O Maidens in Your Savage Season – 12 (Fin) – Using the Same Words on a Train with No Brakes

The girls might be referring to the hostage situation, but the real train with no brakes each one of them is on is adolescence. It’s a crazy chemical, biological train where bodies take off before minds are ready; where feelings are felt before the words to express them can be found.

The reaction of Tomita-sensei, the principal and vice principal to the girl’s act of rebellion couldn’t be any appropriate: they shrug and go back home, hoping things will cool off by morning, or in about a day or so. They’re not looking down on their students or mocking their seriousness.

Instead, all they have to do is remember when they were that age to know that in this case, anything they try to do or say in this situation can only make things worse. Better to let the crazy kids work things out; to find the brakes. Also, Tomita will be by in the morning with McDonalds breakfast! She’s an angel.

What Tomita also does is call Rika, the person for whom the girls kidnapped Yamagishi-sensei, and who arrives with Amagi by her side. But this isn’t just about Rika anymore; it’s about settling things among each other, so they don’t let Rika or Amagi in.

Rika contacts Izumi, who contacts Kazusa to tell her he’s coming. He sneaks in to find Niina tangled up on the floor with Momoko as Kazusa looks on. Niina thinks it the best time to confess her feelings to Izumi, but Momoko doesn’t accept Kazusa “giving her permission”, and she sure as hell doesn’t have hers.

Izumi somehow makes things far worse by declaring he’ll clearly state how he feels about both of them, then proceeding to say that he loves Kazusa but is sexually attracted to Niina, words so lacking in nuance and open to interpretation they end up satisfying no one.

No one, that is, except Niina, who we’ve known for a while now is too far removed from traditional “love” to value it as much as the pure physical attraction she can make better sense of, since she’s experienced it herself, most powerfully on the train when, as she says “he touched her.”

Those words also lack nuance and serve to stir the shit further, until Kazusa suggests they simply dispense with further words and make it a pure neolithic fight, like their pillow war at the bathhouse. Rika, who arrived with Amagi in time to castigate Izumi for his harsh and imprecise words, laments that her girls have been “driven mad by lust” but doesn’t think abandoning language is the answer.

The only adult in the room, Yamagishi, free of his binds, suggests that they combine some kind of “fight” with language: color tag. By having those who aren’t “it” look for a color the person who is “it” describes in a very personal way, it will enable them to reach beyond mere words to find the thoughts and feelings behind them.

Momoko fails to find Hitoha’s “gray sigh,” but when she just blurts out “peach-colored Momoko” despite not knowing what it is at the time, Niina still runs at full speed to find it.  Niina wants to understand Momoko’s feelings so they can continue being friends. Happy that Niina feels that way, she embraces Niina, declaring she is now “it.”

Niina tells the others to find the “Blues of our youth,” which leads Kazusa to a dark hall, where she thinks about how she’s felt like she’s been lost in that darkness ever since Niina fist mentioned sex during club, confused about romance, sexual desire, and everything in between. But once her eyes adjust and the moon peeks out of the clouds, she and the hallway are bathed in blue light—the blues of their youth.

Izumi ends up right there with Kazusa, and manages to use the opportunity to put how he’s feeling into better, more useful words. To Kazusa’s dawning realization and delight, he’s finally using the same words she would use to describe how she feels. Now they both have a useful tool to fall back on if they ever get anxious in the future. Neither of them are experts on what they’re headed into, but they’re speaking the same language, so they won’t be walking that path alone.

On the other fronts, in addition to Niina and Momoko making up, Hitoha notes Milo-sensei’s dedication to the advisor role even in such an unusual situation. When he plays the “you’re nothing if not entertaining” card on her, she proudly warns him not to “attempt to satisfy me with half-hearted platitudes,” as that isn’t entertaining.

Finally, with things calming down around them, things aren’t as bad as Mom-Mode Rika initially feared. She’s more concerned about Amagi’s experience kissing other girls. But Amagi isn’t that experienced after all, as he’s never kissed anyone on the forehead before, as he does with Rika, and which he states makes his heart race more than any past kiss. Dawwww.

The other girls find them before they’re able to start making out, and Amagi, Izumi, and Milo are all dismissed so the five girls can finish working things out without further interruption from members of the opposite sex.

Their group catharsis takes the form of a massive poster and banner-painting project that leaves the facade of the school plastered in revolutionary slogans and the girls sleeping in their clubroom, spattered in paint of all colors.

Those literal colors represent the proverbial colors that color the blank white canvas of youth as one goes through one’s savage season. To be so colored is no curse, nor anything of which anyone need be ashamed. They are necessary and inevitable—as much as a train with no brakes will, after enough distance with the throttle pulled back, eventually slow down and become more manageable.

After some time passes, it seems all of these young women are managing fine with the bevy of new colors that have been splashed across their canvases. Jujou sends Rika a photo of her, her boyfriend, and their new baby, aged two months. Rika is on a date with Amagi. Hitoha is working on a performance for Milo and Tomita’s wedding. Niina and Momoko are hanging out and having fun.

And Kazusa and Izumi are holding hands, in public while taking a train together. In a marvelous callback to an earlier episode when their train enters a tunnel, she thinks to herself with a placid smile, “It fit.”

O Maidens satisfied my desire for a candid and genuine teen romantic drama that didn’t rely on cliches and didn’t hold back. It was packed with richly-rendered, distinctive, and ultimately lovable characters, and didn’t hesitate to put them—and us—through the wringer, but also didn’t keep us or them in that wringer, and balanced drama and comedy with aplomb. It looked great, too.

Finally, while that ship was built on stormy seas, it managed to sail the ship I wanted! It would have been a dealbreaker if it hadn’t, but that makes all the difference between simply liking or admiring a show, and actually loving it. O Maidens just…fit.

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How Heavy are the Dumbbells You Lift? – 12 (Fin) – The Friends We Met Among the Weights

The final episode takes most of the cast to Tokyo’s fictional insular island “Nikunoshima” AKA “Muscle Island” where there is an annual contest for bodybuilding and a talent show. Due to the Summery climate the gang gets to show off their new swimsuits in the Spring, though the heat is a bit much for Gina. Hibiki and Akemi only came to see some hot guys and muscles, respectively, so both are crestfallen to learn that part of the contest is cancelled due to lack of participation.

Still, all four girls participate in the talent section, though another Russian steals Gina’s Cossack dance routine, while Ayaka decides to wear to little for her dragon flag demo and gets disqualified. Akemi wows the crowd with perfectly-executed handstand push-ups, while Hibiki demonstrates her superhuman punching power once more.

The two end up in a draw for the win, so they have to face off against one another to break the tie. Akemi relishes the opportunity to compete one-on-one against Hibiki in a bench press-off, but alas, Hibiki is too hungry to attempt even one rep, making Akemi the winner by forfeit.

Jason and Mr. Director had an overarching plan to film the contest “Candid Camera”-style, but the boat they used to try to get their ahead of the girls ends up breaking down, and they end up stranded at sea in a parody of Titanic that, while completely out of left field, is still pretty funny (Barnold ends up rescuing them, though who knows how).

Meanwhile the girls celebrate another successful contest by playing with fireworks on the beach, and Hibiki and Akemi affirm their strong friendship, which for Hibiki meant getting into healthier, better shape, and for Akemi meant meeting new friends who shared her passion for fitness.

Like last week, this episode suffered from a distinct lack of momentum and energy in the storytelling (as opposed to the always-game characters and seiyus) as well as a rehash of elements already used better (Hibiki’s punching, the contest format, swimsuits).

While it didn’t end while at its strongest, Dumbbells was still a fun, unique, quirky, and above all inspiring little show packed with lovable characters. Next month I’ll be joining the gym to try to build a better me. That would not have happened were it not for this show!

Karakai Jouzu no Takagi-san 2 – 11 – A Big Catch

In a desperate attempt for a win, any win, Nishikata manages to find out from Takagi’s friend that she’ll be walking down a certain road at a certain time, and arranges for a game to guess the steps to a certain spot.

Thinking more than one step ahead for once, he correctly predicts she’ll call for a further target, but he’s such an open book she changes it again, demonstrating that thinking just two steps ahead won’t cut it if you want to beat Takagi!

Still Takagi had fun, and is flattered that Nishikata would go so far to win a game, and asks what he wants her to get him as a souvenir on her family vacation. Later, Takagi’s friend can tell from her face “something nice happened.”

When Takagi is back, she presents Nishikata with another great gift: a 100% Unrequited Love-themed curry kit. He also went on vacation, and surprises her with a gift of cookies. Little does she know they’re sour cookies. When she suggests they go to the shrine to enjoy their gifts together, it’s the perfect chance to see her distressed, puckered face…

…But on the way there, Takagi expresses her happiness so genuinely, Nishikata has no choice but to warn her ahead of time. Turns out the cookies are actually pretty good. Takagi also uses their shrine visit to tell him she had her family vacation shortened so she could go to the upcoming summer festival.

Nishikata isn’t planning to go with anyone, and neither is Takagi, so she tells him in no uncertain terms that if someone asked her to go, she would—someone she teases all the time, for instance. Knowing him all to well, Takagi provides him with everything he needs…all he has to do is, well, ask her out.

The subtle animation really shines in this scene, conveying Takagi’s nervousness as she adjusts her legs and stretches her trembling hands, matching Takahashi Rie’s superb voice work.

Asking Takagi out is one of the hardest things Nishikata has ever had to do, because it pretty much throws out the window the fiction that, as he’s so fond of saying, “it isn’t like that” between them. When the two run into each other on the street and he offers to carry her groceries in his bike basket, the atmosphere gets more and more awkward as he utterly fails to speak up and say the words that need to be said.

I really can’t overstate how much tension is built up as they walk up to her house and say goodbye and he starts to walk away, without asking her out. Her usual cheerful smile vanishes, replaced by a look of resignation…she tried her best. But then she hears his bike returning, and the shy sonofabitch finally, finally asks her if she wants to go to the summer festival with him.

The answer, of course, is yes, and in her elation she tosses more canned drinks into his arms before he heads off to fish with his mates. Nishikata doesn’t get to see her adorable quivering look of relief and joy as he pedals off. Now this is how you build anticipation for the twelfth and final episode!

While fishing, even when he gets a bite on his line he doesn’t notice, as he’s in a kind of trance state. Not surprising, as he’d already snagged the biggest catch of his life.

HenSuki – 11 – A Matter of Math

This week’s HenSuki is a pool episode, but the pool trip is only a means with which Keiki intends to expose and confront Cinderella once and for all. And hey, if he gets to see the girls in swimsuits, including one he brought for Mizuha (since the trip is a total surprise for her), that’s just a bonus as far as he’s concerned.

Sayuki and Yuika, whom he’s ruled out as the culprit, get up to their usual antics in fighting over him, while Mao keeps her tsundere schtick going when she gets him to herself. Amidst all the liveliness Mizuha is somewhat shuffled to the side, but Keiki tracks her down and carries her when she gets a cramp, like he used to do when they were both smaller (and about the same size).

When Koharu enlists the girls to participate in a girl confession competition with the audience as the judge, all four girls score 92 or higher, with Mizuha breaking the equipment with her very heartfelt confession of love for her brother.

All of these clues involving Mizuha add up to the revelation in the waiting area that she is Cinderella. Keiki arranged things so that she wouldn’t have a change of underwear except the pair that accompanied the love letter, which she reclaimed and kept in her bag at all times. Koharu’s photo also proves she was where Cinderella would have to be at the time the love letter was planet.

Mizuha accepts that she’s been caught, and appreciates that Keiki went so far to find out it was her, as it meant he had to obsess over her for the duration. That’s because she really is in love with him, and it’s not sibling love. When Keiki tells her he’s flattered but he’s not okay with a brother and sister having romantic feelings, she drops a bombshell: they’re not related by blood.

While it’s still somewhat dubious Keiki would be okay with suddenly regarding a girl he’d always treated like a sister (by blood or not) romantically, I’m more shocked that after all these years he never considered it odd that the two of them were only five months apart in age. Seems like a pretty big oversight!

With the central mystery solved and just one episode to go, Keiki has a choice to make: accept Mizuha’s feelings and adjust their relationship accordingly, or reject her and either choose one of the others or choose nobody. Decision time!

O Maidens in Your Savage Season – 11 – No Time to Take Things Slow

Rika truly was transformed by her love of Amagi. Far from being disappointed or feeling betrayed by Juujo for going and getting herself knocked up, Rika is firmly in her corner. When Hitoha argues the other side too far, Rika almost calls out Hitoha’s own relationship before storming off, leading Hitoha to declare it’s “wrong to stop in the middle of things”—a glorious line considering its subtext.

Kazusa and Momoko are out of the loop, and so ponder and worry together right up until Momoko asks her who’d she’d rather sleep with to keep the world blowing up: her, or Milo-sensei. When Kazusa says she’d pick Milo because she’d “have to go with a guy,” then goes in for a “best friends!” hug, Momoko dodges, warning Kazusa to watch out for Niina before storming off herself.

Hitoha has noticed her interactions with Milo have become “softer and warmer” since their semi-cathartic encounter. She believes it’s because he interpreted her childish tears as being “overwhelmed by his kindness” when in reality, she felt so pathetic it actually felt good. With that in mind, she’s not quite ready to give up on him.

Meanwhile, Niina has never felt hatred about her present self, or more determined to eliminate that self as soon as possible. With Izumi unwilling to play ball, she arranges a meeting at a hotel with Saegusa, who is, unlike Milo, perfectly willing to follow through, the pervert.

But as he starts to touch her, Niina discovers something about that self she hates so much: it won’t be killed so easily. When Saegusa’s gross face and gross mouth and gross white nose hairs get too close, she instinctively slugs him, and flees.

The next morning, the only two who show up for lit club are Kazusa…and Niina. After a beautiful monologue that begins with her being lost in the haunted forest of those nose hairs, she tells Kazusa straight up that she’s in love with Izumi and plans to confess to him, even if he loves Kazusa.

To Niina’s shock, Izumi doesn’t react in anger, but in understanding, love, and gratitude. She wouldn’t have had the courage to confess to Izumi were it not for Niina’s help, so what kind of friend would she be to deny her the opportunity to do the same?

Niina and Kazusa go into the “best friends” hug Momoko wouldn’t, and everything seems hunky-dory…until we see Kazusa racing home in an absolute panic. She’s not sure what else she could have done in that situation, but she sure as shit isn’t happy about it!

In this episode full of people who believe they’re running out of time, Kazusa believes the only thing to do to stave off the threat of Niina is to put her mark on Izumi immediately. It just so happens his folks aren’t home, and she invites herself up to his room.

Her sexy underwear didn’t arrive in time, but she intends to make do, presenting herself for him to kiss, and when he expresses confusion, she declares her desire to do it with him, straight up. He tells Kazusa he wants to “treat her right” by taking things slow, but he also brings up Niina, souring the mood and leading to Kazusa’s early exit.

To add insult to injury, the underwear arrives, but Kazusa is so flustered by their presence she quickly snips them to tiny shreds with scissors. We segue from that particularly childish display to a very mature and elegant phone conversation between Rika, who is growing increasingly weary of herself (calling herself “a shameful disgrace”, and Amagi, warning her not to badmouth the girl he likes.

Their bliss is rudely interrupted by her mother bursting in the room. The next day there’s an all-school assembly where the principal and vice-principal announce that all “non-platonic interaction between the sexes” is banned with immediate effect. Rumors fly through the student body, including that Sonezaki and Amagi were spotted outside a love hotel and will now be expelled.

The scene of Rika being guided into a cab by her mom, like some kind of criminal, possibly never to return, is witnessed by Kazusa, Niina, Momoko and Hitoha, in an unlikely but very welcome reunion. It’s the start of the girls deciding to put aside their differences for Rika’s sake, their sakes, and the sake of the entire school.

Hitoha, who (rightly) blames herself for putting Rika and Amagi in that place at that time, is ready to confess, but Milo-sensei beats her to it, albeit keeping her name out of it (though he refers to her as “someone he’s considering a future with” in his lie). But the principals won’t budge; after Juujou, they’re prepared to make an example of Rika and Amagi.

Later, in the clubroom, Milo assures Hitoha he’ll keep fighting for Rika, but also admits he doesn’t quite have a plan for doing so at the moment. That’s unfortunately not good enough for these maidens in their savage season, who must make the most of this time and can’t afford to endure the oppression of the school’s new ban.

So, after Kazusa gives Izumi a solemn call telling him she’s about to commit a “grave sin,” she joins her sisters in kidnapping Milo-sensei, beating and tying him up, and using him as a hostage. The school staff is sent their demands, and when they arrive at the school the four girls are there to repeat them: lifting of the ban, reinstating of Rika, and an apology, or else.

No negotiations, no retreat: the maidens have spoken! As amazingly awful as it was to watch them nearly destroy each others’ friendships, this latest emergency of injustice has brought them back together, at least for now. Watching them use their powers to save one of their own another is an inspiring sight to behold, though I can’t see there not being serious consequences. Still, what’s done is done—and they did it together.

How Heavy are the Dumbbells You Lift? – 11 – Bridge Over Troubled Ratings

After a string of ten straight solid “8” episodes, the eleventh came off as somewhat sparse. As the teachers celebrate New Years Eve by drinking at home, the girls head to the Shrine of the Muscle God, which has a truly epic staircase for training purposes and is also maintained by none other than Machio.

After watching the sun come up and descending from the shrine, the girls still have enough energy to train. Gina suggests they use the equipment at a local park, but to her horror (and my surprise) most of the equipment on which to train has been removed from most parks in Japan, so they do a number of isometric exercises that require nothing but their own bodies. Handy if you’re training (as I plan to do upon completion of this show) but lacking in excitement.

Gina tries to spice things up by registering the group for a live TV talent show (directed by Deire Kutarou, from the idol competition) but the sum total of their performance is some poses and a perfectly-executed “Wrestler’s Bridge” from a masked Satomi. Deire is surprised to find the girls boosted his show to second-best in the time slot, and the producer and president want to see more of them.

Jason shows up and takes Deire aside to propose a “Nikunoshima Tour,” whatever that is, which will be covered in the twelfth and final episode. But I couldn’t help but feel like this was the weakest of the Dumbbell outings so far; unlike the others it felt more meandering, even listless, like it was running out of gas. Hopefully the finale can restore the lost momentum and bring things to a satisfying close.

Karakai Jouzu no Takagi-san 2 – 10 – The Wrong Idea is the Right Idea

Whether by sheer chance or calculation as a result of her enduring affection for him, Takagi has been finding ways to progressively inch (or rather senchimetoru) a little bit closer to him. Her slow but steady pace exhibits sensitivity to the fact he’s still pretty childish.

While he’s just not quite at the stage of adolescence where he’s willing to be openly honest about his feelings for her, the pace could also be fine for her; after all, she’s had ample opportunities to push a little harder and further, but has remained immensely patient and incremental.

Knowing his patterns and habits is one way to get closer. She knows full well he was up late watching 100% Unrequited Love, so brings in some eye drops. When he can’t get the drops in without blinking, she offers to help, and tickles him into opening his eyes.

Then they switch places, and when Yukari (who already has her suspicions about the couple) enters the classroom it sure looks like they’re about to kiss. Yukari relays this to Houjou, who has a look but sees nothing untoward; then Yukari declares it a “scoop” but Sanae and Mina correct her; if she’s not sure what she saw it can’t be a scoop.

Whoever saw Takagi and Nishikata and whatever they think they saw, Takagi doesn’t mind, even if Nishikata still does. If the whole school manages to become comfortable with them as a pair before he does, so be it!

Takagi likely anticipates another opportunity to be close with Nishikata, as they engage in an after-school game of one-on-one hide-and-seek. She correctly predicts that despite the large field and long count, Nishikata will hide close by, and sure enough, she finds him behind a pair of oil drums.

What neither of them expected was for another couple to show up: Hamaguchi and Houjou, AKA “the ‘mature’ classmate.” Nishikata and Takagi play voyeurs for a bit as the other couple interacts in a way they probably wouldn’t if others were around.

Then Takagi makes her move, telling Nishikata that if they’re caught behind those drums, it’s better if what the others are assuming is the truth. Drawing closer and closer, Nishikata finally bails out, and he and Takagi have to awkwardly say hi, while Nishikata tells them they were just playing hide-and-seek, which, while the actual truth, probably sounds like a lie to Houjou and Hamaguchi.

At this point Nishikata is ready to head home to train for future teasing, but Takagi finds what looks like a treasure map on the ground, and he’s wrapped up in another roving adventure with her. The map eventually leads them to a tree that has a pair of names carved into the trunk. Takagi presumes it was the spot where a couple had their first kiss.

Hearing that, Nishikata wants to flee again, but Takagi suggests they sit down under the tree and enjoy the shade and gentle breeze. Out in the open yet all alone in a secluded, safe place known as the site of another first kiss, it looks like as good a place as any for Takagi to attempt to solicit her and Nishikata’s first kiss.

It’s certainly on Nishikata’s mind as she draws nearer and nearer…but she whips out her phone and headphones instead, asking if he’ll listen to some music with her. After playing him a recording of cats fighting outside her house last night, she pops one earbud into his ear so they can listen to the song that plays over the end credits together.

Sharing earbuds may not be a first kiss, but it is another first, and another centimeter closer. To quote Nishikata: “Crap, I really can’t compare with her, can I?” Nope!

HenSuki – 10 – No Looking Away

Thanks to the photo of him rummaging through her underwear, Keiki is suddenly Yuika’s willing and attentive slave…and Sayuki is hurt to see her master brought so low, especially knowing it’s due to treachery. Still, Yuika manages to maximize her time with him, dressing him up in a butler outfit of her own design, then using him as a porter during a shopping spree.

After shopping, Yuika takes a bath, but screams when she sees a spider, making Keiki come running to her rescue. Yuika sentences him to death for seeing her naked, but quickly softens when, after she steps on his head, his stroking of her head reminds her of her late grandma. After she trips onto her bed, Keiki discovers she stole a pair of his boxers, so just like that, the blackmailing ceases.

As Keiki and Shouma lament another summer without girlfriends (clearly due to their lack of effort and nothing else) the focus shifts to Nanjou Mao, who first uses Keiki as a model for her boyfriend in a shoujo one-shot she’s working on, then proposes he become her “boyfriend” for research purposes…if he’s not dating anyone else.

Considering how strong she comes on and all the blushing, I wouldn’t be surprised if she actually does like him, though like him with his whole Cinderella investigation, or Shouma with his lolicon, she’s simply hiding from the truth; in her case, behind manga-related excuses. After a recharging hug and sniff, Ayano even proposes she and Keiki start dating, but he respectfully declines. As I said, if he doesn’t have a girlfriend this summer, it’s all his stinkin’ fault.

Perhaps, with a photo taken by Koharu on the day he received a love letter from Cinderella, he’ll finally crack the case open and learn which one of the girls in his life gave him her underwear…or if it’s someone new entirely.

O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

How Heavy are the Dumbbells You Lift? – 10 – Please Don’t Literally Crush Your Skull!

It’s Wintertime, the Silverman Gym Christmas Party is coming up, and Hibiki, Akemi, Ayaka, Satomi and Gina want to use the even to snag some guys Hibiki isn’t quite in the shape she wants to be due to overindulgence in delicious winter foods.

Machio suggests she try lying triceps extensions, or “skull crushers,” and Hibiki makes what must be a common mistake with any workout that brings a metal bar that close to your head. Still, by cramming in workouts prior to the party, Hibiki hopes to be the first among them to bag a boyfriend.

The big night arrives, and the young women arrive in cosplay in order to apply for a free training session. They fan out and mingle with all the handsome, fit young men who attend the gym at different times, but quite adorably none of them are quite bold enough to ask for any numbers.

Speaking of numbers, Machio drew them all over his muscles as a novel way to reveal the winners of the gym raffle, the first place prize for which is a pair of tickets to an amusement park, which Satomi wins. While posing with the other winners, she and the girls learn that beneath their slimming casual clothes, the lads are all macho-men like Machio.

That also means most of them are spoken for, so it would seem their mission to snag a boyfriend failed. When Satomi can’t use the tix due to Winter Comiket approaching, Akemi asks if she can have them…and asks Machio to join her! The ladies are shocked.

When Akemi and Machio meet up at the very not-Disney-affiliated-at-all “Tochigi Destiny Land”, Hibiki and Gina decide to trail the pair, while Satomi ends up coming along, wearing the same winter uniform as the high schoolers in order to hide in plain sight.

Part of me wished the tix were for Amagi Brilliant Park, but then I would not have met TDL’s mascot, Mockey, whose appearance Satomi’s inner thoughts sum up quite succinctly.

While observing Akemi and Machio reveals that they’re simply on a normal innocent date, things take a turn when the two suddenly sneak into a suspicious tend. However, the true reason for them coming to TDL is revealed: they’re there for a cosplay event.

Specifically, Akemi is there to see Machio’s sweet, sweet pecs (honed by the incline bench press), which, as she explains while temporarily transforming into Sawako, look even better when juxtaposed with leather armor. Finally, Satomi is skipping about in a high school uni without a care in the world until she runs into someone she knows, specifically her fellow teacher Aina, who is also wearing their school’s uni. They vow to pretend this never happened, but I remember, senseis…and I won’t soon forget!

Karakai Jouzu no Takagi-san 2 – 09 – Look Over Here

In Failed Attempt #5,704 to get one over on Takagi-san, Nishitaka challenges her to a game of Rock-Paper-Scissors With “Look Over There” (Acchi Muite Hoi), where the winner tries to get the loser to look where they point.

As usual, Nishikata underestimates Takagi, who not only fails to look where he points when he does win, but gets him to look exactly where she wants, distracting him by asking if he has a crush on her.

After Hina accidentally determines that Yukari’s talent is that she has none, Nishikata arrives at class the next day to find Takagi is…a little off. The whole day goes by without her teasing him, and she doesn’t offer to walk home together, so Nishikata is worried. He may claim to dislike her teasing, but if it doesn’t feel right when she doesn’t, what does that say about his true feelings on the matter?

On his way home he spots Takagi’s bike by a shrine, and finds her sitting by herself, as she says it, “spacing out.” Turns out she had a fight with her mom, and was feeling down. But without even trying, Nishikata manages to cheer her up, with the very “mystery box” full of cotton with which he intended to scare her. She has a laugh, and when Nishikata moves to leave, she gently, warmly asks if he’d stay a little longer. Who is he to refuse?

When Kimura shows Nishikata a dumb trick through text message, Nishikata reconsiders trying it on Takagi, worried she’s still feeling down because of her mom. But she texts him, saying she made up and everything is fine now, so he proceeds to send her a photo of his arm that vaguely looks like a butt.

Takagi punishes Nishikata for such a lame attempt to trick her/gross her out, she sends a number of questions to him that if he’s not careful how he words his responses, it could read as him confessing his love. He tries to play that game by texting “how about a kisu”, referring to the fish whose name sounds like “kiss.”

Takagi utterly defeats him once more by sending him a video response of her lying in bed, earnestly responding “I love (them),” then sending a text correctly assuming he’s blushing, and daring him to send a pic of his face to prove he isn’t. Of course, as she heads downstairs for dinner and bids him goodbye until school tomorrow, she’s blushing too.

HenSuki – 09 – Boiling Over

In what must be a dream come true for Sayuki, Keiki takes her on a date to a theme park as his pet, and she must call him “master” and follow his commands. Of course, Keiki’s ulterior motive is to confirm whether Sayuki is Cinderella. The proof he seeks is whether she’s wearing the stolen underwear from his room originally gifted to him by Cinderella.

Sayuki wears a skirt for their date, but it’s long enough that none of the thrilling rides they take cause it to flip up in his field of vision. Like his date with Yuika earlier in the show, it actually goes quite well, aside from the investigation. After “being mean” with scary rides, he lets her decide to go on the Ferris wheel, and then he praises her shodou at an exhibition.

But while the Ferris wheel was definitely the place to do it, Keiki waits until the last second, at the end of the date, to order Sayuki to show him what’s under her skirt. As his dutiful pet she obeys, despite the embarrassment … because she’s not wearing any underwear at all. She went commando for the whole date.

In addition to neither confirming or denying whether Sayuki is Cinderella, Keiki finds that things are awkward at school the next day, with Sayuki not acting like herself. Yuika notices the change too, and the avowed sadist tries to make things worse by flirting with Keiki right in front of her.

Throughout Yuika’s initial attempts, Sayuki continues to write “patience” over and over on a parchment, until she runs off onto the table. By the time Yuika jumps into Keiki’s arms and they’re tumbling to the floor just as Mao enters, Sayuki has seemingly “hit her limit” and flees without a word.

When Keiki comes to them for advice , Ootori and Shouma can’t really say what’s bothering Sayuki, but the fact that it’s bothering Keiki means he must truly care about her, otherwise he wouldn’t be so worried about how she’s feeling.

The next day Keiki confronts Sayuki, and learns that she was acting the way she was because she thought he was playing “hard to get” after not doing anything to her after she lifted her skirt for him. She was hoping for a “healthy spanking,” and took getting nothing instead (and dealing with the rising anticipation) as a form of discipline in and of itself.

Keiki decides to ask her straight up if she stole the underwear, and she owns up to it. The only problem is, she didn’t steal Cinderella’s underwear, she stole—and is presently wearing—Keiki’s boxers. If only he’d asked the right question: Did she write him a love letter with the blue underwear?

So the mystery continues, because Keiki is an awful investigator. It’s raining after school, so he walks the umbrella-less Yuika home, but gets cold and wet so she invites him in. Rather than simply ask her directly, he rifles through her underwear drawer while she’s making tea, and gets an incriminating picture of himself snapped for his trouble.

That photo all but ensures he’ll be Yuika’s slave for as long as she has it in her possession. Why he thought the risk of getting caught in her underwear drawer was lower than the risk of alienating her for asking if she’s Cinderella, I have no idea. Keiki just can’t get out of his own way here!

O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!