Call of the Night – 03 – Night Fight

While I could absolutely keep watching just Kou, Nazuna, and the night for ten or eleven more episodes, the introduction of Asai Akira doesn’t ruin the vibes. In fact, she brings a unique dynamic: Kou’s only human friend, something he didn’t think he had in her. When he placed the blue watch on the mailboxes, he didn’t mean to place it right above Akira’s, but that’s how she took it.

When Kou was an aloof kid off on his own in the playground, only Akira went to him to see what he was up to. When he said he was fine not joining the others, she joined him instead, and declared them friends. He didn’t object, but he probably forgot that exchange that Akira dutifully maintained. She still considers him a friend, and is glad he’s doing okay.

So Kou begins leaving ever-so-early from his nightly visits to Nazuna’s for some bed-lying and blood-sucking so he can meet up with Akira (who is an early bird to his night owl). Nazuna jokes that he’s going off to see another woman, and immediately senses from his expression that she’d accidentally nailed it. That said, Kou admits in voiceover that he and Akira don’t do much other than exchange inoffensive small talk.

On one such occasion in the park, he asks if Akira is having fun. She puts the question to him, and he says he isn’t not having fun, so she replies that she is. Just as Kou, extremely inexperienced in such things, starts wondering if Akira likes him, Nazuna menacingly emerges from the shadows only to give Kou a friendly pat on the shoulder and congratulate him for doing “hanky-panky”.

She tells Akira her and Kou’s relationship is “purely physical”, and while Akira’s mention of romance (upon hearing Kou call her “Nazuna-chan) once again makes Nazuna blush, she shakes that off by basically marking her territory, sucking Kou’s neck right in front of Akira and announcing she’s a vampire.

At a 24-hour café, the three sit, and Akira tries to grasp the situation. She asks Kou if he’s skipping out on school because of Nazuna. While she may kind of be the reason now, she wasn’t the original reason, which was that he simply couldn’t be bothered with it anymore. Akira feels the same way, especially with Kou gone, but didn’t ditch because she thought she had to go.

She thinks she’d have more fun if Kou were around, so she asks him to come back to school. When Kou doesn’t immediately refuse and seems to hesitate, Nazuna seemingly gets miffed and suddenly splits. Kou follows after her, asking if she’s angry and why, but Nazuna doesn’t feel like spilling it out, and is clearly still mad, so she flips him off and does her vampire warpspeed thing. Kou looks for her all night, without success.

Finally, in that magical in-between time just before sunrise, Kou falls on his face while climbing some stairs, then uses his receiver watch to call Nazuna. She responds, and he proceeds to tell her that while he doesn’t really “get” fights like the one they’re apparently in, but he wants to make up with her. With that, Nazuna suddenly appears, and is once again as honest with him as he was with her, saying she was “ticked off” by him hesitating after Akira asked him to come back to school.

Turns out she misunderstood; Kou hesitated because he wasn’t sure how to tell a human friend that couldn’t go back to school because he wanted to become a vampire. With that cleared up and the two well and truly made up, Nazuna notices the blood from Kou’s tumble, and proceeds to kiss him in order to drink it, remarking that “a lot came out”. She liked how he said human friend, and that it suggested he had a vampire friend too. Kou may not know this since she’s his first, but vampire friends do kiss.

A Couple of Cuckoos – 11 – A Proper Woman

Sachi is out visiting her folks at the newly opened family diner, so when a storm causes a blackout, it’s just Nagi and Erika, who instinctually hold one another. Growing up loaded, Erika is so unaccustomed to outages she assumes the Martians are attacking.

Once she lights her aromatherapy candle, she and Nagi calm down, and have a cozy little conversation about how much fun they’re both having. Then Erika realizes there’s an emergency kit in the entry hall coat closet and has him go collect it.

While in the hall, Nagi finds a puddle, then trips and falls into who he thinks is Erika…but it’s actually Sachi, who just got home. When he falls into her, they lock lips, but he dismisses it as no big deal and returns to Erika, who is calling for him like a wife would.

But it is a big deal for Sachi, and there’s no way she can forget it! After hearing the exact same scenario play out on her and her friends’ favorite anime, she decides “Screw Onii” and avoids him for the next couple days, making the atmosphere at home awkward for everyone, including Erika.

When Nagi finally comes clean to Erika about what happened, Erika dons her sexy teacher cosplay and points out where Nagi erred. He may still see her as his brat of a kid sister, she’s close to marriageable age; a “proper woman”, and Nagi was insensitive.

When it’s just Nagi and Hiro at the next library study session, Hiro can tell something’s up and offers her services as spiritual counselor free of charge. She tells Nagi he can be insensitive, especially when he blew through her admitting she was engaged and publicly declared academic war against her. But she also likes how straightforward and direct he is, so she advises him to be that way here.

Thanks to the perspective and advice of two other people who care about both him and Sachi, Nagi arrives at Sachi’s door nervous but prepared to end this little row with honesty and contriteness.

He tells Sachi he’s sorry for hurting her and being so thoughtless, and declares his intention to no longer look at her or treat her as just his kid sister, but the proper woman she is fast becoming.

His words do the trick; we know that Sachi wanted this from Nagi, and hearing the words from his mouth without her having to beat him over the head with a baseball bat means the word to her.

Of course, Nagi remains blissfully unaware of the fact Sachi has feelings for him, but hey, at least they’re talking again. Erika is clearly relieved that the vibes will improve

I remain unenthused at the prospect of a Sachi Route, and their accidental kiss could reasonably be held in contempt of the laws of physics, but it was true that Nagi wasn’t being fair to Sachi, and his adjustment in thinking was both welcome and arrived upon thanks to the friendships he’s forged with Erika and Hiro.

Love After World Domination – 12 (Fin) – Cutting of the Cake (Baby)

Fudou and Desumi are having one of their usual mid-battle idyllic meetups when Fudou tells her he’s going to appear in a commercial…for a bridal venue…as a groom, cutting a cake with the lovely celebrity Hashimoto Anna as the bride. Desumi is understandably not okay with this, Fudou tells her it’s his job and she’s being selfish, and she runs off. Haru, always keeping watch over the couple, quickly gets Fudou to realize how badly he effed up.

While Desumi sulks over Fudou’s virtual cheating, Fudou tries to get Big Gelato to cancel the commercial gig, but the venue already provided funding to complete Gelato 5’s new combined weapon, so he instead gets to work baking a cake worthy of cutting with Desumi before he cuts one in the commercial with Hashi-An.

Unfortunately, when he calls Desumi to announce said cake is complete, she doesn’t answer, since she’s still down in the dumps. Then she and all the other Gekko members are assembled by Bosslar to behold the awakening of Ultimate Phantom, a megaboss with which he intends to take over the world.

Unfortunately, Ultimate Phantom doesn’t turn out quite like Bosslar expected. It’s a giant, ornery baby that cannot be controlled. All the Gekko members throw everything they have at it to no avail, and Culverin Bear even gets eaten and his powers absorbed by Phantom.

Desumi is still too distraught to care about all of this, but at the commercial shoot Fudou just can’t go through with cutting a wedding cake with another woman, and in any case Ultimate Phantom attacks the venue in order to defeat Red Gelato. Desumi catches the attack on the news.

Fudou is briefly distracted by the destruction of the cake he made for Desumi, but the other members of Gelato 5 assemble and fight Ultimate Phantom. But they’re no match for it either, and Gekko rolls in to try to bring it to heel. Desumi tags along, still unsure what to do until she sees the remains of Fudou’s cake.

Phantom eats the wedding cake meant for the shoot, transforming itself into a cake baby monster, which is actually a thing that exists and is the occasional mascot for the NBA’s New Orleans Pelicans. I also suspect the previous episode’s baby antics were setup for the reveal of this ludicrous final boss.

When all his comrades are out of commission, it’s up to Red Gelato to wield their new combined weapon, but he alone isn’t strong enough. That’s where Desumi comes in, the two quickly make up, and then combine forces to defeat Ultimate Phantom, an act that doubles as cutting a cake together.

Fully made up and back to their lovey-dovey selves, Desumi and Fudou are embarrassed to find that the baby-sized version of Ultimate Phantom that remains has seemingly imprinted on them as its mama and papa. The hero news covered this entire incident, but always remained too far away to hear what the two lovebirds were saying.

When they draw in close enough to try to get an interview, wondering if the aces of Gekko and Gelato are now allies, Desumi returns to her Reaper Princess persona and beats the stuffing out of Red Gelato, leaving no doubt as to whether there’s “mutual understanding”. Of course, Fudou tips his hat at Desumi’s efforts to keep their relationship theirs.

So ends a very bizarre but fun and entertaining finale to a show that always marched to the beat of its own drummer and exhibited both a solid knack for adorable romance and surpassing creativity with its hero/villain milieu. If it ever gets a sequel, I’ll definitely be tuning in.

Rating: 4/5 Stars

Heroines Run the Show – 12 (Fin) – Feeling the Love

A little while after punching Hiyori, Chizuru starts eating alone. The feelings that led to her taking photos and causing a scandal have subsided, but she feels both her relationship to Hiyori and LIPxLIP have been irreparably shattered. But Juri knows Chizuru still cares, because she was genuinely worried about Hiyori after the punch.

Despite what she did, Chizuru is still deserving of redemption, but knows she has to change. The boys, meanwhile, are prepping for their Countdown Live performance, but when Uchida gives them comp tickets, they hesitate to give them to their former manager-in-training, and settle for their respective brothers.

In the midst of kicking her LIP fandom entirely, Chizuru is surprised when Hiyori pops by her place with the ticket Chizuru had bought and then left with Juri. Chizuru maintains she doesn’t deserve to be a fan anymore, and in any case won’t listen to Hiyori and promptly kicks her out.

Things seem grim, until Uchida does what the boys couldn’t and stop by her place to personally deliver not just a comp ticket, but an all-areas staff pass: they won’t admit it, but they need her to be their manager-in-training for this one. Now that both she and Chizuru have he means to go, Hiyori returns to Chizuru’s house, reveals she knows she’s Chutan, and finally tells her the truth about being their manager-in-training.

Chizuru accepts this truth, and understands why Hiyori had to keep it secret. With that, Hiyori leads the two on a mad dash to make the concert on time. Yuujirou and Aizou scold Hiyori for being late but are clearly glad she’s here, while Chizuru finds her seat among all their other classmates and their friends/dates also in attendance.

Invigorated by the sounds of their awaiting Julietas, Yuujirou and Aizou put all the pieces together and deliver perhaps their best performance, one that’s not about advancing to the top of the idol mountain, but performing for the fans and showing their love for them.

AT4 praises them for this, as they finally seem to “get” what being an idol on stage is about. Chizuru is moved to tears by their passion, and Hiyori also feels that this concert hit different, likely because she’s happy to be back by their side as manager-in-training.

After the show, the managers offer Hiyori her old job back, which she accepts with her usual enthusiasm. After AT4 counts down the new year, things go back to normal with Hiyori both on the track, with her two besties, and back at work with LIPxLIP. Presumably Hiyori also told Juri about her job, while Chizuru openly shares her Chutan persona with her friends.

Whether LIPxLIP could actually get away with having Hiyori fill in as a backup dancer with absolutely no training is a little doubtful, but it’s fun to finally see the Heroine take the stage, if only under a mascot costume. No doubt the boys wanted to share with their future full manager what it felt like up there, to be cheered and adored by the masses.

Is this also a bit of a neat and tidy conclusion, what with Hiyori and Chizuru mostly making up off-camera? Are a lot of the issues about parasocial relationships, stalking, and other obsessive behavior mostly tabled in favor of Chizuru’s personal redemption story? Perhaps, but on the other side, I never liked Hiyori’s decision to quit, and I’m glad she’s back on the job. In the end, she really did run the show.

Vanitas no Carte – 24 (Fin) – Je l’ai choisi pour me tuer.

Last week’s cliffhanger is promptly resolved, as Vanitas ends up on top of Noé, but just can’t quite kill him. His blade remains an inch from Noé’s throat, which may as well be a mile, for it is a distance Vanitas simply cannot move, despite having just hypnotized himself to kill all vampires.

Because Noé won’t drink Vanitas’ blood and Vanitas won’t kill Noé, Misha decides to use his book to zombify more random Parisians, but things go pear-shaped when the book seemingly overloads and starts to devour Misha himself. He’s like the kid who stole his dad’s car, and ends up putting it in a ditch.

The clear unsung hero of this whole ordeal is Dominique, whose strongest side is able to overcome Misha’s control over her weakest side. The one thing she’d never do is hurt Noé, which means she can’t let herself die, since that would hurt him deeply. With color returned to her life, Domi flashes her gorgeous ice magic powers and neutralizes the zombified people and is even able to briefly restrain Misha.

Vanitas draws nearer when Misha calls for his big brother, but it’s just a trick to lower Vanitas’ guard. Fortunately, Noé is faster than Misha, blocking his killing strike, breaking his prosthetic blade and slashing his face, sending the boy into a tantrum. That’s when daddy comes…or rather granddaddy.

Of course, this gramps isn’t Misha or Vanitas’ gramps, but Domi and Louis’—the former Marquid de Sade, AKA The Shapeless One, AKA the Comte de Saint Germain (who is, of course, a real dude from history…and also, judging from the eyes, might be Murr?!). He’s the one who saved Misha’s life and gave him both a metal arm and the idea he could bring his father back. He’s apparently not done with him, as he takes Misha away through a tear in reality.

After that, the opening theme plays as an insert, and Noé awakens in bed to a cheerful Amelia informing him everybody’s safe and sound, and Vanitas is, of course, perched up on the roof. Noé goes up to meet him, and the two are soon joined by Misha and his metal dog. Vanitas says he, not Misha, was responsible for Luna’s death, and it was a mercy killing, for Luna was about to go completely out of control.

When Misha reaches a hand out to once again ask Vanitas to join him in trying to bring Luna back, Vanitas declines. He doesn’t care if using the books is slowly changing them into “something not human”; if he’s going to be killed, he chooses Noé to be the one to do it.

Misha makes sure to tell the two that Domi didn’t kill anyone—Domi is kind, and Misha likes kind people and thus doesn’t want her unjustly punished for her actions at the fair. Then he bounds off on his metal dog, leaving Vanitas, Noé, and the morning sun peaking through the Parisian clouds.

Vanitas is eager to investigate what Saint Germain is up to, but other than that it’s business as usual, with him continuing to serve as a doctor curing vampires of their curses. But while he’d performed these duties for years without anyone by his side (save those dhampirs from whom he’s kept a certain distance), now he has Noé, Jeanne, Domi, and others willing to help him help others…and keep him alive.

While it didn’t hit quite as hard for me as the conclusion of the previous Chloé d’Apchier arc, this was still a strong finale that helped Vanitas take a step out of his dark past and into a more hopeful future, while galvanizing his bonds with those who wish to share in that future. And there seems to be plenty of potential story material for a third season if Bones so desires.

Rating: 4/5 Stars

Fabiniku – 12 (Fin) – From the Heart

When Tachibana’s rants and rampage convince Jinguuji that the best thing to do is to disappear from her sight, Schwartz rises as the true hero of this story by smacking Jinguuji in the face a lot harder than Will smacked Chris. Tachibana doesn’t want him gone, she’s proud to be his best friend, and now she needs the kind of praise only a best friend can give.

What snaps Jinguuji out of his long-standing stoicism isn’t just Schwartz’s smack, but him saying it’s normal (and thus totally okay) for guys to be jealous when their friend—another guy—is with someone else. He’d always been told baring his heart to another is weakness, but he can see how it’s always been Tachibana’s greatest strength.

So Jinguuji bears his heart—while parrying the berserk Mehpon’s attacks—by telling Tachibana that far from having “nothing”, she has so much that he doesn’t. Just when he’s getting through to her, Kalm intervenes, sending Mehpon into berserk mode. But with Schwartz covering him, Jinguuji manages to scamper right up to Mehpon, climb and gain acces, where he finds Tachibana lying in the dark.

He then starts praising Tachibana, but not for his appearance, but for all the things, big and little, that he loves about her. Things only an old best friend would know. They run the gamut from her always being considerate to how she kept whiskey at home even though she hated it because he liked it. Shocked by this newfound honesty, Tachibana resurfaces from his self-loathing tantrum.

The two then emerge triumphant, barely escape Mehpon’s self-destruction, and return to the capital together apologize to the king for all the trouble they caused. The king feels just as responsible since it was his daughter who started the rebellion (Yggie herself is wonderfully uncontrite). Then Tachibana and Jinguuji learn that the Demon Lord’s castle is the big white star-like thingy that’s been in the background all along!

Splitting form Schwartz and Lucius (yet not quite able to shake free of Shen) the two head towards that castle. The night before they say their goodbyes and begin their journey, they have a quiet night of relaxation back in Tachibana’s apartment, where she becomes Charmed for the first time—in this case from watching Jinguuji change.

Thus the two find themselves in a hurry. They need to defeat the demon king and restore Tachibana to her manbod pronto, lest the two of them fall in love, get married, and have a kid. But wait…would that really be so bad?!

Rating: 4/5 Stars

Tokyo 24th Ward – 02 – Fifth Wheel

Shuuta, Ran, Kouki, Mari, and Asumi have been friends since they were little, but in a flashback to those halcyon days, we see that even then Mari was in a state of turmoil rising out of the fact that…well, she wasn’t Asumi. Asumi was the glue that kept them all together; indeed, she was the one who declared RGB was a thing. And now she’s gone.

After years of being a kind of fifth wheel, Mari suddenly found herself one of four, and the estrangement of RGB resulted. That said, she’s still close to all three, especially Shuu, who is her neighbor. Their rooms are even across from one another, so she can leap between their houses to hang out—an arrangement I’ve always longed for. But Shuu is still convinced Asumi could still be alive, shuttering a window Mari can’t leap through.

As Mari meets with each of the members of RGB currently having a post-memorial fight, we also get flashbacks centered on each member. Asumi, who established RGB, deploys them where she believes their skills are most needed—even if it’s conscripting Shuu for goalkeeper duty on the sports field. As a grade schooler Mari joked that she “just can’t win” against Asumi…and that’s seemingly borne out in both past and present.

When Mari checks in on Ran and DoRed, he shows her a mural honoring Asumi while also depicting her as a badass avenging angel, a glimpse of a possible Asumi that never was since her life was snatched away so early. This mural reminds Mari of the time Asumi had Ran paint a mural in the bathhouse. Asumi was always taking the initiative and inspiring action; Mari was always in the background smiling.

Last but not least is Asumi’s actual big brother Kouki. She’s ostensibly there to gather info on a restaurant at the big modern mall administered by Suidou’s family’s Zaibatsu, which is not only her home shopping district’s main rival for the upcoming Gourmet Festival, but also a threat to her district’s very survival. But she’s also kinda sorta there to mediate RGB’s latest  tiff.

Her meeting with Kouki coincides with a Kouki-centric flashback, in which he is utterly failing to hand out flyers for a previous GourFes. Asumi, assigned to another section and having already passed out all of her flyers, urges her brother to wear a smile and appear more friendly if he wants to pass his flyers out. Before long, all the major players in the district are out to help market the Festival. Asumi, bursting with energy and charisma, simply drew everyone towards her, like a magnet-girl.

Back in the present, while walking the dog that got her in so much trouble last week, Mari ends up overhearing a conversation between her old teacher Mr. Shirakaba and SARG officer Chikushi. She learns that Mon Jungle, her family’s restaurant Itadaki’s rival at the new mall, is run by a shady quasi-gang called Yabusame. She emerges from her hiding spot after Chikushi leaves, and Shirakaba assures her the GourFes won’t be rigged.

This leads to a flashback involving Shirakaba, whose students (RGB, Asumi, and Mari) want to keep the old elementary school they attended from being demolished. Mari may not be the nucleus of their group, but it’s clear Itadaki is the group’s base of operations.

It’s there where Mari’s creative okonomiyaki depiction of a blank chalkboard gives Asumi the idea to cover the school in graffiti and spread the word of its historical, cultural, and sentimental importance to the 24th Ward. Of course, as soon as the school and the graffiti idea came up, I thought of the cold open to the first episode and I was suddenly filled with dread.

That’s because Asumi’s idea, unwittingly sparked by Mari, ended up being the death of her. As an old building in disrepair, the school was vulnerable to fire. When that fire finally happened, Mari had Asumi by the arm, outside. All she has to do is not let go and insist they wait for the firefighters. But Asumi insists on being a hero, lets go of Mari, runs into the school to try to save others…and ends up perishing in Shuu’s arms.

The flashbacks make it feel like so long ago, and yet it was so not long ago Mari still has a video on her phone of the aftermath of the fire, admonishing her future self to never forget what happened that night. Even since then, Mari has kept striving to keep up with Asumi, trying to fulfill that role as glue and nucleus, and has found herself sorely lacking. She looks up at the night sky and tells Asumi she can’t handle RGB…not on her own.

However, Mari’s three meetings with the three members of RGB inadvertently bear fruit: they’ve all gathered at Itadaki…for her sake; to make GourFes a success. They snipe at each other a bit, but they still gathered at that same table they always gathered, even though Asumi isn’t there anymore. As different as they all are, and as deep as their wounds are, they still love Mari, and want to support her.

The strategy meeting itself isn’t all that productive as Mari manages to get the boys so stuff on okonomiyaki they get food comas, but it doesn’t matter. Mari managed to get RGB back together, through their stomachs. It’s then when Asumi appears before Mari as she’s washing dishes, offering her blessing going forward while also affirming how important Mari and Itadaki are to the circle of friends.

After one week, I was a little miffed that this show seemingly focused on three dudes. But this week Sakuragi Mari was the undisputed protagonist. Forget tough; Mari felt like Asumi was an impossible act to follow, but she ended up surprising herself, as much as this episode surprised me with its ability to plumb the depths of envy, love, longing, yearning, loss, grief, regret…and redemption. It didn’t feature a single moment of madcap superpower action. It didn’t need to.

Jahy-sama wa Kujikenai! – 19 – Sister Act

Druj is all ready to fight beside Jahy, but first reminices about how she was ostracized for her power to control the minds of others. She was ready to basically commit suicide until Jahy pulled her from the brink. It’s a heartwarming story, but Druj takes so long telling it that their opponent flees, so the two just spend the rest of the night drinking, something I very much would have liked to see.

Back at work, Jahy proves she’s not only great at serving tables, but also preparing the food. Kyouko suggests she could even open her own place with her skills, something Jahy hadn’t considered before but soon gets extremely into. Druj offers her services in finding the ideal location—and likely funding for said pub. Jahy tries to use the landlady as a taste tester, but she isn’t into it when Jahy gets all high and mighty about wanting to branch out on her own.

The manager, on the other hand, is nothing but supportive of Hy-chan going after her dream to open her own place, and even offers to help in any way she can. That’s when the weird sparkly horned ghost (which Jahy calls the “Grey Eminence”) appears behind the manager, asks if she wants power, and the manager says yes, she wants the power to support Jahy. Just like that, the manager becomes a Magical Girl.

When the Eminence tells Magical Girl Manager to steal Jahy’s crystals, the manager refuses, saying that’s not right, and if the Eminence wants them, she should sit down and talk about it with Hy-chan. Then the Eminence takes physical form as a white-and-pink Demon Lord clone. She’s about to attack Jahy when the Demon Lord steps in. Before you know it, both girls have grown to kaiju size and start battling each other.

Jahy does her best to stop the warring girls, but ends up damaging the façade of the pub. The manager is only able to use her magic to make flowers, so Jahy asks Kyouko to transform and buy them some time. Jahy then sprouts bat wings, flies between the fighting kaiju girls, and gets severely injured when she gets zapped by their rays.

When they realize they’ve hurt Jahy the girls return to normal size. The white and pink one admits she did all of this because she wanted her older sister, the Demon Lord, to pay attention to her. Indeed, she first turned Kyouko into a Magical Girl for that purpose, but Kyouko was more powerful than she expected and destroyed her sisters realm. Jahy is understandably quite pissed off that everything that’s happened to her was due to a spat between extremely powerful sisters.

Jahy isn’t satisfied with a half-hearted apology from the Demon Lord’s sister, whose name is Su, but the manager forgives Su, asks for everyone’s help in fixing her pub, and thanks Jahy for putting herself in danger to protect her, but kindly asks that she not be so reckless next time. All’s well that ends well, right where we left off before the manager’s transformation: will Jahy open her own pub?

Jahy-sama wa Kujikenai! – 18 – Show-Off Always Shown Up in Showdown

With her newly-attained Magical Girl-esque powers and new light-blue threads, Saurva believes she’s perfectly prepared to finally defeat Jahy and become the new Number Two. However, she is thrown completely off her game by the fact that Jahy can’t for the life of her remember who Saurva is, beyond the girl she cheered up in the park in her child form.

Saurva, tired of being ignored and mocked, unleashes a flurry of direct strikes with her glowing golden sword, but all she manages to do is improve Jahy’s circulation, along with tickling her and giving her an itch. Shocked and pained by the fact that the bargain she made with that glowing golden being didn’t actually, Saurva runs away in embarrassment, unable to accept Jahy’s pity. She vows to defeat Jahy with her own power…later.

Little does Saurva know that the worst thing you can do to Jahy is ignore her without explanation. That’s exactly what Kokoro does when she runs from Jahy. In wallowing in frustration, Jahy reveals to the landlady that yes, she has made a friend whom she doesn’t call an underling. The manager tells Jahy to open her heart to Kokoro and they’ll be able to make up. Sure enough, Kokoro isn’t even mad at Jahy; she just has a toothache and doesn’t want Jahy to catch it.

The golden being that briefly gave Saurva the illusion of power becomes a rumor among ordinary humans like the landlady and manager, describing a ghost that asks its victims if they want power and sucking out their souls if they say or even think that they do. Jahy thinks it’s all a bunch of codswallop…though considering the things she’s done and been through, she’s not exactly the best judge of codswallop.

That said, the golden ghost—or whatever it is—confronts Jahy on her way home. She insists she doesn’t want even a smidgen of power, but the being charges towards her before she has time to transform into adult mode. Fortunately Druj swoops in and saves her, reporting to Jahy that she’s been hunting the being ever since she became aware of its existence. Jahy determines the best course is for her and Druj to join forces to defeat this thing…whose horns and voice definitely suggest it could be a form of the Demon Lord.

Mushoku Tensei: Jobless Reincarnation – 18 – The Most Important Thing

After a brief scene showing a seasick Rudy and Eris (and a very unseasick Ruijerd) headed to the Central Continent by ship, the rest of the episode belongs to Roxy, who is always either a step ahead or behind her apprentice. We learn she was once in a party with Bojack…er, Nokopara, who has cleaned up his ways since getting burned by Rudy two years ago.

Nokopara, who is a bit older than Roxy, tells her to go visit her damn family already, citing his own family he built since they last met as evidence that family is the most important thing. He would do anything for his wife and three kids, and suspects Roxy’s parents would do the same for her. I must say I appreciate the softening of the initially assholeish horseman.

When Roxy arrives at her home village, she’s immediately given a painful reminder of the main reason she left: in this village, she is “deaf”, i.e. unable to hear the telepathic communication of the other villagers. When they try to greet her, she’s just hit with a static-y feedback accompanied by pops of light—which to the show’s credit is almost as unpleasant for us as it is for Roxy.

Even when she makes a connection with three kids by healing one of them, when they try to thank her telepathically and she doesn’t respond, then a parent shows up and tries to do the same, everything goes pear-shaped. This is a place where Roxy has always felt oppressed by her difference, and the reluctance of anyone there to accommodate it.

It’s a bad start to her return, made worse by a stilted reunion with her parents. Clearly still off from her previous interactions before arriving at her old home, Roxy is noncommittal about how long she’ll stay. When her parents tell her she can stay as long as she likes, then immediately settle into their usual telepathic banter, they unintentionally exclude her out of force of habit.

At this point Roxy has had about enough, and as much as I want her to reconnect with her folks, whom we know to be so loving and kind and caring of her from when Rudy visited, I can’t blame her for wanting to go. She feels like an interloper, an outsider, and always has.

But then her mother starts to cry, after Roxy agrees to visit once in the next fifty years. Even that extremely loose promise is enough to bring tears to her mother’s eyes. Then Roxy catches in the corner of her eye the doll her mother made for her, which she’d clutch while she taught her to read and write, all the while speaking verbally.

One day, lil’ Roxy encountered some kids who she would have been able to befriend, if only she could hear what they were saying telepathically. When they don’t answer her, she understandably feels like she did something wrong, that she was somehow wrong herself, and didn’t belong. That’s why she ran away: so she wouldn’t cause problems for her parents.

But remembering what Nokopara said about parents (good ones anyway) doing anything for their children, and seeing her mother weeping and her doll on the shelf, Roxy can’t help but start crying herself. Oh, she tries to stave off the tears, but that just makes them fall in a great sobbing torrent all at once, in a wonderfully beautiful moment where the camera simply rests on her contorting face.

Roxy gathers her mother into a hug, they both apologize, her dad, getting misty-eyed himself, joins that hug. You have to hand it to Mushoku Tensei, because two straight episodes with these kinds of tearful, cathartic embraces might’ve come off as repetitive and even emotionally manipulative. Instead, I felt right there in that hug, where Roxy suddenly realized this place is still her home, because the people she loves and who love her, are there.

She also learns that Rudy had visited with Eris and a Superd, which enables her to finally connect the dots: Rudy’s the one who revived the Dead End name, and if a Superd is in his party, he must be doing just fine. Roxy rejoins her own party and continues the search for the missing, buoyued by the strides she made with her family and relieved that her apprentice is fine, wherever he is.

Mushoku Tensei: Jobless Reincarnation – 17 – Having It Easy

Lest last week’s episode make us too hard on Paul, we flash back to the same disaster that sent Rudy and Eris to the Demon Continent. Paul suddenly finds himself a stranger in a strange land, with only Norn with him. With Zenith, Lilia, and Aisha nowhere to be found, all Paul could do is keep Norn safe and try to find the rest of his family. Just as Rudy did everything he possibly could to keep Eris safe, Paul did the same with Norn.

Back in the present, Paul once more escapes into drink, but he just so happens to know Geese, who tells him that actually, if he stops and thinks about it (preferably while sober), he was pretty harsh on his eleven-year-old son. Yes, Rudy was an amazing and special prodigy, but that doesn’t change the fact that he is also a little kid who went through a lot and still managed to come out of it with himself intact.

Geese’s man-to-man chat with Paul really provides a key assist to Rudy, as Paul dries himself out and visits Rudy once more at the tavern. Eris is ready to attack him, but Ruijerd stops her. As the two leave to allow Paul to be alone with his son, Ruijerd reminds Paul that the grievances he has with Rudy are only important because Rudy is still alive. As in, Paul still has much to be thankful for.

Last week, both Paul and Rudy learned a lot about themselves and each other. Rudy learned that yes, he actually was kind of treating this like a game this whole time, because he didn’t know the extent of the disaster that befell Fittoa (Paul warns him there’s basically nothing left of their home). When the bartender tells Rudy to look his father in the face, he sees a face he hadn’t seen since the last friend who hung out with him when he was a shut-in in his previous life.

When that friend was doing his best to help Rudy feel like what he was and what he was doing wasn’t bad or wrong, Rudy at the time took it as nothing but patronization and pity. He lashed out at his friend, who never returned to his place. But Paul did come back, to apologize for being too harsh with his son. So Rudy, in turn, suggests they simply forget the previous day happened and start over with a simple father-son hug.

Back at the inn, and with Paul present, Rudy has another Dead End strategy meeting with Eris and Ruijerd. He tells Eris that the home they knew doesn’t exist anymore, and to his surprise, Eris had long ago already accepted that possibility. Thus their mission is no longer to return home, but to find the rest of his family.

Now his party will be active in the same search Paul’s party and Roxy’s party have been involved in since the disaster. That means there’s a good chance one of those groups will find someone. After all, Paul and Rudy found each other. And while it was initially a tough reunion, once both of them committed to being grown-ups they were able to be honest with each other.

Jahy-sama wa Kujikenai! – 11 – Odd Couple

When Jahy’s manager starts growing cherry tomatoes outside the pub, Jahy follows suit, planting seeds in a pot and basically trying to assert her old Dark Realm authority to compel them to sprout. Initially it doesn’t go so well, but with enough water, sunlight, and bug repellant, her plant soon flourishes and bears fruit…in the form of red-hot habanero peppers.

Jahy’s solitary apartment existence is suddenly upheaved when the landlord has a fight with her sister and moves in with Jahy. When Jahy asks why she doesn’t just move into the vacant apartment next door, the landlord says she’d be lonely. Jahy can’t turn down an offer of free rent, but the landlord soon proves to be an unruly roommate, making messes and stealing blankets left and right.

Jahy gets a reprieve from her landlord roomie when she joins Druj at a fancy cafe for a meeting over the progress of collecting mana crystals. Druj has actually collected quite a lot of crystal shards large and small, but believes her rather impressive progress to be woefully insufficient for her dark mistress (Druj is the queen of optimistic assumptions).

Even when Jahy’s lie about defeating the Magical Girl is immediately debunked by the sight of her, Jahy simply declares the flashily-dressed girl as her newest underling, which only makes Druj want to work harder to prove she’s superior to a lowly human.

Jahy returns home to find that the landlord has done precisely none of the housework she was supposed to do, and learns that the landlord is in fact terrible at housework, since she live with her big sister who takes care of it. When her sister calls her, Jahy forces the landlord to take the call, and after a few minutes, the ordeal is over and the landlord moves back in with her sister.

Turns out their “big fight” was about the manager wearing her shirts and stretching them out with her ample bosom. But Jahy was right: when you have a home to go home to and someone waiting for you to return, it’s just selfish not to go back. As for Jahy, she longs to restore her home, and that of the Dark Lord, of whom we catch a glimpse for the first time this week.

Rating: 4/5 Stars

Sonny Boy – 03 – The Detective Is Already Snarky

Nozomi, Nagara, and Asakaze have turned out to be a pretty good survey team, with Nozomi locating new worlds with her Compass, Nagara being able to access them, and Asakaze bailing them out with his powers of flight.

When we check in they’ve already found thirteen new worlds, and Rajdhani is soaking up the data like a sponge at his beachfront laboratory. Their survey work is interrupted by an unsettling trend of students starting to freeze in place and turn pitch black, like voids in human form.

Since she’s the one with the most time on her hands owing to the immense wealth her power provides, Mizuho is put on the case, and she chooses Nagara as her Watson, partly to share what sounds like a hassle of a case, but also because Nagara…was nice to her previously, and she enjoys his company.

That said, she still initially treats him as a rank servant, making it clear that this isn’t a collaboration of equals. That said, she still orders a gaudy couch big enough for both of them, and even gets Nagara the same fast food order she got. When it comes to sharing the wealth, she’s fine sharing it with Nagara.

The uniting quality of the two students (who later become three, then four) who fell victim to the freezing phenomenon is that they kept to themselves, hardly anyone noticed them when they were around, and no one noticed when they suddenly vanished.

While Nagara is busy with Mizuho, Nozomi and Asakaze fail to find any new worlds. Despite this, Asakaze drops in specifically to tell Nagara that he’s not needed and that Nozomi doesn’t care if he doesn’t come back. Nagara brushes this off, and that ineffectual passivity irks Mizuko.

Eventually, Mizuho and Nagara break the case wide open when, no doubt due to Nagara’s unspoken power even he may not even be aware he has, they discover a portal to the space where the four students ended up.

They walk through a honeycomb of blackout curtain walls separating the four spaces of the students, all of whom are content to stay right where they are and keep doing what they’re doing indefinitely. It becomes evident that while they may be content, this wasn’t originally their doing, but another rule of the world, separating those no one else wants around or cares about.

After Nagara and Mizuho’s nightly debriefing with Cap and Pony, a minor disagreement causes simmering underlying resentment to boil over for both of them. Mizuho points how how watching Nozomi follow him around like a puppy grosses her out; Nagara accuses Mizuho of lying to show off and being “ill-natured” because she’s just another recluse; Mizuho tells Nagara to die and storms off.

It’s a testament to how much these two have come to know each other that they each know the precise buttons to press to sting hardest.

But because the two really do care what the other thinks of them despite words to the contrary, both of them feel bad about the spat. Fortunately, back at Rajdhani’s lab, Nozomi offers a clue Nagara hadn’t considered, and he texts an apology to Mizuho, along with a promise to be waiting by the blackout curtains tomorrow.

Armed with Rajdhani’s bizarre, whimsical instruments, the two get down to business lifting the blackout curtains and freeing the students. This is Sonny Boy at its most Eizouken, particularly with the fantastical machinery and Yuuki Aoi lending Mizuho such a wonderfully husky, distinctive voice.

With the case solved and the afflicted students retrieved, Nagara and Mizuho make up with a handshake; what was said when heads were less cool and frustration was mounting is water under the bridge.

As much if not more than their surreal surroundings, what I enjoyed most about this episode was just reveling in this nascent friendship between two people who don’t normally do so well around others doing just fine around one another. I daresay I wouldn’t even mind a whole cour of these two solving cases together.

On the periphery were some interesting inroads into the larget questions about this place, with Hoshi admitting a voice told him this would all happen, and Nozomi being the first to suggest that while she can spot new worlds, Nagara alone has the power to create portals between them.

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