Citrus – 03

Yuzu doesn’t understand why she has such a crush on Mei, just that she does, but she knows the only way to move forward is to make those feelings known. To do that, she needs to be on better terms with her, and the universe provides. When the chairman collapses in his office, the first person to find him and call an ambulance isn’t Mei, it’s Yuzu.

Mei is grateful, and lets Yuzu call her by her first name (even if she doesn’t reciprocate), and Gramps even reverses his decision to expel Yuzu. His health scare has made him re-evaluate a lot of things he’d taken hard lines on, be it the new granddaughter he never asked for in Yuzu, or the decision to make Mei live with him.

Mei then returns to Yuzu and her mom’s house, but it couldn’t come at a worse time, considering Yuzu’s feelings for her aren’t very sisterly. Yuzu seeks clarity in a yuri manga (which Harumin sees and jokingly pretends to reinact the action within its pages), while Yuzu’s mom makes things worse by buying a double bed for the sisters.

Obviously, living with one’s (presumably unrequited) crush is not easy, and I can’t help but feel for Yuzu here.

That’s not the end of her torment, as when bedtime comes and she finds herself unable to sleep, she tries to steal a touch of Mei’s hair or skin, and Mei gets out of bed and unrolls a futon, claiming it’s too hot with both of them under the covers.

When Yuzu brings up Mei kissing her, Mei coldly dismisses it as merely a tactic to shut her up, demonstrating its effectiveness by coming in oh-so-close only to withhold a kiss. She states she has “no interest” in Yuzu, or in getting closer, hence her unwillingness to call her by her first name. Yuzu goes to sleep in the bed alone, angry, and in tears.

Adding insult to injury, since Mei is the rule-obsessed class president, Yuzu is unable to hang out with Harumi after school without both of them getting punished by having to clean the bathroom. When that’s done, Yuzu finds a note from Mei calling her to the chairman’s office.

Yuzu is excited by the note, but when she arrives, Mei has her yuri manga, and warns her to dispose of it lest rumors crop up. Yuzu snaps, pushes Mei onto the desk, kisses her, then breaks into tears.

If Mei is uncomfortable here, but the fact is she kissed Yuzu first, and that’s how Yuzu’s crush on her developed; they wouldn’t be on that desk without Mei’s earlier antics. Yuzu knows she can’t go back now that what’s done has been done, but gets off Mei, apologizes for being such a bad sister, and runs off.

Her running off, and Mei lingering in the office, doesn’t go unnoticed by Mei’s friend, right-hand woman, and enforcer Himeko, who immediately suspects something is very amiss. Just as Yuzu and Mei are trying to sort things out, Himeko will no doubt insinuate herself into the situation.

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Citrus – 02

While all of Yuzu’s thoughts are focused on what Mei’s kiss was all about, she falls into a fountain and takes Mei with her, and ends up in an even more inimate situation when they bathe together. Yuzu thinks about how Mei’s skin feels, Mei is pressing her against the wall, as if she could read Yuzu’s mind. However, it’s too much contact too quickly; Yuzu is again flustered by her little sister.

At school, Yuzu continues to make no effort to follow the dress code, and notices many of the girls are paired up, holding hands and flirting. Harumi says since most of them are already engaged, it’s more a matter of “being in heat” and fooling around while they still can; lust, not love. Their chat is interrupted when Harumi notices the chairman, Mei’s grandfather, is at the gates.

Yuzu brashly approaches him and calls him “gramps”, but he’s having none of it, turning to Mei and reaming her out for allowing “such a fool” to be near school grounds. Yuzu sticks up for her sister, but is banished from the grounds. Either Gramps didn’t get the memo about the marriage, or worse, he doesn’t care; doesn’t see Yuzu as real family.

While sneaking back in, Yuzu and Harumi spot Mei’s betrothed in the parking lot, and overhear him talking to his girlfriend about how he doesn’t really care about Mei, and will only string her along because her family is rich. It’s an awfully specific phone convo for a guy to have out in the open just when Yuzu happens to hear it, but it also shows what a jerk this guy is.

Yuzu tells Mei about her fiancee’s infidelity, but Mei, not surprisingly, already knows, and, well, she’s not fine with it, but she clearly seems resigned to proceeding regardless. She also dismisses Yuzu’s “big sister” status in this issue, since she’s never kissed anyone and thus can’t possibly understand. Yuzu only seems to make things worse the next day when she hijacks a school assembly to tell everyone how she saw the teacher forcing himself on Mei.

That little stunt leads to the chairman sending men to pick Mei up from Yuzu and her Mom’s and having her live with him from now on; Yuzu’s mom says Mei didn’t resist. When Yuzu confronts Mei, Mei pretends nothing is amiss. When Yuzu presses, Mei tells her she’s been ordered to stay away, and that’s how it is.

Yuzu doesn’t stay away. She can’t sleep in the empty room without Mei, knowing there’s clearly something bothering her (what with the crying in her sleep) and she can’t stand feeling partially responsible for her mom’s pain. So she goes to Mei’s grandfather’s mansion and confronts her again, bringing up the pained looks and cries for her father in her sleep.

Mei gets violent, tossing Yuzu on the bed and tearing her blouse. As tears fall from Mei’s eyes to Yuzu’s face, Yuzu gets up and takes hold of Mei, saying “I’m with you now!”, which seems to have an effect. Alas, their grandfather enters the room and expels Yuzu right then and there.

While shopping with Harumi (who is in Full Glamorous Gal Mode outside of school), a very forlorn Yuzu finally tells her friend about her and Mei being related and her expulsion (though doesn’t mention how Mei has kissed her and pushed her into walls and onto beds).

Harumi tells her that despite Mei’s demeanor Yuzu’s feelings on wanting to protect her are probably getting through to her, but that gets Yuzu thinking about what her feelings for Mei truly are, and whether they’re love, something she’s never experienced before. It certainly seems that way.

Citrus – 01 (First Impressions)

The flashy, glamorous Aihara Yuzu tries to make it clear to the outside world that she’s a gal who gets around, but has never actually been in love or even kissed anyone.

This is hardly a new story, but what makes things a little more interesting is that when she transfers to a new, all-girls school where she sticks out like a sore thumb, the hard-nosed student council president Aihara Mei turns out to be her new, slightly younger stepsister.

The knowledge that Mei is betrothed to an “elite teacher” is seemingly confirmed when Yuzu accidentally catches Mei and the teacher making out in a secluded spot; Yuzu is so flustered she flees in a not-so-inconspicuous manner.

In any case, her insistence on dolling herself up and flaunting the school dress code in every way possible brand her as a delinquent in the eyes of the mostly drab, sheltered student body (one exception being Taniguchi Harumi, a “gal in disguise”).

While Yuzu may talk the talk, Mei seems to walk the walk, and Mei essentially sends Yuzu’s perfect maze of deception crashing down around her when Yuzu tries to force Mei into talking to her by bringing up her sucking face with the hot teacher.

Mei reacts by pinning Yuzu down and giving her a long, deep kiss with tongue before leaving the room, telling her “that’s what a kiss is like.” Yuzu’s first kiss is thus not only with a girl, but with someone she just learned is her “little” sister…and someone she butted heads with the moment they met.

Mei has also demonstrated beyond doubt that while Yuzu possesses all the outward trappings of boy-crazy gal, like Jon Snow, she really knows nothing, while Mei has actually experienced a measure of love and desire.

Decent yuri anime are few and far between, but this one at least shows glimmers of promise with its full-length episode format, attractive visuals, and a complex (if somewhat contrived) scenario that should be fraught with similarly complicated emotions on the part of both leads as their relationship evolves beyond the sizing-up stage.

Hajimete no Gal – 04

While wholesomely innocently researching “gals” on the interwebs to learn how to interact with Yame and Ranko better, Junichi comes across an extremely cute gal with a loyal following. This gal’s necklace has the same snake motif as Kashii Yui’s hairpin, so yeah, it’s pretty evident from the start that “Boa-sama” is Yui in disguise.

Yui is always presenting a calm, mature identity at school, but beneath that exterior she’s a vain, arrogant, imperious girl, labeling all of her classmates with various servant’s names and titles. Junichi has always been a loyal “doggy” to her, and isn’t interested in sharing him with some uncultured gal.

While Yame is hanging out with her galfriends, Yui springs out of the bushes and strikes like the snake she loves wearing, taking an extremely dumb Junichi on a date.

Meanwhile it’s on the tip of Shinpei’s tongue who Boa-sama reminds him of; an increasingly irritated and thus less careful Boa throws him a bone by describing him and his crew of losers to a man.

While secretly recording her flirting with Junichi in the classroom (which is illegal in Japan), Boa-sama gets final visual proof and shares it with the lads, who are shocked by the revelation. Despite Shinpei’s efforts to reveal his discovery in secret, Ranko gets wind of it.

Sensing that being blunt will be best against the painfully dense Junichi, Yui passionately confesses to him on the roof. When he turns her down (as he’s dating Yame), she immediately cracks and her extremely fiery, petulant personality gushes out.

She also plays her trump card: she secretly recorded her date with him (which is illegal in Japan), and orders him to break up with Yame and go out with her, or she’ll send the video to Yame.

That’s checkmate for Junichi…or it would be if he didn’t have a gang of friends watching both his back and Yame’s. Ranko arrives with the three losers, superhero-style (complete with ill-advised high jump off a ledge; Ranko lands as a hero would; the guys eat shit).

Ranko counters Yui’s Yame-harming blackmail with blackmail of her own: the knowledge that Yui is Boa-sama. Yui surrenders, but she won’t give up so easily, and the war has only begun…just as Junichi’s well-endowed childhood friend prepares to take the stage.

While the lack of any real suspense regarding who Boa-sama was, and Junichi’s general incompetence in everything but being an easy mark for…just about anyone, the episode was buoyed by Taketatsu Ayana’s strong performance voicing the many sides of Yui, and while the lolicon guy still needs to stop talking, the losers, Shinpei in particular, were in top form this week.

Hajimete no Gal – 03

As expected, Yukana’s very tan best friend Honjou Ranko inserts herself into her relationship with Junichi by writing him a love letter then mounting him behind the school. After a brief feint, Yukana laughs off Ranko’ actions as just messing around with Junichi…but Ranko seems determined to break them up.

A very predictable development, combined with a lot less comedy (a lot of it recycled jokes that don’t hit as hard, or at all, the third or fourth time around) made for a less-than-stellar Hajimete no Gal.

While out on a shopping trip, Junichi learns more of the challenges of dating a gal, like the need to properly choose which clothes look better on her, or defending her from man-sluts. In both cases, Ranko tries to upstage Junichi, finally meeting him at his house to talk.

She mounts him again, assuring him she’d rather take his virginity then let him get with Yukana, whom she’s secretly in love with. Ranko’s kinda all over the place, and Kitamura Eri does fine voice work, she doesn’t have much to work with here.

I guess I should be glad Ranko’s not in love with Junichi, but he still gets off the hook way too easily. Indeed, Junichi moves at the speed of a sloth throughout this episode, which I suppose is par for the course considering his self-image as a loser, but it’s still pretty annoying.

This week he did next to nothing—other than halfheartedly trying to tell off the guys hitting on Yukana, which failed—to deserve all the attention he’s getting. Next week it appears will involve more Kashii Yui, who was obviously going to be more than just the Miss Perfect Junichi believes her to be. She looks particularly pissed watching Ranko tease him.

Netsuzou TRap – 03

Another five minutes of Hotaru fooling with Yume using “practice” as an excuse. Even Yume is starting to have her doubts, and while Takeda is totally unaware, Fujiwara has now caught the two kissing on the slopes.

Rather than elucidate Takeda on the situation, he decides to take Hotaru to his room for the night, leaving Yume little choice but to invite Takeda into hers, or leave him out in the cold. Not exactly forcing a choice, but certainly limiting them.

For the record, Fujiwara and Hotaru are (separately) in agreement that Yume has the power to stop this…but she has to want to. At least she knows Hotaru has the tendency to throw her off balance.

But at some point she’ll have to decide which way to tip the scales: first boyfriend, or best friend who seems to want more…or maybe she’ll continue to be in this state of limbo for the whole run of the show! Either way, if it’s all the same to ya’ll I think I’ll be stepping back from this.

Netsuzou TRap – 02

In its latest five minutes, NTR tries to get a little more granular with the relationship between Yuma and Hotaru. They go back years, and Yuma always played the protective role of shining knight when the Hotaru was teased.

Fast-forward to the present, and Yuma is still Hotaru’s only female friend. Yuma is still a little resentful that Hotaru found a boyfriend before her, but now that Yuma has one, Hotaru is being almost clingy with her teasing, and the kissing was a big deal for Yuma.

Yuma’s boyfriend Takeda is a pretty nice guy, proposing bold sleepover but changing it to a double date out of consideration for how close Yuma and Hotaru clearly are. But Hotaru was pretty blatantly manipulative with both Yuma and Takeda.

At the amusement park, we learn possibly why that is, and why Hotaru just might prefer Yuma: her boyfriend Fujiwara, has a bit of a temper, slamming his foot on the bench she’s sitting on when she refuses his advances. He’s also already suspicious about her and Yuma, while Takeda is blissfully unaware.

It would seem then, that Hotaru yearns to maintain the knight-and-damsel dynamic Yuma and her have always had. Hotaru just doesn’t seem that interested in Fujiwara. She seems to prefer Yuma, and wants her, whether Yuma has a decent boyfriend or not.

Netsuzou TRap – 01 (First Impressions)

In this very short (six minutes after OP and ED) piece, Yuma finds herself in a bit of a situation. After asking her close friend and neighbor Hotaru for advice on her boyfriend, finds herself being touched and French kissed by the other girl ostensibly as “practice” for her boyfriend. The thing is, Yuma feels like she liked Hotaru’s kiss more than her boyfriend’s.

Aside from looking a bit like Yui and Yukino from Oregairu, it’s hard to make any kind of in-depth analysis of Hotaru and Yuma. At the same time, we saw and heard pretty much all we needed to in order to set the stage, as described above. This isn’t complicated stuff!

I also liked fact that the boyfriends are pretty much afterthoughts for both the show and the girls so far, suggesting, based on the scant info so far, that they may simply have been acquired because it’s what you do. At the very least this kinda warrants a closer look; it’s not exactly a huge commitment!

Kiznaiver – 07

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While Ruru wasn’t literally killed by Maki (obviously), her mother is glad Maki feels guilty for abandoning her as a friend, making her write the final chapter by herself. Half the house is a shrine to Ruru, so the tension runs high in the mother’s presence. They may have known Ruru was going to live a short life due to her chronic illness, but that doesn’t make the pain any less difficult to bear.

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This week we also learn how Maki and Ruru —two loners—met for the first time and became more dear to one another than anyone else. They filled in each other’s manga weaknesses (Ruru’s writing, Maki’s art), and rose quickly as their audience soared.

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But it seems Maki was never a fan of Ruru “joking” about jumping off high ledges, faking a seizure, or getting more romantic with her. Though the last one, Maki knew, wasn’t a joke, nor was she not interested.

Ultimately, it seems more like Maki cut herself off from Ruru in order to be spared the even greater pain she’s endure if Ruru died when they were lovers. This is a very tense but lovely scene because it’s so intimately shot, but also interspersed with art from their manga depicting the same actions.

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The other Kiznaivers don’t know most of this…because Maki hasn’t told them, but also because they haven’t come out and asked. They come up with a plan to become her friend at all costs, not leaving her alone until she realizes there’s no point in resisting any longer; it’s six-against-one, after all.

It’s just really nice to see how much these six have gelled as a group, and how they basically became friends through osmosis, without even realizing it. Chidori in particular notices how Kacchon is changing, but for the better, and how he doesn’t simply allow Tenga to walk all over him, but rather likes having him around.

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As blue and lost as Maki is right now, the six still want her around too, especially Yuta, who tries to use the manga to learn more about what happened. The final chapter is one that Maki never read, and she assumes Ruru “cursed” her to love her and no one else forever and ever.

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That turns out to not be the case, as Ruru, treating the final chapter she wrote alone as a kind of indirect letter to Maki, telling her if remembering her ever gets too painful, it’s okay to forget, because she loved her smile and wouldn’t want her to stop using it.

Yuta manages to get Maki to come out for fireworks, but she’d rather watch everyone swim in the ocean instead. To everyone’s shock, Yuta doesn’t hesitate in running as fast as he can into the water and splashing around like a goon.

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Once Maki has read and understood Ruru’s wish for her, the smile returns to her face, the first smile we’ve seen that wasn’t sinister or fake. And the Kiznaivers feels something that isn’t pain – a weight being lifted from Maki’s heart. She can’t be friends with any of them, she says—because they’re already far closer than friends or lovers.

I enjoyed the resolution to Maki’s impasse with the other Kiznaivers. It felt earned and realistic that these people who so badly want to be her friends would eventually pull her out of the darkness and into clarity, closure, relief, and understanding. It’s also neat how the story of these last couple episodes serves as a real-life extra chapter to the manga Maki and Ruru made together.

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Sakurako-san no Ashimoto – 07

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To Shou’s apparent amazement, Sakurako graces his school festival with her presence—in a skirt, no less!—though it could have more to do with the fact she’d have access to delicious pancakes than any particular urge to see or hang out with Shou. Or is that being too harsh? In a show full of mysteries, Sakurako remains the largest, though we’re now 7/11ths into the show.

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Suddenly disappearing after her meal, Shou finds her in the one place in a school she’d go: the lab, to check out skeletons. She couldn’t care less about rudely off and going without saying something, either because she just doesn’t conform to social norms, or because she knew Shou would be able to find her if he needed to. Far more important to Saku once she inspects the bones, is that a grave injustice is taking place.

The skeletons are gathering dust as decor rather than being handled by students for educational benefit. I loved her matter-of-fact indignation and scolding of Professor Isozaki who maintains the lab but is more of a plant guy, but promises improvement, which matters to Saku more than apologies.

Things take a very Sakurako-san-like turn when Isozaki offers Saku the job of organizing a prep room full of unorganized bones left there by the former teacher who is now deceased. Saku agrees in exchange for three pumpkin Mont Blancs from Patisserie Dandelion, a very specific but also delicious-sounding (and fair) price.

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During the long, dusty process of organizing the prep room and taking inventory of the bones, Saku comes across the skeleton of a dog and a cat, which disturbs Shou quite a bit due to their status as pets. He also remembers seeing a cat skeleton with the name “Ulna” in Saku’s house, and she tells him Ulna was the name of her pet cat, who died an “unnatural death.” She wanted to learn the cause, so she performed an autopsy.

This really unsettles Shou, who gets frustrated when Saku reacts so differently than him. He feels she’s being cold and heartless, even if that’s not really quite the case. It’s another depressing sign to him that Saku is so very different than him, which more than the fact she has a fiancee (that’s more of an excuse not to pursue her, not a true obstacle, as Isozaki opines), keeps him from making a closer connection, to say nothing of pursuing a romance.

They also find a chest full of the bones of a cremated human named Sone Natsuko, who judging from the writings among Sasaki’s personal effects, had at least some connection with him, possibly a close one. Alas, it isn’t a case for Sakurako-san, as the police are called and take the remains away.

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The next day, Shou is confused by the lack of a cat skeleton in the inventory, when he could swear Saku was stroking a cat skull, just as he was talking about her petting Ulna. Because of the way Shou thinks and makes connections to interactions, he believes he might have upset Saku with his in hindsight over-the-top reaction to her comments on Ulna.

But of course an analytical person like Saku would want to find out why her cat died. That, not burying her in the yard and burning some incense, is how she processes the pain of her loss. And when Shou comes to her mansion to deliver her Mont Blancs, the gate is locked. Not because Sakurako is angry, but because she’s gone to visit her uncle, Shitara.

Shitara’s a professor of forensic medicine, now confined to a bed and requiring some kind of SGD to communicate. Saku, perhaps inspired by Shou bringing up Ulna, has come for Shitara’s unsolved case, which she wants to investigate, and she has Shitara’s blessing, provided she doesn’t do anything dangerous. I wonder if Saku will let Shou in on this. She’d better, if she wants those Mont Blancs…

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Sakurako-san no Ashimoto – 06

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When Kougami Yuriko’s friends encourage her to ask Shoutarou to be her date for the Asahikawa Summer Festival, she has her usual coffee with Shou, but all he talks about is Sakurako-san. When she shows up to the festival resplendent in her yukata, but alone, one wonders why she didn’t press. Does she believe Shou is out of her reach, preferring the older, more amazing Sakurako, or is she just not that concerned about pursuing Shou, or anyone else, that way?

As she spots all of the lovey-dovey couples holding hands, seemingly rubbing in her face that which she lacks, she also spots a grandmother and child, and seems comforted and less lonely. It’s not that she doesn’t like the idea of walking hand-in-hand with someone she likes; but she’s more concerned with becoming someone who can protect those she cares about.

Then she spots an ethereal-looking woman with dark black hair throwing an envelope over the bridge, who then vanishes, leaving the envelope behind. Suddenly has on her hands something more interesting, at least to her, than a date. She has a mystery. Then she turns around and encounters another lonely heart, Isozaki-sensei, from her school.

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The envelope contains a ring, and Isozaki opens it to learn more. They determine it’s a synthetic diamond solitaire ring; most likely a wedding ring. The note inside asks forgiveness “for going to him.” Yuri is worried the woman was trying to throw herself off the bridge along with the ring, and wants to find her so she can help in some way. Izosaki…doesn’t.

The two butt heads, with Izosaki standing up for logic, analysis, rights and responsibilities, while Yuri cites human nature to not someone to die, and do whatever they can to prevent it. As the day turns to night, Izosaki considers taking off, but when he hears how serious Yuri is, he’s loath to leave her alone lest she get in trouble, so he agrees to look for the woman with her one more hour.

It’s strange; throughout their interaction, I couldn’t stop thinking how much more I’d enjoy it if it was Shoutarou by her side rather than Izosaki. The two have a good rapport, even if it doesn’t seem likely to turn to romance, and I think that Shou would be on the same page as Yuri. At the same time, the philosophical conflict that occurs from her and Izosaki can’t be discounted.

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Still, one gets the feeling Yuri would prefer the counsel of a professional investigator like Sakurako, so she keeps calling Shoutarou (since Saku doesn’t have a cell, Shou’s her only means of reaching her). When Saku finally appears, it’s by chance, on the very bridge where the mystery first began. Since Saku got lost in thought, she also got lost, which makes Shou and Utsumi have to send out a lost child address for her, which she’s not pleased about.

It’s here where Shou gets scolded by an angry Yuri for leaving his phone in Saku’s office, keeping her from contacting Saku earlier. Is Yuri masking her anger for not being able to spend the day with Shou, or is Shou really nothing more than a conduit to Saku that didn’t come through? The truth seems somewhere in between those extremes.

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Anyway, once Sakurako gets her hand on the ring, she determines it is not in fact a wedding ring, but a mourning ring, and the diamond itself was made with carbon from the bones of a departed loved one. She surmises that the woman sought to toss the ring away because she found another love. Sakurako then tosses the ring in the drink, and the fireworks commence.

It isn’t at all the conclusion Yuri expected, but she’s glad she worked hard and didn’t give up. It no doubt gives her strength and hope that not giving up on other things—or people—could also lead to good things.

I’ll be honest: this was very close to another 9 to me, and it all comes down to Yuri. I’d never have guessed in the first episode that she’d be anything other than a side character and (unrequited) love interest for Shou, but she’s become far more than that.

She’s complex, and feels like a real person, with ideals and beliefs and shortcomings that don’t always fall into easy categories. She’s both admiring and jealous of Sakurako. She’s chummy and warm, but also tentative with Shou. And as I said above, she’s in no hurry to define herself as one half of some couple so much as she wants to know she can stand on her own two feet.

It’s Sakurako’s show, and once she shows up she more or less dominates all the screen time she occupies. But I definitely wouldn’t mind more Yuri here and there.

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Valkyrie Drive: Mermaid – 01 (First and Only Glance)

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Valkyrie Drive: Mermaid is a story about a little girl whose name is often miss-read as Virgin and her exile to an island populated by yuri couples who must arouse each other to turn into weapons and fight for some reason.

It has striking similarities to Cross Ange: the abnormalities, the gross self-degeneration of the women, and the erotic exploitation. Virgin’s fighter—the woman who arrives on the island at the same time and erotically turns Virgin into a sword—even looks like Ange.

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Unfortunately, VD:M doesn’t live up to Ange’s somewhat uneven standards. The first episode introduces so many characters, and focuses on the erotics and fighting, that very little story is told. There’s no sense of world here. Not beyond ‘there will be fighting and girl- on-girl action’ regularly in each episode.

In brief, if I’d known how close this was to straight hentai, I probably would not have watched it.

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You may like it: if you enjoy full-spectrum yuri, sleazy and unashamed exploitation, and ‘shy girls first time’ turning them into swords. I watched the uncensored broadcast and… yep. Lots of boobs, jiggle, fondling, and blushing before each battle.

You can skip it: under pretty much any circumstance. Sure, it’s got some aggressive fondling but nothing else. The action is budget to boot.

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Kuusen Madoushi Kouhosei no Kyoukan – 01 (First Impressions)

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What is it: A combination of Chrome Shelled Regios (floating cities, giant bugs, flying battlemages) and Majestic Prince (a team of underachieving misfits with issues who need shaping up). The first episode is spent getting the group together, as former ace and branded traitor Kunata Age meets the three members of team E601, notorious as the worst in the Academy City of Mystogan, before being told he’ll be instructing them, to their shock and displeasure.

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Why I won’t be watching: There’s almost nothing remotely original about this show’s themes, setting, or characters. It’s about as predictable as these kinds of shows get, from girl-with-toast-in-mouth running into the guy resulting in inappropriate touching. What really got my goat was the fact she asked him if he thought she was flat, when she is clearly at least a C-cup.

The pseudo-Chuuni narcissist isn’t much better, and the less said about the nervous wreck that is the mousey blonde the better. The fact they all come to ridiculous conclusions about Kunata is surpassed by the utter lack of character in Kunata. He’s just sorta…around. Everyone calls him a traitor, without ever being told why, but it’s painfully clear he isn’t really a traitor.

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To its credit, the show gets off to a fast start, throwing us right into the middle of an aerial bug battle, but it’s apparent this show doesn’t have the strongest budget. But even a middling battle is better than the painfully slow remaining 9/10ths of the episode, which were just Kunata milling around bumping into the very girls he’ll be instructing.

I’m going to go for broke here and predict I won’t be missing much if I pass on KMKK, mostly because I felt like I’d already seen everything it had to offer, and in all those cases the stuff I’d previously watched was better. It wasn’t terrible, just extremely meh. It’s a big Summer. Don’t waste your time on this one!

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