ACCA: 13-ku Kansatsu-ka – 04

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ACCA steps back from the larger national coup plot to let Jean continue his inspection duties, this time to Suitsu, which may be the most isolated district in Dowa, seemingly frozen in time due to a noble class that insists on the preservation of “tradition and formality.” Not only are any outside forms of technology forbidden, those like Jean who come from outside are given a tight leash so as to limit cultural contamination.

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Not surprisingly, there are many in Suitsu who aren’t too happy about that, and have been organizing for some time. Jean happens to get scooped up by a group of them who believe he overheard their talk of a coup. Turns out their coup isn’t the same coup Jean’s mixed up in. These guys simply want to open Suitsu up, allow it the same freedom as the other districts to grow and develop, not simply fester like some dusty diorama.

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But apparently, the coup attempt that occurs when Jean is around isn’t the first of its kind by any means. All such former attempts were squashed and all records of them happening kept secret from the outside districts. Jean, for the record, seems sympathetic to the rebel cause here, even offering potential clients from his home to help Suitsu open up. But he stops short of getting involved, serving more as an observer.

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Unfortunately, all the adventures he witnessed will be subject to a gag order as a condition of his being allowed to leave, and anyone arrested in the coup attempt freed. It’s basically a hard reset, with one important difference: we saw how Jean reacted to being in the middle of a mini-revolution.

Did the cigarette he received in his hotel room and Crow/Niino’s intense surveillance of him indicate he’s involved in the larger coup? Or like his Suitsu excursion, is he merely being moved by forces outside his control, like a leaf in the wind?

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ACCA: 13-ku Kansatsu-ka – 03

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ACCA’s obsession with things getting done over dinner, drinks, and parties continues apace, as Mauve quietly invites Jean to an intimate dinner that, considering Jean’s blushing, almost feels like a date. In reality, it’s a business engagement.

Mauve has been told to stop investigating, but she wants Jean, with his 13-district-wide gaze, to keep his eyes and ears open for intel on the coup rumors. She’s also concerned that if the heir apparent Prince Schwan (a known puffed-up doofus) ascends, it could threaten the peace of the kingdom.

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As for the Prince’s grandfather the king, he seems like a pretty laid-back, kindly fellow, more concerned with the selection of sweets and fruits at the royal gala than anything else.

Schwan’s a pretty typical idiot prince, and it’s not that comforting to know how close he is to the throne, at which time he vows to disband ACCA, install a puppet privy council president, and do other not-so-cool things. Even his secretary Magi only seems to respect the dude so much.

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As for Jean, he’s one of the many ACCA-affiliated guests who are invited to the event, including Mauve, all five chief officers, and Niino, who brings Lotta along as his assistant (but seemingly really just so she can get a taste of the high life, I’m guessing).

As he floats about the palace, Jean can’t help but feel again like he’s being watched, and it’s because, well, he is. There are rumors all over about an impending coup, and there are enough hotshots in one place to actually make something like that a possibility.

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The thing is, Jean, as far as we know, isn’t an intermediary for the rebels planning the coup. At least, that’s not what Chief Officer Lilium thinks. He trusts his instincts, which tell him he can trust Jean. Groshular, on the other hand, is the one he believes is really behind the coup plot. He’s responsible for the rumors, after all – what better way to deflect attention?

Jean is seen as someone who is a big fan of order and preserving peace, concepts both Lilium and Mauve share, which is why they both come to him seeking an alliance with him. No doubt they’ll work and work quickly to stop a coup from happening, if they can. The question that remains is, is Jean really the person they (and we) think he is?

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Utawarerumono: Itsuwari no Kamen – 09

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It’s with a semi-heavy heart that I bid adieu to perhaps the strangest Fall show I’m watching. Its episodes are usually fairly fun, but has lacked substance and cohesion. The show’s M.O. is to introduce two or more new cute female characters per week, and the show has gotten very crowded and unfocused as a result.

This week it’s two of Kuon’s “sisters” from her homeland, who baby her like a couple of mother hens. Their treatment of her is over-the-top to the point of incredulity, and we’re talking a show were almost everyone has tails and fuzzy ears. I will say I liked the little mini-arc the Big bird and tiger had, but it’s all just so darned random.

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Random, but at the same time, very workaday. Much of this show has been Kuon and Haku eating and bathing while encountering the new characters of the week, many of whom have stuck around, leading to a huge entourage of people, many of them princesses.

It was  also nice to have Haku inadvertently demonstrate how well he’s come to know Kuon by visiting all of her usual haunts, and going somewhere he knew she’d never go (the BL bookstore) only to find her hiding there. But it’s not much we haven’t seen before, and nothing that reignited an interest in continuing the show for a whole second cour. As you can see, I can barely scrape together 250 words about it. That’s when you know it’s time to say sayonara.

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Shingeki no Bahamut: Genesis – 08

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The battle of Antae is won, and King Charioce offers Jeanne her own lands as a reward, perhaps to get her out of the limelight. Naturally, she refuses, and the king doesn’t take the refusal well. He started out as a somewhat bumbling and generally harmless monarch, but it was only a matter of time before her power and his butted up. Ironically, Jeanne couldn’t care less about the power the king is desperate to maintain. She just wants to do her duty.

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Meanwhile, staring at the Bahamut statue brings all kinds of memories to the surface for Amira, including when a demon lord told her she was special and directed her to Helheim, where “her wish will certainly be fulfilled.” For Amira, that means finding her mother.

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As for her father, Amira deduces that it’s none other than Sir Lavalley of the Orleans Knights, Jeanne’s lieutenant. While Jeanne turns down land, Kaisar takes the king’s offer of knighthood graciously, while Favaro pretty much just goes alone with it, because hell, if nothing else he gets his nice knife back! The ceremony is crashed by the angel Michael, who’s there to bestow a new, even more bad-ass sword.

The king has his arms outstretched, but it lands in Jeanne’s hands. Doesn’t Michael know it’s not a good idea to make this king look weak? He doesn’t. Must be the disconnect between human psychology and the angels’ logic-based reasoning.

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While we’re on the subject of parents, the King looks at a portrait of his dearly departed mother, who then appears in ghost form to warn him that someone is preparing to betray him; Jeanne, specifically. That’s total horseshit, but the king swallows it because he’s a petty, paranoid fellow.

This may also be the handiwork of the demons, but it would be fine if it wasn’t, too, because for the king to be such a volatile wild card at this stage certainly makes things interesting.

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Favaro shows Amira (who calls him “Fava”) Lavalley’s quarters, and there we learn that while he’s not her father, he was a bodyguard for her mother, Nicole, who was an angel exiled from heaven. On a particularly nasty demon attack, the demon lord Beelzebub snatched baby Amira away. That demon sped Amira’s growth, which explains why she Amira acts so childish despite being grown-up in appearance.

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Before relieving him to go look for her daughter, Nicole gave Lavalley a pendant identical to the one Amira carries. When put together, they bring up a map of her present location: Prudisia, the Valley of Demons. Amira wastes no time sneaking out of the city, and while Fava bristles at the idea of going with her and simply wants his tail gone (as useful as it was last week), she beckons for him to join her and meet her mother, and he tags along.

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Of course, this means that they’re leaving Antae, which is where the angels wanted Amira to stay put under the protection of the king. Of course, the king is too busy with betrayals, trysts, murders and conspiracies, which allows Amira slip through his fingers, bound to the absolute last place the Angels want her to go: demon territory.

Then again, considering all the weird crap going on in Antae and with the king, maybe getting away is the safest move after all, at least for now.

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Shingeki no Bahamut: Genesis – 07

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Bahamut bursts out of its recap week gate full speed ahead with a very well-orchestrated and balanced episode, as Azazel leads a large demon host to the walls of Antae to re-capture the God Key, AKA Amira.

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The episode is clever in that on one side of the castle walls, Jeanne d’Arc leads the defense of the city in a big, loud, shiny, yelly battle, in which she successfully uses her trusty Maltet to dispatch Pazuzu. But this battle isn’t the whole episode. In fact, the battle is just a distraction so Azazel can sneak in.

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Inside the castle walls, the episode hasn’t forgotten about our quartet of heroes and heroines, but while there’s certainly plenty of dread – especially when Azazel arrives, there’s the feeling the larger battle is far away. It’s a lot more claustrophobic, but also a lot livlier thanks to the banter between Favaro and Kaisar.

After meeting with that shadowy guy, Amira just wants to eat eat eat, and if she didn’t pass out from the wine, she herself would be one more obstacles to keeping her alive and free from the fallen angel’s clutches.

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The episode doesn’t pretend this is an even fight, either: Azazel looks down on Favaro, Kaisar, and Rita like they’re insignificant ants to be swiped away before claiming his prize. They can’t hope to beat him, but they can take turns delaying him. First Favaro stays behind so the others can escape, in a display that clearly shows some of what Jeanne said to him about being more than just an ex-bounty hunter stuck. Heck, he even puts his demon tail into it!

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Once Rita has Amira safely away from the fight, Kaisar returns, not about to allow someone else to kill “his father’s killer.” Again Fav and Kai show how well they work together and stab Azazel through the heart. But, of course, Azazel doesn’t have a heart, and human weapons can’t kill him. He still plays dead for a moment just to mess with them. This, and his response after Favaro accused him of cheating, are both great moments for the evil yet irreverant bastard: “Well, I am a demon.” You are indeed.

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The guys are in a bad way, but Kaisar happens to turn his sword in such a way that he notices a faint glimmer of light down in the city streets. He then makes a seemingly suicidal rush at Azazel, but in the knick of time, a great light appears behind him. It’s not the rising sun, but Jeanne with Maltet, who spotted Azazel and needed those few moments Kaisar gave her to execute her attack and send Azazel packing.

I’m not sure exactly how the physics of Kaisar’s stunt worked, but nor do I care; it was a sweet setpiece that also united the battle that had been going on inside the castle with the one happening outside. Rita, unfortunately got the short end of the stick, but she definitely contributed.

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With the demon army repelled and the day won, all that’s left is to stuff Amira back in her room to keep her safe. Alas, it only takes a moment (after she glimpses her ‘father’) for Amira to wander away from Rita and into the square where the giant Bahamut statue stands. There, the terrifying power of Bahamut and the past destruction it’s caused flashes through her bandaged head. We witnessed a lovely battle, but it was only a battle. There are plenty more foes to fight before the war is won.

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Pupa – 06

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This episode of Pupa takes a page from Steve McQueen, pointing its “camera” at a thoroughly disturbing scene and simply refusing to pan away; lingering on the scene long after the audience have had their fill of it (no pun intended); sucking them into the horror of the moment. This is three minutes of Yume eating the shit out of Utsutsu as they lie together in bed, presented without comment and with minimal dialogue.

The sounds of Yume eating are thoroughly disgusting (or oddly relaxing, if you have ASMR), and the scene manages to make three scant minutes feel like far longer. There’s more than a little sexual/incestuous subtext what with the siblings’ position in bed, the clothes strewn about on the floor, and Yume’s gentle cooing as she feasts. It’s all quite unsettling and gross…and it doesn’t give a shit.

But more than that, the three minutes illustrate how banal and workaday this whole process has become to the siblings, underlined by the lighthearted music that comes in at the halfway point. Utsutsu lets her eat him, day after day, so she won’t eat others, and he knows he’ll always heal. Just as Pupa is not the anime many were looking for (or necessarily deserved), the plight of the siblings may not be ideal…but they’re managing.


Rating: 6 (Good)