TenSura – 24.5 – Recap

Ifrit finds himself trapped within Rimuru and meets Veldora Tempest, who forces him to play shogi since it’s not as fun playing alone. As they play and chat, the events of the last 24 episodes run by…and that’s about it.

I’ve been made aware that the manga has “Veldora’s Journal” entries at the end that similarly recap what’s happened in the story so far, but there wasn’t really anything I had forgotten or needed to be reminded of, making this episode rather superfluous after the first couple minutes.

Another somewhat puzzling capper to a season that felt like it needed two or three fewer episodes than it got.

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To Aru Majutsu no Index III – 24 – Renouncement And Forgiveness

When Accelerator finds Last Order and Worst, banged up but alive, Hyouka stops by before phasing out to tell him the data to save the little one, like the song once used to save Index, is somewhere in the network, waiting to be extracted and reconfigured. Worst can access the network to find the song, but when asked how he’ll change the parameters, Accel produces the parchment he’s been carrying.

Meanwhile, Hamazura has survived the blast, but instead of Takitsubo, he encounters Mugino in disguise. She swallows a whole handful of ability crystals and goes berserk, with Hamazura barely able to dodge her massive green beam attacks until she basically burns out.

At this point, Hamazura could kill her, but instead he gathers her into a hug, asks for the fighting and death feuds to end, and for the remaining members of ITEM to forgive and unite once more. Before that can happen, they need to escape Academy City’s bombers. But if Mugino indeed stops hunting Hamazura, then progress has definitely been made here.

As Stiyl continues to struggle for a way to free Index from her trance and Laura stands by not helping at all, Lessar and Sasha come to an agreement whereby Lessar will help the Russian sorcerers escape the Star of Bethlehem before shit starts going down, in exchange for them and Sasha helping Britain out next time they’re in a spot.

It’s a crucial gesture of peace and cooperation between two warring foes in a world war started by Fiamma. The remaining half of the episode is spent on his one-on-one confrontation with Touma.

With the dual powers of he Right Hand of God and the grimoires within Index, Fiamma starts by simply having a little bit of fun using various overpowered attacks against Touma, seeing if he can dodge or absorb everything with his Imagine Breaker. Fiamma also describes the current world like a mechanism or watch whose parts are hopelessly rusted and bent.

Project Bethlehem will restore the world to the way it was, which of course means brushing aside most if not all human civilization and industry. This is a personal project, as Fiamma now sees himself as beyond any one faith. It’s actually quite a shock to see Fiamma suddenly slice off Touma’s arm, turning Touma into a crumbled mess of a blood fountain as he absorbs the arm into his own giant hand.

It was around this time that I thought the killing blow to Touma would be stopped by Misaka, but she’s still on the ground with her clone looking for a way to get up to the Star. Instead, from his bloody stump, a second giant arm and hand emerges and grapples with Fiamma’s. It wrests Touma’s arm back and reattaches it, utterly renouncing the power Fiamma offered.

This is just another demonstration that Touma’s arm is not meant save the world on its own, or do anything else that big and important. Fiamma wanted to free it from what he saw was a mundane existence attached to Touma, and a waste of its potential, but the arm thought otherwise, as does Touma.

It’s at this point Touma starts to understand that the reason Fiamma has constructed the massive Star of Bethlehem and utilized the power of so many others (by force, not fellowship), is because he’s actually afraid that he never had sufficient power to “save” the world on his own—and he’s right; he doesn’t. Touma, meanwhile, has saved countless “worlds,” the worlds of individuals who have relied on him and on whom he’s relied right back.

Like Mugino with Hamazura, only on a larger scale, Fiamma’s plotting and raging at the status quo is unnecessary and unproductive. Like her, he risks burning himself out, along with all the bridges that were built to get him to this point. Looking out at that mess of stolen churches and artifacts he’s amassed, I’m tempted for him to say “look on my works and despair” in the ironic sense Shelley intended.

I don’t know if Touma, with Misaka’s imminent help, will have to utterly destroy Fiamma or simply deliver a devastating, cathartic right hook, of if they can convince him to stand down and accept his vision for a new world ain’t gonna happen. All I know is, it’s sure to be epic.

The Promised Neverland – 11 – All Or Nothing, Now Or Never

It’s heartening to learn neither Ray nor Emma had ever truly given up on escaping, but they’re out of time, so they have to implement whatever plan they have immediately. The key is to distract and misdirect Mama so all of the kids can escape, and the best way to do that is by setting the house on fire.

But Ray knows that won’t be enough, which is why he’s been planning and working his ass off to be the most valuable pieces of meat Mama has ever raised. He’ll set himself on fire so that Mama will stay fixed on trying to save him. And while he brooks no argument from Emma, we never see him actually drop the match into the fire.

Nevertheless, Mama comes out of her office smelling burnt flesh, and finds Emma kneeling before the conflagration in the dining hall, telling her Ray’s in there. She orders an evacuation while she desperately tries to save what she can of her great prize.

She also urges Emma to get out of there, but when she turns around, Emma is already gone. When she tracks her with her watch, she discovers Emma has cut off the ear containing her tracking device. She’s off the grid, and has a huge head start.

When she meets up with the others, Ray is with them, to our surprise. Turns out Emma caught the lit match in her bare hands before it could fall on the oil. She has an alternate plan for Ray that doesn’t require his sacrifice. It’s a plan Norman gave to her, and which she distributed to everyone else bit by bit.

Norman told Emma exactly what Ray would do and how to stop him, including with a pile of meats and human hair that will smell like someone burning. The whole time Emma appeared to have lost all hope and was being comforted by the little ones, she was actually muttering to them the plan that will spring them.

When Emma reaches the wall with the others and prepares to climb, the specter of a smiling Norman pats her on the back, urging her to keep going. But Ray senses somebody is missing…and somebody is. Mama manages to escape the burning house with her radio but nothing else, but she’s determined to retrieve her beloved Emma and Ray. To her surprise, she still has a hostage—with which to lure one or both of them back—in little Phil.

After so much preparation and time-biding, the escape is finally on, and there is no going back, as the home where they used to live has been destroyed. But if I know Emma, she’s not about to leave anyone behind, and that could well lead to her ruin.

TenSura – 24 (Extra) – Conqueror Of Flames

This being an extra episode and all, I had no idea what to expect, so it was a nice surprise to get a story about one of Shizu’s exploits, which takes place before Rimuru even appears in this world. As she arrives at Filtwood Castle to join a host of other adventurers in an effort to defeat a recently summoned demon, it’s made clear Shizue Izawa is already a legend among her peers and in Filtwood’s court.

But she’s weary that even the formidable Silver Wings have recently fallen to the demon, suggesting it at least has a name that lends it more power (as we’ll witness later with Rimuru’s namings). It’s also odd that the less bold adventurers aren’t allowed to leave when they hear of the strength of their foe.

After one of them is killed and a lesser demon extracted, it’s revealed they’ve all been gathered there because more of them are suspected of being possessed by demons, so they’ll all be rooted out for the good of the kingdom.

Their execution of this plan is interrupted by a cloaked mage, whose immense power Shizu only then detects (suggesting it’s an extremely powerful mage who can mask such power). The mage is himself a demon calling himself “Kuro”, and is willing to kill everyone in the hall to find the demon he’s after.

Needless to say, Shizu isn’t about to let that happen, and so…they fight.

And what a splendid fight it is! At least as good as anything TenSura has served up. Shizu is a tough customer, but even she seems to be aware that Kuro is merely toying with her, and actually holding back quite a bit. Even her special finishing move only causes as slight amount of discomfort, yet even that is the most pain Kuro’s had the pleasure of feeling in some time.

What ultimately forces Kuro to withdraw, at least for the moment, is when he gets serious and attempts to behead Shizu. Her mask protects her and relieves Kuro of his arm, making him exclaim that the mask “surpasses time.” The assembled adventurers cheer for Shizu when Kuro departs in a black cloud…but this is only the beginning of the already exhausted Shizu’s busy day.

A knight comes to her quarters to escort her to an audience with the king, and while en route, this knight expresses both his gratitude for her heroism and awe at said heroism’s form…only the ever-observant Shizu doesn’t recognize him as someone who was present for her fight. Turns out she’s right.

The “knight” is actually the real king of Filtwood, and a demon at that. Not just any run-of-the-mill demon, either: a “legendary-class Greater Demon General,” which I assume is a real thing and not something he made up in a sudden chuuni fit. His name is Orthos, and he is revered by the people as a demon-defeating hero, giving him more strength.

Orthos thanks Shizu for being a “sacrifice”, something she has no intention of doing (and also obviously won’t die as Rimuru meets her much later). That said, Orthos is a tough customer, and Shizu has had no time to replenish her strength, magic, or stamina, which is of course Orthos’ plan all along.

Unfortunately for him, Kuro reappears in the nick of time to save Shizu. Before she was summoned into this situation, she recalled what Leon told her about demon “Progenitors” who are named after colors. Kuro is one of them, an identifies Orthos as an underling of another Progenitor, Red. That means Orthos is absolutely no match for Kuro, who utterly ends him.

In the end, Kuro is credited with killing the public king and minister of Filtwood (who were really Orthos’ puppet) while official records credit Shizu with defeating Kuro. In reality, the two agree to go their separate ways and forget they ever saw each other, and in exchange, Kuro won’t end Shizu like he ended Orthos. Still, Shizu predicts “someone will do something about that demon someday”…and that someone turns out to be Shizu, summoning him as “Diablo.”

This extra episode took a while to get going what with the need to set up an entirely new setting and scenario, but once Shizu drew her sword, good things started happening. It was a fun, exciting outing that added texture to the vast world of TenSura, not to mention demonstrated that it can do just fine without Rimuru or any of his entourage.

To Aru Majutsu no Index III – 23 – Joining Hands To Fight

Stiyl’s efforts to bring Index out of her trance go rather poorly (he only ends up digging a big hole for himself…literally!) But Kazakiri Hyouka is on the scene in Russia to take it to the archangel Gabriel. Their ensuing fight about the Star of Bethlehem is appropriately epic in its speed and ferocity.

When Sasha asks what’s up with Hyouka, he assures her with confidence: he may not know exactly what she’s doing there, but Hyouka’s a friend. In fact, they go back a full decade to when their character designs and color palette hadn’t yet evolved to the present 2010s style!

It’s an episode full of odd but interesting pairings, starting with the continued collaboration between Accelerator and Worst. They’ve come so far in so short a time, he’s trusting her to protect Last Order while he deals with the dueling angels. Like Touma, Accelerator doesn’t know what Hyouka is there for. Unlike Touma he has no reason to trust her, especially when he believes she was drawn there by the parchment Gabe is after.

One would think coming straight at an archangel with power on a level hard to fathom who is specifically looking for something on your person would be a bad move, and even with Hyouka also fighting, Gabriel still manages to gain ground on them. When her huge special move is done charging up, a massive “Sweep” of holy arrows rain down on both Accelerator and Hyouka.

They’re largely bailed out by an assist from another seemingly unlikely comrade in Acqua, who uses his presidential authority to draw the water-element telesma out of Gabriel, stopping her in her tracks and weakening her, but its a risky move that could kill him.

Touma figures out that the Star of Bethlehem, being a necessary element in Fiamma’s plans, must have a means of controlling Sasha somewhere among the labyrinth of structures, so he starts wrecking up the place with his Imagine Breaker.

Accelerator, remembering Touma’s words of wisdom (and punch to the face) throws everything he’s got in what he takes the most pride in: protecting Last Order at any cost, even losing. Gabriel self-destructs, but with help from Hyouka, he manages to prevent cataclysmic collateral damage.

The minimization of damage was also made possible by Acqua’s assist, and after taking most of Gabe’s power he’s prepared to pay for it by dying…but Hamazura and Takitsubo find him first, and the former straight up refuses to let him give up. Acqua gets on his feet and lets out a triumphant roar, but I wonder how much he has left in the tank after such exertion.

Once enough setbacks in his carefully-orchestrated plan have taken place and all the myriad forces suddenly united against him actually start making some progress, Fiamma decides to accelerate the part where he takes Touma’s right arm, separating him from Sasha. Turns out even though Gabriel was taken out, she managed to read the parchment and align the Star in such a way that Fiamma could start an element-re-configuring ceremony.

In the aftermath of the Gabriel battle, Accelerator is troubled to find Worst ended up crashing the Hummer she was driving, and both she and Last Order are unconscious. Hamazura and Takitsubo reach the facility where the bacteriological agent will be released, but an Academy City bomber gets there at the same time and obliterates the place, separating the lovebirds.

Our heroes have shown that by putting aside less important differences and combining their forces, they can put a dent in Fiamma’s plans, to the point where he now no longer looks invincible. But it’s taking a harsh toll with Fiamma far from beaten, which means they’re going to need backup, and soon. Thankfully, Misaka’s only 70km away, and her clone presumably knows how to drive.

Weekend OP: “ROAR”

Kurosaki Maon has handled the vocals for all of the Index OPs, and the new song “ROAR” unveiled for the Russia arc is one of the best yet, combined with visuals that kick up the urgency and gravity, thus hyping up the episode to come. There’s Accelerator fighting Worst (which hey, actually happens in the show!); there’s Misaka jumping from jet to jet; and there’s Touma running towards the next battle, this time with a game Lessar in tow.

The Promised Neverland – 10 – Never Give Up, Never Surrender

With the bombshell discovery of the cliff last week, it looked like checkmate for the kids, and especially Norman, who after all was going to be shipped out the next day. That schedule is not changed, and Norman accepts his fate, much to the despair of Emma and Ray.

Norman offers them a ray of hope by noting that the complex of farms or “plants” form a hexagon, one side of which is the HQ where there’s a bridge across the cliff. But he won’t be joining them, and his mind won’t be changed. That doesn’t stop the other two from trying.

While packing for his “departure”, Norman puts only one item in his suitcase: the string telephone Ray helped Emma make years ago so she could communicate with Norman when he was sick and quarantined. Mind you, his being sick never kept Emma away, and Mama had to shoo her off more than once.

In a microcosm of the trio’s dynamic in the present, Ray’s technical know-how and Emma’s stubborn refusal to give up leads to the two ensuring Norman isn’t lonely. Norman isn’t just a friend, he’s family. Emma and Ray love the hell out of the guy. But this time there’s no string long enough to reach where he’s going.

The scene of Norman’s goodbyes is…is rough. All of the other kids are either in tears or just barely holding back, but no one is suffering his impending departure more than Emma, and she makes no attempt to hide that suffering, or to pretend she’s not going to do everything she can to stop Norman from leaving, including trying to slip him the tracking device breaker.

It takes the most explicit death threat from Mama yet (delivered chillingly quietly so only Emma can hear) for Emma to calm down and accept Norman leaving. Before they part, Norman hands her back the tracker breaker and tells her not to give up. As for Ray, he’s not even there; Norman has to come to him, and even then, Ray says nothing. They only share a parting look.

Norman and Mama’s solemn walk to the gate is another standout scene, steeped with doom, but also an odd kind of peace. Mama seems to hold Norman in genuine esteem, as the two seem to have an understanding that Emma and Ray will be treated well until the “end of the time that was decided.”

He momentarily throws Mama off when he asks her if she’s happy, but she replies that she is because she met someone like him. They reach the gate, and Mama directs him to enter a well-lit room to wait…and that’s the last we see of him. Who knows what he saw, or if it was the last thing he saw. Maybe Mama has bigger plans for him than mere food?

Emma and Ray are gutted by Norman’s loss. The three of them were inseparable, almost symbiotic, but Norman was their center; their heart; the bridge between them. The two of them don’t seem able to continue on, even with support from Don and Gilda. Ray tells them he’s “tired” and doesn’t care anymore; they can do what they like, but he’s resigned to dying there.

Emma was then the last of the trio to hold out hope and not give up, but she’s too overcome by grief to accomplish anything. Both the little kids and Mama take note of her constantly morose state, and Mama visits her in her dorm to urge her to give up, and life will be much easier. She even offers Emma a path that will allow her to become the next Mama of the house, rather than be shipped away.

Of course, Emma is never going to go back on what she promised Norman, no matter how many perks she offers (or bones she breaks). So Mama tells her fine, keep dreaming of the impossible, “writhe in agony”, and be damned.

Time passes, and the eve of Ray’s shipment date arrives. Emma wakes up and finds him singing to himself in the chapel. It’s there where both of them reveal that at least part of the way they’ve been acting around Mama, Gilda, Don, and the little ones was merely a performance; a means of lulling Mama into thinking they really did give up.

But they haven’t, as the fire in their eyes at the end of the episode proves. They seem as determined as ever, and thanks to Norman’s reconnoitering of the wall, a path to escape remains. What a fool I was to believe it was time to give up when they hadn’t; to doubt the strength of their spirit and defiance!

Mama, the demons, the system has taken so much away from these kids. It’s time to take something back from them for a change. I am here for it.

TenSura – 23 (Fin*) – Problems Solved

Rimuru and the five students enter the Dwelling of Spirits and…pretty much absolutely everything goes swimmingly! Seriously, one by one Rimuru either creates a superior spirit from hundreds of inferior ones with the Great Sage’s help, or in the case of Kenya and Chloe, a spirit is summoned by the kids themselves.

Bottom line, with superior spirits within them, the immense magical power is now under control, and will no longer send them to early graves. Mission Accomplished! The only problem is, there’s a lot more runtime to the episode after that, but it’s clear that’s all the story TenSura cares to tell, so the remaining ten minutes or so basically runs out the clock.

We get montages of How Far We’ve Come, followed by a number of Long, Tearful Goodbyes, as well as hints of Challenges to Come Next Season. As fantasy/Isekai anime go, TenSura almost always kept things light, breezy, and above all nice and easy for Rimuru.

I don’t see a second season messing with that formula too much, but rather expanding Rimuru’s powers, understanding of his world, and of course, introducing a smorgasbord of new characters who will then interact with his already vast crew. The MAL score of 8.36 is definitely overzealous in my book, but colorful, upbeat, and full of charm and good humor: that’s been TenSura through most of its run, and it should continue to be so in the future.

*An “Extra” episode will air next week.

To Aru Majutsu no Index III – 22 – Angels And Saints Converge

We check in with pretty much everyone this week, from Stiyl trying to keep Index safe from Laura in England, to Touma and Sasha up in the giant floating fortress called the “Star of Bethlehem,” the narrative darts back and forth between all of the various forces converging both directly and indirectly towards the Star and Fiamma, who is seeking nothing less than to becoming superior to God. The ego of this guy, amirite?

You gotta admit, he’s done a lot of preparation for this; his isn’t some half-baked plot easily ended by one punch from Touma’s right hand. He’s not only controlling Index, giving him powers a Right Hand of God would normally wouldn’t have; while he’s used Sasha (via the control device) to summon the archangel Gabriel to mop up all of the “secondary players.”

As Fiamma consolidates all his power for his final push, there’s one thing for the good guys to celebrate: Thanks to Vasilissa, Takitsubo Rikou is finally healed. Naturally, she agrees with Hamazura that they must then immediately jump back into danger to protect the villagers who saved them from being wiped out by the government.

The last piece Fiamma needs is the parchment in Accelerator’s possession, which he believes can be used to save Last Order. Misaka Worst offers to retrieve the mighty mite, as well as to serve as her weapon. Over in Rome, a bishop intends to use the crisis to ascend to the papacy, but the former Pope has already given up his mantle, preferring to calm the throngs of people outside and lead them into the Vatican…for safety?

Kanzaki Kaori also prefers to offer aid those in need rather take center stage in a battle, leaving Princess Carissa and “Frenchy” to battle Gabriel with their national weapons. When Carissa’s Curtana Second fragment is shattered, she simply summons a half-dozen more, then launches a massive missile strike on the Star diverting the archangel and buying more time for the wounded.

Back up on the Star, Touma is riding a monorail with Sasha when Gabriel appears to stop the missiles. There, the archangel is met by Kazakiri Hyouka in full battle mode. Back on the ground, Misaka is watching the Star through binoculars, and figures since she’s come this far, there’s no way she’s not getting involved.

Misaka also shows her envious Clone the Gekota strap she got on her date with Touma (or as she calls him, “the idiot”). Touma just better hope Misaka doesn’t hear anything about him pawing Sasha (which got him crowbar-ed), or she’ll kill him herself!

The Promised Neverland – 09 – Let’s Get Cracking

By the end of last week, four episodes of The Promised Neverland remained for the kids to escape the farm and survive the aftermath of casting aside their old lives, and all the protections and amenities therein. Even if their lives wouldn’t last much longer than if they’d  stayed put, at least they’d die free.

Alas, for all of the kids’ careful preparation up to this point, the situation has never been more dire. Any hope of Emma escaping on her own two feet has been dashed thanks to Mama’s act of appalling brutality (“clean break” indeed) while Norman is due to be shipped out in a day’s time.

Norman puts on a brave face for Emma, but when he fetches water he betrays a look of paralyzing fear and despair. And yet, once that moment has passed, there’s a decidedly defiant look on his face, like he’s decided and committed to his next move.

When he returns, Ray is with Emma, and they’ve already decided something as well. When Norman proposes they proceed with the escape plan without him once he’s gone and Emma is healed, they reject him in unison. Their counter-proposal: Norman will deactivate his tracker with the device Ray has just completed (using parts from all the various discreet rewards he got over the years), and hide out until Emma heals. Then they’ll all escape together.

Norman is fine with this plan, except for the fact that if he goes missing, they may ship Ray out in his stead. In that case, Ray says he’s willing to have his arm broken so, like Emma, he won’t be suitable for shipping. When Norman asks how Ray found out about the truth of the House, he says he’s always known, since he has memories of his life going back to when he was still in the womb.

Norman agrees to the plan, and the next morning, Norman executes his escape, running to the wall with the backup rope Don and Gilda made, while Emma and Ray stick close to Mama. The music that plays while Norman is running to freedom is epic, hopeful and triumphant.

After he attaches the rope, he holds it taut as he runs up the wall, and manages to grab hold of the top ledge and hoist himself up. A vast forest unfolds in all directions on the other side; a forest full of possibility. If they could get everyone into that forest, the adults would be hard-pressed to find them.

When Mama finally notices Norman is not around, she checks his tracking device, and her expression makes it clear it’s not working. But to Emma and Ray’s horror, she smiles and closes the device, and Norman emerges from the forest, looking like he’d just been drugged or hypnotized.

Turns out it was neither, but simply the look of utter, complete defeat. Only while atop the wall and looking over the other side could he discover the truth: there is a vast, yawning, sheer CLIFF between the wall and the forested land, of a distance they can’t hope to surmount.

Just when the kids’ spirits were at their highest, everything is cruelly snatched away, and their doom feels more inescapable than ever. What an emotional roller coaster; a symphony sorrow; a triptych of tribulation. Those poor damn kids…what are they going to do now?

TenSura – 22 – The Extra Fairy

Rimuru, Ranga, and the kids head deep into the green and lovely Ulg Nature Park, and enter a palace-sized tree hoping to find the Queen of Spirits. They find themselves in a sneaky labyrinth that appears to be a straight path, but Rimuru requires his mental map in order to properly navigate through it.

They all hear a voice in their heads that must be some kind of telepathy, and before you know it they’re in a new chamber, which looks curiously like an arena.

Rimuru’s challenger appears: a magisteel golem controlled remotely by one of the labyrinth’s spirits. He easily defeats it with thread fetters and a flare, and its controller (and the voice in their heads) reveals herself as the fairy—and Demon Lord—Ramiris.

Voiced with great energy by Haruno Anzu, Ramiris is a delightful trip and a half, somehow even more hyperactive than Milim, and with a lot more voices. I found myself reveling in her many changes in mood and tone, as well as Rimuru’s growing impatience and incredulousness.

She’s also heard of Rimuru Tempest, leader of Jura…and slime. It’s the first time the kids learn Rimuru is actually a slime, and they’re suitably impressed and delighted. When Rimuru gives Ramiris some cookies as a peace offering, and tells her why they’ve come, she reveals that she’s the Queen of Spirits, who “fell from grace” into a Demon Lord, like Leon, who summoned both Ifrit and Shizu.

I enjoyed the gradual transition of Ramiris from obnoxious pest into someone to be admired (she completed the magisoldier Vesta’s team couldn’t…all by herself) and even venerated (she’s able to bestow divine protection). She empathizes with the kids’ plight, and shows them the path to the Dwelling of the Spirits.

Even if they can’t summon any interested superior spirits, they can always make new ones there. As for Rimuru, he’s proud he’s finally well on his way to fulfilling Shizu’s dream to free her students from premature demise.

To Aru Majutsu no Index III – 21 – On Private Time

From the Pope about to be replaced conversing with the nun Vasilissa who is already in Russia, to Aiwass asking none other than Kazakiri Hyouka to head there to deal with Sasha’s situation, the first two scenes in this episode establish an ever more widely-sprawling cast in what had begun as a much more characterly austere arc. It’s been a long time since I’ve seen Hyouka, but in seeking assurances from Aiwass that her friends won’t be harmed, I assume she’s more good guy than bad.

Once all the Russian privateers are dealt with by Acqua, Hamazura suggests they move on, allowing Academy City to protect the village from further slaughter even if it means occupying that village. He and Takitsubo head to the border in a Lada Niva, but are quickly chased by Academy City powered suits.

Accelerator arrives in the knick of time—albeit pissed that complications are being added to his mission—but once Elizalina has had a look at both Last Order and Takitsubo, she determines it’s possible to save both (though Last Order will be trickier).

Accelerator starts to head out to “do what must be done”, which will entail veering off the rails of villainy Academy City laid out for him, and which he followed without protest. He suggests Misaka Worst do the same thing: “stumble upon a route other than the one where” she’ll “only get used up”. Worst seems game, even if she can’t help but laugh at Accelerator’s expressions and words.

Someone currently being used, and utterly powerless to sever that control, is poor Index, who is in England with Stiyl and Laura Stuart. Turns out there are two remote control magical items: the one Fiamma stole and the one the she possesses. She intends to use her item to interrupt Fiamma’s and foil his plans. Stiyl notes how no part of her plan is looking out for Index’s well-being, but that’s par for the course with Laura.

Fiamma’s plan, meanwhile, proceeds as he planned, with Touma and Lessar arriving exactly where and when he wanted, and in time to demonstrate the scale and scope of his power by extracting an absolutely gargantuan cross (or sword?…Cross-sword?) out of the ground.

All this happens just as the stealth plane Misaka hijacked arrives in Russia. An angel descends from the sky and slices the plane in half, but Biribiri safely lands with no issues, as does the pilot. Immediately upon soft-landing in a little spot where her electricity melted the snow, she’s approached by Misaka 10777, apparently of an Academy City Russian co-op outfit that has just finished withdrawing.

10777 must have detected Big Sis and went to her location to share in her “private time”, implying Misaka is not here on any kind of official business, Academy City-affiliated or otherwise. And she’s absolutely right: Misaka has given herself quite the limited mandate: Save that good-for-nothin’, two-timin’, run-of-the-mill Level 0 high schooler with the spiky hair and a tiny Engish nun for a roommate. We’ll see how successful she is in not getting involved with anything else!

The Promised Neverland – 08 – Things Never Go Smoothly

More than once, Don hopes out loud that the inspection plan goes smoothly, and whenever a character hopes something like that, chances are it won’t come to pass. Things certainly don’t go smoothly for Sister Krone! Turns out she’s not fired, she’s just been named the new Mom of Plant Four. Only there’s one thing more important to Krone than becoming a Mom, and that’s ruining Isabella.

That turns out to be her downfall, as had Krone left quietly for her new assignment, it’s possible she would have been fine. Or maybe not; when she presents her evidence to Grandma of the high-quality kids’ escape plan, it’s utterly shrugged off because the kids are still “under control.” As for Krone ever having a chance of replacing Isabella, that was never in the cards.

And so, as Krone’s life in the farm and training to become a sister flashes before her eyes, Grandma sics a demon on her, and plants the flower that causes instant death. Rest in peace, Sister Krone: you certainly never had any in life. Her last thoughts are of her hope that the kids are successful in escaping—something she could never do.

Ray isn’t aware that Krone is no longer in the picture until it’s too late and the inspection mission is already underway. Isabella, calling out his treachery, suddenly and unexpectedly terminates their arrangement, locks him in a room, and uses her tracking device to detect Norman and Emma.

When Don and Gilda see Isabella leave the house, but no sign of Ray, Don races into the house, busts down the door and frees Ray, and the three of them head to Norman and Emma’s location as quickly as they can. But as has ever been the case since even Ray first thought of resisting this system, Mama is simply too many steps ahead.

She encounters Norman and Emma and rejects their fake smiles, dropping the pretense that she’s maintained for ten years. She also makes a seemingly heartfelt (though one questions if she has a heart to feel) plea for them to stop resisting and simply accept their fates. They can live happy, full lives until their shipment days, at which time their deaths will be instant.

Even if Isabella empathizes with her livestock in knowing that the worst kind of suffering for them would be to take her up on her offer and give up, they’re too valuable to her as meat for her to ever consider entertaining their desire for freedom. One wonders if Isabella, like Krone, was once in their position, and thus has already concluded resistance is pointless.

Whatever the case, when Emma and Norman reject Isabella’s ultimatum,  Emma rushes Mama and hugs her tight so Norman can get to the rope…and Emma pays for it, big time. Mama snaps her knee like a twig, then lovingly applies a splint and carries her back to the house.

No matter how spunky and determined Emma might be, there’s no way she’ll be able to escape now; at least not on her own two legs. Oh, and just to twist the knife, Isabella informs a horrified Norman that his shipment date has been set. Far from smooth, things have gone just about as awfully as possible for our pee-wee heroes. I honestly don’t know where they go from here.