Assault Lily: Bouquet – 08 – Field Day at the Garden

Yuri is assigned her ring and CHARM, making her an official Yurigaoka Lily in addition to being the new talk-of-the-academy. The Student Council is weary of arming her, but as far as the (Acting) Chairman is concerned, until new information comes to light, Yuri is as entitled to defend herself as any Lily.

While lounging on their bunks, Shizu reveals that she’s already thinking about the war that could follow the defeat of the Huge: a return of humans fighting each other. Now that humanity has found Magie, what will they (or to be more precise, its shadier elements) do with it?

Shizu ultimately apologizes to Lily for being so somber, especially on the eve of Yurigaoka’s athletic festival. But as Yuri senses with her nose, all the Lilies are carrying a measure of sadness due to their roles as sole defenders of mankind. Athletics aside, there’s also a mood-lightening cosplay division for which the Legion decides Yujia is best suited.

The sports day is an opportunity for outside onlookers to infiltrate academy grounds and observe their defenders; the Chairman calls them “voyeurs” but orders the StuCo only to “take care of them” if they overstep their established bounds. Like the Lilies of the academy, all outsiders’ eyes seem to be fixed on Yuri, so what better way to keep her safe than keep her in the spotlight?

Yuri (re-)learns defeat in her first game to an elite first-year. Rokkaku Shiori shows off her dual-CHARM-wielding skills, while second and first years demonstrate new CHARM mods from the Arsenal Division. Gropi ends up beating her rival Tanaka Ichi in the target-blasting game by using her Phase Transcendence.

This has the side-effect of draining all Gropi’s Magie for the day, so someone else must fight Moyu’s special “Huge-roid”, which she makes clear she designed to defeat Gropi. Instead, it’s Yuri who faces off, and shows off the same stance as her big sis and unofficial Schutzengel, Riri.

Riri is as worried as a flustered mother hen about dropping Yuri into a veritable lion’s den, but her own Schutzengel Yuyu tells her to calm down and watch, as she once watched her. All the Lilies cheer her on and yell advice her way, and in a gorgeously-choreographed and animated sequence, Yuri defeats the Huge-roid with both ease, grace, and style.

It ends up being Riri crying tears of pride and relief and Yuri comforting her, while Tazusa swoons at the cosplay division-winning Yujia’s cat pose. All in all it’s a successful festival; no real Huge interrupted, and Yuri was kept safe while Moyu was able to gather quite a bit of new data about her.

Moyu makes her report to the Chairman, and sure enough, Yuri is an odd one; average human woman at first glance, but all too normal, as in lacking any of the usual slight abnormalities all humans possess. This jibes with a report the Chairman received from both Grand Guignol and the research institute G.E.H.E.N.A. of a joint “test subject” lost at sea.

The two organizations claim Yuri was born from Huge stem cells—a Synthetic Lily. This is not only super illegal but super immoral, but the groups came clean about it anyway because they are demanding she be returned. The Chairman notes that his purview is limited to educating and protecting humans, so if Yuri isn’t human, the law says he must turn her over.

That brings us to Kaede, the daughter of the Chairman of Grand Guignol, calling her father in the middle of the night. Has she been a Guignol plant, and all of her fawning over Riri been an act? Or is she turning traitor now only because her father’s prized test subject has mistakenly fallen into Yurigaoka’s custody?

For now, I’m inclined to believe the latter is the case. Even if Kaede wasn’t always a spy for her father, she clearly takes deep pride in being her father’s daughter, and her loyalty to him may simply trump her loyalty to anyone else, even Riri and her Legion. If that’s the case, Yuri could be in grave danger.


3 1/2 Stars

Assault Lily: Bouquet – 07 – A Brand New Sister

When a mysterious unmanned vessel is shipwrecked by an apparent Huge attack, who should be first on the scene but Yuyu and Riri’s legion, while on a routine beach patrol. They discover the remains of a Huge, while Riri finds a strange pod and inadvertently sends a tiny shock of energy through it with her CHARM.

Before she knows it, a beautiful girl with lilac hair has emerged from the pod, and immediately embraces Riri. She is brought to the infirmary and made everyone’s immediate object of intense curiosity. That’s right: it’s time for Assault Lily’s “Mysterious Amnesiac” episode.

Not surprisingly, the girl, identified as a Lily, “imprints” on Riri, whether due to the fact she made first contact, due to Riri’s natural charm, or both. She also has the precise “Skiller Value” as Riri, which can’t be a coincidence. In a fraught conference call with a concerned Security Committee brass, Yurigaoka’s Acting Chairman asserts the academy’s autonomy in matters of Lilies.

Due to the girl’s attachment to her, Riri is compelled to step back from her usual studies and Legion responsibilities to become her full-time caretaker. Yuyu and her comrades are understanding, supportive, and admiring of Riri’s compassion…but Yuyu’s restless leg betrays a tinge of jealousy—something Kaede knows all too well and is amused to see in the “lone wolf” Yuyu.

With Riri by her side, the girl not only learns to talk (again…?) but stand, walk, and eventually run, making great progress in a short period of time. When Riri finally reunites with Yuyu, her new “ward” is in tow, making a Yuyu sandwich. All their other comrades crowd together to get a look at the adorable new face. As for her name, she seems to like Yuri, the couple name Fumi gave to Yuyu and Riri, but also apropos in this case as it’s almost as if Yuri is the “fruit of their love.”

They can welcome Yuri (registered under Riri’s surname of Hitotsuyanagi for now) as the newest member of their Legion because the Acting Chairman Takamatsu agreed to make her a full-fledged Lily, complete with uniform and academy admission. StuCo president Izue Shinobu wonders if that’s rash, but the concern from the brass means “people are snooping in the shadows” over Yuri, and Takamatsu wants to draw them out.

The mysteries that surround Yuri herself are also, well, legion: Did she lose her memory, or is she a newly-awakened Lily? How much did Riri’s initial interaction with the pod influence how she’d awaken? Are Riri and Yuri now inextricably connected? Was Yuri some kind of experiment in mass-produced Lilies? Will Riri, Yuyu, and the academy be able to protect her from whomever seeks her out? Hopefully we’ll get insight into these matters next week as Yuri settles into her new life.

Wandering Witch: The Journey of Elaina – 02 – You’ll Never Fly Alone

While flying along on her broom during her travels, Elaina makes it a point to declare that even the “sun’s eyes” squint at the beauty and majesty of the lovely Ashen Witch, i.e. her! I like how Elaina isn’t a perfect goody-two-shoes but has a healthy ego that could curdle into arrogance if she’s not careful, but hasn’t yet. That confidence is both to be expected of the youngest Apprentice and full Witch ever, at at times, justified!

Her destination this week is the gorgeous, whimsical City of Mages, so-called because the non-magical are unable to reach it, as if Diagon Alley were a whole city. Instead of flying cars, witches dart hither and thither in the sky, and Full Witches like Elaina are idolized. Unfortunately her first encounter with a resident involves a mid-air collision with a novice who lost control of her broom.

Elaina repairs the damaged roof and the cut on the face of the girl, who introduces herself as Saya. She thanks and apologizes profusely to Elaina, insisting that she be allowed to do something to make up for the trouble she’s caused, but Elaina is content to continue on her journey, and bits Saya farewell—for all she knows, for good.

Of course, Elaina and Saya are fated to meet again. This happens when Elaina is roughly turned away from every other hotel in the city—a far cry from the fawning and deference she expected due to her full Witch status. It’s a fun echo of when none of the witches in her hometown would give her the time of day. However, Saya happens to work at the one hotel that will let her stay there, and Elaina asks for and receives a “nice witch discount”.

Turns out Elaina was turned away from the other hotels because her Witche’s brooch fell off and is now lost. After a fruitless search, she takes a relaxing bath…and Saya waltzes right into her room! It’s the first sign that Saya wants quite a bit more than just to make up for bumping into Elaina. She prostrates herself and begs Elaina to help train her to pass the Apprentice exams.

Saya shows Elaina a photo of her and her little sister, who came with her to the city but passed the exam before her and returned home. Since Elaina’s ego was bruised by getting kicked out of so many fancy hotels, she wants a win, and a boost to that ego. Impressed with Saya’s prostrating skills (an odd but sincere gesture from her home back east), Elaina agrees: while searching for her lost brooch, she’ll train Saya for a week.

It turns out to be a wonderfully equitable arrangement for both parties. Saya proves a quick study in both broom-flying skills, and while she’s lacking in magical attack focus and accuracy (and mushroom tolerance), Elaina’s very close attention is both appreciated and effective.

In return, Elaina gets to experience what it’s like to be a teacher like Flan was for her, and finds nurturing her junior to be extremely appealing and rewarding. While there’s nothing as intense as Elaina and Flan’s duel, there’s still plenty of lovely eye candy to enjoy throughout their training.

While searching on the roof where she landed for her brooch, Elaina spots a lady whom she pays to tell her what she saw the day of the collision. That night, Elaina lets Saya sleep in her bed with her, and Saya indicates how happy she is that, at least until her brooch is found and she continues her journey, they’ll be “together forever.” That’s when Elaina says she knows Saya stole her brooch and has been concealing it.

This was never about learning how to fly properly—Saya wouldn’t have been able to come to the city from far to the East if she weren’t a solid flyer—instead, but how Saya can’t “pin someone down” with “misguided methods” so they’ll remain with her. Ever since her sister left Saya has experienced crippling loneliness, which she hoped would end upon meeting Elaina (with whom her collision was intentional).

Seiyuu Kurosawa Tomoyo brings a beautiful vulnerability and comic expressiveness to Saya throughout the episode, and shows her equally solid dramatic chops in this scene as Saya breaks down. Hondo Kaede is just as effective as a consoling Elaina who, after delivering a needed forehead flick, tells Saya that being alone is an inevitable and necessary part of becoming a witch (like eating mushrooms).

Elaina felt lonely during her development, but she gradually gained the courage to fight alone, and so must Saya. Part of that means understanding that those she loves are always watching her, even if they’re not physically there. To that end, she gives Saya her spare hat, so that when the time comes that she’s lonely, she’ll remember Elaina’s words and her affection.

Six months later, Elaina is elsewhere in the world (looks like Venice…Hi Arte!) and reading this show’s equivalent of the Daily Prophet, an article in which reports that Saya finally passed the Apprentice exam, and announced that her next step is to go see “the traveler I love!” It’s an immensely sweet sentiment to end the episode, while almost assuring us that not only will Elaina and Saya meet again, but Saya could well become her apprentice.

I’d be remiss if I didn’t pick up on some of the yuri undertones to Saya’s interactions. While Elaina kept things platonic, it’s clear Saya is very much enamored of the Ashen Witch…and who can blame her? While Saya first tried to replace her little sister with Elaina, now that she’s advanced to the next stage of her magical life, Elaina is something else—a friend, mentor, and ideal for which to strive!

Our fellow anime lover Crow has also written on this episode; you read about it here!

Oregairu 3 – 12 (Fin) – A Genuine Something

First of all, wow, what a finale! It’s a pretty much perfect way to send off our crazy mixed-up kids while giving viewers who have eagerly watched them grow for three years a happy ending that seemed impossible at the beginning, when Hachiman was just an arrogant antisocial twerp. Now he’s an arrogant antisocial twerp with a goddamn adorable girlfriend!

But first things first: business. Hikki roped Yukino into a seemingly no-win joint prom scenario he came up with just as an excuse to keep her in his life, but the two dive into their mission with renewed energy and purpose. While before they’d sit far apart, now they’re right on top of one another, and while their dialogue is still awkward, now it’s romantic awkward.

Hikki even proposes the two go to a beachfront park and scout it as a possible venue on their day off, knowing full well it would be a date. With all the will-they-won’t-they tension melted away, we get to enjoy the warm, gooey romance in the center.

From Hikki noticing and complimenting the alternate hairstyle Yukino did just for him to Yukino pulling Hikki into a bubble tea selfie without a moment’s hesitation, to their reaction to seeing a wedding taking place, it’s just absolutely glorious finally seeing these two together and happy! It TOOK long enough!

The Service Club is back in operation for the sole task of organizing the joint prom, and between Hikki and Yukino, they actually have enough friends and well-wishers to help them out with their tall self-imposed task. Their gradual gathering in the clubroom serves as an unofficial curtain call for several secondary/tertiary characters like Zaiko, Saki, Yumiko, Hina, and Kakeru.

Someone important is missing, but she eventually walks in the door, fashionably late with her trademark “Yahallo!”—Yuigahama Yui, ready, willing, and eager to be working together as a team again, and even though the pain of losing Hachiman to Yukino is surely still fresh and raw, she intends to overcome it and continue a warm relationship with both of them.

Hikki and The Lads go for a quick revitalizing trip to the sauna, where buzz commences about whether Hikki is now dating Yukino. He refuses to answer, but Saiko (notably the only boy wearing his towel as if he had boobs to conceal) has his back as always, saying they all agreed to watch over them, not engage in futile speculation.

Afterwards as the sun starts to go down, Hikki meets up with Yukino, Yui, and Iroha, all ready to go to dinner with him Yui and Iroha leave first, leaving the couple together for a moment. He holds his hand out to help Yukino up, even though he knows she can stand up on her own, and she knows he knows. But he holds out his hand anyway, and Yukino takes it anyway. Daaaaaaaawww…


The big day arrives: the day of the joint prom, yes, but also the day Komachi and Iroha meet. It’s everything I could have hoped for, with the two exchanging formal pleasantries and vicious barbs in equal measure and Yui in the middle as a kind of referee. It’s rare you get Yuuki Aoi, Touyama Nao and Ayane Sakura sharing a scene together, and every moment of it is a gift.

Yukino’s mom tries once more to rattle her daughter’s cage, but her efforts are utterly ineffective. Yukino firmly and confidently acknowledges her duties and responsibilities as the boss of this prom—as well as the potential cost to her family’s rep if it doesn’t go well. When turning to leave, Haruno tells Hikki to “brace himself” for a real, genuine journey he’s undertaken with Yukino.

But thanks to all of their hard work and the assistance of their friends, the prom goes off without a hitch just like the last one, only without the dread of the three friends breaking up forever upon its conclusion. If the first prom celebrated the end of the beginning, this prom heralds the start of a new era for Hikki, Yukino, and Yui.

And all of this is, in large part, thanks to Hiratsuka Shizuka, who never stopped bugging a younger, stupider Hikki to join the Service Club and meet similarly transient souls who’d benefit from each other’s interactions. Shizuka ends up getting a lovely extended curtain call and special treatment in the form of a dance with Hikki in a emptied-out hall bathed in a gorgeous sunset.

Then Hikki gets a little lucky when Shizuka trips and lands on him. The romantic energy has never been stronger between these two, but Shizuka is content to be the wise sensei who considers Hikki to be her Ultimate Student. He’s proud of him, and he’s grateful to her, and their warm handshake is the perfect parting gesture.

Speaking of perfect, a seemingly frazzled Yukino has a thick stack of papers in hand as she warns Hikki that the “hard part” of the prom has just begun. Before they split up to perform the various necessary tasks, she rattles off a list of thinks for him to take care of. As the list grows, Hikki starts thinking it’s too much…until Yukino tells him one more thing: I love you.

She said it! No half-measures or weasel words, just the big three! Upon seeing Hikki’s stupid blushing reaction, she shrinks into her papers and shuffles away. I loved it, and even though he knows he’ll have to say something just as clear and unambiguous in response to her in the very near future, Hikki loved it too. The things about her that annoy him also kill him with cuteness, and I’m sure the feeling’s mutual.

Fast forward to the start of Hikki and Yukino’s final year of high school. The two are in the clubroom tying up lose prom ends when their new kohai Komachi enters, enthusiastically volunteering to join the Service Club. When they tell her no such club exists anymore, Iroha follows Komachi through the door (complaining about how fast the “little rice girl” runs) with a StuCo-preapproved application for a New Service Club.

Komachi is the new president, and no sooner do Hikki and Yukino learn they are listed as members does their very first new client arrive with another “Yahallo!” Yui has come for advice on what to do if the person you like has a girlfriend, but you want to be friends with her forever.

A knowing Yukino offers Yui a seat and prepares to pour her some tea. This could take a while, but it could take forever as far as they’re concerned, since that would mean they’d always be together, figuring it out, as they have so many other things.

Season Average: 9.08

Oregairu 3 – 03 – Prommin’ It Up Like “Yay!”

Before Yukino and Yui and Iroha, there was Totsuka Saika and Hiratsuka-sensei. Oregairu finally gets around to having some sustained scenes between these two and Hikki, but the fact they’re in the margins is proof that Hiratsuka-sensei’s gambit paid off, and Hikki has truly branched out socially. To that end, Hiratsuka-sensei seems poised to leave the school, while Hikki is disappointed Saika can’t find an opening in his schedule for a long-belated date.

Their chat is interrupted by Saki suddenly running out, and the two boys run after her. As expected, Komachi has passed her entry exam, and she collapses into her big bro’s bosom with tears of joy and relief. Saki is also pleased that Taichi passed, though she initially acts like she can’t believe it. When Taichi (re-)introduces himself, Hikki promptly tells him not to call him “onii-chan.”

The subject being a big brother (and having little sisters) is something on which Hikki has very strong and unwavering opinions. When Iroha comes to him hoping to get him to help her out with the prom preparations, he warns Iroha not to rely on Yukino, who doesn’t have the stamina for her workaholic pretensions.

Iroha labels Hikki as overprotective, like a big bro or even dad would be, but notes that no girl is “happy being treated like a little sister.” To Hikki, there is only one woman for whom he is a big brother, and that’s Komachi, because she literally is his little sister. Anyone who uses those terms for anything else needs to “repent”.

Hikki dispenses with Iroha’s notion that he’d one day try to flirt with her by stating “I can’t think of you as a little sister anymore”, and Iroha acknowledges it, albeit not with a little bit of her usual “polite-rejection” act. Iroha gets Hikki to help her out, but not because she’s his little sister.

It’s clear Hikki kept his distance from prom prep in part because Yukino really wanted to pull this off on her own, but there’s another more practical reason: he was out of the comms loop due to his virtual non-participation in social media. No matter; if he’s not clear what a “prom” is, Yukino, Yui, and Iroha are fully prepared to show him.

Yukino wants to film some marketing materials for the prom to be used both on social and the official school website. To that end, she’s fitted out the gym/auditorium in full prom regalia, while various boys and girls have been recruited to portray prom-goers dancing and having fun.

This also means dressing the part, and Yukino, not wanting to tax a potential prom king, decides to portray the king herself, in an a suit and tailcoat that’s dapper all get out! I LOL’d at Hikki describing his reflection as a washed-up pianist, but Yukino’s adjustments of his cufflinks and handkerchief make a big difference.

And then there’s Yui, whose gorgeous black-and-white dress is being adjusted by Saki and who does her makeup like this is the real thing. She even feels too self-conscious when Hikki is staring at her intently, but once they’re out on the floor, the lights go down and the music comes up, Yui gets some genuine giddy joy out of this dry-run practice prom, because at least for a few lovely moments, she’s in the arms of the man she likes.

As for Hikki, when the lights turn from blue to red, the music bpms go up and the dancing get more playful and primal, he stands off from the crowd. Now he gets the gist of the prom…and that it’s just not his thing at all! I don’t know how or even if the real prom will resolve the Hikki-Yukino-Yui triangle, but on the matter of Yukino Gettin’ Shit Done, it’s mission accomplished so far!

Oregairu 3 – 01 – Robot Tears

In the park, in the gentle snow, Yukino submits her request to Hachiman and Yui, a request non-readers have been waiting to hear for five years. When Haruno once asked her if she even has a “self”, Yukino pondered an answer and found the results disheartening. She wants to find that self, a self that isn’t following in the footsteps of Haruno or her mother.

While she’s enjoyed faux independence to this point, now she seeks the real thing, even when it means moving back home. Her request, then, is for Hachiman and Yui to support her in her efforts. They accept, walk with Yukino back home, and encounter a tipsy Haruno. Yukino wastes no time getting things moving, telling her big sis they need to talk.

The next morning, Hachiman stows Yui’s much-improved cookies in his desk and greets Komachi, who has already made him breakfast and is preparing for a strenuous day of interviews for entering high school. Their semi-antagonistic banter may feel a tad performative to an outsider new to their interactions, but that’s mitigated by the fact the banter flows so organically and is studded with moments of genuine sibling affection.

While waiting for Komachi to meet up with him for some shopping, Hachiman runs into Kawasaki Saki and her own imouto, Keika, who’s a lot younger than Komachi. Saki remarks how Hachiman is so used to spoiling his little sister, he’s totally unaware he’s doing the same to hers. Then again, at a time when Komachi is growing up fast—entering high school, ye gods!Hachiman is happy to pamper a little sister without pushback.

Hachiman brings up Saki’s brother Komachi shows up, elated and hyper, then when Komachi arrives, Saki observes more of their brother-sister banter. Considering her extreme reaction to Hachiman’s offhand “I love you” during the cultural festival, and her reactions to Hachiman here, I wouldn’t be surprised if she’s developed a teensy little thing for him.

From there, Hachiman and Komachi go on a multi-vector shopping trip, though Komachi earlier remarked that any attempt by her bro to call it a date was “creepy”. Still, the two clearly have a ton of fun flitting from one place to another, culminating in buying groceries for dinner, which Komachi prepares after doing all of the house chores without Hachiman’s help.

These are all efforts by Komachi to make up for slipping in her chore duties during her high school entrance prep. Hachiman never made a big deal out of any of it, but the fact Komachi wants to make it up to him, and he doesn’t resist, says a lot about how much their relationship has improved even as the two go through such major changes in their lives. She then kneels, bows, and formally thanks her brother for taking care of her to this point; she’s to a large degree the person she is thanks to his care and love.

Like Yukino, Komachi doesn’t want to be pampered and spoiled forever as she ends up following a pre-determined path. The two women seek to strike out and prove to themselves they’re capable enough stand on their own and choose their own road to travel, while still accepting moral and practical support from their family and friends.

Hachiman can’t help but tear up over Komachi’s mature display. Rewarding days, months and years lie ahead as Komachi will continue to make him proud…but his days of wiping chocolate from her face are over.

Elfen Lied – 12 – Total Recall

Shirakawa and the assault team can only stand around and watch in horror as Mariko continues to toy with Nana like a child rips wings off an insect. Only Nana is, horns and prostheses aside, a human being. Despite this, they allow 35 to have her way with Nana so she’ll be more cooperative. It’s frankly sickening to see other humans stand by and let this happen.

I know they see Dicloniï as an existential threat to humanity, but Shirakawa and the soldiers are abdicating their own humanity by allowing such sickening, wanton cruelty to occur. Lucy may be one thing and 35 another, but Nana is living, breathing proof that Dicloniï can coexist peacefully with humans. Mayu sees Nana and Nyu as sisters and Kouta and Yuka as their mom and dad.

And it’s Kouta who comes to Nana’s aid when no one else will, putting his own life at grave risk. Not only is Mariko eager to have more “fun” killing people, she resents the fact Nana has a friend, something Mariko didn’t believe was possible because, well, she’s been encased in a giant steel enclosure who whole damn life! I can’t blame Mariko for being the way she is, which is a direct result of the dehumanizing, self-defeating actions of the researchers at the facility.

Nana uses her remaining strength to keep him from being hurt, demonstrating she’s far more human than those who wish her dead. She ends up falling off a bridge into the water, and her fate is left unknown. However, when Nyu finally catches up to Kouta, she slips on a pool of Nana’s blood and hits her head. Lucy reawakens and kills Shirakawa and the soldiers one by one right in front of Kouta, whose long-repressed memories finally surface.

The story that unfolded in episode nine is thus completed, as Lucy followed Kouta’s family on the train out of Enoshima. Kanae claims to have witnessed a “girl with horns” killing lots of people at the festival, but Kouta doesn’t believe her. When Lucy appears, Kanae confirms she was the killer, but Kouta won’t hear of it, slaps Kanae, and orders her to apologize.

Kanae just wants to get Kouta away from Lucy, worried he’ll be her next victim and putting herself between the two, but Lucy snaps her in half, and then beheads Kouta’s father. When Kouta asks why she did these things when he thought they were friends, she calmly responds in her cold Lucy voice: “I didn’t kill you because we’re friends,” then vows to kill Yuka next.

Let me be clear: Lucy is this way because of humans. She killed the bullies because they bullied her; had they been nice to her she’d have been nice back. She punishes Kouta by killing those close to him because he lied to her. It may have been a white lie meant to protect her, but someone with her past didn’t make that distinction, and it doesn’t change the fact it was not the truth.

Back in the present, Kouta finally reconciles those newly surfaced memories with Nyu’s true identity, but he has little time to process them as Bando arrives ready to kill Lucy. She flees, baiting him to follow her, and urges Kouta to meet her at the stone steps. Kouta and Lucy have hurt each other gravely, but perhaps, like Shirakawa briefly hoped, there can be a resolution that doesn’t involve killing. Okay, that involves minimal killing. Bando obviously has to go.

BokuBen 2 – 09 – She Can Go Her Own Way

It’s bad enough that Fumino’s father fails to show up for parent-teacher conferences. It’s quite a bit worse when he does come to her school to court Rizu for her mathematical prowess, since he’s the professor at the open campus.

We learn he’s very much against Fumino’s dream to enter the sciences, calling it “the ignorant fantasy of an incompetent person” and saying she’s free to leave his house if she wants to pursue it. That’s when Nariyuki, already physically in the middle of this family squabble, says he’ll take Fumino into his house for now.

If Uruka was the protagonist last week, Fumi obviously fills that role here. She’s always worked to steer Nariyuki towards the two girls who have the strongest feelings for him (Uruka and Rizu) while undervaluing her own. Now we know why: since her mom died, she’s never felt like she’s measured up.

That’s why I’m so glad to see that circumstances conspired to bring her closer to Nariyuki than anyone else, almost as a challenge to her insistence on putting herself third (or worse) in the running. The two once had to share a hotel room together, which led to one of the more poignant moments of the series.

Now, with the endorsement of his mom (who adores Fumi) and the disapproval of his little sis (who may only ever consider herself worthy of him), Fumi becomes a temporary member of the Nariyuki household. That warmth and familiarity is echoed in a scene where the two are brushing their teeth together, and both note (Fumi in her head, Nariyuki aloud) that it’s like they’re newlyweds.

Despite Uruka being his childhood friend, her feelings are so intense that situations like the ones he shares with Fumi could never be possible without her quickly overheating. Fumino, who always tries to keep Nariyuki at a romantic remove, slips into domestic bliss as easily as Uruka swims a lap.

While studying together as the rest of the family sleeps, Fumino tells Nariyuki that her mother was a famous mathematician whom her father placed on the highest of pedestals. When she suddenly died, his grief was so great that he’d sooner slap Fumi across the face—and stop even looking directly at her—rather than properly deal with the fact his wife was gone.

Instead, Fumi’s face was a constant reminder of what he lost, and her attempts to “do math” in her stead only made him more bitter and angry. Sorry you lost your wife, dude, but that’s no excuse to be a complete and utter SHITHEAD to your precious only daughter!

While hiding (in very close quarters) from her dad after he came home unexpectedly (they were there to pick up *some* of her clothes), Fumino finds her mother’s laptop, which contains her password-encrypted thesis. I’d bet the password is “FUMINO” but because it’s that, her father never managed to unlock it.

But Fumino’s done feeling bad for her father for shit that wasn’t her fault. If she can only pursue her dream by leaving him and her home, so be it. It may not be the safest or most practical route, and all too easily dismissed as impulsive youthful rebelliousness, but…let’s not forget: her dad is a diiiiick.

Assassins Pride – 05 – Just a Step in Front

Keira Espada tells her underclassman Salacha Shicksal that she’d rather an inter-family fued like the Angels’ not interfere with the Luna Lumiere Selection Tournament, but there’s nothing she, Melida or Elise can do about it. White Night’s ongoing investigation into Melida’s ability and Othello’s insistance on Elise’s superiority means there’s no way the tournament won’t be affected. Indeed, it already has.

That’s thanks both to Othello’s rigging of the cadet selection and the fact that Black Madia is not only on the loose in the school, but assuming the form of a student, meaning she is everywhere and nowhere. Still, the host school’s headmaster would apparently prefer both a tainted final result and the mortal danger of a lurking assassin rather than cancelling or even postponing the tournament. She puts tradition and propriety before truth and the safety of her students. Shame on her!

Anyway, the show indeed goes on, by which point Melida has been encouraged and galvanized by both her tutor Kufa and her teammates Nerva and Shenfa, who buck the trend of believing Melida will never measure up to Elise. When the two finally meet for the fateful duel, Elise finally expresses that she didn’t want to win against her “big sister” because she didn’t want everyone’s assumptions—including her own—that Melida was weaker than her to be true. She wanted to continue being second-best.

Deeming that to be impossible to keep up the charade any longer, all Elli can do now is prove that which everyone assumes and which she always feared: that Melida can’t beat her. Only…Melida hasn’t been sitting idle all these weeks with Kufa. She’s learned quite a few new tricks that optimize her mana, and Elli has been too busy with her own preparations to keep up with her big sister’s training.

Turns out Melida not only believes she can beat Elli, but she goes and does it. With everyone watching, Elli doesn’t take the fall, she loses fair and square to a disarming attack, and Melida makes it clear she’s determined to stay a step ahead of her little sister…if only just a step.

While the sisters’ fight didn’t last long, it did pack a punch, and I appreciated that Ishikawa Yui got some spirited dialogue to sink her teeth into, almost channeling her best-known role, Mikasa Ackerman, in the process (both Mikasa and Elli both being cool, powerful, yet reserved beauties).

As they fight, Kufa is on the lookout for the disguised Black Madia, and thinks he’s found her when he encounters her all alone with something suspicious in her bag. Turns out he’s mistaken: it’s not Black Madia at all, but a student from the other school who spoke with Melida last week: Mule la Mor. Her mana-absorbing Diabolos class is too high a class for Madia.

Soon after Melida and Elise’s big catharsis, Madia steps in to try to finish the job Kufa won’t on behalf of White Night, who disguised herself as Nerva to get as close as possible to her target. The glass palace’s giant sentries initially stops her, but she destroys their weapons. Turns out that’s an unforced error, as it allows other non-cadets to enter and save the day: specifically Kufa, with Rosetti backing him up.

Kufa slashes away all of the Clown-class’s illusions until she’s stripped down to a revealing outfit that makes her self-conscious. At this point she completely loses her nerve and becomes submissive to Kufa, almost acting like she likes him, which may be the case. In any case, Kufa suggests a compromise: she can return to their boss with his “supplementary report”, thus not returning empty-handed in shame. In exchange, she’ll withdraw without further trouble.

After the credits, however, Madia is right back at the school, this time entering the front door as an instructor. Her transition from fearsome adversary to potential ally and supporter of Melida is awfully quick, but I’ll allow it. As for the tournament, Keira Espada wins, and Mule la Mor shows Salacha Shicksal a “mana analyzer” containing all the mana info of every girl who fought in the palace—including Melida’s—for Salacha’s brother. As the OP hinted, looks like we’ll likely see more of Mule and Salacha.

Assassins Pride – 04 – What Matters is the Way it Looks

Since they were little, Elise has always seen herself as Melida’s little sister, someone to cling to. That hasn’t changed just because Elise’s mana awoke sooner, nor since she surpassed Melida in combat prowess. That means the both of them would really prefer if they could be on the same side…a sentiment shared by Elli’s tutor Rosetta where Kufa is concerned.

Unfortunately, when the Luna Lumiere Selection Tournament kicks off, the two are unexpectedly named Cadets and the leaders of three-girl teams in direct opposition with each other, along with two similar teams from their sister school. Both Nerva and school “queen” Shenfa join Melida’s team.

Needless to say this isn’t ideal for the girls, as Melida still doesn’t think she has a hope of defeating Elli in the inevitable one-on-one matchup. She may not be wrong, but as one of the members of the other school (perhaps the “amazing first year” people were buzzing about) tells Melida to stand tall and demonstrate her power, otherwise no one will ever trust that she has it.

Kufa tells Melida that no matter what others think (and they think her and Elli’s selection was rigged), he’ll stand with her always. But he also finds out that Elli’s maid Othello rigged the stained glass window so the two would be named the school’s cadets, which he reveals to both girls and Rosetta. Still, Melida intends to carry on; beating Elli fair and square in the final trial is the only way to change the minds of people like Othello.

However, a number of obstacles to that outcome reveal themselves. First is Black Madia, an emissary from the White Night who confronts Kufa in the forest. She wonders why his report on Melida was so sparse and whether his loyalties to their order are wavering. As far as Madia’s concerned, Melida should already have been eliminated, but to do so herself, she’ll have to get past Kufa and Rosetta, and later school security.

She can’t, so she withdraws for the time being, warning through her burning cards that “the shadow is always behind you.” Kufa tells Rosetta that Madia is Flandore’s most powerful member of the Clown-class, able to mimic all the other classes. Needless to say, we haven’t seen the last of her.

The other main obstacle to Melida’s intentions is, well Elise. Elise isn’t any more confident Melida can beat her than Melida is, and so she comes to her room in the night to announce her intention to lose to her on purpose. She clarifies that she’s not doing it for Melida’s sake but for her own: she wants to remain her “little sister”, and beating her in public is the last thing she wants to do.

This doesn’t sit well with Melida, but fortunately she has a week to change Elli’s mind, either through words, or more convincingly, through her actions during the tournament.

HenSuki – 08 – Fairy Godsister

For all his more kinky potential love interests at school, Keiki’s home life is defined by a healthily affectionate relationship with his imouto, with whom he spends the most time this week. Okay, maybe they’re a bit too close, as her reaction upon him walking in on her is almost too calm, and she seeks advice from him about the color of her underwear, and they have no problem with close physical proximity.

A quiet day at home is punctuated from a visit by Sayuki, who apologizes for jumping him at the clean-up session, but deems it the result of him showing his “pet” inadequate affection. So she has him do dog stuff to her: shaking hands, patting her head…and rubbing her belly. It’s the last thing that Mizuha walks in on.

Immediately after an “emergency family meeting” where he smooths things over, Yuika arrives, also bored, and dresses Kaiki up as a bunny girl before again removing her underwear for him. Mizuha walks in on the middle of that, necessitating another meeting.

Basically, after Keiki dealt with Ayano and Koharu, Sayuki and Yuika reassert themselves as his two primary love interests. Finally, Mao calls him, aware that the other two were planning to visit him, and asks a very cryptic question about what he’d think about her being his girlfriend.

Later, Keiki is shocked to discover Cinderella’s white underwear has vanished from under his bed. He concludes either Sayuki or Yuika took them, which makes them the two prime Cinderella suspects. I for one am not so sure about that, or his further deliberations with Ootori and Shouma.

For one thing, Mizuha could have removed the underwear. For another, either Sayuki or Yuika could have taken them and not be Cinderella. Finally, Mao’s phone call is super-suspicious. Still, Keiki is hell-bent on discovering the culprit once and for all, so he isolates Sayuki and takes her out to a theme park in order to continue his investigation.

HenSuki – 02 – Kohai Master

Keiki flatly turns down Sayuki’s request that he make her his pet—he’s just not sure if he’s into S&M, and probably never thought about it. But that doesn’t stop her from hanging around him, even in the library, where she gets too close and draws the ire of their mutual kohai, Koga Yuika. When Keiki admits he took Sayuki out for a parfait and performed a romantic wall slam, she’s angry, but he can cure that anger by taking her on a date.

Keiki does everything right thanks to some pointers from his little sister Mizuha: Arrive early, compliment often, go to a movie she likes, have a relaxed lunch, match her pace, let her shop till she drops. He even has the opportunity to rescue her from some leering mall trolls. Yuika gives Keiki a pat and kiss on the head as thanks and then falls asleep on his shoulder on the train home. All in all, it’s a wonderful first date for the both of them.

Yuika always kept to herself in the library and was hard to approach (which he chalks up to her mixed heritage, which…okaaay), but he was persistent in his friendliness and kindness, and her suspicion and “ice in her eyes” gradually melted away to the point they’re now much closer. But is she “Cinderella” who included a pair of underwear with her love letter? The jury’s still out.

What becomes painfully clear, however, is that Yuika is not like Sayuki, and she does not want to be his pet. In fact, when she asks him to meet her in the library storage room, she reveals that she wants to be his master, and wants him to be her slave. As an incentive, she removes her underwear and offers them to him. When he doesn’t immediately take them, she punishes him by stuffing them into his mouth. Yikes!

Suffice it to say, this development comes as something of a shock to Keiki. He was so enchanted by their conventional date, he would have been content if he died the next day. Instead, he finds himself passed out in a closet with Yuika’s underwear in his mouth, and a commando Yuika sitting astride him. They’re tricky, those tides of fortune!

Hensuki – 01 (First Impressions) – A Short Leash

Kiryuu Keiki gets to hang out with three cute girls in the Shodou Club (four if you count his imouto, which he doesn’t), but he wants a girlfriend. So imagine his shock when he finally receives a love letter from a secret admirer…along with a pair of underwear.

From there, Keiki tries to investigate which of the three girls (excluding his sister) could be the “Cinderella” to his Prince: the cool, mature senpai Sayuki (Taketatsu Ayana), the adorable blonde kohai Yuika (Hidaka Rina) or the approachable classmate Mao (Nomizu Iori).

In his interactions, the girls exhibit what could be construed as signals indicating they are the culprit, in addition to having feelings for Keiki beyond mere friendship, but nothing concrete until Sayuki happily accepts a date offer he accidentally makes when thinking out loud.

When he asks Sayuki straight up if “she has a secret” she’s not telling him about, she flees, and spends the entire next day at school very obviously avoiding him. Mao suggests he employ the “wall slam” tactic (much more effective in anime than IRL), which he does when he spots her walking home.

He tells her he knows her secret (assuming its the note and underwear); when she asks if that means he dislikes her now, he tells her it’s quite the opposite; after the initial shock, he was glad. Mind you, he makes no mention of what he’s talking about.

The next day, Keiki reports to the clubroom as requested, Sayuki makes him close his eyes, and when he opens them, she’s wearing a collar and leash,  exposed her bra, and asking to be Keiki’s pet. That’s when Keiki knows he’s in for something a lot stranger than he bargained for!

Hensuki is another show that would probably benefit from being 12-13 minutes instead of double that; the “investigation” drags on too long even if it’s also meant to introduce the main players. While a decent-looking, this show is utterly by-the-numbers and generic except for the twist at the end, which doesn’t definitively answer the question of who gave him their underwear.

This will be the story of a guy whose female acquaintances each have their own unique kinks, which they’ll reveal to him because he’s a kind and understanding dude. It is notable that the show so far exhibits a particularly soft touch when it comes to its ecchi element. But where this goes from here—and whether and how the premise can be sustained for 12 episodes—very much remains to be seen.