Phantom in the Twilight – 01 (First Impressions) – Supernatural Study Abroad

Just minutes after arriving in London for their study abroad, Bayrou Ton and her BFF (and secretary?) Shinyao are robbed of their luggage, passports, credit cards, and Ton’s heirloom ring. Ton is a girl of action, and so runs through London chasing the semi-transparent beast-like thief.

Despite arriving during late afternoon at the latest, this chase goes on until after midnight, when she finally realizes she’s lost and separated from Shinyao. She throws a paper airplane with a spell written on it, which flies right into a night cafe that just happens to have been founded by her great-grandmother, Sha Rijan.

At Cafe Forbidden, Ton meets three strapping young lads who knew Rijan, suggesting they’re actually very long-lived lads. here’s the aloof, prickly one (Vlad), the tall, dark, and quiet one (Tauryu) and the kiddy, friendly one (Luke). They believe the thief is a goblin, and race to Hyde Park to deal with it.

Ton follows them in a taxi (I guess she had some pocket money), and watches a very bizarre spectacle unfold. The three lads, decked out in their fancy black coats, do battle with a whole band of goblins, while Vlad confronts a Spriggan. Ton reveals herself to warn him, but he’s distracted and is briefly stunned.

Ton uses the heirloom ring a monocled stranger returned to her and told her to wear to pull some kind of magical chains out of the ground she uses to protect herself. Vlad pounces on the Spriggan from behind and kills it with a coup-de-grace. Rather than explain to Ton all of the straight-up weird shit that just went down, Vlad glamours her instead; replacing her memories with false ones involving a police chase. Luke later wonders if it was the right thing to do.

Ton wakes up in the park like nothing weird at all happened, gets in touch with Shinyao, and after credits that underscore just how much these two friends care about each other, Ton meets her at their new apartment…only for Shinyao to be immediately kidnapped. Well played, show.

So, not the bestest first couple of days for Bayrou Ton! She has a cool name, though, and she’s voiced by Hanazawa Kana, making it two characters in short red jackets she’s voicing this Summer! Other than that, and despite some competent animation and a decent soundtrack, I came away a bit less enthusiastic for this than the quieter, more thoughtful Holmes of Kyoto. Twilight has a likable heroine but is a bit all over the place so far.

Advertisements

Hinamatsuri – 12 (Fin) – Losing Your Balls is Snow Big Deal

Hinamatsuri ends on a hell of a high note, with two stories that while not very closely connected to one another, nevertheless ruled so hard. We pick up on Hina, Hitomi, and their two male classmates’ predicament of being lost in the snowy mountains. With Hitomi in charge, they soon have an igloo built, but unless they get help, they could die up there. Hina takes a rather casual view of their sitch (the “snow big deal” being a pun she seems particularly proud of)…until they tell her there’s no food.

Right then and there, Hina decides that this is one of those times when her telekinetic powers will be needed, and commits to finding a way to get fed rescued. She goes out to fly around and finds a light, but when she tells the others her secret, they think the cold has gotten to her. She eliminates all doubt by floating before them, then making Hitomi float.

The kids take this well, most likely because in as dire a situation as they are, she’s their only hope, and, well, she’s not crazy, her powers are real. After they try to recharge her powers by attempting to create the illusion of being in a cafe that serves ikura rolls, she makes a giant one out of snow.

A rescue helicopter easily spots the sculpture, and is extremely confused by it, but not so confused they crash! Hina and the others are picked up, and the next we see her, she’s safe in a hospital bed with a very relieved Nitta by her side. His nonchalance to the phone call about Hina was just putting on a tough-guy act; he really does care about her.

After that, and a montage of everyone in the city going on with their lives, we jump three years into the future and across the western sea to China, where Mao has lived and trained with a martial arts school. When she first arrived by raft, she scrapped together a living on the streets much as Anzu did, until taken in by the martial arts school’s master.

The rockstar dude who Hina once performed saw Mao’s feats of telekinesis on YouTube and has come along with many others to “learn the secrets”, even if it’s just a sham to sell regular old martial arts training. Mao is also still talking to handmade dolls representing Hina and Anzu.

Just when she was getting restless living such a regimented life as the golden goose for opportunist martial artists. Rocky reveals that he knows Hina, the girl with the same blue hair as her doll. Mao is overjoyed she finally has a lead.

Her handlers don’t want her going anywhere, however, so they chase her into the street and attempt to apprehend her. That’s when Hinamatsuri turns into a straight-up martial arts action show, with some of the best animation of the entire series as Mao takes down her ochre-suited opponents one-on-one and all at once.

While the latest-introduced and least utilized magic girl, with her Cast Away episode and now this extended segment, Mao has definitely had some pretty awesome adventures that have allowed her to efficiently demonstrate what a badass she is (as if we needed any reminders). It’s the best fight since Hina took on the whole of the rival yakuza organization.

Their master agrees to let Mao go with Rocky to Japan…if she can defeat a “metal man” that’s basically two rapidly spinning shafts no ordinary human could ever stop or even slow down, lest they get pulverized. Mao stops the thing dead with her powers, but makes sure to make it look like she used her martial arts to do it, positioning her arm and leg right where she stopped the shafts.

Her handlers buy it, and she and Rocky are off on a plane. Rocky to help Mao open new branches of the school (another stipulation of her release), and Mao so she can report to Ikuruga about losing the transport balls, and, more importantly, be reunited with her friends Hina and Anzu.

Things end so abruptly that I suspect the adventures of Mao, Hina, Anzu, Hitomi, Nitta, and the others aren’t over. I certainly hope not, anyway. A second season would be most welcome, especially if the show continues to be inventive in how it uses both the girls’ superhuman powers…and their humanity.

Cardcaptor Sakura: Clear Card – 22 (Fin) – A Duel that Never Happened

Cardcaptor Sakura: Clear Card ends with some fireworks, danger, and a much-awaited reveal to Sakura that her new friend Akiho is the cloaked figure who has been haunting her for months—only for that reveal to be undone by Yuna D. Kaito’s time reversal magic, the use of which fatigues him.

It just underscores what a contemptuous cad Yuna D. Kaito is to not only make Akiho do these things, but not even have the courtesy to let her remember. Akiho has been in the “Clock Land” of her dreams so often, the lines between dreams and reality are starting to blur, as she feels she’s somehow being a bother to Sakura in real life.

One night, while reminiscing about meeting Kero-chan for the first time, and how she’s glad she met everyone she’s met on her Cardcaptor adventures, she’s interrupted in mid-thought by yet another waking dream, only this time Cloaky is really there, balanced on an electrical pole.

Sakura releases her staff, activates Flight, and flies out to meet the figure, but Kero is blocked from leaving the same window by some kind of magical boundary he can’t break even in Big Mode. It’s clear Cloaky wants this confrontation to be one-on-one.

What follows are the aforementioned fireworks, with Akiho sending a giant ball of broken glass (which Sakura destroys with Blaze), a curtain of flame (she dissipates with Aqua), and a barrage of glowing projectiles (she gathers up with Spiral). Then Cloaky re-seals Sakura’s staff and begins to draw her key towards her.

When Sakura tries to re-release an grab her key back, Akiho dumps out all of Sakura’s Clear Cards, and even deactivates Flight, sending her careening to the earth from hundreds of feet in the air. It’s the tightest of tight spots Sakura’s ever been in, and as she falls, the cloak is pulled back and she catches an unmistakable look at a very out-of-it Akiho.

That would’ve been a fine cliffhanger on which to end things, but if Yuna was going to swoop in and undo it all, I’m glad it happened now and not in the next season, lest I get my hopes up for too long that the reveal would stick.

While inspecting the frozen Akiho and Sakura, Momo is of the mind Akiho will simply think this was all a dream as usual (she’s been “sleep-acting” as Cloaky all this time, after all), but Sakura will remember, spuring Yuna to use more taboo time magic to undo the duel.

I can’t help but feel terrible for poor Akiho, who is little more than a tool doing Yuna’s bidding while he hangs back, observes, and intervenes when necessary. In the season that follows I’d love to see her somehow break free of his hold on her, though that would require an awareness of her situation she still doesn’t have.

As for Sakura, she has no recollection of her big fight with Cloaky and losing all her cards and nearly her life, and simply continues on with what she was saying to Kero-chan after he dried her hair: with all of the wonderful people she’s met by her side, she’s confident she’ll be just fine, come what may. After that close call, I can’t yet share her confidence.

Cardcaptor Sakura: Clear Card – 21 – Two New Keys to Victory?

In an extended opening act between Sakura’s brother and father, the two discuss her similarity to her mother Nadeshiko, both her smile and the “something mysterious” about her. Sakura’s husband left things he couldn’t sense to Nadeshiko and didn’t ask questions, even if it meant he felt left out. But unlike his dad, Touya has the power to aid Sakura, should that time arise…and it’s looking pretty likely that it is!

Meanwhile, Sakura’s grandfather gives her one of the two items her mother wished her to have: a jeweled key she always treasured. My first thought was that this could be the key she needs to focus her magical power in order to oppose Yuna D. Kaito. The second “item” turns out to be gramps’ villa itself, meaning not only does Sakura have a potential new tool in the key, but a base from which to draw power.

Eriol mentions to Yue and Kero that the mansion where Yuna and Akiho live was once torn down to build an amusement park, yet now the park is gone and the mansion is back; its location being a particularly strong base for magicial power. He also informs his associates that Yuna was excommunicated from the order that gave him the “D” title, ostensibly for stealing a magical relic.

Eriol has a lot of exposition this wek: confirming that it is Sakura herself who has summoned all of the cards she’s been securing. They represent various aspects of her power, and while that power is considerable, it is still chaotic, without focus, and most importantly, inadvertent on the part of their creator.

Perhaps sensing his enemies have conspired together long enough, Yuna launches an attack on Eriol, cutting off both magical and conventional communications between him, Yue, and Kero. Eriol manages to fight off the attack, cracking his staff in the process, but it exhausts him. Even he can’t go up against a “D”-class magician for long.

While Yuna’s watch is finally broken, he still has that stolen relic—I’m guessing the book—and doesn’t seem too perturbed about pushing Akiho has far as he can in order to get Sakura’s cards.

Sakura remains uneasy about recent events, but nevertheless blissfully unaware of the identity, nature, and scale of her enemy and his plans. Instead, while watching Syaoran and his reflection in the car window, she wishes she could look in a mirror and see the Sakura everyone else sees.

That wish casts a fog around her home, and when she and Syaoran arrive, it has flipped around; become a reflection of itself. While a little strange and unnerving, there’s no active physical threat; all Sakura has to do is release her staff and secure the card, somewhat unimaginatively called “Mirror.”

It’s her twentieth card, and it enables Sakura to “mirror” her Flight card, making a double which she affixes to Syaoran so they can fly around hand in hand. Of all the things she could have done, she did something to make her and Syaoran happy. Too much power will make its owner unhappy, and Sakura is certainly hella powerful at this stage, if still chaotic. But Syaoran embraces her in midair and promises her he won’t let her be unhappy.

I’m not sure what he, or Kero, Yue, Eriol, or Touya can actually do, considering it’s been implied Yuna is stronger than all of them, and Sakura is the only one who has a chance of defeating him. But first she has to be told that Yuna is even an enemy that needs defeating, right? He’s been operating in the shadows for far too long while she’s dilly-dallied about with her newfound powers and ancillary high school life.

If her boyfriend, brother, friends and allies are really serious about preserving her happiness, she needs to be told the truth, even if it makes her unhappy. She needs to know so she can prepare for what’s coming. Because you know what would make her even more unhappy? If they, or anyone else (say Akiho) gets hurt because Yuna successfully stole her cards and becomes an unstoppable force.

Cardcaptor Sakura: Clear Card – 20 – The Lunch Mooch

Whatever the precise nature of Yuna D. Kaito’s goals, he seems pretty confident he’ll be able to pull them off. And can you blame him? Sakura still doesn’t have the slightest clue she’s being targeted, let alone how or why, and is content to continue living life as if nothing’s amiss.

She spends the morning making lunches for herself, Syaoran, Yukito and Kero for the day. I will say for the record she makes making rolled omelets look way too easy; aside from the fact those pans aren’t cheap, her method requires a lot of practice and a lot of failure.

Her date with Syaoran is replaced by a visit to the sprawling villa of Masaki, her mother’s grandfather, who apparently has something he simply must give her before departing abroad the next day. Syaoran accompanies her, and he and Sakura bicker over whose bento is better (each arguing for each other, not themselves, naturally).

When Grampa Masaki is alone with Syaoran, he comments on just how similar Sakura is to her mother; someone whose constant outward happiness and joie-de-vivre makes everyone around them happier. Meanwhile, Kero and Yue confer on the growing powers of both Sakura and Touya, while Kero receives a message from Eriol in England: a magic circle which both Kero and Yue replicate.

While wandering around the vast estate looking for someone to make more tea, Sakura comes upon her mother’s bedroom, which shines as brightly as the sun. Sakura uses Record to view a montage of moments from when her mother inhabited the room, but then the projection of her mom turns to her, puts her hand on her cheek, and warns her not to go any farther, lest she not be able to return.

Sakura and Akiho end up in the clock dream again, in which Sakura knows who the cloaked figure is (though doesn’t say it) while Akiho recognizes the cloak as the one passed down in her family. Yuna and Momo converse on how “the power of the dream is growing”, and much faster than originally thought. Kero and Yue arrive in England, where Eriol is finally ready to tell them what he’s learned, and it’s not good: “the one thing [he] feared the most is becoming reality”.

As confident as Yuna and Momo appear to be so far, and as oblivious as Sakura appears to be (it’s particularly unnerving to see her dip so far into her powers she becomes woozy and has to lie down), but she has no shortage of powerful friends, from Kero, Yue, and Eriol to Touya, who doubtless won’t hesitate to use his growing power to protect his sister. And then there’s always the slight possibility Yuna’s intentions aren’t even sinister…

Cardcaptor Sakura: Clear Card – 19 – Storytime for the Kiddies

Sakura’s a wonderfully kind person, and so it comes as no surprise she’d go to the pediatric ward to read to children. I also think she intrinsically understands she has a tremendously entertaining voice, and it would be a shame not to show it off once in a while!

Tomoyo is coming to film the event (of course), and Sakura manages to recruit both Akiho to help her read and Syaoran to accompany them with piano. She achieves this by knocking both their HP levels to zero with her thoroughly persuasive glare.

Syaoran checks in with Wei for help with scoring the book (and denies his four doting sisters’ request to see him on video mode), while Akiho studies the storybook and marks in a notepad all the places she’ll have to be careful (Japanese not being her first language an all).

After being given simple yet elegant tunics and caps, the two read the story of the Fox and the Mittens to the assembled children, all while Syaoran plays the organ, an upgrade from the piano.

It’s a delicate and beautiful presentation, an interesting departure from the usual formula of the show. This is also an episode in which Sakura doesn’t capture a card, and doesn’t even say her trademark “Hoe” once!

When the crowd gets riled up at a perilous point in the story, he quiets them with a flourishing solo, allowing the girls to get back on track. All in all it’s a tremendous success, and the group of kids come away not only entertained but impressed with the skills of the storytellers and organist.

Tomoyo caught everything on tape, but Sakura managed to stealthily release her Record card. Unfortunately, the footage it took is from over thirty years in the past! Sakura is disappointed; she must’ve “done it wrong.”

Upon seeing this, Kero-chan finds an excuse to rush to Yue’s place and inform him of what she did. Sakura has become far more powerful than either of them could have imagined, to the point it has become imperative they inform Eriol, of whom we’ve only gotten the slightest glimpses so far.

Cardcaptor Sakura: Clear Card – 18 – Dance of Water and Fire

In the aftermath of the Cake Roll Incident, Sakura (and Tomoyo) have to stay quiet as their friends ponder what the heck happened to all the ingredients for their home ec class, while both Sakura and Akiho try not to blush when remembering when they gave their cake to the people they care about.

Sakura also gives Akiho Rika’s gorgeous pop-up Alice book, which Ahiko only accepts as a gift reluctantly, and which indirectly leads to a Sakura daydream in Clock Land right in front of Akiho. But since Akiho remains conscious the whole time, they don’t get the chance to “meet” one another there; she merely stops Sakura from tripping on a step.

That night (and considering the height of the moon, it’s fairly late at night for dinner, if you ask me!) as Akiho places the book on the “Alice” shelf of her family’s library, Yuna D. Kaito sidles up to her once more, reiterating how pleased he is that Akiho has gotten so close to Sakura, and hopes she gets even closer. Gee, I wonder why?

Meanwhile, Sakura, Tomoyo, and Syaoran are at the Tsukimine Shrine, the site of the very first Clow Card Sakura captured (“Fly”), leading her to reminisce on how talkative and pushy Kero-chan was back then. They’re there because she sensed another card and would rather deal with it at night. Tomoyo provides a fire-themed costume, while Syaoran is there for backup.

It turns out Sakura needs it, because Aqua, her initial gambit against the new card—a vicious firebird—proves ineffective. Syaoran has Sakura launch into the air with Flight and standby while he uses…some power he’d rather not tell Sakura about in order to bind the firebird and enable Sakura to secure it.

WIth that, she’s gained a third elemental card after wind and water (ice, which one would have thought would be more effective against fire, must be covered by water). It’s yet another colorful, gorgeously staged and rendered battle in the best traditions of CCS.

After some post-game play-by-play, the trio prepare to return to their respective homes. Sakura took steps to ensure her absence wouldn’t be noticed, but her brother Touya enters her room to find she’s not there (he’s studying late with Yukito and must have sensed something amiss).

Yue emerges from Yukito to tell Touya that Sakura is safe and on her way back soon, then comments on how Touya’s powers are returning. Touya is coy about how he’ll used them, except to say that he will do everything in his power(s) to protect Sakura and his family, and asks Yue to be patient. Personally I’d love to see these to face off against Yuna D. Kaito.

Barring another season (or a wrapping OVA or movie), Clear Card saga ends in just four episodes. Yue isn’t the only one who has to be patient!

Cardcaptor Sakura: Clear Card – 17 – Cake Roll Rampage

Another night, another dream about clocks, the cloaked figure, and a giant dragon. Sakura knows that she knows the cloaked figure, but can’t quite put a name to it. She wakes from her unsettling dream just before her alarm goes off, momentarily scaring Kero-chan by being so out of it.

That early alarm is so she can meet her elementary school friend Rika at the park so Rika can give her some books to read to children at the hospital, because of course Sakura does nice shit that!

It’s a big day in home ec class, because they get to make cake rolls. Akiho doesn’t have Momo on her bag because Kaito is at home mending her scarf, and we finally see Momo move and speak…and eat chocolates while lounging on an adorably tiny chaise lounge.

Whatever Kaito is up to, Momo is also in on it, and rather eager to get on with things. “The collection of cards” is part of their plan, and as it’s proceeding steadily, The Time To Do…Something will soon arrive.

That collection of cards continues when everyone’s cake rolls suddenly come to life and eventually combine into a giant monster. Tomoyo shields Sakura while she releases her staff and puts everyone else to sleep before getting chased out of the school by the MegaRoll. Sakura takes to the sky, only for the roll to take flight itself.

Sakura manages to restrain the MegaRoll with her “Spiral” Card, and secures the new “Appear” Card. Syaoran shows up to help her back down, but their lovely reunion is marred by Tomoyo and Kero’s cameras.

Akiho manages to salvage her decorated cake rolls to give to Kaito, and is very happy when he says they’re both adorable and delicious. But things take a darker turn when Kaito puts Akiho to sleep once more and whips out that damned pocket watch of his ominously going tick-tick-tick-tick. 

I’m fine with Akiho having a little thing for Kaito, but definitely not okay with keeping her in the dark about both the cards and the cloaked figure shared dreams.

It’s clear Akiho isn’t hiding anything from Sakura, but is a tool of Kaito and Momo. Hopefully at some point she can regain her agency and put the meddlers in their place; perhaps with help from Sakura & Co.

Cardcaptor Sakura: Clear Card – 16 – Meiling Out

From the word go, the airborne Sakura was one busy Cardcaptor this week, pushing Siege to its limit by covering the entire Daidouji estate, stopping the burrowing Card in its tracks, then securing it before it destroyed the mansion. Flight is so happy to work with Sakura, her wings carried her so quickly Kero-chan couldn’t keep up with his head camera.

After finishing tea with Daidouji’s mom, Sakura and Meiling go one way, while Akiho goes another, with the latter encountering Yuna D. waiting for her. When he lets slip something about Sakura’s father that he shouldn’t know, he whips out his pocket watch, stops time, then rewinds it to before he slipped up.

This leaves Akiho confused but totally oblivious to what just transpired. I shudder to think how many times he’s used this magic to get Akiho to collect information, then make her forget, to say nothing of the “dreams” in which she and Sakura appear. None of this is the conduct becoming someone you can trust!

While pondering the possibilities of a future Kaito/Sakura confrontation, Sakura and Meiling end up the targets of some kind of Card in the form of a martial arts-wielding killbot in Chinese dress, who comes at the girls with extreme prejudice.

Here, we get to see Meiling’s own martial arts in practice, as well as Sakura’s natural athleticism and agility. The two are able to defeat their attacker by coordinating their counterattacks to be mirror images of each other, crystallizing the bot and giving Sakura enough time to secure the second card of the week, “Struggle.” I for one am glad this card is now  on Sakura’s side!

After the battle and later that night, Sakura is overly worried about Meiling. While appreciative that Sakura cares about her so dearly, she reminds her what she said before the killbot attacked about “good people making her sad”, because some of those good people are looking out for others so much they don’t care about themselves.

Meiling things this applies to both Sakura and Syaoran, and thinks both of them need to take a step back and think of their own happiness—at least occasionally—and not in a “seeing other people happy makes me happy” kind of way. But one thing Sakura is certainly happy about is that she finally got to fight side-by-side with Meiling. And they kicked some killbot-card ass!

Before hopping on the plane back to Hong Kong, Meiling also warns Syaoran over the phone that whatever he knows or has planned that neither she nor Sakura (with whom she’s now on first-name terms) knows about, if he gets hurt, she knows who’ll be saddest, and if he makes Sakura sad, he’ll regret it. Bottom line: Don’t mess with Meiling.

Cardcaptor Sakura: Clear Card – 15 – A Phone Call, Daidouji Videos, and a Quake

After yet another ominous scene with Akiho, her (still motionless) rabbit, and Yuna D. Kaito reminding us that there’s Something Up With Those Three, we return to Sakura’s house where she’s braiding Meiling’s hair.

Talk turns to how Sakura’s dad has always cut her hair, Yukito cuts her brother’s and her brother cuts her father’s…but when Syaoran comes up, Sakura can’t mask her worry.

Meiling’s solution is to simply call him, and then hands the phone off so the two lovebirds can talk. Syaoran says he’s fine (or at least he says he is), so Sakura is able to continue her day without worrying about him.

That day consists of Sakura, Meiling, and Akiho meeting up to visit Tomoyo’s mansion, and are welcomed at the door by her mother,  who finished a bunch of phone calls early and cancelled her schedule just to be able to greet her beloved, adorable Sakura. Far from feeling hurt about this, Tomoyo is on the same page as her mom: Sakura IS adorable!

Tomoyo then drops a big surprise on Sakura: she’s invited them to try out her new super-deluxe home theater, where she proceeds to play the Nadeshiko festival play in which Sakura and Syaoran starred—another nice callback to older iterations of the series.

The chemistry between Sakura and Syaoran is apparent not just in their on-stage performance (which was interrupted by an earthquake) but behind-the-scenes footage of them learning their dance steps.

Sakura is mortified beyond belief by all this footage—she doesn’t like to be on display, despite her occupation—but Tomoyo is merciless, and Akiho and Meiling also get a kick out of all of the heartwarming film…as did I!

Sakura tries to get revenge by mentioning Tomoyo singing, and Tomoyo has no choice but to play it for Akiho, but their viewing party is suddenly interrupted…by another earthquake. Sakura hides behind a chair to release her staff, then puts Akiho, Tomoyo’s mom, and the house staff to sleep with Snooze lest too many learn her identity. With that, she uses Flight to sprout wings and survey shaky ground from a safe height.

Considering Akiho described exactly what happened last week as being a chapter from her white clock book, with Sakura in the role of “Alice”, it’s a good bet the next chapter involves an earthquake. We’ll have to wait until next week to learn how Alice manages to resolve the situation, as the episode ends on a bit of a cliffhanger.

Cardcaptor Sakura: Clear Card – 14 – Forest of Illusion

CCS:CC is a show replete with beautiful pastels and idyllic scenes of Sakura’s lovely, happy life, but from its first moments this is an episode that throws a number of strange and even unsettling images into the mix, starting with Sakura waking up to find Meiling and Kero-chan right in her face, trying to compete to see who has the more intense face (it causes the first of ten Sakura “hoeees!” in the ep).

Sakura with her new ‘do and Meiling meet up with their friends at a shrine market, but Syaoran is running late because he’s doing some rather intense magical training, no doubt to be able to support Sakura when the going gets tough.

It’s a fun and pleasant day as usual, until Sakura and only Sakura starts seeing animal ears and tails on all of her friends. They even start “talking” like the animals they represent, until the very environment around them starts to blur and twist and Sakura finds herself in a great grassy valley with a planet in the purple sky.

This is one of the trippiest cards since the Escher-esque labyrinth, and Sakura doesn’t have a clue where she is and how to change her increasingly animal friends back. She can’t even catch up to them, as they scatter and run when she approaches, eventually settling down at the base of a massive baobab tree.

Sakura is scared, and things suddenly get scarier. A storm swoops in, and a lightning bolt splits the tree in pieces, causing it to burst into flames. As it begins to fall on her animalized friends, time suddenly stops, and Syaoran literally tears through the fabric of the environment to join Sakura.

The time magic he used has gassed him, and the magic won’t last long but he still manages to calm a panicking Sakura down with a big hug, urging her to control her breathing and think about the situation. Sakura realizes she wanted to go to the zoo, so the card turned her friends into animals. When she became scared, it made things scarier.

Once sufficiently calm, Sakura is able to break out of the illusion and secure the “Mirage” card that caused all of the trouble. Everyone ends up back at the shrine, none the worse for wear save Syaoran, who is still exhausted from his use of powerful magic.

Meiling acknowledges her cousin Syaoran doing his best for Sakura’s sake (and the fact he calls her “Sakura”), while expressing her aggravation that she has no magic with which to help out. Still, neither Meiling nor any of Sakura or Syaoran’s friends need magic to support them; their friendship is something worth becoming stronger to protect.

I imagine Sakura will have to grow stronger still in order to face whatever nefariousness Yuna D. Kaito is up to.

Overlord II – 07

As “Momon” contends with mounting expenses for his various ventures, Gazef (who considers Ainz his savior) seeks out Climb, the princess’ bodyguard. He may have come from nothing and is young and inexperienced, and Gazef seems certain there’s a ceiling to his ability, but Climb is still someone who can hold his own against Gazef in battle, which is more than he can say for most other fighters.

Climb needs to be strong. His Princess, Renner (voiced by The Heroine herself), is called a “monster” by her own older brother, the second prince. There is all manner of wrangling and under-the-table deals between the royals and nobles and Eight Fingers in this kingdom. As such, despite noble warriors like Climb and Gazef, it’s a kingdom slowly rotting from the inside.

Princess Renner, one of the kingdom’s few principled, moral leaders, seeks to cut out that rot, but without any kind of military force of her own she needs willing swords and shields. She has them in the elite adventurer group Blue Rose, who we were introduced to last week burning Eight Fingers’ drug fields.

Renner welcomes Climb to a meeting she’s having with members of Blue Rose, who are preparing to hit other Eight Fingers targets. Renner doesn’t want Blue Rose’s Lakyus Aindra to sully her name and that of her families in such activities, but she has little choice, as she can’t very well send Climb out alone. Instead, Lakyus will “borrow” Climb.

Meanwhile, in the mansion seemingly occupied only by Sebas and Solution, the former has made Tuare a maid, much to the latter’s chagrin. Solution does not like humans and doesn’t see Tuare’s presence as anything other than a nuisance at best and a threat to Ainz at worst.

When unsavory parties arrive who wish to get Tuare back from Sebas, and they give him until the day after tomorrow to surrender either her or the “lady” of the house, Solution. These guys are obviously scum, but they and Solution are alike in one important way: neither of them give a shit about Tuare’s well-being.

Only Sebas does, and since only 41 or so people in the whole dang world are stronger than him, Sebas would normally get his way, and Tuare would remain safe. But even he can’t be everywhere at once, which is why when he goes for a stroll to think things over, Solution breaks protocol and contacts Lord Ainz to report the possibility that Sebas has turned on them.

That seems farfetched to me, in that so far all he’s done is demonstrated his empathy for humans and been a Good Samaritan for a woman who had nothing and no one else. If anything, if Ainz hears the whole story he’d find a way to applaud Sebas’ actions. Is Solution overreacting, or does she sense something Sebas a mere human such as myself cannot?

Overlord II – 06

And now for something completely different. Head Butler Sebas Tian witnesses a man tossing a sack into the street; a sack containing a horribly battered and bloodied human girl. Because Sebas does not detest humans as many Guardians of Nazarick do, he takes pity on the girl, takes her back to the mansion, and has Solution heal her wounds.

Solution considers it beneath Sebas to bring human in, and beneath herself to heal her, but Sebas offers no explanations; he only issues orders, which Solution obeys. The girl is a new person when Sebas sees her post-healing, and offers her some porridge. The girl, whose name is Tuare, offers tearful thanks to Seba for saving her when no one else would.

Meanwhile, we check in with Brain Unglaus, who has been shaken to the core by his defeat at the hands of Shalltear. Gazef Stronoff plucks Brain off the rain-soaked streets where he had apparently lost the will to live, insisting he eat something before making the rash decision to go off and die. All Brain can think about is how weak and puny even the strongest humans are against the likes of Shalltear.

Sebas, Solution, Brain, and Gazef not enough for you? Don’t worry, there’s more: two kunoichi stealthily kill a patrol, then set a series of fields ablaze.

We learn the twin ninja are part of a group of powerful-looking adventurers determined to destroy as much of the of the super underworld syndicate Eight Fingers’ drug production and distribution network as possible. Solution mentioned that Tuare was most likely addicted to a drug; most likely the “Black Dust” the adventurers speak of.

Finally, we get a look in at a meeting between the leaders of Eight Fingers, including the one in charge of human trafficking and slaving, who laments he recently lost the girl we know as Tuare. Something tells me that as tough and connected as these guys might be (an adventurer says 8F can “topple nations”), they’re no match for Sebas, who won’t be letting Tuare get hurt anymore.

While I almost lament the conspicuous lack of lizardmen in this episode, a change of scenery is welcome. This is a huge, rich world, after all; focusing on just one small part of it would be a shame.