Bokutachi no Remake – 11 – You’re Amazing, I Promise!

After having to watch Eiko endure their boss’s sustained verbal abuse, Kyouya storms up to him and tells him How Things Are Going To Be if Eiko’s team, and the company, are going to get out of the hole into which they’ve dug themselves. Each time Kyouya says something the boss objects to or is taken aback by, he has an answer that pacifies him. In the end, he’s able to give Eiko’s team the time, the resources, and the goals they need to start crawling out.

You’ll notice I didn’t get too granular with regards to all the things Kyouya said, and in fact, it’s almost a little unbelievable that he’d have quite so many moves and countermoves all lined up to convince a boss who had seemed quite unmovable from his positions just last week.

But hey, this is Kyouya; this is what he does. As a kind of curtain call, he stops by Minori Ayaka and manages to inspire her into illustrating again by showing her some original art from HaruSora, the game that got her excited about creating to begin with.

It’s the second time HaruSora saved Ayaka from abandoning her life of art, which means if Kyouya hadn’t worked so hard to make it the success it was, Ayaka wouldn’t be an illustrator and this new company wouldn’t have her talent to draw upon. And yet, when Kyouya hears that Eiko is getting on the next flight to Okinawa, he fears he’s Done It Again—pushed someone into giving up their “proper” futures in his desperate efforts to remake his own.

When Eiko finds him quite by chance, she insists she’s not running away, just going on a little trip. But when she hears from Kyouya how he regrets what happened with the other creators, Eiko hastens to tell him none of that is really his fault…after smacking him with her purse a couple of times.

Eiko questions all of the things Kyouya has been feeling so depressed about, telling him he’s done nothing wrong. Eiko is so fired up she even lets slip that she loved him in addition to looking up to him for his steadfast ability to get things done, causing quite a scene in the airport and cementing her position as Best Woman in this series.

Eiko takes a trip to Okinawa anyway, but promises she’ll be back, just as she promised Kyouya that he’s amazing, and doesn’t have to feel bad about how the futures of others have turned out. That said, as her plane departs Kyouya can’t help but pine for the “good old days” of the share house where he resolved and succeeded in remaking his life.

That’s when Tomioka Keiko, who it’s been clear for a while now wasn’t just a short-statured senpai from his school, appears before him, looking the same as she did a decade ago. If she isn’t “God”, she seems to be the entity who has either sent Kyouya back and forth through time or is there to observe and guide him.

Honestly, however the mechanics of his time jumping are explained, I hope it doesn’t take up the majority of the final episode. For me, Bokutachi no Remake was far less about the sci-fi elements and more about the interaction of its characters. I want to at least see some version of the original gang plus Eiko hanging out once more, making creating something new and exciting.

Rating: 4/5 Stars

Higehiro – 13 (Fin) – Not the Last Time

With Yoshida having said his piece and even kinda-sorta getting through to Sayu’s awful mom, it’s Sayu’s turn to talk to her. She takes a page out of Yoshida’s playbook by prostrating herself, and once again, her mom almost loses it over not wanting to apologize for anything. But she does at least finally understand that he’s the only parent Sayu has, and it really helps Sayu to hear that from her.

Having taken the first step towards détente with her mom, Sayu slips into Yoshida’s bed one more time in the night, asking if he wants to do it just once so they won’t forget each other. As always, Yoshida’s answer is the same; “no”, and “knock it off!” At the airport, after receiving thanks and refusing cash from her brother, Sayu confesses her love to him, and vows to visit him again when she’s an adult. This isn’t goodbye.

That said, when it finally hits Yoshida that Sayu is gone and with her the entirety of the cozy found family they built together, he can’t help but tear up. Even if he followed her easy recipe, his miso soup just can’t measure up to her’s. That said, as time passes, Yoshida settles back into a life without Sayu, which still contains Mishima and Gotou, who continue to battle for his heart at work.

It seems neither has a shot, as Yoshida has become close to Asami, who is apparently now an adult and no longer has a tan or bleached hair. He’s ready to meet her at the stargazing spot when he arrives home to behold a familiar sight: a young woman sitting by his entrance. It’s Sayu, now a high school graduate and evidently an adult.

The two go through the same exchange as when they first met. It looks like whatever Yoshida’s got going on with Asami (if anything), Sayu didn’t waste any time getting back to the guy she fell for—the man she’s glad she ran away and met.

This is all fine—really, it’s fine—but I’ll admit to suffering a bit of Higehiro fatigue. Considering how these last three episodes languished, a thirteenth episode felt like one too many.

Cardcaptor Sakura – 70 (Fin) – The Card of Love

With all of Clow’s cards now converted to Sakura Cards and her tussles with Eriol & Co. at an end, Sakura has little to think about but Syaoran’s unexpected confession. It puts her in a dazed state, and it’s hard to look directly at Syaoran or talk to him normally as before, something you know troubles her.

That said, he does tag along with Sakura and Tomoyo to Eriol’s mansion, which was once Clow Reed’s, after hearing the news that Eriol is moving back to England at once. While the three approach wearily, the only threat to Sakura is the surprise of a party popper upon being welcomed to a tea party held by Eriol, Spinel and Nakuru.

Eriol explains how all the Clow Cards would have eventually lost their magic if their new master didn’t make them her own. So he created “mischief” that enabled her to do just that. Had he told her, she wouldn’t have had the genuine urgency to successfully convert them.

Mizuki Kaho then arrives, having met Eriol while in England. When she learned he was Clow’s reincarnation, she resolved to help him pass the mastery of the cards to Sakura. Clow also tells Yue that while the Clow Reed he loved is gone and won’t be coming back, Yue is free to call him anytime to talk about Clow.

Syaoran gets a call from his mom and reports to her that the Cards are all converted and the threat to Sakura passed, and while we don’t hear the rest of the call it’s clear he’s being summoned back home to Hong Kong. He meets with Sakura after school, but doesn’t tell her he’s leaving. Instead, he expresses how glad he was to meet her, and how he became a better person thanks to her.

While Sakura feels likewise, she’s still not 100% sure what she’s feeling about Syaoran, but before she can say anything he makes a speedy withdrawal. For not waiting to hear Sakura’s answer, Syaoran gets a deserved scolding from Meiling over the phone.

Meanwhile, Sakura plops on the bed, physically fine but emotionally all over the place. She knows Syaoran feels different in her heart from anyone else, but because she’s feeling something she’s never felt before, she can’t describe it, even to herself.

It’s only thanks to Terada-sensei, care of Tomoyo, that Sakura even learns that Syaoran is getting on the 11 AM flight to Hong Kong. She retreats to her room and begins to cry, but her tears create a magic circle and we witness the creation of an all-new Sakura card. We don’t get to see what’s on the front side, but judging from Sakura’s smile I was pretty certain it had something to do with love.

With that, Sakura makes a mad dash to the airport (it would have been cool if she released her wand and flew there) just in time to catch Syaoran. She doesn’t say “I like you too”, but she doesn’t have to, thanks to Mr. Wei, who brought the teddy bear Syaoran left on his dresser.

Both Syaoran and Sakura know what giving the bear to someone means, so Sakura asks for the bear, and Syaoran gladly, tenderly gives it too her. It’s a beautiful, heartwarming ending to an always beautiful and heartwarming series, which is finally at its end.

I’d heard great things about the original Cardcaptor Sakura while watching and writing reviews for Clear Card, and now I can say with certainty that the original is the superior show by a large margin. That’s not to take away from Clear, which was still a lovely show, but this original was just that damn good. It was a particularly welcome salve in these trying times.

I’ll close by suggesting that if you’ve been reading these reviews without revisiting the show and want to be cheered up, head over to Netflix (your streaming service may vary depending on country) and get to (re-)watching—you’ll be glad you did!

White Album 2 – 10

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Learning Touma is going to move to Europe with her mother, Haruki meets with her at Narita airport, to her surprise, skipping out on Setsuna’s party. Haruki and Touma take the N’ex back to Tokyo, and Haruki chastises her for trying to disappear. Touma rebuts by stating how painful it is to see him with Setsuna, confirming her feelings for him; Haruki pleads ignorance. Flashback to when Touma first met Haruki and gradually developed feelings for him.

Both Haruki and Setsuna are using this party as a test. Setsuna wants to know if she and Haruki are meant to be together, and Haruki wants to know the same, but he can’t until he meets with Touma one last time. Somewhat unsurprisingly, he learns that while he may be an idiot when it comes to picking up on Touma’s feelings for him, he’s an idiot Touma happens to love, a reality he previously thought had only reside in his head. The reason for this is not that Touma hasn’t expressed her feelings for him, it’s that she does it in a totally different and far more cryptic way than the more upfront, direct Setsuna, who Haruki was more able to respond to.

Even though Touma knew Haruki longer, Setsuna beat her to it with that direct approach, which Touma simply isn’t capable of emulating. But just because one person is more successful in winning the heart of another doesn’t mean they’re the one that person is supposed to be with. The Touma-focused flashback almost reads like a testimonial for why she and not Setsuna could/should be with Haruki, if only she had been clearer. At this point we don’t envy Haruki’s predicament, but given the choice between the relative “ease” of a life with Setsuna and the more involved challenge of Touma, we’d have to pick the latter.

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Rating:7 (Very Good)

Koimonogatari – 01

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With 74 days until Graduation Day, when Sengoku will kill her and Koyomi, Senjougahara Hitagi meets with the swindler Kaiki Deishu in Okinawa Airport to request that he make amends for the trouble he’s caused them by convincing Sengoku not to kill them, something within his abilities. Kaiki struggles to find the proper motivation to carry out the request, eventually settling on Kanbaru Suruga, the niece of his former senpai, Gaen Izuko.

Watching the Monogatari Series in the order in which it has aired requires a certain degree of patience. Gratitude is seldom instant or even timely, as resolutions to conflicts may occur in a different arc. This week is the final arc in the second season, in which the story of Otorimonogatari continues. Senjougahara, once deceived by Kaiki, now seeks out his help in deceiving Sengoku, whose curse he also caused. Her only other option is to beg, which probably won’t work. Physical attacks didn’t work either.

This introductory episode unfolds from Kaiki’s perspective, and he reiterates to the audience that we shouldn’t take anything said or done as the truth. As we learned from Nisemonogatari, this is a man who values the fake over the real, and uses his words as weapons. But the snake god is no slouch in the deception and persuasion department. If anyone can talk Sengoku out of killing everyone and everything, it’s Kaiki, but it would be nice to see him struggle a bit in his initial efforts. In any case, we always dig former enemies teaming up to fight a bigger enemy.

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Rating:7 (Very Good)