Cop Craft – 06 – Jump Out If You Want To!

While they’re a formidable duo when they’re on duty, I might just like Tilarna and Kei better when they’re off duty, as it presents so much more opportunity for the two to talk and interact off-the-cuff. And both professionally and personally, they’ve built up a nice rapport. Just take Tilarna using an elixer to eliminate Kei’s cat allergy, but not to tell him about it until he wakes up with Kuroi in his room and is breathing fine.

Even so, things only go so far, and Kei would rather continue to live alone, so he’s trying to find a place for Tilarna, with little success (realtors in San Teresa are apparently racist). And when their leisurely crepe lunch is interrupted by a stolen truck shearing off the side mirror of Kei’s car and he gives spirited chase, Tilarna would kinda rather be anywhere but in the passenger seat, losing years off her presumably otherwise extremely long life.

With a bit of reckless driving, Kei manages to wreck the rig, which is full of…legal porno mags. Tilarna decides to be useful and move Kei’s car out of the flow of traffic, but neglects to set the parking brake, so it rolls right back into traffic, into the grill of another passing truck, and into utter ruin.

Tilarna gets to see a whole new side of Kei at the station; that both of someone who just lost some(thing) precious too them, as well as someone who acts like a little kid who wants their toy when they meet with Chief Zimmer for a new ride. Tilarna also gets her first look at human porn, which is doubly shocking to her considering how little photography exists where she’s from.

Kei gets his colleague Tony to pose as a fence and arrange a deal with the Semanian truck thief, who is indeed trying to make a killing selling the stuff across the gate. One wonders why he didn’t simply buy up a lot of porn legitimately, as there’s no doubt he’d still make a profit re-selling it in Reto Semani. Kei also gets his new car—a repo’d Ferrari 812 Superfast (which costs over $360,000 US) and takes it for a spin while Tilarna meets with Cecil.

Tilarna came to Cecil for driving lessons unaware that “ex” meant “ex-lovers,” something that embarrasses her. When asked, Cecil isn’t sure whether she likes Kei, but she doesn’t hate him, and simply wishes he’d treat her as an equal rather than a kid, hence her desire to learn to drive. Cecil warns her that might be tricky, as there’s a good chance Kei sees a lot of his lively younger sister, whom he lost ten years ago, in Tilarna. They have tended to act like siblings, haven’t they?

The next day, the porn deal goes south when the Semanian kid is double-crossed and Tony is captured at gunpoint. Kei is temporarily blinded by being too close to a gun blast. so Tilarna grabs his hand, tosses him into the passenger seat of the Ferrari, and shows her what she’s learned. (The automotive pedant in me would question whether she’d know how to work the controls of a car so different from the Jeep Cherokee she trained in, but never mind.)

What matters is, Tilarna doesn’t quite drive like anyone else Kei has ever driven with—which is to be expected—and she gets an absolute goddamn kick out of it; a true need for speed! It’s immensely fun to see the tables turned for once, and Kei begging for death and being given the option to jump out the car window. Tilarna launches the F12 like a projectile into the fleeing baddie, wrecking them both.

Thanks to modern automotive safety, nobody is seriously hurt and the perp is arrested. When Kei starts to scold her again, Tilarna speaks up for herself and gains a deserved apology from Kei for going too far about the Mini before. At this point he believes the Ferrari is still reparable, and agrees to go with her on more driving lessons, but it soon bursts into flames, GTA-style, and he’s back to the same blind rage and despair when his Mini was busted.

He eventually cools down, and when he arrives home (by bus) from a meeting with the real estate agent, he finds Tilarna has already made a cozy home for herself on the lower level of his house, and invites him in. Looks like he’s not going to get rid of her so easily…if that’s even what he wants at this point. After all, it’s not every day you get to have your beloved little sis back in the form of a knight from another world!

Wotaku ni Koi wa Muzukashii – 11 (Fin) – What We Like Never Changes

We begin the finale of what is likely only the first of two (if not more) seasons of a solid Working!!-like anime that focuses on young working adults and their relationships, with Koyanagi and Kabakura in a kind of domestic bliss, just enjoying a day off reading manga and drinking tea as a couple.

Narumi wants that kind of normalcy in her partnership with Hirotaka, so she decides she’ll arrive at his house unannounced. Neither of the welcomes she comes up with in her head come to pass; instead she finds the door unlocked and Hirotaka all but passed out, exhausted and starving as a result of playing games and doing nothing else.

Before getting into a bickering match with Kabakura about BL and finally getting him to agree to try it out, Koyanagi has a phone chat with Narumi, who is in the act of doing “the girlfriend thing” of taking care of her man like his mother would have earlier in life. It’s an outmoded dynamic, but there is no doubt it is the norm in Japan, and America as well.

Narumi quickly learns that her boyfriend will walk around his apartment naked after bathing in search of a towel, and that even the few articles of food in the house were brought there by Naoya, who performs the girlfriend duties Narumi wants to do whenever he sleeps over.

Kou’s route with Naoya inches ever so slightly forward, with it seeming far more likely Nao is unaware she’s a girl than not; perhaps we’ll see more (slow, steady) progress there in sequels. Meanwhile, Narumi takes Hirotaka out on a mandatory walking “date,” before remembering that not only is her favorite seiyu on a variety show, but that she specifically wants to see it with Hirotaka.

In other words, she wants to share what she likes with the person she likes. Who doesn’t? Hirotaka then puts actual effort into his running in exchange for another girlfriend-cooked meal, just as Hirotaka wants to just Netflix and chill with her after dinner. A very chill ending to a show that I suspect has a lot more stories big and small to tell down the road.

KonoSuba 2 – 04

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This week KonoSuba ditches the dungeon for another common fantasy-world trope: the undesired arranged marriage. Darkness makes her triumphant return, but faces a crisis: as a condition of Lord Aldarp showing lenience to Kazuma, Darkness must meet Aldarp’s son Walther and consider an arranged marriage, which Darkness’ father also wants, since he likes Walther.

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Darkness believes bringing Kazuma and Aqua to the meeting will help get her out of it, but Kazuma, wanting to be rid of a crusader who can’t hit anything, tries to sabotage her plan, performing the duty of keeping her from saying or doing anything that would torpedo the marriage.

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Of course, we know Darkness to be a incurable masochist, so the fact that Lord Walther is a kind, gentle, focused, valiant, and hard-working knight makes him perhaps the worst possible type for “Lalatina”, who prefers someone she describes in great detail which seems to match Kazuma quite nicely.

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As Darkness and Kazuma grapple in a match the latter ends up winning due to his admirable command of lascivious talk (and knowing inherently precisely how to push Dark’s buttons), Walther can tell that while Darkness is a very interesting woman, he’s not the right match for her.

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It was nice to see the guy the girl is being forced to marry turning out to be a great guy, only for the girl to utterly reject him anyway because she prefers awful guys. It was also nice to see how well Darkness’ dad Ignis knows his daughter, and how much he loves her anyway and merely wants her to be happy…and to one day produce a grandchild for him to dote upon!

This was another humorous KonoSuba romp that really let Darkness shine while showcasing her odd but charming chemistry with Kazuma.

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Sousei no Onmyouji – 05

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Like Bungou Stray DogsSnO aims to provide a combination of seriousness and levity, though Oji-san doesn’t think BSD is successful. I haven’t been keeping up with it, so I don’t know, but as relatively brainless, usually amusing, occasionally touching hump day entertainment, SnO fits the bill quite nicely, even if it isn’t blazing any trails.

A part of my enjoyment is that I’m rooting for both of the twin star Exorcists, and totally get where they’re both coming from and why they both clash and harmonize so often. I won’t say their similarities as strong,  fundamentally good-hearted people outweighs their differences, but they complement each other extremely well, and aren’t fooling anyone when they insist they hate each other (which they don’t even come out and say, it’s more of an exchange of barbs).

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Benio is stuck-up, but, well, why wouldn’t she be? She’s been the best at everything she’s ever done, and has to maintain a certain air of confidence bordering on arrogance considering the burden her slight shoulders bear.

To be paired up with someone who, while undeniably strong when he needs to be, has some serious motivational problems stemming from past trauma, and can’t just say he wants to join an exorcism mission, but comes up with a bunch of half-assed excuses to mask his enthusiasm—it’s gotta be frustrating to Benio, who knows exactly what she wants to do and is firmly on the path to making it happen.

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But like I said, Benio doesn’t hate Rokuro. He’s got his flaws, but when it counts, he’s no slouch. He puts the big Kegare boss away, motivated by a desire to stop others from getting hurt anymore for the day. He’s fed up.

So when Twelve Guardians member Ikuruga Shimon shows up to clean up, Rokuro moves and takes care of it before him, and Benio has Rokuro’s back. She wants Shimon to see what she’s seen: great potential, hampered by persistent wishy-washiness.

Shimon and Benio share a kind of monk-like calm that Rokuro sorely lacks. And while Rokuro seems to become more powerful the more up against the wall and desperate to end things he is, he could stand to learn a few things about keeping one’s cool and minding one’s surroundings, things both Benio and Shimon possess in spades, owing to their experience.

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I especially liked Benio’s little smile when Rokuro meekly accepts the heartfelt thanks of the boy’s soccer team he helped save (with Benio and Shimon’s help). Benio sees that the key to keeping Rokuro focused is a healthy awareness that his actions keep people safe; that his strength is necessary to protect the weak, and he can’t be content with the way he is now.

As such, Shimon, who was Rokuro’s age when he became one of the Twleve Guardians, should prove to be a valuable goal for Rokuro going forward; one not hampered by the whole betrothed thing, as he is with Benio. The fact they’re arranged to marry some day is kinda kept in the background, as it’s still clearly a way off, but everyone is right that the two are already bickering like an old couple.

As for Arima, he’s a guy who’s clearly powerful enough to goof off with swimsuit mags as much as he wants. You get the feeling something seriously messed-up has to go down in the world for the guy to break a sweat…especially when he has Shimon, eleven others like (or better) than him…and the Twin Stars, slowly building their sheen.

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Sousei no Onmyouji – 04

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“I get it, okay?” says Rokuro, after running off in a snit after the guy who is basically his older brother annoys him: “I know I can’t run away forever.” He’s implying he needs more time to put the past behind him and move on. But…we’re a quarter into the show now, and he’s still angsty and hesitant while we haven’t heard the full story about why, so…hurry it up, willya? Thankfully, Rokuro takes a couple of steps forward.

It starts with the old woman who runs a candy store he used to frequent as a youngin’ with Ryougo. In a five-minute exchange, she’s able to cheer him up and make him feel silly for being so harsh to his big bro when all he’s doing is looking out for him. By running off, he was also refusing to tag along on an exorcism mission with Ryougo and two others.

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When those two others show up at home without Ryougo, Rokuro doesn’t hesitate to do what he needs to do in order to spring into action, which at this point is to bow his head and beg Benio to accompany him to Magano. He’s afraid to go himself, plain and simple. And that’s perfectly okay. Benio, for her part, insists he rise his head – no one should have to beg an exorcist to fight for or with him.

Ryougo is up against a huge, two-headed, constantly-chortling Kegare with no way out and no talismans—except the one Rokuro made for him, appointing him his servant when he’s the baddest exorcisin’ mofo in the world. He’s kept it ever since as a charm, and it comes in handy as Ryougo shows up just in time to save him from going out in a blaze of glory.

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Benio is there to assist, and while Rokuro later scoffs that he could have handled the peripheral Kegare she takes out during the fight, the fact of the matter is, he wouldn’t have even been able to go there without Benio by his side, and he freely admits this when he waits outside for her to finish purifying the house, to thank her from the bottom of his heart.

Rokuro’s earnestness and heart-sleeving catches Benio off guard, insisting he doesn’t have to thank her any more than he had to beg her. So here, both in moments of emotional vulnerability, the two exorcists begin to see something besides contempt in one another. Rokuro sees her nice side, while Benio sees the greatness in him, when he fights in spite of his trauma.

Sure they start slinging insults in an attempt to backpedal, but they’re not fooling anyone: they’ve made real progress this week, and they’re sure to make more, which is very encouraging.

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Gakusen Toshi Asterisk – 03

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Don’t look now, but despite the lack of asterisks or wars, The Asterisk War is not only eminently watchable, but getting better with each passing episode. We pick up at Ayato’s evening rendezvous with Claudia in her sumptuous Page One chambers. But it’s nothing so course as a liason, nor has Claudia tricked Ayato; she has a job for him. There’s someone out there injuring Festa participants, and Julis is their next target. Because he’s developed such a good rapport with her, Claudia is depending on him to keep an eye on her, should she come under ambush.

Speaking of ambushes, Claudia offers a sexy reward for his service, but which also serves her own desire to see the look on Ayato’s face when she offers it. Claudia was probably expecting Ayato to flee from her advanced advances, as the young lad probably doesn’t know the first thing to do with such a beauty as herself. Yet in her comments about him not paying attention to her (or at least the attention she wants) there’s a tinge of jealousy. She wishes she had a guy who cares about her the way Ayato seems to care about Julis.

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The next morning, Ayato does know what to do when he sees Julis’ out-on-the-town clothes, which she claims she just “threw together”: compliment them. Good Ayato! They proceed to have a lovely date that gives the two a chance to bond more, and for Ayato to prove he’s as tough as Julis thought (staring down the still-ridiculous Lester at “WCDONAID”) but also labeling him “unfathomable.” Um, I think that’s Ayato’s line for you, highness!

What the date mercifully lacks is unfortunate trip-and-fall accidental groping silliness, or overt tsunderity on Julis’ part (no running away in tears or embarrassment, either). Instead, there’s a lot of smiles shared between the two, suggesting Julis isn’t so quick to deny actually she’s enjoying herself on this mission to repay her debt, and Ayato is obviously not going to complain about hanging out with a beautiful princess. She even wipes ketchup off his face without blushing.

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The highlight of the date has to be at the end, when they witness a rival school brawl that the sharp Julis quickly sees is actually another ambush. Her line about going to “grilling them for answers” and Ayato’s game reply, “keep it to medium rare or so” is a wonderfully dorky buddy action movie exchange, but it shows how far the two have come in just a few days of interaction.

Julis deals with the thugs without any trouble, but spots cloaked figures in the woods and goes after them, alone. Ayato, naturally, follows her, becomes another one of their targets, but eventually forces their retreat without a head-on confrontation, with the parties obviously loath to reveal who they are. Ayato is fine except for a ripped shirt, but Julis thought his participation in the chase was “a bit careless.” Again, that’s Ayato’s line!

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That night, it’s Julis’ turn to invite Ayato to sneak into her chambers from the window, and when she tells him they’re going to “get it over with” and orders him to “remove his clothes”, well, Ayato’s mind understandably races. No worries, Julis simply wants to mend his shirt with her sewing skills. Get your head out of the gutter, Ayato!

Then there’s this very nice scene with Ayato patiently waiting as Julis sews away, and he notices a photo of her with her friends from her home country. Julis then gives away more of her backstory then she probably thought she would that night, explaining to Ayato how she was once a palace-escaping tomboy who ended up in trouble in a dark alley. She was saved by a group of other young girls (girl power) who lived at a nun-run orphanage (more girl power). She became fast friends with the girls, without telling them who she really was (though not ruling out that the nuns knew).

The orphanage has since fallen on hard times, and since she’s unable to secure funds for a “money-losing welfare program” with her name (her royal family is only a puppet regime of the Integrated Empire), she’ll make the necessary money with her own power, in this “vulgar, insignificant city” that also happens to be the one place anyone can get what they desire.

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Claudia is here to restore the academy to greatness. Julis is here to save her friends’ orphanage. So…what’s Ayato here to do? He hasn’t been quite sure of that…until the end of the episode, when he says “good morning” to Julis, but she’s distracted by a suspicious letter and soon runs off on her own again. With her debt to him officially repaid, has she reverted to treating him aloofly like everyone else, not wanting a friend?

Claudia doesn’t think so; on the contrary. Julis is leaving Ayato out of whatever she’s running to not because she doesn’t trust him, but because she’s trying to “protect what’s in her hands.” Ayato can now count himself as one of those things. But he gets a say too, and it finally occurs to him why he’s here: to protect her right back.

Claudia tosses him Ser Veresta and he rushes out after Julis. She’ll probably protest his presence, but she can’t simply lock up otherwise capable people she cares about for their protection, when they can be of much more help by her side. Like post-credits CGI Claudia, I’m looking forward to seeing how far Ayato and the Ser Veresta go.

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Utawarerumono: Itsuwari no Kamen – 02

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That lovely, cozy, immersive quality I spoke of last week? It was largely supplanted this week by an ably executed but mostly pedestrian adventure-of-the-week.

When Kuon is hired by Ukon to hunt some giriri (giant centipedes) lurking on the outskirts of the village, and Kuon insists Haku comes along, it means a fast pace and more action than last week, with so much going on relative to last week it was hard to settle in. All the extra action also exposed the show’s sometimes iffy production values.

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Ukon is a pretty bland strongman with a penchant for being surprised whenever Haku makes himself useful, while Mororo is the archetypal prancing anime dandy. Neither are repellant, but they’re not as interesting as Kuon and Haku on their own.

The episode is effective in one regard: it shows there are all kinds of ways to contribute, not just to the village, but in a more high-stakes situation involving giant centipedes. Haku also demonstrates he’s a natural math whiz, which will serve him well in the capital.

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My problem with Utawarerumono: I find myself preferring a slighter cast and well-placed bursts of action punctuating more world-building slice-of-life; in other words, a series of episodes like its first. But that’s probably not what this show is going to be, judging from its 25-episode length and an OP positively bursting with dozens of different characters that made my eyes glaze over.

A trip to the capital means more introductions…a lot more, as well as a departure from the snowy environs that drew me into the show in the first place. I’m not saying I feel misled, nor expected the show to languish in that village for 25 episodes. I’m just saying the things I like about the show and the things the show intends to focus on may not be the same going forward.

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Utawarerumono: Itsuwari no Kamen – 01 (First Impressions)

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From White Fox and the director of Jormungand and Katanagatari comes Utawareumono, a show that ably demonstrates less is more by starting off simply and not trying to do too much in its first episode, yet still utterly drawing me into its fantasy world. We’re dropped right into the same plight as the protagonist: we know not his name nor from whence he came, but neither does he. He just suddenly wakes up in the middle of an achingly gorgeous wintry landscape, barefoot and wearing simple green robes, and he has to run, first from a giant centipede, then a frightening goo monster with a face.

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Unsure of who he is, where he is, and what to do, a hand suddenly grabs him, and when its owner turns around to face him, he learns it’s a beautiful young woman. She introduces herself as Kuon once they’re safe, and appoints herself his guardian, as she considers herself responsible for his life now that she’s gone and saved it. She lends him warmer clothes and the two trudge through the winterscape towards a village.

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Along the way the as-of-yet no-named man learns Kuon has ears and a tail (the latter she’s very cross at him for touching), and Kuon learns the man doesn’t have much energy or stamina to go along with his amnesia. But I enjoyed the fast rapport they develop; Kuon is unflappably kind and patient, and their environs are, as I said, arrestingly pretty. The show has a stirring score, but when it eschews music for the silence of the place, I could really feel the cold, just I could feel the warmth of the campfire.

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When they arrive at the village, it’s an opportunity for Kuon to show Haku, as she officially names her (by the power vested in her as his guardian), other aspects of herself. She eats a huge amount of food in the form of the delicious-looking, fajita-esque spread she orders at the inn. She also has a bit of a mischievous streak in peeking in on Haku in the bath, which she soon regrets when he starts doing nude calisthenics, a scene for which you can tell the show didn’t skimp on the Foley artist.  In addition to bumping up her cuteness, her tail is also a good indicator of her mood. She even mixes up a salve for his blistered feet before he hits the hay. It’s all very pleasant domestic stuff.

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The next morning, Haku learns he’s not getting a free ride; if he wants to keep eating and staying at the inn, he needs to do his part. It’s here where Kuon learns Haku is, essentially, allergic to manual labor, and quite bad at it when forced to do it. However, he does show he can use his head and has a mind for machines when he fixes the waterwheel at the village mill. That achievement may have helped him find his niche, even if he only fixed the thing so he could sleep.

In all, this was a well-made and well-executed episode; a pleasure to watch. It reminded me a bit of Spice & Wolf in its immersive power; feeling like a nice, cozy blanket I can wrap myself up in. It’s actually a welcome change of pace from the more hectic Summer stuff I just got done watching. That being said, the cold close in which three men are attacked in the night by some kind of beast promises more action in the near future.

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Fate / stay night: Unlimited Blade Works – 22

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After a tense multi-episode battle with Archer, Shirou, Saber and Rin get a much-deserved respite back home, which almost seems like a preview of sorts for the “household of three” domestic arrangement that represents the ideal ending for these three once the war is over.

But it’s far from a sure thing, as there’s still Gilgamesh/Archer and his Shinji Grail to deal with. Rin determines that it’s all going down at Ryuudou Temple, so after a meal (gotta feed the brain), they determine the best course of action.

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There’s an interesting dance between the three in Shirou’s sprawling manse, as he happens to not be around while Rin is conferring with her servant, while Saber happens to not be around when Shirou goes to Rin’s room, where she tells him how they’re going to get over his lack of mana (and thus inability to maintain a reality bubble like Archer): she’s going to transfer her magic crest to him, giving him all the mana he’ll need to face Gilgy.

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This is treated as very intimate act, but not too intimate. While it’s certainly the hottest thing these two have done together (on this particular show, that is), things stay tasteful…if a bit dull and underwhelming.

Considering the affection these two have for each other, everything they’ve been through, and the fact they may not come back from their next fight, part of me wanted a little more amorousness.

Yet their contact never comes close to veering into the territory of sex, with Rin only removing her iconic turtleneck and Shirou taking off his shirt, with the understanding that more efficient “exchange of body heat” helps the process. Whatever you say, show.

While the transfer takes place, Shirou has some trippy dreams about being amongst jellyfish-style marine animals in the sea, to a scene of a kid practicing the high jump over and over as a young Rin watches.

I gathered that the jumping kid was him, and this was an actual memory Rin cherishes, and bristles when Shirou brings it up, because she doesn’t have an intimate memory of his to lord over him.

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When they’re all done, Shirou goes out to see Saber, who was thankfully not peeking through the window to see what was going on or anything silly like that. Shirou is resolved to take care of Gilgamesh and come back home safe and sound, but Saber seems more tentative about that last part.

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So this was the calm before the storm—which is brewing menacingly on the other side of town—but a warm and enjoyable one. Again, I don’t particularly care about Gilgamesh’s ideals or anything; he’s just an arrogant Bad Guy who needs to be put in his place. Here’s hoping our Power Triangle can make it happen.

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