was super-popular with the class, and soon befriends him.

When his other mates tell him to avoid Miyamura, Shindo shuts them right down, saying they’re just mad because they think Miyamura stole him from them. Now we know: Shindo’s a decent guy, like Miyamura, only more gregarious and approachable. It’s only natural they’d be friends. I just hope we meet his girlfriend soon, because we know she’s got a keeper!

Earlier in the ep we got Hori’s Chekhov’s Cough, which she denied was a sign of a cold, because “only morons get colds in the summer.” Well, one morning she has a temperature over 100°, and who should stop her from leaving the house and put her back in bed but her awesome kid brother Souta, who is growing up fast!

Souta also contacts Miyamura, who is in Hori’s room with water, sports drink and meds when she wakes up. She has a feverish dream about her mother having to leave a previous time she was sick in bed. Her mom praised her for being so good at “toughing things out”, but what Hori didn’t tell her mom is that she didn’t want her to go.

After giving Hori a wet towel, Miyamura gets up to leave so she can change, and Hori panics, rising out of bed only to collapse from the fever. She grabs Miyamura’s arm and asks what she could never ask her mom—“Where are you going?”  Miyamura knows what she means is “Please don’t go”. Taking her hand in his, he answers: He’s not going anywhere until she doesn’t need him anymore, or is sick of his face.

He helps her back in bed, then tells her to drink some water while she’s lying on her side away from him. He also tells her he’s in love with her, and has been for a while now, and to call or text him if she needs anything. He’ll be right over. A few beats after he leaves, Hori leaps out of bed, her fever momentarily broken, thinking “WHAT did he just say?”, even though she already knows.

She wonders if she pretends not to have heard it, the two of them can “stay like this for a little while longer.” But he said it—albeit in the middle of a bunch of “boring stuff”—and she can’t un-hear it. Especially with her abandonment issues in mind, I can understand her desire to maintain the status quo. But she shouldn’t pretend out of fear of losing what she has when she could have so much more. The more she waffles, the greater the chance Miyamura will return to thinking she doesn’t have the feelings he has. It seems the ball is in her court. No pressure!

Horimiya – 03 – Just a Couple of Hand-Lovers

Throughout elementary and middle school, Miyamura exuded a gloomy aura and was always the last to be picked for partners or groups, because everyone thought he was “weird”. Yet it doesn’t seem like he stayed away from others because he wanted to be. He pierced his ears in an apparent act of coping, or possibly controlling a part of his life when so much seemed outside his control.

Miyamura learned of Hori Kyouko’s existence the same day she learned of his; the two were assigned together due to their seating positions. Yuki mentions his gloominess to Hori, but once she actually meets and talks to him, she smiles declares him perfectly normal. Now, in their current state, Miyamura is a Part of the Group, with Yuki, Tooru, and Hori all pushing their desks into his without him having to move.

They’re all relieved they’re back in the same class for the new term, and Miyamura and Tooru end up going to the roof to apparently “affirm their friendship”. Tooru repeats the same descriptor of many past classmates, when he calls Miyamura “weird”, but the key difference is that he adds “but that’s okay.” Weird isn’t bad. It’s going to be okay, Miyamura thinks. He just wishes he could’ve told his younger, lonelier self.

Hori ends up at the cafeteria earlier than expected, and ends up sitting with Remi. Remi has noticed that Miyamura is “pretty hot” and asks Hori if he’s her boyfriend. When she says no, Remi asks if she can have him. When Hori doesn’t strongly object, Remi says fine, then “he’s mine”. That’s when Hori gets legitimately upset, envisioning Remi and Miyamura laughing together. She revises her position, telling Remi in no uncertain terms that Miyamura is hers and she’ll never let her have him.

With Souta now in grade school, Miyamura and Hori see less of him, which means they’re spending more time alone together. Part of that time is spent watching cheesy horror movies that Hori clearly likes getting Miyamura flustered about. But they also just hang out, talking about anything, letting their conversations peter out and not getting hung up on the lack of stuff to say.

Miyamura notices Hori’s index finger is double-jointed, something Tooru mentioned when he and Hori were comparing hands. But while Miyamura warned Tooru that he’d better not grasp her hand if he wants to live, here she gently weaves her fingers into Miyamura’s larger ones without hesitation, and quietly says “I love you”, before revising it to say she loves his hands. He tells her the feelings mutual, and as they sit there, their hands intertwined, he quietly says he loves her too.

They both heard each other. No one else needs to hear or know. Their love is right there and plain to see. It’s all over their faces, and they just fit together so perfectly and effortlessly. But school, as Miyamura once declared, remains “hard.” It’s hard because Tooru overhears Remi talking to Sakura about how Hori blew up on her for joking about taking Miyamura.

The next day, Miyamura arrives at class with a bruised cheek from a fight. Then Tooru arrives in even worse shape; I love how he’s no match for Miyamura in a scuffle, despite him asserting Miyamura was “prettier than most girls” with his hair up. Yuki pairs off with Miyamura while Hori talks to Tooru.

It started last night when Tooru told Miyamura that Hori was in love with him. When Miyamura denies this, insisting they’re still just friends, Tooru asks him what he’d say if it were Hori himself telling her…which of course we the audience just witnessed during their movie night. Their spirited verbal sparring turns physical, and Miyamura utterly squashes Tooru.

When both Tooru and Miyamura take the blame for beating each other up, Hori is perplexed, but Yuki less-so, because Miyamura told her straight up that they were fighting about Hori, but told her not to tell Hori.

If this all sounds like some drama is starting to stir, you’re not wrong. But it’s the kind of realistic drama that tends to crop up in close friend circles at school. Tooru may not be 100% opposed to Miyamura being with Hori, but it’s more Miyamura’s equivocation about their status that stokes his frustration.

Miyamura is called “weird” many times this week, with both derision with affection. In high school, a girl and guy hanging out and occasionally muttering I love you to one another and sitting in quiet bliss together and yet not outright “dating” might count as being “weird”…but it’s also okay!

Rating: 4/5 Stars

Our Last Crusade or the Rise of a New World – 05 – Hindrances to Her Chosen Fate Arise

Much to the surprise of the mages on guard, Alice and Rin show up at the new vortex site unannounced, and are soon joined by TuxedoLord Mask and his younger Zoa relation, Kissing, whom he considers to be on a power level close if not equal to Alice’s. He assures the princess they’ll be enough to protect the vortex from the Empire’s forces. Alice is troubled that the Zoa family seeks all-out war—and if she hadn’t come, they’d have exploited the vortex to towards that goal.

Meanwhile, Mismis locates the vortex—which wasn’t hard, as its a giant pillar of light on the horizon!—but they’re not the first on the scene. Their unit is confronted by Shanorotte’s, but when Mismis runs over to hug her, Noro-chan reveals her true colors: she and her unit are and always were loyal mages of the Sovereignty. She shocks Mismis with magic and prepares to take her away as a POW.

That’s when Nameless, who was nearby all along, de-cloaks and wounds Noro’s fellow mages. Nameless prepares to send a sword at Noro which will go through Mismis, but Iska deflects the blade. Nameless threatens to bring Iska up on charges for insubordination, but he doesn’t have time for him. He must return to the Imperial Base so he can bomb the vortex, which is a lost cause now that it’s firmly in enemy hands.

Back at the vortex, Noro presents her captive Mismis to Mask and Alice, who fears Mismis will recognize her from the Neutral City. Thankfully, Rin knocks Mismis out before she can say anything that could incriminate Alice. Mask and the Zoas are hawks, after all; the crown princess meeting with the enemy could be all the excuse they need to move against the Lous.

As it is, Alice simply asks Noro where the enemy base is, as she’s eager to meet back up with Iska as the fortune teller foretold. Only Iska has Nene and Jhin hang back while he infiltrates the enemy base, headed to the place Alice was just as she’s leaving.

Iska is able to easily wrest Mismis back from Noro’s sadistic clutches, but Noro is bailed out by Kissing, who attacks with summoned thorns that take on a variety of forms. Iska, who recognizes Kissing as a strong purebred, is able to hold out until Noro uses the thorns to destroy, then reconstruct an incoming Imperial missile.

That explosion is seen by Alice after she returns to the Imperial base. Nameless is waiting for her there, and manages to cut both Rin and Alice, but then Alice goes all out with Ice Calamity, forcing Nameless to flee. The blast in the distance convinces Alice she should never have left the vortex zone; she must’ve just missed Iska.

Iska is able to slip past Kissing’s thorny offense-defense and knock her unconscious with a non-lethal blow, but then Mask shows up to carry her away, shoving Mismis into the vortex to buy time for their escape. Iska jumps in after her and eventually grabs hold of Mismis. Alice returns just in time to watch him leap in, and she leaps in after him.

The ensuing scene is highly amusing for its informality considering the situation. Despite descending through a column of surging astral energy that apparently has no bottom, Alice blushes at the sight of Iska and treats him as if he stood her up at the base. Still, she agrees to help him and Mismis out of there if he agrees to fight her as soon as they’re back on the ground.

Iska agrees, and the two join hands just as the astral energy surges further. Suddenly they hear a fell voice in the din—an astral spirit’s chant—and the column detonates and dissipates, separating Alice and Iska and dispelling them to different remote areas of the surface. Rin meets back up with Alice, who is annoyed her next battle with Iska has again been postponed by outside forces. Nene and Jhin pull up to find Iska and Mismis, none the worse for wear all things considered.

With the vortex gone, there may be nothing left for either side to do, but more vortices are sure to crop up. We’re left wondering if it was Alice and Iska’s holding hands that caused the vortex to close, which could portend an interesting possible destiny for the pair. If astral vortices are akin to nuclear weapons, or at least sources of atomic-esque energy that can bring about great death and destruction, it falls upon these two to ensure those sources never fall into the hands of either side’s warmongering factions.

I may be off-base with that theory, but it fits with both Alice and Iska’s reluctance to escalate the conflict and desire to bring about a lasting peace. This week’s events underscored the difficulty of that goal, with players like Noro, Kissing, Mask, and Nameless all unwittingly conspiring to hinder Alice and Iska’s continued interaction. The more they fight, the more they’ll understand and trust one another, and the better positioned they’ll be to save the world.

Rating: 4/5 Stars

Adachi & Shimamura – 03 – Chipping Away

Shimamura isn’t sure why Adachi suddenly ran away from her, but it looked to her like she had something to say but couldn’t say it. Unlike Adachi, who is increasingly obsessing over Shimamura in her inner thoughts, Shimamura is more introspective about herself, whether it’s the way she keeps “having regrets” or starting to “catch on to [her] lack of interest”.

Is Shimamura naturally just not interested in anything? Could Adachi be changing that part of her? When Adachi is absent for school and doesn’t answer her texts, Shimamura heads to her house. On the way, she meets the astronaut girl without the spacesuit, who thinks it’s “fate” that they keep meeting. Thankfully the spacegirl splits—I still honestly don’t know what her purpose is—and Shimamura’s unannounced visit is rewarded by seeing Adachi in her jammies.

Shimamura agrees to Adachi’s request to go out on Saturday—though Adachi’s original intent was to ask Shimamura to formally go out with her. Unfortunately the spacegirl is already with Shimamura when Adachi arrives, and proceeds to be a glittery blue-haired third wheel the whole time. Due to her little sister-ish size and demeanor, Shimamura can’t ignore the spacegirl’s attempts to grab her attention, which means Adachi gets less attention.

Moreover, the fact Shimamura so readily engages with the spacegirl makes it seem to Adachi that she’ll “take care” of anyone small and cute—including her—without thinking much of it. Adachi is thinking very much about Shimamura and Shimamura only, yet Shimamura is cognizant of everyone she spends time with.

That leads to a somewhat dark ending where she admits she allows “pieces” of herself to chip off in an attempt to keep herself “afloat”. These are the things she should be telling Adachi! I wish spacegirl would either explain her business with Shimamura or go away and give the main couple some space.

Adachi & Shimamura – 02 – Casting Your Line, Awaiting a Bite

Adachi starts out by saying Shimamura will “always probably just be Shimamura” in her heart, as we watch her fantasy of the two of them in pure white slips, about to kiss. Back in the real world, she introduces Shimamura to Chikama Yashiro, the tiny astronaut who claims to have come to Earth to find their “compatriot”.

I’m really not sure where the show is going with this little astronaut, but she does offer sage advice to Shimamura when she needs to hear it. With life, as with fishing, sometimes you don’t get a bite, but all you can do keep casting your line and hope for a bright future. Back at school, Adachi relaxes in Shimamura’s lap, and agrees to attend at least some classes so they can both be second-years next year.

Adachi believes she met Shimamura will give her a brighter future. She loves the peaceful way she feels around her, and works up the courage not just to call her pretty, but find more ways to spend time with her. Rather than play more ping pong, they go to the mall, share donuts (and indirect kisses), and hold hands while on a walk. But their quasi-date is interrupted by Chikama seeking sweets.

Adachi has another dream of being with Shimamura all in white and kissing her before waking up and wondering why she’s having these dreams. “It isn’t like that”, she insists as she bikes to school, only to suddenly brake hard when she envisions them kissing again. And even though she’s coy about telling Shimamura where she works, Shimamura finds out anyway when she and her family go to the restaurant where she waits tables while wearing a lovely blue Chinese dress.

Adachi comes to see herself as relying on and even wanting to monopolize Shimamura for herself, or at least wants to be put first in her eyes. Shimamura in turn seems willing to coddle and spoil her, but Adachi notes that she doesn’t seem to seek anything in return.

Even so, Adachi can’t help but ask if she can come to Shimamura’s house, and of course she’s welcomed with open…legs?! Yes, seeing Shimamura reclining on a bean bag compels Adachi to ask for something she thinks will make her seem like a “complete weirdo”: to sit between her legs. But again, Shimamura gladly accommodates her; her little sister sits like that all the time, after all.

Adachi, who doesn’t want to be thought of as a little sister, would probably be content to stay in that position and stare into Shimamura’s eyes until sundown. Unsure whether she’s merely thinking of confessing to her or actually saying the words, Adachi’s lips draw closer to Shimamura’s, on the cusp of making her dream a reality…

Alas, Shimamura asks if Adachi is okay since she’s blushing and not breathing right. So no, Adachi didn’t say she likes her out loud, and they clearly weren’t quite on the same page. Back home she’s quite frustrated by that, but the fact she got as far as she did means she shouldn’t assume Shimamura doesn’t feel or want the same things. She should keep casting her line and hoping for the best. She may get it, or not…but at least she’ll have tried.

Rating: 4/5 Stars

Dokyuu Hentai HxEros – 01 (First Impressions) – Same as She Ever Was

We kick off the Summer 2020 season with something dumb, silly, and either fun or tedious, depending on your mileage: a show about teens fighting libido-sucking aliens with their pent-up sexual energy! The world is relying on youth to save it from a future in which no more children are born because they just can’t be bothered to get it on.

This silly (and very familiar) premise is anchored by two childhood friends Hoshino Kirara and Enjou Retto. While Kirara was once very close to and friendly with Retto, one day a switch flipped and she became someone aloof and so disgusted by boys she won’t even touch anything they touched without gloves. At school she’s given the nickname “Iron Maiden”.

Meanwhile, Retto became a superhero. Assuming an alien (called Kiseishuu or “Censor Bugs”) sapped Kirara of all her emotions five years ago, he swore that he wouldn’t let the same awful fate befall anyone else without him doing something about it. That “something” involves focusing his “erotic power” to defeat the Kiseishuu.

One day, while Retto is trying to apologize to Kirara for accidentally groping her when she slipped on steps (as you do), a Kiseishuu who has grown powerful collecting the libidos of townsfolk confronts the two, and Retto doesn’t quite have the necessary power to defeat it.

Retto takes Kirara’s hand in his and flees, and Kirara, touching a boy for the first time in years and not disliking it, is suddenly overcome by erotic energy. Turns out the Kiseishuu didn’t suck all of it out of her years ago; instead it realized she was an exceptionally ridiculous wellspring of the stuff, and she intentionally suppressed it out of shame.

With the monster bearing down on them both, she finally frees her heart from the iron maiden in which it had been locked away, and in the ensuing sharing of energy with Rettou, the two manage to pulverize the Kiseishuu into the stone age. Naturally, a side-effect of using their powers means all of their clothes are torn off.

In the afterglow of their ecchi victory, Kirara offers to help Retto with his alien-bashing work going forward, even slipping up and using his first name after years of refraining from doing so. Then the other three members of Retto’s HxERO superhero group appear to introduce themselves to Kirara, their newest member. Oh and by the way, they all live together, no doubt to keep their HxEro force in top form.

Both the realization she and Retto are nude and the realization he’s been living with three other girls compel Kirara to deliver a couple blows to Retto, but there’s no going back now! Like them, Kirara was born to do this, and no less than the future of humanity depends on their continued victories over the aliens.

So there you have it! As I said earlier, this was silly, dumb, fun, harmless stuff, and even has a smidgen of heart to it what with the pure childhood-friend affection between Kirara and Retto at its core. Production values get the job done, neither embarrassing or exceptional, while the ecchi elements so far follow a restrained less-is-more pattern.

It’s not great, but it was better than I expected as it went along. At the very least, I’ll be checking out the next episode to see how Kirara fits into the superhero milieu.

Kaguya-sama: Love is War 2 – 12 (Fin) – Adjusted for Inflation

After the thrilling but nearly completely comedy-free Ishigami Sports Festival denouement, Love is War returns to its bread-and-butter with a relatively understated slice-of-life, life-goes-on finale. We get two stories, the first of which is by far the most emotionally engaging.

The Principal wants to snap photos of the StuCo, but Shinomiya family policy forbids Kaguya’s face from being distributed in any media, so she sits out the shoot. The Principal quickly pulls Miko out of her shell, but gets on Kaguya’s bad side when he pairs Miyuki and Chika as a dating pair.

While Kaguya once looked down on other girls who took pics with their phones, she’s nevertheless come to enjoy documenting her life with the StuCo on her antiquated flip phone (full disclosure: my landlord still has one, and she’s not planning on giving it up anytime soon!).

When the other members insist on including her on a private rooftop shoot, her phone falls off the roof during the exchange with the principal, and it is destroyed, along with all of the data (since it’s not only old, but a weird proprietary phone with no SD storage).

Crestfallen, Kaguya and Ai head to the store to buy the latest smartphone, but she’s thoroughly down that all of her precious memories were lost. The rest of the StuCo picks up on that, so Miyuki finally starts a StuCo LINE group with a shared cloud album, having held off until Kaguya got a smartphone, not wanting to leave her out. Suddenly, her phone, so sad and lonely when new and empty, starts to burst with brilliant 4K HDR photos of the StuCo’s hijinx.

This also serves as a curtain call for some of the most indelible images from this marvelous season. Kaguya’s blank look of quiet despair becomes a gleaming smile, and the five StuCo members pose for another group photo. Needless to say, Kaguya wins, having lost a low-res flip-phone album but gained a much more comprehensive hi-res one.

The majority of final segment feels like a stakes-free epilogue that could also have aired at any point this season. It makes a point to demonstrate that despite all the development these characters have gone through, they can still fall into their old habits, whether it’s Miyuki worried about Kaguya saying “How Cute” to Yuu losing his nerve.

The premise is easy enough, and starts out as a very direct double entendre involving pumping. Chika has a big balloon leftover from the sports fest, and pulls everyone into an increasingly stressful game in which each player must pump at least once, but if the balloon bursts, they lose. Chika actually gets poor obedient kohai Miko to pump the most, but lets her stop before it bursts.

This leaves Miyuki and Kaguya as the last two to pump, and they too survive, but when Chika gets a drop of tangerine juice on the paper-thin rubber, a cataclysmic explosion occurs that destroys the entire academy. As the credits zoom horizontally from right-to-left (a la Chihayafuru), both Kaguya and Miyuki, who survived the blast, are determined to get the other to take their hand.

What sets this interaction apart from so many past ones is that for once their wavelengths are perfectly aligned and they each get what they wanted, which was to hold the other’s hand without saving face or enduring mockery. It’s the perfect way to wrap up this momentous second season, while creating hope for a third one.

Still, I’d be very surprised (and delighted!) if a potential third episode surpassed this second, which goes down as one of the best second seasons of anime ever. MAL has it at #22 all time, and I think that’s a little low. I’ve savored every minute, and now that it’s over for now I shall miss it dearly!

RikeKoi – 04 – A Date Packed with Data

When Himuro and Yukimura show up to their first date in their normal lab outfits disputing the arrival time within hundredths of a second, things seem destined to go pear-shaped from there. Fortunately, Kanade and Kousuke are there to observe, document, and course-correct, so Kanade helps Himuro pick out more suitable garb.

The two also have a data-collecting app with which they can tally various reactions during the date, from a racing heart to uncertain thoughts. Yukimura is almost ready to hit the latter button when Himuro appears in a cute outfit, whereupon he spams the former button.

Things go pretty smoothly from there, until Yukimura hesitates when the itinerary calls for them to hold hands. Himuro decides to wait for the bus while he settles up the bill, but she’s confronted by a pickup artist who was just caught two-timing his girlfriend and ended up with no one.

Himuro skillfully, hilariously rejects this guy like he’s never been rejected before, providing a damn PowerPoint—magically created for just this instance!—illustrating the reasons why she won’t accept his invitation. When he forces the issue, Yukimura steps in, takes her hand from the guy.

He then makes an impassioned speech about how neither he nor Himuro have time to waste on “animals who have abandoned all reason” and storms away. He worries he made an ass of himself, but Himuro is duly impressed.

Yukimura proves a scaredy-cat in all things amusement park ride, but obviously Himuro doesn’t mind whenever he takes her hand for support, and is afraid of a couple rides herself, culminating in the two huddling together on the Ferris Wheel. Yukimura presents the gift of earrings, chosen using a mathematical formula created just for that decision.

Himuro is touched, and when Yukimura apologizes if they didn’t meet the “base conditions of a date”, Himuro presents the data collected thus far indicating her happiness increased exponentially. Furthermore, even if this data isn’t sufficient to prove their hypothesis, it invites the collection of more data, ergo more dates in the future.

Chuubyou Gekihatsu Boy – 06 – Stick to Sports

Like a theme park, a school Sports Day provides multiple opportunities to showcase many a funny situation involving members of the Hero Club. In this case, the sports-oriented Yamato takes the lead, as he’s on the committee and thus gets to assign chuuni-like names to all of the events, as well as make the very spirited signage. He also makes sure the other members are in top shape…even for an event they’re not participating in, like tug-of-war. His enthusiasm for sitting on nothing is to be commended.

Yamato proves the fastest runner in all events, and even when he gets hung up on the “found item” part of a race, he ends up taking Mizuki by the hand, likely causing her to wonder if she’s strayed into a shoujo anime. Turns out she’s his favorite…name, as Hijiri is rare. Whether it’s Tomoki winning the bread-snatching thanks to Sora-branded bread, Futaba not having his guitar when he needs it most, or Kazuhiro getting really into the cavalry battle, everyone has something to do, and it’s all entertaining.

That brings us to the three four-eyes who have been shadowing the club all along. Turns out they’re not rivals, but the Student Council (I should have realized that), who are concerned that the Hero Club is an out-of-control public disturbance both on and off campus. Sports Day does nothing to alleviate their concerns, so you can bet the Hero Club’s existence to be threatened in due time…just when, despite herself, Mizuki is coming to enjoy being a part of it…