Youjo Senki – 07

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The Gist: Tanya’s Battalion is the leading edge of a surprise naval invasion against the Alliance (alt-Finland). They paradrop on top of what was thought to be the perfect fortress and quickly obliterate all the coastal guns, paving the way for a quick defeat. They engage Colonel Sue Anson along the way and quickly kill him and all his men.

Outside of that event, we learn that Anson has sent his family away to the United States, that his daughter gave him a submachine gun that has his initials on it, and that’s about it.

Roll Credits?

tanyabAnson finally gets the POINT (but I don’t?)

The Verdict: If he’s dead, and that seems like a safe assumption, I’m not sure why Youjo Senki spent so much time with Anson? After all the build up, he presents no challenge for Tanya to defeat, and beyond having a daughter who is now in America, his only lasting impact on the narrative seems to be that Tanya kept his gun? (And his initials appear to be used heavily in the Youjo Senki branding)

There was a glimmer of possibility, when Anson began to pray, that something unexpected would happen, but there was no payoff. Worse, we haven’t see the rest of the world react to Tanya enough to get a sense that Anson is praying because Tanya prays before she slaughters. We certainly haven’t seen enough of Anson to know if this was a change brought on by an outside factor, or if he prayed normally anyway.

What I’m getting at is, battle aside, what was the point of all of this? So the Empire has de facto won against the Alliance, which moves the war along, but who cares? We know the Republic will fall in the Spring, followed by the Kingdom, but that’s just alt-history fantasy stuff that doesn’t carry any tension because no characters or sympathetic evidence has been presented to give us a reason to care. (In fact, from the Empire POV it appears these other powers were the aggressor in the first place)

For a show that’s halfway over, setting up long-game goals seems in order (developing characters, revealing another layer of mystery, or establishing a worthy opponent). Instead, mostly action sequences. Shrug?

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Masamune-kun no Revenge – 08

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I was right at the edge with Masamune-kun no Revenge, and with the gang planning to hang at the pool, it looked like we were in for another color-by-numbers harem outing. Instead, things got a little more serious…all because Masamune’s photo is gone, and he suspects Neko of taking it—which she did.

While meeting Akagaki at a family restaurant so she can give him back luggage he left at her villa, the photo distracts Masamune to the point where Adagaki is insulted by his distance and leaves. The minute she leaves (without paying for the four sundaes she ate) Masamune gets a call from Neko, which leads to him asking if they can meet so he can somehow bring up the photo she stole.

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It’s here where things get hot and heavy in a hurry, and very unexpectedly so. Neko doesn’t jump his bones like a cat in heat, no; in fact, it’s Masamune who sneaks into her room to look for the photo, then comes across the same romance novel she saw at his house.

Neko catches him snooping, but thinks nothing of it, and before long owns up to the theft of the photo, saying the young him—not the young Adagaki—was just too cute for her to resist. His self-image poisoned by his interactions with Adagaki and others, Masamune never once considered himself cute, but Neko means it.

So what if he was fat? Well, the fact he was once fat means everything to Masamune, both in terms of his present obsession with fitness and his vendetta with Adagaki.

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Masamune is so messed up, to the end he believes Neko is working some other angle, some ulterior motive he’s on the cusp of discovering. So when she advances on him, he questions whether she really likes him, then takes the photo and leaves, telling her choosing Adagaki is his…revenge.

After he leaves, Neko doesn’t seem like her plan had failed. She looks heartbroken, and says as much. For his part, Masamune is pretty messed up too – he just had his first kiss with a girl, and having rejected her out of hand, his stomach hurts something fierce. He’s just not sure whether he did the right thing, only that he can’t get Adagaki off his mind.

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The pool party is an afterthought, both narratively (because the Neko incident takes precedence) and practically (there’s no animation, just a bunch of panning stills). But that’s okay; what matters isn’t what happened at the pool, but who didn’t attend: Neko told Futaba she wasn’t feeling well. And again, Masamune feels frustratingly far away to Adagaki.

While everyone is leaving the pool, Neko’s attendant pulls up, asking what Masamue did to her, as she’s now missing and without her meds. That’s right: Neko isn’t just some vitamin junkie; she’s a very sickly young woman and a seizure risk. Masamune was wrong. So he tells the truth – he went to Neko’s to tell her he couldn’t go out with her because he was choosing Adagaki.

The episode ends there, with us wondering how much those words may have affected Adagaki, and knowing that with Neko who-knows-where without vital meds, this isn’t a game or test of courage. They’ve gotta find her first, then deal with the romantic ramifications.

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Kuzu no Honkai – 07

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Moca startin’ the day of ACCA-style!

The morning of her date with Mugi, Moca is on cloud nine, but she doesn’t have any illusions about suddenly winning his heart. Having an elegant breakfast and getting all dolled up is as much or more for her than for Mugi’s sake. Still, she has to try today, for she, a student of fairy tales, doesn’t think people should settle for replacements.

This week Moca accomplishes something neither Hanabi nor Mugi have been unable to in seven: confront her unrequited love head-on, face the object of that love, and, through a clean-ish rejection, be able to move forward. By doing so, she becomes, by default, the bravest of those three people.

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While Mugi is off on a date with Moca (unbeknownst to her, obv) Hanabi continues her half-cocked mission to seduce Takeya, but soon learns it isn’t so easy to elicit love in someone. All Takeya wants from her is sex right now, Hanabi doesn’t give it to him, so he leaves her to go bang some other chick.

That’s where Takeya is at at this point. It looks pretty hopeless for Hanabi, and I must have mistaken all the confidence she seemed to exude at the end of last week when getting her “project” off the ground.

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Moca, meanwhile, is always on the verge of tears, she’s both so happy about the dream-like date with Mugi, and devastated that the happiness is tempered and sullied by the fact Mugi feels obligated to take his childhood friend on a date.

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Since we’re in Moca’s head most of this week, we learn a lot, like how she’s always loved Mugi, since they were little kids, and how with waterworks, she knew precisely how to get him to do her bidding and acknowledge their special bond.

Mugi and Moca got used to this cycle of behavior for years, and the nature of their past is ultimately what stops things from going too far in the present.

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Moca is cute. She knows she’s cute, and while in Mugi’s bed, she thinks it might be enough to hear it from Mugi to allow her to keep on living (just as his not recoiling when she held his hand did). Mugi curses himself as a pathetic coward who is going straight to hell, because there’s something deep within him that is screaming this is Moca; this is wrong, and things go no further than the removal of clothes.

For too long she was, as she says, a sacred ornament to be admired, and he can’t sully her, even though he tries his darnedest. At the same time, now that things have gotten so real with Mugi, the “dream” of the two living happily ever seems to shatter for Moca. This is the way she and Mugi are; she’s “important” and “special” to him, but that only goes so far. They can’t be a man and a woman.

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Moca really put herself out there, and by the end, there’s a kind of release of pressure. And she also becomes a kind of catalyst, as Mugi’s night with her has the same general effect as Hanabi’s lonely, aimless night, and one fine day on a hill overlooking the town, the two agree that they’ll tell Akane and Onii-san how they truly feel, before the end of Summer vacation.

They are cowards, they admit that. But Moca showed them they don’t have to stay cowards. And if they’re both rejected, Hanabi wonders what will happen next; whether she and Mugi will start to date for real; whether they’ll both be able to say goodbye to their respective loves forever and accept what life has given them…or another path is needed.

Playing the Moca Card this late in the game turned out to be another good move. She’d been the weakest, least developed character in the love polygon to this point, but this week really fleshed her out nicely. More to the point, both by staying on Mugi and keeping him from Hanabi, she inadvertently showed them the only way forward.

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Everyone Eats and Drinks Almost Constantly in ACCA

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If you’ve been watching ACCA, you’ve probably thought to yourself: “Goddamn, they’re almost always stuffing their faces or drinking on this show!” And, well, you’d be right; they are indeed! In fact, so much of each episode is given over to eating, drinking, purchasing, or talking about food and where to get it, you could take out all the scenes without food and drink and still have a pretty sizable episode left…as I shall demonstrate:

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Episode 01 – We start with Jean and Lotta’s usual breakfast of toast with jam. Then we move on to his co-worker’s ten-o’clock snack of roll cake from Hachikuma. Once in Famasu, Jean chows down on what looks like a Reuben while Eidar orders a cheeseburger. The Five Chief Officers have tea and biscuits. The next ten-o’clock snack at Jean’s office is a five-pack of flan.  Jean buys more bread at a bakery with Knot while Rail and his colleague eat donuts. Jean joins the Five at a cafe for coffee. Jean has beers with Niino.

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Episode 02 – Jean and Lotta have a breakfast of what looks like eggs on toast with cucumbers and mayonnaise. Lotta asks Jean to buy tomato bread from Mugimaki, where he runs into Mauve. Lotta enjoys some chocolate cake al fresco at Picidae. Niino tucks into a sundae. Once in Jumoku, Jean samples the giant burgers, fries, and fruit at Basswood. Jean buys local produce to bring home. Lotta and Oulu sample a nut cake at Honig. Niino and Jean have a huge dinner of meats, fish, fruits, vegetables, and bread, and wash it down with beer and wine. Later, Jean takes Niino on a drunken trip to the supermarket.

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Episode 03 – Jean gives his co-workers a 10-pack of cream puffs from Hachikuma for their ten-o’clock snack, and a package of fancy cookies for Lotta. Lotta and Niino have a dinner of meatpotatoes, and salads. Lotta receives a parcel of potatoes in the mail, with which she plans to make gratin. Jean has dinner with Mauve at Veil, consisting of fine wine, rare steaks with black truffles. Prince Schwan samples some fine pastries. After dinner Jean has more wine with Niino, along with grapes, pretzels, and a selection of cheesesPrior to Schwan’s celebration, Jean, Nino and Lotta attend a catered affair at the palace with pastriesbreads, and various jamsjellies, and sweets. That night, after the King’s address, they enjoy various desserts like Dowan nut cake and strawberries.

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Episode 04 – In the episode with the least food and drink, Niino and Lotta have tea and chocolate layer cake, as she packs chocolatenuts, wine, and other gifts for the building owner. At Chez Pierre in Suitsu, Jean has a bowl of rustic stew. Warbler buys some loaves of bread. Lotta polishes off a bowl of something, as one of Magie’s underlings eats an elaborate sundae. Pastis drinks some brown liquor. Jean’s captives give him some bread

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Episode 05 – Schwan has tea and cookies. Lotta has blueberry pancakes at Kakesu. Rail introduces Magie to toast made from sandwich bread. Jean’s co-workers plan to make microwave potato chips. Lotta has a snack of some kind of pink confection with an orange soda. Later at Mugimaki she orders two-centimeter slices of walnutcheese, and chocolate bread. Birra district’s branch chief presents a spread of local foods to Jean for dinner, including rye bread (to go with the wheat bread not made there), the local grog, meat and potatoes. Magie introduces the joy of buttered toast to Schwan. Niino takes Jean and Lotta for a dinner of steamed mussels served with bread and french fries. While Jean is in Rokkusu, Niino takes Lotta out for vegetable, meat, and cheese fondue.

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Episode 06 – Jean’s co-workers have apple cake for their snack. Jean invites them to his and Lotta’s apartment building party where they have drinks, and a buffet. Both Rail and Oulu give Lotta cakes as New Years presents. The Five have tea and coffee in their common area. While in Hare, Jean is treated to an elaborate, sumptuous feast consisting of grilled meat and shrimp skewers, whole fish, red and green curry, beef stew, pork belly, salad, and more, washed down with quite a lot of beer, to the point Jean refuses to share a bottle of booze with Niino later. Jean and Lotta have toast with jam for breakfast when he’s back.

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Episode 07 – Magie puruses a catalog listing all of the flavors of bread Mugimaki makes. Jean passes by fancy cakes at Patisserie Fuchs in Dowa, searching for famous flavored snowball (“Yukinotama”) pastries Lotta wants him to bring home. Niino takes him to Cafe Berg, where Jean orders the snowballs and tries one for himself, then joins King Falke over a spread of fruit and nut tartspies, and rolls. Jean and Niino have wine with a platter of sausagesmeatspatecheeses, and other snacks. Jean samples Mugimaki’s new walnut mugwort bread. Niino eats squares from a chocolate bar. While in Korore, Jean inspects all of the chocolatiers the district is known for.

Please, dear readers, I implore you: Don’t watch ACCA on an empty stomach. Have some food and drink nearby. I’m going to go eat some bread now.

KonoSuba 2 – 07

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For the first act of this particularly energetic, at times hyper KonoSuba, Megumin is the straight man, watching aghast as Kazuma and Aqua act disgustingly pleasant to each other; even as Aqua purifies Kazuma’s finest tea into plain hot water, he just keeps politely drinking it.

They’re acting this way because they think they’re rich, after a visit from Vanir results in an IP transfer deal that could net them 300 million Eris (or 1 mil a month). After, well, dying last week, I can understand why Kazuma wouldn’t mind hanging up his adventurers’ boots and living comfortably ever after.

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Of course, I neither expect the windfall to come (unless its made of wind, not cash) as Vanir is a sneaky slippery demon, nor for Kazuma to give up his overarching mission to defeat the Devil King; as annoying and useless as Aqua is, he still made a promise to her, and Kazuma is (usually) a man of his word (I can’t speak to Vanir).

Anyway, Kaz holds off on making a decision (lol he’s never getting that cash) and accepts Megumin’s suggestion the party head to Arcanretia, the city of water and (hopefully for Kazuma, mixed) hot springs so he can convalesce after cheating death. They bring Wiz along as well…Wiz being kind of a waste of Horie Yui.

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After winning every game of rock-paper-scissors against an increasingly flustered and desperate Aqua, and using Darkness’ vitality to heal Wiz (who was blown up by Vanir, long story) the party heads off aboard hired wagons in a beautifully-shot scene that is played straight.

Naturally, I was expecting something ridiculous to kill all the good normal vibes before the convoy left the city walls, but surprisingly, nothing happens!

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Instead, the ridiculousness happens en route, as a flock of ground-based birds known for stampeding toward the hardest objects they can find in a chicken-like mating ritual target Darkness.

I liked the fact the convoy had its own party of adventurers to take care of any problems, but once Kazuma learns it’s their—or rather Dark’s—fault the birds are there at all, his party mobilizes.

Or, I should say, Darkness runs out to meet the herd, a hired adventurer accidentally binds her, and…well, not sure what happened next, but afterwards Kazuma is apologizing profusely. Presumably, at some point, they’ll arrive at Arcanretia.

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Kobayashi-san Chi no Maid Dragon – 07

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The Gist: Kobayashi, Tohru, Kana, Lucoa and Shouta go to the beach. While the dragons are gung-ho about having fun, showing skin, and working out, the Humans are fairly restrained. Slapstick, incomplete tangents about Koba’s past, and some melancholy ensue.

Until Koba asks to ride Tohru, that is. With everyone relaxing on their yacht-sized friend (and Koba fishing) the mood lightens. And even though everyone is close by, Koba and Tohru have a chance to talk to each other more directly. Tohru is homesick, a little, and wants to introduce Koba to her parents, but that can’t happen because they would kill a human on sight. Then we transition to Comiket

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Unsurprisingly, Takiya is has his own manga for sale and Koba and Tohru are right there to help him manage lines and take payment. As the line stretches on, Tohru realizes other creatures from another world are in attendance and, when talking to them, learns that events like this are their rare chances to be normal amidst humans.

It is all quite touching, really, with Tohru getting a sense of belonging. Or, at the very least, a sense of enjoyment from being a part of a specific and special time and place.

Meanwhile, poor Fafnir’s book of curses doesn’t sell well. Although, that’s probably for the best…

dragon7cSPOILER! Kana eats the crab.

The Verdict: If you ignore the running gag that Lucoa has giant breasts and likes to flaunt them, this week was a return to Dragon Maid’s standard form. That is to say, it was harmless, populated by charming characters, with a bit of well-timed surprise humor sprinkled on top.

It’s nothing remarkable, but special credit is due for the beach episode actually developing the core characters (and for spending a surprisingly short amount of screen time at the actual beach).

Bonus Bonus points for Kana eating many things throughout the episode, including the bugs she was supposed to collect for her summer homework.

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ACCA: 13-ku Kansatsu-ka – 07

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All the clues and hints have been laid out, ready to be taken and fitted together to get the larger picture around Jean Otus, who for a protagonist halfway into a show remains either deliciously inscrutable or, as Franklin has said, exactly as vapid as his surface indicates.

Mind you, the larger picture of Jean and his sister Lotta only seem to be part of a yet larger picture, one that both Grossular, Niino, and his second mystery contact would seem to know about.

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For the whole run of the show, I’d been trusting my instincts, which told me Lotta was important. Why else would the King and prince be so naturally drawn to her, and why else would someone who looks an awful like her be the dancer in the end credits?

The blonde hair; the blue eyes, the affinity for sweets and the royal district of Dowa, and of couse, all the swirlings of a coup—all of it points to Lotta and Jean Otus being themselves royalty. The flashback threw me off the scent, but their parents who died on the train were the second princess and her guard Abend.

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That, as Mauve reports to Jean in her home district of Korore (which is both a strong matriarchy and a chocolate superpower) makes Jean Otus first in the line of succession for the throne of Dowa.

It also explains a great many things about how people have been treating him all this time. Naturally, Jean, who “never asks questions about himself” but merely carries on, didn’t have a clue.

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While this revelation is delivered the same way any information is—in a suble, natural, understated fashion—it still raises the stakes considerably. Even if Jean doesn’t care about his lineage and won’t get in Prince Schwan’s way, Schwan is still gunning for him, big-time.

Assumptions and suspicions will play a larger role than Jean’s actual intent or desires. Jean and Schwan are opposites when it comes to how much they care about how they’re regarded by others. And then there’s the fact that Prince Schwan has (probably) never left Dowa, but Jean has traveled all across the nation, never knowing it was, in effect, a royal tour.

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Now that Jean knows one more thing Niino knows, their relationship doesn’t seem to change much. Jean still relies on him to tell him the specific bakery where he can get snowballs Lotta requested (which happens to be where the King himself stops by for some sweets), or the best chocolatier in Korore.

But while the mystery of Jean and Lotta may be solved, the bigger mystery is what comes next. What will Jean do with this information, once it inevitably gets out? Who will be on his side, and who (presumably anti-ACCA parties) will support the more malleable Schwan?

Things are finally starting to heat up in Dowa…and I’m not talking about the warmth of fresh-baked pastries.

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Little Witch Academia – 07

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The Gist: In a desperate attempt to turn her grades around and not get expelled, Akko ‘treats’ Professor Pisces to water only the finest of celebrities drink. Of course mineral water is a terrible thing to pour into a tropical fish tank and, all too soon, Akko has ‘flushed’ the professor into the sewer and a grade-saving adventure!

Along the way, Akko learns to speak Fish, save an endangered species from a poacher, improve on her polymorphing skills, and win the grudging recognition of the faculty (and not get expelled, obviously).

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This week finally nailed a slice-of-life tone for LWA. The supporting cast members received balanced screen time, spread across Akko’s many classes. Lotte and Sucy were the consistent observers, which is the role they fit best structurally, and the scenes felt full and fit together in a way that made Akko’s world feel lived in.

But, above all else, that world was finally fun again. From slapstick to a silent ‘talking’ character, the humor was perfectly timed and delightfully absurd. I absolutely died when Megumi Han delivered Akko’s sobbing response to flushing her teacher down the drain.

The Verdict: This is LWA doing the right things – being fun, upbeat, unexpected and bizarre. Sure, it could benefit from an overarching plot for the cast to focus on but, as long as it keeps Sucy and Lotte by Akko’s side (but not crowding her spotlight) and keeps the weird fun rolling, I don’t mind.

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Spring 2017 Season Preview

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Wouldn’t you know it, we forgot to post a Season Preview for Winter, so this will be our first of 2017. If it seems early, it’s not; we’ve released previews as early as the beginning of February; this is actually the furthest into the month we’ve waited. And why is that? No real reason beyond we just “hadn’t gotten around to it.” (Also, it’s feeling very Springlike around RABUJOI HQ of late).

Below is the preliminary list of shows we’ll at least be taking a look at this Spring. The only Winter carryover we know of (so far) is Little Witch Academia. Note that there are many sequels to popular shows (ahem Attack on Titan) among the titles, and as always, authors for reviews of these shows are subject to change, depending on which shows appeal to which writer. Click on a title to learn more via MAL.

Shows we’re definitely reviewing are in bold. Six weeks to go. Can’t wait to dig in!

Braverade

Clockwork Planet
Shingeki no Bahamut: Virgin Soul (Rage of Bahamut)
Shingeki no Kyojin 2 (Attack on Titan)


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Saenai Heroine no Sodatekata ♭ (Saekano: How to Raise a Boring Girlfriend Flat)
Sakura Quest
Tsugumomo
Tsuki ga Kirei (The Moon is Beautiful)


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Alice to Zouroku (Alice & Zouroku)
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria (DanMachi / Is It Wrong to Try to Pick Up Girls in a Dungeon? Side Story)
Kekkai Sensen & Beyond (Bloodline Battlefront)
Rokudenashi Majutsu Koushi to Akashic Records (Akashic Records of Bastard Magic Instructor)


Oigakkosan

Little Witch Academia
Uchouten Kazoku 2 (The Eccentric Family)


Up For Grabs

Re:CREATORS
Eromanga-sensei
Kabukibu!
Renai Boukun (Love Tyrant)
Sakurada Reset
Zero kara Hajimeru Mahou no Sho (Starting the Magical Book from Zero)

Tales of Zestiria the X – 19

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Zestiria can still effortlessly deliver vista after gorgeous vista, but the excitement and urgency came up a bit short this week, and reminded me that it’s rarely been able to satisfying depth beneath its shiny surface. It also has a tendency to be clunky in its pacing, as demonstrated in this Alisha-focused episode filled with perfunctory talking scenes.

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Giant tornadoes are threatening Ladylake…until they aren’t, as they’ve all dissipated so far. Alisha is waiting for the Big One, all while being branded a criminal by the sniveling Lord Baltrow, who is the worst kind of dull wallpaper paste villain. Unable to catch Alisha, he tries to bait her by putting her mentor Maltran on display to starve to death or be picked at by birds. Swell.

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After Zaveid decides to randomly show up to save Alisha and her knights from a giant mud hellion, then leaves to go find and shoot a dragon (see ya Zaveid) Alisha sits by a pond, seemingly for hours, wondering what to do. Lunarre is another random visitor, basically asking her to change up her methods, since, like Ned Stark, her unswerving dedication to high-minded nobility and honor may well get her killed.

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That is, if she didn’t have a Shepherd for a friend. She managed to contact Sorey last week, but he and the others take their sweet time starting off for Ladylake. I know their contact was cut off, but surely her saying “Ladylake is in dire straits” tipped him off that maybe he should hurry to Ladylake, which he, Rose, and the seraphim finally do at the end of the episode.

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I can’t help but think some of the overarching stiffness and vanilla-ness of the show could be pepped up a bit with the kind of light humor in the previews. But those are fourth wall-breaking affairs, and Zestiria isn’t meant to be a comedy.

Still, it’s troubling that the biggest rise I got was from the preview, not from anything in the episode that preceded it. Alisha’s daring stealth raid on Ladylake looks like it might be interesting, but this week was a bit too leisurely getting her there.

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Mobile Suit Gundam: Iron-Blooded Orphans – 44

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While it certainly seemed like the start of the “final battle” between McGillis/Tekkadan and Rustal was eminent, that start is pushed back to next week, leaving us with the CBTS to end all CBTS episodes. Turns out piloting Bael isn’t enough for the other families to side with McGillis; the best he gets is their neutrality.

I guess they figure not actively helping someone Rustal has publicly labeled a traitor and murderer may help them down the line, if Rustal is able to defeat him. I’m not sure why one of the family heads is an alien, but between him and the fat one I’m not sure Macky would have gained much by having them on his side anyway.

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Another “loose end” is Almiria, who hears Rustal’s speech and assumes, not wrongly, that she’s been a pawn in this all along. When she can’t force herself to do what she believes is her duty—kill Macky for killing her brother—she turns the blade on herself, only for Macky to stop the thrust with his hand.

Telling her he will fulfill his promise to make her happy, one day, is all well and good, but her head is swimming with so many complex emotions (and she’s just a kid besides), she concludes that Macky is simply going crazy here, and so is she.

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As for Orga, he is not pleased McGillis could not secure a larger fleet to fight Arianrhod. When they meet face to face he makes sure to slug Macky for so blithely bringing up the casualties that will surely result from being outnumbered 2-to-1.

Orga wasn’t expecting to have to sacrifice so many members of his family to gain the Martian crown, and it’s because he fell into a pattern of accepting McGillis’ constant reassurances without question.

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From there, everyone starts taking stock. Merribit and Dexter feel helpless for not being able to fight beside the fighters, but will stand beside them anyway. Zack wonders out loud whether fighting the battle really is the only option.  Gaelio tells Julieta she’s becoming stronger “the right way”, perhaps insinuating he didn’t by relying on taboo measures.

Kudelia tells Atra over the space phone that she finally realizes the contradiction of working to eliminate strife from Tekkadan’s future, even though they wouldn’t be the tight-knit family they are without past strife.

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But because Kudelia is back on Mars, it falls to Atra to be there for Mika, so that’s what she does, and in one of the most tender scenes Mika has ever been involved in, when Atra bursts into tears from his tough talk, he hugs her and won’t let go. He’s only known battle in his life, whether it was his choice to fight or someone else’s. Now he’ll fight so Atra, who he admits is precious to him, won’t have to cry anymore.

The show can’t wriggle out of giving us a battle next week, so however many episodes it lasts, what form will it take? Will it be the beginning of Tekkadan’s future, or will Rustal see to it that future is snuffed out in the flames McGillis’ childish delusions of super-heroism?  There are sure to be casualties, big ones, but who? We’ll have to wait a little longer to find out.

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Youjo Senki – 06.5

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It’s recap week and there were no clever mechanisms or twists added to the material. At least it was presented in linear (non-eposidic) order, which makes more sense as a way to bring the audience in.

Less good, the way it was clipped and mashed into a single episode strips the Tanya/God conflict down in favor of maximum action and story-per-frame. Tanya’s inner motivations and emotional conflict with God is, really, the only reason to watch this show.

Curiously, I found ‘episode zero,’ which is a super deformed websclusive superior. There’s basically no animation at all, and 99% of it’s 120 seconds of bobbing along is empty chatter about not liking German food, but the end really nails Tanya’s character. God is with her every moment, keeping her alive and pushing her forward and she loves it. She loves it so much she will kill him for it.

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Demi-chan wa Kataritai – 07

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The Gist: This week introduces Kurtz and Ugaki, a missmatched pair of demi-division police. Kurtz is a half-german high schooler who may be immune to Sakie’s lust-touch. Beyond his inability to lie believably, the only notable thing he does is confront shark-fin-hair kid about a sexy photo of Sakie…

Ugaki is a gruff old detective who sees the world as mellowing out. He father’s Sakie a bit, or pushes her to talk about forming a relationship, but later expositions to Sensei that this is mostly an interrogation technique. Ultimately, he needs to be able to pre-judge if a succubus is guilty of her own public molestation or not… which is kinda creepy?

The plot is all over the place, and it’s never really explained why Kurtz is working for the police. It’s not really explained why Ugaki took such a liking to Sakie either.

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The Verdict: Sakie is Demi-chan’s least interesting character, this week’s focus on her bashful man hunger was no better than usual. Worse, while Ugaki added a bit of world building via his lengthy smoking room scene, he didn’t add anything we would care about as viewers. (no new information about the main characters of the show)

The only item I can praise was Kurtz sudden wall-jump cross-kick to Ugaki. It was well animated, if not unexplained and added nothing to the plot.

I just feel drained, maybe to the point of hatred, forcing myself to watch this show. Unless next week dramatically turns things around, this will be the last review I can muster.

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