Happy Sugar Life – 11 – Turning a Page

Kobe Asahi makes a big meal out of finally taking the gloves off, so to speak, but all he manages to do is threaten Taiyou to find Satou’s address. Even the slightest glimmer of hope he’ll find his angel leads Taiyou to obeying Asahi’s order.

Meanwhile, Satou is resolved to starting a new life with Shio…but she needs help, and calls upon the only adult she feels she can trust: her demented Auntie. Auntie is totally unfazed by Satou’s confession of murder—she lays with murderers all the time—and is even able to guess that the “little bird” Shouko was her victim.

But for all of Satou’s talk of her love being right and Auntie’s being wrong, Auntie points out to Satou that she is still legally a child, and cannot take responsibility. So Satou tells Auntie to take responsibility—for the messed up childhood she bestowed upon Satou, by helping her and Shio disappear.

Auntie picks up a semi-disguised Satou and finally meets Chio, who is easily taken in by Auntie’s kind and syrupy-sweet introduction. After taking them around buying both the means to fake Satou’s death, Satou procures passports from her kohai from work.

As for Taiyou, his dream of meeting Shio again becomes a nightmare when he ends up at the address on file at the cafe, which is Auntie’s apartment. While Taiyou becomes another doomed fly stuck in her web, Satou and Chio doll themselves up as brides and exchange vows and a kiss, marking the beginning of their new Happy Sugar Lives together.

With Asahi depending on Taiyou and Taiyou, well, doomed, one wonders what obstacles, if any, remain on Satou’s path to achieving that life. We’ll find out in the finale.

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Hanebado! – 11 – Creating a Monster

“Why do you play badminton?” That question is oft asked in Hanebado!. Characters ask other characters, and also ask themselves. “Because I love it” seems to be a pretty popular answer. I mean, why participate in a sport and work hard at it if you don’t feel a kind of affinity for it, or because it makes you feel good?

Ayano claims not to subscribe to such a glib answer. Everyone who says they play because they love it seems to get on her nerves. Perhaps it’s envy, or perhaps it’s obfuscation. Regardless, Ayano isn’t in this for the love of the game; she’s in it for revenge against the mother who abandoned her—even as that mother claims she left her so she would become stronger.

You can call Ayano’s decision to renounce her mother a kind of growth, but there’s just as much Nagisa growth on display this week. For one thing, she’s learned not to get bothered by Ayano’s haughty provocations. She’s also learned not to push herself too far.

As Ayano is trying her best not to let the sudden reappearance of her mother throw her off her game (she sees it as yet another hurdle to clear), Nagisa is trying to get to bed at a reasonable hour the night before the match; though she can’t sleep and instead studies film of Ayano, ending up with less than three hours of sleep.

The day of the match, Ayano’s “teammates” encourage her, but she rejects that encouragement as a waste of time; her performance won’t be affected either way by their words. It’s the last display of cruel pomposity Elena is willing to bear. She takes Ayano aside and learns of Ayano’s plan to abandon her mom. And Elena blames herself for making Ayano join the club.

I can’t say I disagree with that placing of blame; while Ayano was hardly in a good place emotionally prior to being forced into joining club, the fact that she had come to hate badminton meant she had find a reason other than love of the game in order to prosper in it. With the best of intentions, Elena created a monster.

When play begins, Nagisa shows growth once more by playing a different game; not relying too much on her smash, and using more deception and less aggressive bull-headedness. She’s rewarded by winning the first two points of the first set. She also has the crowd behind her.

Elena spots Uchika walking out after her daughter’s two lost points, and as the rain starts to fall, expresses her desire to talk about Ayano with her. Meanwhile, Ayano, who didn’t see Uchika leave and probably doesn’t much care anymore, is hardly fazed by Nagisa’s surprisingly strong start.

In fact, she’s mildly amused, and then blurts out the strategy Nagisa is trying to employ. Nagisa was able to use the element of surprise to steal a couple of points, but she knew it wouldn’t be long before Ayano picked up on what was going on and adjusted her game.

While it only took Ayano two points for her to analyze Nagisa’s strategy, the show seems to want to present the possibility Nagisa could beat Ayano…but we’ll have to wait at least one of the final two episodes to know the final result. All we know is that Ayano will have a counterattack…and that we’re probably in for more flashbacks next week!

Happy Sugar Life – 10 – Partners in Crime

Shio believes everyone’s heart is a jar made of glass. If it isn’t regularly filled with love, or is hit by various stresses, it will crack and break, and when it does, there’s no coming back.

Shio is worried Satou’s jar is dangerously close to shattering, so she tries to do as much as she can. She covers her with a blanket, warms up the curry, and throws her clothes in the wash—where she sees Satou’s bloodstained clothes.

Seeing Satou in such a state reminds Shio of her last days with her mom, who became destitute when she finally left her abusive husband. Shio wanted to do what she could then too, including replace her mother’s “jar” with a new one she sees across the street.

But in doing so, Shio is almost hit by a truck, and her mom’s jar breaks. She takes Shio on a walk in the rain, then stops and leaves her there, saying a simple “goodbye.” Her mom’s jar was broken, and she was simply…done.

When Satou awakens, she pretends like nothing’s wrong, but immediately starts talking about their next home. After all her talk about the castle where they’d live happily ever after, it wounds Shio to hear Satou so gung-ho about abandoning it.

But more than that, Shio is hurt by what Satou isn’t saying, and by all the things she’s hiding. When Satou tells Shio all she needs to do is smile and love her, it reminds her of her mother, who also asked nothing of Shio but to stay put; to stay safe.

Shio won’t have it; not anymore. She doesn’t like Satou’s secrets, or her vision of how she should be to her, which is to act as little more than a human doll. She storms off, and in her anger, tells Satou she hates her. Satou then becomes paralyzed with despair.


The same night Shio’s mother abandoned her, Satou happened to be walking around, and meets Shio, asking her why she isn’t chasing after her mom. Shio tells her it’s because what she felt toward her mother wasn’t love, it was just a desperate hope her mom would keep living, so she could live.

With an attitude well beyond her not numerous years, she decides not being with her mom anymore is for the best. But she also realizes she was too harsh with Satou. She doesn’t hate her; but she hates how Satou shoulders the burden of protecting her.

From now on, Shio wants Satou to tell her everything, and they’ll share the burden and protect each other. In other words, a more balanced relationship where Shio has agency. Satou agrees, and tells Shio all of the horrible things she’s done to keep her safe, including killing someone. Shio accepts it all and fills Satou’s jar…because Satou fills and strengthened hers.

Happy Sugar Life – 09 – Eliminating All Risks

In exchange for the change to see and be purified by Shio, Taiyo follows through with Satou’s instructions, giving Asahi Shio’s sock and telling a tale about it being found at a station some distance away. A cordial exchange quickly devolves into nastiness when Asahi smells some kind of trickery afoot, and then triggers Taiyo into a rage by calling him a “dirty adult”; pretty much the worst insult you can throw his way.

Still, Asahi regrets how things ended, and decides to take Taiyos advice and travel afar for more clues. The night before he leaves he meets Shouko in the park once more. Shouko thinks everything about Asahi is amazing, and while he’s not manly or her type at all, a part of her is jealous of Shio for having such a gallant prince willing to move forward no matter how much it may hurt or how scared he is. She bids him farewell with an exchange of contact info, and a kiss.

Satou is at the station to make sure Asahi is on his way, then returns home to 1208 to spend the whole day with Shio. It just happens to be the “anniversary” of the day she first kidnapped her. Satou celebrates by buying a bunch of fancy sweets which the two share together, and when Shio brings up the future, and securing said future together with the bonds of marriage, Satou is ready with two rings.

Both she and Shio are happy beyond words; giddy, even. And in a moment of particularly intense giddiness, Shio pounces on Satou as she’s exiting the front door…

…Where Shouko is waiting there with her cameraphone, and snaps a picture of Shio with Satou. It’s a devastating needle scratch but also a welcome glass of cold ice water on Satou’s frankly impossible (and ridiculously amoral) fantasy dream world. Her Happy Sugar Life is a sham; a mere house of cards that falls all too easily once a sliver of reality peeks in.

And yet, as evil as Satou’s actions are, Shouko comes with at least a veneer of non-judgment, acceptance, and love of and for Satou, no matter what she’s become, what she’s done. No matter how far she’s sunk into the muck, Shouko wants to pull her out and back into the light—the real light. But Shouko is doomed the moment Satou saw her on the balcony; before she even snapped that picture.

In a thoroughly unpleasant, sickeningly brutal scene, Satou grabs Shouko from behind as she’s leaving, sticks a knife in her throat, and suffocates her with her hand as she bleeds out. Another risk eliminated. She used soft power on Asahi, but had to go hard with Shouko, who kept persisting and interfering.

But Shouko’s death wasn’t in vain. The photo of Shio with Satou reaches Asahi. Will he be prudent enough to report Shio’s kidnapping to trained authorities and let them deal with Satou, or will he try to go after her alone? How will Satou deal with Shouko’s body, and will her murder spark a purge of more “risks”?

Most importantly, how will Shio respond to this once the initial shock wears off? Perhaps Shio herself could end up dealing the decisive blow to Satou’s delusional,  impossible world of sugar and happiness. The foundations of that world are as rotten as her aunt’s apartment; they’re sinking ever deeper into the earth made soft by spilled blood.

Happy Sugar Life – 08 – How We Got Here, Where We’re Going

Now the picture of Matsuzaka Satou is that much more complete. Room 1208, the cage in which she now keeps Shio, was once the apartment where a loner artist resided. He didn’t want anything from Satou except for her to pose, and let her talk about whatever she wanted.

In the minimalist first half, it’s just Hanazawa Kana as Satou talking. The artist responds, but we only hear static, and never get a good look at him. It doesn’t really matter who he is, but what he wanted. He wanted Satou to remain incomplete and unsatisfied, so he could keep drawing her.

That changed when, one day, for reasons unexplained, Satou brought Shio to 1208. Before long, she started to feel something around her she felt for no one else; she became complete; satisfied. In other words, everything the artist didn’t want.

So he tried to get rid of Shio in the most reckless fumbling way: trying to choke her to death when Satou was out of the room. Of course, she enters, and the atelier becomes a violent murder scene.

Since Shio was a witness to it—albeit likely dazed/disoriented by the choking—it sure looks like the creepy figure she’s drawn in the closet is Satou herself. Shio carries the trauma every day, and it occasionally surfaces. That’s a problem!

Taiyo comes to a kind of revelation: he needs to give up on Shio and try to become a normal guy again. He’s content to keep the wanted poster in his pocket as he puts the pieces of his past life back together, not letting the trauma of the abuse he endured further mire him.

Unfortunately, his resolve to reform is brittle, and Satou finds him at the perfect time to shatter it, offering Shio’s still-warm sock to prove she’s serious about letting the “knight” meet the “angel” and let her “purify” him. All he has to do is get rid of the person trying to take Shio away from her.

I first thought Satou wanted Taiyo to get rid of the teacher, but I rethought that conclusion when Asahi gets a call from someone offering him a clue as to Shio’s whereabouts. I immediately thought that this was the first step in the plan Taiyo is carrying out for Satou.

Complicating matters is that Asahi is the one who finds Shouko at her lowest point, cursing herself for rejecting Satou when Satou needed her most and wanting to “disappear.” Asahi assures her she’s a kind and good person—the type of person prone to always laming themselves.

Asahi comforts Shouko and cheers her up, and they now seem to be friends, since she’s still by his side when he gets that phone call. If Asahi is Satou’s target via Taiyo, I doubt Shouko will escape uninvolved.

Happy Sugar Life – 07 – What are Friends? What is Love?

Satou’s teacher sees her with Shouko and doesn’t like the fact that she seems to be sharing “dirty little secret.” Of course, Sensei is operating under the assumption that Satou’s parents died early and she was brought up by her aunt in an environment devoid of the love humans need to grow up to become “normal.”

He believes Satou snapped one day, murdered her aunt, chopped her into pieces, and gave the bags to him to incinerate. It’s as good a theory as any judging from the evidence he has…but he doesn’t quite have enough for the whole picture, and as a result, he’s dead wrong.

Satou doesn’t take Shouko to the apartment where she lives with Shio; she takes her to her aunt’s apartment. Her aunt turns out to be very much alive, and the cops are at her door answering reports of a “suspicious smell” emanating from the apartment.

Satou’s aunt may be alive, but to the horror of both Shouko and the cops, she’s completely whacked out of her gourd. Seiyu Inoue Kikuko, a grizzled veteran of anime who’s played dozens of mothers, balances the sweet kindness of her voice with an underlying malaise.

Everyone who enters her apartment, and sees horrid room in which she sleeps, immediately wants to leave and take a shower. But before the cops can leave, having found nothing law-breaking, she literally jumps on the male cop, senses he’s lonely, and tells him he can do whatever he wants to her and she’ll accept it—sex, violence, violent sex…anything.

This, Satou later tells Shouko, is how her aunt considered “love”, being a receptacle for whatever other people wanted to give her, good, bad, and ugly…all of it. And she’s never changed, and likely never will, as the cops (and you could say society at large) are neither properly equipped or empowered to “do anything” about her.

The female cop manages to wrest her partner away (and turns down the aunt’s invitation to her), and then turns to Shouko, who she also senses is “lonely” and is looking for her “prince.” Satou comes between them and ushers Shouko out of the apartment. Halfway to walking her home, Shouko expresses herself honestly; that she thought Satou’s aunt was hella weird.

When Satou asks if, now knowing the woman who raised her and how she sees love, if Shouko will still be friends with her. When Shouko hesitates to answer, Satou tells her they can go back to being “just friends at work.” and leaves. Shouko wanted to know the truth, and she only got a small taste, and it was way too much, but she’s still ashamed.

After shedding her tail, Sensei, with some properly dominating language, Satou leaves her aunt’s apartment’s front door, marked 305, and walks up to her apartment with Shio, number 1208, where she continues her Happy Sugar Life, untroubled by what went down with Shouko.

But then we flash back to the rainy day she didn’t want to go home to her aunt anymore. Someone chatted her up, invited her to their apartment (1208), and asked her to model for them (they were apparently an artist). Now we know who she murdered: that artist and 1208’s previous occupant.

Happy Sugar Life – 06 – Losing the Moon

Shouko, who is consistently the most normal of characters in this show full of loons, encounters Asahi, and she isn’t one to just keep walking. At her heart she’s a “good girl”, even as she once made a habit of staying out late at night to fool around with men.

She’s also good enough friends with Satou that she knows when she’s hiding something. She’s just not ready to believe Taiyo’s accusations. Meanwhile, Satou tries to hem in Taiyo from further interference by offering to let him meet Shio, while the masochistic teacher is dedicated to finding proof Satou murdered her aunt.

Satou’s far-too-together demeanor at work continuies to elicit suspicion in Shoko, who walks the same shopping district she and Satou used to hang out looking for guys. Only this time, she goes to the park to find Asahi sleeping under a bench, and gives him more food. She has no ulterior motives, she has no hidden neurosis; she’s just helping someone in need.

She wants to know how Asahi got into this state, and he tells her the story of how his mother and Shio escaped the house where her drunk husband was beating her. Asahi stayed behind so “the devil” wouldn’t go looking for his mom and Chio.

Staying meant enduring beatings and KGB-style fingernail torture, but Asahi it was worth it; he’d take the abuse so Mom and Chio could be safe and free. He had his moments of despair, but ultimately endured until his father drank himself to death.

The unbridled joy of discovering this fact is quickly marred when Asahi goes to his mom’s house to find Chio has been kidnapped. His Mom, who from the look of the place was not coping well with living and caring for her kid on her own (even though the alternative would’ve obviously been worse; at least she’s not being beaten) simply tells Asahi it was “too late.”

Shouko scores a day out with Satou, their first time hanging out as friends in a good long time. They have a lot of fun, but Shouko has a mission in mind: she wants to know the truth. Satou is initially totally unwilling to tell her, since it’s something she doesn’t want a good girl like Shouko getting mixed up in.

Shouko forces the issue by telling Satou that she wants nothing else but to know what she’s involved in, because she loves her friend more than anyone else. These words seem to move Satou, and she invites Shouko to come to her house to learn what secret she’s been hiding with a non-existent boyfriend.

Even so, I’m not convinced Satou is capable of trusting Shouko with all of the dark things she’s done that even she herself has compartmentalized. Then again, I find it hard to believe Satou would do anything to Shouko in the presence of Shio—which calls to mind how exactly Shio’s kidnapping went down. More concerning is the fact the masochistic teacher is tailing Satou. I can’t see any of this ending well.

Happy Sugar Life – 05 – Crime and Punishment

Just as she senses something’s off about Shio, Satou finds her latest challenge at work in her kohai Su-chan. After expertly disarming an unruly customer, Satou notices someone’s been through her locker, and that’s when Su-chan tells her all of the obsessive things she’s done to try to be just like her, from copying her bag to wearing the same makeup and underwear.

But it’s not enough, and Su-chan thinks it’s because there are still pieces of Satou’s life she’s missing…her home life. For Su-chan, getting into that is like stepping on a pink macaron land-mine. But Satou has become very adept at dealing with people without violence (like that customer) as much as with. You can catch more bees with honey than with vinegar, after all.

So Satou calms down from the panic of Su-chan bringing up her home life…and proceeds to make out with Su-chan, confessing that she loves her “just the way she is” and ever-so-gently warning her to stop prying. Su-chan is so overwhelmed by the object of her infatuation all over her—and spooked by the warning—that she seems to fall in line. But who can be sure it will stay that way?

Meanwhile, Shouko is one of the only halfway decent human beings in this show. She takes a day off work and pays a visit to Taiyo’s house to see how he’s doing. She inadvertently enters his room, sees the dozens of Shio flyers, and freaks. Taiyo explains how the girl in the flyers is his purifying angel. Does that convince Shouko everything’s fine? Reader, it does not.

He then pushes Shouko against the door, grabs her too hard, and demands that she help him get Shio back from the one who is hoarding her all for herself: Satou. The unwanted physical contact and accusations towards her friend comprise the final straws for Shouko, who shoves Taiyo down and leaves, disgusted that someone “so hot” is so, well, disgusting.

But as she passes another Shio flyer in the street, the seed Taiyo planted begins to sprout—Satou couldn’t kidnap somebody…or could she? Shio’s brother Asahi appears behind her, no doubt to answer that question if asked.

Back home Satou finds Shio crumpled lying on the floor in the dark, talking about “punishment.” She confesses that while she was outside she did talk to someone, and believes her headaches and vision and need to draw a creepy image of her mother, who it seems was harmfully overprotective.

But Satou starts to think this bitter, bitter-tasting situation is her punishment, for lying to Shio. No, not about the people she’s killed, maimed, seduced, or extorted. Because she lied about loving someone else! That, to her, was the one and only crime she committed that is causing the bitterness.

After confessing, Shio forgives her, and the two seem back on the Happy Sugar side. But while Satou believes hiding and omitting things from her love isn’t lying, it ultimately has the same effect…especially if and when those lies are exposed. Too many people now have their eyes fixed on Satou’s life and Shio’s whereabouts. Her true punishment hasn’t really begun.

Happy Sugar Life – 04 – This is Also Love

The blood from the beating of Mitsuboshi by two sociopath guys dredges up unpleasant memories for Shio: those of her mother saying she’ll never forgive her for letting go of her hand. Uh, that’s really unreasonable, Shio’s Mom! Why is everyone in this show have to be so goddamn INSANE smh.

Satou rolls the dice and manages to take out both of the guys with taser (which thankfully didn’t die on her; anime tasers are very fickle) and a knife (gouging out the eyes of one). She scoops up the unconscious Shio and whisks her home to her suddenly very insecure feeling “castle.”

It’s clear Shio had problems well before Satou met her, but Satou has similar traumatic memories of interacting with an adult guardian who was not okay in the head. In this case, Satou’s aunt, who was always covered in bruises and bandages, explaining them away to her niece as “another kind of love.” Yeaaah, notsomuch. Control is not love.

The next morning things seem to be back to normal, but the previous night Satou saw fit to install exterior locks to keep her Happy Sugar Girl “safe” (i.e. under control). Words of trust are no longer sufficient, not after last night, the outcome of which Satou is at least lucid enough to know was extremely lucky.

This is a show where it’s almost never good when two people are together (except I guess for Satou and Shio), but things aren’t much better when anyone is alone: Satou’s teacher is suspicious that her aunt isn’t answering the phone, but also just wants Satou to insult and punish him more.

Mitsuboshi witnessed Satou making off with Shio, posters of whom he’s plastered all over his room, because now he’s a demented lolicon who has become fixated on the girl be belives to be his “angel” and salvation. Even Shio has her private secret: scrawling a crude drawing in the closet while in a trance and chanting “spinning.” 2018, AMIRITE?

Shio snaps out of it when Satou comes home early, which is because her cafe staff was sent home early due to the violent attacks in the vicinity. Still, Satou needs to keep working so she can keep saving to buy (hopefully not rent) a stronger “castle” in which to preserve her HSL. While she only speaks of an expensive dream to her co-workers, her brown-haired kohai is impressed by her dedication.

That night, after giving up on cleaning the blood off the wall of the murder room (maybe she needs to call The Wolf), Satou gazes at her account balance on her phone, which I may henceforth call Chekhov’s Account Balance on her phone, since, at some point, those savings could either be spent or vanished via some foul play. In any case, Satou doesn’t really love Shio; she just wants something all hers that she can control.

Meanwhile, the drawing of Chio’s mother lurks menacingly in the closet—another stain Satou can’t remove—while at the closed cafe the brown-haired kohai breaks into Satou’s locker and smells her clothes with alarming gusto. What can you say—she’s a psycho magnet.

Darling in the FranXX – 24 (Fin) – A Word They Were Never Taught

Despite the hope from their Squadmates that they’ll one day return victorious, there is every indication that Zero Two and Hiro’s insane odyssey through space is a one-way trip, at least in their current forms/lives. As they near the VIRM homeworld and fight off wave after wave of their warships, Hiro becomes a little more Zero-y, and Zero Two becomes a little more Hiro-y.

Back on Earth the gang returns to Mistilteinn, where they find things are growing again, and set to work rebuilding their food supply in order to survive without magma energy they relied on for so long. With Zero Two and Hiro’s lessons, as well as their own experiences, everyone ends up changing and growing up. Kokoro has the baby. The rejected parasites are brought out of hibernation, including Naomi.

Goro sets off on a journey of exploration on Earth seeking supplies and other lost children, making sure to kiss Ichigo before he leaves. After two years, the constant onslaught of VIRM has exhausted Hiro, allowing the enemy to “caress his consciousness” and knock him out, leaving Zero Two vulnerable.

They’re both saved not just by their own love, but by the fruits of those whom they inspired: Ai, the daughter of Kokoro and Mitsuru, named for the Japanese word for love, a word humanity had all but forgotten and which the children were never taught.

When the gang realizes the stone statute of Zero Two is a conduit through which both Zero and Hiro can hear them, they join hands and pray as loudly as they can for as long as they can, until their prayers get through to the two out in space. Hiro wakes up, green-eyed and blue-horned, rejects the pooh-poohing of the VIRM, and becomes even more one with Zero than they were before.

Apus is destroyed, but a new entity emerges; a total merging of Zero Two and Hiro, and they rend the VIRM homeworld asunder in a light that manages to reach Earth. The Klaxosaur fleets return to the earth and become one with it, and the green returns with it. Zero Two’s statue, no longer necessary, crumbles, leaving a small tree sprout.

While still hoping their friends will one day return, Squad 13 doesn’t assign them any time table, and instead begin writing their own stories. They help rebuild human civilization, without magma energy, while building families. Ikuno manages to slow their rapid aging, even though it’s too late for her. Ichigo and Goro have a kid. Futoshi finds another to love and has several kids. Zorome and Miku…continue to bicker with one another.  The more things change, the more they stay the same, and all that.

Then, centuries pass, Zero Two’s cherry tree grows larger and ancient, and a huge futuristic city rises around it, only no longer hidden within a plantation dome, and no longer populated by emotionless humans. It’s in this city built by love, the thing never taught its founders, where a boy and a girl one day meet who look an awful lot like our starring pair. Circle of life, baby.

And that’s a FranXX wrap. These last few episodes sure got BIG, as in expansive in both time, scale, and theme, culminating in a resolution for all of Squad 13 and an ending a franchise like Evangelion may never give us; instead of the story stopping before it ends, the book is closed on Hiro, Zero Two, and the others, and a new story begins, built upon what they started.

The VIRM may one day return, but mankind is in a much better position to oppose them, thanks to Hiro, Zero Two, and Squad 13 not living to fight, but fighting to live…and love.

Darling in the FranXX – 23 – New Battles to Fight

As Hiro and most of Squad 13 and the surviving Nines head into space aboard a gigantic Klaxosaur mothership, part of a massive fleet on autopilot to Mars orbit, Michiru stays behind.

Kokoro believes that because she can no longer pilot a FranXX, she has no more purpose, other than perhaps staying by Zero Two’s side as she continues to get remotely cut by the VIRM attacking Strelizia. Since she feels herself so useless, she neither expects or wants anyone burdening themselves for her sake, but Mitsuru won’t hear of it.

A VIRM fleet intercepts Hiro and his Klaxosaur fleet, attempting to block them from reaching Strelizia, who they’re surrounding. But thanks to Nine Alpha being compatible as Hiro’s pistil, and some teamwork on the part of Squad 13 and the other Nines, Hiro is able to blast through the walls of enemy ships and reach Strelizia, which is believed inert due to not having a Stamen.

Alpha gets Hiro to the access hatch, but self-destructs soon after to take out a particularly large, nasty VIRM. The other Nines sacrifice themselves in similar fashion, going out doing what they were always created and designed to do: to fight in battles like this.

Humans like Squad 13 have other battles to fight, whether it’s the fight in which Kokoro and Mitsuru have to start over after losing their memories, protecting one another and awaiting the new life they created, or Hiro keeping his promise to Zero Two.

When he makes contact with her in Strelizia’s cockpit, Zero Two tells him she left Earth so that Hiro could remain a human, and help rebuild civilization with his Squad 13 family. But that’s not what Hiro wants. He wants to be with Zero Two, like they promised they would be, even if he becomes a “monster” like her.

He believes even Zero Two wanted this despite her actions, because she left the last page of her story blank. By returning to her side Hiro is filling that blank page with a new ending, one in which the lovers never part.

Their reunion triggers a major transformation in Strelizia Apath (or Apus, as it’s spelled in the subs this week), its mask shattering to reveal an enormous Zero Two, replacing or transporting her human body on earth into the cockpit with Hiro.

Now fully awake and in her true form, Strelizia unleashes a new and devastating arsenal of weaponry that annihilates the VIRM fleet in moments, likely ending Squad 13’s last military battle and freeing them to begin the next battle: surviving and rebuilding.

However, Hiro and Zero Two won’t be joining them, at least, not for a while. Devices emerge from the Martian moons of Phobos and Deimos, and their combined beams open a warp gate to systems heretofore long out of mankind’s reach (though at this point the couple can probably no longer be called 100% human, what with the horns and all).

The VIRM’s fleet at Mars is destroyed, but their main fleet is still out there, and their mission to enslave humanity and the Klaxosaurs remains in force. Rather than wait for them to threaten the solar system again, Hiro and Zero Two will take the battle to them.

That means saying goodbye to Futoshi, Ikuno, Zorome, Miku, Goro, and Ichigo, as well as Kokoro and Michiru. It would be nice if they could all fight their individual battles in the same place, but it’s not to be, so they’ll all have to just wait and see if Hiro and Zero Two will ever return to them.

 

Darling in the FranXX – 22 – Nothing Remains Stagnant

The aftermath of the huge battle between the Klaxosaurs and VIRM is even more bleak than that following the destruction of Plantation 13. Squad 13 are just trying to scrape by with their year of rations remaining, hoping to grow crops to one day restock their food supply.

The goal to survive, not fight, hasn’t changed, but nearly everything else has. Everyone is worn out and hungry. A pregnant Kokoro can barely keep down the tiny ration food she’s eating. Zero Two is in a vegetative state, and worryingly, cuts are starting to appear on her arms out of nowhere.

Zero Two kept her promise and went to where Hiro was, but despite sitting right beside him, Zero Two is currently too far away for him to keep his.

The Klaxosaurs don’t offer any help; they’re busy fighting the VIRM, and the dead bodies of both entities falling to the ground, narrowly missing their meager crops. Adults like “New Nana” don’t help, absent explicit orders from “Papa” (who let’s face it, is never “coming home”.)

Finally, Kokoro collapses and upon examination learns she is pregnant. All Nana says that means is that she can’t pilot a FranXX as long as she remains with child. She gives her the option to abort the fetus or not, but carrying the child to term isn’t mentioned.

It seems clear at this point that Mitsuru remembers something of his role in Kokoro’s current situation; how else to explain how helpless he feels in wanting to help her. He reaches out to Hiro, but Hiro has is own problems, and feels just as helpless over his inability to help the one he loves.

The episode continues to pile on, as Squad 13 wakes up to find their crops are not long for this world, apparently due to nutrient deficiency in the soil as a result of magma energy mining. The world itself seems to be rejecting their existence.

Two Adults who look to contribute a crucial role in helping the children survive and create a future are Hachi and Nana. After what he heard from and saw with Dr. Franxx, Hachi isn’t your typical adult human automaton, and follows the late doctor’s posthumous e-mail, retrieving Nana and discovering that all of the rejected parasites are in cryo-sleep.

Franxx’ last orders for Hachi and Nana were to become the surviving children’s new adults, and to take care of them until they can take care of themselves.

While chasing a “sleepwalking” Zero Two, Hiro witnesses wounds spontaneously appearing. He finally discovers the reason after reading her last illustrated page of her storybook, in which the prince is “left alone” when the princess has to go far away. Zero Two’s mind is still one with Strelizia Apath, which is out in space fighting against the VIRM. Its wounds become her body’s wounds.

At around the same time, Goro and Hachi learn that Mistleteinn still has soil with enough nutrients to grow viable crops, allowing them to survive after their rations run out.

Hiro and Goro’s opposing positions on how to proceed clash when Hiro announces to the others that he’s going to space (specifically, Mars orbit) to where Strelizia is fighting. Keeping his promise to Zero Two is the only reason he’s alive.

Goro is pissed by Hiro’s selfishness, but also the timing of his announcement, just when he’s found a glimmer of hope for the rest of them. But there’s no convincing either of them that the other is right. Hiro will go to space, and the others can’t stop him.

Meanwhile, Nana, who had been convinced she no longer served a purpose, finds a new one in comforting a crying injured parasite.

After saying goodbye to Zero Two, Hiro prepares to launch, using the Klaxosaur ship left to them by the princess, along with the choice to “fight or accept your ruin.” Well, turns out nobody wants to accept their ruin, because every Squad 13 and Nine member who is able decides to join Hiro on his interplanetary odyssey, committed to making sure it isn’t a one-way trip.

They’ll go to Mars, help/save Strelizia, come back, and build their future—because while nothing is ever stagnant, they deserve a little stability after how hard they’ve worked, fought, and suffered.

Darling in the FranXX – 21 – Fight to Live

Things are looking pretty grim with the VIRM’s purple nerve networks overwhelming the blue of the Klaxo princess as Hiro continues to suffocate. However, just his presence in Strelizia Apath’s cockpit seems to have delayed the VIRM self-destruct booby trap the princess triggered.

But he only delayed it; Hiro’s friends and allies have just 72 minutes to do something before Apath blows and takes Earth with it. Just as that countdown begins, Zero Two arrives at the control room where Franxx and Hachi are observing events…and she promptly passes out.

When she comes to, she learns from Franxx that she is a clone of the princess, the last surviving member of a Klaxo Sapiens species that fought a millions-of-years-long war with the invading VIRM. That war changed the  once-cosmopolitan Klaxos into sterile war machines, just as humans have become something similar.

Franxx created Zero Two from DNA from the princess so that humanity had someone on their side who could operate Star Entity. He created the human Nines so that she had backup. Reuniting her and Hiro was simply a “scientist’s whim.” For her part, Zero Two doesn’t care about clones or fakes or the VIRM; she just wants to fulfill her promise.

To do so, she has to get back to Hiro in Strelizia Apath. Since the path to the Grand Cradle is sealed and can only be accessed by the princess, Franxx comes along. Right on time, Squad 13 arrives to escort them, bringing a much-needed smile to Zero Two’s face. Time is running out, but it looks like they’re going to make it.

Kokoro, Michiru, Miku and Ikuno stay behind to fend off the VIRM that followed them, so that escort shrinks to one: Delphinium. When they arrive at the door, another VIRM attacks and Ichiro and Goro keep it away from Zero Two and Franxx by grabbing it and jumping off a ledge to an uncertain fate.

Franxx reveals Zero One DNA in his left arm, which the tentacles of the door snatch (with little regard to Franxx’s human parts), and a Klaxosaur snake arrives and opens wide for Zero Two to ride to the Cradle, leaving Franxx behind. One by one, people are sacrificing their lives to give Zero Two the smallest of small chances of stopping the end of the world.

Before leaving Franxx, rather than curse him for what he did to her, as he fully expects her to do, she thanks him for creating her and allowing her to meet her Darling. Love, in Zero Two’s case, trumps hate.

When she arrives, things are bad; both the princess and Hiro are unresponsive. But Zero Two won’t accept it. She kisses Hiro in hopes of taking away the burden of the VIRM infection. Zero One watches in spectral form and is moved (as much as an ancient sentient weapon can be “moved”) to lend to Zero Two what remains of her powers.

In mid-kiss, Zero Two and Hiro share a moment in an idyllic setting, in a wintry place that looks similar to the forest to which they escaped years ago. They kiss in this place too, and in the real world Strelizia Apath “hatches” from the shell around the cradle, and launches a massive beam that obliterates the VIRM fleet in space. In the ensuing chaos, Franxx is crushed, but got to see his life’s work realized, and the world saved because of it.

The VIRM snatch Hringhorni from Strelizia and retreat, vowing to return with a full army (it’s somewhat frightening that what we saw was just a “small detachment” and not at all representative of their full force). But for now, at least, the world is safe.

Time for a big party with good food, good friends, and good conversation, right? Except that the fleet-destroying attack seems to have taken everything Zero Two had. She’s slumped in the cockpit, unresponsive, and her red horns have crumbled.

Could this be the end for Zero Two; one last sacrifice to keep the world alive? And is there any kind of world in which Hiro wants to even live that doesn’t have her in it? I’d predicted often that Zero Two would eventually bite the dust early in the show, a la Kamina, but the fact we’ve (presumably) lost her with just three episodes left somehow hurts all the more.