Made in Abyss – S2 12 (Fin) – The Cradle Falls

As tends to be the case with momentous episodes of Abyss, I’m still a bit overwhelmed with emotion, but I’ll do my best here. As a resurrected, better-than-ever Faputa and a game Juroimoh prepare to battle the invading beasts, we’re taken back to simpler, more innocent times, when Faputa first found Gaburoon.

Buried and covered in flowers, Faputa brought bits of scrap to him to enable to repair himself, while he tought her language, specifically that of her mother Irumyuui. What looked like an upside-down person turns out to be the symbol for haku, or that which matters most to someone. We watch, this time from Faputa’s perspective, as she encounters Riko, Reg, and Nanachi.

Gabu teases Faputa for resorting to subtler, more indirect methods that only served to confuse our lead kids—call it a measure of the shyness she inherited from her mother. Back in the present, while Faputa presses the battle, a transformed Majikaja serves as an escape vehicle for Riko, Reg, and Nanachi, as well as Moogie, Pakkoyan, Maaa, and other Hollows.

Maji takes them to Wazukyan, from which Vueko has already escaped and who is near death. In his usual friendly way he warns Riko that there is nothing ahead for her but despair, but she tells him as he crumbles to dust that things won’t necessarily go the way he’s foreseen.

As Riko is reunited with another page from her mother’s journal, the freed Vueko ascends a staircase while thinking about the one solid decision she made in her life: the choice to become Irumyuui’s mother. Unfortunately, she forgets the Sixth Layer’s curse is loss of humanity.

A quick-thinking Pakkoyan sacrifices herself to keep Vueko from being killed, but she is still transformed into a non-verbal hollow. Nanachi takes Vueko and brings her aboard Majikaja with the others.

Reg shocks Faputa by joining him in battle—this time on the same side—and apologizing for challenging her. Riko blows Prushka once more (causing her to pass out with a bloody nose), and Riko goes into Overdrive, allowing him to dispatch one of the two turbinid dragons who pose the greatest threat to Riko and the others.

This also gives Faputa time to go to Moogie and the other surviving hollows with the goal of consuming them and their value so she can do what she came here to do: put her long-suffering mother to rest. Just as they had no problem giving parts of themselves to resurrect Faputa, they have no problem becoming the nourishment Faputa needs.

After sending the black-turned-white goo throughout the structure of IruBuru, causing it to crack and shatter, Faputa is drained of energy an no longer able to fight. A piece of falling rubble wallops her and she begins to fall. She thinks of Vueko, the one person she has no memory of. She also thinks that the end is near; that she’ll die when she reaches the bottom. But she doesn’t; Reg snatches her with his extend-o-arm.

The rubble does a number on Majikaja’s body, and when he can no longer move, his true, semi-gaseous form emerges and briefly possesses Faputa. When he too passes, Faputa is able to come face to face with Vueko, her spiritual grandmother, and while Vueko can no longer talk, Faputa can hear her lucid thoughts.

Vueko tells her the kind of girl Irumyuui was, how Faputa is similar and how she’s different, before passing away peacefully, full of nothing but love and gratitude for the little girl that changed her forever. Faputa sheds tears for Vueko, despite her not “belonging” to her, and Riko, Reg, and Nanachi gather around to offer comfort.

The village borne from Irumyuui is now a pile of rubble, and Faputa’s mother is finally free. Following the customs she learned from Gabu, Faputa gives Vueko a proper burial, then sets up some companions with some smooth rocks so she won’t be lonely. After this, Faputa seems unsure what to do next, freed from “value” and now having been given the choice to live her life as she sees fit.

Reg suggests she join them. While he still can’t remember her or the details of their promise, he still wants to know her now, and go on an adventure with her. Faputa isn’t at all opposed to this, but does not agree right then and there. That’s to be expected of someone who has only very recently discovered such a thing as free will beyond an now-fulfilled genetic duty.

What I’ve described so far are the myriad events that unfolded in this double-length season two finale, but there’s no substitute for experiencing this episode and all of its nuances for yourself. It was one of the finest episodes of anime I’ve had the privilege to watch, and like Vueko with Irumyuui, I’ll never forget it.

There is sure to be another film or a third season that will continue Riko, Reg, and Nanachi’s journey still deeper into the Abyss, into darkness warm and cold, cursed by love and longing. This sequel had large shoes to fill and filled them ably. So too will the next sequel.

RABUJOI WORLD HERITAGE LIST

 

Summertime Render – 23 – Realm of the Dead

Haine has devolved into an eyeless, helpless child that Shide apparently has no further use for. But he does want her Observer’s Right Eye, which is now in Ushio’s head. He provokes Ushio and Shinpei into following him to through a tear in the cave wall into another dimension.

Ushio tells Shinpei if he goes in he’s not coming out, but with both Ryuunosuke possessing him and her by his side, he’ll be fine. But even if things go pear-shaped, he hastens to tell Ushio he loves her, he wants to be with her, and he will never leave her side again.

The remainder of the episode takes place in a thoroughly weird—and hauntingly beautiful—dream world: Haine/Hiruko’s true home. As a result of Ryuunosuke pushing his body too hard, Shinpei’s right leg is ruined, but Ryuu offers to control his body and taking on the pain.

This enables Shinpei to walk, which he needs to do to find Ushio, whom they know is both still alive and no more than 50 meters away due to the shotgun she printed still being whole. Shinpei and Ryuu come upon a ball—Haine’s handball. They follow it into a Hitogashima frozen in time from when Haine lived.

There they find Ushio, apparently in great pain and in contact with Haine. But this Haine is different: she’s just a kind little girl like the one Ryuunosuke’s sister befriended years ago. Assured there’s no threat, Ushio introduces Haine to Shinpei and Ryuunosuke.

Haine tells them they’re in the realm of the dead, Toyoko. While the power of the awakened Observer’s Eye can only be fully utilized in the real world, Shide has brought Ushio here to steal the eye from her. Once he has the eye, he will transcend to a still higher dimension…and destroy the world.

Right on cue, Shide uses Baby Hiruko to summon one of Haine’s memories of her island being firebombed by a squadron of B-29s in World War II. Ushio’s hair shield protects them while Haine prepares to use her innate power to suspend the memory, giving Ushio a shot at attacking Shide. Without Hiruko in his possession, his armor will disappear, and she can kill Shide’s inner body within.

As you can tell from the screenshots, this episode is a trip, packed with gloriously detailed, imaginative, gorgeous, and frightening imagery, and an even more heightened reality when it comes to action, with Ushio using falling bombs as steps up to the plane where Shide is.

But as cool as this sequence is, it still isn’t enough to stop Shide, because the body she attacks is a hollow one – nothing but an empty suit of mud armor being controlled remotely through Hiruko. Gaining this new piece of information may prove costly, as Ushio passes out and starts to fall.

If any of this is wrong, I apologize, but the plot mechanics and rules of Summertime Render become more and more baroque with each passing episode. But this is such an engrossing spectacle and I’ve come to love these kids so much, I don’t really mind the growing complexity.

Engage Kiss – 13 (Fin) – Bless This Mess

Shuu, Ayano and Sharon are fighting as a cohesive unit, but against Kanna the best they can do is maintain a stalemate. Enter Tabula Rasa Kisara, who despite having no memories decides on her own not to let what seem like nice people die in a battle with a not-so-nice person.

The addition of Kisara to the battle definitely gives Team Shuu an edge as Kanna starts to flounder a bit, but then she summons three powerful demons, which means all of the other demon hunting contractors spring into action, for the city that’s the only home they have, for honor and glory, and money too.

When even Kisara can’t quite get to Kanna’s heart to seal her, Shuu lends her power in the form of a kiss. Turns out their old contract terms work just fine, and the newly re-Hot Topic’d Kisara has a stiff second wind at her back. She keeps Kanna occupied enough for Shuu to fire his demonic bullet. Asmodeus flees from Kanna, and Kisara carves her into ribbons, sending her back to whence she came.

In the aftermath, while some demons made it to the city, there were no civilian casualties, so the contractors call it a victory. Sharon admits the Abbey will still be coming for Kisara, but at least today, Sharon won’t be the one to kill her. Wondering where a demon girl fits in a human world, Kisara gets a supportive hug from Ayano.

The Hachisukas continue their sibling rivalry for control of the city—and international coverup to maintain their autonomy. Sharon makes a joke to Ayano about spending the night with Shuu before boating off to face inquisition. Shuu visits his parents’ grave and promises his work isn’t done, but he’ll do it the right way this time.

As for Kisara, she wants Shuu to teach her all the memories she lost, which apparently includes fulfilling the role of his girlfriend. Things are about to get hot and heavy in his apartment when the lights come on to reveal Kanna gobbling up all the food in the place. While the authorities kept her restrained in the bowels of city hall, this is only the latest of several escapes.

Those escapes result not in her unleashing demons on the city or causing any damage, but inserting herself back into Shuu’s home and life and voicing her disapproval of Kisara. Now Kisara has in Kanna what Ayano has in her: a younger rival for Shuu’s attention.

With Kisara, Ayano, and now Kanna all pointing weapons at him and asking whose side he’s on, Shuu’s in the messiest mess yet. And frankly, that’s the best way for this series to end: never taking itself too seriously and gleefully embracing the mess.

Rating: 4/5 Stars

Summertime Render – 22 – Red-Eye

Ushio returns better than ever, and demonstrates how her hair-blades can erase Shide’s armor, leaving his inner body vulnerable. But while Shinpei appreciates her enthusiasm, Shadow Mio stops her from charging in, then transmits the careful plan Shinpei has set up. We get a little flashback to the morgue where Toki explains how they can use Guil to hide Haine’s handprint, making it impossible to track him.

Shinpei shoots himself while holding Ushio’s hands, creating a tenth loop inside Guil, who is in Hiruko’s Cave. They know Haine and Shide—both Shides—will find out soon enough where they are and what they’re up to, so they use the festival fireworks to blast through the mud barrier Haine created to get to where her main body is located. Shin’s team is truly humming like a well-oiled machine.

The closer they get to the main body, the louder and harsher Haine’s transmitting signal is to the ears of Shadows. Since he’s now hosting Ryuunosuke, that signal is particularly excruciating for Shinpei, but Ushio manages to help him by transmitting her signal at the same wavelength, neutralizing Haine’s. While Shide attacks Ushio (who uses her hair as a shield), Sou manages to ambush Haine (in her Shinpei form) and pins her, not with a shadow nailgun, but with the original she was unable to sense.

But while both of Haine’s inner bodies are killed and Haine’s body is sliced in half, it’s apparently not over. Ushio turns around to reveal she now has a red right eye like Haine’s, and Shin has one too. Shide reappears, ready to start some shit, and Shinpei has to ask himself: is he freakin’ immortal?

Even the best laid plans in this intricate chess game of feints and diversions are bound to face some setbacks, and the fact that killing Shide and Haine didn’t kill them is…problematic, to say the least. Not sure what they can do about that, especially with all their moves in this plan exhausted and no more loops to make a new plan.

Rating: 4/5 Stars

Engage Kiss – 12 – Atomic Tantrum

Kanna awakens from her brief nap at the crack of dawn and announces her intentions by attacking Bayron City’s airport. The airport is virtually abandoned, and the Hachisukas order everyone within a several-mile radius to evacuate, but since all that happens off-camera the stakes are localized to Shuu and the women in his life: Ayano, Sharon, Kisara, and of course Kanna.

Kisara is a complete amnesiac after severing her contract, having even given Shuu her memories from before they met. He calls her an idiot, but he won’t listen to the Kisara before the memory transfer, who told him to run and save himself. After all she’s done for him, she’s going to protect her this time, sealing that promise with a kiss on her forehead.

Sharon pulls up in her motorcycle to say goodbye to Ayano, since a church battleship is on its way and it won’t be sparing Kanna’s life, so they’ll be enemies next time they meet. However, between Sharon getting a call and Shuu receiving a new delivery, a plan is afoot.

For now, AAA and Ayano throw everything they’ve got at the approaching Kanna, who seemingly starts to target Ayano personally. She almost blasts her into oblivion from point-blank range, but Ayano is saved at the last second by Shuu swooping in to princess carry her away on his Eureka Seven-style hoverboard; the next-minute delivery he charged to Mikhail.

Shuu confirms to Ayano that all his memories are back and more by scolding her for seducing him when she knew Kisara would take those memories. But while Ayano is embarrassed, she’s also clearly elated that the Shuu she knows and loves is back and of sound mind.

As for why Kanna is targeting her, Shuu says he and Kanna have been connected through dreams throughout these twelve years, so she’s had to witness all of his romantic exploits without being able to affect them. As a result, she’s still three years old emotionally and scarred by those dreams. Since Sharon is also a target, she decides to come back and fight alongside Shuu and Ayano since Shuu called and apologized for forgetting her.

Flanked by Ayano and her bazooka and Sharon and her mech suit, Shuu flies up to meet Kanna and tries to play things softly at first, trying to appeal to her brotherly love and actually getting her to stop dead in her tracks. Shuu declares to her that he’s going to save her without losing anything—not his memories, and not any of the other people he loves.

Since saving her involves sealing her, Kanna can’t have that, and fights back. Shuu, Ayano, and Sharon make a great team and the battle looks great, but at the end of the day she’s still an S-Class demon, and none of them are.

Not only that, she’s clearly trying to kill them, while Shuu is determined not to kill her. When he’s about to deal a crucial blow with Kisara’s sword, Kanna shrewdly breaks out the waterworks, which causes Shuu to hesitate for a moment. That’s all she needs to blast him into the tarmac.

This happens just as Kisara arrives on the scene with a slight limp, but after how Shuu treated her in her hospital bed, not to mention the note on her hand written by her past self that says “Believe in him and fight together”, it looks like she’s ready to contribute if she can. She may not have any memories, but she’s still a demon.

I’m pleased that Shuu is now in such an optimistic place with all his memories back that he no longer wants to throw anything away in a lonely struggle to save his sister. With Ayano, Sharon, some form of Kisara, and presumably those other contractors who feel bad about sitting out the fight so far, Kanna is now the lonely one backed into a corner, and he’s got a fighting chance to get her back with minimal loss…assuming he survived that last blow, of course.

Rating: 4/5 Stars

Made in Abyss – S2 11 – Royal Awakening

Due to Reg’s “foolishness”—i.e. not wanting to kill a dear friend he’s only now coming to remember—Faputa ends up knocking him out, and asks Juroimoh to hold him down while she deals with her next target: Riko, the one who “made Reg this way”.

All White Whistled out, Riko is in no shape to stand, and Faputa could go right through her Hollow defenders. But even her best punch can’t go entirely through Gaburoon, who stops her from killing Riko in order to “protect her future”.

Gabu collapses, and Faputa reaches deeper into the darkness: if she simply destroys everything, then everything will end. Returning her attention to Riko once more, she is once more stopped by an outside force: this time Belaf, accompanied by a Nanachi resplendent in their new Mitty Armor.

Their weapon of choice? A purple goo that resides within Belaf and contains memories of Faputa’s mother. These “smelly” memories represent Belaf’s ultimate treasure, but instead of perishing with him, they seem to unlock something in Faputa.

Overwhelmed by the intense visceral power of the memories of people and things completely unknown to her, Faputa pauses her carnage. Wazukyan takes this opportunity to flee with Vueko, while Nanachi wonders if this was all part of Wazukyan’s plan to use Faputa’s wish-granting power to make a village of out Riko like he did with Irumyuui.

But then the consequences of Faputa’s more recent actions take center stage: with the barrier down, the layer’s beasts waltz right in and help themselves to a Hollow buffet. Left and right, Hollows are stalked, torn apart and gobbled up by the beasts.

Faputa attacks the beasts, justifying her protection of the surviving Hollows as merely not letting anyone else have her prey. Po-tay-to, Po-tah-to, I say. But soon it’s clear her fight, while valiant (and bloody as hell), is as hopeless as the Hollows’ fight against her had been.

There are simply too many beasts, and they’re very big and strong. It takes one last blast from Gabu before he dies to deter a Turbinid Dragon from curb-stomping her, but she still gets flung over halfway across the village.

Her scuffles with the beasts have left her all chewed up, missing limbs, coughing up blood, and immobile. She passes out believing she has no value because she failed to do “what she was born to do.” But she wakes up surrounded by Hollows, each of whom chops off a a small piece of themselves for her to eat, until their unlikely savior is not only fully healed, but…I’ll go ahead and use the crude but apt term “souped up.”

Faputa also suddenly finds herself surrounded by things she didn’t know, from her mother to Gabu, to Reg, and this leads her to ponder just what else she might not know. What is beyond her duty, which she believed to be her only value? Well, as Belaf said as she absorbed the memories he willingly offered her as she destroyed him, the time would come when she’d decide her own value.

That time has now come, and it once again unlocks something in her as a weird green glyph glows in her golden eyes. The Scorching Sun, once a volatile may have just evolved into a more mature star, poised to defend her sundry satellites from the incursions from outer space with her golden light.

Engage Kiss – 11 – Last Kiss Goodbye

When Kisara is stabbed with Demon Kanna’s spear and she touches it, she suddenly gets a rush of her memories, which include a young Shuu. Kisara tells Shuu to flee at once, Sharon grabs him and grabs hold of the runner of Ayano’s chopper to take them away.

Kisara charges at Kanna, but at the last minute is stopped dead by another memory of Kanna as an innocent child. In that instant of hesitation, Kanna strikes Kisara down and she falls into the sea. Kanna soon follows her down there when Mikhail fires the satellite beam at her twice.

Kanna is dormant on the sea floor, but could reawaken at any time. Meanwhile Kisara is in hospital and won’t wake up or heal at her usual speed. All Shuu and Ayano can do is sit there, wait, and contemplate what comes next. Sharon makes clear that as far as her bosses are concerned Kanna is an S-Class Demon that must be destroyed.

The problem is, none of the contractors in Bayron City are sure they can deal with an S-Class even with a united front, and instead place their hopes in Kisara, who they don’t know is in a bad way. While alone with Kisara that night, Shuu makes a heartfelt plea to her for what he should do, and she wakes up and kisses him.

Unlke previous kisses, this one seems to transfer Shuu’s memories back to him. Starting with his sudden breakup with Ayano and resignation from AAA, to teaming up with/seducing Sharon, to finding Kisara, whom we learn is a distant blood relative of his, thus making their contract possible.

Forming a more efficient and practical contact with Kisara involves a lot of trial-and-error, along with an actual paper contract that’s several hundred pages long. Before they make things official, Kisara reads the whole thing through and, unbeknownst to Shuu, makes a couple of changes.

For one, she makes a kiss the means by which the limits of her demonic power are unleashed. This wasn’t how the contract was initially written up, but the kissing gesture was inspired by how Shuu “formed contracts” (i.e., bedded) previous humans like Ayano and Sharon. And once she kisses him, there’s no going back.

That brings us to the other thing she changed: if they kiss while their hands are intertwined just so, their contract will be terminated. That’s what she seems to do in their present-day kiss in the hospital, and unless I’m totally misjudging things, this results in all of Shuu’s memories returning to him.

This also means all the memories leave Kisara (they were moved without being copied), so when their lips part and Shuu asks her what the hell she just did, her first words are “Who are you?” Kisara believes Shuu has fought enough and wants him to leave the island and live the rest of his life in peace.

Breaking their contract is how she believes that happens. How she’ll deal with Kanna without a contract remains to be seen. But if Shuu indeed has all his memories back, that means all the drive and motivation to carry out his original mission must have returned as well. In any case, I highly doubt he’s about to abandon Kisara, Ayano, and Bayron City.

Rating: 4/5 Stars

Summertime Render – 21 – Everything Ends Tomorrow

The OP of STR’s Spring cour features a shot of Ushio looking alone and forlorn, which stands to reason: she started out the show having already died. But the OP of this Summer cour features her and Shinpei side-by-side in the sunlight, triumphant and proud. Ever since Ushio was killed by Karikiri, that new OP mocked me with its optimism, but no more.

While this episode starts of on a gloomy, rainy beach, hope is far from lost. Shinpei is still getting the hang of having Ryuunosuke possessing him, but being able to see two seconds into the future is sure to come in handy. As for the little seashell, Shadow Mio tells him it contains all of Ushio’s memories, but only Ushio can scan them. Shinpei then remembers: on the night of July 24th, another Ushio with no memories washes up on the shore…and she will again.

The night of the 23rd could still be anyone or everyone’s last, so the confessions come fast and furious. When Sou confesses to Mio, she initially pretends to be Shadow Mio, only to light up like a beet when Sou correctly guesses that she loves Shinpei. No biggie; they’ll still be friends. He just wanted it off his chest.

That inspires Mio to finally confess to Shinpei on the moonlit roof of their house. As expected Shinpei thanks her, but he has feelings for Ushio, while Mio will always be his little sis. Saying the words are a huge weight off Mio’s shoulders, though she still has to cry into Toki’s bosom while Shadow Mio points out that if they win and defeat Haine, Ushio will disappear and Mio will have her chance again.

But that’s putting the cart before the horse. In the early morning of July 24th, Shinpei first runs a quick explanation for the looping by the gang, explaining how there are two Ushios and then showing them the shell that actually points them towards her sea-bound doppel. Everyone has their role in his plan, but bottom line: getting Ushio back is crucial.

Haine and Shide know that too; after all, Haine copied a good deal of Shinpei. As the shrine festivities commence, the two mutter possibilities to each other, resulting in Haine sending Shide’s doppel into the sea with a fleet of shadows in hopes of finding and destroying Ushio before Shinpei can get to her. Shide fails.

Before opening her eyes, Ushio relives those painful moments on the day Shinpei left. But then she hears Shin calling out to her and opens her eyes, and finds both Guil (with Shinpei inside) and Shide’s double bearing down on her. Guil scoops her up, surfaces, and leaps into the sky. Shide slices Guil up, but the Ushio scans the shell and slices Shide up good with her lethal Rapunzel hair.

Yes, Ushio is back, she knew Shinpei would bring her back, and she’s ready to kick some ass. I’m ready to watch! It’s about time the good guys got a solid win, and while I’m sure another setback (or sacrifice) is in store, I’m hoping the promise of the OP with that shot of Shinpei and Ushio together in triumph holds true to the end.

Engage Kiss – 10 – Sister, Sister

Shuu, Kisara, Ayano, Akino, and a suit whose name escapes me meet with Sharon at the safe house where she’s wining and dining herself to go over the present situation. Essentially, Asmodeus is a demon that has existed in the human world for a good long time in various forms, and Miles’ memories confirm the Hive Three Mine incident was Asmodeus’ doing, not Shuu’s dad.

The various Demon Hazards around the city form the same shaped magical circle that circled Europe, and the location of the final ritual is far offshore to the northwest. Official maps say it’s just open ocean, but it’s likely not.

While Kisara and Sharon go on a boat trip to find the island where they believe Hive Three Mine and Kanna (Asmodeus’ gate to this world) to be located, Ayano takes a ride with Hachisuka Linfa to ask her about the secret location. Mikhail sends another group to stop and arrest both Ayano and Akino, but Shuu ruins his plans by borrowing an attack helicopter.

Linfa, proving she’s still a friend to Ayano, gives her the coordinates to the mine site, now shifted since Bayron City itself was moved away from said site 12 years ago. They arrive just as Kisara and Sharon locate Kanna, whom Kisara has to keep Sharon from killing on the spot.

Mikhail then decides to try out an old “Star Wars”-style satellite weapon to destroy the entire site before Asmodeus can pass through the gate, but he’s a bit too late. The weapon is ineffective, and Asmodeus’ colossal hand emerges from the island, and the wound to its palm quickly closes.

Kisara managed to escape the initial explosion along with Sharon, and while they try to fight the hand of Asmodeus (from which hundreds of other arms and hands branch off) Asmodeus summons of all its previous forms, only in stone, including that of Shuu and Kanna’s mother.

Shuu arrives at the scene and asks Kisara to take all of his remaining memories, if that’s what’s needed to get rid of Asmodeus. Kisara bursts into tears and hesitates, fearing Shuu won’t be Shuu anymore if she obeys him. Then she’s impaled through the chest from behind…by Kanna, or at least the Kanna who is serving as Asmodeus’ gate.

Assuming Shuu remembers his sister’s face (and we’ve seen he’s in such a bad way he barely remembers Ayano’s name), this has to be a major mind trip for Shuu, who will now almost certainly have to give up way more than he should to heal and power up Kisara. If Asmodeus succeeds, Bayron City and perhaps the world may be doomed. But stopping Asmodeus may mean killing Kanna. Not an enviable choice.

Engage Kiss – 09 – Demon’s Due

Yuugiri Akino’s AAA wins the auction by one dollar to take out the latest Demonically Possessed: Miles Morgan. Mikhail, it would seem, is trying to get rid of every trace of Asmodeus, including Akino and Shuu. We also get to see Mikami put the pieces together just before dying by Miles’ hand.

When Miles drives Shuu to the middle of a big park, he tells him Asmodeus is his benefactor whom he can never repay. Shuu wants him to apologize to everyone, including him but Miles has no regrets, and transforms into a Demon Hazard.

As a giant demonic monster, Miles proves too much for Ayano and her AAA troops, but luckily Shuu struck a deal for Sharon to lend a hand in taking down Miles in exchange for her freedom from police custody and for the memories of Asmodeus’ puppet, Miles.

In what is otherwise a very dry and dour episode, Sharon at least adds a bit of flair and ridiculousness by throwing a running motorcycle Miles’ way. Ayano repays Sharon saving her life by putting a gun to her head, but grudgingly accepts her help.

While Shuu and Kisara initially stand back and watch what happens, it soon becomes apparent Kisara needs to get involved, even if it ends up killing Shuu’s foster father. So Shuu tells Kisara what she needs to take from Miles and gets to smooching.

Hot Topic Kisara relieves Ayano and Sharon and has a proper rough-and-tumble brawl with Miles eventually piercing him from behind with her sword and putting him in a position to be shot by Shuu’s demon gun.

Shuu’s off-camera shot is followed by a rundown of the events that led to Miles breaking bad. It boils down to his daughter Melissa having a terminal illness and Asmodeus, who possessed the body of Shuu’s mother Sayuri (either always or at some point).

Miles did what Asmodeus told him, betraying Shuu’s family, while the mine explosion was caused by Shuu’s dad detonating a bomb. Miles’ daughter made a miraculous recovery, Miles took in Shuu as a mercy, and as he said, his debt to Asmodeus remains active and unending.

Kisara sucks up all of these memories swimming in what’s left of Miles’ human brain, either killing him or putting him at death’s door. Meanwhile, Kisara’s latest kiss has rendered Shuu so devoid of memories he had to refer to a note on his hand to recall that Miles killed Mikami.

Miles is defeated, but no one looks happy as the sun gets low over the scene, while Shuu looks distraught, but also quite lost. Sharon warned that at some point his contract with Kisara would render him unable to remember or even feel anything. We’ll see if Shuu can escape that cruel fate in the final four episodes of the series.

Rating: 4/5 Stars

Isekai Ojisan – 06 – Skipping Karaage Night

Ojisan continues to show Takafumi and Fujimiya his torturous first days in another world, where his captors try to sell him but end up making forty times more bronze coins selling a used scoring pad, adding insult to injury. Ojisan is imprisoned for seven days, but thanks to his translation ability is able to communicate with the world’s spirit of light.

He reaches out to the beam of moonlight in his cell, and it becomes a solid sword in his hands. He uses that to break out of jail and release all the cute little creatures imprisoned there, but they turn out to be vicious monsters and he spends the rest of the night slaughtering them.

This, to Ojisan, represents being “off to a good start.” Fujimiya gets a text from home; it’s fried chicken night, but she’s eager to learn more about how he saved Elf from the vemon dragon. She later regrets passing on the chicken as the dragon fight is over in five seconds. Ojisan makes the right first move by offering the half-naked Elf his hoodie, but she temporarily “glitches” from the sudden urge to kill the orc-looking man before him.

She checks herself and stows her dagger in the transdimensional inventory, but to Ojisan it looks like she’s stabbing herself, and lifts up the hoodie expecting to find a gaping wound. Needless to say, it’s not the best first impression to expose a girl’s nudity right after covering it, so in this instance Elf’s berating of Ojisan is justified. But he’d only ever interpret that verbal abuse as contempt, when really the opposite is true.

That’s proven to be the case when Ojisan fast-forwards to the night he was frozen by Mabel, as he wakes up with both Elf and Mabel sleeping on top of him, perhaps to hasten his thawing but also because at least in Elf’s case she has a thing for the guy despite herself (and his looks).

Elf’s monopoly on Ojisan is disrupted by Mabel, who talks in her sleep about not wanting to work. Ojisan suggests that after sleeping in a bit, they go out for breakfast. Mabel and Elf formally introduce themselves and their goals (Mabel wants to explore, Elf wants to find ancient relics, and Ojisan, AKA “Wolfgunblood”, wants to find a way home. “Wolf”, as Mabel starts calling him for short, plans to scout out a dungeon where the storied Hero known as the “Shining Crusader” apparently is.

For now, though, it’s late, and Fujimiya is starving from skipping dinner. Ojisan in his magnanimity offers to treat her and Takafumi to ramen. Even though Takafumi ends up being a few yen short and Fujimiya has to pay after all, the three slurp with great abandon, as watching Ojisan’s adventures clearly worked up an appetite.

I imagine next week will pick up on the part of Ojisan’s story where he currently has two ostensible party members and seems poised to gain a third. I bet the “Hero” mentioned is the third female character in the OP and promo art, voiced by Toyosaki Aki.

Considering what entertaining characters Elf and Mabel are, I’m looking forward to her introduction and seeing how she bounces off the others…not to mention how Takafumi and Fujimiya react and comment on her arrival in Ojisan’s life.

Rating: 4/5 Stars

Engage Kiss – 08 – The [REDACTED] is Already Dead

Engage Kiss does not care one single whit about your tonal or genre whiplash. After last week’s poisonous members and tentacle mech suits, we get what amounts to a hard-boiled detective procedural, and the results are…mixed.

While I appreciated the episode’s dedication to showing its work, that work is rarely glamorous. The monotony of what amounts to scene after scene of exposition as Detective Mikami, Miles, and Shuu try to piece things together is at least punctuated by the usual Kisara-Ayano sniping.

Last week’s MVP Sharon is tied to a chair behind bars this week, unable to unleash her full horny/trashy/sacred/profane shtick, but still wields power as someone who remembers crucial information Shuu forgot thanks to Kisara.

It’s pretty significant that Shuu thought Kisara would let him keep certain important memories, but Sharon says that it doesn’t work that way and he’s actually lost a lot more than he knows, and she’s not lying just for spite. All she offers “for free” about the identity of the big bad is an arsonist analogy.

Before Shuu can interpret the scant info Sharon gave him, Mikami has a eureka moment that seems primed to blow this case wide open…just as the trench-coated “Informant X” who’s been feeding Shuu shows up.

Mikami leaves a voicemail for Shuu, and during the recording he is confronted by someone and a gunshot rings out. By the time Shuu and Kisara arrive in the station lot, Mikami is dead, and Informant X tries to slink away. Shuu and Kisara show what a good pair they make by cornering and unmasking the guy…who turns out to be Mikhail.

I gotta say, that’s a pretty cheeky revelation—to dangle this oji-san like high school character who feels like he’s from another anime as the delusional third child in the family pecking order, only to reveal that he’s the mysterious General Director of Bayron City Police, from whom everyone gets their orders.

With his cover blown, Mikhail takes Shuu and Kisara down to his secret surveillance information center deep under the city hall, where he has over three million cameras going 24/7/365, (even on his sisters while they shower and sleep, an observation Shuu is quick to make and condemn).

The other fake-out in play is that Mikhail didn’t murder Mikami, and the camera footage proves it. The person who did is the one for whom Mikhail is merely a puppet, the second human agent who is coordinating the creation and destruction of demonically possessed.

Mikhail’s sudden major player turn takes a backseat to the emotional fallout from Mikami’s sudden murder, and it’s a good reminder of how good the show can be at occasionally taking the goofy/horny elements down a notch and letting these people be humans.

This culminates in Mikami’s funeral, always a solemn affair, followed by Shuu being picked up by his foster father and old pal Miles, who can’t believe Mikami is gone. When Miles talks about Mikami as the rare natural police who was also softhearted and guillible, Shuu drops the hammer: he knows Miles murdered Mikami.

Sure enough, a tattoo on Miles’ arm glows. While I’m hardly enthused by the only brother in the cast being the big bad, his villainous turn isn’t altogether unearned. Like us, Shuu’s had a huge blind spot for the guy, in his case due to the events and conversations he’s forgotten because his contract with Kisara takes away much more than he thought.

Shuu’s been trying to piece together a mystery when his own memory has been crumbling behind him in real time. Now he’s lost a true ally in Mikami and another main ally has turned out to be false. It’s safe to say things are going to get worse before they get better for Shuu.

Isekai Ojisan – 05 – Another Region Code

It’s clearly become a daily habit for Fujimiya to come by Takafumi’s place where they watch video of Ojisan’s isekai adventures. They’re basically couch potatoes watching fantasy reality TV. But hey, if it’s entertaining, and there’s no other way Fujimiya knows of to hang out with the oblivious Takafumi, so be it!

The latest “episode” they tuck into is when Ojisan was “nearly assassinated” The identity of her assailant in the night is made plain by her ice sword and silvery blue bangs. It’s Mabel, whom Ojisan scorned by ignoring the hints she dropped and defeating the Blaze Dragon without the god-freezing sword.

No sooner does Ojisan express worry about whether Mabel is eating well does she pass out, and she wakes up in an inn. When he asks what happened to her life of leisure, she says the village cut down the tree she lived in and gave her an ultimatum: get a job, or become the village pet. She chose neither, and instead froze everyone from the hips down and dropped icy water down their backs before fleeing.

She now finds herself aimless, but Ojisan tells her she already has the means to live the life she chooses, not just with the ice sword, but with a Cosmite ring he slipped on her finger while she slept. When Mabel considers reforming her gloomy personality, Ojisan rejects the notion that being an introvert is a bad thing, and says her eyes are attractive.

Between the ring and the compliments, Mabel has the distinct feeling she’s being proposed to by Ojisan. She offers him the ring back, but her claim about having no romantic feelings is debunked by the fact the ice seal on the sword (and thus, her heart) is melting like gangbusters behind her.

When Ojisan insists she keep it and that they should turn in for the night, Mabel’s first instinct is to ask for change for the public bath. That’s when Ojisan breaks her misunderstanding by saying once she sells the ring she can get change for the bath and everything else for the remainder of her life. Realizing this was not a proposal, her heart and the sword freeze so violently Ojisan takes defensive action.

When Elf hears the commotion and comes in the room, she finds what looks like Ojisan magically tying Mabel down to have his way with her, so she snaps his chains and lets Mabel free to encase him in ice for the night. The two women find kinship in their mutual emotional suffering at the hands of Ojisan. Mind you, he isn’t doing this intentionally…his brain just has a different region code.

The idea of being able to translate body language, sarcasm, and innuendo is expanded as the story continues, with Mabel and Elf chatting while Ojisan stands frozen. Takafumi and Fujimiya are intrigued when they hear Mabel say the word “Japan”, and starts to tell a story of another traveler from Japan who came to their world and was greeted by a god who bestowed upon him a divine power.

Mabel creates beautiful visuals for her story with ice and tells the story well, but it’s a story Elf has already heard, and she harshly cuts her off, resulting in having to comfort her with hug when she breaks down into tears. Back in our world, meanwhile, Ojisan feels cheated: when he ended up in another world, he wasn’t greeted by a god or given any divine power.

That leads his audience of two to insist that he rewind his memories all the way back to 18 years ago when he was 17 (and actually young looking!) and first arrived in the other world. While rewinding, he passes by dozens of instances of him being hunted, captured, persecuted, and nearly executed in a number of different ways, underscoring how rough Uncle has had it and how amazing it is he’s as well-adjusted and untraumatized as he is.

But the elegantly set up joke is that a “god” did in fact speak to him when he first arrived…he was just too busy being beaten up by adventurers who thought he was an orc to hear. Also, the “god” in question was simply a recording in Mandarin, which when Takafumi translates with his phone, reveals that when Ojisan was being beaten, he wished to be able to understand the language of his attackers, and that wish came true.

While we know from his misadventures over the next eighteen years that this didn’t make life in this new world much easier, it did make it possible, such that when he did come upon a couple of souls like Elf and Mabel who were willing to see him as more than just a hideous orc variant, he gained companions.

Of course, with Ojisan’s brain region coded as it was, simply speaking the language wasn’t enough. He missed the nuance and context of their words and actions and almost always completely misinterpreted them. One wonders if Elf and Mabel themselves were bestowed with divine patience to endure his infuriating conduct without murdering him!

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