Fire Force – 08 – The Starry-Eyed Villain

In the haze of dawn, a mysterious man in a Fire Force cloak promises the “Evangelist” over the phone about continuing his work infernalizing subjects. Captain Hibana’s reasearch indicates an insect is the catalyst for the artificial type. When the alarm sounds and the First is mobilized, Shinra and Arthur witness the infernalization in action, and chase the just-out-of-view culprit down the alley.

In the alley they encounter their lieutenant, Karim Flam, along with Hoshimiya Rekka and Tamaki. Shinra keeps quiet about any accusations. Instead, he and Arthur break into Flam’s quarters to search for clues, and find an insect. When he arrives, he explains he planted it there to test them; confirming his suspicion they were there to investigate someone in the First creating artificial infernals.

That person turns out to be Hoshimiya Rekka, which would be a great shock if I knew who the heck he was or cared. Apparently, Tamaki is extremely devoted to him; so much so that she lures children to meet with him, with him claiming he has a prayer to “protect” them from becoming Infernals. When she wants to witness this prayer, he hugs her so hard she passes out.

Rekka kills the woman who was with the kids, then injects an insect into one of the kids, and instead of becoming an Infernal, the bug and resulting flames are absorbed, which seems to be the result he wanted, in service of creating a “pilot light” for this mysterious Evangelist. Tamaki comes to, and is beaten to a pulp by Rekka, as she’s unable to raise up against a guy she respected and admired for so long.

Still, she’s able to send her pink cat-flames into the sky as a signal for someone, anyone to come and save her and the other kids. Shinra spots the signal, divebombs Rekka, and smashes his face through the ground with his foot in front of Tamaki, who is grateful but also an emotional wreck.

While I admire the show’s penchant for getting on with the plot without dilly-dally, revealing Rekka as the evil, unhinged bad guy feels over-rushed to the point of shrug-ness. I also found it annoying that Tamaki, a powerful and accomplished fire solider in her own right, was so thoroughly damsel-ized in order to give the big hero boy Shinra a chance to shine.

Fire Force – 07 – A Long Way to Go

In the wake of the nighttime “joint exercise” (read: heated battle) between the 5th and 8th companies, their commanders decide to hold a “job well done” cookout in hopes of fostering peace—and keeping their superiors off their backs.

There’s no clearer evidence that the two companies have put their differences aside than Princess Hibana feeding Shinra cuts of grilled meat, but she also agrees to assist Captain Oubi and the 8th in their investigation of the scourge of spontaneous human combustions.

The most likely culprit is believed to be someone from the 1st company, since most of the man-made infernals come from their jurisdiction. It’s logical enough, even if it’s almost as likely to be someone not of the 1st who just happens to operating there.

In any case, Oubi wants eyes and ears on the inside, so he makes use of the above-board, inter-company trainee exchange program to send Shinra and Arthur to the 1st. They’re accompanied by first-years from the 2nd and 8th to allay suspicion that the 8th is up to something.

When Maki escorts the trainees to the 1st’s Captain Burns (the fire soldier at the scene when Shinra’s family was killed), Shinra immediately challenges him to sparring, with the understanding that if he can beat Burns, the good captain has to answer his questions without reservation.

But as both the 2nd Company trainee and Arthur exhibit, these 1st dudes are no joke, and challenging them to a fight so soon, even under the guise of training, doesn’t so much help their investigation as show them exactly what they’re up against in terms of strength.

One of Burns’ lieutenants, Karim, can turn flame into ice with the use of some kind of one-man-band air compressor, while Burns is able to stop and extinguish Arthur’s vaunted Excalibur with one lazily outstretched hand.

When Shinra gives Burns his best shot, it’s clear no member of the 1st is breaking a sweat today, despite Tamaki’s needless worry that Shinra might be able to hurt one of them. Once Burns dispatches Shinra, he asks him why he became a fire soldier, and suddenly Shinra’s spiel about wanting to be a hero to stop what happened to his family to happen ever again, Burns simply replies that Shinra has a long way to go to achieving that goal.

Still, perhaps being among such scarily powerful fire soldiers will help Shinra learn a thing or two, even as he and Arthur investigate the possibility one of them is creating Infernals. One 1st soldier I’m reasonably certain is innocent in all this is Tamaki, whose main special skill seems to be accidentally tripping and falling on men…her superiors have even adopted a habit of catching her in mid-air.

Fire Force – 06 – Wherein Opposite Paths Converge

As shounen heroes tend to do, Shinra struts into Princess Hibana’s lair and prepares to go a second round, despite having learned nothing about how to defeat her ability that had him flat on the ground. He’s confident that between his talents and determination he’ll figure something out and rescue Iris. Hibana is ready for him, but because she’s a shounen villain, she explains what her ability does, which enables Shinra to resist it.

Of course, heating up her opponents so they become lightheaded ragdolls isn’t Hibana’s only trick. She conjures up scores of flowers to launch at Shinra, and finally releases her featured attack, which bears more than a passing similarity to Captain Kuchiki’s Senbonzakura.

Hibana is convinced that the world is made up of the burned and those who burn, and ever since all the sisters but her burned in the convent, she’s dedicated herself to…herself. Burning whoever and whatever she needs to to get ahead. It’s how she became a successful researcher, and it’s how she became Captain of the 5th.

But here’s the thing: Iris survived too, and Iris is still around and kicking despite not becoming “the devil” to the god Sol everyone prays to. Which means there were obviously more than just the single evil path Hibana took. Iris continued her sister training and became a good and caring person who helps comfort people both during and at the end of their lives.

As we see in the expanded flashback, Hibana was unique among the other sisters in her ability to manipulate flames into beautiful flowers, and change their colors with chemicals. Iris and the others loved her flowers, but the nuns in charge discouraged her, warning that she was, well, playing with fire.

But Iris never forgot their promise: that if she overcame her shyness, Hibana would show her her flame flowers once more. This time, defeated by the flames she believed only served her, and by someone she deemed just more “gravel” to be trod upon, the hard crust that those old flames created around her heart shattered, revealing her heart wasn’t hardened to the core.

Princess Hibana is redeemed, the 5th and 8th cease hostilities, and she even develops a little crush on Shinra, who after all managed to defeat her, making her reconsider whether his prattle about heroes and saving people without getting anything in return was just empty BS.

As for Captain Oubi, after the credits he calls Hinawa, announcing he’s finally ready to join the fray, only to be told that it’s already over, and the dramatic battle music stops abruptly.

Fire Force – 05 – Captured Princess

Both Iris and Princess Hibana were present for the events of the end credits sequence when someone presumably combusted and burned all of the nuns and the church—except for the two of them. But while Iris’ faith in the Church of Sol seems to have strengthened since that tragedy, Hibana has all but abandoned hers, and has pursued a life of inhumane, heretical research.

The gulf between them is weighing on Iris, who wants answers but won’t tell anyone in her company, including a curious Shinra. That means Iris leaves the safety of Company 8’s station to pay a visit to Hibana at the 5th. The mere sight of Iris’ holy raiment enrages Hibana, and she burns most of it away, mocking all FFS nuns as mere “window dressing.” Shinra, Hinawa, Maki, and Arthur are quick to mount a rescue; hey’d been planning to raid the 5th anyway; Iris simply accelerates their timeline.

Hibana’s eclectic collection of pyro-weirdos don’t really cause that much trouble for the outnumbered 8th; one 5th soldier who blows explosive gum bubbles is outdone by Hinawa’s ability to control the speed and course of bullets from his guns, the “Three 5th’s Angels” are no match for Maki, and Arthur is able to deal with the souped-up captive Infernal when he realizes he was using his wrong hand. He’s an idiot, but a strong one.

All of this allows Shinra to slip behind Hibana’s defenses and reach the front door of her central mansion. Perhaps, when she’s rescued, Iris would be so kind as to fill in those who saved her on why exactly she did something so reckless as entering enemy territory alone, as well as why her smiles look so forced. The 8th is a family, after all; there shouldn’t be secrets.

Fire Force – 04 – Infernal, Know Thyself

Many scenes of this week’s episode (and indeed previous ones) reminded me of the work of Akiyuki Shinbo, whose work in turn reminds me of live action directors Kubrick and Anderson. Sure enough, Fire Force’s director Yase Yuki is a SHAFT vet, having worked on Monogatari, Madoka, Nisekoi, even Koufuku Graffiti. That means there’s a generous amount of artistry to each shot, even if said shots aren’t really doing that much for the narrative.

The three balloon-holding mascots against an azure sky is one example; the scene of Company 5 Captain Princess Hibana and her man-throne is another, the latter evoking religious iconography that is reflected in the brief scene of Iris in a stained glass-filled chapel, looking at the burned photo of what we gather to have been her family. It’s just a really pretty, stylish show, but if you’ve been watching you knew that already.

Despite the flashy visuals, the episode starts out pretty harmlessly, with Maki dispatching Shinra and Arthur to help get a dog—later revealed to be one of the firefighter mascots—out of a tree. He was “hooray”-ed up there by college kids. With a firefighter (distinct from the fire soldiers) named Miyamoto on trial for a string of murders, the profession is not as respected as it once was.

However, just after Miyamoto is declared not guilty (by reason of insanity) he spontaneously combusts and becomes an Infernal, and not just any Infernal, but one that is self-aware and can talk (and also reminds me a of a hollow from Bleach).

Company 8 deploys to deal with the threat (though Maki leaves out the part about her sending the boys to get a mascot out of a tree, so Hinawa thinks they’re on unauthorized leave. Meanwhile, Princess Hibana moblizes her Company 5 in hopes of grabbing a rare specimen for Infernal research.

Thanks to Shinra’s rocket feet, he and Arthur get there first, and make quite an acrobatic entrance, with the force of Shinra’s kick knocking Miyamoto back the exact same distance Arthur flies before arresting his momentum and showing Miyamoto the back of his fist.

Mika and the rest of the 8th arrives, but her Sputter Comet attack is immediately neutralized. Even so, Miyamoto puts up his hands and surrenders—another Infernal first—before making a quick getaway. Only Shinra is fast enough to chase him. Oubi understands the difficulty of sending off a self-aware entity, but Hinawa tells Shinra not to listen to anything it says.

The ensuing fight between Shinra and Miyamoto!Infernal involves the former kicking a Peugeot 405 at him, showing the guy he means business. Again Miyamoto pleads for the mercy of a nun’s prayer before being sent off. Shinra forgets what Hinawa told him and listens to the Infernal, which immediately double-crosses him by trying to attack.

That’s when Princess Hibana and the 5th arrive and start throwing their weight around. Shirna says this is his job, but Hibana outranks him and her company outnumbers the 8th. Shinra manages to resist having to lick the imperious Hibana’s shoes, and uses his rocket feet to free himself from three of her “5th’s Angels”

The standoff continues when the rest of the 8th catches up to Shinra, and Hibana looks down on her fellow captain Oubi for having no pyrokinetic powers—not to mention low breeding. Ultimately, it is Oubi who caves, deciding letting a better-equipped company use Miyamoto in their research to learn more about human combustion is for the best.

Before the two rival companies go their separate ways, Oubi promises Hibana that the flame of the 8th won’t go out so easily. Kinda sounds like a challenge the princess would be all too happy to accept. In the meantime, she’s got a new specimen for her research department to mess with.

Fire Force – 03 – Hero or Devil

Enen no Shouboutai took a week off out of respect for the victims of the Kyoto Animation fire. There was probably never going to be an ideal way to return to regularly scheduled programming, but it felt particularly awkward to frontload the first episode back with repeated accidental gropings of poor hastily-introduced Kotatsu Tamaki, the show’s new resident Revealing Outfit Girl. I could forgive the empty fanservice if the episode had better points to focus on…but sadly, it didn’t.

What this disjointed episode did have was a whole lot of plot and table-setting. The Rookie Fire Soldier Games begin with all the fanfare of a quaint high school sports festival, but the episode abandons the games almost as quickly as it introduces them, by taking a sharp right onto the tired “Evil Clownlike Villain” road, introducing “Joker,” a name I think we can all agree is not the most imaginative.

When Shinra enters the building, Joker is assaulting two fire soldiers. He also threatens to kill Shinra, but also offers him the chance to join him, becoming a “devil” instead of a “hero.” This doesn’t fly too great for Shinra, partly due to his lifelong dream to become a hero (not a devil) and partly because the Joker assaulted two of his comrades. The two duel (Shinra’s no match for Joker), Arthur and Tamaki pitch in a bit (neither are they) and Joker fills the building with highly explosive ash.

Shinra grabs Arthur, Tamaki and the two injured soldiers and flies out of a hole in the roof. Tamaki’s captain praises Shinra, but doesn’t offer any more info on the circumstances of the fire twelve years ago. Joker hoped to lure Shinra to his side by sharing “the truth,” including the claim his brother, just one year old when he died, is actually still alive.

Some lengthy still shots filled with exposition from Captain Oubi later (seriously; the last five minutes are barely animated), we now learn the 8th Company has a mandate to investigate the other seven as part of an effort to uncover the truth of spontaneous human combustion, the explanation for which may already be known. Whatever their mission, Shinra wishes to remain on the hero’s path. We’ll see how hard Joker makes that.

Fruits Basket – 15 – Lakeside Detour

In a show that is very upfront of being just the first of several seasons—and a 25-episode first season at that—it’s going to move at its own leisurely pace, and there’s going to be the odd episode that feels more like filler than others. This week was one of those times, and it felt like a few disparate story lines were combined to fill the run time, none of which were resolved or even advanced all that much; only inched forward a bit.

Ever since seeing her hat and remembering when he last saw it, Yuki has been quiet and awkward around Tooru. Similarly, Kyou has been quiet and awkward ever since he seemingly kissed her as she napped. Tooru is very weirded out by their lack of arguing and naturally assumes she said or did something to offend them. Before they can assure her, she trips and falls down a hill.

Meanwhile, Hatori, who drove everyone to the cabin, passes the time reading Shigure’s books. Shigure claims he’s just teasing his editor by going AWOL for a couple of days, but Hatori sees a possible other reason: his former fiancee Kana is getting married, and perhaps Shigure just wanted to get his friend away from…all that.

Tooru’s tumble results in Yuki and Kyou transforming into rat and cat for the first time in a while, and it’s apparently enough of a shock to forget why they were so silent and awkward and start arguing again, which makes Tooru laugh with relief and joy. But they still don’t tell her what was bothering them, and because she’s so easily distracted (or relieved), she doesn’t press the matter.

That brings us to the most problematic part of the episode from where I’m standing: Ayame coming out of freakin’ nowhere. Ayame is just way to zany and hyper for the scenes he’s in, which feel like they go on forever: he says something that angers Yuki and Kyou, they react with hostility, rinse repeat. It just isn’t that interesting.

We later learn that Ayame came to give Hatori Kana’s wedding picture, courtesy of her friend Mayuko (whom Shigure dated for a hot minute but they broke up). Even if Hatori has decided there can be no going back to Kana, as his BFF Ayame isn’t satisfied. Shigure hopes Hatori finds happiness with someone else some day; he’s still very young after all.

Hatori just wants to make sure the likes of Yuki and Kyou don’t end up making the mistakes he did—by which I presume he means letting Akito control every aspect of his life, torch his relationship with his soul mate, and blind him in one eye.

Fruits Basket – 14 – A Selfish Wish

On the one-year anniversary of her mother’s death, Tooru announces her plans to visit her grave, but pointedly doesn’t ask anyone to join her, in another demonstration of her fanatical desire never to trouble anyone. Still, Yuki asks if he can come, while Kyon is more tentative…for some reason.

Naturally, Arisa and Saki will also be attending, as Tooru’s friends and effectively, her surrogate parents. Saki notes how Tooru can be so cheerful after losing her dear mother just a year ago, and can only chalk it up to very, very hard work for which Tooru should be praised.

As if Tooru didn’t have enough on her plate, a seemingly innocent question about which one of Momiji’s parents is German turns into a whole thing. Momiji’s mother is German, and he looks just like her, but she doesn’t remember him. When she gave birth to him (two months early, as is typical of zodiac births), both her body and mind rejected him (which can also happen).

The only way to save Momiji’s mother from suicide was to wipe all her memories of Momiji, something his father told him had to happen, and that he’d love him enough for the both of them. Rather than forget himself what happened to his mom, Momiji long ago decided to carry every memory, no matter how heavy. He would have preferred if his mom had “stuck with it” and tried to accept him, just as it seems Tooru had wished to be there when her mom died—but they both consider those “selfish wishes.”

The day of the grave visit arrives, and Uo is resplendent in the “Crimson Butterfly” bike gang coat she inherited from Kyouko. Yuki also learns why Tooru was so upset about him catching cold: Tooru the tragedy magnet’s dad died of complications from a cold. And yet despite losing both parents, rather than radiate despair, she’s always smiling and exuding cheerfulness. He just doesn’t get it, but he’s glad to be close to such a person.

As for Kyon, he acts super-shifty and suspicious throughout the grave visit. When he stalks off, Saki follows him, and he asks her if she can talk to ghosts (she can’t). She proceeds to explain the difference between waves (to which she’s attuned) and spiritual energy (of which she has none), and she can sense from his waves of “chaos” that he feels some kind of regret in this place.

Uo and Saki are glad Tooru is doing so well with Yuki and Kyon, but the two lads’ minds remain “ruled by dark troubled thoughts” which will, for the interim, prevent either of them from romantic thoughts (which is fine with Saki as she’s not yet ready to give Tooru away as a bride).

Kyon’s actions later that day seem to bear that out. As the wind blows the hat either Yuki or Kyon gave to Tooru off its perch, Kyon leans in close to Tooru’s face, not to kiss her, but to tell her he’s “sorry”. About what? Did he, perchance, have a part in Kyouko’s death? Is that why he had waves of regret at the cemetery, and why he feels the need to apologize?

As many mysteries still swirl around Yuki and Kyon’s past, present, and future with Honda Tooru, the one constant is that she’s not going to let anything keep her spirits down. Not losing both parents, and probably not learning someone close might’ve had something to do with one of those losses.

Attack on Titan – 59 (S3 Fin) – Finally, A Beach Episode

After hearing testimony from the surviving scouts and the opinions of the brass, Queen Historia decides to make the truth public. It’s feared doing so will sow chaos, but as Pyxis puts with his usual elegant bluntness, if they’re going to keep lying or hiding the truth, then why even bother ousting the last king?

Once the people are told what they really are and what was done to them, there is indeed a measure of heightened chaos, but public reaction runs the gamut from belief to disbelief, resignation to outrage, relief to rage. That’s a as good a sign as any that they made the right choice. The massive lie was another prison, but Eren & Co. found the key, and Historia used it to thrust open the gates. People are now free to leave…or stay.

Of course, after the trauma of the battle that claimed Commander Erwin Smith and most of the scout “fodder,” that group’s sole survivor in Floch can’t escape the prison, even with the open door right in front of him. He can’t see the door.

Floch is chained down by the belief that Armin was the wrong person to revive, and it was a decision born of emotion by Eren and Levi. He tells this to Armin’s face, and stands his ground when Eren gets in his face, because he believes has nothing left to lose. He already lost it all, and believes winning is no longer possible

The conviction of his words shakes Armin to the core; he can’t help but agree with Floch that he shouldn’t have been the one saved; that he has no idea how to turn things around. Armin is about to walk right back into the prison when Eren tries to encourage him that it’s too early to say, at least until they finally see what’s beyond the wall.

Since they were kids, Eren and Armin believed freedom was beyond the wall. But now that Eren has been beyond it, though his father’s memories and those of Kruger before him, of which he is now privy, but is being very careful about revealing what he knows to anyone else. In trying to comfort Armin, Eren only ends up bumming himself out when he dredges up the horrible scene of Faye torn to shreds by Marley dogs.

At the award ceremony, a fully decked-out Queen Historia presents the nine surviving scouts with medals of valor. Eren will do anything, including casting his life aside, to prevent a repeat of Faye’s fate. Anything except sacrificing Historia. And yet, upon taking her hand and kissing it, he pauses, leading Historia to wonder what is amiss.

Eren is remembering the day Grisha stormed into the Reiss chapel, before defeating Freida and eating her. He wears a subtler version of the same crazed, horror-filled face his father wore. Is there really hope beyond the walls, or only despair, and can freedom even be achieved without hurting Historia, or is Eren as much of a slave to this “cycle” as all who came before him?

Following that ceremony and Eren’s look of horror, a year passes. Wall Maria is purged of all Titans. Refugees return to their homes and begin to rebuild. And the Scout Regiment rides again, beyond Maria, into the great frontier. A year older yet somehow much cooler-looking Eren, Mikasa and Armin are among them.

After finding a particularly unfortunate Titan whom Eren identifies as a “fellow patriot” sent to Paradis transformed, and left to crawl along the earth at an infinitesimal pace, he and the scouts simply leave it behind and continue pushing forward, through valleys and sands that were once only illustrations in Eren and Armin’s book.

And then, just like that, they arrive at the edge of the island of Paradis and lay eyes on the sea for the very first time. It is one of the most epic moments of the entire series, and it’s sold quite well. Everyone is in a giddy sort of shock about it, like it doesn’t quite feel real. They taste the water, splash around, have fun. And why not? It’s a gorgeous day and they’re at the beach!  The kind of day dreams are made of.

As Armin dredges up a distinctive shell (notably empty), the breakers cause Mikasa, standing beside him, to stumble, but she manages to regain her balance. After a beat, Mikasa’s face shifts from surprise to sheepishness, before flashing perhaps her first genuine smile in six years; a smile which Armin returns. Honestly, her sequence of expressions was almost as momentous as the initial sight of the ocean.

Eren, who gesturally speaking is apparently still in that “phase” Levi mentioned to Hange, points dramatically to the horizon, to Marley, and tells his friends for the first time that he was wrong: freedom didn’t lie beyond the sea, enemies did.

But as for whether killing all of their enemies will free them once and for all…that remains a question to hopefully be answered in the fourth—and most likely final—season of Shingeki no Kyojin, to air in 2020. Until then, we are all of us trapped in a new prison…of waiting.

Fruits Basket – 13 – Yuki-kun, Adult Version

I always get antsy whenever Tooru’s hanging with Yuki in his garden, wondering what new devilry will come afoul of them. In this case, it’s a snake, but it’s okay, that snake is Souma Ayame, The Snake of the Zodiac. Being cold-blooded, he doesn’t do well when it’s cold, but you still have to wonder if he just used that as an excuse to hide inside Tooru’s shirt dress.

Ayame, who is actually Yuki’s ten-years-older brother he never once mentioned, is quite forward and ebullient, ordering Tooru to serve him lunch, then taking her out for gyoza when she doesn’t respond (due to Yuki telling him to check his rudeness). Turns out Ayame didn’t come to meet Tooru. He heard that Yuki interacted with Akito at school, and was checking in on him, knowing the terror he feels around Akito is on a whole other level as the other Soumas.

When he talks about how hard it’s been to reconcile his younger self (who was less interested in connecting with his baby bro) with his older self (who wants to repent for that younger Ayame) Tooru naturally parrots her mother’s advice about parents not knowing how to be parents…until they’re parents. But also the importants of remembering what it was like to be a child, such that as an adult one can empathize with the next generation.

Ayame is impressed with Tooru’s wisdom, and while Tooru doesn’t take credit, she definitely deserves it simply for absorbing every last iota of her mother’s wisdom (not something most kids do) and being able to so effortlessly apply it to others in order to sooth their troubles.

But as much as she might want Yuki and Ayame to close the yawning rift between them, it just doesn’t happen this time around. Part of that is Ayame is usually an unapologetic cad, and has been one since school when he was classmates with Shigure and Hatori.

He’s also possessed of a particularly silver tongue; whenever he broke the rules, either by growing his hair out or getting caught in a pleasure district, he could talk his way out of it with colorful oratory that would either inspire or annoy his foes into submission.

As Ayame and Shigure reminisce—and Yuki and Kyou sit there and stew—once gets the sense that all his bravado and good cheer on the surface is hiding that deep-seated regret for not being there when his little bro needed him most. Even if he was beholden to Akito like everyone else in the clan, shouldn’t he have put everything on the line to save Yuki…even exile or worse?

He didn’t, and that, much more than his salacious past and forwardness with Tooru, probably keeps that rift between the brothers as wide as it is. In the end, Shigure was more of a big brother to him than Ayame, since he at least got Yuki out of that hell.

Luckily for Yuki, Haruhatsu learns that Ayame is hanging around Yuki, and he informs the only one who Ayame listens to (since he’s always loved and admired the guy): Hatori, who shows up to collect Ayame, ending his reign of terror at Casa Shigure. Later at school Yuki makes sure to thank Hatsu.

And yet, just because a rift will never close doesn’t mean it can’t narrow a little. Yuki learning about Ayame’s devotion to Hatori does that somewhat, which Tooru takes as a sign they’re not an entirely hopeless cause.

Attack on Titan – 58 – The…Attack Titan

The entire flashback with Grisha being rescued by the Owl, Eren Kruger, is being retold by Eren as Armin writes it down and Mikasa listens in an adjacent cell. Eren is able to provide this information from many years ago thanks to his coordinate status.

Among the things he learns is that once given the powers of a Titan, a subject of Ymir will only live 13 years, something Mikasa dismisses out of hand, as she’s probably committed to making sure her beloved Eren lives to at least 100.

Kruger doesn’t have any comfort or solace to give to Grisha, because he was never given any himself. He’s only been able to survive as an Eldian spy within Marley by actually acting the way a Marleyan would; injecting his countrymen and casting them over the wall one after the other. By the same token, he deems Grisha so suited to save Eldia because he has already set that path into motion by leaving the gates of the ghetto with his sister.

Leave it to Titan to break up all that dourness with a couple moments of levity, such as when Eren seems to pose when he repeats what Eren Kruger called his Titan: the Attack Titan. This is funny on several levels, as Levi waves it off as latent chuunibyou on the teenage Eren’s part, while the older Hange is ignorant about such things. More than that, though, Eren finally gets to say the title line—a title that in English perhaps never should have had that confusing “on” in it…

There’s also the suggestion that for the duration of their imprisonment, Mikasa only ate the bare minimum to stay alive, and thus was literally wasting away without Eren by her side. But their sentences are commuted and they’re free to go, seeing as how they’re heroes of humanity and all.

“Free to go” is relative, however. They’re out of the stockade and back in uniform, but they are ordered to attend an audience with none other than Queen Historia, who feels a connection to Ymir’s letter similar to Eren’s with the books and photo they found in the Basement.

While the words of the letter seem to be not much more than the “love letter” they appear to be, it’s clear Ymir sent it in its form in order to deliver far more and different information to Tory; she’s just not sure what to do with it, or even whom to tell. She’s just glad to see Eren, Mikasa and Armin, and embarrassed when they all bow before her.

At the hearing, Hange delivers the report full of revelations provided by Eren and recorded by Armin, all about the reality that their kingdom within the walls being but a tiny sliver of the real world, and that the vast majority of that world is dedicated to their destruction.

As he listens to the testimony with everyone else, the new memories provided by Grisha continue to swirl in his head. He notes that the Titan into which Dina Fritz transformed was the same Titan who ate his mother and Hannes. When he met that Titan later and touched it, a similar surge of information suddenly flowed into him.

Now he knows why, and he almost blurts it out, but thankfully Hange can sense why he ends up holding his tongue, and chalks it up to his chuuni phase to the assembled bigwigs. What Eren now knows is that it’s possible for him to gain the vaunted powers of the Founding Titan—the main mission Kruger gave Grisha when he sent him to the walls—by touching Historia while she is a Titan.

He’s loath to bring this up because he doesn’t want to see Historia suffer any more than she already has. But what if, like Grisha and Kruger and so many other subjects of Ymir before them, he’ll have to sacrifice something important in order to gain that which will restore Eldia.

Or perhaps not; perhaps Eren is supposed to break that cycle. After all, another part of Kruger’s mission to Grisha was for him to fall in love with someone in the walls, raise a family, and love them. Now there are people Eren loves, and perhaps there are lines he won’t cross, even for the sake of saving the world.

Fruits Basket – 12 – Someone Scary This Way Comes

This episode starts out so harmlessly…and silly. It’s a new term, Tooru, Yuki, Kyou, and the others are all second years, and the new first year girls are extremely aggressive in making their existence known to Yuki. Tooru is targeted as an “easy mark” by first year boys, and Kyou scares them off with a move that hilariously befuddles her. New first years Momiji and Haruhatsu brazenly flout the dress code: Momiji by wearing half of a girls’ uni; Haru with jewelry and white-over-black hair.

They are immediately singled out by StuCo President Takei Makoto, who seems like a character from another show, even if FB is not above slapstick. This bespectacled dingus has a thing for Yuki, and his two nearly identical female lieutenants are soon won over by Momiji’s cuteness, while Haruhatsu proves he didn’t illegally die his hair by showing him his pubes in the men’s room.

Unfortunately for this half the episode Tooru is just kind of off in the background as all these Soumas bicker and test authority. I’m well aware Tooru was not always the focus of the source material and in some cases was totally absent as the cast expanded, but the broad goofy comedy on display here doesn’t really make a strong case for keeping her out of the anime spotlight.

Tooru does not play a small role in the second half, when she’s confronted by none other than Souma family head, Akito (voiced by Sakamoto Maaya in her best honey-poison imperiousness). Tooru is caught totally off guard by the sudden and very casual encounter, and Akito never says a single thing I am inclined to either take at face value or believe.

The one person Yuki doesn’t want near Akito less than himself is Tooru, so he comes to her rescue, only to be utterly neutralized by Akito, who after all threw him in a dark room and psychologically tortured him for years until Shigure finally put a stop to it by letting Yuki live with him.

So it’s up to Space Cadet Tooru to rescue Yuki-hime, demonstrating quicker thinking than would usually be expected of her in explaining an action that could’ve cost someone else their life (shoving Akito away from Yuki). In the moment, she knew Yuki was in pain, and she did what she had to do to stop it.

In his report to Hatori about the car ride home, Shigure says Akito would later call Tooru “ugly” and not a threat to him, assured that one day Yuki would come crawling back, citing his fear of him as proof. But Akito seems like the kind of person whose threat assessments vary from day to day, or mood to mood. In any case, Tooru is far from safe, nor is Yuki.

Still, Tooru tries to refocus a clearly traumatized Yuki by joining a big ol’ badminton game with the gang. She doesn’t want to waste, or let others waste, the precious time they have, and she has no illusions about that time being infinite, or even indefinite. Something cold could come out of the shadows and freeze these poor warm people and warm life in which they’ve never been happier. But not today. Today, for a little while, they’ll forget their fears and have fun volleying a shuttle around.

Attack on Titan – 57 – Prisons

We return to Grisha’s accounting of the day he learned he was a prisoner, and always was. A prisoner of the oppressive Marleyans who confine all the Eldians to internment camps. A prisoner of history, for the Marleyans punish the Eldians for the crimes of their ancestors.

He’s a prisoner in his powerless child’s body, unable to save his little sister Fay from a terrible fate—being attacked and eaten by guard dogs—just for the crime of leaving the camp without permission. And he’s a prisoner to his father, who is a full-on collaborator who is happy to condemn his ancestors if it means being able to live out his humble life.

We also learn that the lands where the three walls that were the entire setting for Titan up to this point are only a tiny sliver of the world; in fact, everywhere Eren & Co. have ever known occupy a relatively small island called Paradis—the last refuge of King Fritz and the Eldians.

When Grisha learns the truth about Fay (confirming his suspicions), he joins an underground movement of “restorationists” bent on restoring once great Eldians—and of course, exacting revenge on Marley for their brutal oppression. They are aided by a member of Marleyan security, known only as the “Owl.”

That informant sends them the last surviving descendant of the Eldian royal family: Dina Fritz, and she and Grisha soon fall in love, get married and have a son, Zeke. But their attempts to indoctrinate him and make him the instrument of Eldian salvation fail miserably, as he turns in his own parents to save himself and his grandparents.

Grisha doesn’t blame his son—after all, he ended up building a prison for Zeke just as his father had tried to build for him: the prison of adopting the beliefs (and grudges) of one’s predecessors. But after thorough torturing, he, the other members of his cell, and Dina, are all sent to the island of Paradis, to be injected with serum to transform them into wandering Titans. Dina is transformed first.

Eren suddenly wakes up in a stockade in the present—he realizes he’s been connected with his father’s memories, such that it feels more like he’s been re-living Grisha’s experiences rather than simply having a normal dream. He and Mikasa are behind bars for their insubordination of Levi, but Armin, whom they defied Levi to save, is there with them.

Back in Grisha’s recounting, he finds himself at the boundary of the Titan penal colony, having just seen his friend and his wife transformed into mindless giant monsters, and the same officers he and Fay encountered the day she was killed are present with him. The mustachioed officer tells him he doesn’t feel remorse for the terrible things he does to Eldians because it was their ancestors who started the fight. Besides, life is more “interesting” if every day is lived like it’s your last.

As it happens, it is the last day for Mr. Mustache, as his colleague, Kruger, who was there back when Fay died and is here now, pushes him and not Grisha into the pit to be eaten by a Titan. Turns out Kruger is the Owl, and he cuts himself to transform into a lucid Titan, in order to demonstrate to Grisha what a Titan can do.

This was another trippy journey that vastly expanded the show’s universe and revealed more crucial answers about What This Is All About: a seemingly endless, vicious cycle of retribution between two races of men, neither of which can ever forgive the previous generations of the other; one ultimate prison, containing everyone in the world. So, when will Eren & Co. try to squeeze through the bars?