Higehiro – 04 – Protective Lies and Different Smiles

Let’s get one thing out of the way: I Shaved. Then I Brought a High School Girl Home. is a crap title. It reads more like a cheap hook for what this show isn’t, and so does the show it’s attached to a grave disservice. Hell, it’s not even accurate; his grooming habits didn’t improve until after he invites Sayu into her home. Basically any title would have been better than this. Fortunately, we can abbreviate the Japanese title to Higehiro, which at least rolls of the tongue, and leave it at that.

[Long Title Rant Over]

This week begins with Sayu begging Yoshida to let her get a job, then learning she never had to beg: he’s fully on board with her getting out of the apartment, keeping busy, and meeting new friends. Sayu gets a job at the local konbini, and immediately hits it off with her work senpai Yuuki Asami, who becomes the latest in this show’s much-appreciated procession of kind, thoughtful decent characters who feel and act like real people.

When talk of Sayu’s place comes up, Asami learns that Sayu is living with a man who isn’t her boyfriend, and invites herself over to check the guy out. When Yoshida gets Sayu’s text about her guest, Hashimoto learns Yuzuha also knows about Sayu, while on the other end of the office Gotou looks at the downward slope of the graph on her monitor also serving as a graph for her increasingly left-out mood.

Yoshida’s cramped apartment becomes even more so with the bold and expressive Asami there, but she’s immediately relieved that he seems like a good guy. And as an attractive high school girl, with all the unique experiences they face, her assessment, while quick, doesn’t seem rushed or half-assed. Both at school and work, she’s surely interacted with enough guys to know Yoshida is different.

As she stays for dinner, she also learns that Yoshida is incredibly lucky to share his home with a cute girl who is also a great cook. Asami has Yoshida walk her home, where she reveals she knew he and Sayu were lying about being old childhood friends, and asks him what the truth of their relationship is. Yoshida says not going to lie more, but he’s also not going to talk about things Sayu still wants to hide.

Hearing Yoshida be so considerate of Sayu’s feelings earns him more high marks in good-dudeness from Asami, who agrees to drop the matter and bring it up with Sayu when she thinks she’s more ready. She understands that while you choose who you get involved with, you can’t choose who you can meet, so it’s lucky when you meet a good one.

She’s certain both Yoshida and Sayu are good people, and looks forward to seeing more of them. Yoshida, in turn, asks Asami to be Sayu’s friend, just like a good dad. Asami’s only warning to Yoshida is to be careful, as “Sayu-chiso”, as she nicknamed her, is “really good at using different smiles.” Of course, we’re already aware Yoshida is aware of this, as he was able to see through some of Sayu’s smiles last week.

Sayu has a safe, comfortable, and supportive home, a new job and a new friend. The second half of the episode opens new opportunities for Yoshida, and I’m not talking about advancement at work. At the end of the day, Gotou approaches him, draws a bit closer than workplace sexual harrassment rules would probably be okay with, and takes him out for yakiniku.

They leave Yuzuha alone holding two cups of coffee; suddenly she’s the left-out one. Gotou doesn’t beat around the bush: she wants to know what’s been up with Yoshida, between all the time he’s spent with Yuzuha, passing up a work trip, and checking his phone all the time. While he’s under no obligation to answer any of that, he agrees to do so if, and only if, she answers his question: why is she so fixated on him?

That’s when, in between a lot of nervous fidgeting, that she actually likes him. When she said she had a long-term boyfriend, she was lying. Stating she (like Asami) has good intuition, she lied because while she was happy enough to jump for joy upon hearing he liked her, she didn’t think it was time, and was scared it wouldn’t go well.

Yoshida, who actually doesn’t have any reason to trust what Gotou is saying now, oversteps a boundary by saying she can prove she’s not lying about liking him…by sleeping with him. It oversteps because he’s not 100% lying. Only when he sees how flustered this makes her does he say he was only kidding. But she also admits the reason she was worried it wouldn’t work out: she’s a virgin.

Gotou’s behavior, from lying about having a boyfriend and confessing her feelings to revealing her virginity, could all feel like a goofy soap opera if handled improperly. But here’s the thing, it isn’t. None of it is out of left field or simply for the sake of increased romantic drama. It absolutely tracks that Gotou’s lack of experience with sex would make her reluctant to rush into something with a guy she really likes.

Gotou truly did wound Yoshida’s heart with her false rejection, because at the end of the day if she’d explained her true intent he’d have understood; we know that much about him from his interactions with Sayu and Yuzuha. And to their credit neither the show nor Yoshida let her off the hook without a penalty, as Yoshida vows never to ask her out.

Instead, he’ll wait until the time comes when she can ask him out on a date, and he’ll look forward to it. So yes, Gotou initially made a big mess of things and hurt the guy she liked. But it wasn’t the end of the world with him, and he’s happy to forgive her as long as their interactions going forward are open and honest. Both Yoshida and Gotou are able to leave that yakiniku restaurant feeling a lot better about things, and it all feels earned.

But wait: their agreement is only half-complete: Now that Gotou has answered his question—and he learns that Sayu has more sexual experience than the adult woman he likes—it’s time for him to return the favor. Instead of sticking with Yoshida and Gotou as he answers, we return to his apartment, where Sayu is eating some pretty bangin’ looking beef stew.

It doesn’t taste “as good as it should” because food always tastes better when you’re eating it with others (that’s an unwavering truth). But especially after experiencing the apartment with both Yoshida and Asami around, being alone still feels lonely. It also gives Sayu’s trauma-addled brain a chance to leak glimpses from her past.

These glimpses include what could be her first sexual encounter along with a very stark POV image of her on a bed with what looks like ejaculate in her hand—and an unidentified crying girl. Sayu starts to blame Yoshida for not coming home and heading off these painful, unwanted thoughts, but she scolds herself for “blaming it on someone else,” not yet ready to assign blame only to those who exploited her. It’s in this state of mind that she receives a text from Yoshida saying he’s bringing Gotou home.

This is it, Sayu laments, this is when I’m abandoned again. She texts back she’ll stay somewhere else (and thank goodness she knows Asami now, as she could stay there if she needed to), but Yoshida texts back that it’s not like that: Gotou wants to meet her. It’s a great way to reveal that, like Yuzuha, Gotou learned the truth from Yoshida, and because she knows him to be a good guy (and no one on this show has watched him closer or longer), is ready, willing, and eager to know more about it, not less.

Yoshida, in turn, is learning like Gotou that lies (and omissions!) can only hurt more than they can help. The only way forward is in the light of the truth. And I never thought I’d say this, but I can’t wait for Gotou to meet Sayu. I think she’ll not only be impressed by what a nice girl she is, but understand completely how Sayu and Yoshida ended up in this scenario. I officially love this show. Even at its messiest, it’s brimming with good faith and empathy and I am here for it.

 

Yuru Camp△ 2 – 12 – Crossing the Rubi-tombolo

Yuru Camp takes a quick look back at when Nadeshiko was saying a tearful goodbye to her best friend Ayano; and I agree with the commenter that Kurosawa Tomoyo is a perfect voice to match Aya-chan’s personality—I just wish Kurosawa voiced a main character! Aya assures Nadeshiko that she’ll make new friends (which she does) and says that once she’s in a new place, she should try a new thing.

That new thing turns out to be camping up an absolute storm, culminating in this latest group trip to the geospot and lookout-packed Izu peninsula. After a refreshing breakfast of sashimi rice bowls, the group heads to Dougashima and the famed tombolo of Sanshiroujima. Akari is heartbroken to learn, her big sis was having her on; “tombolo” isn’t food, but the sandy bridge between islands that appears during low tide.

Removing their boots and braving the frigid waters, the group crosses the shallows and explores the island before the tide comes in. Nadeshiko thinks this would be a perfect spot to visit in the summer when the water is warm enough to swim in, leading to what I believe is the series’ very first cutaway to the girls in swimsuits.

From there, Rin takes point in her 30km/h moped for the drive along the glorious Nishiizu Skyline to their campsite. I can’t help but recall a similar drive I took up Mount Evans, on the highest paved road in North America. Evans is 2km taller than Fuji-san, so you can imagine words will hardly do the majesty of the scenery justice. It truly is, as Rin says, like driving in the sky.

Once they arrive at the Daruma Forest Campsite on the Darumayama highland, Aki, Rin and Ena start prepping for dinner early, while Akari leads the birthday girls Nadeshiko and Aoi away to check out the baths near Cape Mihama (which is sometimes mistaken for Cape Ose). To Akari’s shock, they already know a birthday meal is being prepared, since Aki specifically told Aoi that back at school, and their grocery shopping included things like whipped cream.

But even though it’s not a complete surprise, Nadeshiko and Aoi are still delighted by the celebration prepared by the others, who go all-out with decorations, a (pancake-based) cake, and the gift of durable and easy-to-maintain wooden cooking pans.

A suitably sumptuous feast of shrimp and tomato risotto awaits, made with spiny lobster broth and made extra-shrimpy by the addition of a highly-concentrated shrimp sauce. While Toba-sensei is enjoying the snacks the girls prepared to go with her booze, she gets a call from her Ryouko, who is herself solo camping much closer to Fuji-san out of her sister’s Suzuki Hustler.

Ryouko can tell her sister isn’t that drunk (yet) and congratulates her for being a good advisor. Minami admits she “wasn’t too keen” on becoming one at first due to the time it took up, but watching her students growing up before her eyes, she totally gets the appeal now!

With everyone now on the same sleep clock, the girls eschew movies and head to bed early so they can get up in time to watch the sun rise from the peak of Duramayama. The extra 500-meter climb nearly kills Aki all over again, but Rin and Nadeshiko reach the top first with time to spare, and Nade prepares instant miso soup with more of the spiny lobster broth, telling Rin the shell can be used more than once and even ground down into powder for future use.

While Toba-sensei stays in the van with a still-sleeping Akari, Aki, Aoi and Ena join Nadeshiko and Rin at the top, and the three formally bow and thank Rin for saving them. They also intend to visit the Iidas to properly thank them (and play with their adorable Corgi, Choko).

Then that sun rises and begins to bathe the landscape in its warm, silky light, rewarding the girls for their effort. Did I mention that shortly after starting this show I’ve started getting up early to watch the sunrise? There’s really nothing quite like that light. Yuru Camp isn’t just about immersing yourself in its warm and fuzzy therapeutic goodness, but inspiring you to get out there and give something new a try, as Aya urged Nadeshiko to do.

Yuru Camp△ 2 – 11 – Mamashiko Ajiii!

As expected, the highest point of Hosono Plateau offers a view that’s well worth the climb…or the race to the top if you’re Nadeshiko, Akari, or Chiaki. Also as expected, Nadeshiko won, securing her revenge for Akari telling her the camping was over when she woke up. Part of the reward is seeing the Izu Islands, technically part of Tokyo Prefecture and potential island camping location.

But Izu is vast—thanks to all the volcanic activity inthe last 20 million or so years—and the hour grows late, so the van-and-moped convoy leaves Hosono in search of a hot spring near the campsite. Once they find a suitable one, Nadeshiko relays it to Rin, who lets out a BIG ol’ yawn in response. She’s been riding since three in the morning, after all!

After Akari imagines a hilarious TV commercial for a Rin-themed frozen treat, the group has a sunset-lit soak at the Dougashima hot springs, which almost claim the increasingly drowsy Rin. Then Toba-sensei makes the mistake of chugging a post-bath beer, and has to call in a replacement driver, which is apparently a thing in Japan!

Still, bathing at Dougashima was the lemonade they made from the lemons of being turned away from their original campsite, and getting to their new site in Nishiizu a little late doesn’t faze the group in the slightest. Rin is too sleepy to be fazed anyway!

When it’s time to start a fire, Rin wakes up and teaches Akari how it’s done. You can tell Rin hearing it’s Akari’s first real campfire takes her back to her first campfire…which didn’t go nearly as well but was salvaged thanks to an experienced helping hand. With the tents and camp galley set up, a very well-rested Chef Nadeshiko enters Yuru Cookin’ Mode.

She first prepare a Spanish-style chunky Ajillo in an earthenware pot, while Ena and Chiaki grill some spiny lobster. Toba-sensei learned from her Christmas Camping error and brought the perfect booze for every possible meal. Her sister Ryouko texts her a quick reminder not to overdo it as she’s gotta drive tomorrow. I kinda wish Ryouko had joined them!

Having chosen meals as much for their ease of preparation and clean-up as their deliciousness, Nadeshiko innovatively uses the leftover juices from the Ajillo to make a totally different one-pot dish: alfonsino acqua pazza pasta. Yuru Camp does a good job giving you the gist of the recipes without turning this into a full-on cooking show…but as I’m a huge fan of both Great Chefs and Food Wars, that wouldn’t have been the worst thing either!

One thing’s for sure, Nadeshiko upped her game considerably, and her friends can be certain that going forward camping with her means rib-sticking gourmet-quality meals that take full advantage of the local ingredients to the max. But the  umami and sleepiness double-whammy finally does Rin in, which is when Nadeshiko becomes Mamashiko, ensuring Rin brushes her teeth and uses lotion before retiring to her tent.

The fact that Nadeshiko, Rin, and the others are all on totally different sleep cycles works in the episode’s favor. When Ena can’t sleep, she encounters Nadeshiko is also still up, enjoying a dramatic view from the picnic area. The two have proceed to have a wonderful little low-key heart-to-heart. Nadeshiko mentions how the relaxing waves remind her of her hometown, admits she knows about Ena’s konbini job.

Ena says it’s not just for camping expenses, but because she wants to get her drivers license at eighteen so she can take Chikuwa camping. Ena then remarks how much things have changed since Nadeshiko moved to Minobu, and Nadeshiko says a lot’s changed for her since meeting them. They head to bed, as it’s past three, and at four on the dot Rin wakes up totally rested…and all alone.

This is no problem for Rin, who takes the opportunity to get a little Me Time in before the others wake up. She hops on her moped to check out some local geospots, from Cape Kogane to Sawada Park, which she learns has an open-air hot spring right beside the sea.

Ena and Aoi are the next to wake up, but when they see Rin’s text they retreat back to their sleeping bags, joining the still-dozing Nadeshiko. Then a panicked Chiaki shows them Rin’s message “Please don’t come looking for me” and assumes Rin’s run away from “home”. The other two understood: Rin just wants some solo time. Here’s hoping getting up so early doesn’t render her too sleepy for the group’s adventures later that day!

Vlad Love – 03 – Quite Unconcerned by Crosses

The zoo fiasco forgotten (like all things from episode to episode), Mitsugu and Mai catch a vampire flick at the movies…and Mai is so inspired she can’t help but bite the head of the man sitting in front of her. I like the idea of Mitsugu and Mai just going out and the former having to deal with the unpredictability (and volatility) of the latter. My Girlfriend’s a Vamp! kinda stuff.

This episode features a brand-new OP which may not slap quite as hard as the first, but is beautiful in its own right, both in visuals and music.

After the movie the couple bump into Watabe Maki (Hayami Saori), president of the Cinema Club at Mitsugu’s school, who is curious about Mitsugu’s new, very pretty and photogenic (and out-of-her-league) companion. Mitsugu says she’s a relative, and when pressed, Mai simply states they’re “connected by blood”—which is true!

Maki takes them to a good restaurant for dinner, where Mai consumes a generous amount of garlic gyoza. Rather than kill her, the garlic seems to have an intoxicating effect, and the restaurant is demolished. The papers cover the incident as some kind of “mass hallucination”, which seems to be a recurring theme…along with the frankly lame fourth-wall breaking when Maki can hear Mitsugu’s thoughts or points out when she’s spewing exposition.

Mai’s unforeseen reaction to garlic leads Mitsugu and Dr. Chihiro to undertake a more thorough investigation of how Mai fits into common vampire knowledge. She drinks blood, and can sprout fangs and wings out of her head, but UV light doesn’t bother her, garlic turns her into a boisterous drunk, and crosses don’t affect her in the least.

While testing the UV bit, Mitsugu runs into another classmate, the Type-B (i.e. eccentric) Konno Kaoru, prez of the Cosplay Club. She mistakes Mai’s get-up for Invisible (Wo)man cosplay, and invites her and Mitsugu to the Cosplay Club so they can get their ‘cos on. Mai nails all the classics, from maid to bunny and magical girls. Mitsugu is more niche, pulling off a researcher from a 1970s sci-fi movie with aplomb.

Kaoru invites the pair to an Akiba Halloween party, the location of which is established with the show’s signature live-action drone footage of the city. Mai’s vamp-girl costume proves too hot to handle, causing a near-riot amongst the horny guys in the audience and forcing the karate club to lay down the law while keeping their school’s Disciplinary Officer Jinko at bay.

Mitsugu seems to sense when she and Mai should start heading home, but before that can happen the commotion knocks out the lights at the venue. Mai emerges from the darkness then transforms into a swarm of bats, making one hell of an exit from the party that is once again written off as a mass hallucination.

To quote Homer Simpson, each episode of Vlad Love has been little more than “a bunch of stuff that happened”. That doesn’t mean that stuff doesn’t look great and a ton of fun to boot, but there’s just no depth to the stuff, and everything resets from episode to episode, so nothing really means anything. Their movie date aside, Mai and Mitsugu aren’t really progressing as a couple so much as treading water.

The episode is also stuffed with overindulgent moments like the whole minute of needlessly describing in great detail the British bomber inexplicably flying in the air over the gyozu restaurant. Stuff like that engenders far more ¯\_(ツ)_/¯’s than LOL’s.

Otherside Picnic – 05 – Pale Horse

After treating Kozakura to well over $100 worth of dinner as an apology for her unwanted excursion to the Otherside, Toriko and Sorao complete their making-up by ordering another $100 worth of grub and drinks. During the meal, Toriko whips out Lady Hasshaku’s hat, which turns out to be much more than bad table manners.

After the waiter starts acting very strange (muttering about “sublance” and “abardmont”), Sorao leads a tipsy Toriko out of the oddly empty café and to the station, but something is off about Ikebukuro: all the lights are out and there isn’t another soul in sight. Before long the pair find themselves in an unfamiliar field, and encounter a bizarre two-headed robot horse-like monster, carrying several hanging bound bodies.

Neither brought guns to dinner, so they have to make a run for it, with Sorao doing her best to scope out potential Glitches. They reach a train track, which they believe will eventually lead to a station (i.e. shelter), but they’re then chased by a frightening mass of glowing purple faces.

Suddenly, Toriko hits the deck and has Sorao do the same, and bullets fly over their heads—bullets from the guns of soldiers. Their leader identifies the girls as human in Japanese, but his men chatter in English. The bullets aren’t meant for the girls, but for a third monster: a towering Groot-like hulk with branches for antlers.

Eventually the tree man wanders off, while the robotic horse doesn’t continue its pursuit. The lead soldier introduces himself as U.S. Marine Corp Lieutenant Will Drake, commander of the Pale Horse Battalion, Charlie Company 1/2 out of Okinawa. (“Pale Horse” is a reference to Death, the fourth Horse of the Apocalypse.) He and his unit have been trapped in the Otherside for over a month, while their robotic pack mule was transformed into a monster that has claimed a number of his men.

Lt. Drake & Co. lead Sorao and Toriko to “February Station”, which Sorao identifies as Kisaragi Station from the real world, but the group keeps moving until they reach the company’s well-equipped base camp. The thing is, a lot of Drake’s men distrust the girls and aren’t convinced they’re not monsters in disguise. They obeyed his orders to stand down this time, but what if fear of the unknown, or additional illusions, cause them to lash out?

The introduction of American marines from Okinawa to the Otherside, as well as the new manner in which the girls ended up their themselves, brings a fresh new dynamic to their adventures. Toriko may have been joking about marine basic training, but now they find themselves unarmed and exposed in a potentially paranoid hornets’ nest. As Toriko is also fond of saying, as long as they stick together, things will work out. Here’s hoping.

Rating: 4/5 Stars

Appare-Ranman! – 06 – Outside the Box

At the start of the rave, favorites Dylan, TJ and Al are in the front, with Appare’s thrown-together contraption just barely keeping up with the second group of Xialian and Richard Riesman. Al stops at a railroad crossing, but daredevils Dylan and TJ jump the track a moment before the train crosses, showing they’re willing to put their lives on the line for this race. Since they’re the first into the first supply town of Lancaster, they’ll be the first allowed to leave.

As teams rest and resupply, Al finds himself feeling discouraged and insecure. He wonders if it would be better for Sofia to go ahead by train and meet him in New York, since the race will only get hairier.

Sofia reminds him that he’s not supposed to be putting his life on the line for the race; he has a future with her and the company to think of. After Kosame spars with Al (and continues to exhibit a kind of “block” keeping him from his best swordsmanship) he buys Appare, Hototo and Xialian a nice dinner.

Appare’s team is scheduled for a 12:07 am departure from Lancaster, but Hototo, having seen Gil’s henchmen all over town, decides to split off in order to “take care of something.” He overhears Gil’s team planning to sabotage the entrance to Death Valley via the Valley of Despair and dynamite the entrance behind them.

Hototo doesn’t do a great job of staying hidden, and one of those henchmen finds him. They tie him up and stuff him in a box. When the start time arrives, Appare pretends the car needs more work to buy Kosame more time to find Hototo.

Hototo finally breaks out of his box prison by the side of the road and runs back into town to reunite with Kosame. Appare betrays a brief smile at the sight of their return, and off they go. Fortunately, all the cars that left ahead of them were stopped in their tracks by Gil’s men blocking the entrance with junk, so the delay doesn’t hurt them.

Appare is confident his newly “reborn” engine, improved during the downtime in Lancaster, can catch up to the group, overcome the junk and the dynamite, and remain in the running for the win. He’s tired of relying on shortcuts; he wants to win with his machine, not in spite of it, or all of this is for nothing.

Appare-Ranman! – 05 – Jockeying for Position

Kosame gathers up a sleeping Appare and Hototo for the pre-race banquet, where they are immediately turned away for not abiding by the dress code—something Xialian is doing thanks to her classy new dress. The code suddenly becomes more flexible when Thousand Three member TJ arrives in an outfit even more outlandish than Appare’s, carrying a turntable boombox playing anachronistic music.

Thanks to TJ the others gain entry (once Kosame puts on a necktie), and we soon learn that when it comes to fashion, Thousand Three members are extremely extra, judging by the arrival of the ruthless Gil and his lieutenant Chase. Hototo only came in order to ask Dylan about a snake tattoo. Dylan tells him it’s worn by Gil’s henchmen, but suggests that if he wants revenge (and not to die), he’ll have to be patient.

There are introductions of the B.I.G. BOSS car companies, the race cars, and their drivers (Kosame’s name is mispronounced and they’re given number 0), and then the pre-race lottery for pole position begins. TJ breaks up the ceremony by shooting the raffle box and declaring pole position for himself, which leads Dylan to challenge him. That sparks a very weird pistol duel, complete with unlimited ammo and acrobatic bullet-dodging moves.

The other drivers hash it out with duels ranging from kicking  to cucumber slicing. It’s all a little nutty and arbitrary, and it’s a miracle not one person was shot or even wounded by all the stray gunfire (though if the show takes such liberties with tech and fashion, it tracks that it doesn’t have a problem taking them with normal human ability and gun lethality as well).

That brings us to the next day and the start of the race, which we first saw in the first episode back in April. After five episodes of setup, the race has finally begun, and Appare has a steam-powered car in a race that favors gasoline-powered cars. No matter; he declares the car will never be finished because it will always be evolving, including during the race.

With Hototo as a guide and Kosame as…er, captain, they’ll no doubt take routes and make moves other racers are either too afraid or too sane—or both—to attempt. But even as the racers speed off into the wild, there are conspiratorial elements committed to turning the race into a “tragedy”.

Uzaki-chan wa Asobitai! – 01 (First Impressions) – Super Huge Fun

This wasn’t originally on my animedar, but the “[Name] Wants to [Action]!” formula has generally been a good source of slice-of-life comedy entertainment, and in the case of  Master Teaser Takagi-san, occasional gems.

Well peeps, I can say without reservation that Uzaki-chan Wants to Hang Out! was well worth a look, delivering an irresistible blend of rom-com slice-of-lifeness, lightly dusted with ecchi on account of the titular Uzaki Kana having a very large bust despite being under five feet tall.

Sakurai Shinichi is a second-year college student and stubborn loner. When Uzaki, his old high school kohai, greets him, he remembers her name…then an entire dang year passes without the two of them interacting again. That’s one hell of a cold open!

Now a second-year herself, Uzaki is determined to establish a relationship with the now third-year Sakurai, and when their afternoons align she doesn’t take no for an answer. Their day together begins with a trip to the movie theater, where Uzaki mocks him for going to movies solo.

When he sees the genuine enthusiasm in her face and offers to pay for her ticket with his points, she then mocks him for having collected so many points by going to see so many movies alone. Throughout their interactions, which consist of her yelling a lot and him getting angry, they are mistaken for being boyfriend and girlfriend many times.

Aside from close-ups and the “SUGOI DEKAI” (“Super Huge”) label across her chest, Uzaki’s chest is never explicitly mentioned in dialogue, making it a strict ecchi sight gag. However, when she’s in a massage chair, it feels so good on her overburdened shoulders she can’t help but let out a series of thoroughly indecent sounds. She also puts on an inadvertently amorous show when she stands on a vibrating workout platform.

When she tries out the VR, Sakurai has a gas watching her frenzied, fearful reactions…until she absolutely obliterates him with a blow to the face; he was standing too close to her. The tables are turned when he tries out the VR in an underwater scenario, and one of his grasping hands mimicking swimming accidentally grabs and squeezes one of her boobs, marveling at the tech that apparently replicates feeling.

After a batting cage session that consists of Uzaki heartily and mercilessly laughing at Sakurai’s feeble attempts to make contact and Uzaki injuring her back out by swinging to hard, the two have dinner, where Sakurai learns that any unattended food he orders will be instantly hoovered up by the voracious Uzaki (clearly we know where all that food goes).

Sadly, we don’t get to see the two part ways or say good night, but the next morning Uzaki suggests they go right back to the cages so he can give her some pointers. What for Sakurai had been extraordinary infrequent situation of actually hanging out with someone, she’s determined to make a regular occurrence. Not that she wants Sakurai to get used to her—she’s  always going to keep him on his terms and be on his nerves.

But as he said earlier in their first afternoon of hanging out, “she has her moments,” and I have no doubt he’ll steadily warm to her sunny charm and brazen boisterousness, even as he ponders how Uzaki changed so much from that taciturn high school student by the pool.

Uzaki-chan is a zany superstar, thanks to adorable character design and the immensely talented comic voice of Oozora Naomi (who also voice Chio in Chio’s School Road). Her character strikes the right balance of abrasive and endearing, while Sakurai walks the line between annoyed and game. This show is a definite keeper!

P.S. There’s a stalker cat with a very creepy face. Huh!

Princess Connect! Re:Dive – 06 – Bye-Bye Loneliness

After Karyl returns “30% better” (and a certain additional % traumatized) the Gourmet Guild departs from the big city for their first real quest. They’re headed to a village called Targum to harvest a treasured spice of the same name. There’s a palpable sense of adventure and occasion to leaving the walls of the city thanks to the heroic direction and stirring overworld score.

When they make camp for the night and Karyl is unsuccessful in catching any fish in the “useless” lake, she dreads a supper of bugs or frogs. Pecorine comes to the rescue with a plump fowl she caught in the forest, and slow-cooks in a pit for maximum juiciness. She also found some sweet ripe fruits, one of which Kokkoro is about to eat when the other three start acting drunk. Unsurprisingly, Pecorine isn’t that different drunk, while Karyl is sloppier and more sentimental.

The next day while everyone’s guard is down, Yuuki is suddenly captured by a mischievous behemoth, but he’s rescued by a forest elf archer named Aoi, who is a self-professed “lonely soul” so desperate for friends she made one out of a small log. Hanazawa Kana provides the voice for both Aoi and her woody friend, whose bizarre antics and monologuing even make Yuuki a little weirded out.

The others eventually find Yuuki, and Aoi leads the guild to Targum, where they meet Misato, who along with her sister and Hatsune form the group called Forestier. She’s glad for the spice harvesting help, and announces that a third group, Elizabeth Park (to which llama-girl Rima belongs) is also on their way to the village. The Gourmets eventually encounter the eccentric Hatsune sleep-flying…a term I didn’t know I needed in my life until I witnessed it!

Unfortunately, Elizabeth Park encounters a lot more trouble than a Yuuki-glomping behemoth. Rima and her three comrades (including Hatsune’s ill sister Shiori) encounter strange “dark doppelgangers” of themselves (just like a woodsman did earlier in the episode). Liz-Park proceeds to fight them to a stalemate until a powerful warrior named Christina blasts the foes away and challenges them to a fight.

Shiori is separated from the others, and her dark double returns and appears to consume her in a ball of dark energy, leaving no trace. Even though I’ve just met Shiori (and her very extra sister), her fate represents the most genuine unknown peril we’ve seen befall someone. I imagine spice harvesting won’t be at the top of Forestier’s list of priorities next week…they’ve got a sister to save!

Fruits Basket – 04 – Boarish Manners

That meek, soft-spoken girl at the door who wants to see Ryou? Uh, she’s not so meek once she sees him for the first time in four months. She delivers upon him a beatdown the likes of which we’d yet to see if this series, far beyond his sparring with Yuki. Turns out that’s just how Souma Kagura expresses her affection…with extreme prejudice. Her two-sided personality is voiced by the supremely talented Kugimiya Rie.

Kyou’s two years older, self-professed fiancee (based on a promise he made at knife-point when they were kids), Kagura demands to know where she stands, and doesn’t like how there’s another woman living in his house, albeit one who can’t hug him without making him turn into a cat. Since they’re both Soumas and Zodiac animals, she can hug him freely.

Kagura is clearly much stronger than Kyou, and so basically rolls himself into a ball and endures her savage beatings, but he dares to silence her when she starts mentioning his “true form” to Tooru. As someone who hasn’t yet found her first love, Tooru can’t help but feel a little jealous that Kagura loves someone as deeply as she does.

Repairing the substantial damage to Shigure’s house takes up much of the day (especially with Shigure and Yuki pointedly not helping), and before long, Kyou’s stomach starts to grumble. Tooru offers to start dinner, as is routine, but Kagura stops her in her tracks. Tonight, she’ll be the one to feed her beloved Kyou. The resulting feast reduces the food supply in the fridge to nothing, but as seems to be Kagura’s M.O., she got a little carried away.

As good as the food looked, part of me expected it to taste vile or some such, but nobody even gets to eat any of it, as Kyou snaps at Kagura when she says it’s ready, and she responds by driving him through the floor and onto the feast, ruining it all. With no other food to cook, Kagura heads out to the grocery store in a huff.

It isn’t until she’s at the checkout that she realizes she left her purse at home, but Tooru bails her out by paying for her, and the two women walk home together. When asked, Tooru specifies her “love” the sign of the Cat more than overt romantic love for Kyou himself, and is “humbled” by the extent of Kagura’s love.

Here we have another example of Tooru not judging someone as volatile as Kagura, but rather believing in her and her long-standing love for Kyou. Kagura in turn thanks Tooru for coming for her, and the two make hamburger steaks together. This time, when everything is ready, Tooru climbs up to the roof to tell Kyou.

Up there, she tells him how lucky he is that someone cares for him and worries about him so much—not surprising, coming from someone who was loved by her parents, but lost them far too soon.

She also brings up peoples’ dreams, whether Kagura’s dream of marriage to someone she can truly embrace, to Kyou’s love of martial arts. Tooru sees another side of Kyou as he lights up talking about martial arts. It’s clearly not just about beating Yuki, but becoming better and better at it.

When Tooru gets Kyou to come down to eat, Kagura presents him with a hamburger steak a little different from the others: his has a fried egg on top, like the fried egg he was drawing in the sand when they first met, which was when Kagura basically fell for him. Kyou tastes his dinner and through his sheepish silence expresses his approval and thanks.

The next morning, Kagura has to leave, and bids Kyou farewell with a big hug, followed by one last beatdown. Kyou says some unkind words, and Kagura responds by punching through the front door…and straight into the chest of the paperboy.

Yuki manages to distract the civilian, but Tooru finally learns that Kagura is the sign of the Boar—very appropriate considering her propensity for charging headlong towards her goals. When Tooru compliments her as the cutest boar anyone could ever ask for, she transforms back into a woman—a naked woman, on Kyou’s back.

That brings us to a cliffhanger that threatens the relative peace of the last four episodes, as well as the status as Tooru’s new home and life. She gets a call from her grandfather, and the contents of the message are enough of a shock for her to drop the gardening books she checked out. Is Tooru doomed to lose everything once more, after an all-too-brief taste of happiness?

3D Kanojo: Real Girl – 21 – What About Us?

I’ve never been particularly interested in 3DK’s longstanding ticking clock on Hikari and Iroha’s relationship. It’s a two-dimensional source of drama and dread on a show that’s proven itself capable of developing nuanced solutions to conflicts that rise organically from its cast of 3D characters.

Case in point: 3DK invested so much time and loving care to bringing Ishino and Takanashi together, yet the biggest threat to Hikari and Iroha’s relationship remains frustratingly murky.

There’s nothing unclear about the statuses of their friends, however: Ishino x Takanashi is very public, while Itou confirms to Hikari that he and Ayado made love. It’s quite on point for Itou to cry tears of joy afterwards, as well as to tell Hikari that it probably has changed his world, but a lot more changes are to come as he and Ayado share more experiences.

I kinda wish we’d gotten more of Ayado’s perspective—perhaps telling Ishino or Iroha about it—but still, kudos to the show for being both unambiguous and tasteful in the portrayal of a very common milestone in young people’s lives.

As their final year in high school begins to draw to a close, Takanashi, Ishino and Itou are all thinking about their futures…while Hikari hasn’t. Why would he? The future, to him, is just a place where there’s no Iroha.

Better to make the most of the present lest he come away with regrets. For Hikari, this means blowing off career surveys, studying and even some classes to spend maximum time with Iroha.

A side-effect of all the dating is a precipitous drop in his grades, something he keeps from both Itou and Iroha until the former hears it from the teacher. Like any best friend as kind as he is, Itou is concerned about Hikari, and urges him to be mindful of finding a school/romance balance.

However, Hikari doesn’t want to tell Itou why he’s neglecting his studies. He doesn’t want to tell Itou that Iroha is moving in a month, because that will only make that move—that future without her—more real.

Instead of getting back to his studies, Hikari takes Iroha out on more and more dates, even as she gets increased pressure from Mabuchi (the doctor) to stop what she’s doing presumably due to an undisclosed medical condition…but we just don’t absolutely know for sure!

One thing’s for sure: frolicking on a frigid beach in October isn’t going to help that condition…and I’d be very surprised if one or both of them didn’t come down with a cold next week.

But fine: Hikari doesn’t know the truth, and neither do we. Iroha doesn’t know about his bad grades until Itou tells her, and when she pulls out what she thinks are his notebooks for studying, they’re filled with things he’s planned for them to do together.

Seeing this note makes Iroha cry, because Hikari is planning a future for them that may not be possible. When he comes back with warm drinks, she tells him she lied: she’s not going to transfer schools. But that still doesn’t explain if and why they’ll separated in a month’s time.

Then again, perhaps Hikari’s request to his mom to loan him a large sum of money from his mom, and both his and Iroha’s reluctance to “go home” means they’re going to run away together, finally taking charge of their future.

But if Iroha’s real circumstances are so serious she’s yet to breathe a word of them to the man she loves, out of a reluctance to hurt him, what if those circumstances worsen, and there’s no longer any way to hide them…or avoid hurting Hikari anyway?

3D Kanojo: Real Girl – 20 – Opening The Door To A Frightening World

“Never mind, I don’t care,” Takanashi lied. That’s where he finds himself at the beginning of this week: in denial of his feelings for Ishino and the feeling that he’s letting her slip away in his friend Sakurada’s arms. This week Sakurada is revealed as less of a character (or viable love interest to Ishino) and more of a catalyst for Takanashi to stop playing games.

When his mom ends up in hospital with a mild concussion, Takanashi hits the supermarket so he make hijiki for Anzu, and on his way out, he runs into Ishino, who can just tell something’s up. Takanashi resists the urge to tell her to butt out of his business (in fact she’s the one to bring up her meddling), but does tell her he doesn’t need her pity.

That grinds Ishino’s gears, as it should: forget never giving her the time of day: Takanashi has a serious habit of acting cool to hide his emotional struggles. He relents and asks Ishino to join him at his house, since she knows how to make hijiki.

Ishino also has a problem: it’s virtually impossible for her say “no” to Takanashi, no matter how selfish or mocking his request. But this isn’t about him playing games; it’s about him actually making some kind of effort, in his way, to let her know that her help at the house would be tolerated, appreciated…even preferred.

Meanwhile, someone who would prefer it if Hikari were to fall into a ditch and die is Iroha’s brother Chika, who has heard about the two of them going on an overnight trip. Hikari insists nothing will happen (which isn’t exactly fair to Iroha, if she wants something to happen!) and that the trip had to be postponed anyway; Chika gets his lick and death threat in anyway.

That feels like the first real ripple in Hikari and Iroha’s relationship in ages, and even then it’s due to a third party, not any conflict between the two of them. Back at Takanashi’s it’s pure domestic bliss—complete with spousal bickering, something Anzu probably isn’t used to considering they have a single parent.

Their argument is over whether Takanashi is justified in limiting Anzu’s exposure to Kaoru, or whether he’s just being  overprotective and even petty. Ishino and Takanashi make up in front of Anzu to calm her, but it isn’t long before they’re at it again, and this time it’s when he brings up Sakurada.

He asks, and almost orders Ishino not to go on the date with Sakurada, a serious request that he treats with his usual teasing jocularity (doesn’t want anyone taking his “pet”). While Takanashi is again trying his best to say what he wants to say, the fact is his best isn’t quite good enough. He has to be better.

He runs after a crying Ishino to apologize, and also properly explain his feelings: he feels like she’ll be an important part of his life, and if he lets her go on a date with his friend, he will regret it. So he asks if she’ll be his girlfriend, a question Ishino has been waiting for so long it barely feels real.

It’s been a recurring joke for him to immediately reject her when she asks him, but when he finally asks her, she’s just as quick in saying “yes.” Then he kisses her, daring to open a “door to a frightening world”, but opening it nonetheless. I have no doubt he’ll still tease her (and she’ll tease him back) but at least now there’s no doubt about his feelings.

Shifting from Newly-formed couples to Recently-formed couples, Itou ends up alone at Ayado’s house when something “comes up” with her parents. After four hours of wholesome video game-playing, Ayado can’t take it anymore: she wants to make out.

Itou worries that he’d be betraying her parents’ trust in him if he did anything with her, but Ayado disagrees. Ayado wants him to do something, and will be dejected and miserable if he doesn’t. You’re good, dude…Carry On. And carry on they do…though the episode is somewhat coy about how far.

Back to the couple that inspired all these new doors being opened: Iroha comes over for dinner with Hikari’s whole family again and has an absolute blast, as always. She loves how kind his family is, and how it explains why he’s so kind. Case in point: he offers to walk Iroha home, but she declines.

I can’t have been the only one to think that slightly awkward goodbye was foreboding, and what do you know, the next day Iroha is at the hospital talking with the doctor Hikari thought she was dating back in the beginning, telling her “it has to stop,” presumably due to her undisclosed health condition.

While new doors have been opened for the others, it looks like Iroha and Hikari’s is going to start closing. It’s something both of them have known would eventually come to pass. I just wish we had more of an explanation about why there’s such a seemingly firm clock on her life expectancy. At least Hikari deserves to know, even if it crushes him.

3D Kanojo: Real Girl – 17 – Breaking Out of Her Shell

Ayado and Itou’s tearful reunion is prefaced by a brief foray into Ayado’s past, when her first love was a manga character (and not even a main character!) and she became invisible to 3D guys, with tastes that didn’t jive with the other girls. With kind, no-nonsense civil servant parents who left her to her own devices, before she knew it Ayado found herself locked in a shell.

Her new friends helped her break through and emerge from that shell, but her crush on Hikari and his subsequent rejection of her was a roller coaster of pain and embarrassment made her afraid to ever stray towards “that territory” again. That is, until her fear of Itou leaving her was greater than her fear of said territory.

When Ayado tearfully asks to be part of Itou’s life again, Itou tears up too, requiring them to share the handkerchief she borrowed from him. Ayado then reports what’s happened to Hikari and Iroha, and the next day Hikari is ready with a congratulatory cake. Longtime “Ayatou”shippers, Hikari among them, can now let out a sigh of relief and shed a tear or two of joy.

Meanwhile, Iroha finally gets to visit Hikari’s house again, and just when she starts to kiss him, his mom barges in to announce udon is for dinner. Hikari is astounded how quickly and naturally Iroha slips into his family’s rhythm, as if she was always meant to be there; his dad thanks her for all her help, while even Kaoru asks if he can call her big sister.

It’s certainly nice for Hikari to be done with soap opera stuff for the time being, but while Itou and Ayado quickly agree to go to a movie for their first date, Ayado experiences what’s best described as “joy overload.” Simply being near Itou, having his attention, and feeling the warmth of his hand has her fantasizing about doing much more serious things with him.

Because this is Ayado and Itou we’re talking about, her self-consciousness leads to her acting strangely, which Itou misinterprets as her having second thoughts about dating. But unlike past Ayado and Itou miscommunications, Ayado clenches her fists and sets the record straight before the day (and episode) is out.

Realizing she hasn’t actually verbalized how she feels, she starts by telling Itou he’s got it all wrong; far from not wanting to date him, she’s ecstatic beyond belief at the very idea, because she loves him. Then she does what she wanted to do all day and kisses him, and he kisses her back.

From there, no longer confined by any shell, Ayado asks if Itou would mind if she “hit him with the full force of her desires,” to which he wisely suggests they take things slowly. They may be a couple, but they still have a lot of learning about each other—not to mention themselves—to do. It’s a process we’ve already seen unfold with Hikari and Iroha with mostly good results. And so now Ishino and Takanashi are the only remaining singles in the group of friends.