Kuzu no Honkai – 02

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Just as Hanabi and Mugi are getting acclimated as a kinda-sorta-couple, Kuzu no Honkai throws a couple of wrenches into the works: namely, alternate love interests for both of them in the persons of Ecchan (Hanabi’s only female friend) and Moca (Mugi’s childhood friend).

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Hanabi makes it clear to Moca that Mugi is hers and she isn’t into sharing. Possessive or not, it’s logical for her to suggest Mugi gently reject Moca, but because both of them are in situations of unrequited love, it’s also not strange to see him hesitating.

That being said, there are already signs that Hanabi sees Mugi as more than just an onii-chan replacement; she even calls him Mugi when he starts to make out with her. The rules of their “arrangement” are being bent this quickly, what hope to they have of not falling for each other?

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Hanabi never having the slightest opening with onii-chan, nor Mugi with Akane, certainly makes being a couple together more mutually comforting. Mugi is starting to feel like a boyfriend, and she doesn’t hate that.

When she interacts with other girls who ask her for love advice, they seem to be simply playing around, compared to what she and Mugi are up against. They laugh off her talk of liking someone so much it hurts, so she can’t take them seriously from that point on.

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Hanabi decides she wants a girls-only night with her only friend Ecchan; little does she know Ecchan is harboring a crush on her; one we see her acting on despite herself as the night fast-forwards to Ecchan kissing Hanabi in bed. As if things weren’t already complicated enough, eh…

Kuzu no Honkai continues to be a moody, intriguing drama, wading into the murky swamp of infatuation and longing, and punctuated by sudden moments of intimate contact. Moca seems like she belongs in a different show so far, but Ecchan is more promising, if for no other reason than she completely blindsides Hanabi.

As Kuzu nears Nagi no Asukara levels of love polygonage in just its second episode, I’m curious to see how those pursuing their own one-sided loves deal with others pursuing them.

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Chaos;Child – 00 (First Impressions)

screen-shot-2017-01-19-at-12-02-26-pma typical 58 second scene in Chaos;Child, where nothing but text happens…

The Gist: People are killing themselves (or being killed by someone else) in weird ways in Shibuya. Chat rooms are going crazy and giving the event names like ‘new generation murder’ and so on. Meanwhile, our protagonist who lives in a shipping crate with a bunk bed, bottles of cola, and a computer to chat with, has accidentally seen a girl killing someone to a wall with cross-shaped knives.

Or maybe he hasn’t? After all, early on, we see him yelling at empty space behind him in the shipping container…

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The Verdict: Chaos;Child is unwatchably terrible. I’m told it may relate to another series, which may be necessary to understand what is going on and/or care about the cast, who are poorly introduced between endless static shots of chat room text.

Seriously, during the first 5 minutes, more screen time was given to un-moving computer screens of text than the cast, and the only character who did get screen time (amidst still shots of his statues and H-dvds) was completely un-relatable shut-in.

I assume there is an audience for this show, especially if it is based on a lite novel or a game or enjoy average still-shots of guro, but it completely fails as animation, let alone an entry point for newcomers.

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Akiba’s Trip The Animation – 03

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Well, I wasn’t expecting that – an episode of Akiba’s Trip outscoring a KonoSuba. Where this week’s Kono felt listless and scraping the barrel, Akiba’s Trip had a manic energy to it (along with an idol group called Manias) as it ditched the bugged ones story for a straight-up exploration of various kinds of obsessions, which can all to easily be taken up to 11 in a place like Akiba.

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It starts, innocently enough, with Tamotsu catching a moment of an idol concert Nikawa is watching, and like a diamond arrow, sends him into the soaring space of fandom. His obsession with the idol (who just comically phones it in) in all possible media frustrates Mayo, whose patrol plans with Tamotsu are completely overrun by his various idol-worshipping activities. That, in turn, leads Mayo to stress eat over at Carl’s Jr. (tacky product placement FTL).

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At some point, Tamotsu’s obsession shifts from merely consuming idoltry to really getting down into the nitty-gritty of audio, maxing out his GonzoCard many times over with impulsive purchases of increasingly dubious equipment, only to literally bowl his roommates over with his very expensive realization that it’s better just to hear the idol in person.

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Then things shift to the girls, who get swept up by a famous former-idol, now super/hyper/mega-whatever producer who calls the trio MANIAS and books them for numerous photo shoots in increasingly revealing outfits and increasingly lecherous photographers.

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Eventually, things get so bad Arisa is being casually asked to lie in bed and take off her top, but when Mayo and Nikawa hold her back, the producer and photographer reveal their true selves as Bugged Ones. Just like that, the episode snaps back into what the show is about, having itself gotten swept up in the stories of its characters getting obsessed with things.

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Arisa and Mayo fight the Bugged Ones, and Tamotsu joins in since he started taking every possible part-time or temp job he can to pay his debts, the constant cycle of odd jobs becoming its own obsession. Being the producer’s part-time janitor pays off, as he’s able to save his sister.

The recovered famous producer then quickly hooks up the trio for a little idol concert event that looks the business (and is sung by the three lead seiyuu, performing as “Headphones”, their group from Sore ga Seiyuu). 

They only perform in front of a handful of people, but that’s fine with Mayo, who seems to like the attention she gets from Tamotsu, who ends up with a new idol group to, well, idolize. Will all of this be forgotten next week? Probably. Was it still not just fun, but a shitload of fun? Absolutely.

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KonoSuba 2 – 02

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The expressions on the faces of Kazuma on Aqua kinda match up with my feelings about this episode, which was, in a word, listless. They still have the mansion (for now), but all their other earthly goods are gone. Megumin brings in a cat, so now the party has a mascot. The three worry about what might be happening to Darkness.

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Then Sena observes as the party strikes out into the snow to do what it does best: nothing right. Granted, this is a show all about the ineptitude of the party, so it’s not like I expect competence. It’s just that the slimy giant toads were already done last season, and despite casting Megumin’s rival Yunyun and Sena into the slimy fray, it all comes off as a bit stale.

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In other news, Kazuma and Megumin’s stubborn pride leads them to share a bath together, when neither wants to lose face by backing down from threats of…bathing together. To be fair, it’s a huge bath, so I don’t really see the problem as long as they’re covering up, which is the case here. Nevertheless, this is another retread from last season, with Megumin instead of Darkness.

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I’m not sure what would have improved this episode, but less (or no) Yunyun might’ve done the trick. The projections of her and Megumin’s most embarrassing moments were good for a chuckle, but otherwise she was half-baked and didn’t bring enough new out of Megumin to make her worth having around. This episode just felt like it lacked energy, and wasn’t up to the standard KonoSuba programmed me to expect through its much better efforts.

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Kobayashi-san Chi no Maid Dragon – 02

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The Gist: Kanna-chan, a blue bird-like Dragon Gothic Lolita with a tribal theme, quickly moves in with Kobayashi and Tohru this week. She’s recently been kicked out of the dragon world for pulling a prank but she’s also here because she was worried about Tohru, who she’d heard was killed.

Much of the episode is spent with her and Tohru wandering around the human world, misunderstanding how things work, but generally being close and enjoying each other’s company. Many little moments, like thinking a see-saw is for catapult training, are framed inside yellow and black segment cards, which gives the entire adventure a vignette feel.

Over all, we learn less about plot and more about how characters interact, and it’s all delightfully shown and not told. And as for showing, there’s plenty of action too! Tohru beats down a purse snatcher, Kanna and Tohru rough-house in an epic magic battle, and the girls launch each other into the stratosphere with the before mentioned see-saw.

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The Verdict: what an odd little episode? Like Flying Witch, this was very pleasant, despite having no stakes at all. Characters just have fun taking in the world and trying to tease out a little more about each other’s circumstances. If it were not for all the magic and epic action shots, you could even call it… naturalistic in feel.

As with last week, Kobayashi feels like a gender swapped male. In fact, I’m certain this is a harem show with a andro-female protagonist, who’s not really interested in the harem. Coupled with the magic, dragons and everything else, and you’ve got one weird little world. Weird and lovely!

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Winter 2017 Master Schedule

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Monday

Little Witch Academia
Demi-chan wa Kataritai*

Tuesday

ACCA: 13-ku Kansatsu-ka

Wednesday

KonoSuba 2
Akiba’s Trip The Animation*
Kobayashi-san Chi no Maid Dragon*

Thursday

Kuzu no Honkai
Masamune-kun no Revenge

Friday

Shouwa Genroku Rakugo Shinjuu 2
Fuuka*
Ao no Exorcist: Kyoto Fujouou-hen

Saturday

3-gatsu no Lion
Youjo Senki*

Sunday

Gundam: Iron-Blooded Orphans S2
Tales of Zestiria the X

Schedule subject to change.

ACCA: 13-ku Kansatsu-ka – 02

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Despite the threat of bad things on the horizon, the still-for-now peaceful world of ACCA is a very comfortable place to jump into and spend time, and the show continues a relaxed pace that draws you in rather than makes you nervous or impatient.

While we start with more frankly unnecessary explanation of Dowa and ACCA (though it’s good to now know what an ‘acca’ is), we suddenly find that the “mushroomhead” rookie officer Rail was never going to be able to frame Jean Otus for anything, because the well-informed Jean was on to him all along. It’s a nice demonstration of Jean’s towering competence that it’s important to establish for later on.

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The show keeps things grounded in reality and humanity by continuing to show Jean and others hanging around food and drink. This week we see Jean have breakfast, lunch and dinner, having lively discussions in each one.

Jean’s also often grabbing food for the house and his sister, which is how he bumps into Mauve, who has been ordered to cease her solo investigations, which had to deal with rumors of a coup d’etat plot.

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We also meet an actual not-work friend of Jean’s in Nino, who is a freelance reporter (and certainly looks the part). He’s on good terms with Jean’s sister Lotta too, so Nino is clearly a guy Jean trusts when he tells him not to worry about the feeling he’s being followed.

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I’m loving watching Jean’s far-flung travels between districts, and the way it isolates him from both home and office. He’s out there on his own, autonomous, soaking everything in, doing his job with what seems to be pride.

And yet…is the Jean Otus we’re seeing just an elaborate, near-perfect cover? Chief Officer Groshular believes Otus has something to do with the coup plot, so he has an elite undercover agent following him…who it’s hinted at earlier with a silhouette, then confirmed to be Nino, whom Groshular calls “Crow.” What a tangled web ACCA weaves.

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Right now, it seems just as plausible (if not more so) Jean is totally innocent, and his unorthodox behavior, combined with an inaccurate tip, has led Groshular to cast his suspicions upon him. But it’s intriguing to wonder if we’re only trusting Jean based on what we’ve seen and not the person Jean Otus truly is, hiding just beneath the surface.

Once he arrives in Jumoku, Jean almost looks like Alice, dealing with people and things far bigger (or smaller, in the case of “Tintin”) than they should be. It adds to the disorienting feeling of who is following whom.

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Nino/Crow is clearly perfectly comfortable observing Jean in plain sight; they go back 15 years to high school (though Nino cryptically says he’s been watching him for 30), after all. So is Jean oblivious to the fact his buddy is his tail, or is he well aware, and on his toes to avoid giving Nino anything to work with? Does Jean only pretend to get really drunk to lull Nino in a false sense of security?

It looks like the makings of a great noirish cat-and-mouse game thus far, presented with stylish art and a gorgeous soundtrack. ACCA exudes confidence without arrogance, telling a good yarn without getting too serious about it. But always present is that subtle background noise of looming dread in a peaceful world.

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Little Witch Academia – 02

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LWA’s first episode promises Akko has what it takes to be a witch, and possibly a good one, by summoning the power to save her new friends from a wild Cockatrice and transport everyone safely to school.

But not so fast…the next morning Akko can’t seem to get the Shiny Rod to do anything, and her first day of exciting classes turn out to be nothing but lecture after interminable lecture. Whether it’s a student using a small spell to keep potions away, to Sucy stealthily turning Akko’s hair into a plant, I love this kind of magic school minutiae.

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One person who stands out in every class is Diana Cavendish (of the 1,500-year-old Cavendish Family), who is believed to be the finest which of her generation, and the best to ever attend Luna Nova. I’m thinking Granger ability in a Malfoy package.

Yet while she’s undeniably talented, and a little aloof, she doesn’t come off as your typical stuck-up aristocratic jerk who needlessly harasses our heroine Akko. Indeed, she seems to follow the ideal standard of noblesse oblige: she’s polite and respectful, but isn’t afraid to tell what she believes to be a harsh truth: that Shiny Chariot isn’t all Akko makes her out to be.

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Diana also indulges Akko’s desire to show her what Chariot’s Shiny Rod can do, and waits patiently for Akko to do…something, anything. But the Shiny Rod just won’t cooperate. When it’s Diana’s turn to demonstrate her power, she does so, doing what Akko tried to do and make the statue in the courtyard not only move (in an awesomely trippy sequence that may have only happened in poor Akko’s head) but pluck that plant from Akko’s head, restoring her ponytail.

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What with all the talk of Shiny Chariot once being a pretty popular name in “performance witch” circles, no one’s seen nor heard from her in ten years…because she’s most likely assumed the identity of Professor Ursula, whom it was hinted last week could be Akko’s muse.

Considering her interest in Akko, I wouldn’t be surprised if Ursula/Chariot is trying to groom a replacement from the shadows, even bequeathing to Akko the Shiny Rod that served her so well…at least for a time. That being said, if Diana and her admirers represent the average opinion on the matter, it would seem that entertaining masses of muggles isn’t the most respected profession in the magical world.

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Still, there’s every indication the magical political spectrum is as wide and diverse as the non-magical one, with Diana Cavendish insisting (and being able to back up) that “magic is cultivated through the accumulation of lasting traditions and assiduous research,” basically the opposite of Shiny Chariot’s “A believing heart is your magic” credo.

It’s almost science vs. faith! Akko’s faith in Chariot and the power of the Rod summoned the magic necessary to save her, Sucy and Lotte. Then again, there’s a science to her “assiduous research” of the Chariot collector cards and their effects. Her “lasting tradition” is the tradition of fandom.

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This week, that lovingly-cultivated and maintained fandom comes in handy, just as her believing heart did so last week. Diana shows she’s still young and not perfect when in her hubris she believes she can singlehandedly restore the old Jennifer Memorial Tree none of the professors can diagnose.

She releases a powerful spell that indeed revitalizes the tree, but also strange glowing orbs she assumes are parasites to be exterminated. But they’re not pests; they’re chrysalises containing Papilliodya, which emerge only once every 120 years (or only a dozen times in the entire history of the Cavendish Family).

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Diana is ready to take out every one, but Akko stops her, even taking a direct hit that stuns but does not disable her. Akko casts the spell on the trading card, and thousands of magic butterflies are able to take flight for the five continents, resulting in a stunning display that inspires hope in all who behold them.

When the professors see the restored tree, both they and Diana’s toadies shower her with praise, but Diana, again displaying signs of a healthy conscience, tries to insist it wasn’t her who made it happen, running off before giving Akko the credit. I like to think Diana saw a teensy bit of promise in, and respect for, Akko, despite their very different magical ideologies.

As for LWA, it continues to impress with its eye-grabbing visuals, lean, nimble character design, surprisingly complex characters, lush action, and optimistic outlook – the very definition of must-watch.

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P.S. We already knew the OP was great, as we saw it as the ED last week. Now we see the proper ED, and it’s great too. Both feature memorable pieces of music that don’t try too hard.

Tales of Zestiria the X – 14

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After a night of storming a church, putting knights in the hospital, and assassinating the bishop, Rose plays things super-cool. She’s up early for more Sparrowfeathers trading, and has breakfast laid out for Sorey.

When General Sergei stops by to apologize, she teases him. Sorey saw her trudge home late but says nothing about it, because it’s unlikely he’d get anything from her…so it just hangs there.

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From there, Sergei is called into town when there’s a suspicious sinkhole; Sorey & Co. believe it’s caused by malevolence, and tag along. From the time Sorey uses Lailah to light the way with her flames to his impressive purification ceremony with Mikleo, Sergei is quickly and efficiently brought up to speed on Sorey’s abilities, and has no choice but to believe, even if it’s a lot to take in.

He also mentions to Sorey that the capital of Rolance has been beset by unending rain, which would seem to be this land’s “calamity” the way the dragon was in Hyland. Sorey sees that there’s a similar situation here with malevolence primed to blow, but neither he nor Sergei can get through the Blue Storm knights. The Church has secrets it doesn’t want to reveal to anyone outside their circle.

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Rose and the Bones’ operation last night was meant to save lives by taking out the Bishop, but in the process, a dear friend and comrade was lost, and Rose, rightly so, feels responsible. She’s let her emotions in and they’re running wild, even though she pledged like everyone else in the Bones to put them aside for the good of those who need them.

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It’s perhaps because she allowed he emotions out that Dezel, who it seems has always come to her side at various times in her life, starts to act on his own, either fueled by that emotion or perhaps simply with Rose’s lack of a strong “No.” Dezel has been watching Rose for a long time. He trusts her and knows her to be a virtuous person, so he’s willing to go out there and do the things she can’t do, at least without involving or losing more friends.

So a wind storm arrives around the secret-hoarding Church, poised to crack it open like an egg. That may not be the best approach for the root problem in Rolance – the building malevolence – so we’ll see if Sorey and his seprahim pals are able to stop him and get the job done the right way.

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Mobile Suit Gundam: Iron-Blooded Orphans – 39

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No big battles this week, just lots of stock-taking and important setup for the next conflict. Just as Lafter, Azee and the rest of the Turbines contingent say farewell to Tekkadan, Iok Kujan launches a major crackdown on Turbines, making the split well-timed. It’s Jasley (hoping to manipulate the “spoiled brat” who tells Iok its the Turbines and not Tekkadan he should go after.

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Thus you have the head of one of the illustrious Seven Stars families doing the dirty work for a rogue member of Teiwaz who wants to rise, and for whom Naze is in the way.

Even Iok’s subordinates aren’t quite sure what he’s on about, but Julieta joins the fight for her own reasons: she’s eager to become stronger and a good old-fashioned Gjallarhorn crackdown is as good an opportunity as ever.

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After Atra calms down and tells Kudelia what the shopkeeper told her long ago (“babies are like clamps”, keeping men from running off), Kudelia understands Atra’s sudden urgent need for someone to have a baby with Mika. But Kudelia doesn’t see why that someone can’t be Atra herself.

Even after all Atra has done throughout the adventures of Tekkadan, she still thinks she’s “not nearly good enough” for Mika, but she’s wrong. The fact is, she may be the only one for Mika. That being said, she has a long way to go, what with Mika not-quite joking about babies looking tasty.

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Before he learns just how fully he’s been backstabbed (be it by Jasley or McMurdo or whoever), Naze has a long talk with Amida, about Lafter likely finding another man, and about how much Tekkadan reminds him of the Turbines when they were just starting out.

It was Naze and former-mercenary Amida who started it, fell in love, then went to work gathering women living and working in horrible conditions and creating a family where all could thrive and protect one another. Change the gender and it is pretty famliar…only the Turbines have since expanded to 50,000 members. Not mentioned: how many of those are Naze’s children.

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But Tekkadan is no longer a fledgling; not only does it have its wings and the wind underneath, but something to work towards for themselves: the Kings of Mars. When Naze sees the head of the Gjallarhorn hammer above, coming down upon the Turbines, he insists Orga and Tekkadan stay out of it, even if it’s the exact opposite reflex Orga has.

Naze knows someone in Teiwaz is doing this. Who is irrelevant, it’s why that concerns him: it’s bait to lure Tekkadan to ruin, and Naze won’t let Orga swoop in just as their enemies planned. As much as they’ve done and promised to each other, Naze and Orga aren’t family; Orga and Tekkadan are, and that’s what he must protect from this latest threat.

That’s especially true with Rustal and Vidar still sizable thorns in McGillis’ side. McGillis’ own grand plans are suddenly not only in play but at legitimate threat. “Doing what he can” may not be enough to keep Tekkadan from the rough stuff once they lose the security blanket that was the Turbines.

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Seiren – 02

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Despite entering his window soaking wet, it’s Hikari who continues to her merciless campaign of messing with Shouichi. She borrows his sweats, but being seen by him in her skimpier outfit leads to rumors throughout the inn, which Hikari feeds into, because she likes watching Shouichi squirm.

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She eventually ends up cooking a midnight snack of a Spanish omelette for Shouichi (along with Ikuo and Hikari’s friend Mako), which along with the laundry, reveals domestic skills Shouichi didn’t know she had. He also protectively gets her to agree not to try to run away from the inn again, in case there are more killer deer or other dangers out there.

Speaking of out there, for being set in the mountains it’s a pretty stuffy episode, with no scenes outdoors and full of drab, monotonous in rooms and halls. Everyone feels a little boxed in, and if the characters were fascinating that could make up for it.

Alas…Seiren doesn’t really excel at much of anything, and with the emergence of Kuzu no Honkai, it’s the show I’m most likely to drop to get down to five total for Winter ’17. I could retain it as a guilty pleasure, but Fuuka is kinda already serving that role.

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3-gatsu no Lion – 13

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Well, that was surprising. After 12 episodes with nothing lower than an 8, 3GL lays an egg in its thirteenth. Was it because Friday the 13th was yesterday? Maybe, but there were a lot of other reasons this episode…just didn’t work for me.

First, it almost seems at times like the episode is marking time, in no particular hurry to show or tell us anything new. The cold open is literally the last few minutes of the last episode.

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The show also repeated the scene between Gotou and Rei where the latter has to be held back by Misumi. Considering there was a recap just a couple weeks ago, it seemed like needless padding.

Once it got into new material, we get an interminable, clunkily-animated scene of Misumi of all people eating various things while vigorously preparing for his shogi match with Gotou, which he then goes on lose anyway.

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It’s all well and good to build up Gotou into a kind of Goliath Rei must slay, and it lays on the pressure even more when Rei gets off his game against Shimada and ends up in real trouble, but Misumi just hasn’t been that integral a character in the show, and that was a lot of time spent on him. Rei is supposed to face off against Gotou, but that was delayed here, and with little to show for it.

Even though this show typically splits episodes into two or more episodic pieces, the flow was far worse than usual, and lacked urgency. The bits of recap padding, the editing, and the animation, something was just off with this episode, and it kept me at arm’s length.

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Demi-chan wa Kataritai – 02

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The Gist: Machi Kyouko, the headless dullahan of class 1-B, is the focus of this week. Specifically, how she quickly falls for Takahashi-sensai and, with the help of Hikari, gets him to take her on a bodiless date.

During their date, which Takahashi has been told is just an experiment, Machi identifies some logistical issues. First, while being carried by someone else is very romantic and soothing, it’s easy to get motion sickness. Second, leaving your body behind gives whoever is around it the ability to sense your body language — but also cause disruption by touching and moving that body around.

Last, you’re completely at the mercy of whoever is around your body if you need to use the toilet…

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While Takahashi is unaware of the true purpose of their experiment, he notices some of Machi’s challenges. He quietly pulls the principle aside and asks if Machi can wear a backpack instead of a regulation hand bag, which will give her an additional free hand for safety. He also asks that the permission come directly from the principal, instead of 1-B’s Demi homeroom teacher…who happens to be watching the conversation covertly at the time.

Mild harem-building, check?

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The Verdict: Demi-chan continues to ooze a warm charm, while effortlessly info-dumping the audience. Everyone is friendly, playful, and likes each other in a restrained and pleasant way, which makes watching the show relaxing.

It’s smart too. If you assume each Demi serves as a proxy for a type of girl in the real world — Hikari being bisexual and Machi being handicapped — Takahashi’s big brother role is an effective vehicle to ‘answer the audiences questions about those types of girls. His supportive treatment, and their happiness to receive it, shows the audience that they could do the same.

Sure, Demi-chan isn’t remarkable looking, nor is the plot ground breaking or mysterious, but it does what it can very well. Definitely worth your eyes for the season.

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