Eromanga-sensei – 12 (Fin)

Sagiri allowed Masamune to attend the data collection trip because Elf and Muramasa (without her knowledge, through Elf) agreed to “do whatever Eromanga-sensei wants them to do” afterwards. In the final episode of Eromanga-sensei, the bill comes due.

Sagiri’s “festival” ensues, where she boots Masamune, puts the two girls in swimsuits, and makes them play Twister so they’ll strike lewd poses she can draw. It’s basically heaven for Sagiri and hell for Muramasa and Elf…but a promise is a promise. Needless to say, the session is also an excuse for healthy amounts of fanservice.

When Tomoe shows up at Masamune’s door to congratulate him on the success of his new imouto LN, I feared the worst: that Sagiri, suspicious of this new girl and jealous of her interactions with her dear brother, would somehow get Tomoe into a swimsuit as well, or worse.

Thankfully, that doesn’t happen, and the girl who, in hindsight, seems like the best fit for Masamune leaves with her clothes intact, having delivered a doujinshi of the little sister novel that is actual, no-nonsense porn…then says if Masamune gets an anime and becomes famous, she’d be happy to be his wife.

Sagiri inevitably gets hold of the material not suitable for her, and immediately sets to work drawing her own erotic drawings based on the little bit she saw. When Masamune can’t quite put into words why her drawings aren’t quite anatomically accurate, she and Elf decide the best way to settle things is by stripping Masamune naked…

If they had succeeded, would have been only fair considering how many girls have had to strip for Eromanga. But before they do, Masamune gets on the horn with Megumi, who for all her talk is just as clueless as Elf and Sagiri. It takes Muramasa sketching Michelangelo’s David to show them once and for all how to draw…that.

With the sun low and Eromanga all lewd drawing-ed out, she and Masamune bid farewell to her models for the day, adding they’re welcome to come back anytime. And this time Sagiri opens the window and gives them a proper wave goodbye, showing further progress in her attempt to overcome her shut-in-ism.

As frikkin’ wrong as it may be, it’s thanks to lewd art—the lewder the better—that Sagiri can forget about the crippling fear of being outside or interacting with other people. Her digital life is a means of creative expression and a (surprisingly) safe space in which to have rudimentary human contact.

And thanks to her brother’s uncanny ability to draw girls into his orbit, she now has a slew of flesh-and-blood friends to laugh and have fun with…as well as draw in risqué positions.

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Tsuki ga Kirei – 11

Sooo…this episode was just about perfect, which doesn’t really surprise me at this point. Kotarou and Akane are on splendid terms, so Kotarou faces two new conflicts this week, which prove more complex and challenging than winning Akane’s heart. Gaining the approval of his parents, and being accepted into Koumei.

We know Akane’s grades are great and her family is the reason she’s changing schools, so there’s not much tension on her end; just whether or not Kotarou will like her hand-knit scarf (which…DUH of course he will).  So instead we delve deep into Kotarou’s small, quiet family, and navigate the treacherous waters with him.

Like Kotarou and Akane’s romance, Kotarou’s problems with his folks are portrayed with a heightened sense of realism and equilibrium. His mom may sound worse than nails on a chalkboard when nagging Kotarou, but she’s only nagging because she cares so fiercely about her son’s future.

That being said, I don’t decry Kotarou pushing back against the path she’s already laid out in her head for him. It is HIS future, after all. But just as Kotarou was initially so bad at communicating his feelings (or anything else) with Akane, he’s equally bad at explaining why he’s so hellbent on attending Koumei.

Hell, he never even seems to try, which works against him early on as his mother quickly dismisses his intention to follow a “girl he likes” as teenage caprice. We know better—Kotarou near-as-makes-no-difference loves Akane, and she loves him, but his folks have no choice but to work with the information they have, which is scanty.

Rather than hearing it from him, Kotarou’s mother comes to gather more information on her own, as she watches her son furiously studying late into the night. She can tell he’s working hard for something he believes in, so obviously she’s not going to come in and crush his dreams by forcing him into a municipal school. Instead, she adopts a wait-and-see approach, putting her faith in her son by letting him hold the keys to his future.

The constant studying wears Kotarou down, and his mock exams are, uh, nothing special, so it’s great to see Akane spearhead a Christmas meetup that serves as a much-needed break for both of them, as well as an opportunity to exchange presents.

It’s lovely to watch the couple so comfortable and warm around each other, especially the lack of hesitation when they lean in for another kiss. You really get the feeling, both here and after all we’ve seen, that this isn’t mere puppy love; these kids have a future together…even if they don’t end up in the same school.

One night, Kotarou’s father lays it out: they’ll let him apply for Koumei, but if he fails, he’s going to a public school. Kotarou accepts the fair conditions, then stands slack-jawed when his dad tells him when his homeroom teacher told his mom Koumei wasn’t a realistic choice for Kotarou, she fought back, leading to an awesome thunderbolt of a quintessential Dad Line: “She can be naggy, but…Well, there you have it.”

Sure enough, when heading downstairs at 1 am for a snack, Kotarou finds his mother there, making some fresh onigiri; forming the balls with love, care, and gentleness before heading off to bed. His mom is no longer an impediment to his dreams of attending school with Akane. She never was. She saw the effort he was putting in, and decided to support and even fight for him.

The morning of his big, decisive exam—the last true impediment to his happiness (though not really since as I said their love seems likely to endure the lengthy but non-permanent distance)—both Kotarou’s mom and dad are up to make sure he has everything he needs, to wish him luck, and to see him off. And Kotarou does something he hadn’t done all episode, but sorely needed to do: he thanks his mom.

These family interactions are so understated and relatable, and really form a nice little arc within the episode as understanding is achieved between the parties and the conflict is revealed only as a measure of concern. Kotarou puts in the work to assure them they needn’t worry, and they show him that they are and always will be on his side.

Now he just needs to pass that goddamn exam!

Tsuki ga Kirei – 10

Akane’s text about moving is such a shock to Kotarou, he actually calls her on the phone (!) in what is known as a “phone call” for all of you born after the iPhone. Both seem terribly down about the idea of being apart, but also agree that they’ll make it work somehow.

That, despite the dubious success of long-distance relationships throughout history they can’t and shouldn’t think about, lest they get way too depressed. Kotarou also considers applying for the same school in Chiba she’ll be transferring to, which would obviously allow them to see each other regularly.

The festival that follows their talk will be the last one Akane attends as a resident of Kawagoe, so it too has a pall of sadness over it, even though the presence of Kotarou in full fox regalia performing the Hayashi dance on the mobile stage in the streets combines that sadness with a sense of awe and venerability.

But since Akane attends the festival with the track team, she inevitably ends up alone with Hira again, and at the worst possible time – when Akane is about to meet Kotarou on his break. Worse still, Kotarou happens to see the two together. Hira confesses to Akane, who promptly turns him down, but when she sees Kotarou, he can’t hide his annoyance and, yes, his anger; he can deny it all he wants!

While one could say he’s been over-possessive here (especially since Hira has no chance against him), let’s not forget how young and inexperienced in the relationship arts this kid is. He’s never been in a true “fight” with Akane until now; with “fight” meaning a failure to properly communicate at the proper time and place.

Both are miserable and still unable to talk to one another the next day, but by the time that day is at an end and Akane and Kotarou are done cram school, Akane notices a book on Koumei high schools was requested at the municipal-office-thingy-place, and Akane uses her mad running skillz to track down Kotarou.

He’s not coy; he was the one who requested the book. He’s seriously applying to her school, and was going to tell her once he told his parents (who still don’t know and at least one of whom, his mother, will be hard to convince).

Their silly row at the festival quickly fades away as a rush of happiness comes over Akane, after hearing Kotarou tell her whatever shape his future takes, he wants them to be together in it. That’s what Akane wants too, and after rushing into Kotarou’s arms, crying tears not of frustration, but joy, she quickly dries her raw eyes and leans in to kiss him.

Their road ahead will have more bumps, but I’m pretty dang confident in the staying power of this couple’s love…and confident the show isn’t about to break their—and our—hearts in the home stretch. They’re going to be just fine. I take comfort in that.

Eromanga-sensei – 10

The gang is still at the island “data gathering” retreat…but I’m not exactly sure why. Everything that needed to happen in such a setting between Masamune and Elf happened. Now the show switches gears to focus on Muramasa, without changing that setting, lending the episode a static, dilatory feel.

Masamune pulls an all-nighter on work specifically for Muramasa and not the little sister novel. Muramasa quickly scarfs down every page with giddy enthusiasm, but after Masamune catches up on some sleep, Yamada tries to get up close and personal with him.

Muramasa exacts punishment, while Chris takes Yamada away to work. But if he wants her to work, why not send her home to a more work-appropriate environment free of distractions?

Those distractions only compound with Masamune, Yamada and Muramasa in the same room, with Muramasa admitting her submission was a love letter to Masamune, she’s in love with Masamune, and isn’t wearing underwear because she’s in a kimono.

That last bit comes up when Masamune calls up Sagiri on Skype to play “The King’s Game”, and Sagiri is characteristically lewd in the orders to her “subjects.” Pretty inconsequential messing around…until Muramasa declares she won’t write novels anymore because her dream of having interesting work supplied to her by her kohai has been fulfilled.

Of course, precisely zero people buy Muramasa’s threat to quit writing, and indeed all it takes is a five-minute talk with Masamune—who relays to her his discover his spirit-lifting fan-letters were written by her—to convince her to keep writing after all, since it’s okay to have more than one dream to fulfill, and to keep working for them all.

One of those new dreams involves Masamune falling in love with her, which means for all of Yamada’s maneuvering, Muramasa remains a player in the game that is Masamune. But as usual, it’s getting increasingly harder to buy these girls’ intense love for a generic MC like Masamune.

Oh yeah: Fifth wheel guy is old enough to drink, so he gets cartoonishly drunk and slurs his words for, like, no reason whatsoever. Shrug…

Eromanga-sensei – 09

I don’t know if I’m in the minority among Eromanga-sensei viewers, but I’m not the biggest fan of the Masamune-Sagiri relationship, which is rife with inevitably icky undertones, whether or not their love is purely familial or not. So when the show gets away from that relationship and focuses on the more standard unrelated boy-girl variety, I’m all eyes and ears.

We certainly get an eye-full in this week’sbeach episode, but it’s not just empty skin calories. I couldn’t be happier with the fact that we’re out of Masamune’s stuffy house and focused on Elf, whose plans are right there in the subtitle in the cold open.

Shidou and Muramasa also attend the “data collection trip” approved by Sagiri in various off-camera negotiations, but aside from Muramasa appearing in a far smaller swimsuit than she planned, Masamune and Elf have the beach to themselves.

Elf tries to take advantage, passing off legitimate activities lovers undertake on the beach—applying the lotion, playfully splashing, walking arm-in-arm—for role-playing and research. But whatever the context, the fact remains they’e doing these things alone, together, and enjoying it.

At least, Masamune tries to enjoy it, but finds it a bit awkward whenever Elf’s big bro and editor Chris appears. That awkwardness follows Masamune to the men’s bath where Chris joins him and asks him about Elf, including whether he’d marry her.

Masamune insists they’re not actually dating, despite Elf telling Chris so; but Chris manages to get Masamune to say an awful lot of complimentary things about Elf—which Elf herself can hear from the women’s bath.

Really, it doesn’t take much coaxing; Masamune exhibits some much-needed awareness of what he has in Elf, even taking exception to Chris saying his sister’s flaws can overshadow her charms; for Masamune, it’s the opposite, and believes Elf would make a good wife. His wife? Well…

Because Elf overheard everything, she visits Masamune’s room that night and takes him to the same firefly-bejeweled “elven forest” that inspired her novels, as well as the place where her dad proposed to her mom. We know immediately where this is headed: she tells Masamune that she considers him a candidate for marriage, which is a roundabout way of saying she likes him. She even tells him her true name: Emily.

This is Yamada Elf at her most vulnerable, earnest, and endearing. She’s come such a long way since her first appearance, where she was introduced as a generic arrogant loli pest. The little tidbits about her family and upbringing that come to light only serve to deepen my emotional investment in Emily and her happiness.

A-1 Pictures’s pretty character design, sutble animation, and seiyu Takahashi Minami are all working in concert to brine Emily to vivid life. And to his credit, Masamune doesn’t come right out and reject her the way he did Muramasa two eps back. He’d have been a fool if he had.

Emily realizes he might not be in love with her enough to propose marriage, but she’s going to work to make sure that he is one day. Considering all she’s managed to accomplish so far in life, I’m not betting against her, even if the show ends up going in a different direction at her expense.

Eromanga-sensei – 08

Whether she likes it or not, Sagiri can’t have Masamune all to herself, not matter how adorably she dresses. And though he technically rejected her, the fact Masamune compares Sagiri’s yukata to Muramasa means she’s still in his thoughts, because she was the first person to say what she said about his novels.

Elf also tries to nab her share of Masamune’s attention by dressing like Muramasa; in her case, a school uniform. But despite the fact she and Muramasa are rivals in love and novels, Elf offers the advice she’d offer Masamune even if she didn’t like him: stop worrying about what may or may not be, and have one little chat that settles it all. Of course, she’s clearly not happy at all when he says he wishes she was his big sister.

She is, right, however, that being direct with Muramasa is the best strategy, as her feelings for him haven’t changed since he turned her down, nor is she too uncomfortable to attend the short story competition wrap party he’ll be hosting. They also both acknowledge that they’ve only met each other three times—not enough to get to know each other—and so would both welcome a fourth, fifth, and more.

The fifth wheel, Shidou, arrives first, and has no idea what he’s walking into until Elf and Muramasa arrive at the same time and start immediately fighting over Masamune until Sagiri starts pounding on the floor above them. Elf is also sporting her most ridiculous outfit yet – a frilly lolita-style yukata and flamboyant hairstyle.

The initial awkwardness of the party eventually smooths out, especially when Masamune breaks out all the festival themed food, hoping to create a festival-like atmosphere for Sagiri, who can’t go outside. Everyone shares their ultimate dreams, including “Eromanga-sensei”, who says she wants to be the bride of the one she loves. Oh, girl…

After everyone else files out to go see the fireworks, Masamune stays with Sagiri, and confesses that he’s always been afraid of being alone ever since his birth mother died in an accident. He’s also truly thankful for Sagiri, his new family, for putting up with such a pathetic brother, but she feels no less pathetic for losing the will to leave the house.

As they watch the fireworks from the window of her room, Sagiri reiterates that she never considered Masamune family or her brother; her love has always leaned more towards romance, insomuch as she knows what that is.

Still, if Masamune wants or needs her to just be his little sister, she thinks she can “pretend…for a bit”, only to later remark somewhat ruefully to herself while lying in bed how she’s “gotten much further away”, presumably from her dream of being the bride of the one she loves.

I dunno if that’s a bad thing, Sags! Get over him, get out of that bed, that room, that house; go to school, meet someone whose father didn’t marry your mother. Is that so much to ask?

P.S. Kuroneko Sighting. Repeat: Kuroneko Sighting!!! With her adorable sisters too. That confirms Masamune, Sagiri, & Co. live in the same world as Oreimo, whose MC also had to grow a spine and pick someone, anyone, as long as it wasn’t his damn sister. Obviously, Kuroneko was his best choice.

Shingeki no Bahamut: Virgin Soul – 06

This was a calm-before-the-storm episode where not much happened, but what did transpire, and what I learned, was of great significance. It also underscored the fact that the female gaze as represented by Nina is not only present but prevailing in Bahamut.

Case in point, while running an errand for Rita on the eve of the great Anatae festival, Nina comes afoul of the Pimp whose slaves Mugaro released, only this time he’s armed with ridiculously handsome henchmen that make it tough for her to fight back.

It’s an ingenious way to place her in a state of vulnerability and in need of rescuing by the dreamy aloof vagabond. As thanks for his assistance, she asks him to stop by Bacchus’ hot wings stand, and he says he’ll be there.

Nina’s resulting bubbly high from the gruff yes lasts her for much of the episode, as her facial expressions reach new heights of contortion and she wanders through her festival duties in a haze. She’s got the hots for the stranger, and bad…but I wonder how she’d fell if she knew that stranger was none other than King Charioce XVII, walking among his people in disguise.

Meanwhile, Azazel’s imminent plans cast a pall over the big festival—plans that heavily rely on a very large assumption that Nina will side with him and the demons, transform into a red dragon, and help his cause; none of these things are certain, but he’s moving forward regardless.

The night of the festival, Charioce keeps his promise and stops by, and Bacchus asks him to take Nina and show her around. A lovely montage ensues, with an initially just-as-bashful-as-ever Nina gradually becoming more comfortable beside the pretty man as they engage in all manner of festival-related activities.

Those activities culminate in a folk dance, which is as carefully and lovingly animated as the scenes of action, violence, and destruction in previous episodes. Nina’s face is typically a kaleidoscope of emotions, but the dance takes her expressiveness to a new level.

When the time comes to bid farewell, Nina asks the king-in-disguise his name: he gives the name “Chris.” She wants to see and dance with him again, and he hopes they will, a line that echos in Nina’s head and almost turns her into a dragon right there, which is her cue to speed off, Road Runner-style.

While running, she fortuitously collides with Azazel, who has returned to Anatae after his long absence. Azazel has no time to chat, and sternly instructs Nina what to do. Notably, despite the fact he squeezes her cheeks and her eyes meet his, Nina does not blush or react strongly at all to the contact.

This, and her blissful letter to her mom, not only suggest that Nina now only has eyes for “Chris”, but that Charioce may have successfully accomplished what he set out to do: “disarm” Nina and remove her as a potential trump card for Azazel.

Was Charioce only playing Nina, or does a part of him get a thrill from being out in the world without the crown on his head; holding the warm hand of a lovely woman, rather than cold steel, in his own.

We’ll soon see. Azazel Comin’.

Saekano 2 – 04

Maybe it was because I was so tired, but I was off in my assessment of Tomoya’s assessment of Utaha’s script. It’s not that he demanded perfection; his true qualm lies in his exact words: “It’s a crap game.” Meaning, the script is written like a novel, and is thus unsuitable for a dating sim. This is why, as compelling as it is, it must be re-worked.

Of course, Tomoya delivers his criticism with all the delicacy of a sledgehammer through a plate glass window, and he and a still-stunned Utaha have a little shouting match in the maid cafe of what is otherwise, mercifully, a completely in-the-background school festival.

Tomoya is a rude ass about it, but he’s not wrong, and after making Utaha cry, Tomoya is contrite and assures her she did nothing wrong; it was he who failed as game director, getting sucked into the text without considering how it would fit in a dating sim structure.

As he attempts rewrites, Utaha sleeps in his beat, deflated from the rejection of her new arc, which, by the way, was an arc in which the character most resembling her gets the guy rather than the character resembling Megumi. Megumi calls Eriri to report Utaha’s whereabouts, but Eriri is unconcerned.

Eriri’s been in the boat Utaha’s in right now, and can relate, and in any case, she’s got a mountain of her own work to do, surrounded as she is by crumpled balls of art that don’t meet her standards or vision. Eriri isn’t even interested in entering the Miss Toyogasaki Pageant, despite being the reigning champ.

From there, it’s almost a purely Utaha-and-Tomoya episode, with the two combining forces in a creative odyssey during which Utaha gets so exhausted she falls asleep wearing only an open dress shirt and panties, much to the painfully oblivious Tomoya’s shock.

They re-work the Ruri path, then Tomoya gets it in his head he needs a third arc as well: one in which everyone lives happily ever after, which also seems to match what he wants in real life with Utaha and Megumi. While initially frustrated Tomoya wasn’t responding to her feelings, by the end she comes out confident they’ve made a stronger, more fun game by working together.

On the evening the festival ends, when the bonfire is about to be sparked, Megumi asks Utaha, her writing duties now complete, if Ruri is based on Sayuka from Metronome in Love. And she is; of course she is, because both of them are actually Utaha. And Utaha makes it clear she still hasn’t given up on the ending in which her character is chosen by the protagonist.

Megumi straightens out and her eyes focus upon hearing this, before bowing and heading down to the bonfire, where she romantically approaches Tomoya. Megumi tells him she’s not Megumi right now, she’s Ruri, Sayuka, and also…then takes his hand, and dances with him, as Eriri draws them and Utaha looks on. Lovely stuff.

3-gatsu no Lion – 17

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Note: I have taken over reviews of 3-gatsu no Lion from Zane in exchange for ceding Little Witch Academia to Franklin. Call it a three-way trade. What does Zane get? RESPECT.

This was the first 3G of the show’s second half that never really felt like it was dragging. Even in its “weakest” first section, there’s still the formal exchange between Rei and his father, as well as the sun shower and encounter with the ethereal Touji Souda, who could either be a god or a devil.

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Because his dad can tell by reading his face, Rei lets slip that Kyouko isn’t really staying over at his place all the time, and she derides Rei as a snitch under the bridge.

In a 3G first, the Kawamoto sisters finally see Rei with Kyouko, and their reactions are both priceless and true-to-character: Kyouko assumes Rei has found another home to ruin, Akari is polite and stays out of Rei’s business, and Momo is petrified of the Rei-bullying “witch.”

Hina is, well, pissed. So pissed, in fact, that she runs back to Rei and gives him a towering box of food to cheer him up—and all indications are she succeeds in the moment. She also makes sure to give Kyouko a withering middle-schooler stare before steaming off. Akari agrees “just a little bit” with her younger sister that it’s not fair that Rei should just take the “strong-willed woman’s” abuse.

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Kyouko is certainly cast as the Wolf to Red Riding Rei, but in the next segment, 3G turns that on its head, showing the far less outwardly confident and strong Kyouko. She basically stress-eats all of the food meant for Rei. She calls home to tell their dad where she is, but has to give the phone to Rei, because their dad doesn’t trust her.

Curling into (Rei’s) bed (again), Kyouko doesn’t know what to do with herself. She also doesn’t know why she chose Gotou, a man she can’t possibly bring home for Dad to see. In the night, Rei notices her checking her phone over and over, and the blue LCD light it creates, giving the impression the two of them are sinking into the bottom of the sea.

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Kyouko has crossed adulthood, but seems threatened by the only slightly-older Akari has achieved (in the brief, limited moment they crossed paths, that is). Rei is nearing adulthood, and at 18 will still be a second-year at school. Nikaidou has reached his rank, catching up to him, and is looking forward to proving his worthiness as a rival in an official match soon.

Rei puts it perfectly when he says he and Kyouko don’t know how to be proper siblings, nor can they be strangers, so they’re caught in between. Perhaps as they grow older and more mature they can learn and change. For now, Rei awaits the arrival of Spring, the first month of which I hear…comes in like a lion.

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3-gatsu no Lion – 16

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While it could be argued Hayashida-sensei got Rei in this hole by miscounting his absences, he gets resourceful in a bid to dig him out of it, including introducing Rei to the After School (Bunsen) Burners Club, a group of passionate nerds happy to help Rei out with science-y stuff. This was a lot of fun and engendered the most laughs; the mustachioed guy in particular was hilarious, somewhat Excalibur-like.

It’s a relief to the teacher to see Rei interacting and laughing with fellow students. The lesson he imparts upon Rei is that when he cannot overcome something alone, seek out someone to help; otherwise no one will ever seek him out.

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After a brief fake-out with a too-confident looking Gotou, we learn that Shimada was the victor in the third and final match, making him the challenger against the ethereal reigning champion Touji Souya. Gotou was prepared to give remarks on his loss, while Shimada is so spent from the exertion he can barely stand or talk. His spirits are buoyed when Rin asks if he can join his shogi workshop.

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Back at the Kawamoto’s, the girls and gramps are making special boxes for the girls festival and planning what kind of meal to prepare for the special occasion. Hina is frustrated that Rei hasn’t been by, and doesn’t understand why he’d deprive himself of food (and their company) for so long. Gramps understands, though; it’s a matter of pride. He’ll come back when he’s ready.

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The workshop is at Shimada’s house, a modest but gorgeous little home dramatically perched atop a hill in the oldest part of town. There’s a sense Rei has climbed a mountain to reach some kind of temple in order to aid him on his quest to enlightenment. In reality, he doesn’t spend enough time playing in non-competitive matches with peers, which is why Shimada was able to run roughshod over him.

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Shimada is glad to host three gung-ho shogi players in his home for the workshop, but once the three start getting defensive, digging in their heels and barking like petty feudal lords, the toll Shimada’s matches exacted upon his body are amplified, and he cuts the ‘shop short, blaming a stomachache.

Nevertheless, Rei is being exposed to different forms of play, with nothing on the line except his still-narrow personal view of shogi play. Nikaidou even follows him home, as their argument over use of certain pieces at a certain time inspires him to want to demonstrate to Rei what he’s on about on a shogi board.

Overall, this was a pleasant (if a bit thin-feeling) episode that shows some of the incremental steps Rei is taking towards…well, growing up, becoming both a better shogi player and a better man. Notably, there were no scary flashbacks (or scary Kyouko) to be had, but like Hina I too hope he’ll end his self-imposed exile from the Kawamotos soon.

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Momokuri – 19 + 20

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Our next episode pair starts off with a nice monologue by Momo explaining where he’s coming from (loving parents he doesn’t see a lot) and how Yuki’s undivided attention is a new and exciting thing. This is the closest the show comes to drama, and while it’s no Orange, it gets the job done.

Since he’s come to like her attentions, Momo takes Rio’s words to heart about the distance Yuki seems to keep, but only confuses Yuki when he tries to rectify it.

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The thing is, there’s nothing that needs rectifying. Rio is observing this relationship from the outside; she can only tell Momo what she sees, how she sees it. Ditto Norika. But Yuki is just fine when it comes to Momo. While 90% of girlfriends would get jealous upon overhearing Momo call Rio cute, she seconds Momo’s opinion; Rio is cute.

Rio worries Yuki is an airhead, but it’s not really obliviousness. It’s a matter of point of view and confidence. Rio doesn’t have it, and Momo is still working on it, but Yuki is already there. She’s over the moon that Momo is on stage dressed up like a wolf, and not only happy all the other girls like him, but would think something was amiss if they didn’t. Momo’s a wonderful person; they should all like him.

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But it never crosses Yuki that Momo might slip out of her hands. What others think or her or Momo or the two of them as a couple is ultimately irrelevant. When Momo sees that as being passive or a pushover, and asks her to be a little jealous once in a while, it’s only more confirmation that he likes her. She’d probably be fine going out of her way to seem jealous for his sake, but not because he asked her to…because she wants to.

I honestly thought Momo already told Yuki he liked her, but perhaps I was taking his agreeing to go out with her as a confession. But the actual official confession happens here, and it only deepens Yuki’s feelings for him, to the point she gathers the courage to tell him the truth about her “collecting.”

The episode ends before Momo has quite grasped what Yuki means, but as I said, this isn’t a drama, so whether he ends up truly understanding the extent of Yuki’s…activities, I’m sure they’ll be fine.

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Tanaka-kun wa Itsumo Kedaruge – 11

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You’d think a pool episode would wear Tanaka out, but he can always float listlessly on the surface. When his normally relaxing, ordinary school life is infected by vigorous preparations for the cultural festival, we learn what is truly anathema to him.

In preparation for the bedlam, he tries to perfect his cloaking device, but to no avail: he has to perform some task, and the final ones available to him and Ohta turn out to be the role of haunted house ghosts.

Of course, initially, Tanaka doesn’t scare Shiraishi so much as surprise her when he so nonchalantly flashes her while switching how he wears his funeral robe (fortunately, he was wearing underwear).

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Ohta and Tanaka also have a sweet moment when they look on proudly as Echizen interacts with people other than the two of them and Miyano (though she resents their pride as somewhat mocking).

The haunted house turns out alright too, with a couple of little issues: Rather than a ghost in a well, Tanaka looks more like a leisurely bathing spa patron.

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As for Ohta, he’s far more scared of the house than anyone else, and so he must be replaced as star ghost. Miyano steps in, but ends up charming patrons rather than scaring them with her adorable demon catgirl get-up, even posing for pictures. Hey, it’s not what they were originally going for in a haunted house, but if the customers come away happy, who cares?

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During Tanaka’s break, he sees class 1-E has a Maid Cafe, and as a girl with very similar long black hair runs off to watch the drama club, I was all but convinced Tanaka would be forced into a maid outfit to substitute, with hilarious results. Instead, we got something even better: Echizen in a maid outfit, complete with bubbly welcome.

Of course, she realizes far too late who she’s welcoming, resulting in the longest—and best—comedic pause of the episode, ending with Echizen reverting to her usual brusque nature, demanding Tanaka go home and forget what he saw.

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Tanaka continues his quest for a refuge from the hustle and bustle of the festival, barging in on a kissing couple and coming up against a sign barring roof access. He settles on a cardboard box near the roof door, where he soon falls asleep. Ohta, who lost sight of him during the break from helping everyone who asked, searches desperately for his friend, stopping at nearly every food and sweet stall on the way—this is a cultural festival, after all, one must sample all they can!

When he does find him, Tanaka is so accidentally scary-looking that Ohta clean passes out. All Tanaka can do is sit by him and wait for him to come to, but of course he dozes off in the process. When they both come to, it’s time to clean up and celebrate a festival well done. But Ohta doesn’t forget the ghoul he spotted, and presents Tanaka with consecrated salt to ward it off…even though “it” was Tanaka himself.

Another wonderfully solid and hilarious Tanaka-kun, adding new life to a well-worn anime theme two weeks in a row with its uniquely bizarre and unexpected yet warm and charming comedy. I hope it gets a second season!

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Tanaka-kun wa Itsumo Kedaruge – 10

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I never though it would be possible: a pool scene with no girls in bikinis flitting about! Just a shirtless Ohta and Tanaka, surveying a very nice public pool filled mostly with kids.

A couple of said kids discover Tanaka can’t swim, try to tease him, and incur the wrath of Ohta. They make peace, however, and Tanaka inadvertently teaches them how to float perfectly along the water, a talent he owes to his listlessness.

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It was fun to see Miss Wac at her other part-time job as pool lifeguard, criticizing Tanaka and Ohta from a place of ignorance, this time in aquatics.

It’s left to out imagination how exactly Tanaka gets home when Ohta reports he’s too tired and listless to carry him, but I loved the fact Tanaka’s floating method became a trend with grade schoolers, much to the dismay of their swim teacher.

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The second half is all about girls in yukatas, making up, if you will for a first half that was mostly ‘beefcake’. Miyano wants to attend the fireworks festival with Ecchan in a sexy yukata, but thinks she needs to grow 10cm to do so.

Tanaka and Ohta decide to help Miyano out: not with rapid growth, which ain’t gonna happen, but by helping her choose a cute yukata. Shiraishi also joins them, and we learn that, just like Tanaka, she’s more used to watching the fireworks on TV in an air-conditioned room. Frankly, part of me wanted to see these two doing just that at episode’s end.

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Instead, Shiraishi regrets to inform the others that her two girlfriends already invited her, but it’s no big deal. Shiraishi gets all the joy and satisfaction she desires when Tanaka heartily endorses her yukata.

Miyano…is a different story: even the smallest-size yukata off the rack fits…poorly. So Shiraishi, reciprocating all the good Miyano did for her, decides to dust off another one of her wrecklessly-perfected skills, in this case sewing, to make a custom yukata that wil fit Miyano properly.

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The result is…well, adorable, but also with an air of maturity. It’s a complete success, and Echizen is so charmed by the sight of her cute friend, she allows Tanaka and Ohta to join them.

Not moments after Echizen internally remembers when she and Ohta used to go see fireworks in matching yukatas, Ohta asks her if she remembers that very memory; and when she denies, he’s suspicious.

Ohta starts off well by properly complimenting Echizen’s yukata, which isn’t what he or Tanaka expected. But things take a turn for the worse when, in the middle of Echizen working up the courage to compliment his yukata, Ohta runs off at the mention of unlimited syrup at the water ice stall. But then, I guess we always knew Ohta’s priorities.

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Tensions lesson once the fireworks start, and we see Shiraishi with her two friends enjoying them in one spot, and Echizen, Ohta and Tanaka in another, united in their awe of the fireworks’ magnificence.

But wait…where’s Miyano? She’s so short she can barely see the fireworks over the taller masses around her. Someone put her on your shoulders, already!

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