Sarazanmai – 07 – Back to Who He Was

We check in on Mabu as he’s undergoing some kind of semi-sexy “maintenance,” which makes sense considering we’ve seen that he has a mechanical heart that I believe runs on desire. Mabu and his partner Reo seem more distant than ever.

Meanwhile, Kazuki is now to cherishing his connections: those with his friends, his parents, and of course, his totez-adorbz bro. He doesn’t even accept his mom’s sachet, telling Haruka to hold onto it for him. You can tell his folks are relieved Kazuki is acting more like he used to: cheerful, upbeat, and magnetic.

It’s a triumphant moment just to see Kazuki joining Enta at their riverside practice spot; more so when Toi decides to join the soccer club, a heart once thought cold sufficiently thawed by the warmth and enthusiasm of the other two and their acceptance of him, delinquent history and all.

While the kappa boys are on cloud nine, Reo surveys the ward for potential zombie kappas alone, in the dark. In a flashback to just after the siege of the Kappa Kingdom, he learns that his beloved partner Mabu was gravely wounded, and but for the grace of the Otter Empire’s Chief “Otticer” of Science and Technology, would have shuffled off this mortal coil.

The lads are shocked to find the practice spot has been vandalized by trash (like Dr. Kappa cans) and paint, but immediately set to work cleaning the place up until it sparkles, employing the same teamwork they would have used playing footie.

But the next day, the mess is back, and just as bad, and Toi gets a foreboding call from his brother, informing him his latest job went south and they’ll have to leave town. The timing can’t be a coincidence, can it?

While I initially thought Toi was vandalizing the spot on the sly, my suspicions evaporated when I saw how genuinely disappointed he was that he had to go, and his gratitude when Kazuki suggests they collect the one more Dish of Hope needed to make five, and use them to help Toi and his bro.

When Toi asks Enta why he’s okay with this arrangement, Enta states that the way he sees it, Kazuki’s present wish is to help Toi. Almost on queue, the potential source of that fifth and final dish arrives in the form of a “Balls” themed Kappa Zombie, reported by Sara (who goes on lovey-dovey strolls with Keppi) with an E.T. visual reference.

But when they all meet in Keppi’s park, he senses something is amiss, and sure enough, they discover the four dishes they hid under the ground tile have been stolen. Keppi suspects the Otter Empire, and he transforms the trio into kappa to do their thing, sticking with the plan to collect a fifth dish.

The Kappa Zombie’s Shirikodama reveals he longed to be kicked, either like a ball or in the balls—or heck, both—by his girlfriend. In the Sarazanmai that follows his defeat, the culprit behind both the practice spot vandalism and theft of the Dishes of Hope is revealed to be Enta, who is jealous of Kazuki’s increased attention towards Toi.

Enta’s treachery is dastardly, but easily explained: just when Kazuki is back to the way he was before Haruka’s accident, Enta has to share the guy he loves with someone else; someone he feels has neither put in the work nor been around long enough to deserve such outsize attention; at least compared to him.

Speaking of being “back to the way he was,” that’s how the New Mabu describes himself on the rooftop when Reo sees him for the first time since his injury and operation. But Reo’s reaction is immediate and intense; this is not the Mabu he knew; he would never look at him the way this Mabu does.

Mabu may have been given a mechanical heart that enables him to live on, but as Reo said earlier in the episode, everything he says is a lie. And of course, consistent with Kunihiko’s love of wordplay, uso is Japanese for “a lie” but can also mean “otter”, as in kawauso.

All this backstory deepening the Otter Cop characters is very welcome. As for the large monster with very Keppi-like pink eyes that ominously yells “daaarknessss”…well, I think I’ll just need to tune in next week to figure out what that’s about…

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Isekai Quartet – 07 – We’re All Friends

This week is Re:Zero and OverLord cast-heavy, as we shift from Emilia expressing her excitement over their new world with Puck, and Subaru meeting Hamusuke (and being repeatedly gnawed upon), to Beatrice making a friend in Mare Bello Fiore, the meeker of the dark elf twins.

While I don’t endorse poor Hamusuke being locked in a hutch, Rem makes sure he promises to come to her, the nurse, next time Hamusuke gnaws on him. Subaru, of course, would rather avoid repeating such an experience.

After a brief cut to Megumin making an overly florid PA morning greeting, Subaru checks in on Emilia, who is working with Ainz and Albedo. Subaru gets to officially meet Ainz, and despite his fearsome appearance, senses the familiarity one gets from someone of one’s own (original) world.

Ainz notes something strange in Subaru’s chest, no doubt related to the mechanism by which he resurrects. Roswaal interrupts by announcing the entire class will be going on a field trip to the beach, leading Emilia and Ainz to commence planning an activity for everyone.

Sarazanmai – 06 – Inside the Circle

As a dejected Haruka watches the real Sara pull the same fortune as yesterday (“sachet”, due to the zombie not being beaten), Kazuki resigns himself to being a kappa for the rest of his miserable existence, unable to be seen by anyone.

But Enta and Toi aren’t ready to let him give up on himself for Haruka, and Keppi seems game to assist where he can. As Kazuki laments being “outside the circle”, he’s really in the middle of two of them: his family and his kappa crew.

Then Reo, one of the cops who is currently separated from Mabo, his partner, encounters Haruka feeding Nyaranko. Haruka assumes he’s to be arrested for theft of Kazuki’s smile; Reo decides to roll the dice and extract his desire, if it is indeed desire and not love, tossing the cat aside.

The cat lands on Enta as he’s pleading with Kazuki, and Keppi reports that Haruka has been kidnapped by the Imperial Army of the Otters, long-time enemies of the Kappa, and of which Reo and Mabo are soldiers. Kazuki resolves to rescue Haruka at any cost.

After a brief history lesson from Keppi (including use of a modified Alexander Mosaic), he and the lads descend into the Otters’ vast industrial facilities dedicated to extracting desire from humans (now that there are no Kappas left other than Keppi) and creating Zombie Kappas.

Kazuki locates the box in which Haruka has been stashed, but it’s already part of the production line, and keeping up with it on its unrelenting path to oblivion is tough, even with help from Keppi.

Ultimately, Kazuki comes up a little bit short, and Haruka’s box begins its long drop into the matrix that will turn him into a Zombie Kappa. This means the end of Haruka, and the lads learn for the first time that the Zombies they’ve previously defeated are not only gone, but ceased to ever exist (hence their disappearance from photos and memories).

Keppi presents one last chance to save Haruka: a Shirikodama transplant, with Kazuki as the donor. That will mean the brothers will swap fates, and Kazuki is fine with that, since he feels he was always “outside the circle” anyway.

Obviously, neither Enta nor Toi will allow him to make that kind of sacrifice. Toi uses his gun to reverse the winch sending him down, and Enta shows him the miçanga Haruka never threw away, because he never gave up on his big bro.

As a confirmation Haruka never gave up, his box is blocked from conversion to a Zombie Kappa because it reads as “love”, not “desire”; Otters are only interested in the latter, so he’s marked for return. The bad news is, he’s headed straight for a giant shredder (evoking memories of the “Child Broiler” in Penguindrum).

Keppi rolls up into a soccer-sized ball, and Toi and Enta pass it to Kazuki, who uses a bicycle kick to knock Haruka’s box off its fatal course. A sleeping Haruka pops out of the box, and Kazuki is there to catch him.

We learn that Haruka had the sachet because he encountered Kazuki’s real mom shortly after Kazuki took his leave of her, and noticed the sachet had been left behind. He pleaded with her not to take Kazuki away, and she assured him he didn’t need to worry about that.

With that, the Sachet Zombie Kappa is defeated, and the lads regain their human form. No mention of a Dish of Hope, nor any tearful reunion with a newly-awake Haruka, just the three lads in the small Kappa plaza, and Kazuki suddenly feeling different than the last time he had his human body, no doubt because now he knows he’s not outside the circle, but in the center of it.

The Otter Cops don’t seem too perturbed about their latest defeat, and will certainly have their eyes on the Kappa boys henceforth. The episode closes with a flashback to long ago when the two of them stormed the Kappa castle to kill Keppi, only for Mabo to be gravely wounded, which may explain why his heart is clockwork?

Who knows…lots of blanks left to fill, but at least now we know for sure this is a war between the very well-supplied Otters and the last surviving Kappa. This was an episode that effectively departed from the usual monster-o-f-the-week formulae of earlier episodes, and was a thrilling adventure to boot. With Kazuki in a much better place emotionally, the Kappa triad looks better equipped to handle the next challenge thrown their way.

Isekai Quartet – 06 – The Committees

Next up in the Cavalcade of High School Cliches? Selecting a Class Rep and other class positions. Albedo immediately lobbies for her beloved Ainz-sama, but Aqua won’t accept an undead rep; Albedo challenges that position by calling Aqua ugly.

Things don’t descend into bloody magical chaos only because Roswaal has a steady hand at the wheel of the class, and because Emilia comes forward as a nominee everyone can live with (Tanya, for her part, doesn’t want the job).

Ainz and Albedo are co-vice reps, and while the various committee members are selected among rest of the class. This splits up the four “factions” quite evenly, which Demiurge thinks Ainz sees an opportunity for the Guardians to manipulate the other factions (in truth, Ainz sees…nothing of the sort). 

Kazuma perhaps gets the worst grouping, as he’s the odd man out in a trio that also contains Tanya and Demiurge, who go together like peanut butter and jelly—not to mention possess various means of physically controlling people.

Demiurge’s words make Kazuma lie on the ground; Tanya’s stare, makes him stand straight as a board. He writes to his parents in his head: he’s thinking about not coming to school…again!

Out in the schoolyard the gym committee convenes, led by Cocytus by default (since he appears to be the strongest). But because Darkness is also on their team, things get weird fast, as she gives her enthusiastic masochistic delusions a P.E. theme. Dysfunction and hilarity appears primed to persist!

Sarazanmai – 05 – A Nostalgic Scent

Not long after Haruka was born, Kazuki gleaned from his grandfather’s dying words that his mother wasn’t his biological mother, and ever since felt disconnected from the family as a non-member, despite all the love they gave him.

It’s not so much that he hated his brother, as he said last week, but he hated the whole situation of him and his brother not actually being related by blood. Why it matters so much to him that they are connected by blood, but there it is.

In the present, Toi captures Sara’s manager and escorts her away from her fan meet-up event, but finds she’s not quite human, and thus capable of transforming into a little critter who can squeeze out of any confinement.

Kazuki fares rather well as Sara’s double, at least where Haruka’s concerned, but things go pear-shaped fast when both the manager and the real Sara arrive in the hall and the former removes Kazuki’s wig. And that’s it: his secret is out. Now Haruka knows all those texts were just from him.

As all this is going on, the Otter Cop Duo wrings the desire from a man obsessed with sachets of a very specific smell, creating a new Kappa Zombie boss.

The three kappaboys do their song-and-dance, but when the Sarazanmai comes, and Kazuki’s memory of finally reuniting with his true mother in secret, the smell of her sachet he remembers is the same as the sachet Haruka always carries.

Whatever that means, the three kappaboys are ripped out of the tunnel of water, their work to extract the shirikodama still incomplete.

Keppi is so mad he can boil tea on his belly, and asserts to the boys that they won’t get their human forms back or get a dish of hope until they defeat the Sachet Zombie. Kazuki shares more about his meeting with his mother with Toi and Enta, culminating in him deciding to stay with Haruka and his non-biological parents.

Even so, before he returns to them, Haruka runs (that’s right runs on his functioning legs) to beg Kazuki to come back, fearing he’s going away. Kazuki spurns him rather harshly and walks off, but Haruka follows him…and gets hit by a car.

Now, every time Kazuki sees Haruka in his wheelchair, he’s reminded of what he did to him, and simply can’t bear it, which is why he adopted the Sara clone routine to make a faux connection with him from a safe distance. But odds are Haruka already forgave Kazuki a long time ago, and couldn’t care less if they have different mothers.

Isekai Quartet – 05 – A Talent Show of Ice and Fire

No more messing around: it’s time for the class talent show, with participants chosen at random by Roswaal. First up is the TA, Mr. Rerugen, whose tortured rendition of his country’s national anthem evokes pity and disgust to a degree Darkness deeply envies.

Subaru thinks he can do better with a cat’s cradle shaped like Tokyo Tower, but if the other Japanese are impressed they don’t mention it, while nobody else (including Rem) knows what the heck a Tokyo Tower is. Rem, meanwhile, impresses Cocytus with her flail skills.

Poor Lt. Grantz learns the hard way never to get involved in a talent show skit with Darkness, who urges him to punish her with a whip in front of a mortified class, all of whom label him a scumbag despite the fact he didn’t do anything. When it’s Aqua’s turn, she almost takes out Ains’ crew with a Turn Undead spell, but Kazuma stops her.

The KonoSuba theme continues, including three distinct riffs on the KonoSuba bumper card, only they say “IseQuar!”, and with Megumin doing what we all knew was coming: showing off her Explosion magic to a legitimately impressed (not to mention power-obsessed) crowd. The KonoSuba contingent may be the smallest at four persons, but they’re no slouches in the magical department.

Of course, while Megumin’s Explosion even impresses Ains Ooal Gown, she can only do it once a day, which gives Ains the opportunity to end the talent show not with a bang, but with icy briskness, summoning a shitload of magic circles and changing the weather from a temperate spring/summer day to clouds and snow flurries.

I enjoyed how everyone, well, enjoyed the sudden coming of snow…and Subaru for his part doesn’t bring up the fact that Lia beheaded him in similar weather once upon a time, in a different timeline. Mostly, everyone came away knowing each other and their abilities (or lack thereof) that much more.

Sarazanmai – 04 – Only The Bad Ones Survive

That’s the mantra a younger Kuji Toi learns from his older brother Chikai at a seminal moment in his life, along with the lesson that those who can’t survive can only perish and be forgotten. It’s when Toi is thinking about these things that Enta calls him to meet. Enta wants him to give his Dish of Hope to Kazuki…again for Haruka’s sake.

We learn along with Enta that Toi’s relatives run a soba shop that used to be run by his and Chikai’s parents before they ran into debt and committed suicide. It’s from those shadows that Toi finds himself in the position to give someone some light: in Kazuki’s case that means kidnapping the real Sara Haruka is poised to meet so he’ll meet Kazuki instead, preserving his secret identity.

Kazuki is so dedicated to his Sara persona, Toi can’t help but blush when he watches him eat soba, even though he sucks at eating soba! Watching Kazuki work to protect his weaker brother dredges up more memories for Toi, even to when he and his brother were not on the best of terms.

Chikai joined a gang to make money, cursed their folks for offing themselves, and spitting on Toi’s quaint sentimentality. But he also takes care of Toi, even if Toi doesn’t think what he’s doing is good or right. He produced enough cash to prevent the soba shop from leaving the family, and put their relatives to work running it. It was as if Chikai was sacrificing his goodness for Toi’s sake.

Kazuki’s crazy Sara-kidnapping plan is sidelined by a Zombie Kappa alert, also soba-themed. Specifically, Sobatani, a soba shop owner who was charged with stealing bathwater from a female regular. The Flying Object of the Week is soba and soba dishes, drawn by the Zombie Kappa’s insatiable desire.

Since some of the soba he draws in comes from Toi’s relatives’ place he has a personal stake in defeating the Zombie Kappa, and so takes the lead, demanding Keppi transform him, then uncovering the truth after their song and dance: Sobatani wanted to make soba out of the bathwater. Weird!

With Sobatani’s secret out and Shirikodama extracted, Sarazanmai occurs, and Kazuki and Enta watch along with Toi as the missing pieces of his tragic flashback fall into place. When Toi learned that both his and Chikai’s lives were in danger after stealing the money to buy the soba shop, he takes the handgun he finds in a drawer and shoots Chikai’s gang senpai.

Chikai arrives on the scene, and puts too more bullets in the man, claiming he was the killer, not Toi. Even when Toi sought to share some of the burden of badness in order to survive, Chikai was there to cover for him; to, in a way, save his soul. If only the two of them knew the truth, no one in the world would ever suspect the little brother of murder.

But Toi still concedes he killed someone, his brother’s save aside. He claims not to be too haunted by it—it was a necessity to ensure both his and Chikai’s survival, in keeping with his bro’s mantra. But it’s still his secret, and he threatens Enta and Kazuki with deadly retribution if they ever spill the beans about what they’ve learned.

Having gained new insight into Toi’s upbringing and motivations, Kazuki decides to offer up his Dish of Hope to him, believing he’s more deserving of it than he. ‘But what about Haruka’, Enta protests? Well, for Kazuki, that’s why Toi is more deserving: Kazuki claims to hate Haruka.

Does he mean Kazuki finds looking out for him and doing these things for him a burden? A mere excuse to indulge his own desires? Or would he never kill, even for Haruka’s sake? It’s a declaration that seems to come out of left field, but I’m sure there’s more context to come.

Isekai Quartet – 04 – Common Ground

Little by little the various newly-mixed characters are starting to learn more about each other. Ainz Ooal Gown and Tanya end up exchanging Evil Death Stares until they loosen up and both realize that despite their appearances they’re both men from modern Japan, which is vastly comforting considering how crazy anyone else in their respective other worlds would think they were by bringing it up.

Two women who find kinship in feeling the same way about their man (specifically, that there’s no better one)? Rem and Albedo! When Cocytus protests compulsory participation in the talent show, Ram simply tells him the teacher’s word is law.

When both Subaru and Kazuma are running late, their much more athletic female friends (Rem and Darkness, respectively) literally carry them as they run fast. Neither man feels right about this, but put an end to the carrying only when they see each other.

While serving punishment for being late as a result, the two learn that they have a lot in common, except that one of them was summoned and the other reincarnated. And one’s a shut-in and the other isn’t. But they both love tracksuits!

When Kazuma starts describing the awful situation he’s in (which honestly doesn’t sound so bad), Subaru tells him he “knows how he feels” despite the fact he lives in a mansion with the girl he’s trying to win, along with two twin maids, one of whom is in love with him. Kazuma takes particular umbrage to Subaru calling that a bad deal, and with good reason…it’s not!

Sarazanmai – 03 – The Golden Duo

Kazuki wakes up, but is too out of it to notice that Enta was just kissing him. Enta is direct with the audience: he’s in love with Kazuki. He has been for a long time, ever since they were the unstoppable “Golden Duo” in soccer, complete with a signature pose. Enta has to contend with a lot of kissing the next day, as his big sister Otone is going on a fishing trip with her boyfriend.

The episode plays with the fact that kisu is not just how you say “kiss,” but the Japanese name for Sillago japonica, or Japanese whiting. The city idol declares it’s kisu day, and in lieu of someone to kiss (that he knows of), Kazuki tries in vain to go to a fishmonger for a “kisu selfie” for Haruka.

While playing cards with Haruka (who “Sara” texts to apologize for the selfie being late), Enta learns that Kazuki isn’t laughing around his little brother either ever since quitting soccer. Enta wants to use the wish from the next dish of hope to reunite the Golden Duo.

Enta even fantasizes about Kazuki coming around on his own and letting him tie the miçanga to his ankle – the symbol of their soccer brotherhood as well as a token of affection. But no—it’s just Otone, who runs off with the anklet for her date.

As Enta defends the spot by the river where he and Kazuki used to practice by getting into a fight with two other players, the two “Otter” cops create another Kappa Zombie, this one from Otone’s kisu-loving boyfriend. His head takes the form of a kisu, but he’s a Don Juan who has many women and many kisses, obsessed with quantity over quality.

Enta fantasizes again that Kazuki comes to rescue him, but it’s just Kuji, who doesn’t get why Enta got in a fight he had no chance of winning. Enta is committed to protecting the Golden Duo’s practice spot…in the off-chance Kazuki comes back to him.

The Kappa Zombie alert is then sounded (with Sara doing a wonderful homage to Castle in the Sky), and rather than cats last week the sky is full of brides, all of them drawn to the zombie, who turns them to kisu with a kiss. The three lads are transformed by Keppi, do their attack song and dance, and extract the zombie’s shirikodama.

All three parts of the ensuing sarazanmai are related to Enta’s long-standing secret crush on Kazuki. We see Enta smelling Kazuki’s clothes, playing his recorder (for an indirect kiss), and finally his more recent kiss with a sleeping Sara!Kazuki.

The zombie thus vanquished and its desire assimilated, Otone and all the other women wake up and completely forget Mr. Kisu…as if he had never existed. He even disappears from photos, Back to the Future-style! Enta confesses his love to Kazuki and just when they seem poised to kiss, it’s only another fantasy; “Kazuki” is just Keppi.

Thanks to Kazuki’s obliviousness and Kuji’s lack of really caring, Enta’s secret seems to be secure—or at least emotionally tabled—for now. The next time he’s with Haruka (who we see in a wheelchair for the first time), Enta declares he’s going to “give up” on trying to win Kazuki over.

Part of that is that he saw a random mouse making off with the miçanga meant for Kazuki as a sign that it’s not to be. But then Haruka produces Kazuki’s original miçanga, saved from the trash, and asks Enta to keep trying to get Kazuki back into soccer.

Meanwhile, the Otter Cops are scolded by their boss, who is “otterly” furious at their lack of progress due to kappa-related interference (I hope he’s just a giant talking otter, for the record). With his frustration in mind, I wonder how much longer the kappa zombie fights will remain as easy as they’ve been.

Isekai Quartet – 03 – Status Report

IQ continues to explore various combinations between characters through casual interactions. Demiurge ends up doing what he usually does—explain to all what Lord Ains has already realized: they’re trapped in another world and forced to become students. Only as usual, he’s several steps ahead of his lord and Ains has to pretend otherwise.

A flyer for an upcoming student talent show is distributed, which should also provide a vehicle for the characters to get to know each other better. Ram is typically ruthless in her criticism of Subaru, declaring his talent to be “failing at life.”

Beatrice is called a “little girl” by two of Tanya’s underlings, but when she visits the lounge to talk to Roswaal, it’s one of Tanya’s superiors, who uses his hypnotic voice to convince her to return to class. In “Betty” he sees another potential “demon in a little girl’s skin”, causing Tanya to sneeze (and Aqua to bless her).

Aqua’s mention of gods/goddesses, words Tanya hates, reminds her of “Being X”, and back in class she decides to confront Lord Ains in the off-chance he may knows something. But when she asks Ains to meet her, Albedo becomes defensive, eventually befriending Rem, as they both agree that love has no set conditions nor a duration to take root.

Note…there’s not much to say here, as this is an inherently uneventful show—Avengers: Endgame it is not! It’s more just enjoying all these characters bounce off each other with zero stakes.

Dropped: Mayonaka no Occult Koumuin and Fairy Gone

I’ve run into a little issue with these shows: I just have no drive whatsoever to watch or review them. The meh has consumed me. If these were great shows like, say Made in Abyss or 3-gatsu no Lion, that would be one thing. But I have no emotional connection to either, both are marginal at best, and their flaws have been discussed in the last reviews. MyAnimeList may slightly under-rate them, but they’re still just not good enough to keep me on board, so better to say bye now than drag it out.

Sarazanmai – 02 – Let Slip the Cats of War

As a reward for defeating their first kappa zombie, Keppi bestows upon the boys a silver “Dish of Hope” they can use to wish for anything. Enta snatches it and accidentally wishes for a hatchback-sized cucumber roll, shattering the dish and leaving the three with no reward (unless they’re going to eat that roll…which is on the ground).

Kazuki is eager to earn another dish that he can use not to fulfill his own wish, but that of his little brother Haruka. We learn that he is the “Harukappa” to whom Kazuki is sending selfies of himself-as-Azuma Sara. Kazuki’s only wish is that Haruka is happy, and a dish can only help that cause.

Meanwhile, Kuji Toi is up to more criminal mischief on behalf of his older brother, while Enta receives a Kappazon package meant for Toi—containing a handgun of all things—strengthening Enta’s belief he’s Bad News

When Nyantaro, the fat, awesome neighborhood cat Haruka adores, sneaks into Toi’s weed-growing lab and steels a shipment hidden in cat treats, another ludicrous chase ensues. Kazuki (dressed as Sara again) stops Toi when he threatens Nyantaro with his metal ruler, and refuses to get out of his way or stop following him.

The chase leads them to a couples-only theme park, an employee of which dresses the two up in bee costumes and insists they hold hands the entire time they’re in the park. Kazuki and Toi hold hands and chase Nyantaro on ride after ride, but can’t manage to close the distance, since we’re talking about a neighborhood cat here: if he doesn’t want to be caught, it’s not happening.

We learn a little more about the two bishounen cops from the end of last week, who appear to do an elaborate song and dance of their own to extract desire and create a new cat-based kappa zombie boss.

It’s apparent these two and Keppi’s three young helpers are working at cross purposes, but the cops’ specific motivations, beyond their commitment to “wring out the desire”, remain mysterious.

Not soon after their “performance”, thousands of cats start to float up into the sky, including Nyantaro, and Enta and Keppi (disguised as his date) meet up with Kazuki and Toi to discuss the situation. Enta warns Kazuki to stay away from the kid he’s currently holding hands with, but in order to get his little brother’s favorite cat back, he needs Toi’s help.

Events from there follow a pattern now familiar after the first go-around last week (in what I like to call the Ikuhara Formula): Keppi turns the three lads into kappa, they attack the zombie boss (this time a giant cat), and when they determine its secret (he kidnapped cats and shaved them to give himself a coat of fur so his girlfriend would take him back! Of COURSE!!), they  break through and extract its shirikodama.

Once that’s done, the guys go through the titular sarazanmai, during which it’s revealed that Nyantaro was owned by another family before Kazuki stole it so Haruka could have a cat (even if it was only a neighborhood cat). He defends what he did because he did it for his brother’s sake; his happiness trumping all other considerations.

With the second boss defeated, the lads receive another silver dish of hope, and Kazuki and Toi immediately argue over it, with Toi even brandishing his gun. Since both have brothers they want to make happy, and Keppi informs them they’ll need five to grant a real wish, Toi cedes the dish to Kazuki, but he’s getting the next one.

That night, Kazuki finally completes his mission to take a Sara selfie with a cat (specifically the rescued Nyantaro), to Haruka’s delight. Exhausted from the day of activity, he passes out right there in the park, where he’s approached by none other than Enta…who promptly kisses him! Looks like he’s got a secret too—one that re-contextualizes why he was so concerned with Kazuki hanging around Toi.

The two cops also now realize somebody is out there working against them. It’s likely only a matter of time before the two opposing groups clash. In the meantime, on with the hope-dish collecting!

After two episodes, I now have a better grasp of the beats and rhythms of a show that definitely dances to the beat of its own drum. With less head-scratching to do I could concentrate better on all the little details that contribute to making Sarazanmai such a fun and exciting little show that’s unafraid to challenge contemporary “norms”of gender and sexuality.