3D Kanojo: Real Girl – 06 – Isn’t This Kinda Nintendo Hard?

Hikari seriously needs to get up out of his head, for real. He also needs to RELAX. Iroha is upset because she’s worried he still doesn’t trust her. He uses his “I’m a stupid antisocial otaku who can’t read the atmosphere” card as an excuse for not understanding her anger/concern.

Meanwhile, Ayado Sumie is the easiest person in the world to talk with, and gives thanks and praise to Hikari, along with a batch of fresh potatoes, for helping her “live on with pride in her body” and simply “talking to somebody.”

Between having Iroha as a girlfriend and Ayado as, well, an admirer (if not more), Hikari’s grows a big head without even noticing it, and when he spots Itou talking to a cat, he assumes it’s out of loneliness because he isn’t hanging out with him enough.

Itou rebuffs Hikari’s angle with extreme prejudice, and before he knows it, Hikari is alone, like he was before, only now it’s unbearable, even when he’s cooking. He recalls how he and Itou met, back when it was not only bearable, but natural.

Itou was constantly taken advantage of by the class thugs, and Hikari won’t give him the time of day, but when he recovers Hikari’s earbuds after said thugs threw them out the window, Hikari pays him back by not flaking out on an after-school art project foisted upon them.

When the thugs try to destroy Hikari’s 800-yen magazine he just bought, Itou snaps into action, “making his kindness into something that can be properly returned.” Itou gets slugged, but he gains Hikari as a friend.

After apologizing and making up with Itou, Hikari considers doing the same with Iroha…but chickens out. Still, he can’t bear her angry face, and so waits quietly outside her house like a stalker until he realizes how stalkery this all is and prepares to leave, but Iroha answers the door.

He gives her a peace offering of potato dumplings, and she invites him in, finally admitting she’s tired of being angry, as well as explaining why she was. Hikari responds that there’s no way he wouldn’t trust her; it’s just that he can’t believe how happy he is because of her.

After they kiss and hug, that feeling intensifies, and curdles into distrust not in Iroha, but his own animal urges, which he assumes are not wanted. He promptly—probably too promptly—flees, and the next day he’s incredibly awkward with Iroha once more, and warns her to stay away from him.

Once again, he finds it much easier to interact with his kohai Ayado than Hikari, and finds comfort in sitting beside her. He also gives her some potato dumplings, since she gave him the potatoes. This would all be fine if Iroha couldn’t watch them being so friendly from the windows.

When Arisa sees Iroha and asks what’s up, Iroha can only run into her arms, clearly distraught, and wonder “why it has to be this way”. Hikari isn’t trying to hurt her—in fact, he’s trying to do the opposite—but he needs to learn about boundaries with other girls while he’s dating one…especially if he’s going to run out on her when he’s at her house and run away from her at school.

Dude seriously needs to relax and stop committing unforced errors.

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3D Kanojo: Real Girl – 05 – When Life Throws Hard-Boiled Eggs at Your Face, Eat Them

Despite being caught by both Iroha and his little sister Anzu, Takanashi is to prideful and egotistic to apologize to Hikari so easily, and so the abuse at school continues.

Hikari is resigned to the fact that even the garbage perpetrator of the nasty lolicon rumors won’t be able to credibly recant his lies, and takes solace in the fact he’s flanked by a good friend in Itou on one side and a loving girlfriend on the other.

Indeed, when he tells Iroha that it doesn’t matter if most of the school has the wrong idea about him, as long as she doesn’t. Those are words from Hikari’s heart, that he said without difficulty, and they elicit an “I love you” from his girlfriend.

He’ll wish he had so much ease in communicating his feelings later on.

While at Hikari’s house, Iroha tries to get the measure of his little brother Kaoru, and mentions that she’s met Anzu. She learns that he’s very much like his brother, as he’s more concerned with protecting Anzu than himself, even if he’s hellbent on making it clear to the world that he’s way cooler than his older bro.

Back at school, Hikari’s turn-the-other-cheek mentality wears on Takanashi, to the point he confronts him and demands he say or do something, anything back in response to defend himself. Hikari tells the guy to stay in his lane; someone who started this whole mess doesn’t have the right to dictate how he should handle it.

Just talking to Hikari draws attention from Takanashi’s friends, and while he’s not immediately willing to set the record straight, he still lashes out at them when they’re harsh with Hikari right in front of him. Later, in private, Hikari tells Takanashi he’s actually incredibly happy despite the hardship the lies have caused.

Hikari’s even willing to let Takanashi keep up appearances for the sake of his ego; all he asks is that he make the truth known to his mother, brother, and only female friend, Arisa. Of course, before Takahashi can tell Arisa the truth, she’s macking on him, poor judge of character that she is.

The result of the little summit is that all of the people who actually matter to Hikari now know the truth, which is more than enough for him. When next we see him, he’s sleep-deprived from binging Ezomichi-san all night, and suddenly collides with a first-year girl who also wears glasses and also loves anime, which is why she’s eager to return the anime magazine Hikari dropped when they collided.

Ayado (voiced wonderfully by Ueda Reina), as socially awkward as Hikari if not moreso, tracks him down and returns the book, then proceeds to talk his ear off, but when Iroha (whom she calls “the perfect 3D girl”) shows up she assumes she mistook a normie for a fellow otaku, and races off before Hikari can say a word.

Hikari shrugs off the encounter and agrees to go to a festival with Iroha. He turns up in an ill-fitting frumpy yukata, while she arrives in modern clothes. He has fun, she has fun watching him have fun, and when he can’t find the right words to express how he’s feeling, he simply holds her hand.

When they spot Takanashi and his sister, Hikari asks Iroha how she handled him trying to ask her out, wondering if it was hard to turn down a “hot guy.” It’s a big miss for a guy who’s said the right words often to this point.

Iroha is rightfully angered, not just because Hikari once again shows how he thinks he’s inferior to others, but also because he would think she’s the kind of person who gives a shit about hot guys after everything she’s said to him. She storms off, and the next day, Hikari doesn’t get a response to his texts.

In the midst of this silent fight, Hikari encounters Ayado gardening, and talks with her a bit about anime before continuing his search for Iroha. He also encounters Arisa, who demands he put in a good word for her with Takanashi.

Later, in the hall Hikari overhears students talking shit about Ayado, then comes face-to-face with Ayado herself, who surely heard the insults. His good heart kicks in and he enters into a lively conversation about anime with her.

Ayado is very moved by Hikari’s ignoring of the other boys, as well as his clearly genuine interest in anime, which very much mirrors her own. Indeed, she’s moved to tears, which leads Hikari to give her the bouquet of  funereal flowers left on his desk, while insisting he’s not a normie at all.

Arisa witnesses him cheering up Ayado and smacks him for being such a shameless “player” while he’s in hot water with Iroha. He finally does locate his girlfriend and apologize for being so “comfortable feeling inferior”, but because that’s only half of the reason Iroha is upset, and Hikari doesn’t understand what he “should try not to say”, their impasse continues.

And it continues at a very interesting time. His name has been cleared with all who really matter in his life, and he’s stumbled upon a girl who could well be a good match, if only he didn’t already have a girlfriend. Sure she’s a bit of a stereotypical nerd girl, but I like her a lot, she’s got a great easy chemistry with Hikari, and unlike Iroha, she’s not poised to move away in a few months’ time. Very interesting indeed…

3-gatsu no Lion – 42 – High School Should Be Fun

It’s still summer vacation for Hina, and she was so inspired by the town festival that ideas for new sweets are exploding in her head…yet those dreams of expanding her confectionary repertoire are being deferred by summer homework and school days.

Hina proudly shows her adorably delicious designs to a duly impressed Rei. When he decided to get into shogi, he believed it was his only path; the only thing he could do at the time. It worked out, but that wasn’t guaranteed.

Hina, looking toward the future like few eighth graders do, has a lot more options, so Rei agrees with others who have told her she really should go to high school…even if she ultimately does decide to work at her gramps’ sweets shop she loves so much.

After a not-so-fun year in middle school, Hina is understandably weary of going to high school, particularly having to make all new friends. But Rei has an idea. He takes Hina (who also brings Momo) to his school, Hashi High, where Noguchi, Mr. Hayashida, and the Science Club have set up a bitchin’ flume noodle stream out of surplus bamboo.

On first sight, both Hina and Momo mistake the mustachioed Noguchi for a teacher (natch), while Hayashida spots Hina and understands instantly why Rei wanted to help this girl so much. When Akari, an older version of her, arrives, disheveled and sweaty, Hayashida is nearly blown away by smitten-ness.

The noodle bonanza commences, with the lads adjusting the stream angle and stream to help an overmatched Momo, and showing Hina the proper way to catch the noodles. They then play a little game where the color of the accent noodle they catch determines whether they get tempura; Hayashida runs into a streak of bad luck here.

In any case, everyone has a ton of fun, which leads Hina and Akari to wonder out loud if maybe she should try to get into Rei’s high school. It’s an idea I don’t think has ever come up before, but I like it. I like it a lot!

3GL is equally adept at portraying the sizzling summer heat as the warm, cozy interior of the Kawamoto house in winter, as a serious time leap takes place in the second half. It’s new years, and Hina and Rei are under the electric kotatsu.

Ever since Rei heard Hina’s intention to apply to his school, he’s (a notion by which he’s clearly elated), he’s been gung-ho about helping Hina study for the entrance exams, putting the same passion and diligence into it than he does while preparing for a shogi tournament.

When Akari was Hina’s age studying late for exams, their mother once asked if she wanted tempura or fried tofu in her udon. Akari couldn’t decide, so her mom put both in, and thus Kawamoto Pampering Udon was born.

By making the same udon for Hina and Rei, Akari is both passing on a tradition and remembering her mother’s love while paying it forward. Plus that shit looks guuuuud.

Hina takes a look back to when she was still weary of trying for Hashi High, mostly because it’s a fancy and thus expensive private school and she didn’t want to be a burden on Gramps or his sweet shop’s steady but modest revenue.

Gramps, not one who believes kids shouldn’t think about finances, is chuffed that Hina thought of him while considering her choice. But he believes they’ll be fine money-wise, and in any case, his granddaughter’s happiness is paramount. If she’ll have fun at “the kid’s” high school after suffering in middle school, her choice has his full blessing.

Back in the present, Hina asks Rei for help on a math problem, but he’s so absorbed in his shogi study he doesn’t notice. Far from being annoyed, Hina actually feeds off the infectiously incredible concentration. In another sign these two were destined for each other, they are completely at ease without saying any words. Hina pulls back her window curtain, and after noting how hushed it seemed, discovers the first snowfall of the year.

A masterpiece need not always contain shocking revelations, twists, or developments, although Hina trying to join Rei in high school is a pretty big deal. This was a quiet, peaceful episode filled with fun, love, and ambitious yet very achievable dreams to aspire to.

The show created little pockets of happiness one wants to wrap around oneself like a blanket, all while organically building the very close and loving bond between Rei and Hina, both souls beyond their years. Few shows do this kind of stuff better.

Takunomi. – 11 – Hot Pot, Hot Sake

Michiru is full of energy and kitted out in full yukata as all four housemates visit a shrine to pray for a prosperous New Year. Since everyone else is in modern garb, Michiru can’t keep up and get lost in the crowd, missing a chance to drink some traditional amazake with the others.

She also gets pretty cold with no coat, so when they get home Kae whips up the perfect meal for a cold day off: hot pot. Nao provides the booze-of-the-week: a special sake called Daishichi Junmai Kimoto, especially well-suited to be enjoyed hot (but also great cold). One thing I didn’t know: how quickly you heat it and the specific temperature results in different flavors being released.

Nao heats it up to “Atsukan” packs a rich punch that goes perfectly with the hot pot proteins, vegetables, and broth. The combination of hot food and hot sake quickly make Michiru very relaxed, changing into her PJ’s and cuddling up to Nao like she’s back home—where she was the talk of the town for her big city exploits.

3-gatsu no Lion – 41

I much prefer my 3GL with the Kawamoto sisters, and when they’re not around, regardless of whether Rei is with them, it’s just not the same. So I’m happy to report this week has no shortage of Akari, Hinata, Momo, and their Gramps.

In preparation for a town festival where Moon Crescent will have a stall, Gramps has left the production of rice flour dumplings to the sisters, who make them even better than Gramps was expecting (though he never lets on that they surpassed his expectations).

As for the proper dipping syrup to accompany the dumplings, Gramps likes the plum the best, which Hinata got from Chiho on her first visit to the farm where she’s slowly, gradually building back her ability to interact with kids her own age. Even the sight of Hinata can cause the profoundly tramatized Chiho to simply freeze up.

Hinata and Akari do not leave Chiho with smiles on their faces, but they take solace in knowing Chiho is fighting with everything she’s got to get better.

“Everything You’ve Got” could well be the Kawamoto family slogan. Even down a mother, a father, and a grandmother, Gramps and the sisters (with drudgery help from a game Rei) don’t have ass a single thing, and pull off a marvelous festival. People buy everything they make so quickly Gramps has to pull up his sleeves and make more dumplings.

In the middle of it, Hina and Rei share a nice little moment in the doorway of the store, simply taking in the cozy warmth of the festival, and all the happy customers and couples and families around them. Takahashi pays a visit, taller than ever, but let’s not kid ourselves about who’s #1 in Hina’s heart!

Despite it being summer vacation, Hinata’s class has a summer term test, while Mr. Kokubu prepares to step down as their interim teacher, passing the duties to a young and extremely nervous new homeroom teacher, not just terrified by having to deal with Takagi, but her fire-breathing mother as well.

Kokubu’s time with Takagi Megumi is just about at an end as well. Takagi, ever the wannabe nihilist, scoffs upon hearing Kokubu was never able to give her a definitive answer for why everyone has to put in effort and do their best.

However, what Kokubu has been able to determine is that Takagi is paralyzed by anxiety over not knowing what to do with herself. She never makes an effort because she’s scared of learning her “capacity” and being disappointed by it.

His departing lesson to her is that it’s okay to be disappointed; it is simply part of life. One cannot go anywhere in life until they find their capacity that will give them an understanding of what they should do, which will make more clear what she wants to do, thus reducing if not eliminating her terrible anxiety. In short, Takagi needs to do her best so she can learn what her best is.

One other lesson Kokubu could have given Takagi is that it might not be a bad idea to hang around Hinata more. Not necessarily to seek forgiveness, but to witness someone her own age who always does her best,

Hinata knows what she can do and wants to do, and is always looking to expand what those two things are. The festival just ended, and she’s already planning next year’s menu…but until after studying for her test.

Then again, perhaps that’s not such a good idea. Takagi in her current state could well be blinded to death by getting too close to Hinata!

Eromanga-sensei – 12 (Fin)

Sagiri allowed Masamune to attend the data collection trip because Elf and Muramasa (without her knowledge, through Elf) agreed to “do whatever Eromanga-sensei wants them to do” afterwards. In the final episode of Eromanga-sensei, the bill comes due.

Sagiri’s “festival” ensues, where she boots Masamune, puts the two girls in swimsuits, and makes them play Twister so they’ll strike lewd poses she can draw. It’s basically heaven for Sagiri and hell for Muramasa and Elf…but a promise is a promise. Needless to say, the session is also an excuse for healthy amounts of fanservice.

When Tomoe shows up at Masamune’s door to congratulate him on the success of his new imouto LN, I feared the worst: that Sagiri, suspicious of this new girl and jealous of her interactions with her dear brother, would somehow get Tomoe into a swimsuit as well, or worse.

Thankfully, that doesn’t happen, and the girl who, in hindsight, seems like the best fit for Masamune leaves with her clothes intact, having delivered a doujinshi of the little sister novel that is actual, no-nonsense porn…then says if Masamune gets an anime and becomes famous, she’d be happy to be his wife.

Sagiri inevitably gets hold of the material not suitable for her, and immediately sets to work drawing her own erotic drawings based on the little bit she saw. When Masamune can’t quite put into words why her drawings aren’t quite anatomically accurate, she and Elf decide the best way to settle things is by stripping Masamune naked…

If they had succeeded, would have been only fair considering how many girls have had to strip for Eromanga. But before they do, Masamune gets on the horn with Megumi, who for all her talk is just as clueless as Elf and Sagiri. It takes Muramasa sketching Michelangelo’s David to show them once and for all how to draw…that.

With the sun low and Eromanga all lewd drawing-ed out, she and Masamune bid farewell to her models for the day, adding they’re welcome to come back anytime. And this time Sagiri opens the window and gives them a proper wave goodbye, showing further progress in her attempt to overcome her shut-in-ism.

As frikkin’ wrong as it may be, it’s thanks to lewd art—the lewder the better—that Sagiri can forget about the crippling fear of being outside or interacting with other people. Her digital life is a means of creative expression and a (surprisingly) safe space in which to have rudimentary human contact.

And thanks to her brother’s uncanny ability to draw girls into his orbit, she now has a slew of flesh-and-blood friends to laugh and have fun with…as well as draw in risqué positions.

Tsuki ga Kirei – 11

Sooo…this episode was just about perfect, which doesn’t really surprise me at this point. Kotarou and Akane are on splendid terms, so Kotarou faces two new conflicts this week, which prove more complex and challenging than winning Akane’s heart. Gaining the approval of his parents, and being accepted into Koumei.

We know Akane’s grades are great and her family is the reason she’s changing schools, so there’s not much tension on her end; just whether or not Kotarou will like her hand-knit scarf (which…DUH of course he will).  So instead we delve deep into Kotarou’s small, quiet family, and navigate the treacherous waters with him.

Like Kotarou and Akane’s romance, Kotarou’s problems with his folks are portrayed with a heightened sense of realism and equilibrium. His mom may sound worse than nails on a chalkboard when nagging Kotarou, but she’s only nagging because she cares so fiercely about her son’s future.

That being said, I don’t decry Kotarou pushing back against the path she’s already laid out in her head for him. It is HIS future, after all. But just as Kotarou was initially so bad at communicating his feelings (or anything else) with Akane, he’s equally bad at explaining why he’s so hellbent on attending Koumei.

Hell, he never even seems to try, which works against him early on as his mother quickly dismisses his intention to follow a “girl he likes” as teenage caprice. We know better—Kotarou near-as-makes-no-difference loves Akane, and she loves him, but his folks have no choice but to work with the information they have, which is scanty.

Rather than hearing it from him, Kotarou’s mother comes to gather more information on her own, as she watches her son furiously studying late into the night. She can tell he’s working hard for something he believes in, so obviously she’s not going to come in and crush his dreams by forcing him into a municipal school. Instead, she adopts a wait-and-see approach, putting her faith in her son by letting him hold the keys to his future.

The constant studying wears Kotarou down, and his mock exams are, uh, nothing special, so it’s great to see Akane spearhead a Christmas meetup that serves as a much-needed break for both of them, as well as an opportunity to exchange presents.

It’s lovely to watch the couple so comfortable and warm around each other, especially the lack of hesitation when they lean in for another kiss. You really get the feeling, both here and after all we’ve seen, that this isn’t mere puppy love; these kids have a future together…even if they don’t end up in the same school.

One night, Kotarou’s father lays it out: they’ll let him apply for Koumei, but if he fails, he’s going to a public school. Kotarou accepts the fair conditions, then stands slack-jawed when his dad tells him when his homeroom teacher told his mom Koumei wasn’t a realistic choice for Kotarou, she fought back, leading to an awesome thunderbolt of a quintessential Dad Line: “She can be naggy, but…Well, there you have it.”

Sure enough, when heading downstairs at 1 am for a snack, Kotarou finds his mother there, making some fresh onigiri; forming the balls with love, care, and gentleness before heading off to bed. His mom is no longer an impediment to his dreams of attending school with Akane. She never was. She saw the effort he was putting in, and decided to support and even fight for him.

The morning of his big, decisive exam—the last true impediment to his happiness (though not really since as I said their love seems likely to endure the lengthy but non-permanent distance)—both Kotarou’s mom and dad are up to make sure he has everything he needs, to wish him luck, and to see him off. And Kotarou does something he hadn’t done all episode, but sorely needed to do: he thanks his mom.

These family interactions are so understated and relatable, and really form a nice little arc within the episode as understanding is achieved between the parties and the conflict is revealed only as a measure of concern. Kotarou puts in the work to assure them they needn’t worry, and they show him that they are and always will be on his side.

Now he just needs to pass that goddamn exam!

Tsuki ga Kirei – 10

Akane’s text about moving is such a shock to Kotarou, he actually calls her on the phone (!) in what is known as a “phone call” for all of you born after the iPhone. Both seem terribly down about the idea of being apart, but also agree that they’ll make it work somehow.

That, despite the dubious success of long-distance relationships throughout history they can’t and shouldn’t think about, lest they get way too depressed. Kotarou also considers applying for the same school in Chiba she’ll be transferring to, which would obviously allow them to see each other regularly.

The festival that follows their talk will be the last one Akane attends as a resident of Kawagoe, so it too has a pall of sadness over it, even though the presence of Kotarou in full fox regalia performing the Hayashi dance on the mobile stage in the streets combines that sadness with a sense of awe and venerability.

But since Akane attends the festival with the track team, she inevitably ends up alone with Hira again, and at the worst possible time – when Akane is about to meet Kotarou on his break. Worse still, Kotarou happens to see the two together. Hira confesses to Akane, who promptly turns him down, but when she sees Kotarou, he can’t hide his annoyance and, yes, his anger; he can deny it all he wants!

While one could say he’s been over-possessive here (especially since Hira has no chance against him), let’s not forget how young and inexperienced in the relationship arts this kid is. He’s never been in a true “fight” with Akane until now; with “fight” meaning a failure to properly communicate at the proper time and place.

Both are miserable and still unable to talk to one another the next day, but by the time that day is at an end and Akane and Kotarou are done cram school, Akane notices a book on Koumei high schools was requested at the municipal-office-thingy-place, and Akane uses her mad running skillz to track down Kotarou.

He’s not coy; he was the one who requested the book. He’s seriously applying to her school, and was going to tell her once he told his parents (who still don’t know and at least one of whom, his mother, will be hard to convince).

Their silly row at the festival quickly fades away as a rush of happiness comes over Akane, after hearing Kotarou tell her whatever shape his future takes, he wants them to be together in it. That’s what Akane wants too, and after rushing into Kotarou’s arms, crying tears not of frustration, but joy, she quickly dries her raw eyes and leans in to kiss him.

Their road ahead will have more bumps, but I’m pretty dang confident in the staying power of this couple’s love…and confident the show isn’t about to break their—and our—hearts in the home stretch. They’re going to be just fine. I take comfort in that.

Eromanga-sensei – 10

The gang is still at the island “data gathering” retreat…but I’m not exactly sure why. Everything that needed to happen in such a setting between Masamune and Elf happened. Now the show switches gears to focus on Muramasa, without changing that setting, lending the episode a static, dilatory feel.

Masamune pulls an all-nighter on work specifically for Muramasa and not the little sister novel. Muramasa quickly scarfs down every page with giddy enthusiasm, but after Masamune catches up on some sleep, Yamada tries to get up close and personal with him.

Muramasa exacts punishment, while Chris takes Yamada away to work. But if he wants her to work, why not send her home to a more work-appropriate environment free of distractions?

Those distractions only compound with Masamune, Yamada and Muramasa in the same room, with Muramasa admitting her submission was a love letter to Masamune, she’s in love with Masamune, and isn’t wearing underwear because she’s in a kimono.

That last bit comes up when Masamune calls up Sagiri on Skype to play “The King’s Game”, and Sagiri is characteristically lewd in the orders to her “subjects.” Pretty inconsequential messing around…until Muramasa declares she won’t write novels anymore because her dream of having interesting work supplied to her by her kohai has been fulfilled.

Of course, precisely zero people buy Muramasa’s threat to quit writing, and indeed all it takes is a five-minute talk with Masamune—who relays to her his discover his spirit-lifting fan-letters were written by her—to convince her to keep writing after all, since it’s okay to have more than one dream to fulfill, and to keep working for them all.

One of those new dreams involves Masamune falling in love with her, which means for all of Yamada’s maneuvering, Muramasa remains a player in the game that is Masamune. But as usual, it’s getting increasingly harder to buy these girls’ intense love for a generic MC like Masamune.

Oh yeah: Fifth wheel guy is old enough to drink, so he gets cartoonishly drunk and slurs his words for, like, no reason whatsoever. Shrug…

Eromanga-sensei – 09

I don’t know if I’m in the minority among Eromanga-sensei viewers, but I’m not the biggest fan of the Masamune-Sagiri relationship, which is rife with inevitably icky undertones, whether or not their love is purely familial or not. So when the show gets away from that relationship and focuses on the more standard unrelated boy-girl variety, I’m all eyes and ears.

We certainly get an eye-full in this week’sbeach episode, but it’s not just empty skin calories. I couldn’t be happier with the fact that we’re out of Masamune’s stuffy house and focused on Elf, whose plans are right there in the subtitle in the cold open.

Shidou and Muramasa also attend the “data collection trip” approved by Sagiri in various off-camera negotiations, but aside from Muramasa appearing in a far smaller swimsuit than she planned, Masamune and Elf have the beach to themselves.

Elf tries to take advantage, passing off legitimate activities lovers undertake on the beach—applying the lotion, playfully splashing, walking arm-in-arm—for role-playing and research. But whatever the context, the fact remains they’e doing these things alone, together, and enjoying it.

At least, Masamune tries to enjoy it, but finds it a bit awkward whenever Elf’s big bro and editor Chris appears. That awkwardness follows Masamune to the men’s bath where Chris joins him and asks him about Elf, including whether he’d marry her.

Masamune insists they’re not actually dating, despite Elf telling Chris so; but Chris manages to get Masamune to say an awful lot of complimentary things about Elf—which Elf herself can hear from the women’s bath.

Really, it doesn’t take much coaxing; Masamune exhibits some much-needed awareness of what he has in Elf, even taking exception to Chris saying his sister’s flaws can overshadow her charms; for Masamune, it’s the opposite, and believes Elf would make a good wife. His wife? Well…

Because Elf overheard everything, she visits Masamune’s room that night and takes him to the same firefly-bejeweled “elven forest” that inspired her novels, as well as the place where her dad proposed to her mom. We know immediately where this is headed: she tells Masamune that she considers him a candidate for marriage, which is a roundabout way of saying she likes him. She even tells him her true name: Emily.

This is Yamada Elf at her most vulnerable, earnest, and endearing. She’s come such a long way since her first appearance, where she was introduced as a generic arrogant loli pest. The little tidbits about her family and upbringing that come to light only serve to deepen my emotional investment in Emily and her happiness.

A-1 Pictures’s pretty character design, sutble animation, and seiyu Takahashi Minami are all working in concert to brine Emily to vivid life. And to his credit, Masamune doesn’t come right out and reject her the way he did Muramasa two eps back. He’d have been a fool if he had.

Emily realizes he might not be in love with her enough to propose marriage, but she’s going to work to make sure that he is one day. Considering all she’s managed to accomplish so far in life, I’m not betting against her, even if the show ends up going in a different direction at her expense.

Eromanga-sensei – 08

Whether she likes it or not, Sagiri can’t have Masamune all to herself, not matter how adorably she dresses. And though he technically rejected her, the fact Masamune compares Sagiri’s yukata to Muramasa means she’s still in his thoughts, because she was the first person to say what she said about his novels.

Elf also tries to nab her share of Masamune’s attention by dressing like Muramasa; in her case, a school uniform. But despite the fact she and Muramasa are rivals in love and novels, Elf offers the advice she’d offer Masamune even if she didn’t like him: stop worrying about what may or may not be, and have one little chat that settles it all. Of course, she’s clearly not happy at all when he says he wishes she was his big sister.

She is, right, however, that being direct with Muramasa is the best strategy, as her feelings for him haven’t changed since he turned her down, nor is she too uncomfortable to attend the short story competition wrap party he’ll be hosting. They also both acknowledge that they’ve only met each other three times—not enough to get to know each other—and so would both welcome a fourth, fifth, and more.

The fifth wheel, Shidou, arrives first, and has no idea what he’s walking into until Elf and Muramasa arrive at the same time and start immediately fighting over Masamune until Sagiri starts pounding on the floor above them. Elf is also sporting her most ridiculous outfit yet – a frilly lolita-style yukata and flamboyant hairstyle.

The initial awkwardness of the party eventually smooths out, especially when Masamune breaks out all the festival themed food, hoping to create a festival-like atmosphere for Sagiri, who can’t go outside. Everyone shares their ultimate dreams, including “Eromanga-sensei”, who says she wants to be the bride of the one she loves. Oh, girl…

After everyone else files out to go see the fireworks, Masamune stays with Sagiri, and confesses that he’s always been afraid of being alone ever since his birth mother died in an accident. He’s also truly thankful for Sagiri, his new family, for putting up with such a pathetic brother, but she feels no less pathetic for losing the will to leave the house.

As they watch the fireworks from the window of her room, Sagiri reiterates that she never considered Masamune family or her brother; her love has always leaned more towards romance, insomuch as she knows what that is.

Still, if Masamune wants or needs her to just be his little sister, she thinks she can “pretend…for a bit”, only to later remark somewhat ruefully to herself while lying in bed how she’s “gotten much further away”, presumably from her dream of being the bride of the one she loves.

I dunno if that’s a bad thing, Sags! Get over him, get out of that bed, that room, that house; go to school, meet someone whose father didn’t marry your mother. Is that so much to ask?

P.S. Kuroneko Sighting. Repeat: Kuroneko Sighting!!! With her adorable sisters too. That confirms Masamune, Sagiri, & Co. live in the same world as Oreimo, whose MC also had to grow a spine and pick someone, anyone, as long as it wasn’t his damn sister. Obviously, Kuroneko was his best choice.

Shingeki no Bahamut: Virgin Soul – 06

This was a calm-before-the-storm episode where not much happened, but what did transpire, and what I learned, was of great significance. It also underscored the fact that the female gaze as represented by Nina is not only present but prevailing in Bahamut.

Case in point, while running an errand for Rita on the eve of the great Anatae festival, Nina comes afoul of the Pimp whose slaves Mugaro released, only this time he’s armed with ridiculously handsome henchmen that make it tough for her to fight back.

It’s an ingenious way to place her in a state of vulnerability and in need of rescuing by the dreamy aloof vagabond. As thanks for his assistance, she asks him to stop by Bacchus’ hot wings stand, and he says he’ll be there.

Nina’s resulting bubbly high from the gruff yes lasts her for much of the episode, as her facial expressions reach new heights of contortion and she wanders through her festival duties in a haze. She’s got the hots for the stranger, and bad…but I wonder how she’d fell if she knew that stranger was none other than King Charioce XVII, walking among his people in disguise.

Meanwhile, Azazel’s imminent plans cast a pall over the big festival—plans that heavily rely on a very large assumption that Nina will side with him and the demons, transform into a red dragon, and help his cause; none of these things are certain, but he’s moving forward regardless.

The night of the festival, Charioce keeps his promise and stops by, and Bacchus asks him to take Nina and show her around. A lovely montage ensues, with an initially just-as-bashful-as-ever Nina gradually becoming more comfortable beside the pretty man as they engage in all manner of festival-related activities.

Those activities culminate in a folk dance, which is as carefully and lovingly animated as the scenes of action, violence, and destruction in previous episodes. Nina’s face is typically a kaleidoscope of emotions, but the dance takes her expressiveness to a new level.

When the time comes to bid farewell, Nina asks the king-in-disguise his name: he gives the name “Chris.” She wants to see and dance with him again, and he hopes they will, a line that echos in Nina’s head and almost turns her into a dragon right there, which is her cue to speed off, Road Runner-style.

While running, she fortuitously collides with Azazel, who has returned to Anatae after his long absence. Azazel has no time to chat, and sternly instructs Nina what to do. Notably, despite the fact he squeezes her cheeks and her eyes meet his, Nina does not blush or react strongly at all to the contact.

This, and her blissful letter to her mom, not only suggest that Nina now only has eyes for “Chris”, but that Charioce may have successfully accomplished what he set out to do: “disarm” Nina and remove her as a potential trump card for Azazel.

Was Charioce only playing Nina, or does a part of him get a thrill from being out in the world without the crown on his head; holding the warm hand of a lovely woman, rather than cold steel, in his own.

We’ll soon see. Azazel Comin’.

Saekano 2 – 04

Maybe it was because I was so tired, but I was off in my assessment of Tomoya’s assessment of Utaha’s script. It’s not that he demanded perfection; his true qualm lies in his exact words: “It’s a crap game.” Meaning, the script is written like a novel, and is thus unsuitable for a dating sim. This is why, as compelling as it is, it must be re-worked.

Of course, Tomoya delivers his criticism with all the delicacy of a sledgehammer through a plate glass window, and he and a still-stunned Utaha have a little shouting match in the maid cafe of what is otherwise, mercifully, a completely in-the-background school festival.

Tomoya is a rude ass about it, but he’s not wrong, and after making Utaha cry, Tomoya is contrite and assures her she did nothing wrong; it was he who failed as game director, getting sucked into the text without considering how it would fit in a dating sim structure.

As he attempts rewrites, Utaha sleeps in his beat, deflated from the rejection of her new arc, which, by the way, was an arc in which the character most resembling her gets the guy rather than the character resembling Megumi. Megumi calls Eriri to report Utaha’s whereabouts, but Eriri is unconcerned.

Eriri’s been in the boat Utaha’s in right now, and can relate, and in any case, she’s got a mountain of her own work to do, surrounded as she is by crumpled balls of art that don’t meet her standards or vision. Eriri isn’t even interested in entering the Miss Toyogasaki Pageant, despite being the reigning champ.

From there, it’s almost a purely Utaha-and-Tomoya episode, with the two combining forces in a creative odyssey during which Utaha gets so exhausted she falls asleep wearing only an open dress shirt and panties, much to the painfully oblivious Tomoya’s shock.

They re-work the Ruri path, then Tomoya gets it in his head he needs a third arc as well: one in which everyone lives happily ever after, which also seems to match what he wants in real life with Utaha and Megumi. While initially frustrated Tomoya wasn’t responding to her feelings, by the end she comes out confident they’ve made a stronger, more fun game by working together.

On the evening the festival ends, when the bonfire is about to be sparked, Megumi asks Utaha, her writing duties now complete, if Ruri is based on Sayuka from Metronome in Love. And she is; of course she is, because both of them are actually Utaha. And Utaha makes it clear she still hasn’t given up on the ending in which her character is chosen by the protagonist.

Megumi straightens out and her eyes focus upon hearing this, before bowing and heading down to the bonfire, where she romantically approaches Tomoya. Megumi tells him she’s not Megumi right now, she’s Ruri, Sayuka, and also…then takes his hand, and dances with him, as Eriri draws them and Utaha looks on. Lovely stuff.