Yuru Camp△ 3 – 04 – The Grandriders

After a fun train ride munching on snacks with fellow travelers and watching the rare public merging of trains to go up the mountain, Nadeshiko follows the route to her campsite, but along the way is a scary dark tunnel.

The locals don’t do her any favors by sticking homemade ghosts in the tunnel to scare the Bejeesus out of her. Once she’s through and checks into the campsite, she checks out the Nagashima Dam, then hops back on the train to see the “egg” in her dam curry.

Rin and Ayano’s motorbike adventure continues with yet another suspension bridge (Ikawa Ohashi) then Ayano breaks her pledge to skip lunch. That said, it’s actually a very good idea for them to eat, since the road has been much tougher than they expected.

After an oden lunch they continue their ride, which takes them through seven tunnels to Lake Hatanagi. As they walk along a closed muddy road to reach the last bridge on the list, Ayano acknowledges that both of their grandpas rode bikes too.

The Lake Hatanaagi Ootsuribashi turns out to be the scariest bridge by far, what with its minimalist construction and tendency to creak with each step and sway in the wind. Rin and Ayano press on, doing what they set out to do, even though it only gets more terrifying the further out they get.

Between this ordeal and Nadeshiko’s haunted tunnel experience, things are decidedly less chill this week (at least relative to your typical Yuru Camp) but honestly that’s okay, because it makes the relief once those ordeals are done that much more sweet.

The “egg” of Nadeshiko’s dam curry is Okuoikojo Station, dramatically situated on an island in the middle of the lake—the yolk of the egg. While Nadeshiko’s smartphone is no match for the fancy real cameras of other visitors, she still whips it out to take a panorama, because this is the kind of place panorama mode was designed for.

Rin and Ayano again demonstrate excellent judgment by turning straight back to the bridge and going back the moment they spot a bear warning sign. We don’t need out Grandriders eaten, no sir! Instead they head to the hot springs to soak and warm up after so many hours in the saddle.

Their next stop is the campsite 34 kilometers away, where they’ll finally meet up with Nadeshiko. But during their bath, the two really seem to click, gently teasing each other for the faces they made on the bridge before expressing their heartfelt gratitude for being able to share this adventure. No doubt they’ll be going on more together.

Your RABUJOI “Wake the F*** Up” Song of the Day: Bahasa Palsu Jazz’n Mix

From the ultimate anime boss rush of one of my favorite series of 2010.

KonoSuba 3 – 03 – The Princess’ Playmate

When Kazuma asks Rain if he’s technically been kidnapped and brought to Belzerg by Princess Iris, she asks that he indulge her desire to have a companion for a few days, as she rarely makes selfish requests of anyone. At first, Kazuma’s conscience directs him to comply, but after telling her some stories about his friends and his school in his old life, and she calls him “onii-chan” and repeats it several times at his request, he decides to stay.

Thus begins a period of Kazuma waking up in his cavernous chambers looking like a shoujo character, calling his butler by the wrong name and refusing to get out of bed so the maid can change the sheets. His days are spent playing with Iris, whether it’s hide-and-seek or tag or chess (which she’s very good at). And while perhaps Kazuma is getting something out of this by having an adorable royal little sister, it’s still very nice for him to keep her company.

That’s made clearer by the fact that she isn’t able to attend school, nor can she leave the palace grounds, without an armed royal guard, due to regular surprise attacks from the Devil King’s Army. But after a week, Kazuma’s friends come to bring him home, with Darkness asking Iris in as diplomatic and polite terms as possible that he belongs back in Axel with them. Despite Kazuma dispatching four spirit clones to subconsciously persuade her, Iris agrees to let Kazuma go home.

That’s not before she hosts a banquet in his honor, which turns out to be anything but due to the nobles not knowing who he is and being far more interested in courting the still-unmarried Darkness. That includes Lord Alderp, whose palace was destroyed in a previous season.

When Kazuma jokes to Darkness about being her lover, he’s exiled outside, but he’s soon joined by Iris. While her reasons for liking him sound like insults, they’re not: she’s valued their time together, and the fact he’s vibrant and honest and rude like no one she’s ever met.

He and Lalatina have even inspired her to possibly pursue adventuring once she’s older, as her family possesses innate skills useful to that profession. But before that, her offhand comment about a Robin Hood-like mysterious “noble thief” running lurking about the capital gives Kazuma an in to stay put in this cushy palace with servants.

He asks if he can investigate and catch the thief, and while Claire’s approval is hesitant, the nobles are extremely excited that someone, even an “unremarkable lad” like Kazuma, is on the case. Aqua and Megumin are also on board, but both they and Kazuma get a rude awakening, as they’re assigned to Lord Alderp’s residence for the mission.

In other words, no more palace servants or all-you-can-eat banquets. Instead, what Kazuma has done is given himself and his friends more work to do. That said, if they do manage to catch the noble thief, it will improve their rep in Belzerg. That can’t be bad, right?

New Spice and Wolf Dropped

It didn’t dawn on me until well after the third episode, but I simply didn’t have it in me to watch a twenty-four episode retelling of a show I’d already seen and didn’t really need to see retold. It would be one thing if Madhouse, Mappa, or Wit Studio were handling this show, but Passione is, and despite that name there’s just not much passion in the art or animation. And so I bid adieu to Holo and Kraft. —MagicalChurlSukui

Tsukimichi: Moonlit Fantasy – S2 16 – Dirty Tricks

While visiting Luria’s land of Aensland in Kaleneon, a young Ilumgard Hopleys makes a promise to fight with her someday. Here, in the present, he’s using real weaponry, heavy plate armor, magical medicine, and some kind of mysterious amulet. The fix is in, so the ref allows all this as Jin, Yuno, and Izumo are the three of Makoto’s students to win rock-paper-scissors and fight in the team final.

Ilum also trained with and befriended Hibiki, which makes sense as he’s part of the nobility of Limia and as Limia’s Hero, she is the personification of his ideals. But when fate brings Ilum and Luria back together in Rotsgard, his attempt to reconnect is ruined when his toadies castigate her for abandoning her lands to invasion, and then Kuzunoha intervenes.

It’s interesting watching this scene unfold from Ilum’s perspective, because it fills in a lot of blanks about his character, who had kinda been floating on the periphery. If it wasn’t for the OP and ED, I’d probably think he was just some background character.

I also had no doubt that even with everything stacked against them, Jin, Yuno, and Izumo would have no problem dispatching Ilum and his team of nobodies with ease and style. This may be deadly serious business for Ilum, but they’re just having a fun time showing their teacher how much they’ve progressed under his tutelage.

Ilum hates Kuzunoha, and blames him both for his inability to reconcile properly with Luria and prevent him from fulfilling his promise to Hibiki. While I can’t speak to the perceptive qualities of demons in this show, I can say with relaive confidence that Rona had been watching this guy closely as a candidate for treachery. She supplied him with ability enhancing drugs, and gave him an amulet she claimed boosts magical resistance.

I’ll refer to Frieren’s rules about demons, which is that every single word they say is meant to deceive humans. Rona may not be a Frieren demon, but she’s just as crafty and duplicitous. Just like Zara did in the merchant’s arena, Rona would seem to have exploited Makoto’s naïveté.

He thought he could form an alliance with the demons, but there’s every indication that alliance would only last as long as Rona needed it to to achieve her goals, which have something to do with the amulet mutating Ilum into, well, I dunno … some kind of hyuman-demon hybrid boss that threatens all of Rotsgard?

Makoto had it all planned out: After congratulating his victorious students, he’d shove off to Kaleneon to help Eva and Luria win back their lands. He, in turn, would be able to run his trading company outside the guild’s jurisdiction. That’s all on hold now that there’s the more immediate threat of Demon Ilum.

Mushoku Tensei II – 15 – Message in a Plastic Bottle

In a way, Rudy’s story is over. He’s struggled and wallowed in pain and anguish and failure, but now he’s happier than he’s ever been. He has a wife and a beautiful home. He has friends and allies beyond count. The only thing missing from an otherwise ideal life is for him to be reunited with his family.

To that end, Paul sends him a letter reporting they have a solid lead on Zenith, so he’s sending Norn and Aisha to live with him. Both Rudy and Sylphie are excited for the chance to not only have a more lively home, but “practice” having kids before having their own. In turn, Paul can rest assured his daughters will be safe as he seeks his wife.

All the way on the other end of the Isekai Life Enjoyment Spectrum is Nonohashi Shizuka. She is seeking a way back to her and Rudy’s world. She is seeking it, all her thought and time is dedicated to it. After two years of research and a month of careful drawing, she believes she has created a magic circle capable of summoning.

But shortly after Rudy adds his mana to the circle, it suddenly shorts out, creating a tear through her years’ work. Shizuka quietly retreats to her desk, puts her head in her hand, and sighs with resignation. Rudy leaves her be, assuming she wants to be alone, but confident she’s strong enough to power through this failure and keep trying.

He doesn’t get halfway down the stairs when he hears her scream bloody murder, and returns to find her going all Charles Foster Kane on her room. He restrains her before she can hurt herself thrashing against the stone wall, but she then passes out, succumbing to the exhaustion borne from her labors, as well as utterly broken by the futility of said labors.

With Zanoba’s help, Rudy takes Shizuka to his house where Sylphie examines and heals her. Even after a good long rest, Shizuka stares out the window as she explains to Rudy how she’s concluded that she can never go home, because she wasn’t able to ever find a way to close the circuit on her magic circle. She is utterly lost and devoid of hope.

When Zanoba tells Rudy he looks just as pale as Shizuka, Rudy explains it’s because he just relived some bad memories: i.e. the time he too lost heart and closed himself off. The difference is, Rudy had embraced this world; Shizuka has always kept herself at a distance from this world, not wanting to get so attached she’d give up on going home.

It’s here where we see the true growth that Rudy has experienced since reuniting with and marrying Sylphie. Forget restoring his sexual vigor; those events also made him a more empathetic person. Shizuka is in deep, deep pain and despair. Rudy has experienced similar pain and despair in his past.

Rudy doesn’t want Shizuka to suffer, so he does everything in his power to help her. Fortunately, he has plenty of power, like the power of friends. He shows Cliff and Zanoba the failed magical circle, and despite neither of them having any experience with summoning, Cliff’s fresh magical perspective and Zanoba’s time with the magical doll pave a potential new road for Shizuka to travel.

They’re helping out their friend and master, yes, but they’re also mages, and there’s nothing mages love more than a puzzle to solve. It all boils down to the doll using multilayered magical circles in its operation. Cliff, Zanoba, and Rudy work to adapt this concept to a summoning cirlce.

When they present to her three magical circles lined up in three-dimensional space intended to work in concert, the virtually catatonic Shizuka suddenly perks up. The sparkle returns to her eyes, and the sides of her mouth turn up in a smile. This could work! she exclaims, jumping out of her chair and dancing about excitedly.

She works with Cliff, Zanoba, and Rudy to rework her summoning circle from scratch, this time exploiting the third dimension. The montage depicts Shizuka operating as one of the gang, as they work, laugh, and yell at each other. And when the 3D circle is finally complete and ready to try out, Rudy pours his mana into it, and it does not short circuit.

Instead, it summons a PET bottle from earth, a soft glass of which neither Cliff nor Zanoba know what to make, but both Rudy and Shizuka immediately identify as a resounding success. The bottle is solid and stable, and a triumphant Shizuka is ready to advance to the next phase: summoning more and more complex objects.

Nanahoshi Shizuka skidded off the road and into the ditch, but Rudy’s been in that ditch before, and wasn’t about to let her remain in there long. With his friends’ help he picked her up, dusted her off, and showed her a new road. When Shizuka tells Rudy he caused her a lot of trouble, he simply tells her to help him out someday when he needs it.

With the 3D circle a success, all that’s left is to celebrate. In his world, Rudy hated social get-togethers like the one that unfolds, with Rinia, Pursena, and Badigadi joining him, Sylphie, Elinalise, Cliff, Zanoba, and Julie in celebrating Shizuka’s big win. Shizuka even does karaoke with a wooden spoon.

No longer content to live his perfect life, Rudy is determined to help those around him achieve happiness and fulfillment as well. He’s paying forward the kindness shown to him when he hit rock bottom. In other words, while he’s had his issues in the past, and still has a few, it’s hard to deny that Rudeus Greyrat has become a good and decent man.

As he walks home carrying Sylphie (who celebrated too much and passed out), he hears the familiar voices of two girls knocking on their door: Norn and Aisha have arrived, along with their escort whom Paul told Rudy he’d be happy to see: our boy Ruijerd Superdia. Aisha loves her big brother, but Norn is still hesitant. We’ll see if that changes once she sees how Rudy has matured since they last saw each other.

But that’s just a teaser for the next episode. I cannot overstate how powerful this episode was. Thanks in no small part due to Wakayama Shion’s powerhouse vocal performance (she also sings ED song unique to this episode), I deeply felt Shizuka’s pain, and wanted someone to take her hand and lead her out of the darkness. Rudy did that, but he didn’t do it alone.

Hibike! Euphonium 3 – 03 – The Shrine of Sally

When Kousaka declared the concert band would be going for Gold, that meant she would be taking no prisoners when it came to preparing for that goal, starting with SunFes, which is now only a few days away. She stops the marching formation to point out individual first-years who are coming up short, and does not provide a shoulder for them to cry on … and cry they do.

This creates friction that weighs on the first-years’ de facto leader Yoshii Sari, AKA Sally-chan. From her morning where she prays at a shrine with a sigh, to her reaction to Reina’s strict criticism of her more fragile peers, she simply doesn’t look like she’s having a good time.

Kumiko finds herself so busy presiding over the club that she doesn’t have time to think too much about her future, despite having some paperwork to fill out to that effect as part of her responsibilities as a third-year. Reina says she’d like to see her get into musical education.

During their brief morning visit to the teacher’s lounge Kumiko sees all of the stuff on Taki-sensei’s desk and thinks out loud how being an adult must be rough. He admits there are times he thinks he’s an overgrown kid. Reina would prefer Kumiko not waste her crush’s time on psychoanalysis.

Sally looks like she might be ready to finally say something to Kumiko, but Suzume gets to her first. Her first question is whether Kumiko and Shuu are dating, because rumors among first-years are running wild. Once Kumiko declares they aren’t, Suzume moves on to the real reason she wanted to meet with her: she believes the first-years are close to a boycott, or rather a mass resignation.

Suzume’s warning seems to have teeth when one day four first-years don’t come to school. Mayu, AKA “Mama”, whom Midori described as a pretty jellyfish, delivers the second of two stings this week (the first flaunting to Kumiko how her marching outfit shirt is too tight): Why not just let those who are falling behind quit, so that those who want to stay can focus on the performance?

That’s a convenient option, but not one Kumiko is willing to entertain; certainly not as a default or first resort. As she declares in the band notes she Reina and Shuu share: they’re not Kitauji unless they’re all together. She decides to make a pilgrimage to Sally’s home, which happens to be on the grounds of a shrine, and finds Suzume, Yayoi, and Kaho there, the latter two in shrine maiden outfits.

Sally stayed home sick, possibly brought on by stress, but is recovering fever. Her friends didn’t skip school because they’re quitting the club, but to be there for their friend. Suzume in particular knows things are weighing on Sally and the best solution is for Kumiko, the president, to speak to her one-on-one.

Confirming the vibe of her previous interactions, Sally admits that there’s some tension between her and Reina, though she makes clear she doesn’t hate or despise her. It’s just she doesn’t like how Reina’s strict instruction is making her fellow first years feel. Both she and Kumiko are leaders who had that leadership thrust upon them organically simply due to who they are.

This makes Kumiko, who is also pretty emotionally intelligent and empathetic, well-positioned to get Sally to open up. And really, that’s all Sally needs: to be heard, and to be told that if she or anyone else ever has something weighing on them, they can always, always bring it to Kumiko.

Separating advanced members from newbies was always an option, but not the option for Kumiko. She feels it’s her job as president to bring everyone’s hopes and wishes together. It may be messy sometimes, but through that mess comes understanding and growth. It’s a moving scene filled with gorgeous light, subtle facial and hand expressions, and some truly terrific voice acting from Kurosawa Tomoyo and relative newbie Sayuma Emiri.

Suzume reveals herself to be far more than the bamboo shoot bun-wearing goofball she appears to be, and the next day, with SunFes right around the corner, Sally greets Kumiko and Reina with a smile and hearty good morning, having arrived at the practice room early. Now that she’s bought back in thanks to Kumiko showing that she’ll be there for her and the first years, the threat of them quitting has passed.

I love how Kumiko was able to resolve this issue in the way she did, which is her way: through openness, honesty, and dialogue. She didn’t go to Reina and tell her to ease up on the newbies. She knows, just as Sally does, that Reina has to be hard on everyone if they want to make Gold. I hope that through her success this week Kumiko has shown herself that she has what it takes to be a leader, as Reina told her—both in the club now, and in a future that’s closer than she thinks.

Whisper Me a Love Song – 02 – Russian Blue

Yori and Himari have made a habit of sharing their time on the rooftop, and Himari is not shy about telling Yori how she loves her singing. Yori finds her thoughts of late are dominated by the painfully adorable Himari. When she pats her head, Himari blushes, but when she takes off, Yori blushes even more. She’s not sure what she’s doing, but she knows she likes Himari.

She encounters Himari waiting outside her class at lunch, and on Aki’s urging they exchange contact info. This is how Aki learns that Himari is the girl Yori is into (and we later learn that Aki is still into Yori herself). Since it’s raining, Himari meets Yori in her classroom after school, and asks her if she wants to go on a date to a cat-themed merch pop-up at the station on Sunday. Yori enthusiastically accepts, and it’s First Date Time.

Yori shows up effortlessly mature and stylish, while Himari is a tiny goddess of cuteness in her maroon dress and white blouse. Yori compliments her and Himari is glad she dressed up for the occasion. At lunch Himari feeds Yori, and the two end up holding hands to not get lost at the packed pop-up. Himari picks out matching phone straps for them to share, and Yori buys them as a gift for her.

At a music store, Himari tells Yori she wants to see “both sides” of her: the gentle solo artist on the rooftop and the snazzy frontwoman in the band. Yori decides she’ll give the band thing a try after all. Throughout the date, she’s is on cloud nine. Just being beside Himari makes her happy, and all Himari has to do is smile or praise her for that happiness to soar even higher.

When she expresses as much to Himari before they part ways, Himari laughs it off, saying being her girlfriend would be great. But as she walks away, Yori takes hold of her arm and tells her, in no uncertain terms, that she wants to go out with her, for real for real, and asks if she’ll think about it.

When Himari does so in the bath that night, she worries that her love and Yori’s are different. But then again, she also asks herself what love even is. In any case, the cat’s out of the bag and there’s no putting it back: Himari knows that Yori-senpai has feelings for her. I wonder how she’ll choose to respond to them.

Jellyfish Can’t Swim in the Night – 03 – Emerging from the Dark

When she’s online, VTuber Watase Kiwi is a charismatic superhero adored by all. She even receives cash tributes for her awesomeness. But in the real world, she appears to be a lonely girl in a dark room. When she signs off, she has no need to put on airs, and her flesh-fangy smirk turns into a resigned frown and sigh.

Kiwi’s childhood friend Mahiru presents her with a drawing of JELEE-chan, the avatar for her, Kano, and Mei’s new collaborative multimedia project. Kiwi is glad to help produce a music video for a new piece Mei has composed with Kano’s lyrics. At the same time, Mahiru has decided to embrace her creative side by volunteering to play the role of Ama-no-Uzume for her school fair play.

On the first day of the fair, Mahiru encounters some girls from Kiwi’s school. All this time, Mahiru has been convinced that in addition to being a famous VTuber, Kiwi is also the StuCo president of her school. But that was a lie. She stopped going to school after her charismatic, superhero-like personality, so popular when she was younger, turned her into a social pariah. When Mahiru tells Kiwi she met the girls from her school, Kiwi lashes out at her for letting her carry on her lie so long.

But Mahiru doesn’t care what Kiwi’s classmates think of her. She’s always looked up to Kiwi as someone who never backed down and always presented herself as an invincible superhero, even if it was all bluster. To her, Kiwi is her Amaterasu, and because she retreated into a cave the light has gone from her world.

Rather than call back to apologize, Mahiru has Kano and Mei in the audience record her performing her goofy dance as Ama-no-Uzume, the goddess who restored the light of the sun to the world by coaxing Amaterasu out of her dark cave. She’s dancing, horribly, for Kiwi’s sake.

This is not lost on Kiwi, and when Mahiru calls her later to ask if she saw her dance, Kiwi apologizes for lying about being StuCo president, and for yelling at her before. It’s all water under the bridge for Mahiru, who assures Kiwi that she is her invincible hero, and always will be: The Main Event.

Kano and Mei join the call and praise Kiwi for her skill in combining Kano’s lyrics, Mei’s music, and Mahiru’s drawings to whip up one hell of a music video. Kiwi then promotes JELEE’s video during her stream, and the video itself plays over the end credits.

The next day, Mahiru and Kiwi finally meet in person for the first time in over two years, and Mahiru is shocked to learn Kiwi’s hair is now pink. She’s not the same Kiwi she knew, and yet she is. And now she looks to be the newest member of JELEE.

TenSura – 51 – Cruise Control

Like last week, this episode is a bunch of people sitting around discussing things. Rimuru and his original Majin crew plus characters like Gabiru and Geld feature heavily, but the familiarity with these charming characters were all this episode had going for it. This descent into nitty-gritty administrative drudgery just isn’t fun to watch.

Rimuru is utterly passive and static this week, and even has an unsettling thought that all the people around him might not even need him anymore. They’re making all the right decisions on their own. He does, however, eventually make the decision to hold a big party to officially introduce the city of Tempest to the world in order to grow its population.

It could be this is another one of TenSura’s patented lulls, in which it is content to sit back and deliver exposition and set up more eventful future episodes. Or it could be that at this stage in Rimuru’s ascension in this new world, all that’s left for him is to receive reports, give okays to courses of action, and observe. It’s just not particularly stimulating observing someone observing things.

Urusei Yatsura – 37 – SisTerminator 2: Misjudgment Day

Mizunokouji Asuka’s parents deserve jail time for the abject neglect they’ve subjected to their daughter Asuka. At the same time, Asuka has quickly risen to become one of my favorite Urusei Yatsura characters. That’s simply because she’s such a chaotic force of nature, even more so than anyone else, due to her superhuman strength and obsession with her “Big Brothers.”

Because she fundamentally misunderstands what “big brother” is, she believes it’s okay to bathe and sleep with Ton. When his nose spurts two-thirds of his blood, her solution is to embrace him so tightly she crushes his ribs. Eventually their mother realizes that it’s not Ton luring Asuka to his bed, but Asuka inviting herself.

Deciding that now is the time for her to meet other men unrelated by blood, she sends Asuka on an errand to deliver a letter to Shuu at his school. This goes about as well as you’d expect, as every time the fully-armored (though in a smaller suit than her first appearance) Asuka encounters a man she lashes out and causes generous amounts of collateral damage.

When she ends up in Ryuu’s lap, she assumes she’s a man like most people, but Ryuu isn’t about to let her get away with misgendering her. Ryuu chases her around the school until Asuka ends up in a tree, where her mother and Ton urge her to try to open up to the strange man who “seems different.” But once Ryuu watches Asuka snap a medium-sized tree like a toothpick, she ends up running from Asuka.

The bit is completed when Asuka finally lays her head on Ryuu’s chest, but when she notices that Ryuu’s chest is bound, she doesn’t realize she’s a woman, but another big brother, like the similarly bandaged Ton. Asuka is so sheltered she has no idea what anything is. On the one hand, this is deeply tragic. On the other, it’s freakin’ hilarious.

Asuka’s mother isn’t about to keep letting Asuka get away with glomming onto her blood brother, so she beseeches Shuu to go on a date with her. Ataru happens to be there too, but not because he invited himself: Ryouko invited him, because she’s just as obsessed with her brother as Asuka is with hers, and won’t allow him to date or marry the likes of Asuka.

Nevertheless, Asuka arrives in a grand procession led by her mother, and is dolled up in traditional garb very similar to FFX’s Yuna. Shuu is initially excited to go on a date with such a cutie, but when she charges at him like a locomotive, his survival instinct causes him to dodge her, and she shatters a giant stone piece of decorative Mendou art instead.

Since Asuka has absolutely no concept of letting off the accelerator or lessoning the force with which she does things, Shuu is in for a world of pain. But he won’t be alone. Ryouko is watching nearby, Ataru has disguised himself as one of Ryouko’s bodyguards, and Lum has disguised herself as one of Asuka’s bodyguards (the ladies in safari garb). I’m greatly looking forward to a chaotic, action-packed date!

Yuru Camp△ 3 – 03 – The Suspension is Healing Me!

Rin sets off on her trusty 50cc at 3:30 in the morning when it’s still dark. She notes that her parents are less wary of her going out on her own, probably because she’s more experienced now. But she also heeds her gramps’ words: “you have to be most careful when you’re used to it.”

Rin’s solo leg of the trip ends in Senzu, where she meets up with Ayano, who has twice the displacement but is still wrecked by the rough roads. After a rest and a drink, the two mount their steeds and begin their trip to meet up with Nadeshiko at the campsite, but they’re in no particular hurry. As should be expected of Yuru Camp, the journey just as rewarding as the destination.

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In this case, the journey involves a veritable phalanx of suspension bridges of every conceivable shape, size, and material, each of them crossing the river and offering gorgeous views of the surrounding forests. The first “bridge” Aya-chan spots is actually just power lines, but once they encounter the first one, they don’t stop until they’ve crossed just about every one in the area, for completion’s sake.

While Rin and Aya are on their bridge-crossing tour, Nadeshiko revels in her cozy solo journey, which involves different types of trains and sumptuous local foods. Today I learned about “dam curry”, and how it’s plated differs depending on the dam and environs being depicted with different foods.

Wild grilled pork skewers precede her hydroelectric lunch, and she finishes it with Kawane’s exquisitely bitter famous green tea soft serve. A grand feast of Hamburg steak, beef stew, and omurice awaits Nadeshiko, Rin, and Aya at their destination, but the three of them will get there when they get there. There’s plenty to explore and taste along the way.

A Condition Called Love – 03 – Unlimited Overtime

A commenter in the ANN forum on this show made a very good point that made me want to reassess the show so far: this show is clearly aware that Hananoi’s more obsessive behaviors are problematic. Fortunately, while he does loom over her at the end of last week’s episode, he ends up collapsing due to his fever from waiting in the cold for Hotaru all morning.

Hotaru calls his grandma and goes home, and feels awful for asking Hananoi to do something that means so much to him, just to see if she’d feel anything. I think she’s being a little harsh on herself, but like Hananoi, that’s something she needs to work on. She’s always thought she was just some NPC, but to him, she’s a princess.

A couple of days pass, and the day their trial run ends arrives. It’s Christmas Eve, and they were supposed to go on a date, but Hotaru assumes it’s not going to happen, either because he’s still ill or because he’s sick of her. She recalls a past instance of unintentionally hurting a friend of hers, but missing the opportunity to properly apologize and drifting apart.

When her little sister’s ice skating costume rips and she needs Hotaru to rush to the skating rink with a sewing kit, Hotaru is resigned to having the same Christmas Eve she always has with her family. But then Hananoi arrives there, having remembered her mentioning her sister’s skating. He still wants to take her out on a date, and Hotaru is surprised by how relieved she feels to see him again.

She may not be aware, but the longing she felt those past two days … well, that’s pretty much love, isn’t it? She felt bad about what went down at his place, but she also missed him. After she presents him to her family (whose jaws drop at the hottie she scored) they go out on a cute, fun, low-key date with food, shopping, light viewing, and skating.

When the lights temporarily go out, Hananoi describes all of the reasons he likes Hotaru, and points out that those things aren’t normal. Not everyone is as kind and curious and generous as she is. She’s special, and he wanted her to have a special day, because he managed to find out that Christmas Eve is also her birthday.

When she slips on her skates, she catches her in a princess carry, and the lights come back on. Hotaru is struck by how many new things she’s started to feel since her trial with Hananoi began, and isn’t ready for it to end. So after he escorts her home, she asks if they can keep the trial going. Naturally, he’s fine with her extending it indefinitely.

Hananoi felt notably less creepy this week, even if he still tries way too hard sometimes at the cost of his own well-being. But I think the more time he spends with Hotaru, the more even-keeled he’ll learn to become, just as the more time she spends with him, the more she’ll learn about what it is to love.

It’s just a shame this was not a particularly nice episode to look at. I fear I’ve been so spoiled by the likes of No-holds-barred powerhouses like Dangers in My Heart that I probably won’t be continuing with this one.