Kino no Tabi – 05

“Hero” is rarely a title rightly given to oneself; it must be earned and bestowed upon them by those who deem them a hero. And sometimes it’s not the hero’s choice; they just are a hero, because that’s what the people say. Kino runs into one of those people, a tour guide and true believer who fawns over the great hero of her people and gives them a tour of his modest house.

While in there, the tour guide tells Kino and Hermes a number of stories about the relics on display, like a shovel that let him plant flowers anywhere (that was probably for digging poop holes) or his special knife (which is just a souvenir from another country).

Finally, Kino and Hermes meet the hero’s motorrad, kept in perfect running condition, but not ridden since his master’s death. He’s in his version of Hell, and wants desperately to either be freed or destroyed. Kino can do neither; not without deeply offending the people. Would YOU want to get on the bad side of that tour guide? Nuh-uh.

However, before leaving town Kino is approached by a boy who dreams of being a traveler, like Kino and the hero of their country. Kino nudges the kid in the direction of the hero’s doomed motorrad, leaving it up to the kid whether he’d like to take it for a ride. I doubt he could ever go back if he did, though!

Upon entering the gates of another country (the only gate through which travelers can enter or exit, oddly enough), Kino and Hermes find themselves in a dark wood, out of which a man appears and, talking to them as if he knows them, asks if they’ve seen his lover or were sent to give him a message about her. The man’s maid/caretaker catches up to him and takes him back home.

Kino and Hermes go into town and get the skinny on the man from the folk at the inn: He was the hero of their revolution, who had fallen in love with a farmer’s daughter. When the day of the revolution came, he launched a grenade at the escaping royal family’s car, killing them.

His actions secured liberty and a new government for the country, but the princess whom he’d slain turned out to be the farmer’s daughter. Wracked with grief and betrayal, the people say he went mad; and has had to be cared for by one caretaker after another.

For five years, he’s waited for his lover to return, and everyone keeps lying to him. Apparently no one wants to be the one to give him the bad news that she died, because they all say they’ll continue to lie until he dies or they do.

After helping the man’s caretaker get her wagon out of the mud, she offers them tea at the house the government built for the man. After sending him away by lying about an engine noise at the gate, she sits down with Kino and Hermes and tells them the truth: she is the princess, the royal family the man killed were body doubles, and her real family is safe and living comfortable lives out of danger.

Despite the man not knowing who she really is, the princess is still happy, and never wants things to change. The next day, when Kino and Hermes prepare to leave, the man runs out to meet them once more and tells them the truth: he’s not really crazy; he’s actually happy with things the way they are. Everyone in this country is happy lying to each other for their whole lives. I’m not sure if I should pity them or envy them.

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Koi to Uso – 12 (Fin)

Ririna doesn’t simply say she’s willing to abandon their arranged marriage for Yukari and Misaki’s sake; she lays out in a very detailed and realistic way exactly the way it’s going to happen, and it involves her and Yukari pretending like they hate each other’s guts—in other words, lying.

Yukari doesn’t like the sound of that one bit, as he doesn’t want to even pretend he doesn’t like Ririna. But Ririna appeals to Yukari’s deep and inspiring love for Misaki—without which Ririna would never have come out of her shell—and is able to get him to agree to her plan.

That means, at some point, if all goes as planned, Ririna will have herself “recalculated” to find another partner to marry, and asks Yukari to ‘show her what to do’, so to speak. The practical excuse aside, both Ririna and Yukari are lying here as well.

Ririna loves both Misaki and Yukari, so she doesn’t want to hurt either. What she fails to realize is that Misaki and Yukari have the same exact reason they don’t want to hurt her: they love her too. Forget about levels or tenure; love is love, and especially during one’s youth it can be extremely hard to distinguish one form for another.

As a result, Yukari initially stays away from the wedding dress fitting, convinced he’s hurt both Ririna (by agreeing to her plan) and Misaki (by kissing her in the chapel), and not wanting to cause any more pain to either. Nisaka shows up and lays it out as only Nisaka can: people who are hurt by loving him is not his problem; it’s theirs.

Nisaka speaks from experience here; he knows he’ll never have Yukari or even get him to look at him the way he wants…but he’s not going to bother him about it. He tells Yukari that when it comes to love, you have to look out for number one.

In Yukari’s case, he doesn’t feel comfortable living life without Misaki or Ririna. At the chapel, Misaki assures Ririna that her plan is impossible, because she, Misaki, loves both Ririna and Yukari. She couldn’t let Ririna drop her marriage to Yukari any more than Yukari or Ririna wanted to hurt Misaki by getting married.

It’s quite the conundrum! And certainly one for which there are no long-term answers. Presumably, Ririna and Yukari will one day marry, just as Misaki will marry her match (we finally learn definitively that she hasn’t received her notice yet). It would seem that love is not a problem for any of the three; it’s just a matter of learning what kind of love that is, and how that will (or won’t) jibe with cultural and societal norms.

Is this finale a cop-out that lets everyone off the hook by delaying a concrete decision on who marries whom? Sure is. But I asked for someone to win last week, and it would seem that, for now at least, everyone wins…Except Nisaka!

Ultimately, this show lacked the teeth that I had expected of a premise in which people were, if not outright forced, very strongly nudged into arranged marriages. As I’ve stated in earlier reviews, Japan’s appallingly low birth rate is a crisis that threatens the nation’s very existence. Drastic societal measures are needed that the notoriously unreliable bureaucracy likely won’t even begin to tackle until it’s too late.

Koi to Uso was initially, and could have remained, a fascinating look into the “what-if” scenario. But ultimately, The Yukari Law was little more than window dressing for a watchable but otherwise by-the-numbers youth-love-polygon show. It could have been much more, but would have had to go to darker places it clearly wasn’t interested in going.

Koi to Uso – 11

With Yukari, Ririna, and Misaki making little progress in discerning who’s going to end up marrying whom, the three (plus Nisaka) end up at…a wedding. Subtle. Ririna and Misaki are also recruited by the ceremonial hall’s marketing rep to model wedding dresses. Also subtle.

The wedding itself is highly scripted and a bit stiff, with all the usual traditions and nothing in the way of really breaking the mold. The individuals actually getting married seem a bit lost in the procedure of the thing.

Still, a wedding is a wedding, and Misaki and Ririna have a blast, and are glad they were able to attend together. Misaki echos Arisa’s assertion that Ririna has become more open and easier to talk to, and Riri attributes this to her time with Misaki and Yukari.

Misaki also says she’d love to see Ririna’s wedding, all but surrendering Yukari to her. But Ririna can probably sense the lack of conviction in those words, especially when she peeks in on Yukari comforting a crying Misaki with a big long kiss.

I’m sorry, but at this stage, Yukari is being a big fat jerk here. I’m sure Yukari didn’t like seeing Misaki cry, but kissing her will only provide the briefest relief if he ends up marrying Ririna, which, that’s the case, he shouldn’t be kissing other girls. Get your fucking shit together, man!

Ririna seeing Yukari kiss Misaki casts a pall over the rest of the episode, as Ririna and Yukari’s families join forces to mudge their betrothed kids a little closer together at a splendid hot springs inn, even putting them in the same room together.

Their tour of the town demonstrates their easy chemistry with one another, and the fact they both genuinely enjoy each other’s company. They’re not exactly setting the world on fire with their romantic passion, but who cares? They’re a nice, cute couple!

So after witnessing Yukari and Misaki kiss, and Yukari telling her how he’s the person he is today because he followed Misaki and admired her from afar like a goddess…in the night, Ririna decides to tell Yukari she thinks he should choose Misaki over her.

If Ririna and Misaki weren’t such good people and good friends, they wouldn’t be falling over each other trying to sacrifice their happiness for that of the other’s, but Yukari’s persistent indecision—and his appalling indiscretion where Misaki is concerned—has also led us to this point.

The only satisfying way Yukari can respond to this by either accepting or rejecting Ririna’s concession. I’m fine with both, honestly. I may have sounded like a Ririna x Yukari shipper of late, but I’m fine with either girl “winning.” As long as someone wins, dammit!

Oh, and throughout all of this, why haven’t Misaki and Nisaka received their notices? Are Yukari and Ririna really that much older than them? The fact we have no idea who their assigned spouses are leaves me worried the show’s withholding that info for a last-episode cliffhanger—perhaps even a prelude to a second season I neither want nor need.

Koi to Uso – 10

I probably say this too often…but that’s more like it! Interaction between Yukari and Ririna is bascially why I watch this show. I’m not a rigid follower of the orthodoxy of the Yukari Law, but they were deemed the best match, and everything I’ve seen of them suggests that despite a few bumps in the road, they’re realizing that too.

But what about that damned Shuu? What did she mean about notices and fated partners? Both Yukari and Ririna want to find out, so they call a “truce” and arrange a meeting. Yukari tries first but fails, and Ririna comes to comfort him while he’s feeling low on himself, and sure enough, she knows the kind of burial mound he’s building in the sand.

Ririna doesn’t have any trouble arranging a meeting, but when she comes right out and asks Shuu what she meant (in her usual Ririna straightforward way), she demands a change of venue to a cat cafe. There, while playing with badly-drawn cats, Shuu underscores her one and only goal: to protect Misaki.

Shuu didn’t use to think much of Misaki, until she found out she was in love, and has been awe of that part of her ever since, noting the way she “shines.” But while Shuu’s grandmother designed the Notice system and she herself is some kind of genius and tech whiz, Shuu is still simply taking a side based on her own feelings, which is not what the system is all about.

Yajima, who tracks them all down, makes Shuu understand in no uncertain terms that love between government-matched individuals can’t really compare to two people who just naturally fall in love…but that’s not the point and never was. Surely, for instance, there are other matters of compatibility she’s discounting.

Indeed, The System, in its dispassionate way, seems able to discover pairings that would never have naturally happened, such as that between two people as different in personality yet alike in their isolation as Yukari and Ririna.

And what do you know, paired together and given the chance, they seem to be doing quite well. So much so, that their affection for one another is starting to take precedence over the third party’s happiness, even if neither is interested in hurting her.

Misaki herself has already said many times she’s willing to live with the fact she wasn’t chosen. I wish Yukari would hurry up and state for the record who he’s choosing. But it’s good to see the episode begin and end with him and Ririna back on good terms, having come out of the first true conflict in their still-new relationship none the worse for wear.

Koi to Uso – 09

A nervous Yukari spins his wheels the whole episode cursing himself for doing more in a school festival that does little more than take up time better spent with him and Ririna making up. Ririna barely has three lines, occupying the margins of the episode with her new buddy Arisa.

While the school play scenario was tolerable last week, another entire week of contrived “Romeo & Juliet” dot-connecting went a bit too far, and some last-second shenanigans from whassernam, the Yuki-Onna…Igarashi, mark a return to the plotting issues of the first episode, and make for a tedious, meandering episode.

I get it; Yukari’s in a weird place right now, and he’s hesitant to do or say anything that will make that place any weirder, and neither Nisaka nor Misaki make it any easier for him (not that they should).

But honestly, I felt like I was caught in an endless circle of Yukari milling around, worrying about things, not to mention his ultra-weak flyer game. Nisaka and Misaki seem to be putting on their performances for Yukari’s sake, as a means of openly expressing how they truly feel through the lines of their roles.

Unsurprisingly, the two knock it out of the park due in part to the real emotions and conviction they put behind their acting. When it’s over, Yukari is back to wandering around the school like a headless chicken, and runs into Igarashi, who drops the bombshell that calls the notice that names Ririna as his future wife into question.

Igarashi tells Yukari that Misaki, not Ririna, is his “destined partner,” and JUST THEN Ririna just HAPPENS to walk by and hear that bit, and like Yukari, demands to know what Whitey-chan means. We’ve seen her in a control room doing tech stuff for the Ministry, but if you ask me, it doesn’t matter anymore which girl is supposed to be his chosen future wife.

We’ve got a love triangle between them regardless, not even counting Nisaka, and that’s not going away just because all doubt of the notice’s veracity has been extinguished (which may not even be possible). Fewer plot contrivances from tertiary characters—and a little more time inside Ririna’s head—would be greatly appreciated.

Koi to Uso – 08

Ririna continues to keep her distance as the class play (Gender-swapped Romeo & Juliet) comes together in Yukari’s class. Misaki is impressing in her practices, while Nisaka is being fawned over by the girls he doesn’t like as usual, but when the costume designs are unveiled, he peaces out.

If he doesn’t want to do it, why should he? Yukari’s attempts to persuade him otherwise are failing…when Nisaka’s Dad suddenly shows up.

Nisaka’s Dad makes it clear Nisaka was always a hugely popular, magnetic kid with tons of friends, but while Yukari says he’s still popular, things have changed. Now friends are at a premium, and his Dad urges him to treasure the few who stand by him, which is kind of a dick Dad move. Whether his Dad picks up that his son likes Yukari, I have no idea, but he does like that someone like Yukari is friends with him.

When Nisaka shits on R&J as a story about two selfish fools, Yukari likens it more to their situation as notice-havers. He believes even if they’re never with the ones they love or no one accepts it, it’s “not meaningless”, which, while true in a sense, is far too on the nose with Nisaka’s feelings for Yukari to not feel a bit forced.

The only bit of Ririna we see is as she slips a postcard into the mailbox, and Yukari notes its historical theme is a little off the mark, as he really only likes burial mounds. It’s a sign they can only learn so much from each other through exchanged letters. But he sent her tickets to the play, so hopefully she’ll show.

While it’s nice to get some Yukari and Nisaka quality time in, it didn’t really move the needle forward on their plotline, unless you count Yukari meeting Nisaka’s father as progress. The fact that Yukari’s feelings are not romantic and Nisaka’s are, and Yukari has no idea of the difference, continues to hold it back. It feels static.

We witness something similar when Misaki and Yukari find themselves alone at school again. They don’t make out this time, but Misaki reports that despite her ban and the realization she wasn’t chosen, her love for Yukari has only grown and intensified. When Yukari asks her what love is, she does what anyone would do: define it in terms of how she’s felt it, all the years she’s known Yukari.

The fact that she wasn’t chosen to be his wife by the Ministry cruelly has zero effect on that love, meaning it’s now a source of short-term happiness and long-term pain. She’s also worried Yukari is starting to fall for Ririna (if he hasn’t already), and, well, he kinda is.

So again, nothing new here: Yukari still doesn’t quite know what to do. I’m not saying it’s up to him to immediately choose someone and move on, but that kind of decision is not too far off the horizon.

Koi to Uso – 07

Neither Yukari nor Ririna are remotely ready for…whatever it is Yukari thinks they have to do to not get penalized, so it’s a huge relief to see that they don’t make love here and now.

Romantic feelings have only just started to well up in Ririna’s heart and challenge her head, and it’s never occurred to her until now that her head could lose. She’s afraid of the person she becomes when Yukari gets so close to her, because it’s a person she simply doesn’t know.

As for Yukari, he’s so scared that they’re being watched to make sure they do it, he gets it in his head to try to “pretend” in order to fool them. That’s all you really need to know to determine that his head is already fighting a losing battle…and it wasn’t that great a head to begin with.

Saying the word “pretend” anywhere near an already vulnerable and confused Ririna is just a terrible move, but at least Yukari apologizes, and when she says she just needs some space and time, he gives it to her. You’d think the classic “cultural festival play” scenario would take his mind off of things, but…wait, what am I saying? SHIT no it wouldn’t! Yukari’s a dreary mess.

At least, I thought to myself, Yukari wasn’t chosen to play Juliet. When Yukari drops the figure Ririna gave him and takes a hammer strike to the hand to protect it, he ends up in the infirmary, where a worried-sick Misaki enters, but takes a few moments to collect herself before talking.

She and Yukari haven’t talked in almost a month, because she’s instituted a “Neji ban” on herself, lest fall even more in love with the guy. I would say the ship has sailed on that.

When Yukari is vague even when pressed—saying ‘some things happened and I hurt Ririna’s feelings’, Misaki uses her strong diplomatic ties with Ririna to try to learn more from her. In the process she remembers a story from middle school when Yukari made the best hotcakes, and Ririna learns he can cook.

Still, Ririna says she doesn’t want to see him, but feels terribly lonely without him. Wellsir, whatcha got there is a bad case of being in love. Misaki’s spirits plummet when she hears this, because now she and Ririna are both trapped in a spiral of longing and guilt, trying in vain to organize or balance their feelings with the other person’s.

It turns out Yajima, the ministry officer who messed with Yukari last week was in virtually the same position Yukari now finds himself in. The girl in question who he loved is his Ministry colleague Ichijou (the redhead), who don’t you know it, offered to reject her official match if he, the man she really loved, married her instead.

But he BLEW IT, and now he works beside that person every day, hiding the feelings that have never fully dispersed, and taking it out on poor innocent, dimwitted burial mound enthusiasts. Joking aside, Yajima doesn’t think their situations are truly identical, because in Yukari’s case, even as he harbors feelings for Misaki, he’s developing feelings for Ririna as well.

Yajima recommends Yukari not think too much, since teenagers aren’t good at that anyway. Instead, he should act, and he does, by writing Ririna a long text from the heart telling her how he felt about her taking an interest in his interests, and hoping they can go see burial mounds someday.

Ririna doesn’t respond by text that day, to Yukari’s further dejection, but in the morning post a beautifully hand-written letter from Ririna arrives, which is even more honest and moving than Yukari’s text. It even moves him to tears…in front of his mom! In any case, while trying to fix things and getting discouraged, Ririna wrote exactly what was needed to cheer her future husband up.

It certainly feels like they’ll be even more on the mend next week, but now that Misaki is certain that Ririna also loves Yukari, she finds herself stuck between supporting her friends and wishing them the best, and the selfish girl wanting the giant toy in the window.

Misaki believes she has the power to influence (i.e. advance) their relationship with just three words to Ririna—you’re in love—but wasn’t able to when they met up, and probably will continue to have a great deal of difficulty ever doing so, and with good reason: she’s not a masochist!

Koi to Uso – 06

Whoa, hold on, what are Yukari and Ririna doing, making out in bed? Oh, it’s just Ririna’s first sexy dream about Yukari. Little did she—or I—know that by episode’s end that dream would become shockingly close to reality.

This is due to a combination of factors, including a genuine growing affection for one another as they get to know each other better, the scientific process by which they were chosen to marry one another, and oh yeah, a ruthless alternate-universe Japanese government that is NOT FUCKING AROUND when it comes to population growth.

Yes, this episode checks in momentarily with Misaki and Nisaka, and new characters are introduced in Ririna’s new friend Arisa and Yukari’s middle-school classmate Igarashi, but thankfully the focus is on the two people that aggressive government program determined should get hitched, get it on, and have at least 2 children.

To that end, everyone who recently got their notices are instructed to leave school early and report to…a hotel…uh-oh. The strangeness of the situation is definitely felt by our surrogates, Yukari and Ririna. He sees aa classmate with his “pre-Yukari way-out-of-his-league” future wife, and turns inward to wonder if people look at him and Ririna like he’s looking at them.

Then that very thing happens. Ririna arrives sporting a new hairstyle and the gift of a creepy figuring that Yukari loses his shit over. He has a gift for her two, and his classmate and future wife marvel at how well this system seems to pick people who clearly like each other.

Both Yukari and Ririna bristle at that, but as the afternoon progresses, The State systematically runs roughshod over whatever doubts and reservations the two may have. Indeed, Ririna, having only recently researched French kissing, is particularly uncomfortable with all the sex talk going on by the Ministry’s presenter, a True Believer in the Yukari System if ever there was one.

Condoms are passed out. The now-healthy birthrate is mentioned to tout the success of the system. Sex is healthily discussed in terms of its physiological and mental benefits, in addition to just feeling good. It’s gotta be a lot to take in for a bunch of 16-year-olds, and that is no accident on the part of the Ministry.

After concluding the lecture with a very informative porno that leaves Ririna shaking and Yukari desperate to keep Misaki out of his head, all of the husband-wife pairs are assigned hotel rooms and ordered to spend the night together. A random Ministry guy hinting (in jest) that they’ll be “watched” and an overheard rumor about consequences for “not banging” only hikes up the pressure.

Before they know it, Yukari and Ririna are alone in a tastefully lit, comfortable room, staring down a big bed. There are no chairs, as Ririna helpfully points out. Yukari is LOSING IT. He’s stuck in his head, and at least finally realizes it, but when he tries to think of what he can do for Ririna, what he comes up with mirrors the beginning of her dream in which they make out: he pins her to the bed. As she awaits the next move, the episode mercilessly (or mercifully) fades to black…

The Yukari Law was born out of necessity. Japan’s birthrate hovered around 1.46 births per woman in 2015. That’s just not good enough to make up for the people aging and dying. There’s no telling what the economic, social, and cultural consequences will be, but you can bet they’ll be bad. Robots aren’t the answer. People study and work too much to get by or get ahead. Family often takes a backseat to success. A lot of younger people just don’t want it.

These are the harsh realities that face the Japan here, in our world. And while it’s doubtful anything as comprehensively invasive as Yukari will ever be implemented, Koi to Uso still serves as a kind of thought experiment in which a relatively simple fix is applied: get people to make more babies. Simple in concept, but ridiculously complex and problem-fraught in execution.

Its exploration of that what-if scenario, with a focus on four youths going against the grain, is as unsettling as it is riveting.

Koi to Uso – 05

The potentially infamous Love Quadrangle Camping Trip from Hell is upon us, and things start out expectedly bumpy, with Ririna protesting Yukari’s choice to invite Nisaka along and Nisaka and Misaki exchanging looks that to us clearly look like two rivals in love, but to Yukari like they’re into each other.

Inevitably, Yukari ends up catching the girls playing in the river in their swimsuits, but neither accuses him of being a pervert. Indeed, Ririna thinks nothing of calling him over to play with them, only to twist her ankle and require he princess-carry her back to camp (since she considers piggyback to be too lewd).

Ririna is a bit of a tsundere for most of this trip where Yukari is concerned, but there’s a good reason for that: she’s increasingly unable to hold back her own feelings for Yukari for her good friend Misaki’s sake. Her face even blushes when she finds herself admiring Yukari as he talks so passionately about researching burial mounds.

Then there’s Nisaka, who Yukari has the exact wrong idea about. Nisaka isn’t into Misaki; he’s into Yukari. But despite having a golden opportunity to do so, Nisaka is unable to come out and confess this. But to be fair, this is a guy who likes guys in a society where guys are matched up with girls by the government and told in no uncertain terms (a la Adama) to “make babies.” Also he values his friendship with Yukari and doesn’t want to ruin it.

Despite the conflicting feelings floating around her head, Ririna is still committed to getting true lovers together as often as she can, even to the point of pairing herself with Nisaka, whom she has a very low opinion of, so Yukari and Misaki can be alone together.

Again, things turn out how one would expect: while chasing a firefly, Misaki slips and starts to fall down a hill. Yukari can’t catch her, but she grabs his arm and takes him down with her. They then spend a good long time on the ground, in each others’ arms, simply listening to their hearts pound against each other.

Nisaka is aware of Ririna’s gambit and straight-up questions what she hopes to get out of it. If Misaki and Yukari marry, it’s not like there’ll be some kind of ménage à trois situation, like the creator of Wonder Woman. Ririna could fall by the wayside…or would she?

And while we finally learn there are no overt criminal penalties, it’s made clear by Nisaka that those who reject their matches are marked for life, and will find it tougher to realize their futures. Nisaka minces no words in accusing Ririna of courting disaster. (I say if you’re as desperately in love as Misaki and Yukari seem to be, I’d say it’s worth it. You can’t put a price on happiness, be it fines or lost wages.)

But Ririna…just wants two people in love to be together. When the two pairs reunite and find the clearing where a cloud of fireflies pepper the night, she defiantly takes the hands of both Misaki and Yukari. Yukari then inadvertently twists her intention by taking Nisaka’s hand as well.

Whatever labels society wants to put on his relationships, Yukari just wants to exist in that beautiful place with people he likes. The camping trip ends with him still thinking Nisaka likes Misaki, but I’ll allow him his blissful ignorance a little longer. A new notice in the mail suggests this love quadrangle’s trials have only just begun.

Koi to Uso – 04

Lilina comes over to Yukari’s for dinner, much to the joy of his giddy parents, who openly talk of how quickly they became intimate. Strange how the imminent threat of cultural extinction changes what is and isn’t proper dinnertime conversation!

Lilina also cleans up Yukari’s room, which is a bad look for Yukari, though in his defense he became engrossed in a book about burial mounds (as you do). I half-expected Lilina to discover his porn stash, only to find it’s all just burial mound magazines.

Lilina happily help cleans up though, not just because she can’t stand to sit around in squalor, but because the cleanup is an opportunity to dig up some more details on her new BFF Misaki, as well as get more out of Yukari about when he fell in love and how it felt.

Yukari’s pretty good at expressing this, especially how the very scenery in one’s everyday life changed after he fell for her.

Then two suits from “The Ministry of Love” show up to basically ask how the soon-to-be-happy couple is getting on, then giving them a speech about how great the Yukari Law is and how it’s way more precise and less prone to failed pairings than the arrange marriage laws of yore.

And while such a system might be admirable in theory, its complete and total disregard for actual love between non-paired people almost makes the medicine worse than the disease…if the disease weren’t the death of Japan due to no one making babies.

But the spooks say the same things others (including Misaki herself later!) have said, and something on which I agree: Yukari and Lilina do seem to make a good couple. Obviously that came down to the science determining that these two peoples’ personalities would be compatible, and there’s a slight temptation to say “well, what would be so wrong with them just getting married?”

Wellsir, that would be fine except for the fact Yukari loves someone else…and she loves him back. Lilina not only remains totally okay with Yukari kissing Misaki daily, she basically orders him to, not for his sake, but for that of Misaki’s happiness.


When Yukari tells Lilina he thinks it’s “weird” his assigned wife is telling him to kiss another girl, she promptly returns his volley with deadly accuracy: “it’s even weirder that the world forbids you from kissing the person you like.” Amen, sister!

So Yukari has his orders: he’s not to give up so soon, even though he believes Misaki has received her marriage notice. Which is odd, because I thought she already received it, and her assigned husband is Nisaka, and has been keeping it a big secret.

But even her odd little argument with Nisaka that Yukari gets a glimpse of could be anything. It could be Nisaka told her how he feels about Yukari, but Misaki remains firm that he’s her’s. When Yukari works with Misaki after school, he congratulates her, but he’s off base: she didn’t receive her notice.

Another titular lie? If not, why did the suits visit? And was it sheer coincidence such a science-y ministry asked Yukari where Misaki lives? Do they not have Google Maps? In any case, Misaki adds that no matter who was chosen to be her husband, Yukari will be “the only person who’ll ever be special to me,” before leaning in to kiss him.

Lilina, it would seem, was right: Misaki isn’t giving up, so neither should Yukari. Lilina doesn’t feel she has adequate skin in the game, and so doesn’t want to be yet another impediment to Real Love in a world that’s already turned against it. That’s noble, but I do hope, as seems to be the case, that she starts to grow closer to Yukari despite that.

For now, she’s still far more focused on Yukari and Misaki, to the point she invites Misaki to their two families’ camping trip, and she says yes. Not sure he’d be able to deal with the stress being in a triangle during the trip, he invites (and eventually bribes) Nisaki to come along too.

And so there you have it: an arranged couple on a camping trip, each bringing along a person in love with Yukari. Should be interesting!

Koi to Uso – 03

As Yukari continues to be pushed and pulled hither and thither by Lilina, it’s worth mentioning he wasn’t always so passive. Nisaka remembers being hassled by a bigger guy, and Yukari called the cops. Overreaction? Certainly, but it still took guts. He didn’t do nothing.

Meanwhile Lilina’s romantic experimentation continues apace; inviting both her betrothed and Misaki to her house; Misaki, who still utterly ignores him at school.

Misaki and Lilina get along swell, to the point the skittish Yukari simply fades until the background…but it isn’t long before Lilina asks to watch the two kiss—and they come very close to doing so, because Misaki (and not Yukari) leans into his lips.

At the last second, Yukari, flustered beyond belief, bails out, which Misaki thinks is “so cute.” Lilina can’t help but agree. But later, taking Lilina’s hands ever-so-tenderly into her own, Misaki tells her she wants her to fall in love with her future husband…because she doesn’t think she’s “the right girl” for him.

Lilina maintains that two people already in love—Misaki and Yukari—should kiss at least once a day, every day. As she walks part of the way with Yukari when he heads home, who should appear but Nisaka, who quickly labels Lilina (hiding behind Yukari) “well-tamed” and “still a virgin,” both very rude remarks Yukari should have been stronger to condemn.

Back at school, Yukari notices Misaki and Nisaka staring daggers into each other, and he immediately thinks the two most attractive people in his class (by his reckoning) look so perfect together that’s it’s likely, as unpleasant a prospect as it would be, that there’s something going on between them.

But while thinking and overthinking about it while changing after PE, Yukari finds himself behind the bell, and runs into Misaki in the hall, apparently waiting for him. He tells her about the kiss-a-day order from Lilina, but before Misaki can tell him what she told Lilina, a teacher walks past, forcing him to take her hand and move them behind a pillar.

There the two start making out, leaving Yukari to wonder how this could be “wrong” or “taboo” and why it’s so hard to lie and pretend they’re not something that they are; namely, in love.

While the teacher didn’t spot the two kissing, Nisaka does walk right by them, and his reaction is cryptic. I was thinking right until he leaned over to a dozing Yukari to give him a kiss that the big secret the show wanted to reveal is that Nisaka and Misaki have been selected to marry one another by the government.

And hey, that could still be true, but just as Lilina maintains she doesn’t love Yukari (at least not yet; that seems well on its way to changing), Nisaka certainly isn’t into Misaki, and vice-versa. Rather, Nisaka is into Yukari, and Yukari is simply oblivious.

So now we have a love quadrangle. And that reveals another wrinkle this whole Yukari Law mess: no same-sex marriage. You got me, show: I had no idea Nisaka would kiss Yukari. And I still think he’s Misaki’s still-secret arranged husband.

Koi to Uso – 02

Now that’s more bloody like it! After a frustratingly messy first episode, Koi to Uso gets back on track thanks to the introduction of Yukari’s future wife, the fair Sanada Lilina. The unrelenting enthusiasm of both kids’ parents really made me feel bad for them; it’s like some cruel joke being delivered with an easy smile.

But before Yukari and Lilina’s first meeting, Yukari comes to school (despite his mother calling him out for the meeting) to see and hear from Misaki…who has already put up a wall. She coldly tells Yukari she meant for them to remain pleasant memories, meaning “they” are now a thing of the past.

It puts an already nervous, frustrated, and above all scared Yukari in an even worse mood for the meeting with Lilina, who is both smart, gorgeous, and above all doesn’t take any shit from Yukari. She storms out when she’s fed up with his apathy, but he finds her in a linen closet, apologizes, and explains himself.

When he talks of his love for Misaki, Lilina responds in the opposite way Yukari expected: rather than jealous or angry, she’s intrigued, and only wants to hear more. She also wants to know the truth of his and Misaki’s love, which means she needs to know her side. But from what she can tell, Misaki is lying about being done with him.

So Yukari and Lilina return to their folks holding hands, and take a nice pic of each other to show their friends, and Misaki continues to pretend she doesn’t care. Then Yukari meets Lilina at her school, and like their first encounter alone, end up in a compromising position because Lilina has trouble realizing when, say, her shirt is unbuttoned, or she’s not wearing pants.

Rom-com cliche aside, the two end up having an earnest conversation. Lilina is nicknamed “Sanadamushi” or “tapeworm” by her peers because she was once very sickly, often absent from school, and as a result has always had trouble making friends; in fact, she has precisely zero!

Okay…that’s also a cliche. But her social awkwardness and open-bookness works in Yukari’s favor. If she was super-popular, or more like normal girls, Yukari would have a lot more trouble talking with her. She probably also wouldn’t do something as rash as confront Misaki the moment she sees her walking past her school.

The trick is, Yukari is out of sight for their confrontation and McDonalds meeting, so Misaki feels free to lift the wall and be earnest about her feelings for Yukari, not skimpin on details, which sound petty (or pathetic) to Misaki at first, but simply watching and hearing a glowing Misaki talk about her love has a strong effect on Lilina.

Misaki likewise is having fun, finally able to open up about her feelings to someone after hiding how she felt for years. She even gets Misaki to admit that while he lacks any composure, Yukari is at least “nice.” The two girls part for the time being, but Misaki promises to text Lilina; this is far from their last meeting.

The realization, soon confirmed by Yukari, that she made her first friend brings tears to Lilina’s eyes. She even questions if she likes Misaki, but it isn’t as if she wants to kiss her, a question that leads to Lilina asking Yukari if he ever kissed her.

His answer—”all the memories between us just kinda exploded”—is pretty much a perfect encapsulation of their turbo tryst. But again, rather than act upset, Lilina has a plan in mind for him and her new friend Misaki: she instructs him to kiss her one more time. That should go well!

In the meantime, it’s safe to say that while they’re hardly lovers, the fact Yukari and Lilina can speak so easily to one another about themselves proves that Misaki wan’t Lilina’s first friend after all—Yukari was.

Of course, the law dictates that they’ll have to be a whole lot more one day, and we still don’t know the identity Misaki’s betrothed (Yuusuke, perhaps, judging from their pointed interaction this week?), but one thing’s for certain: thanks in large part to Lilina, I’m now far more invested in this story.

Attack on Titan – 36

This week is a non-stop, bloody, gory, slimy, and above all mobile episode. With only the occasional momentary flashback rather than an episode dominated by one, we stay in the present, where there is quite a bit going on. Sure, the background sounds are reduced and time seems suspended at times, but everyone’s minds are still racing, wondering what the heck to do and who the hell to trust.

When Krista pops out of Ymir’s mouth, Ymir emerges from her Titan’s neck to tell her she’s using her as a chip with which to bargain for her life, putting Ymir #1 as always (only now with no more self-lying). Krista, er, Historia, wants Ymir to come back with her, but when it’s clear she won’t, she doesn’t give up her friendship, saying Ymir will always have her as an ally, no matter what.

As their lover’s quarrel goes on, Erwin and the scouts catch up, heading Reiner off with a huge horde of Titans right on their tail, and the commander launches a crazy charge that immediately claims his right arm. But rather than scream and ask for mommy as some scouts have done in their final moments, Erwin surprises by continuing to order the charge, and, indeed, charge himself, arm or no arm. We’ve got ourselves a badass here.

When Reiner finally has to move his arms to defend against the Titan scrum, Mikasa makes her first attempt to snatch Eren, but misses Bertholdt by a hair and gets nabbed by another Titan she didn’t see, who crushes her midsection. Jean saves her, but Eren remains in Bertholdt and Reiner’s clutches…

…That is until everyone’s favorite dramatic preview narrator Armin shows up next to Bert and Eren, and after thinking about what he can give up, what he can sacrifice to assure a future, he decides to give up any semblance of diplomacy with the traitors, and brings up their comrade Annie, taking care to go into great detail about the constant agony she’s in as a result of torture.

That gets Bertholdt to lose it and draw his swords to answer Armin’s insults, but Erwin leaps into the frame and relieves Reiner of a digit, sending Eren falling into a waiting Mikasa’s arms. After scoring her first Titan kill protecting Ymir, Historia is snatched up by Connie and Sasha, but demands they let her go lest Ymir be killed. They think Ymir’s just lying again.

In an effort to wrest himself free, Reiner decides to perform the shot put on numerous Titans, launching them into the sky. One such ground-to-ground missiles knocks Mikasa and Eren of their horse, who runs off, leaving them alone, on foot, on the ground with not just any Titan approaching their location, but the Titan that ate Eren’s Mom back in the first attack.

Is Eren healed enough to transform and get some payback? Will Mikasa’s internal injuries keep her from fighting 100%? Can help arrive in time? Will anybody get back to the wall? What will become of Ymir and Historia? So much to be resolved with just one episode remaining…