Renai Boukun – 06

It’s a half-beach, half test-of-courage episode, with Akane trying to befriend Seiji’s sister Akua in the former and warning Guri to stay away from Seiji in the latter, all while Guri goofs off as usual in both and Yuzu always finds herself closer to Seiji than her beloved Akane.

After he rejects her advances, Shikimi notifies Seiji what was hinted at last week; that Akane and Yuzu’s families serve as swords and shields, respectively, with her role as a branch family member being support of the other two.

Meanwhile Akua remains cold to Akane until she’s attacked by the rabid demon penguin Stolas, then rescued largely thanks to Akane’s brute strength. She concedes that her brother likes strong women, so she’s at least a good match in that regard, if no other.

The beach was little more than a fresh setting for the Akane’s violent lunacy, which is less instrumental in the second segment, in which a Ghostbuster-cosplaying Guri leads everyone on a test of courage through the school at the behest of a couple who wants her to make them a couple forever.

The lunacy here lies in the fast-paced gauntlet of all the typical things you worry about running into at school after dark, from the spirits of dead students to self-playing pianos, moving stone busts, and the ever-present anatomical model. There’s no shortage of energy, at least for a few bursts.

But both during and after the test, at the end of which it’s revealed the couple were dead to begin with and needed a little help passing on to the hereafter, Akane makes it clear to Guri that she’s only going to tolerate this lovey-dovey harem thing for so long, so if she wants to remain friends, she’d better stay away from Seiji.

As if to underscore her seriousness, Akane doesn’t whip out her knives to threaten Guri. She also tells the very naive cupid that love, happy or sad, causes one’s heart to ache, and if that’s not happening with Guri, maybe she should reconsider being her rival.

I knew things were eventually going to get more serious, but I’m still not convinced that’s the best move for a show that doesn’t have a lot going for it besides its rapid-fire comedy.

Fuuka – 04

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In what was for most of its running time the quietest and most emotionally engaging episode of Fuuka yet, Yuu gets caught in his web of omission, then the two have their first fight, as they both stumble over how to properly make up.

First of all, Fuuka has every right to be upset that Yuu was on a dock in the rain embracing her favorite idol. However close he is to her, Fuuka at least felt that at this point in their friendship he could tell her about Koyuki.

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Proving his inexperience in such matters, Yuu only makes things worse with his first attempt at an apology, inadvertently likening Fuuka to a “stranger”, which would be cruel if he weren’t so clueless.

For his inability to explain himself, Yuu gets the cold shoulder from Fuuka, making every moment of the day that follows a living hell where food tastes like ash and the beach at sunset is lonely as hell.

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Neither Yuu nor Fuuka want things to go on like this, so Mikasa takes Yuu aside and asks him to tell him straight up what’s going on. Yuu is able to articulate things, and also how upset he is he and Fuuka are fighting and how badly he wants to make up. Fortunately for him, Mikasa brought Fuuka along to eavesdrop, and she heard everything, and they finally exchange apologies.

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Fuuka also thanks Yuu for having her back when her track senpai shows up to harass her, then questions her designs on a band. Yuu has heard her sing and knows she’s good, and she proves it again when three of the five members of HEDGEHOGS (who were hiding in plain sight, including the restaurant owner) let her perform vocals while they play an impromptu trial concert that not only calls off the track senpai, but attracts a small audience from the beach.

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Fuuka even recruits the senpai as the drummer of the band, pegging Mikasa for the keys, herself for guitar and vocals, and Yuu for the bass (which he has no idea how to play…yet). All’s well that ends well, as Fuuka and Yuu, free of their row, are able to sit on the beach and admire the stars.

Fuuka even snuggles up beside him in his sweatshirt, but he panics, slips, and ends up with his hand up her shirt, ruining the lovely mood, both for Fuuka and me, the viewer, as I was enjoying the subtlety of their interactions to that point.

Naturally, when Yuu returns home, who is in his house waiting for him but the triangle’s third vertex Koyuki, no doubt unwilling to let some loud blue-haired girl snatch away her Yuu.

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Fuuka – 03

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Why don’t you just do what I dragged you here against your will to do?

So, we’re doing this, are we? Yuu seems to ask, as Fuuka founds a light music clu-excuse me, association, with him as a member, right before his eyes, with minimal resistance? Yes, yes they is doing this, because he let himself get swept away in Fuuka’s energy. So did Mikasa, but he’s a go-with-the-flow kinda guy. Yuu is complaining, but only to himself.

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LIVING THE DREAM

Things seem to get even worse for him as he tags along with Fuuka and Mikasa to the beach. Wait, we’re going to the beach in the third episode? That seems early for a show that doesn’t take place near the sea. Whatever; Yuu finds himself waiting tables. He tells himself he can’t do it, and so he sucks at it. (Is he getting paid, by the way, or is this just child labor? No one says.)

He’s rewarded by getting to push a giant inflatable orca around, with a Fuuka on top – a Fuuka who in past episodes thought this guy was taking pics of her undies somehow doesn’t see how Yuu might be flustered by the angle he’s viewing her from.

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(Non-romantic first kiss)…or is it?

Of course, the flustering takes them too far out to sea (of course) and the extremely athletic Fuuka suddenly develops a cramp and sinks like a stone (of course) and Yuu has a perfect opportunity to save Fuuka’s life. The show redeems itself somewhat when it’s Yuu, not Fuuka, who ended up passing out and requiring mouth-to-mouth. Fuuka also freaks out about how he almost died.

The “kiss” gets Yuu all riled up and confused; he knows it was rescue breathing, and even hears how Fuuka doesn’t mind indirect kisses since she’s “not a kid”…but later Fuuka tells him to keep the kiss a secret, since it was her first.

SO Yuu decides not to tweet what would have been the most interesting thing he’s ever tweeted. It would be as if the Dos Equis guy wasn’t constantly followed around by cameras.

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You’ve grown so pretty—though I should tell you this right here isn’t the most flattering light angle!

Speaking of celebs Koyuki is headed to the same one as Yuu for work, but wants to get together post-haste. Sure, why not. There are only so many beaches in Japan, right? That being said, I enjoyed the relaxed nature of the two meeting – for the first time since grade school – and slipping right back into an easy interaction, only now, as Fuuka said, they’re not kids.

It’s got to be an exhilarating feeling, and it would make another interesting tweet, but for the fact the Twitterverse would not believe him if he simply said he was meeting up with his childhood friend Hinashi freaking Koyuki, and if he provided photo proof, a lot of people would have problems with it, because…it’s Twitter.

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One person, I imagine, already has a problem with it: Fuuka, who goes out in the rain at night to look for Yuu perhaps forgetting about things called cell phones (Koyuki, for the record, had just gotten done saying how if it weren’t for cell phones, she and Yuu might never have seen each other again.).

And she finds him: on a dock, with her favorite idol in his arms after a freakish wind blew her umbrella away. She also seemed on the verge of saying something important to Yuu. Will Fuuka be upset Yuu never told him (not necessarily fair, as their relationship has so far been, essentially her making him do stuff and him quietly assenting), or will she just be happy to meet Koyuki, even if she’s a rival for Yuu’s heart?

As for the music clu-er, association angle, well, there’s almost no movement, though the beach restaurant guy tells Mikasa not to touch his drums, and Yuu tells Fuuka he can’t play an instrument, but is ignored. And we’ll probably never know if Mikasa got that hot bodyguard’s number…

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Watashi ga Motete Dousunda – 09

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It’s a beach episode, folks, with a lot of familiar elements from that subgenre, including vertical pan up to unveil the ladies’ swimsuits. Shiny! It’s also a rare Shinomiya-centered episode, in which most of the inner dialogue comes from him as he struggles to impress Kae, and makes mess after mess of trying.

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From accidentally launching himself into her boobs on the beach to having to hide behind his bigger friends as they scare off some creeps, Shino’s feeling particularly inadequate this week. When he knocks her down trying to save her from a snake, causing her to drop all her kebabs on the ground, it’s the last straw, and he runs off in tears.

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Concerned for Shinomiya’s well-being, the gang chases after him, but he manages to get way far ahead of them for some reason, while Shina seems oddly un-knowledgeable about the environs of her family’s beach manse. The gag with the bridge that breaks but the gang (sans Kae) only “plummets” a little is funny enough, until you wonder how that fall (which is at least ten feet) didn’t hurt anyone. They can’t blame mushrooms this week!

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Some odd choices about the journey to save Shino aside, I did enjoy how the two fujoshis embrace him for his “klutz appeal”, which ties into the themes of the show thus far. But it felt like someone jacked up Shino’s Klutziness and Anxiety Quotients to 11 for this and only this episode.

In trying to deepen the character, the show turned him into a outlandish caricature of himself. Of the episodes thus far that have centered on a single guy, Shino’s has been the worst. It wasn’t a bad episode, but I know Kiss Him Not Me can do better.

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Sansha Sanyou – 06

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This week the girls go to the beach, if only, at first, to work at Sonobe’s beach dessert cafe. It’s not your typical beach episode, because it’s really light on fanservice, but as everyone has such fair skin, it makes practical sense to cover up.

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Yu arrives at the beach aboard his yacht, the landing of which strains credulity in a more serious show. But he simply wants to make things easy for his “betrothed”, which means eating way too many desserts and leaving no room for real food. For the first half-day of work, Yoko is dressed like Yoko…Ono!

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When a shark sighting keeps the girls from finally relaxing, Yu invites them to a private resort pool, only to run into his nemesis Sakura and become hospitalized from the emotional and physical stresses that result from the encounter. Akiyama also appears, but runs off soon thereafter.

That doesn’t stop the girls from enjoying themselves at the pool, where they finally break out their swimsuits. But again, the male gaze is mostly avoided. A nice running gag is Futaba’s weird tan that never gets evened out, but otherwise not a ton going on here.

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Taimadou Gakuen 35 Shiken Shoutai – 09

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Wow, it’s like Hannah has some kind of sixth (or 35th!) sense, because she handed this episode off to me, predicting it would be more up my alley. Oh wait, the episode is called “Crazy Summer Time”…so that’s why…

Anyway, I’m glad to fill in for Han, who is still recovering from Titan overdose. And you know what? As “crazy summer time” episodes go, this wasn’t awful. Sure, boob sizes are compared and protagonists are licked by more than one girl, but the episode manages to keep things light, breezy, and humorous.

It also manages to differentiate between the characters, as Usagi and Mari are totally capable of posing as dates at a gentleman’s club, but Ootori…isn’t, and exhibits an itchy trigger finger when someone tries to scratch a nonexistent itch on her ass. Yes, it’s “specialty” jobs like this where Ootori doesn’t do so well.

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Despite her prematurely blowing everyone’s cover, they do retrieve the magic artifact they were looking for, and decide to investigate it for bonus points (and to mitigate Ootori’s penalty). When the ring accidentally falls right onto Takeru’s finger (like Frodo and the Ring!) he figures out pretty fast what the ring does: make all the girls around him drunk.

Besides being a pretty harsh endictment on the slimeball guy who wielded this ring before, it also gives us the unsolicited opportunity to observe what kind of drunks the girls are: Usagi is a giddy drunk; Mari is a sad drunk, Ootori is a wild drunk, and Suginami is a sick drunk (sick as in vomit). Even Lapis gets a little hiccup in.

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Let’s move on—because the episode sure does! This is really two half episodes, which is just as well…neither of these stories could occupy a full one. The second half involves an “endless Summer” possibly being perpetrated by a magic monster of some kind. While it’s a rather obvious excuse to get the girls in swimsuits, said swimsuits are actually quite reasonable in design. It is troubling that Lapis and her school number steals the show for Takeru. The clear winner of the “competition” is Ootori.

Yet even here, the personalities of the platoon shine through. Just as they handle being at a club or being drunk in different ways, they treat summer differently. Mari and Usagi are all about having the fun with the water and the splashing, but Suginami hates the Summer and the sun (makes sense given her clinical upbringing), while poor Ootori can’t swim (like Kirin in Asterisk).

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As for Takeru, he doesn’t act like a buffoon, but he does eat some off shaved ice, which I didn’t even know was a thing. As such, Usagi, Mari, and Lapis form a “Mini 35th” to take care of the pervy sea monster. Sure, Takeru comes in to help out, but in his heavy armor he’s pretty useless; it’s Lapis transforming into an industrial-grade fishing rod that allow them to hook the sucker and claim victory.

Ootori, knowing that both at the club and on the beach she wasn’t able to contribute that much, rewards the Mini 35th with the last three ice creams. Nothing death-defying or groundbreaking going on here; just good harmless platoon bonding and some ever-so-slightly above average comedy.

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Ushio to Tora – 06

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U2T turns in yet another beautifully balanced blend of action, supernatural peril, comedy, drama, and even a little quiet romance in it’s beach episode. And hey, what do you know, the girls aren’t wearing string bikinis! They do run into an urchin who likes tossing sand on people’s stuff, and Ushio smacks him upside the head because it’s the kind of shit he hates, because he used to do it.

Meanwhile Tora is enjoying the ocean—the one thing in the world that hasn’t changed in 500 years!—and comes upon its guardian, Umizatou, who wants assistance dealing with an ayakashi, a kraken/leviathan/Monstro-like superbeast made from the souls of those lost at sea. Tora is game for a challenge, but Aya-tan is in a much higher weight class.

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Back on dry land, Asako chases down Tatsuya, the little kid Ushio smacked, having known a kid who lost his mom and acted out. He runs afoul of some toughs, but the badass Asako makes quick work of them (God, I love her) comforts Tatsuya, and fixes the toy phone his mom gave him. They then decide to go out in a boat…

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…Just when the ayakashi draws closer to the shore. He swallows up Tora, who tells Umizatou to summon Ushio, and then the ayakashi swallows up Asako and Tatsuya, boat and all. Interestingly, cell phone signals aren’t effected by the beast’s tough skin or ethereal barrier, and she gets in touch with Ushio, who tells her he’s on his way. Tatsuya is freaked out, but Asako is (quite understandably) scared too.

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Yet she teaches him an important lesson there: one can’t think about how scared they are when they’re scared. Fear is the mindkiller and all that, so even if she’s acting less scared than she is, she’s going to put on the act to keep hope alive. When things start attacking them, hope arrives in the form of Tora, who isn’t rescuing them out of the kindness of his heart per se, but only fears harsh reprisal if Ushio learns he let them die. I believe this is also the first time Tora talks directly to Asako, after interacting with Inoue last week (Inoue kinda gets this week off, but that’s okay).

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When Ushio finally arrives, the ayakashi proves a tough customer, and everyone ends up precariously dangling from it’s digestive wall and hanging on for dear life. When Asako passes out, it’s up to Tatsuya to forget about his fear long enough to climb down Ushio and Tora and grab hold of her before she’s sucked down into the stomach.

Ushio then tears a piece of his spear’s cloth, and the spear homes in on the ayakashi’s internal eye and stabs it. Thus weakened, Ushio and Tora (with the others in tow) combine spear and lightning to tear the ayakashi a new one, releasing a huge number of trapped souls in the process. It’s a great sequence, full of carefully-orchestrated chaos.

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The beast thus vanquished, Ushio, Asako and Mayuko head back home, having made friends with Tatsuya, who learned a lot from them (I continue to enjoy Ushio and Asako’s semi-flirtatious repartee). Ushio told him what Asako’s dad told him years ago, which is why one day he showed up looking from her perspective like he’d “grown up” a little bit: his mom is always watching, so not only shouldn’t he act out, but he shouldn’t ever feel scared or alone.

But what’s this? Umizatou knows the name Aotsuki Ushio, and apparently thinks his mom is still alive, and warns Tora to cut all ties with him as soon as possible. Is he merely talking youkai-to-youkai, and not understand the friendship growing, or will Ushio one day be unable to stop either himself, the Beast Spear, or both from whacking his increasingly loyal, empathetic tiger-like buddy?

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Joukamachi no Dandelion – 05

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Despite having seen many good beach episodes, I always go into them with low expectations, but the multi-faceted, rapid-fire, detail-oriented nature of Dandelion is such that not only did the beach part only take up about a third of the total episode, but it was quite a novel and imaginative third at that.

Not only do we get Shiori communing with a very noble and dramatic watermelon (whom she digs a grave for after he’s split and eaten), but Akane, so happy that she’s free from the peering eyes of the public, discovers that the beach they’re at is really a Truman Show-style construct sans-cameras, which the siblings proceed to accidentally knock over, resulting in en even more embarrassing situation than had they actually gone to a real beach!

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The watermelon splitting is our way into the second son Haruka’s perspective; his power is to calculate probabilities, and prides himself on his accuracy. He was suprised Shiori had an 80% chance to win the watermelon splitting, but rooted for her nonetheless. In the next segment Akane barges into his room and catches him looking at pictures of her in her bikini on the web.

Naturally, Akane suspects Haruka has a thing for her, but it’s not that; he’s merely reporting inappropriate photos for deletion to keep things from getting out of hand. It’s a service he provides his big sister (who wasn’t even aware of the fansites) out of an awareness of her sensitivity and a desire to help her where he can. Still, to my delight, Haruka points out the obvious: Akane would get into less trouble if she stopped jumping around in a little skirt.

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The third and final segment focuses on Haruka’s slightly older sister, Misaki, who like him, we hadn’t yet gotten a profile of. The episode reminds us she can create seven clones of herself, each of which has their own special talents, hairstyle, eye color, and personality. They also each represent the seven deadly sins, sorta Fullmetal Alchemist-style.

Thanks to the clones, Misaki can participate—and excel—in seven different clubs at once, while she, the original, gets all the second-hand praise and is lauded for being a good “manager.” On top of already being often overlooked due to her also-talented and beautiful older sisters, Misaki comes to feel like she’s useless.

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When venting to Haruka doesn’t work, she summons her clones and vents to them. They all react in their typical ways (including one who always wanders off to eat something, one who’s always pawing the nearest guy, and one who’s always asleep), but the general consensus is she is being silly. They’re her clones; they are her and she is them. For all her fears she’s too “normal”, the fact remains she can summon those amazing parts of her whole; nothing normal about that.

Finally, Haruka admits he likes how Misaki is normal; she’s a calming, grounding presence and he’d be troubled if she arbitrarily tried to change. Thus the venting-turned-sulking-turned-cheering up session is a success. So was this episode; it was surprisingly chock-full of stuff, much of it creative and hilarious.

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Nagato Yuki-chan no Shoushitsu – 15

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Yuki’s temporary “disappearance” felt like it would be a kind of catalyst to propel her and Kyon together, but in it’s aftermath, one would be forgiven for thinking they’re back to the way they were back in episode one, still trying to feel each other out. They’re both searching for a way to act normal, but since thing were so abnormal for a time there, it’s understandably tough; especially when Kyon isn’t sure this Yuki feels the same way as the ephemeral one who confessed to him.

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But what better way to get two people back on the same page than a beach trip? This episode actually made me pretty excited because I myself will be going on a beach trip tomorrow, along with the rest of the staff (resulting in an unfortunate but unavoidable hiatus in reviews for the day). The bright sun, the hot sand, the swimsuits…it’s a very fun, summer-y vibe.

And both Yuki and Kyon have friends who are ready, willing and able to do little things here and there to make their reconnection easier, like Kyouko kicking a ball to the other end of the beach, sending Yuki out to get it, and ordering Kyon to follow her and play ball.

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Kyon’s little sister comes along on the trip, and even manages to provide an unintentional assist by kicking his brother into a compromising position with Yuki that neither of them seem to mind; in fact, they’re kind of entranced until Kyon’s sister snaps them out of it.

But the fact of the matter is, both he and Yuki are thinking the same thoughts about acting normally, while meanwhile having fun spending time together one-on-one.

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Tsuruya provides another key assist by pairing Kyon not to Haruhi (who at this point is pretty much out of the running…amazing figure or no) but to Yuki for the “test of courage” at night, which turns out to be nothing more than a pleasant evening stroll to a lake known for its swarms of fireflies; a romantic spot if ever there was one.

When Kyon hears Asahina screaming in fright (she thinks they’re will-o-the-wisps for some reason; one of the weaker aspects of the story this week), he runs in that direction, but not before taking Yuki by the hand.

Yuki is clearly exhilarated by being swept along, and even when they reach their destination, neither of them let go, but just soak in the tranquil beauty of their surroundings. Looks like these kids are gonna be fine. Will they (re)confess to each other in the finale, and if so, who will do it first? We shall see.

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Re-Kan! – 04

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Predictably, Re-kan! breathes new life into the beach episode formula by infusing it with its charming brand of supernatural embellishment. They have the beach to themselves because it’s haunted.

The ghosts are so thick around Amami, Kana can’t get a photo that doesn’t feature them streaking across the frame in such a way that makes Amami look like she’s being censored even though she’s wearing a perfectly normal swimsuit.

The ghosts also thwart Ero-Neko’s numerous attempts to harass the girls by land and sea; again, the cat’s hilarous voice sells what is otherwise a filler role. The Roll Call Samurai dutifully splitting the watermelon for the hapless Amami was also a nice touch.

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The episode downplays fanservice for practicality: the students needed a chaperone for their beach trip, and Yamada provided his big bro, who happens to be a cop, which makes Esumi, a former delinquent, uneasy. Elder Yamada joined the force because he wanted to be a hero, and views Amami’s sixth sense as akin to a superpower to be treasured.

While Amami could certainly have a future in criminal investigations (and I would watch the hell out of that!), for now she’s content to use that power to make the people around her, living or dead, happy. To whit: she uses messages in the sand and the breakers to get the scoop on the local fireworks display, best seen from the train (along with a somewhat unnerving famous ghost cliff-jumper).

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After a great bit about Kana having to deal with Amami’s ghost answering service, the balance of the episode is focused on stories of peoples’ pasts. Amami recalls being scared of sleeping alone, until friendly ghosts comforted and stayed with her until she went to sleep. That segues to the story of the “Fire-Haired Messiah” the unwanted nickname of Esumi Kyouko back when she was a yankee; a time Kana can’t help but mention.

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What I liked about the tale of Esumi’s past was that she was a righteous ne’r-do-well, protecting the weak and taking any hand that reached out to her in need of help, even if the arm turned out not to be attached to anything! That ghost led her to her first encounter with the elder Yamada, who is just as impressed with Esumi’s good deeds as he is with Amami’s sixth sense. To him, Esumi is a heroine, living the dream and righting rights; the kind of person who inspired him to become a cop so he could help people too.

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Esumi grudgingly accepts his praise, but admits she’s more scared of people than ghosts (or specifically, disembodied arms). But like Amami, she can’t help but help; it’s just who she is. Despite her past use of violence to solve problems and her semi-earned rep as a brawler, her heart’s in the right place.

If only she and Kana could do something about their eyes-through the hair…their hair design in the flashback was far less distracting!

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Yuuki Yuuna wa Yuusha de Aru – 07

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Yuuki Yuuna wa Yuusha de Aru has established a weird pattern: it runs 2 calm, entirely pedestrian episodes before charging head long into each battle. This up/down relationship isn’t the weird part, exactly. More that the calm episodes are so calm.

I mean, this week was the happiest, most care free beech style episode I’ve ever seen shoved into a show. It was so playful and, since there are no male characters in this middle-school-girl-cast show, that playfulness came off as authentic.

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The girls play on the beech, have a delicious and classy meal, take a grande bath, and even have fun telling ghost stories to each other — all payed for by the organization that probably knows they’re all doomed already.

Fu is still blind, Itsuki is still mute, Yuna is still a tomboy, Karen is a robot and Togo still can’t walk, after all.

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My favorite moments were how Togo had to be shoved into the setting, every setting, even at the cost of physics sometimes. Take this scene where she’s in a normal wheel chair… being pushed through the water in a way I’m pretty sure would take a body builder’s worth of muscle to accomplish.

At least her floaty wheel chair was cute and made sense. Even nice of the secret organization to provide an unnamed adult supervisor to make sure nothing went wrong in the process.

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As you can probably tell, I don’t have too much to say about this week’s episode. It was very charming, (warm/fuzzy feeling) even by YYwYdA standards, and we learned little bits about the world too. Vertexes are based on the zodiac, which implies there may be more of them than the initial 12 the Heros were told about.

And It was the best looking, non-special effects episode so far too…

But am I excited by all this? Not really. Not, at least, until something more dire befalls our little pretties…

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Trinity Seven – 03

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As a rule, it’s a warning sign when a show gets spends its beach episode nickel so early in the rotation. For sexy harem shows, it’s usually the best thing they’ve got, which means the rest of the season will be drab by comparison (not worth watching) and for less harem-y shows, it usually means they don’t know what they are doing or don’t have a season’s worth of interesting content.

Truth be told, I would have dropped Trinity Seven right here…except, for some reason, episodes 3 and 4 appeared in my queue at the same time and I accidentally watched them out of order! Oops.

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So? Beach Episode? Yes! With a hot spring hrown in for good measure! Arata and Arin are punished for destroying the school and forced to work the grill while all the other girls get to flaunt and swim. Everyone talks about boobs and their different sizes and agree that all boobs are good as long as they are attached to a cute girl.

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I have to give Trinity Seven a tiny bit of credit: It does just come out and say it’s a harem. Literally. The characters just say that. I don’t think that’s brave or anything but at least we’re not shovel fed fake pretext. I guess that’s good?

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Then we get a flash back to the end of last week where Arata was killed in a fight to stop him destroying the world but wasn’t because he was sucked away to Yui’s room and he learned more about magic.

I guess that’s what happened anyway. Trinity Seven likes to blather on about its magic systems in such a way that my brain goes into pre-stroke shutdown and, when I reawaken to whatever fanservice follows, I only have the vaguest memory of what it was saying.

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Then we see Arata turn into magic mode, which maybe was explained at some point when I wasn’t listening but he looks like a goth kid with a techno trench coat now and he has a magic gun. Then his magic makes everyone naked.

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Eventually we learn that Levi is a lesbian. I guess. Maybe? Then we get rape fantasies and kimonos and stuff and…you can guess why I would have dropped this show here, can’t you? There’s just nothing here but boobies, lengthy and idiotic sounding diatribes about magic and more boobies.

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Majimoji Rurumo – 07

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Sometimes I know how I’m going to rate an episode right at its start, especially with beach episodes, which can be half-assed chores. So as with most other episodes of its ilk, a “5” or average score is a good early baseline. From there, it’s up to the episode to convince us to either raise or lower that 5.

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For the first three quarters of the episode, it was looking more like the latter: utterly boilerplate beach antics, complete with big bouncy boobs and male mischief. The only hint of originality was the fact that one notable character wasn’t wearing a swimsuit: Rurumo. Turns out she never bought one at the mall, possibly because she didn’t know she was supposed to.

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That proves key, as Chiro (one of the fanservice centerpieces in shellkini-clad human form) manages to find her a swimsuit that just so happens to be “The Legendary Swimsuit” the president of the Occult Club is searching for. It imbues its wearer with romantic assertiveness, and when a witch dons it, it also augments strength and speed.

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It comes up quick, but this is the turning point of the episode, because we know Rurumo harbors (and is trying to repress) feelings for Kouta, and we know Kouta is still invested in “reaching new levels.” This leads to Rurumo, under the influence of the swimsuit, making the first move on Kouta. Can Kouta resist? He can.

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Watching a slightly sunburnt Rurumo doze on the train home, Kouta admits to a certain degree of regret he didn’t let Rurumo “have her way”, but considering how he’s treated her so far in the show, it’s really, as he said earlier, “better this way.” If and when Rurumo plants her first kiss on his lips, he’d rather she do it while of sound mind and frail body, not under a spell with him trapped under a concrete tripod.

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After all that beach blandness, the episode finishes strong, reinforcing the show’s overarching premise that having Rurumo a persistent fixture in Kouta’s daily life continues to bring out the best in him. When push comes to shove, he can—and more to the point, wants to—set his hormones aside and do the right thing by her. And that’s what elevated this beach episode’s rating from the default of 5.

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