Ikoku Meiro no Croisée 10

Claude is off to Dijon to meet with an important client about new metalwork. Claude has to study his late father’s work, and it brings back memories of his childhood when his father was still alive and business was booming. He’s conflicted about keeping the business running by simply copying what his father did. Meanwhile, Oscar keeps Yune and Alice entertained with a projector and phenakistoscope found while Yune was cleaning the storeroom.

My favorite scene this week was when Yune remembered what Claude told her about the metalworks shop: His father and grandfather worked to make every metalwork sign in the entire Gallery, so their skill is on display everywhere, with signs fulfilling the dual purpose of advertising for the shop it hangs over as well as advertising for the one who made the sign. It’s as impressive as it is sad; the best days seem to be behind both the Gallery and the metal shop.

Claude’s father was a genius with metal, but Claude also remembers him being cold and stern. This new job in Dijon is the latest challenge – can he outdo his departed dad? Oscar has never pushed him to keep the business going. The question is, is he keeping the fires of the forge burning for his father, or for himself? Not much to say about the B story involving Yune, Alice, Oscar, and eventually the whole gallery; it was pleasant enough. People were certainly easily entertained back then!


Rating: 3

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AnoHana 8

Everyone feels their share of guilt over Menma’s death, from the surviving Peace Busters to her mother. It seemed, in the beginning, that all her friends had gotten over her and moved on except Jinta. But one by one, we learn that everyone has unresolved guilt and pain within them; Jinta, being haunted by Menma, brought them back together and brought those emotions back to the surface. So the question now is, what to do with them?

Anjou is distressed by how hard Jinta is working, or punishing himself, for Menma’s sake. She also confesses to him that she was glad and relieved when he said he didn’t like Menma way back then at the secret base, and never got over her guilt for feeling that. She lays it all out for Jinta, but all he can do is walk away; no matter what anyone says, he can’t forget about someone who he can still see, hear, and touch. You can’t help but feel bad for Anjou either, though.

When everyone visits Menma’s mother, she accuses them of only wanting to have fun, and curses them for being allowed to grow up and live out their lives while Menma can’t. She’s haunted by her daughter’s memory, but not her person, so she has even fewer answers – and hence more despair – than anyone else. It outlines the “competition” (for lack of a better word) between Menma’s friends’ pain and that of the woman who gave birth to her. She may see exuberance and life in Menma’s grown friends, but she doesn’t know what we know about what they feel beneath their exteriors.

When Jinta goes to apologize to Anjou, everyone else is there, and a sort of invervention occurs, with only Poppo on his side. Just as Yukiatsu is about to slug him, Menma makes her presence known to everyone for the first time by writing in her diary and dropping it. This is a huge development, though it may not assuage the skeptics among Jinta’s friends. But it’s clear one thing Menma wishes above all is for everyone to be friends and not fight.

One other character I’ve neglected until now is the force of Jinta’s dad: this guy lost his beautiful wife, but he carries on, in a way Jinta hasn’t figured out how to do. He’s also the best kind of dad; one who isn’t as concerned with his son following the rules as much as following his heart and his own path in life. Rating: 4