Ushio to Tora – 39 (Fin)

ushi391

No more dancing around the matter at hand: this is the final week of Ushio to Tora (for the forseeable future), so if Hakumen’s going down, Hakumen’s going down today. And I couldn’t be happier; frankly, I’d gotten a bit tired of its raspy, evil voice-of-many-voices.

The souls of the recently deceased like Hyou and Nagare aid Ushio against a Hakumen who has been exposed as jealous and terrified; a Hakumen that never wanted the existance it got, but couldn’t escape, and so became more and more twisted.

ushi392

Ushio’s parent’s also finally unite, but at the end of the day, all the amassed allies of Ushio can only do so much; it’s Ushio and Tora and the Beast Spear that must defeat Hakumen once and for all.

In a last-ditch effort to kill them without fear, Hakumen gouges out its own eyes and goes by the smell of the spear. Tora counters this by stabbing himself with the spear, hiding its scent long enough to disorient Hakumen. Ushio and Tora go in for the kill, drive the spear through Hakumen’s skull, and end it.

ushi393

Hakumen goes out not cursing the victors, but wishing someone, just one person, could say its name—it’s real name, which we never learn—in a soft, quiet voice, as something other than the wretched monster it was throughout its existence.

Not long after Hakumen evaporates into the either, Tora, whose spear wound was mortal, also passes away before Ushio’s eyes, content that he already “ate” Ushio and he’s full now.

Put another way, Ushio filled Tora’s once empty, black heart (which had been thoroughly wrung out in his past life) with experiences and people Tora cared about and fought to protect. Now it’s time to go home to his family, who is no doubt waiting for him. Tora’s death was a surprise, but a welcome and noble one.

ushi394

When it becomes Ushio’s turn to pay the piper and become the next Tora, the souls of Jiemei and Giryou bail him out by leaving the Beast Spear (which shatters into dust) and entering his body to keep him from transforming into a beast.

Back to being a human, he falls from the sky, and his dad catches him as Mayuko watches. But Tora isn’t coming down; she never got to change him back to a human. Ushio got a happy ending, but Mayuko most assuredly did not. What did she do to deserve such a raw deal?

Oh, and Saya has to say goodbye to Omamori, who goes in her place in order to close the gate from the inside. It’s the right move; like Tora, Omamori has lived far longer than her friend, and so it’s only natural she be the one to go. Ushio and Saya have their whole lives ahead of them.

ushi395

With that, there’s even more loss, as the bulk of monsters turn to stone in order to prop up a sinking Japan—not purely for the humans’ sake, mind you, but because they love the country too. Thanks, youkai! Also, some like Kagari and Raishin remain behind so the humans aren’t lonely. How thoughtful!

Of the life that stretches far ahead for our young protagonists thanks to their efforts and the sacrifices of those dear to them, we see precious little, which keeps a good finale from being a great one. I liked how Kirio wants to step in to fill the void in Mayuko’s heart, but Ushio and Asako didn’t meet until the end credits, and only then wordlessly as they walk to school with the other two.

While I can’t help but feel a little disappointed by the lack of quality Ushio x Asako time at the end, the fact remains this was a tight and often moving finale. Things got a little heavy in the home stretch, but Ushio to Tora was worth the watch.

16rating_8

Kabaneri of the Iron Fortress – 11

kaba111

Both Kuromukuro and Kabaneri managed to reignite my passion for watching them in their eleventh episodes. I didn’t really know what to expect after last week cliffhanger would have had us believe Ikoma had been stabbed through the heart and tossed into the sea for dead by a Mumei now lost to him. This week quickly debunks the first assumption and paves the way to debunk the second, even though shit is still hitting the fan, as it were.

kaba112

First, Kongokaku: it’s a grand, peaceful, and impressive place when the Kotetsujou arrives at its gate, but we see from the shogun eliminating a messenger with knowledge hat could sow public panic, theirs is clearly an uneasy peace, especially with Kabane lurking right outside those “impregnable” walls.

Biba doesn’t need to besiege his father’s seat, however; he comes in through the front door; a “captive” of Ayame; a role she’s forced to play because he’s holding her people hostage. Of course, going by his script only proves to Biba that’s he’s weak, and it’s become painfully apparent that the weak don’t live long once they meet him.

kaba113

To his credit, the shogun immediately knows Biba is up to something; he just doesn’t know what until it’s too late. Biba uses the same fear his father used as an excuse for stabbing him in the dark as a child to destroy his father. The dagger he gave him contains a hidden needle that infects the shogun with the virus, and his own men gun him down in a panic.

Biba need only deal the killing blow with his sword, and just like that Kongokaku is his. The Kabane in his hold are released onto the city to stoke up fear, paranoia, and people killing people, but he simply sits on the throne, not smirking an evil smirk, but remembering a day when he rode a horse with his father. Do I detect a hint of…weakness, AKA love? No matter; there’s no one around to punish Biba for it.

kaba114

While all that excitement is going on, Ikoma, having washed up on a shore not in the greatest shape but very much alive, is temporarily incapacitated by the immense weight of the guilt and regret over what went down, including Takumi’s death. He didn’t run, he was tossed out, and he’s right that at the time there was nothing he could do.

Kurusu, who has one of Biba’s scientists captive, finds Ikoma, and is actually patient with him as he goes through various stages of grief. In the end, Kurusu makes Ikoma set aside all the reasons he should simply die, and asks him why he’s still alive in the first place: his chest wound is so precise, Mumei must have intended to miss his heart, meaning she is not totally lost.

Granted, as we cut back to the capital, we see that Mumei is considerably more lost than the time she spared Ikoma. And she’s just as helpless here as Ayame, or as Ikoma was back on the train. Biba controls every aspect of her life, and despite all he’s done she still harbors loyalty to him, because she’d have died long ago (and been “beckoned by the butterflies”) were it not for him.

That combination of coercion-by-obligation, as well as the reality that Biba has kept Mumei weak and unable to oppose him even if she wanted to (and she did try), have led to her simply giving up. She will let the butterflies come, with the small consolation that at least she was able to free Ikoma a similar fate.

kaba115

Only thing is, Ikoma hasn’t given up, thanks largely to Kurusu and the captive he has for some reason (I forgot why; sue me). That scientist just happens to have on hand two serums: one is white, and could save Mumei; but to get to her Ikoma knows he needs to be stronger (and apparently, less scruffy) than he is.

So he injects the black serum, an accelerant that indeed causes him to undergo yet another transformation. When we leave him, he seems that much less human, and particularly stable, but fueled by his resolve to stop Biba and save Mumei, odds are he’ll be able to endure. I certainly hope so, because Mumei deserves better than the same fate as Horobi—who also didn’t deserve it.

16rating_8

(Almost a 9 based solely on the new Aimer ED, “Through My Blood”, which brought it)

Kuromukuro – 11

kuro111

No sooner than I complained about the show dragging a little do things really start picking up. And while they picked up in more or less the most predictable way they could, it doesn’t change the fact that this was the first Kuromukuro that actually got my heart pounding, both with the suspense (and suspended disbelief either of the leads would die) and the kinda-sorta-maybe budding romance (or at least mutual respect) between those leads.

Fusnarnie is truly a loose cannon this week, and for a second, I thought Mulder and Scully weren’t going to release Kennosuke to deal with the situation. Also, there’s no more playing around with big robots and evacuations; there is blood and death here, and Yukina witnesses it close up for the first time, and reacts exactly how a non-grizzled warrior would: with fear and near-paralysis.

kuro112

That fear keeps her alive, though; one wrong move, and she knows she could be toast; this guy only wants her alive long enough to let him contract with Glongur. Before he can, Ken corners him, but he still has his hostage.

This is when Yukina finally springs into action to facilitate Ken’s rescue; quickly darting back and smacking Fusnarnie in the face, a move he clearly didn’t expect her to make. Sure, she stumbles immediately, but she gives Ken just the opening he needs to engage the enemy. Who knows how things would have gone down had Yukina not chosen to act.

kuro113

Ken is able to best Fussy, but that doesn’t stop the guy from trying to take Yukina down with him. He gets perilously close to her—and she’s again too terrified to move—but Ken does what he has to to protect Yukina, stabbing Fusnarnie in the back. Shortly thereafter, Fussy lets himself fall over the railing to his death rather than stay alive in disgrace.

What follows is a pivotal moment in the show, when Yukina makes a connection to Ken when she sees him trembling just as much as she is. Is this his first kill? Probably not, but it’s certainly his first in a while, and in any case killing is never easy, nor was killing Fusnarnie Ken’s first choice (and not just because the agents wanted him alive; surely Ken wants answers too, particularly about his so-called “altered memory.”

But as he shakes, Yukina sidles over to him and hugs him from behind, as much to calm him as to calm herself. It’s a lovely moment and proof of real growth in their relationship.

kuro114

Speaking of love interests, I have just plain had it with Akagi, and not because I’m a Yukina x Ken shipper (though I’m certainly far closer to being one after this week).

His impulsive desire to become a GAUS pilot (and belief he has the talent based on his hi-score) is just so dumb for this show; as if he’s some shounen hero in another show who really should have become a pilot in the first episode or two, but instead just talks about it over and over. We get it: dude wants to protect Yukina. I just don’t see him as GAUS pilot, ever. I enjoyed his dad’s incredulous and exasperated expressions, however.

I’d much rather see more of Sophie, who is ostensibly one of the three main characters in the show but has been woefully underused. Hopefully the second half will feature more of her.

Uncle Oshou is another story altogether; he’s a side character who steals nearly every scene he’s in; I especially liked his story about the seated statue and how Ken reacted to it. I also liked how in the same scene, Yukina asks Ken out on a date without even knowing it. And while on the hiking trip, she sticks to the map while Ken of all people embraces the wonders of GPS to get them on the right track. That was unexpected.

kuro115

Unfortunately, there’s as much mystery surrounding where exactly Yukina was, who or what rescued her, and what became of the “80’s Electronics Cave Base” as there is surrounding Ken’s past, and those answers still aren’t forthcoming this week, but the hiking trip did allow Ken and Yukina to process their emotions about recent events involving one another, and that made up for it.

Yukina and Ken will still blush whenever he conversation turn slightly romantic, but they’re becoming more comfortable being honest with each other. Ken is devoted to protecting her, and Yukina is just fine with that. She’s very candid about how his rescuing her made her feel, and it’s doubtless a feeling she’d never felt before, just as she never before saw Ken trembling. This episode definitely re-stoked by enthusiasm for the show as it approaches its second half.

16rating_9

Sousei no Onmyouji – 12

sno121

Rokuro and Benio’s relatively placid domestic life continues this week, with Rokuro working hard to control his gauntlet in the cellar while Benio prepares dinner.

Only “dinner” turns out to be your classic steaming purple witch’s brew, which all bad cooks throughout anime are able to replicate exactly. It would be one thing if that was the only point of the joke – but Rokuro goes too far in asking “what kind of family” Benio had that led to her thinking ohagi and curry, and Rokuro apologizes.

He’s also grateful Benio made him some goop, even if he can barely choke it down. He decides the only way they’re going to be able to live together is if they rotate cooking duties, and he believes he’s the better cook, and aims to prove it.

sno122

Seems like a pretty tame episode, right? Well, I thought so too at first, but as soon as Benio went out running on her own, I almost immediately assumed a kegare would appear; one powerful enough that she couldn’t take it on alone, and requiring Rokuro to step out of the kitchen and let his culinary masterpiece go cold in order to rescue her, yet again proving that neither she nor he do well taking on foes by themselves, but fare far fare better when working as a single unit.

And that’s exactly what happens. But you know what? I’ve never had a problem with this show’s derivative-ness or predictability, because as I’ve stated in previous reviews, I like the slow but steady growth of Rokuro and Benio as twin protagonists of equal stature that I’ve come to be emotionally invested in. That, and the aesthetic, and the awesome soundtrack.

sno123

Before Benio runs into the Kegare-of-the-Week, while on her run the talk of proper dinner and family sticks in her head, and she recalls the day six years ago when she watched her parents fighting and purifying Kegare, a duo like her and Rokuro, only with the same masks and twin swords. We also learn where she gets her love of ohagi from (her Dad).

Unfortunately, that’s also the day her parents were killed, by a Kegare that could talk, and offered her the grim choice of which parent he’d spare from death. Obviously, she couldn’t choose in the ten seconds he gave her, and he crushed them both.

And whaddaya know, that smart Kegare, known as Kamui, just happens to be the Kegare who crosses Benio’s path here. Not only that, he’s specifically searching for the Twin Star Exorcists. That’s a lot of coincidences!

sno124

But whatever, Rokuro and Benio were only brought together because of a prophecy, and because the head honcho believes they’re fated to be together and conceive the Miko. By fighting Kamui alone to get revenge for her parents, Benio is going against that prophecy, as well as getting into the very same situation as six years ago: with Kamui giving her ten seconds to choose—only this time, it’s how he’ll kill her.

Naturally Benio isn’t going anywhere, but she can’t do anything here, so it’s up to Rokuro, who delivers a furious punch that blasts Kamui away long enough for him to cheer Benio up and tell her everything will be okay; they’re going home; she’s getting patched up; and then he’ll wow her with his gastronomic excellence.

But, of course, that one punch doesn’t keep Kamui down long. If anything, he’s only lightly annoyed a human was able to do such a thing to him. The fight isn’t over, but with Benio in such bad shape, how on earth is Rokuro going to be able to deal with him alone? More importantly, that oyakodon has to be stone-cold by now, right?

16rating_8

Hundred – 12 (Fin)

hun121

That’s all, folks; Hundred is over! At least its first season; there’s no mention of a second but certainly talk of “more things happening in the future” which could be just that; talk. And we never learn why hundreds are called hundreds…I guess they just thought “hundred” sounded cool? It kinda does!

Anyway, if this is the last episode, it goes out with a bang; several bangs, in fact, from Vitaly’s hand cannon. She only uses one of the three hunter “tools”, Nakri, to get through an electrical security barrier. After that, a revived Mai-Mai trades gunfire and forces her to flee. So yeah, about all those possibilities with the three conditioned Hunters on her side…that didn’t pan out.

hun122

In fact, Vitaly’s grand master revenge plan comes to a screeching halt just as quickly as it totally overwhelmed the rest of Little Garden’s defenses and Slayers…all thanks to Judar. Seems like she has some kind of romantic past with him (gross!) and the reason she’s here is because she’s A Woman Scorned.

Ultimately, she just wants to kill Liza by shooting her. You’d think such a science and technology whiz would have a backup plan if Liza’s shielding was bulletproof. Not only that, Liza takes semi-corporeal form to shield her brother so he can shoot Vitaly, killing her and ending what had been a pretty built up threat with all the finesse of air coming out of a balloon.

hun123

Speaking of unappealing noises, Vitaly’s last gasp tactic is have all her replicants emit a loud screeching sound, but Liza kisses Karen, giving her use of her legs (hey! why not?) and Karen and Sakura neutralize the noise with their non-animated singing.

Ethereal Liza also kisses a KO’d Hayato in order to give him the strength to take down not only Vitaly’s flagship replicant, but a Nesat who’s gone absolutely berserk due to her siblings getting hurt.

hun124

Nesat threatens to explode after a predetermined period of time, taking the ship with her, but Hayato is able to reach into her subconscious and calm her down by telling her they’re friends now, and the final threat is dealt with without much fuss. Glad the Hunters didn’t end up getting hurt or worse, and now that they’re free, they can be useful members of garden society.

hun125

That just leaves the resumption of the festival, culminating in, what else, a fireworks show, under which Emilia and Hayato dedicate themselves to being with one another. Unfortunately, while they’re kissing, the entire rest of the cast comes topside, and their myriad reactions are priceless.

Suffice it to say, Emilia’s secret is out: she’s a girl, and a princess, and loves Hayato. Of course, Claire isn’t okay with that, and unleashes her Hundred cannon at the lovebirds to close the episode, and possibly the series. The goofy slapsticky mood of the scene indicates she’s not really going to murder Emilia and Hayato, just scare them. Still, she’s not exactly setting a good example as captain of Little Garden, is she?

Sooo…Hundred: Definitely a show. With stuff that happened in it. Totally inconsequential and derivative stuff that hardly ever went anywhere interesting, but mostly fun stuff nonetheless. Will I be tuning into any possible second season? Maybe…if nothing else is on.

16rating_7

Macross Delta – 12

md121

To quote Ron Burgundy, of all people: “Boy, that escalated quickly.” I thought we were being set up for a huge battle in Al Shahal, but Heinz’s song is so powerful, Al Shahal falls in fifteen minutes, putting a very large target on Ragna, the last world they haven’t annexed.

I like how off-guard Walkure and Delta Platoon are by this news; it matched my own surprise quite nicely. I knew our heroes would be heading into battle very soon; I just assumed Al Shahal would last longer than fifteen minutes—shorter even than the running time of this episode.

md122

But you know what? I’m glad the stakes have so rapidly escalated. I like the mild sense of dread and disquiet everyone wears on their faces, and the desperation in all of the remaining forces amassing at Ragna for what could be their only shot at a serious counterattack. The only reason they have any time to prepare at all is because King Gramia won’t allow Heinz to sing again so soon; though Heinz says he’s ready to sing again at once.

While Heinz rests, Arad promotes Mirage to 1st Lieutenant and puts her in charge of Delta Platoon, while Keith continues to question Roid’s dedication while Roid worries that Heinz, Keith, and Gramia are all intent on burning out in a blaze of righteous glory…without any plans for the future of Windermere. As Roid puts it, a new wind must come to take the place of the old, just as Mirage must step into Messer’s place.

md123

Ernest Johnson is prominent this week, and not just because he’s the commander of the counterattack; he actually trained King Gramia when he was a lad (the king is 35, old for a Windermeran, but no one else). He knows how proud he is and how far he’ll go to preserve his people’s honor. Then a liason from NUNS arrives to inform Johnson that his forces are to destroy the Protoculture ruins on Ragna to prevent the Windies from taking control of the planet and the cluster.

This plan seems akin to releasing all the ghosts from their custom-built storage facility in the basement of a run-down firehouse in Ghostbusters (the original, not the upcoming film): a bad idea that could have unpredictable, possibly cataclysmic consequences. Put simply, the ruins are dug in too deep in Ragna, who knows what destroying them would do to the planet? Probably nothing good.

md124

When Lady M gets NUNs to agree not to destroy the ruins until after Johnson’s forces counterattack, I felt very relieved for the people of Ragna. Meanwhile, Walkure and Delta mentally prepare for the imminent battle of their lives. Hayate, Freyja, and Mirage all independently end up on the same flight deck, though Mirage hides while the other two talk, though I like how she doesn’t know why she’s hiding.

She catches a couple of tender nuggets between the couple about things like how far they’ve come together, the mutual respect they’ve developed, and their commitment to keep fighting for each other, their friends, and their freedom, but it’s not like they snog or anything. Even better, Mirage’s comms blow up, giving away her position, and rather than run off in a tizzy, Hayate has her stand her ground and encourages her as he and Freyja encouraged one another. All three intend to get through this, together.

md125

When the previously stationary Macross Elysion finally burbles to life and lifts off into orbit and fold space, it’s a pretty impressive and awe-inspiring moment: very much the ‘good-guy’ equivalent of the Windermeran flagship launch last week.

Then the Windermere fleet intercepts them, and we see how comparitively puny the Elysion is, and I got a lump in my throat. Okay, maybe this isn’t going to be as easy as giving the aggressive schoolyard bully a bloody nose…

In terms of raising stakes, building tension, putting us in the heads of its characters, and sheer adrenaline extraction, this episode of Delta put all the pieces of the previous eleven together and delivered a must-watch experience, even absent the actual battle. I hope the payoff matches the excitement of the setup.

16rating_9

Re:Zero kara Hajimeru Isekai Seikatsu – 12

rez121

No sooner does the Twin Maids arc conclude than the pieces are gathered for the next arc, one centered on the struggle to claim the throne. Those pieces include a grizzled chauffeur who is clearly more than one; a catgirl emissary who turns out to be a guy for some reason, and the other young women vying for the crown, including one who was in my blind spot.

Meanwhile, all’s well at Roswaal’s mansion, and Rem is far more affectionate towards Subaru. Unfortunately, there wasn’t time to show us much of Emilia and Subie’s date in the village, but I’m not complaining about the show’s efforts to move on to the next big storyline without undue dilly-dallying.

rez122

Subaru is able to accompany Emilia to the capital, but mostly so he can be treated by the catlike Felix, a skilled magician and healer. But we know what he’s really coming: to look after Emi-tan and make sure no more trouble befalls. her. Emilia, for her part, would rather Subie take it easy after nearly being eaten by evil dogs so many times.

The return to the capital is marked both by reunions with old faces (the apple vendor; Old Man Rom) and new (the lovely but insufferably haughty Priscilla Barielle and her knight). Another knight kisses Emilia on the hand and sets Subie off; I for one think he’s being a bit over-possessive throughout the episode. His heart’s in the right place, but don’t crowd the girl, Soobs.

rez123

Emilia tells Subaru to stay put when she answers the summons for the latest selection process at the palace, but Subie can’t stay put, and Rem, now a solid friend, ally, and admirer, doesn’t make him stay, and even gives him her blessing. Emilia’s reaction to seeing him there—with rival to the throne Priscilla on his arm, no less—is understandable; she was really hoping Subie would prove she can trust him not to go overboard for her sake by giving him One Job, and he could not obey.

Sure, it’s for her to say where Subaru should go and who he should meet with, but it’s not Subaru’s job to watch and inspect every move she makes, either. I can’t believe I’m saying this, but it’s looking like these two could use some space, or a least some perspective. Who are they to one another, exactly, could help inform how they interact and avoid clashes of this nature.

rez124

Two capital characters conspicuous in their absence throughout the episode were Reinhard and Felt, as the last time we saw the two the former had knocked out and arrested the latter. I joined Subaru’s curiosity in what the heck actually went down with all that, and this episode gives us the answers we seek.

Felt is, like Emilia, Priscilla, and two others (one with a Kansai accent, rather bafflingly), a candidate for the throne. Not only that, she’s the one Reinhard will be routing for to become queen. Felt’s entrance at the end is pretty badass, and the look in her face is appropriately bemused and overwhelmed.

Not only that, Felt is someone, like Emilia, I’ve always rooted for, but now they find themselves on different sides of a power struggle, with eager entourages and followings watching their every move. This should be interesting!

Subaru may not have died and reborn in a long time—something that builds its own tension—but for now, that takes a backseat to more pressing issues of imperial rivalry and intrigue, just as Emilia was mostly on the margins of the Twin Maids arc. May the Best Girl win!

16rating_8

My Hero Academia – 12

hero121

This USJ battle has really slowed down to a crawl: the only thing of note that happens is that All Might defeats Nomu.

Granted, that’s a big deal, as Nomu was hailed as being at least as powerful as All Might—indeed, he was created for just that purpose—it’s just that the presentation of his duel with Nomu underscores the fact that this is merely a competently-executed shounen superhero show with little in the way of creativity to offer, at least at this stage in the game.

hero122

I was, perhaps unfairly, hoping for more a little more innovation or comedy a la Flamenco or One Punch, but events remain steadfastly (and rather boringly) serious, intense, and slow.

All Might can’t beat everyone alone—brawlers like Bakugo, Todoroki and Kirishima swoop in to stop Kurogiri from slicing him in half with his warp clouds—but it’s not long before students and villains alike simply stand off to the side and gawk as All Might and Nomu go at it mano-a-mano.

hero123

Shigaraki tries to add some philosophy into the battle about good and evil and violence, but it’s neither convincing or compelling; these are bad guys, pure and simple, and they need a good beating. All Might delivers an over-100% street brawl that manages to overwhelm and launch Nomu into the sky, and just like that an implacable foe is…neutralized.

My understanding coming into the episode was that this was going to possibly be All Might’s last moments: he was already at his limit when he arrived, and the “less than a minute” of power he had left was certainly stretched out over more like ten minutes. He’s also steaming by the end, as if he could revert to Heroin Might at any moment.

But Shigaraki and Kurogiri are still standing and ready to fight, even without Nomu, and unless other heroes/teachers show up, it will be up to the students to finish the last of the villains off in episode 13, if they can.

16rating_7

Gakusen Toshi Asterisk – 24 (Fin de 2nd Season)

gak241

Asterisk War’s 24th episode wraps up the Liseltania/Assassin mini-arc, then sets up all of the new storylines and characters who will populate a likely third season. In that regard, it’s a combination of a wrap-up and stringing-along episode.

I decided to stick with AW for 24 episodes mostly because I dug the Rasmus Faber soundtrack, and I’ll admit that most of the less squeaky characters have grown on me.

Ayato remains as stubbornly dull as wallpaper paste, but he’s got a decent harem that’s gelled nicely, and there’s clearly more story to tell that will likely be of the same quality as the two cours that preceeded it, so continuing this series will ultimately come down to my schedule and what better shows, if any, air on the same day.

gak242

But I’m getting ahead of myself! There wasn’t even a preview or announcement for a third cour at the end of this episode, so let’s focus on the second season finale. The wrap-up part turned out about as expected: Ayato wakes up, and the group works together to defeat Gustave and his imposing but ultimately not too challenging Hydra.

The battle scenes are appropriately over-the-top, if a bit too stylized for my taste, and call to mind an older, similar show that was usually a lot more balls-out with the combat, Chrome Shelled Regios. (I honestly couldn’t name many major non-cosmetic differences between Leyfon Alseif and Amagiri Ayato, by the way. ;)

gak243

Suffice it to say, Leyf–I-I mean, Ayato does his thing with Ser=Veresta, Saya does her big gun thing, Julis does her Strega flower thing, Kirin does her slick samurai thing, and Claudia does her background political thing, as her Dad was the one who hired Gustave, something he did to protect his daughter but which she never the less is pretty disappointed about.

gak244

Papa Enfield wanted to keep Claudia out of the Gryps Festa, but that ain’t gonna happen, which means instead of fighting in separate two-by-two battles, our core quintet will all be on the same side against teams from the other schools.

Ayato agrees to join them after finally learning what’s become of his sister (though why she has to be nude is never explained) and he’s approached by the latest kooky mad scientist, Hilda Jane Rowlands, who is introduced far too hastily.

Combined with Julis’ continued struggle in getting her best friend Ophelia back, whatever Dirk has planned with Ernesta on his side, all of Claudia’s stuff, and that idol lady who is sure to return, there’s no shortage of material for another cour; possibly two.

While I’m weary of committing to a third season of a show that never knocked by socks off in its second, I will at least give it a look when it airs, if for no other reason, than to hear what ol’ Rasmus cooks up for the OP/ED…

16rating_7

Kiznaiver – 11

kiz111

Noriko and Agata are two individuals whose lives have been dominated by close contact with one another. Agata had seemingly forgotten how much contact until he connected the girl in his dreams to Nori, while Nori herself clearly remembers everything, and how the only one she really needed seemed to be Agata. They were an inseparable pair, until they weren’t. Now, with one episode left they find themselves on potentially opposing ends of the game board.

kiz112

Hardly anything in his recent life has ever affected Agata as strongly as seeing his doll-ified friends. But it got him thinking, and he thinks a lot throughout the episode, something he hadn’t done much of before because he was too busy not having emotions and going with the flow.

Now he thinks he understands a little more how Chidori saw him, and why she always protected and defended him, and how much pain he caused her by being the way he was. He calls to thank her and apologize, which Chidori sees as a furtherance of his wider rejection of her.

kiz113

The mayor is telling (not asking) Yamada and Urushii that Kizuna is kaput, but wants them to soften the blow of the news. Of course, we know Noriko will not accept any news of that nature: The Kizuna System has been, is, and will continue to be her life. Taking Kizuna is like taking that life away.

The two researchers, able to look back and realize their overeagerness to achieve results for a world that needed them desperately, acknowledge the collateral damage done to Nori as a result, and Yamada is determined to make up for that by granting all of her wishes. Urushii seems to agree. Without knowing it, they’ve become more than minders or underlings to Nori; they’re her friends too.

That realization seems to come to the former Kiznaivers as well—that they’ve been friends for some time now, without knowing it. It’s the reason they were able to get through all their trials so easily, and it’s why even though their pain is no longer connected artificially by Kizuna, they still feel pain in their collective hearts when Agata bears his to them on the rooftop.

kiz114

That being said, they’re still incredulous, but when Urushii confirms they’re no longer connected, it’s hard to remain in denial: they have empathy for one another. Kizuna simply gave them the nudge in the right direction. Now these people who believed they could never have proper friends have friends.

But that’s not nearly enough for Noriko. After all, the world is full of conflict and rancor, all because people technically bear the pain in their hearts alone. Six people having the same emotions at once isn’t the same as being literally connected, via Kizuna.

Sensing the end of Kizuna is nigh without action, she gives an address to the entire town, announcing her intention to connect all of them, government and corporate interests be damned. This seems selfish on her part, and even paints her in the light of an antagonist, ready to impose her will on the masses.

But she is nothing more or less than what the system made her, and she’s not ready to give up on her ideal of a perfect happy future…whether anyone else wants it or not.

16rating_8

Tanaka-kun wa Itsumo Kedaruge – 11

tan111

You’d think a pool episode would wear Tanaka out, but he can always float listlessly on the surface. When his normally relaxing, ordinary school life is infected by vigorous preparations for the cultural festival, we learn what is truly anathema to him.

In preparation for the bedlam, he tries to perfect his cloaking device, but to no avail: he has to perform some task, and the final ones available to him and Ohta turn out to be the role of haunted house ghosts.

Of course, initially, Tanaka doesn’t scare Shiraishi so much as surprise her when he so nonchalantly flashes her while switching how he wears his funeral robe (fortunately, he was wearing underwear).

tan112

Ohta and Tanaka also have a sweet moment when they look on proudly as Echizen interacts with people other than the two of them and Miyano (though she resents their pride as somewhat mocking).

The haunted house turns out alright too, with a couple of little issues: Rather than a ghost in a well, Tanaka looks more like a leisurely bathing spa patron.

tan113

As for Ohta, he’s far more scared of the house than anyone else, and so he must be replaced as star ghost. Miyano steps in, but ends up charming patrons rather than scaring them with her adorable demon catgirl get-up, even posing for pictures. Hey, it’s not what they were originally going for in a haunted house, but if the customers come away happy, who cares?

tan114

During Tanaka’s break, he sees class 1-E has a Maid Cafe, and as a girl with very similar long black hair runs off to watch the drama club, I was all but convinced Tanaka would be forced into a maid outfit to substitute, with hilarious results. Instead, we got something even better: Echizen in a maid outfit, complete with bubbly welcome.

Of course, she realizes far too late who she’s welcoming, resulting in the longest—and best—comedic pause of the episode, ending with Echizen reverting to her usual brusque nature, demanding Tanaka go home and forget what he saw.

tan115

Tanaka continues his quest for a refuge from the hustle and bustle of the festival, barging in on a kissing couple and coming up against a sign barring roof access. He settles on a cardboard box near the roof door, where he soon falls asleep. Ohta, who lost sight of him during the break from helping everyone who asked, searches desperately for his friend, stopping at nearly every food and sweet stall on the way—this is a cultural festival, after all, one must sample all they can!

When he does find him, Tanaka is so accidentally scary-looking that Ohta clean passes out. All Tanaka can do is sit by him and wait for him to come to, but of course he dozes off in the process. When they both come to, it’s time to clean up and celebrate a festival well done. But Ohta doesn’t forget the ghoul he spotted, and presents Tanaka with consecrated salt to ward it off…even though “it” was Tanaka himself.

Another wonderfully solid and hilarious Tanaka-kun, adding new life to a well-worn anime theme two weeks in a row with its uniquely bizarre and unexpected yet warm and charming comedy. I hope it gets a second season!

16rating_8

Ushio to Tora – 38

ushi38

Despite the title “The End”, this week is not the end; just the beginning of it for Hakumen. The united counterattack is now in full swing, with supernatural and military forces working in concert to make Hakumen’s life increasingly difficult. Even better, the battle is being broadcast to Japan from a news chopper, lessening the fear of those who didn’t evacuate (like Asako and her fam).

I must say, after so much darkness and dread, I was glad to see the mood of the show brightening along with the skies around the battle. The irreverent chatter between Ushio and Tora flies as furiously as the cameos, which, to be honest, are a bit out of control; but are to be expected, as the end, titles aside, is very quickly approaching.

ushi382

Hakumen is a little slow on the uptake, and in assessing exactly why things are going so bad, determines that Ushio and Tora are the cause. If they can be smitten once and for all, Hakumen can crush everyone else’s spirits and get back to wreaking havoc. So Hakumen unleashes a Malboro-esque poison cloud, isolating and trapping the duo.

All everyone else can do, from Asako to Mayuko to Hinowa and the Moritsuna siblings, is keep fighing; keep doing their part; and trust Ushio and Tora will be okay.

ushi383

And they do do okay. Ushio’s armor is shattered and he comes close to his soul shattering as well, but he’s not like the other wielders who turned into azafuse, and both he and the spear are able to calm themselves, buoyed by the knowledge, and Tora’s confirmation, that Hakumen is not only terrified of his adversaries (for their ability to unite humans and youkai, among other things)—he’s also insanely jealous.

Hatred, pain, fear, and death are the only things Hakumen has ever known, and perhaps believes they’re the only things in the world. But seeing what Ushio and Tora have been able to accomplish; watching all the assembled friends and allies fight with everything they have for their sake; even watching the beast spear reassemble itself to fight again; it’s no surprise the increasingly puny bastard would be a bit envious.

16rating_8

Kabaneri of the Iron Fortress – 10

kaba101

Thinks are bad for the good guys: Ikoma is in prison, and Biba’s goons are harvesting blood from the Kotetsujou to feed the Kabane, and they’re not exactly being nice about it. Like Mumei, these are people who weren’t taught to think of the weak as people worthy of compassion, but in this case they’re more like livestock. It ain’t pretty.

kaba102

When I saw Biba alone in a car with Ayame, my skin crawled, because I knew he wouldn’t be honoring whatever deal he was striking with her. He only needs her until she can arrange an audience between him and his father the Shogun; after that all bets are off; that’s just how villains operate, and Biba is a pretty conventional villain.

He certainly has the look down, as well as the way he creepily wipes blood off Mumei’s cheek, after appeasing her with another promise he won’t keep: that the passengers of the Kotetsujou will not be harmed.

kaba103

That’s because a group of passengers are doing the one thing that will make Biba come down on them even harder: planning a revolt. Ikoma is the ringleader, taking note of the comings and goings of the key man. When the moment is right, he breaks out and the group strikes.

Sukari was portrayed early as someone who apparently betrayed his friends because he knew resistance was futile, but I had him pegged as a double agent pretty quickly, and that’s what it turns out he is, having helped slip intel to Ikoma, thus earning a measure of Takumi and Yukina’s forgiveness.

kaba104

When Biba gets word of the revolt, of course he makes Mumei choose to either take care of the disturbance—killing Ikoma and her friends in the process—or stop receiving the medication that’s keeping her virus from spreading and turning her into a full Kabane.

At the end of the day, this is Mumei’s most damning weakness: her utter dependence on her brother’s good side, which never really existed in the first place. He even lowered her dosage, anticipating her possible betrayal, so that she doesn’t have the strength to get away when she does bolt.

As for Ikoma, for some reason he thought the key man had all the keys, but he doesn’t; why would Biba make it so easy for Ikoma to get to the most important part of the train? Instead, Ikoma and his men block Ikoma, and when Ikoma refuses to join his fight (an offer most conventional villains usually give the protagonist), his guys open fire. Only Ikoma doesn’t get shot, because Takumi took the bullet.

kaba105

So yeah, RIP Takumi, who at least managed to repay Ikoma for his getting show earlier in the run. Naturally, Ikoma isn’t all that pleased his best mate has been murdered in front of him. Unfortunately, that’s not all he has to deal with on this particularly shitty day.

That’s because Biba brings in Mumei, only she’s not really his friend anymore; likely she’s been “re-programmed” with drugs from the mad scientist car. Without hesitation, she drives her dagger into Ikoma’s chest and lets him fall out of the train, off a cliff, and into the sea.

Now, don’t think Ikoma’s dead, and neither do you—he’s the frikkin’ main character, for crying out loud. So the question then becomes, how will he manage to survive, and how will he get back to where Ayame and Mumei are? Talk about a stacked deck…

16rating_7