Ao no Exorcist: Shimane Illuminati-hen – 12 (Fin) – See No Evil

After all that battling and a tense meeting in Mephisto’s office, everyone’s head is spinning about Shima being a spy and a double agent. Rin thinks everyone still trusts Shima, but Bon only said that to save his ass from execution, while Konekomaru doesn’t have a clear answer. Shiemi thinks it would be nice if Shima could return to class with them like nothing ever happened, but even she has her doubts, and doesn’t like how that uncertainty feels.

As for Yukio, he’s setting up to be the next person to have split loyalties. Always the loyal soldier for Mephisto and True Cross (despite never really being able to trust him), Shima bringing up Lucifer calls to mind something we didn’t see back at the lab: Lucifer actually met with Yukio and asked him to join Illuminati. He told him he’s weak, but he can help him unlock his power. This weighs on Yukio throughout the episode.

During an early morning run, Shima and Bon happen to run into each other, and have something of a heart to heart. Shima isn’t lying about one thing: he’s pretty much true neutral, as he told Yukio. That means he can warn Yukio and not want Bon or Konekomaru or Izumo to get too badly hurt, but it also means he’s having a blast being a spy for both sides. Bon, who has always been like a brother to him, admits he still has “zero trust” in Shima, but still wishes him good luck, for at least he’s decided what he wants to do.

With Shura recovered, Mephisto sends everyone to a spa and waterpark for some much-needed R&R, and even Yukio can’t escape it. But he also pulls a prank on them, unleashing the Three Wise Monkeys to stir up some mischief. Yukio, Bon, and Konekomaru notice Shima acting strange and unusually serious and focuses, but it turns out he’s contemplating which girl to go down the water slide: Izumo, Shiemi, or Shura.

Rin, who also falls under the spell of the monkeys, declares that he wants to go down the slide with someone too, but that person can only be Shiemi, thus revealing who he has true feelings for once and for all. Unfortunately, Shiemi doesn’t hear it, as she and Izumo and Shura are already at the top of the slide stairs. Shima and Rin duke it out, collapsing the steps and nearly re-injuring the girls, but Bon uses a charm to cancel out the effect of the monkey and Rin and Shima return to normal so Shura can wreck their shit.

So, the spa trip wasn’t as relaxing as Mephisto had hoped it would be. Rin shows he’s not mentally still in elementary school by telling Yukio that he knows something must be on his mind, and that he can talk about it to him if he likes. But Yukio puts on a fake smile and just says he’s tired; it only exacerbates his inferiority complex to open up to his dumb little brother.

Yukio thinks he’s too weak and wants to get stronger, which means he could easily fall into the hands of Lucifer and the Illuminati. But that’s a story for another arc, which it seems will be coming far sooner than previous arcs. That must be why the series felt comfortable with these last two episodes serving as little more than an extended epilogue to Izumo’s story, and a sneak peak of what’s to come.

Hyakkano – 04 – Three Kisses

Hakari and Karane are introduced to Rentarou’s new girlfriend Shizuka and her unique mode of communication. Rentarou breaks the ice by noting one cute quirk that each of the girls have: Shizuka’s animated feet, Hakari’s finger nomming, and Karane’s hair twirling. Each comment turns each girl bright red, but are uniformly touched by how much he care for them.

There’s some friction when Shizuka learns that Rentarou has already kissed the other girls. When asked if she wants to, she states (though the app) that she’s not quite ready. Of course Rentarou is fine taking things slow while being upfront about only wanting to kiss her if and when she’s ready.

Lunch continues with Hakari and Karane competing to see who can stuff the most lunch into Rentarou’s maw, and they start bickering as usual. When Rentarou sees Shizuka being quiet in the corner, he devises a team-building plan: a game of Old Maid in which the winner of each round gets to tickle the loser.

As you’d expect, all three girls are on board with this plan. Rentarou tickles Karane first, resulting in a much steamier situation that he planned. When it’s the extremely ticklish Hakari’s turn, she has to cut the session short before she “ecsta-pees” (her term, not mine!).

Rentarou, looking forward to hearing Shizuka’s laugh, is instead surprised to find that she laughs silently, and has the app report her hearty laugher. And now that they’ve all been tickled, Hakari and Karane get real serious about beating Rentarou so they can tickle him.

But when Shizuka wins and merely gently pokes Rentarou with one finger, the exercise hits another bump. When Rentarou heads off to the bathroom, Karane calls Shizuka out for holding back on her tickling. Sensing she’s intimidated, Hakari has Shizuka’s back..

When Shizuka apologizes, then admits she was indeed holding back out of fear, Karane is upset…is she really that scary? But Shizuka isn’t scared of Karane, she’s scared of rocking the boat and causing Rentarou to compare them. In any such comparison, Shizuka wrongly believes she wouldn’t compare favorably, going on to descrube Hakari and Karane’s positive attributes.

In response to that, Hakari and Karane both make it clear that Shizuka is cute and has plenty of positive qualities herself. Hakari also makes clear that Rentarou loves them far more than they can imagine. Shizuka doens’t need to hold back, and she can call them by their first names, too.

It turns out Rentarou didn’t go to the bathroom. Instead, he saw the friction between the girls, knew that he shouldn’t be the referee, and stepped back, trusting his soulmates to work things out themselves. That’s precisely what happens, and Shizuka immediately takes her fellow girlfriends’ advise and expresses what she truly wants: to kiss Rentarou.

One he does, Shizuka ends up in a blissful daze, and then it’s Hakari’s turn to be upfront about what she wants, so she kisses Rentarou too. Karane is last as expected, but despite her tsundere-ness she doesn’t want a kiss any less than the other two. The buildup to each kiss is gorgeous in its execution, as Rentarou assures the other two that his love for them hasn’t paled in the slightest now that Shizuka is in the group.

Quite the contrary: Rentarou continues to consider all three to be the cutest girlfriends in the world. He also shows remarkable emotional intelligence for a horny high school kid, knowing that the girls would be better served sorting out their issues, as they did.

Karane was never mad at Shizuka for holding back, she was mad for her. No one should feel like they have to hold back what they truly want to say or do. I left this episode amazed by how well everything is going, how compelling this episode was despite never leaving the school rooftop, and super excited for the addition of yet another soulmate to the mix.

Heroines Run the Show – 12 (Fin) – Feeling the Love

A little while after punching Hiyori, Chizuru starts eating alone. The feelings that led to her taking photos and causing a scandal have subsided, but she feels both her relationship to Hiyori and LIPxLIP have been irreparably shattered. But Juri knows Chizuru still cares, because she was genuinely worried about Hiyori after the punch.

Despite what she did, Chizuru is still deserving of redemption, but knows she has to change. The boys, meanwhile, are prepping for their Countdown Live performance, but when Uchida gives them comp tickets, they hesitate to give them to their former manager-in-training, and settle for their respective brothers.

In the midst of kicking her LIP fandom entirely, Chizuru is surprised when Hiyori pops by her place with the ticket Chizuru had bought and then left with Juri. Chizuru maintains she doesn’t deserve to be a fan anymore, and in any case won’t listen to Hiyori and promptly kicks her out.

Things seem grim, until Uchida does what the boys couldn’t and stop by her place to personally deliver not just a comp ticket, but an all-areas staff pass: they won’t admit it, but they need her to be their manager-in-training for this one. Now that both she and Chizuru have he means to go, Hiyori returns to Chizuru’s house, reveals she knows she’s Chutan, and finally tells her the truth about being their manager-in-training.

Chizuru accepts this truth, and understands why Hiyori had to keep it secret. With that, Hiyori leads the two on a mad dash to make the concert on time. Yuujirou and Aizou scold Hiyori for being late but are clearly glad she’s here, while Chizuru finds her seat among all their other classmates and their friends/dates also in attendance.

Invigorated by the sounds of their awaiting Julietas, Yuujirou and Aizou put all the pieces together and deliver perhaps their best performance, one that’s not about advancing to the top of the idol mountain, but performing for the fans and showing their love for them.

AT4 praises them for this, as they finally seem to “get” what being an idol on stage is about. Chizuru is moved to tears by their passion, and Hiyori also feels that this concert hit different, likely because she’s happy to be back by their side as manager-in-training.

After the show, the managers offer Hiyori her old job back, which she accepts with her usual enthusiasm. After AT4 counts down the new year, things go back to normal with Hiyori both on the track, with her two besties, and back at work with LIPxLIP. Presumably Hiyori also told Juri about her job, while Chizuru openly shares her Chutan persona with her friends.

Whether LIPxLIP could actually get away with having Hiyori fill in as a backup dancer with absolutely no training is a little doubtful, but it’s fun to finally see the Heroine take the stage, if only under a mascot costume. No doubt the boys wanted to share with their future full manager what it felt like up there, to be cheered and adored by the masses.

Is this also a bit of a neat and tidy conclusion, what with Hiyori and Chizuru mostly making up off-camera? Are a lot of the issues about parasocial relationships, stalking, and other obsessive behavior mostly tabled in favor of Chizuru’s personal redemption story? Perhaps, but on the other side, I never liked Hiyori’s decision to quit, and I’m glad she’s back on the job. In the end, she really did run the show.

Heroines Run the Show – 11 – The Mask Falls

Our episode opens on someone we haven’t met before: an extremely enthusiastic café maid adding her love to her customer’s omurice. When she removes her wig and puts on those distinctive glasses, we discover it’s Chizuru, who it would seem we still haven’t met…not for real, at least.

Chizuru doesn’t seem to like working her ass off at this job, but she apparently needs to so she can keep making money to send…to LIPxLIP, and Aizou in particular, with whom she is particularly smitten. She has hidden that intense infatuation from both the boys and her friends…but one day she’s sloppy, and Yuujirou hears her phone when she snaps multi-burst shots of them playing basketball.

Back at work and as popular as ever, and with the scandal well behind them, the boys have a new problem: Hiyori isn’t around anymore. Their new old manager mixes up their drinks. It’s a little thing, but after Hiyori made that mistake she never made it again; it speaks to what a dedicated, detail-oriented hard worker she was, and what a void she leaves. Hiyori has done her best to forget about her old job and focuses on track, but her times are slower and she’s clearly eating more at lunchtime.

When Juri notes that the harassment of her has mercifully ceased, Hiyori says she’s most sorry about “hurting the fans”, and as Chizuru is one of them, she has to quickly excuse herself so she can drop the friend facade, whip out one of the photos she took of Hiyori with LIPxLIP, and curse her as she blots her out with a Sharpie. Yuujirou witnesses the entire tirade.

Juri invites herself and Chizuru over to Hiyori’s for a pizza sleepover, but the discussion becomes awkward when Chizuru answers that yes, she does have a crush. That’s when Yuujirou strategically side-checks her in such a way that her bag goes flying…and the incriminating photos fly out too.

Juri’s cavalier reaction—almost as if a part of her she expected something like this, is contrasted by Hiyori’s sheer bewilderment. She’s genuinely unsure of what’s going on, until Chizuru makes it nice and sparkling clear: she fucking hates her guts!

The sleepover obviously cancelled due to the death of good vibes, Hiyori instead runs all night, only to replenish all the calories she burned with another crepe sesh with Mona-chan. Mona draws from her own experience “hating” her sister to tell Hiyori that “hate” is often just an easy label for more complex feelings buried beneath all the bluster.

Hiyori is all aboard with the idea of reaching out to Chizuru and asking her how she really feels, but Chizuru doesn’t want to talk, and avoids her at every turn the next day. I thought at first Hiyori’s superior speed would have the advantage in the ensuing cat-and-mouse, but lest we forget, Chizuru snapped those photos while remaining totally undetected. It’s like trying to corner a ninja!

When Hiyori finally does tackle Chizuru, none of Chizuru’s hostility has dissipated. If anything, she’s even more annoyed that Hiyori won’t leave her the ef alone. But when pressed, Chizuru maintains that she did nothing wrong, and that it’s the “nobody” Hiyori’s fault for getting so close to the idols and not “knowing her place” like Chizuru.

In the rancor she dispenses, Hayami Saori brings back shades of Hatoko’s Rant and demonstrates once more why she’s among the best in the business. When given dramatic meat, she leaves nothing on the bone. The tussling gets more and more physical until the two are literally throwing right crosses at one another, but only Chizuru’s lands, knocking Hiyori clean out with a fountain of blood.

When Hiyori wakes up in the nurse’s, Yuujirou and Aizou are with her…and so is Chizuru, asleep by her bed, clutching her hand, her eyes raw from tears. Seeing her there, one can’t help but forgive her, because she wouldn’t be there if she didn’t actually care about Hiyori. Perhaps she can ditch the easy, safe hatred and explore the true feelings beneath, but the episode wisely doesn’t wake her, leaving us to wonder until next week.

Attack on Titan – 79 – Days of Future Past

The Paths are a place where past, present, and future intersect, but Zeke is content to use a trip down memory lane to show his little brother how their father Grisha “brainwashed” him into becoming a Restorationist. But things don’t go how Zeke plans, as he ends up learning more about Grisha that complicates his long-standing feelings of resentment stemming from his dad abandoning him and starting a new family.

We learn that Grisha found the Reiss family’s underground chapel years earlier than we thought, but chose instead to delay his mission so Eren could have a normal childhood. It’s here, in Grisha’s basement, where Zeke learns his dad didn’t forget him, keeping a photo of him and his mother close by. It’s also where we learn Zeke and Eren aren’t merely invisible observers, as Grisha senses Zeke’s presence but assumes he’s only dreaming.

As Eren stands by patiently, Zeke learns that Eren was never actually brainwashed. When Eren saved Mikasa and killed the monsters in human skin, he was being the same Eren Yeager he always was: neither a weak nor convenient little brother Zeke could use to facilitate his plans or share his scars. Even so, Zeke is determined to “save” Eren (i.e. get him to come around to his thinking) before he saves the world, which he says he can do at any time.

The harrowing incident Eren experienced with Mikasa eventually led to him telling her he wanted to join the Scout Regiment, which Mikasa relays to their parents. Eren doesn’t just want to protect those he loves, but wants to know what lies beyond the walls. Carla pleads with Grisha to discourage their son from taking this path, but Grisha knows there’s no stopping “human curiosity.”

In a return to the truly creepy underground chapel, Zeke and Eren watch Grisha try to convince Frieda to let him use the power of the Founder to protect the people in the walls from the Titans beyond it. Grisha even tells Frieda something she doesn’t know: that the Attack Titan within him can see into the future by having access to the memories of its future inheritors. But when it’s time for Grisha to eat Frieda and kill her family, he can’t do it. At least not until Eren whispers into his ear, reminding him what he’s come to do … and why.

Zeke may have the Founder Titan, but like Frieda, he’s unable to see the future like Eren can. This is why Grisha, after he kills the Reisses and gains the Founder, warns Zeke that things are ultimately going to go Eren’s way, not Zeke’s. He knows this because he’s already seen Eren’s memories of that future. All he can offer Zeke is a hug, his tears, and the affirmation Zeke always sought deep down: that he was loved and not forgotten by Grisha.

Following that cathartic embrace, Eren and Zeke return to the uncanny land of the Paths, and while Eren is still chained to the ground, he doesn’t seem the least bit concerned. Why would he? He knows the future, and if Eren has anything to say about it, it won’t involve the euthanization of the Eldians.

Attack on Titan – 78 – Dropping the Ball

The incremental struggle of the two Yeager Brothers continues, with Eren stoving in Porco’s head before continuing to grapple with Reiner and Zeke finding himself wounded and on the ground. The two are so close and yet so far, and the Marleyan Eldians are doing everything they can to stop them from coming together.

But Pieck was right: they didn’t hit Zeke hard enough to keep him from letting out a roar if that’s what he wanted to do. Colt rushes to him with the news Falco had injested some of Zeke’s spinal fluid, asking for nothing more than to let Gabi take him and ride a horse far enough out that Falco won’t be affected by the roar. He has Zeke’s sympathies, saying it’s a “shame”, but Zeke lets out a roar anyway.

As a result, hundreds of soldiers who drank the wine with Zeke’s spinal fluid are transformed into pure Titans, including Falco. Colt holds him tight the whole time, and gets burned to death as a result, leaving Gabi all alone to watch in horror as the Falco Titan gnaws at Reiner’s nape. Pieck gets another shot off despite being harassed by Mikasa and Armin, but Zeke is only faking his death.

Eren senses this, crystalizes his Titan body to restrain Reiner, pops out, and continues to rush towards the still-alive Zeke hiding under the Beast’s skeleton. But what had been a short distance for a Titan to cover becomes a much farther distance for Eren on foot. Before he can close that distance, Gabi gets ahold of an anti-Titan rifle…and blows Eren’s head off.

That’s a hell of a midway point to an episode that already featured the deaths of a great many secondary and tertiary characters in short order, but it was clear this wasn’t the end for Eren. We’re taken back to when he was in the Marleyan hospital, where Zeke met with him and appears to agree to Zeke’s plan for euthanization. However, when Zeke tosses him the baseball, he fails to catch it; it lands on the ground behind him.

2001: A Space Odyssey-style trippy montage ensues, returning us to the present and then to a place outside of normal time and space altogether: the “Paths” of which Zeke reported dreaming in the first episode. There, Zeke is chained to the sand as a solitary figure approaches Eren, who can move freely. The figure is the founder Ymir, source of the power to achieve their dreams.

It’s only here, where he believes Zeke needs his cooperation in order to proceed and is thus at his mercy, where Eren finally tells us what Armin convinced himself into believing, and tried to convince Mikasa and the others as well: Eren was only going along with Zeke. He has no intention of carrying out the Eldian euthanization. But in revealing his true feelings, Eren screws himself over, because Ymir gives him the cold shoulder.

Eren may be free to move about this uncanny land of the Paths, but he has no authority or dominion over Ymir because he lacks the blood of the royal family whom she obeys. Zeke does, and over the “mind-numbing” time he spent in the paths, figured out a way to do away with his bloodline’s vow renouncing war. Zeke’s chains were only an illusion; they crumble at his command, and Eren is shackled by another.

Zeke doesn’t blame Eren for his Sudden But Inevitable Betrayal, but rather their horrible father for brainwashing him and involving the two brothers in this whole horrible business. But with involvement comes terrible purpose. Eren was the key to Zeke gaining the power of Ymir. He played himself into quite a predicament…but something tells me Zeke shouldn’t celebrate his victory quite yet…

BokuBen 2 – 08 – Crimson(-Haired) Tide

After the previous episode somewhat flagged, BokuBen comes roaring back with a stirring, dramatic episode that introduces the biggest threat to the status quo/harem stalemate, without omitting its go-to tried-and-true romantic and situational comedy.

It starts simply, with an interesting reversal in which Uruka is chosen to tutor the athletically-feeble Nariyuki in swimming. The only problem is, Uruka is terrible at teaching! She just does what she does because she’s awesome. Enter the reluctant substitute swimming coach, Kurisu.

Kurisu, as good at educating young minds in all matters as she is bad at keeping her apartment clean, has an effective approach: getting Nariyuki to identify, acknowledge, and move past the fear that is causing his body to seize up in the pool. By closing his eyes and holding her hands, he’s able to swim just fine, after which Kurisu hands him off to Uruka as her swim buddies swoon.

 

I consider myself an honorary Uruka Swim Buddy, because I want her more than anyone else to break through her fears keeping her from confessing her feelings, and which caused her to create in him the misunderstanding that she likes someone else.

For some reason I did not expect Kurisu’s past as a highly competitive figure skater to end up providing both kinship and inspiration to Uruka, but in a brilliant example of Fanservice Done Right, while handing Kurisu her shampoo in the showers, Uruka immediately identified her toned body as that of an athlete.

When Uruka opens up about the pressures she faces due to lofty expectations both within and without, Kurisu gives her advice developed from experience: stop trying to keep calm, accept all those things and have fun. Uruka learns that Kurisu isn’t “cold”, as Fumino and Rizu once described her…she’s cool.

Uruka follows Kurisu’s sage advice and ends up winning her 400m Freestyle, by a large margin. Her achievement is celebrated at a school assembly in her honor, and it dawns on Nariyuki how amazing Uruka is. Later, her principal and coach present her with a life-changing opportunity to study abroad at a university in Australia with a top-class swimming program.

Uruka has never felt more like the protagonist of this show than this episode, from when she gets the opportunity to hold Nariyuki’s hand in the pool, and getting a glimpse inside thoughts and insecurities surrounding her swimming exploits (rather than exclusively Nariyuki). She’s not just MC’s Childhood Friend…whatever she chooses is going to have profound reverberations.

Unfortunately, Uruka can’t quite overcome her fears surrounding Nariyuki that she could to win her tournament…not at first. She can’t even tell Fumino outright when they meet at a restaurant; Uruka uses the thin and completely transparent ruse of “my friend” when referring to long distance relationships.

It isn’t until she hides under the table (and has some truly wonderful reactions, both facial and texted) when Nariyuki arrives that Fumino not only assures him Uruka isn’t dating anyone, but gets him to admit that while he’d hope whomever she liked would make her happy, that “he would miss her a bit” all the same.

Fumino realizes that Uruka alone isn’t going to be enough to break the logjam between these two. She tracks Nariyuki down and gives him one more bit of crucial information: the bit about Uruka liking “someone else” is a lie. How Nariyuki comes to interpret this remains to be seen.

As for Uruka, after giving it thought, she’s going to “do everything she can do and then cry”, shouldering any burden to realize her goal of studying abroad. She asks the principal and coach not to tell Nariyuki that goal. Does she truly intend to keep it a secret until it’s time to say goodbye?

There’s a lot to contemplate here. Uruka may be banking on the old adage that “if it’s meant to be, it’s meant to be”—that studying abroad needn’t be the end of her future with Nariyuki, but the foundation of a better future with him. I also imagine even if Nariyuki knew Uruka loved him and he loved her back, he’d want her to go and do her utmost best. He’ll wait for her…right?

Bunny Girl Senpai – 10 – Damn You, You’re Too Awesome!!

Nodoka prepares for the second day of commercial filming by watching DVDs of her sister in action, including a horror movie, which seems apt; body-swapping carries its own kind of horror, and she’s essentially wearing her big sister’s skin!

The prospect of screwing up similarly fills Nodoka with dread, but after twelve takes she does eventually get the job done.  When Mai calls her, she gives the phone to Sakuta, still not ready to talk to the person she’s made out to be her nemesis. But Mai tells Sakuta to congratulate her nonetheless; it can’t be easy to do your big sister’s job…especially if you come into it not believing you can do it from the start.

As for little sisters, Kaede has seen enough pretty girls pass through the doors of their apartment to start thinking like someone who knows that at some point they have to start going outside again. Putting on her school uniform is a small but meaningful first step on that path, and it’s good to see she’s not just some static mascot of a character. Like Futaba, her own story has been subtly maintained.

Nodoka’s personal horror movie inludes a banshee of a mother who confronts “Mai” to cease harboring her daughter; Nodoka-as-Mai truthfully replies that she’s doing no such thing (since she’s at Sakuta’s…but she wisely leaves him out of the equation).

Mai gives Sakuta and Nodoka tickets to her latest gig in Nodoka’s body, but before that Sakuta has a rare meeting with his Dad. When Kaede became a shut-in, their mother apparently had some kind of breakdown of her own (it’s kept pretty vague). It was serious enough for their father to have to basically choose between continuing to live with his kids, or taking care of their mother full-time and trusting that Sakuta will be able to take care of himself and Kaede.

While at a family restaurant (fitting), Sakuta gleans fresh insight into his Dad; specifically how completely frazzled clueless he was upon his son’s birth. Sakuta says “all of the above” in response to Nodoka’s choices of “love, hate, piss you off, are annoying” as how he feels about his parents. Clearly a part of him has concluded that if he’s able to run a household with his little sister and solve cases involving one girl after another, he can’t really rag on his folks that much.

As for the Sweet Bullet gig, Mai-as-Nodoka is flawlesss, a testament to her consummate professionalism, attention to detail. Hell, she even saves the group leader’s ass when she trips by catching her mic and continuing to sing her part without missing a beat. Her performance is rewarded by the announcement she’ll be singling lead for the next song they release.

Nodoka and Sakuta watch, utterly enthralled. After the concert, Nodoka’s mom is among those who “high-fives” Mai-as-Nodoka, and she smiles, tears up, and congratulates her, things she never did to Nodoka-as-Nodoka. Nodoka demands to go to the beach, and starts striding into the sea, believing she isn’t needed by anyone anymore.

Sakuta stops her, and assures her that’s not the case: if anything happened to her, Mai would be sad, and Sakuta can’t have that. Nodoka doubts him, but he assures her it’s true, and furthermore knows it’s true, especially after looking into the forbidden cabinet at Mai’s place.

He shows Nodoka the box in that cabinet, which contains every single letter Nodoka wrote to her big sis, from before they knew they were sisters. Mai’s always treasured them because they gave her courage and strength knowing someone specific (as opposed to the other faceless masses) was cheering her on.

It was thanks to Nodoka that Mai even started enjoying her work. Mai appears (it is her apartment they’re in) to thank her sister. Nodoka comes back with a tirade about how it’s “too late” since Mai managed to get her mother to smile and approve, and get her own lead singing gig before her.

In response Mai slaps not Nodoka, but Sakuta (since Mai has a shoot tomorrow  and she doesn’t want to risk marring her face). She describes how Nodoka’s Mom’s hands were trembling when she held hers; how she could tell her mom was uneasy about whether her daughter was truly happy; seeing her perform so well all but confirmed she was.

Nodoka asks why her Mom never said anything, but unlike, say, Sakuta’s Dad at the restaurant, parents are always loath to tell their kids how uneasy they feel about raising them, and about whether they’re doing it right. Mai’s solution for Nodoka, as the sisters embrace, is to make her mother happy doing something she wants to do, not just what she’s told. To show that she can stand on her own, without direction, and shine. Seto Asami does a tremendous job voicing Nodoka through Mai in the emotionally cathartic scene.

The sisters now sufficiently made up, their bodies switch back to normal like the snapping of a soap bubble, before Sakuta’s eyes. Later, Futaba posits that Nodoka’s believed need to “be like her big sister” resulted in the swap (possibly through a variant of quantum teleportation), while Mai changed her appearance to Nodoka, out of momentary jealousy.

As for Sakuta, he’s just happy he can be lovey-dovey with the real Mai. But two new obstacles threaten that desire. One, Nodoka moves in with Mai (she got in another fight with her Mom, but hey—that’s what family does sometimes; it’s not the end of their relationship, she just wanted a change—and the little matter of Nodoka-as-Mai being photographed with Sakuta by her side by a photographer. Now there’s buzz out there that Mai Has A Boyfriendsomething Mai calls a “slight problem.”

But I agree with her assessment; it’s not as huge an emergency as a bout of Adolescence Syndrome (the next case of which looks to finally focus on Kaede next week), nor a rift between sisters that was just amicably closed. She and Sakuta are a strong, dependable, shrewd couple. They’ll get through it!