Oigakkosan’s Summer 2019 Anime Season Wrap-up

Arifureta began as a grim, visually unremarkable dungeon crawler, hinting at global conflicts and structures of political and social control… before devolving into guy-shoots-monsters-gets-harem-rinse-repeat. Pitting guns, missiles and motorcycles against orcs and wolves is tricky to make compelling, and Arifureta’s mediocre animation, slow plot, and constant battles doesn’t help.

Worse shows aired this season but few featured dragons being anally raped by the protagonist with a giant metal spike, nor said dragon joining said protagonist’s harem afterwards. However, and I’m going out on a limb here, even if this is up your personal kink, Arifureta’s PG-13 sensibilities probably wont go far enough for you. Niche at best, Barely Watchable for the rest of us.

Dr Stone is delightfully consistent with it’s focus on science process, over the top characters, and methodical plot to rebuild society from the stone age up. While its medium term objective (defeat super-strong/ super evil antagonist with science) has taken a back seat to gaining support of the villagers Senko discovered mid-season, its not forgotten.

We’ve learned about electricity, food chemistry, and glass as much as human nature, motivation and weakness. Hand in hand with lovable characters and charming visual style, Dr Stone is probably my most recommended show of the season.

Given’s relationship story is lovely, thoughtful, and matured with deeper issues of loss. The wow is in the details. From taking a dozen buses just to stand by the ocean, just to stand where you once stood with a close friend, to walking off stage after only one song, Given doesn’t over explain itself with dialog.  It’s solid but, like real romance, the best parts come from getting to know the characters. So I called it quits after episode six. Still, highly recommended

Granbelm finally developed an emotional core: Mangetsu is a magic puppet created by Ernesta’s subconscious desire to have a friend who isn’t an effed up mess. Also, despite earlier signs that losing wasn’t that big a deal, it has been revealed that girls die all the time in magic fights but no one remembers because… magic amnesia.

These are solid reveals and Mangetsu’s heart filled good bye to the cast (almost all of which immediately forget she ever existed) was strongly delivered. It just took way too long to develop. Combined with a dull pure evil villain, power levels that swing at the whim of the story, and Granbelm’s misunderstanding of what a mystery is (as opposed to just being confusing) and the show is only watchable.

Maou-sama, Retry! started off so absurdly bad, so generically Demon Lord/Isekai, that it had a certain charm. As it strolled forward, it took no greater objective than to introduce new characters to Maou’s harem, and forget about previous characters and potential destinations for the story. Aku hasn’t even been in the previous two episodes. The result is powerfully without purpose. It doesn’t care. You shouldn’t either. Barely watchable.

UchiMusume also suffers from a lack of purpose and follow through. For a show that features a central character who’s past is a mystery, and a hero who occasionally kills people for political gain, there’s an awful lot of wandering around aimlessly and eating food!

The result is harmlessly cute but smidgens of world building do not make up for a four episode long trip to and from a village to buy a new trench coat. It’s Barely watchable.

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Isekai, Ranked

If Anime is escapism, there is no better way to escape than plunging Into Another World, where our niche skills and routine possessions may shake the fabric of reality! From MMO-inspired, to hard fantasy, there are many types of shows on this list but no movies nor series we haven’t seen recently. Bring all disagreements to the comments below!

1. Re:Zero − Starting Life in Another World
Re:Zero takes Isekai’s love for fish-out-of-water stories on step further: through brutal, expectation breaking blind sides, it makes the viewer a fish out of water too! Dripping with fantastic animation, Re:Zero’s true strength is the balance of its highly detailed world without over explaining its magic system, time loop mechanic and political systems. It also earns bonus points for  limiting the application of its protagonist’s powerful magic and technological advantages.

2. Sword Art Online (1st season) 
In the narrowest of second places, SAO pairs top shelf animation with an approachable cast and easy to appreciate central conflict. Put its lovingly constructed MMO setting aside, and Kirito’s mistakes and occasional darkness elevate him above his potentially generic good-at-everything character type and Asuka plays the strongest heroine/love interest on the list.

3. Now and Then, Here and There
Imagine if Digimon told a bleak story about sex trafficking child soldiers trapped on a waterless world with a maniac king? NTHT’s intense swerve from adorable into darkness is on par with Re:Zero and, much like Natsuki Subaru, HTHT’s Shu must rely on ‘durability’ and ‘heart’ to make it through. While some of it’s later tragic moments are predictable, this f’ed-up little anime scores major points for telling a complete story and having that story grow Shu from simpleton into a conflicted young adult.

4. Gargantia on the Verdurous Planet
While Red’s post-earth scifi origin may stretch the common definition of Isekai, being trapped in a primitive culture that treats him (and his AI-driven mech Chamber) like a hero of old does not. Beautifully, Gargantia flips the script and makes Red’s overwhelming power, and killing in general, counter productive and at odds with the local people.

5. Yōjo Senki / The Saga of Tanya the Evil
Give us World War I with magic, a gender swapped villain as our protagonist, and God as our antagonist, and you’ve given us something pretty damn original. Like Gargantia, this reborn in another world captures thinking differently about the world can be as powerful and terrifying as unworldly strength. Without question, Yojo Senki’s cast is the most uniquely imagined on this list.

6. No Game No Life
Like Tanya, the Blank twins piss off god and are sent to another world as punishment. However, their punishment is much more stylish and… harem. Underneath NGNL’s acid-soaked panties, over the top protagonists and the psychedelic color pallet, is a show featuring thoughtful puzzles and imaginative spins on classic gamble-to-win story telling. Sadly, its story ends unfinished…

7. KonoSuba
One part jab at Isekai and one part love letter to the starting town of every fantasy MMO, KonoSuba is all parts ruthlessly funny! While this reborn in another world (with a goddess!) show is not as smartly written as NGNL, and it becomes repetitive after a time, the constant frenetic action more than makes up for it.

8. Grimgar of Fantasy and Ash
Quiet, thoughtful, and full of sadness, this hard fantasy Isekai doesn’t care if its heroes are reborn in another world or trapped in a dungeon crawl afterlife. Building family bonds and connecting with people who would not normally be friends is all that matters… and it’s lovingly animated to boot!

9. ReCreators
As a reverse Isekai, ReCreators distinguishes itself by bringing the other world to us. The experience is fantastically animated and packed with clever dialog that somehow breaths sincerity into a profoundly silly plot. The cast is quite diverse, both in design and personality, which keeps the action fresh, yet somehow cohesive throughout. It’s only major flaw is, the final act, which is way to drawn out.

10. The Devil is a Part Timer
No I’m not kidding! This reverse Isekai’s premise that the Devil is trapped in our world and must work at McDonnald’s to get by is charming. While DiaPT’s humor isn’t particularly specific to the devil, the jokes are punchy, and the overall plot develops at a respectable pace. As an added treat, the opening gothic fantasy fight scenes are surprisingly well animated.

11. Log Horizon (1st season)
Most exposition heavy, trapped in an MMO themed Isekai featuring ‘top ranked’ players crumble after a few episodes. More often than not, these shows try too hard to sell the coolness of their game worlds, user interfaces, and central characters. Miraculously, Log Horizon gets better mid season with a simple question: if former NPCs have personalities, can grow and learn, and even die, are they more human than the former players that dismiss them as background texture? Still, it takes Log Horizon six episodes to get going and good lord is it gray looking…

12. Overlord (3 Seasons)
This transported into an MMO Isekai mirrors its main character: it is competent but not sure what it should be doing at any given moment. Sometimes the protagonists are villains and sometimes they are heroes. More often than not, characters are given lavish screen time to develop, only to be slaughtered whimsically. The resulting narrative is full of call backs and revealed foreshadowing… yet hasn’t gone very far in 3 seasons and hasn’t asked any interesting questions along the way.

13. El Hazard – The Magnificent World (OAV/TV)
Predestined paradox, trans-dimensional time jumping high school students (and their drunk gym teacher) are trapped in an Arabian Nights’like land besieged by sentient bugs, a secret tribe of assassins from another dimension, and a death star like eye of god orbiting nearby. If you watched anime in the 1990s it will all be familiar but it still manages to feel original yet cohesive production. The character abilities are wonderful, the tragedy is nice, and plenty is left up to your own imagination to fill in the blanks. A bland, fault free, protagonist and a boy-crazy harem vibe are the only reasons it isn’t higher on the list.

14. Gate: Jieitai Kano Chi nite, Kaku Tatakaeri
This invading the other world Isekai flips the script to deliver political intrigue, clash of culture, and commentary on Japanese society. It loses points for being a overly harem, relying on super dumb/super evil antagonists, and a dull protagonist but it’s fun enough to watch.

15. Drifters
Stylishly violent, strikingly ugly, historical character filled and utterly bonkers, this reborn in another world Isekai’s uniqueness will hold your attention. Even if you do not want it to.

16. Rise of the Shield Hero (2 Seasons)
On paper, this transported to an MMO world Isekai’s “treat the hero like crap,” “watch him accept the role of a slave-buying villain” and ultimately “rise to become the true hero” concept is great. Revealing that the world he’s saving may be less redeemable than the world the invaders are trying to save is also great. Too bad its padded and many of the arbitrary delays and narrative dead ends feel like cop outs.

17. That Time I Got Reincarnated as a Slime
While it lacks the initial hardcore’ness of Shield Hero, this reborn in another world Isekai is pleasantly animated and full of heart. The idea that naming monsters grants them power is a pretty neat mechanic too. It just sort bounces from idea to idea without a sense of purpose of resolution. One minute it’s a story of unlikely friendship, then magic destiny, then town builder, then harem, and onto magic school and isn’t about anything in particular until a hastily thrown together plot ties it up at the end. It scores points for making its hero a slime… although the reborn aspect never feels played with or justified.

18. Angel Beats!
If the gun fetish, kids fighting a loli-angel instead of attending school in the afterlife plot weren’t so dumb and drawn out, this rebirth story’s touching moments would push it much higher. There’s a really good tale of life cut short, reunion after death, and again after rebirth here and it gets major bonus points for finishing the story it had to tell. Totally squandered.

19. Death March / Kara Hajimaru Isekai Kyousoukyoku
Like Shield Hero, this reborn in an MMO Isekai is actually quite good looking. However, its Gary-Stue protagonist, harem and absurd narrative padding make it far less interesting.  OMG how many episodes are about making lunch?! That’s too bad because the concept of code-like “copy and paste” magic system is pretty neat.

20. Wiseman’s Grandson / Kenja no Mago
Despite opening with a modern day man being killed, this reborn into a fantasy world Isekai is more Magic School than Isekai. The only thread that connects the protagonist’s lives is that he can look at magic with an eye for process instead of outcome. The result is harmless easy watching but harem elements, a slow pace and lack of getting anywhere narratively hold it back.

21. How Not to Summon a Demon Lord
This summoned into an MMO Isekai starts off as charming, but ecchi-heavy, before abruptly turning dark at the end of the season. We’re talking ‘make a child watch as her best friend is slowly tortured to death’ and creepo ‘finger-bang a loli cat girl in order to give birth to the demon inside her’ level dark. While those elements elevate HNtSaDL above niche appeal of its harm and MMO content, they aren’t so interesting to earn my recommendation.

22. Problem Children are coming from Another World, Aren’t They?
T
he non-ecchi poor man’s No Game no Life features a talking cat that only some characters can understand and dreadful music. TFW smooth jazz? There’s some cuteness to be had, and the solutions to gambling games can be clever, but the overall vibe is low energy. It loses drama points because its protagonist is as smart as a god and physically stronger.

23. Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?
This poor man’s Konosuba is occasionally funny, satire of RPG conventions and family relationships. Mama’s skill that interrupts whatever her son is doing, no matter what it is or where he is in the game world, is particularly charming. Unfortunately, there’s no avoiding the creepo factor of sexualizing that family relationship.

24. Restaurant from Another World
My mom is secretly from another world and my restaurant’s front door connects back to that world each day is certainly unique, but it’s structured more like a food-porn show than Isekai. While the linkages of each patron become clear over time, few characters are not aware of those connections themselves. The result never feels like it gets anywhere.

25. In Another World With My Smartphone
Stories without risk are still watchable when they immerse us an interesting world, or delve into niche details like food or how magic works, or sleeze us with harems and sex appeal. Smartphone fails all of these things. Worse, it does nothing with it’s one idea: protagonist Touya is reborn in a fantasy world with smartphone. Except, GOD GIVES HIM GOD TIER MAGIC FROM THE GET-GO! Ironically, Re:Zero and No Game No Life both use of a cell phones in more interesting ways, and Tanya’s God isn’t even comparable. Unoriginal, unfunny, not dramatic, not sexy, not worth watching.

26. Maou-sama, Retry!
This transported to an MMO Isekai’s trash production values, and bizarre characters are hard to take seriously. The results are sometimes so terrible they are funny, such as incompetent background music transitions and detailed horses hiding at the edges of the frame. Sadly, a bland harem and complete lack of narrative objective kill the mood.

27. Isekai Izakaya
Imagine a low energy, public access style show, with a tourism theme, that featuring a modern Japanese restaurant that serves fantasy world patrons…

28. Isekai Cheat Magician
A loveless summoned to a fantasy world Isekai who’s protagonists are the most powerful and purely good characters could deserve a niche rating. Not this one. The narrative sort of ‘skips the boring stuff’ and, in doing so, skips character development. Hilariously, what the narrative does show is poorly animated, always underwhelming magic battle scenes or people standing around talking.

29. Endride
Without dialog, this stumbled into a magic world Isekai’s vibrant color and crisp art would be watchable. The fact that the world is somehow inside of Earth’s core and the sparse use of mythology are unique, but its dumb-as-bricks whiny teen protagonists have the maturity of a small children. There are many unintentionally funny moments like scientists using gigantic laptops or the king’s magic weapon looking like a safety pin. Ultimately, the cast is so unlikeable that the show itself is unwatchable.

UchiMusume – 07 – Looking at Things

Latina looks at stuff!
Some stuff people.
Some stuff food.
Some stuff even animated
but some stuff static…
like a stone.

What began as a soft touch culture-crossing adoption story, with safe romps into medieval’ish fantasy life has become uneventful beyond the point of watchability. The sum total of this week’s non-looking at stuff content was a chat with a demon musician lady, who explained that Latina’s bracelet had her the full length version of her father’s name. This is common practice amongst demons living in the first demon lord’s domain.

Also, apparently, there are a lot of demon lords out there, with political and social ramifications to their deeds. I doubt UchiMusume will ever get to them though and I don’t care if it does. I’m dropping this show like a stone!

Maou-sama, Retry! – 07 – All or Nothing

In what amounts to a rolling, episode long battle sequence, we are introduced to:

    1. A Murder Clown, who is torn apart by Yu.
    2. Two zombie girls, who immediately get killed by Queen.
    3. The old knight “Marshal Arts,” who disappears without explanation.
    4. A sad demon girl, who dies and comes back after a flash back.
    5. The Prince of Darkness, who is killed by Dragonkin-Maou.

While there were many puns sprinkled among the character names, and it was funny that the number of Satanists in the battle would imply 1/3 of the total city population was Satanists, this was not at all a good episode. Constant move-names and pointless character introductions get dull fast and Maou isn’t even in the first half of the episode.

I’m not sure what the writers were trying to accomplish this week but the result was barely watchable. Ouch!

Granbelm – 06 – Okayish

Nene isn’t dead. Anna Fugo’s rage is finally explained and resolved. Dark Blue goes off on her own. Kuon has a cold. Mangetsu makes lots of soup.

Granbelm did a lot right this week but, like a super model striding down the catwalk in a pretty dress and gigantic clown shoes, it contradicts itself and cannot help trip over its feet in the process.

Anna’s confidence stems from mastering a fire-to-ice combo spell her mother and grandmother couldn’t master… except Anna didn’t actually master it. Ernesta did. This is a nice twist and shutting Anna down by replicating Anna’s inability, backed by Anna’s own mother’s words, and showing this like came from a place of love in Ernesta, tied a nice little bow around the conflict.

…but… this returns us to the clown shows problem. If Anna has never had meaningful power, showing her casting powerful magic during the tourney for 3/6 of the episodes doesn’t make any sense. Honestly, none of the relative magic power levels make a lick of sense but Anna’s all-is-nothing story hinges on something we have seen constantly contradicted in battle.

I’m happy Nene isn’t dead and it’s charming to see her invested in Mangetsu and/or Ernesta becoming the witch. I’m not sure I buy that her life long ambition can turn on an emotional dime like that but it’s pleasant and it moves the narrative onward.

Onward to what? Anna seems to be out, which means Dark Blue Is the only villain left. This week was a decent episode and there’s obviously more going on in the world than we know… but how that’s going to fill 7 more episodes? I’m not sure I’m looking forward to.

Given – 04 and 05 – Roaring to a Stand Still

In a delicious twist, Sato rejects Uecchi’s offer to join the band. Uecchi is utterly befuddled, agitated, and his google-fueled antics put Harkuki and Kaji in hysterics. Perhaps oblivious to the meltdown he has caused, Sato does exactly what he was asked to do and gets a part time job at the live music venue.

When Uecchi finally goes to confront Sato, old friends interrupt and STRONG IMPLY Sato’s guitar belongs to some one very special and very tragically dead…

Thankfully, Uecchi shakes him out of it and demands to hear Sato sing. The following episode is largely dedicated to Uecchi creating a song for Sato to sing and the lead up to their first public gig.

…Also, the episode reveals revealing that Harkuki loves Kaji, that Kaji has a boy friend no one knows about, that Sato is pretty damn good at basket ball, and Uecchi learning that Sato was dating a boy in middle school but that boy may have suddenly killed himself in an extremely tragic way! Appropriate, this last bit of news comes amidst a deafening roar of white noise punctuated by a hard cut to black.

Given remains beautifully rendered, even when it’s being ‘lazy.’ Seriously! The backgrounds and colors and level of unnecessary detail are insane. Episode 5 did take a noticeable dip, but that is to be expected mid season and it didn’t hurt the narrative’s more introspective focus.

I’m really enjoying the idea that Uecchi is the only semi-straight member of the band, yet imperfect knowledge may prevent each member from realizing that. I’m finding it even more interesting to watch Sato, who seems like he’s characterized as having a spectrum disorder in addition to being gay. It makes for some curious takes on his scenes with Uecchi.

Sato strikes me as a sincere representation of a gay male who’s not romantically into the straight male who is pursuing him. He seems aware of that Ueechi may not realize he is even pursuing him, which seems ironically likely since Uecchi resorted to dating advice to get Sato into the band. Now that the sexuality angle is out in the open, we’ll see if Uecchi reconciles with his own obsessive feelings, or if his obsession is purely based in the art of music the way he previously seemed to think it was.

Maou-sama, Retry! – 06 – Dinner, Soap and Satanists

Why not dedicate another episode to Maou eating dinner? While the answer to this question should be obvious, Maou-sama, Retry! asks it anyway. The result sees Maou, Luna and Yo celebrating Aku’s ability to walk at a fancy restaurant. Maou even makes Aku a fancy cake and has the waiter bring it to the table as a surprise.

Later, a heavyset woman who wields significant influence amongst the nobility interrupts the meal and Maou introduces her to soap. SOAP. Unfortunately, satanists show up and Maou has to kill the demon they have summoned.

It is all very uneventful really. Dare i say, even more low energy than normal? At least someone got the chance to render a 3D chandelier. I’m not sure why. It’s not a very good looking render but, by God, they put it in there!

Someone also wanted to draw a demon dressed kind of like a clown with a guitar over its shoulder. Again, I’m not sure why as the guitar is not used in this episode. Maybe the guitar serves some purpose in Maou-sama, Retry the manga? (Is there a manga for this?)

Regardless, after loading several skills-as-text onto the screen, Maou beats the devil in a single hit. I found the explosion quite charming. It looked something like fireworks mixed with popcorn popping.

This week’s stand out moments included Luna being weirded out by Maou’s abrupt use of inter-party communication, and the ‘big reveal’ of Soap being his flagship item. I don’t even know what this show is about at the moment. this episode seemed mostly like an excuse to draw cake and have dinner again.

However it wasn’t unwatchable and, as a niche show, down weeks don’t really effect MSR’s score.

UchiMusume – 06 – Shopping and Death

Dale’s most recent growth spurt has stretched his coat to tailoring limits. For whatever reason, replacing it requires him to return to his home town, far from the capital. Less surprising is Latina’s desire to come with him.

Dale and a Lady Elf Mage shop for Latina’s combat-grade magic gear, Ken takes Latina to Ruby’s dad’s blacksmith shop to buy a multi-purpose knife, and Rita reveals that she’s pregnant. When Dale and Latina finally do leave town, they travel the opposite direction in order to visit Latina’s dad’s grave… and slaughter two waves of woodland creatures along the way.

From the very beginning, the basis for this episode was a miss for me. Character age and aging are tricky to capture in anime and Dale’s change of height was difficult to identify. The very idea felt out of nowhere, as did Rita’s side plot about having a baby. None of the cast have grown emotionally since we first met them. Growing physically makes that disconnect even more apparent.

At least Latina’s dad’s grave looks like its flipping off the viewers. It gives me a gentle chuckle every time I see it.

While many things technically happened this week, few developments are consequential. Shopping is shopping, after all and unrelentingly uneventful but earnest nature of UchiMusu has become exasperating.

If UchiMusume ever gets to its mystery, or any plot arc whatsoever, it’s going to be rushed. Combined with its bare bones animation and nonexistent audio design, it is highly unlikely to feel satisfying. At the risk of repeating my previous reviews, UchiMusume has good bones but it lacks the skill to do anything at all with them.

Granbelm – 05 – Dejavu’ish

This week opens with Nene’s sisters commenting on Nene’s choice to reveal her identity to the alliance last week… and then skips ahead to the next full moon, effectively picking up where the last battle left off. What follows is an episode long battle between Nene and the alliance, then smaller one on one fights between each protagonist and her matching antagonist.

Anna traps Ernesta in a magic circle, only for that to fail for some reason. Dark Blue ambushes Kuon and implies that she knows who cursed Kuon’s sister. This leaves a powered-up Mangestsu to face a powered-up Nene. While Nene has the upper hand for most of the fight, Mangetsu appears to have the ability to capture her opponent’s feelings and memories. Since magic in Granbelm is entirely based on the mage’s ability to envision an outcome, and the strength of the mage’s feelings, things do not go well for Nene. What sharing these feelings will do to Mangetsu in the long run is left unsaid but it is doubtlessly going to weigh heavily on Nene. After all, Nene is essentially defeated by the strength of her own powerful feelings.

While the abrupt jump forward in time was awkward, fleshing out Mangetsu’s power makes for a substantially more interesting story than we’ve seen in the previous four episodes. Vamp’ing her opponent’s feelings also gives us a way of figuring out those same opponent’s motivations, without the heavy hand of exposition — and it gives Mangetsu a way to humanize her opponents in the process.

It was also helpful to see Nene’s memory of her mother not recognizing her, as that implies there are consequences for the mages who lose Granbelm. Stakes have been seriously lacking up to now.

The trouble is, Granbelm lacks focus. I enjoyed Nene’s arc, but the amount of screen time it took and the emotional investment it was given, rivaled that of a main character. Kuon and Ernesta have received similar treatment and it just dominates Mangetsu’s position… even though she is clearly the point of view character and who the viewer is supposed to most identify with.

Granbelm isn’t helped by its antagonists either. Anna Fugo is bland as they come and Dark Blue is a mustash twirling villain in every way short of having a lovely flavor savor on her face. Both will receive tragic back stories that motivate their actions, no doubt, but it is hard to care about them in the mean time.

In closing, this week expanded our understanding of the magic, rules, and characters battling each other, and it did so with visual flair and quality writing. Will it continue to improve or go back to being an unfocused mess with too many characters? Leave your thoughts in the comment section below!

UchiMusume – 05 – Kidnapping is Fun!

Latina experiences snow. Later, guys try to kidnap her, while Dale is killing magic animals. Fortunately, the elderly thug intervenes and the guardsman take her home.

Uchi has it’s charms. It has enough charms to keep me watching. However, it does not have the muscle to cash in on its ‘darkness behind the happy facade’ theme and… well… there’s no plot developing in the meantime.

Maou-sama, Retry! – 05 – All’s Well that ends Well… Hop!

Beginning with a now smitten Girlish Boy declaring his need to have all the holes filleed with Aku’s dad, Maou-sama, Retry! wastes no time getting to its kink. It wastes little effort on anything else, really. Foreground characters are awkwardly posed like motionless trees around our questionably framed heroes, sound effects are cued before the animation they should sync with, and Maou-sama invents the laziest game-logic fix to a water shortage ever.

Call me crazy, but I thought it was glorious!

Notice that tiny horse the art team stuffed in the lower right hand corner? If animation is money, you know it was placed there on purpose, but for what purpose? Are we supposed to feel the horse’s distance from the party — to feel the horse’s yearning to enter Luna’s town and peek around? Should we relate to the horse’s struggle carrying people who have somehow grown larger than the horse itself?

Like the hilariously gigantic door the satanists walk through (backwards) there’s probably no thought put into Maou’s art direction. The result often feels childlike, which grants sincerity to the incompetence. Maou doesn’t know it’s bad and that knowingly bad shows like Isekai Lazy Magic every day.

I’m not going to lie — Maou is objectively not a good show. Entertainingly playful dialog like when the Bunny Girls declare “Humans get NOTICEABLY disappointed if we don’t finish each sentence with ‘hop’,” (to the chagrin of Maou) is the exception, not the rule.

Likewise, Maou creating a water wheel game-item that creates water from a dry well… because that’s what it does in game… is either a thoughtful jab at gaming conventions or just really dumb. You either love it for the niche it fills or see the 5 for what it is: a fairly low rating for any show.

Isekai Cheat Magician – 04 – Dropped

Isekai Cheat treated us to an episode long fight sequences. Cassamir revealed his plans to manipulate Taichi for his own gain, even if Rin and Myura have to be raped in the process. Hurt Me More Girl… promised to get hurt more in the future. The Red Elemental was defeated by Taichi’s inner power in Taichi’s time of need.

It was barely animated, moved the plot forward at a snails pace and we learned nothing of consequence in the process. Two more villains and a third maybe villain were introduced during the end credits. I don’t know who they are, how they relate to the plot, and don’t care anymore. In short, it was a miserable experience.

The verdict: ICM has become a bit tricky to review. I have no interesting words to describe its visual style, and it’s awkwardly structured narrative is overshadowed by an eye gouging sluggishness. Who cares that the assassin’s decision to… do something? took three episodes to reveal, or that Rin and Myura’s relationship (and the pair’s relationship with Taichi) isn’t developed on screen when the actual focus of each episode is characters sitting or standing motionlessly in a room?

There’s no reason for me to write about it and even less reason for you to read about it. A Dr Stone drop, this is not…

Dr. Stone – Dropped

Dr Stone is a wonderfully silly program that charms me with it’s real-science references and lovably over the top characters. Trouble is, there isn’t much else to say?

Episode 3 brough Yuzuriha back into the picture and forced her and Senku and Taiju to flee from Shishio’s kill-all-adults rampage. Episode 4 brought gun powder into the mix and flashed back to the beginning of Senku’s love for science and friendship with the other two characters. It also introduces another female character (sorta) and cliff hangers with Shishio killing Senku, which obviously isn’t going to happen.

So yeah… it’s a fun show to watch and, if something really interesting happens, I may post about it later in the season. For now, lets all enjoy it for what it is: lovingly silly anime at it’s finest and most silly.