Chito fights to stay awake at the handlebars as she searchs for shelter in a stinging snowstorm…and Yuuri builds a mini-snowman on her head. It’s pretty indicative of their relationship: Chi-chan may be the brains of this survival operation, but her seriousness is tempered by Yuuri’s more easygoing nature—when she’s not pointing a rifle at Chito, her only friend in the whole world (no one threatens anyone this week).
They find an old building, but it’s still cold—until they find a pipe that isn’t. Chito helps a freezing Yuuri steady her gun and blasts a hole in the pipe, then they use the Kettenkrad to haul a pipe fragment to fill and make a hot bath. Not only does the bath look extremely comfortable to spend time in, but proper hygiene is absolutely essential when trying to survive and this is only their fourth bath since leaving home.
After the bath they get a fire going, and Chito writes in a journal by the light. We learn Yuuri can’t read or write (at least not on Chito’s level), and the difference in education and value placed on the written word brings the two into philosophical conflict:
Chito: Memories fade, so we write them down.
Yuuri: Memories just get in the way of living.
(It’s also worth mentioning the language Chito reads and writes in isn’t Japanese, at least as we know it; they come across a Japanese sign she can’t read. Another indication we’re either dealing with the distant future or an alternate universe.)
Yuuri doesn’t even really pay attention when Chito is underscoring how valuable books are, so when asked to add fuel to the fire, she tosses a book in, and Chito isn’t able to put it out until it’s half-destroyed. Chito goes to bed angry at Yuuri, and when the winds outside intensify, it looks as though Yuuri is going to add Chito’s journal to the fire. If the choice is between staying warm enough to live versus the book, there is no choice.
Fortunately, things aren’t that bad (yet), and in the morning, Chito finds that Yuuri drew her sleeping face in the journal, along with the scrawled words “I’m sokky[sic].” She’s no longer mad. And how can she be, when the snows have finally ceased and the skies cleared, giving us a better look at the sprawling ruins of a colossal city of multiple vertical layers, Fifth Element–style.
The duo treads water out to the edge of one of the massive structures they stand upon, where a row of huge drains begin to spew forth fresh, pure snow melt, which Chito suggests they’ll use to do laundry—no point in washing yourselves if you’re going to keep walking around in filthy rags.
As their clothes dry, Yuuri finds a fish—something neither of them has ever eaten or even seen—but they’re right on when they fire-roast it on a spit. A hot bath, clean water, laundry, and a fresh meal: it’s been a downright luxurious outing for our post-apocalyptic wanderers.
There’s so much to like in SSR, starting with cute (but-not-too-cute) character designs, yin-yang characterization, deft voice work by Minase Inori (Chito) and Kubo Yurika (Yuuri), and gorgeous, gorgeous scenery of a ruined, deserted, but still thoroughly impressive civilization
The camerawork is great too, with some shots capturing two tiny human specks against the majestic the infrastructure, and others in which the girls’ widening faces fill the frame as they exhale in extreme relaxation. It’s a beautiful, heartfelt show; at once big and small; cold and warm; scary and comforting.