TenSura – 03 – Making Goblinville Great

Rimuru’s time as an OP Slime continues to go quite well. After healing all the goblins injured from wolf attacks with the potions within him, he gets the others to build fences and prepare defenses. When the direwolf pack arrives with a full head of steam, Rimuru is ready for them with “Steel Thread.” When their leader fights through it he gets caught in “Sticky Thread”, and Rimuru beheads him with Water Blade, then uses Predator to absorb his abilities. Mimicking a direwolf, he gets the rest of the pack to yield. Victory!

With both a village of goblins and a pack of direwolves at his command, Rimuru learns that none of them have names. He begins to name them all, starting with the goblins, unaware that “naming” a monster as low-level as a goblin takes up magicules. Soon he’s depleted, and must enter Sleep Mode for three days. When he awakens, to his surprise both the male and female goblins have evolved into larger, stronger, more human (read:sexier) forms, a direct effect of naming them.

While he was only able to name one Direwolf before passing out, because they function as a single unit, they all evolved along with their new leader, Ranga, whose tendency to eagerly whip his tail into a whirlwind is never not amusing. With everyone bigger and better, Rimuru lays down three rules: Don’t attack humans, don’t fight amongst one other, and don’t belittle other races.

He also learns that they’re not that great at building shelter or making clothes, and so on the now-swole elder Rigurd’s advice, he decides to take a delegation of goblins and wolves and journey to the Dwarven city of Dwargon, where he’ll find builders and tailors with which to trade.

Upon leaving the cave I’m sure Rimuru didn’t think he’d be in the position he is now, or with the responsibilities with which he finds himself. However, he also seems to be enjoying himself and the unexpected effecrts of his actions. And if he’s also doing a pretty good job, why stop now?

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Sword Art Online: Alicization – 03 – Don’t Freeze

Kirito settles into a pleasant routine, waking up in the church, going to work with Eugeo, eating stale bread. He wants to get to the Central City, but knows the only way is through the Gigas Cedar. When he asks Eugeo if there’s anything stronger than his ax, Eugeo produces the Blue Rose Sword, which he retrieved from the End Mountains where he lost Alice.

Kirito uses his latent sword skill to make an immediate mark, albeit in the wrong place, while Eugeo can’t make a scratch. A dead end, or a simple matter of persistence? Eugeo brought the sword home in hopes of learning to wield it, but laments that when the Integrity Knight came for Alice, he wanted to do something, but just couldn’t move.

That night Kirito has a chat with Selka, whom he learned is Alice’s younger sister. Selka doesn’t like how Eugeo’s mood darkened after Alice was taken, especially when it came to her. It wasn’t her fault her sister was taken, so why can’t he be friendly with her? Kirito doesn’t have the answers, but does tell Selka that it’s fine to cry whenever one feels like it.

Unfortunately, he also tells her something she never knew: why Alice was arrested by the Axiom Church. That new information sends her to the End Mountains, all alone, perhaps in hopes of committing the same crime and reuniting with Alice, as farfetched as that seems.

As she left before dawn, she gets a good head start on Kirito and Eugeo, who rush off after her. Apparently they mount this rescue at a time when Eugeo doesn’t have to chop at the Gigas Cedar, otherwise he’d be shirking his calling and risking justice. When Eugeo uses System Call to illuminate a cattail, it surprises Kirito; characters are using RPG-style interfaces in a virtual world.

 

When they reach the main chamber where the bones of the dragon lie following Selka’s scream, Kirito and Eugeo discover that she’s been captured by—you guessed it—a band of goblins. Figures. Unlike those of Goblin Slayer, they seem content to sell Selka rather than use her as their plaything, but are only interested in selling the meat of males like Kirito and Eugeo.

Eugeo gives away their position, but as the goblins advance, he suffers another acute case of fear paralysis, which means an unarmed Kirito will likely have to deal with the horde all by his lonesome.

Goblin Slayer – 03 – A Fellowship Forms

A High Elf, a Dwarf, and a Lizardman walk into the guild, and then into the lives of the Priestess and Goblin Slayer. While they have far loftier goals in mind—defeating a horde of world-ending demons—the Slayer won’t give them the time of day until they propose he kill goblins, to which he asks how many, how strong, and where.

The trio of adventurers adds much needed new personalities to the show, and I enjoyed the Lord of the Rings-style banter, with the Elf and Dwarf going at it about any number of things while still tolerating their company, and the stoic Lizardman floating above the fray.

The Elf doesn’t think much of the GS at first, but the Dwarf can see much practicality in what he does and how he does it. We also learn why the GS never cleans his arms or armor: the goblins would be able to smell clean metal, putting him at a disadvantage.

The GS would probably be content rushing into a situation where there were so many goblins he’d end up getting killed, but he’d certainly take a lot of goblins with him. He’s not quite sure that’s what the Priestess wantshowever, and so prepares to leave her behind to “rest.” However, the Priestess doesn’t like how he’s making decisions without her input, and voices her desire to come with.

And so the group of five adventurers set off to their first goblin target. But before that, they make camp and have a meal, in which everyone introduces themselves and offers a gift to the others. The Lizardman provides the meat, the Elf some elven bread, the Dwarf some firewine (that gets the Elf tanked), and GS provides some cheese from the farm where he hangs his hat (so to speak), which the others love.

He even opens up, but only when the subject of conversation turns to, what else, goblins. Specifically, how they come from the desolate green moon, and live their lives envious of the riches of Earth. It’s a story his late sister told him, and it’s clear he treasures it. As for the priestess, her contribution to the evening is insight into the GS, whom the others find particularly inscrutable.

At dawn the five strike out, and the High Elf demonstrates her prowess with the bow by sending a single homing arrow through the heads of two goblins at once; very Legolas-esque. They move with accompaniment of a metal riff, indicating that the goblins within the lair they approach aren’t going to be much of a problem; the main question will be how cleverly and awesomely they can dispatch them.

To Aru Majutsu no Index III – 03 – Precedence: Show Higher; Tell Lower

I realize Index is shounen, and a lot of chatter and explanation of tactics is par for the course, but by God there seemed to be a lot of it this week! Much is made about Terra of the Left’s “Precedence” ability, but as a member of the Right Hand of God, neither his presence or his abilities evoke terror. One big problem is it just takes so goddamn long for him to spit out the various incantations that give one thing (like flour) precedence over another (stone, metal, flesh, etc.).

Terra’s seiyu is the venerable Ootsuka Houchuu, but saddling the old man with explaining his attacks and making him say “Precedence: X higher, Y lower” every time he attacks just slows the battle way down to the point where when he gives Touma and Itsuwa “ten seconds” to attack or run, I had to laugh out loud; Dude, you’ve given them over half an hour!

Touma and Itsuwa eventually end up with Tsuchimikado, but only for a hot minute, as they split up again so he can face down some of the invading Academy City Powered Suits. Again, much of the battle is spent with him talking, explaining how he’s going to bring the suits down.

Two other weird little details: when Touma calls Misaka to ask if Avignon’s in the news (which it most definitely is), they didn’t bother to add a “phone filter” to Misaka’s voice, making it sound like she’s there in the Papal Palace with him. Not only that, for a kid who can’t always afford food, he’s racking up quite an international call charge leaving his phone on the hook!

If it sounds like I’m nitpicking, well, I am, but only because the show is so consumed with explaining every, attack, effect, and motive, it all kinda ends up muddling together into a gray mass that makes it easy to be distracted to the little things like the sound Misaka’s voice or Touma’s phone bill.

And at the end of the day, Terra and his attack just aren’t that impressive; certainly not as much as Imagine Breaker (even though Touma either forgot its true power or wants confirmation from Terra). Touma punches Terra a couple times, and then destroys the Document of C when he touches it with his right hand.

Back in the Tower of London, Lidvia continues explaining how the Right Hand of God wants to not only gain the power of angels, but gain equivalency with God himself and even surpass him. Such a lofty yet abstract goal is akin to Jafar’s final wish to the Genie in Aladdin: becoming an all-powerful genie. Sure, you can juggle planets in your hands, but to what end? At what point do you have enough power?

I’m not sure, and neither is the show. The Right Hand of God are simply Bad Guys, and Touma, Misaka, Itsuwa, etc. are the Good Guys. Spending the better part of two episodes on Terra feels even more pointless when we learn the RHG isn’t even really a united force; after having a chat with Terra, Acqua rips a column of the vatican off its mounts and crushes him with it.

Besides being a needlessly destructive way to kill someone, it was also a “twist” that had absolutely no effect on me. Acqua is an even more boring dude then Terra, who at least had a certain joie de vivre about him. Meanwhile, the second straight episode ends with Misaka just hanging out in her dorm, doing nothing. Not a rousing start!

Bloom Into You – 03 – Too Kind, or Just Normal?

This week Yuu stays by Touko’s side at every turn, giving her an indirect kiss-through-bottle-sharing like it’s not biggie and then surprising Touko about her family owning the bookstore she likes. Yuu’s fam is certainly impressed with Touko (and why wouldn’t they be) while Yuu’s older sister Rei seems to cut right to it, perhaps without realizing what she’s doing, by referring to Touko Yuu’s “girlfriend.”

During vacay Yuu hangs out with friends, one of whom the others know is pursuing a senpai. She doesn’t break it to them until after they watch the mushy romance movie that she already confessed but was kinda-sorta rejected, with the guy saying he wants to focus on basketball.

Yuu is both envious and bemused by her friend, but also her other friends’ insistence things will “turn around” if she keeps at it. Speaking of persistence, before Vacay is over Touko makes it a point to stop by Yuu’s to give her a gift…but also, likely, simply to see Yuu at work at the store.

Yuu “guesses” she’s “pretty” happy about being given the gift of a mini-planetarium, but seeing the stars projected on her ceiling call to mind how the distance from her understanding of why Touko likes her sometimes feels as vast as the distance from those stars.

She just might gain a little bit of understanding the day of the stump speeches. Touko looks like a picture of calm…until Yuu notices her hands are shaking. She takes Touko outside, where Touko admits she can’t hide from the likes of Yuu. So she doesn’t: she bares her feelings right there, and also goes into her past, when she was “nothing” (i.e. shy and introverted).

Yuu isn’t shocked by Touko’s sharing. Even if others see Touko as perfect, Yuu knows perfect people don’t exist…but nor does she look down on Touko for not being perfect and trying to hide it. Touko may say she’s “hardly special” for showing her “weak side”, but Yuu thinks having such a side is perfectly normal.

But out there, Yuu realizes she saw a “special” side of Touko, one she wouldn’t show to anyone else. Simply being that person makes Yuu herself special, and not just to Touko, but in general. Her speech doesn’t betray what she’s learned about Touko, but nor does it lie about who Touko the Student Council member is. She really does put the work in, and really is kind, and really would make a good president.

But it also means Touko’s hands will shake sometimes, and she’ll need someone to help her steady them. Yuu lists the boxes Touko checks, but includes her personal take on her, including using the speech to announce that she’s joining the council.

Touko win the election handily, and celebrates with Yuu via a PDA that their classmates don’t read too much into. As for Yuu, she’ll stay close to Touko and see where this goes. Will things “turn around” if she merely “keeps at it”? She’s resolved to find out.

Iroduku: The World in Colors – 03 – Someday Works Just Fine

Shou’s words echo in Hitomi’s mind, as she now has a reason to explore her magic—so she can “someday” show it to him again, as he showed her his art. Each of them did something that made them vulnerable but came with the reward of growing just a little closer.

Still, the fact is Hitomi really isn’t that good at magic, even if she has the potential within her. To unlock it she’ll need to practice; her great-grandmother suggests she use a “wand” in the form of a Pocky to help focus while doing so. No harm in trying something new a little at a time.

She’ll also need practice finding a place at the school, which is practically fanatical about clubs. Both faculty and students insist she join one, but believes her achromatopsia precludes her from joining Shou & Co’s photography arts club; conveniently forgetting the existence of black and white photography (though to be fair, she is from sixty years in the future).

When Shou has her dive into the arts part of the club by painting a picture, her treatment of color all but confirms to him her inability to see them, at least as others do. Still, he’s quite sincere in his appraisal, and considering she’d “never drawn a picture” before, she did quite well!

From there she gets drawn more and more into the photo/arts club’s activities that day, from accompanying them as they recruit potential new members, to serving as a model during a dreamlike shoot at the pool.

While she fails to use the star sand that enables one to walk on water, she isn’t aware she picked the wrong color, and her own magic allows her to walk on it anyway…until one of the club members tells her she picked the wrong one, and she plunges into the drink.

Upon drying herself, Shou comes to apologize, but she believes it just as much her fault for not refusing strongly enough (I don’t know, I thought she refused pretty dang strongly; they just ignored her!) Indeed, her tendancy to so easily say there’s “no way” she can do something, or that she stay out of people’s way to make it “easier for everyone.”

Thankfully, she does decide that she can join the arts/photography club, and even helps them with their punishment of cleaning the pool into which they weren’t allowed to let anyone jump. Meanwhile, her grandmother Kohaku is almost home, and she seems to be someone who doesn’t just think, but knows she can do anything, and does it. In other words, she’s someone Hitomi could probably use in her life right now.

Zombieland Saga – 03 – More than Guts

The group’s next mission is neither death metal nor hip-hop, but your standard spontaneous “guerilla” idol performance in a public place. They only have one night to prepare. Lily suggests they make their group more official by naming a leader (Saki) and a permanent name (Franchouchou, inspired by Tae sneezing marker ink).

Practice is… a bit shaky, as one would expect of a group fielding five amateurs. Matters are made worst by the fact the other two members who are pro idols—Junko and Ai—are contributing nothing but sullen looks and pessimism. Sakura tries to rally the five, but Yuugiri steals her thunder, and ends up more effectively galvanizing the girls (minus the idols, that is).

The day of the performance arrives, everyone is in their human makeup…and Junko and Ai stay in the car. The remaining five have to make do…and they get a crowd to gather. But when Lily trips just like she did in practice and Sakura suddenly forgets the lyrics, that crowd becomes disinterested and starts to disperse fast. Franchouchou needs cavalry, and they get it in Junko and Ai, who do what they do best.

The animation of the actual performance is a mixed bag. On the one hand, it’s very colorful and stylish, smooth and precise. But the 3D CGI models of the girls are different enough from their 2D counterparts to be conspicuous and distracting, and their motions are so precise they look less like people and more like robots. Execution issues aside, the group ends up putting a smile on the face of the last spectator, a little girl who is soon dragged off by her jaded mom. They were able to reach one person, so there’s no reason to believe they can’t reach more if they get better.

And they will get better, if the change in attitudes of both Junko and Ai are any indication. Junko had never performed in a group and was weary of doing so, but once she got into the spirit of things she had a lot more fun than she imagined. Similarly, Ai could tell from their performance that the others were sincere in their desire to get better and become more legitimate, so she’s now more willing to lend her not inconsiderable talents to that effort.

Bunny Girl Senpai – 03 – Facing the Atmosphere

Sakuta doesn’t wake up at 6 in the morning, because he never slept in the first place, while Mai sleeps soundly. It starts a string of days Sakuta doesn’t sleep, because as he soon learns upon returning to school, everyone there has forgotten her except his sciency friend Futaba and himself—neither of whom got any sleep last night.

It isn’t murder by Freddy in his nightmares Sakuta fears, but the prospect of forgetting Mai. So he stays up, under the pretense of cramming for exams. The next day, Futaba has slept, and forgets Mai, all but making it official. The bags under his eyes grow larger and darker as he pops stims, chugs “Blue Bull”, but Mai picks up on what’s going on.

One night, during an ostensible study session, Mai slips sleeping pills in his drink, and then strokes his head as he slowly, gradually loses consciousness, tears forming in her eyes as she comes to terms with the fact he may not remember her when he wakes up.

That brings us to the opening moments of the first episode, when Sakuta finds the notebook painstakingly detailing his past self’s experiences with Mai. But when he inspects the book, all of the instances of Mai’s name appear blank, leading him to believe it’s a notebook full of wishful thinking.

While the notebook alone fails to jog his memory, it paves the first stone. He gets another when Futaba shows him the notes her past self wrote to herself, surmising that the collective effort of the school, and indeed the rest of the world, to utterly fail to confirm Mai’s existence, could possibly be overridden by a sufficiently powerful confirmation of her existence…i.e., a confession of love.

The final stimulus that brings the memories of Mai rushing back, like water from an unclogged faucet, is a question in the exam that deals with the characters for “security” and “guarantee”; he remembers Mai’s finger pointing them out, and from them on, he knows what he needs to do…and that is to make a complete and utter fool of himself, by running out into the schoolyard and screaming at the top of his lungs that he loves Sakurajima Mai.

He yells himself hoarse, but it has an effect: the other students begin to remember Mai. Then Mai herself appears to share in the humiliation, but also to slap Sakuta for breaking his promise never to forget her, which he definitely did, if only briefly.

If the school was a box and Mai the cat, Sakuta’s bold actions broke the logical stalemate, declaring once and for all that yes, Sakurajima Mai exists, and he loves her. The “atmosphere” of unconscious ignorance of the collective student body was overcome, and thus the “world regained” Mai. She insists Sakuta continue to tell her he loves her as often as possible so that she knows he’s sincere.

From the emotional lows of Mai willingly saying goodbye to the exhausted Sakuta to the highs of him remembering her again their reunion in the yard, this was a roller coaster of an episode; Bunny Girl Senpai’s best outing yet. Was his public outburst corny? You betcha…but that’s the point!

In order to “bring her back”, he had to step out of the flow and do something no one else did. A stern talking-to from the faculty is well worth it, because Mai will be getting one right beside him. So far BGS is smart, clever, mature, and engaging romantic comedy done right.

Golden Kamuy – 14 – Mine Madness

Tsurumi’s new pet insane taxidermist Edogai has completed the fake skins for his master, and even found the time to create a Tsurumi “doll” with “spare parts”, much to the consternation of his two minders, Maeyama and Tsukishima.

Things shift from lighthearted fun with body parts to real danger when Ogata kills Maeyama while Tsukishima is away. Edogai makes use of one of his bearskins to disguise himself and escape, making for quite the spectacle. We know Edogai doesn’t get out much, which explains why he remains in the bear outfit throughout his escape.

As a result, it doesn’t take long for Ogata to spot and catch up to him, but Tsukishima is very good at his job (keeping Edogai safe despite himself) and snatches him up in a mine cart. Sugimoto and Shiraishi, who arrived to inspect Edogai’s house (and where Ogata met Shiraishi in the room of corpses and reminded him of his obligations to Hijikata), give chase in another mine cart.

They catch up, but become separated again when the tracks split. Ogata himself follows in a third card, but after some dynamite, the release of firedamp, and several gas explosions, the entire mine becomes even more of a deathtrap than when it was functioning normally. Edogai’s leg is crushed under rocks so he gives his humanskin bag to Tsukishima, entrusting him with getting the fake skins back to Tsurumi.

Sugimoto tries his damndest to break through the wooden barriers the miners made to stop the airflow, but lacks the strength. Fortunately, none other than Ushiyama spotted Sugimoto and Shiraishi heading into the mines via cart, and when things turn pear-shaped, he rushes in to save them both, to Asirpa’s relief.

With that, you have two of the three major factions of the show suddenly sharing a meal together, Last Supper-style: Hijikata and Sugimoto are officially introduced, Ogata is revealed as having betrayed Tsurumi (which doesn’t sit well with Sugimoto, who is, after all, a soldier himself), and Shiraishi’s secret of passing info to Hijikata is not exposed…for now.

As for Tsukishima, he makes sure Edogai didn’t die in vain. The skins reach Tsurumi, as well as Edogai’s last word: “iron.” Tsurumi learns that you can tell a fake skin by the tannins Edogai used, which make the skin turn black when wet and in contact with iron—an interesting parallel to the Huki leaves Asirpa and Sugimoto munched on last week.

Unfortunately for those two, Tsurumi is the only one who knows what’s fake and what’s real. He’s achieved his goal of making life far more difficult for anyone else seeking the treasure.

Golden Kamuy – 13 – The Taste of Spring

I take over Golden Kamuy reviewing duties from Preston as the last vestiges of summer fade and the colors start to turn, but it’s springtime in Hokkaido. It’s in the town of Yuubari where Lt. Tsurumi (himself very odd) meets perhaps the oddest and most colorful character yet on a show full of ’em: Edogai Yasaku. Whomever conceived of such a character has a twisted mind. Edogai seems normal at first, but it’s gradually made clear he’s anything but.

For instance, he doesn’t live with his mother, or anyone else, despite him hearing voices from a number of people in the back room. In fact, he’s just hearing voices, and the “people” are corpses he, a master taxidermist, has stuffed. He’s got a whole goddamn Signing of the Declaration of Independence in there. Is Tsurumi freaked out about this? Quite the contrary; he’s ecstatic: this guy is just who he needs to add more chaos to the tattoo hunt for his opponents.

After indulging Edogai in a hilariously macabre “human skin fashion show”, he tells him the plan: to create clever copies of the tattoo map skins he’s brought, covered in “nonsense” that will lead its readers astray. Edogai is eager to please his newest client, but when he can’t get the color of the skin just right (since its not fresh skin), he has a bit of a temper tantrum, riding his stuffer polar bear in one of his pieces of couture and exposing his arrested development.

So yeah, Edogai isn’t the most stable individual, but Tsurumi only needs him until the job’s done, even if it’s not done to Edogai’s exacting standards. Meanwhile, Asirpa and Sakamoto immediately avail themselves of the lush bounty of spring vegetables and fresh salmon, along with Shiraishi and Kuroranke.

But in Asirpa’s village where Tanigaki is still recovering, Inkarmat arrives with ill tidings: Asirpa’s life is in danger. Someone in her party will betray her, and it’s looking like it’s Kuroranke (if Shiraishi doesn’t do it first, of course). She joins Tanigaki on a mission to warn Asirpa, or to protect her from the threats she faces.

In her dreams, Asirpa remembers her father before his face was ruined, telling her she’d not only be a new kind of Ainu woman (which she certainly is), but one day be their outright leader. For that second prediction to come true, she’ll have to remain alive in an increasingly dangerous Hokkaido. But I wouldn’t bet against her.

Sword Art Online: Alicization – 02 – Familiarization


One minute Kirito is pushing Asuna away from the injector in a lunging Johnny Black’s hand, the next, he’s waking up in what he soon surmises to be the Underworld, neither the real world or a game, but a virtual world. After the dense, somewhat whiplash-inducing first episode, it’s nice to have a simpler, more elemental outing, in which the protagonist is just as much in the dark as we are.

Kirito soon meets Eugeo, and learn that six years have passed since Alice was arrested and taken away by the Axiom Church for her transgression. Since then Eugeo has kept hacking at the Gigas Cedar. Clearly Kirito doesn’t remember being friends with Eugeo, but he gets vague, nostalgic glimpses of Alice, and he and Eugeo hit it off in short order when he offers to do some of the axe work.

Eugeo explains the Stacia Window interface everyone has, along with the concept of callings, the extent of his in particular (over 300 years and seven generations), and the Taboo Index that keeps him from searching for Alice but also prevents theft.

In the village, a kid named Zink who mocks Eugeo’s job as “useless” is put in his place when Kirito “thinks he remembers” his calling was that of a swordsman. To Kirito’s surprise, going through his usual SAO/ALO/GGO motions results in unleashing a powerful sword skill.

Kirito spends the night in a church, where his schedule is dictated by the head sister, and uses the time before falling asleep to think things over. He posits that all of the “characters” he’s encountered could be copies of the souls of newborns raised entirely within the Underworld, making them “Artificial Fluctlights.”

With at least 300 years having passed in this world (and possibly many more than that), Kirito worries what the ramifications would be of living for months, years, or decades in the Underworld while in the real world mere hours or days are passing.

His ultimate goal is to contact Kikuoka, which he believes might be achievable in a larger city like the Central City Eugeo mentions as the place where Alice could still be alive. Before heading there (where a powerful-looking woman lounges atop an ornate tower), he resolves to learn more about this world (you clearly do not want to break any laws here) and properly preparing for such a journey.

To Aru Majutsu no Index III – 02 – We’ll Always Have Avignon

As Stiyl interrogates Lidvia and Biagio in the Tower of London (er, whoever they are), Touma lands in the Rhône River, right by the Pont Saint-Bénézet. Fortunately for him, an ally is on that bridge and jumps in the drink to save him.

That ally is the kind and lovely Itsuwa of the Amakusa Sect, who must change into skimpier clothes when her outfit is soaked by the rescue, leading to a couple of awkward scenes between her and Touma.

What connects Stiyl’s interrogation and Touma and Itsuwa’s advrentures in Avignon are The Right Hand of God, a group of individuals who have apparently successfully purged themselves of most of the original sin inherent in all humans, giving them some angelic powers.

Touma also learns that the Document of C is officially the reason for the demonstrations. Whomever has the relic wields more power than a president with Twitter, able to mold the masses into believing whatever they say, even if there’s no proof to back it up. In this case, they are being told the Academy City is evil and the source of all their ills.

Touma teams up with Itsuwa to locate the geoducts being used to remotely control the relic from the Vatican. In the process we once again witness the unique and charming Amakusa tradition of hiding magic in ordinary everyday objects like bottled water…or underwear.

Itsuwa’s attempts to render a geoduct inoperable are interrupted by a member of the Right Hand of God calling himself Terra of the Left. Despite the earthy name his attacks seem to be wind-based, but Itsuwa dodges and Touma nullifies the strikes with his Imagine Breaker.

Of course, it’s the same age-old problem with Touma: his power is almost strictly defensive; he can hold off Terra but can’t defeat him. Perhaps the addition of Tsuchimikado to Touma and Itsuwa’s ranks will help break the stalemate.

Attack on Titan – 49 (S3 Fin) – To The Basement

The bigwigs decide that the serum Kenny gave Levi should stay with Levi, to use if, when, and where he deems necessary. Where Levi bumps up against the brass is when Erwin insists on leading the battle to retake Wall Maria.

Even when Levi threatens to break his legs, Erwin is adamant about being present when they learn the truth, and if they retake the wall and gain access to the basement of Eren’s house. If he dies before that, so be it; Hange will take command in his place, and someone else if she dies.

The night before the battle (which is kept secret from the public) is to commence, the Scouts are treated to a morale-boosting feast that includes meat, something that’s been in short supply since Maria fell.

The mere sight of the meat on the table sends Sasha into an uncontrollable berserk mode, and she has to be tied up. Meanwhile, Eren and Jean start heartily going at it, at first with words, then with their fists…but no one stops them, at least until Levi kicks their asses and orders them to bed.

Mikasa and Armin decided not to interfere in Eren’s fight with Jean, both due to his quick healing, and the fact that it’s just nice to see Eren being “spunky” again, rather than moping or skulking or wallowing in despair. No doubt his experiences with Historia have changed his perspective and narrowed what he deems his responsibility.

He’s no longer trying to do everything on his own, or feeling like he needs to. Rather, he now accepts that nobody, not even Mikasa and Levi (of whom he always jealous for their ridiculous strength and skills) can accomplish much alone. Individuals have to find what they can do, and then rely on others for the rest.

The next morning, it’s quickly apparent the embargo on news relating to the battle for Maria was broken by Flugel, whose company provided the meat for the scouts the previous night.

As a result, the regiment gets perhaps its warmest and most enthusiastic sendoff, with the crowds below cheering as the scouts scale the wall, and Erwin pumping them up with battle cries and an order to commence.

It’s all very triumphant…but I couldn’t help but feel uneasy. It’s not going to be easy to retake a whole wall, after all, and it’s certainly not going to happen this third season.

Rather, we’ll have to wait for a fourth, and judging from the little teaser we get mid-credits—in which a bloodsoaked Levi slugs Eren and ends up with Mikasa’s blade at his throat—it’s clear that all of the hardships overcome this season will be replaced by a whole new batch of new ones.

And then there’s the nagging question of whether we’ll ever see that dang basement—or if it will continue to endure as one of anime’s longest and most frustrating teases. Until next year (or whenever), farewell, AoT.