Owarimonogatari S2 – 01

Owarimonogatari is back, and promises to inch ever closer to the endgame of the sprawling story of Araragi Koyomi and the town “where a white snake once reigned.”

At some point after the “hell” he went through over spring break, Araragi Koyomi visits Gaen Izuko at the North Shirahebi Shrine…and she murders him. He wakes up to find none other than Hachikuji Mayoi (her usual age) there to greet him.

After his customary hug (this one being one of the more elaborate and extreme ones) and a lot of inappropriate contact, Mayoi punishes him with her signature pit bull-like chomp. She informs him of what’s going on: he’s dead and currently in real hell (specifically in Avici, the lowest form of hell, due to his vampirism).

Mayoi is in hell because both her parents outlived her, and so spends eternity stacking up stones by the riverbank. Especially for a little kid, she’s remarkably calm and fine with this, with a “that’s the way things go” attitude.

They then commence an epic, trippy ascent up through the layers of hell so that Koyomi can meet someone. He’s shown all of the moments that preceded his making key decisions in his life, from finding Shinobu to catching Senjougahara to everything else; and the recurring reaction is that if given an opportunity to return to those moments, he wouldn’t change a thing.

His only exception is the incident with Nadeko, but Mayoi assures him he’s being overly tough on himself for not being omnipotent, which no one is.

The long, reminicing journey finally brings him to another iteration of the Shirahebi shrine, where Tadatsuru Teori is waiting for him. It turns out Gaen Izuko’s murder was far from random, but part of a larger plan to exorcise Koyomi of his vampirism. Sending him to hell was merely a side effect.

Teori presents Koyomi with a white snake-like rope back to the world of the living where he belongs, and when he returns, he will no longer be a vampire, which if you as me is huge.

Koyomi worries if he’s really the most worthy person to be resurrected, and Mayoi, punches it into him that of course he is: he loves to be alive, and cherishes his girls and has done far too much for them to simply accept death and a life in hell.

Koyomi turns Mayoi’s own positive vibes onto her, grabbing her at the last minute to drag her back into the living world with him, which she doesn’t seem to have expected, but Izuko is nevertheless pleased he did. Izuko, by the way, is on the cusp of being killed by Shinobu until Koyomi returns; clearly the vampire wasn’t pleased about the stunt the specialist pulled on her master.

Teori also informed Koyomi of the person who requested he exterminate him: Oshino Ougi. Izuko leaves Koyomi, Shinobu and the resurrected Mayoi alone, looking forward to the “battles to come” where she hopes to enjoy a slight advantage.

In the meantime, after a mad, psychedelic metaphysical odyssey through the underworld, Koyomi heads off next for something as mundane as his college entrance exams. 

Bloodivores – 01 (First Impressions)

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The Gist: 30 years ago, a vaccine for a virus caused some people to become vampires. After hundred of cases, the courts continue to hold the company accountable and the ‘Bloodvores’ are protesting. Also, occasionally attacking people for their blood.

Meanwhile, a group of Orphan Bloodvores rob a bank and are framed for 15 murders they did not commit. One of the kids is the sun of the director of BST, a commando group that deals with bloodvores (usually by beating them over the head with clubs) but he has daddy issues.

After a mock trial, the kids are driven away and shot by BST goons, but obvious not killed because they are the main characters…

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Bloodivores is almost so bad it’s funny but the animation is so poor I can not recommend watching it. Character movements are slow, filled with pauses, poorly framed (usually too close), and everything looks generic. 3D vehicle assets and backgrounds look like they were purchased from other shows or asset databases.

What almost works is how oblivious Bloodivores is of its try-hard terrible nature. Things like the TV News piece on ‘The Historical Side Effect Problem of Medicine,’ to the techno-babble about servers and a computer literally blink ‘hack,’ to the 90’s cool tench coats and broodie bad boys, Bloodivores perfectly captures a 8 year old’s sense of cool.

There’s even a scene where a tank slowly moves to block a tunnel exit… except, when it is revealed from the TV helecopter’s view above, the tunnel opens onto a tightly walled road. Meaning, there was no space for the tank to have moved from to block the road and no thought put into this show at all!

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The Verdict: judging from next week’s preview, our kid vampires will be joining a secret group of monster-clean suicide squad style and face nightmares the government is too lazy and or corrupt to deal with. Also, probably something backstory related to the protagonist’s mom.

No thanks

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SERVAMP – 01 (First Impressions)

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Shirota Mahiru, 15, likes simple things, hates troublesome things, after being orphaned his uncle becomes the “someone” to raise him, and leads him to take in a stray black cat he names Kuro that turns out to be a vampire, whom he forms a Servant-Vampire (“Servamp”) contract with to save his friends.

First of all, Shirota Mahiru is a liar. If he really hated troublesome things, he wouldn’t have saved the cat, and not regretted not taking it in. Instead, he did the one thing that would make the most trouble for him, having to take care of a pet where before he didn’t have one.

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That aside, Shirota Mahiru is also a composite of several dozen shounen heroes I’ve already seen before, which is problematic. Of course his mom got wasted in a car accident and of course he’s great at housework and would make a great wife and of course he gets saddled with an odd-couple partner.

This color-by-numbers slog continues with the expected personality-clashing slapstick, right up until things get serious when one of Mahiru’s friends seemingly loses all of his blood at once when attacked by the vampires a friend told them might be lurking around. As for why vampires exist in this world, well…they just do, ’cause.

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Speaking of “of course”, of course the bad guy is a loopy flamboyant dude in a white suit and top hat who slurs his words as he raves and swears because oooh, he’s such a Craaayzee Vampire Villain Dude! And what do you know, when Kuro (most inventive name for a character EVER) sees Mahiru put his life on the line to save his friends, he springs into action and kills (well, wounds) the crazy vamp, completing their contract and ensuring similar battles in the future.

Count me out of this yawn (and, I might mention, sausage) factory. I’m rating this niche appeal…you know, for the kind of viewer who just isn’t interested in watching something they’ve never seen a hundred times before. Because that would be too troublesome.

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Owarimonogatari – 12 (Fin)

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Yeesh, I’m running out of shows to watch, fast! With the conclusion of Owarimonogatari (which I thought was ending next week for some reason), Only One Punch Man remains on my Fall list. And like Asterisk and RKC, the main event of this finale is a duel; this one between Araragi and Shinobu’s first minion. Before he steps into a battle that might end in his death, he gives his girlfriend a call, and she knows and says all the right things she should.

She saw Kanbaru’s feelings early on as a burden, but wants to be someone able to tolerate and bear that weight, as part of her wider self-improvement kick that also includes becoming Araragi’s bride. When they exchange “I love yous”, I really felt the love and the committment these two have to each other.

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When Araragi arrives for the duel at the designated spot, the First is somewhat incredulous about Shinobu’s commitment to Araragi, for allowing him to show up in such a “weak state.” Izuko sets the rules: they’ll stand back to back on either side of a non-lethal electrified kendo sword, take ten steps, then turn around, and the first to score a hit on the other wins, regardless of who gets the sword first.

A wrench is thrown into the works when Tsubasa sends Araragi a pic, and Izuko throws further wrenches into the works by saying both Tsubasa and Senjogahara are in potential danger and require Araragi’s immediate attention (I’m a bit fuzzy on all the past series but I do remember a Nekomonogatari running at the same time as this).

Basically, she sees it as finally making him choose a girl once and for all: Shinobu, Tsubasa, or Senjogahara. Araragi…stays put. He delegates the duty of checking in on the others to Kanbaru, who is only too happy to oblige. Of course, we know she’s already helped immensely by beating Shinobu in an argument.

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Speaking of Shinobu, she seems to revise Izuko’s duel by splitting the non-lethal sword in two and replacing it with Kokoro-watari, making this a duel to the death again. Araragi, who had faith in the other girls not to hold it against him for staying put, and knowing he won’t get to the sword in time, lets the first take it, then affixes a talisman to his suit. He may not have “hit” him, but he did “touch” him before he was touched, making him the winner. Also, that talisman turns the First into jelly.

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Araragi prepares to put the suffering First out of his misery, but he’s stopped by Shinobu, finally meeting the re—and now re-de-assembled first minion, whom she calls Seishirou, face to face (his face is the only recognizable bit left), just as Kanbaru pleaded with her to do. Rather than let her second minion kill her first, she apologizes to Seishirou and says goodbye properly, with a firm rejection: she likes someone else now. She dumps Seishirou…then eats him.

And that’s that. Or so Araragi recounts to Oshino Ougi in his room. In this epilogue we’re finally aware that all this time Araragi has been narrating this arc to Ougi, listening with relish.

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Strangely, Ougi wonders if Shinobu really at all of Seishirou, including his suit of armor; the titular “Shinobu Mail.” Araragi is pretty sure she did, but doesn’t seem 100% certain, and that little bit of uncertainty is a thread Ougi seems eager to pull on, pondering whether Izuko used the armor to forge another Kokoro-watari (and shorter Yume-watari) leaving Araragi with Seishirou’s last name, Shishirui.

Araragi exits his room to find a traditionally-dressed Ononoki, who scolds him for not coming up with merits for being with Shinobu instead of the Seishirou; or for believing “nobody becomes happy” when he’s her minion, something he still believes because of the misfortune that could be brought on everyone, including Shinobu herself.

Ononoki doesn’t want him being content with putting up with misfortune, but “aiming for the happy ending.” Embracing misfortune is negligent and not trying to become happy is cowardly, in her mind.

In Araragi’s final sililoquy, he remains unconvinced anyone is happy, but is comforted that there’s still plenty of time ahead of everyone. As the first demonstrated quite forcefully with his four-century-long suicide, given enough time, anything is possible, including happiness.

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Gakusen Toshi Asterisk – 12 (Fin)

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AW eschews its OP to allow for some final moments between the Urzaiz sisters and the pair of Ayato and Julis before the big battle, and they were appreciated. This is the final episode for some time, so rushing right into the battle would have seemed too rote. No, this is more than a good-guys/bad-guys battle. Both sides have honorable reasons to fight, and all four are characters I’ve come to like.

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But once those moments are over, AW gets right down to business with a long and epic battle packed with powerful moves and counter-moves. And yet it’s a very personal fight, between pairs of people who could otherwise be friends but for the fact they’re in the way of each others’ goals. I particularly liked Irene shooting down Ayato wondering out loud if she’s “doing this the right way”, i.e. draining her sister dry to keep up.

Ayato and Julis broke bread with these two. They heard the sisters’ story, so Ayato knows why Irene is doing this, and why Priscilla is letting her, and she doesn’t want to hear him questioning her now. This is for all the marbles; no time for half-measures.

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But it becomes clear that Irene’s earnest and pure desire to protect her sister at all costs is being exploited by her Ogre Lux Gravi-sheath, and as the battle progresses it transforms her more and more into an overpowered demon. And yet, a measure of the real Irene remains, trying to hold back so she doesn’t harm the one person she never wants harm to come to. She just needs a little help.

She gets it as the battle comes to a furious climax, with Ayato pulling out all the stops with his dwindling time with Ser Veresta. He wrests Gravi-sheath from the berserk Irene and shatters it, winning the battle. Before being defeated, Irene grasped at the light of his powering up, as if yearning for a source of power less corrupting than the sheath. Well, she won’t have to worry about that now!

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It’s a brilliant victory for Ayato, but it incurs a cost as well. He may not have to suck his sisters’ blood, but the seal his own sister placed on him is activated before he’s able to leave the arena. The cameras capture what happens when he fights for more than five minutes, and all the rival schools lick their chops at the opportunity to fight him. Even knowing this vulnerability, they realize it still won’t be an easy fight…but they’re glad for the opportunity for a proper challenge…and those challenges will come next season.

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By the time Priscilla wakes up, Irene is totally over losing the sheath—shit happens, right? No point crying over spilled milk (or shatted Ogre Luxes). Pris is just glad the weapon that made her sister scary is gone, and Dirk content not to reprimand Irene, though he won’t be paying her debt down any since she lost. That doesn’t matter to Priscilla: from now on, she’s not just going to hang back while her sister protects her; she’s going to become stronger and fight by her side. I hope we get to see that next season, too.

As for Ayato and Julis, when Ayato, barely able to move, still insists he’ll keep his promise to have her back, Julis takes his face in her hands and tells him she’ll have his back too. Like the Urzaiz sisters, the two of them are stronger when both are pulling their weight, and I have no doubt in Julis’ capability to pull hard. Unfortunately their would-be kiss is interrupted when Saya, Kirin, and Claudia enter, but hey, when you have a harem, you gotta make sure the doors are locked!

Finally, in the post-credits teaser (and the show wisely stuck to its “Waiting for the Rain” ED, the best of the Fall), a man picks up Haruka’s bloodied glasses, saying she’s made him fall behind on his plans so far, but now…IT’S TIME. For what, we’ll just have to tune in next season and find out. If it’s lifting the seal she placed on Ayato, well, Ayato may be in for more suffering. He’s never had more people gunning for him, but he’s also never had more people who have his back.

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Owarimonogatari – 11

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Araragi’s meeting with the First One is cordial, but becomes increasingly tense when he learns what his predecessor wants: for him to “break up” with Kiss-shot. Now that he’s back in the picture, he wants to go to her, make amends, and take his place by her side, while regaining the sword he “lent” her.

Araragi, believing this a legitimate parlay, almost takes a sip from a poisoned sports drink the First gave him, which is all Araragi needs to know: the First wants him out of the picture, one way or another. The negotiations are only a formality, and Araragi isn’t able to come up with any cinvincing benefits for the First to stand down and let him remain Shinobu’s minion.

Izuko arrives with Gaen Episode to save Araragi, but negotiations are over: it will come down to a duel between Araragi and the First, with the specialists working out the details.

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Araragi got nowhere, but when he returns to the shrine, he sees Shinobu sitting on a supine Kanbaru, telling her if she apologizes for what she said, she’ll be forgiven with no harm done. But Kanbaru is defiant, and she’ll repeat those words over and over until they stick: it’s up to Shinobu herself to face the First and settle things one way or another, not Isuko’s or Araragi’s or anyone else’s.

For much of the argument that ensues, Shinobu’s little hand tightens menacingly across Kanbaru’s head as she reproaches a lowly baby human for daring to say she knows the slightest thing about the situaion. She thinks Kanbaru is being silly; that nothing can be gained, only lost, by personally confronting her former master.

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Furthermore, it’s an insult to her present master. Basically, Shinobu only wants one minion—Araragi—and will accept no arrangements in which she has two. It goes on like this for some time, but Kanbaru remains unblinking and forthright in her belief that Shinobu is wrong. It doesn’t matter how much fancy archaic terminology she uses or excuses she offers, Kanbaru thinks she’s covering for her fear of what facing the First will affect her.

But Kanbaru is able to wear down Shinobu because she can relate to the First as the “second choice”, because she herself wasn’t Araragi’s, Senjougahara was. Shinobu rejects her comparisons with human relationships, but runs out of ammo when Kanbaru tells her every possibility she can think of is preferable to doing and saying nothing, even if she or the first are killed in the process…or even if she ends up choosing the First over the Second. The ball is in her court.

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It isn’t that the duel between the First and Second isn’t still on—it is, and it will take place in the school courtyard—but when Shinobu eventually gets over the fact she soundly lost an argument to a girl nearly five centuries younger than her, she may be able to stop the boys from fighting over her. Note that if you strip away all the vampire stuff, this is about a pushy, needy old ex-boyfriend wanting to get back with his girl, but the girl having moved on with a new man.

Meanwhile, Kanbaru continues to lie on the ground where Shinobu left her, with a slight cut on her head from where she squeezed her, and Araragi delivers her BL novels and bra. Kanbaru, not unreasonably wants to be rewarded by her upperclassman for the service she provided for Araragi—doing what he probably couldn’t have done (again, because he’s not the “un-chosen one” the way she and the First are). Whether it’s by him feeding her as she reads, or him putting her bra on while she reads, it’s all good for her.

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Gakusen Toshi Asterisk – 11

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This week is bookended by scenes between Ayato and the girl in his “harem” (at least the harem expressed in the ED) that he perhaps pays the least attention to and has the least interactions with. Claudia seems to savor her brief moments with him, even as they’re interrupted by the other girls. When he has to go to find a lost Saya (who really should have satnav on her phone), he promises to atone for skipping out on Claudia.

But for the second straight week, on his intended path to Saya and Kirin, he encounters the Urzaiz sisters. This time, Priscilla is on the run from some thugs (of course) and Ayato takes her to a rooftop. He saves her so quickly, she forgets to call off her sister, whom she told she was being attacked, and so comes in ready to rumble with whoever happens to be beside Pris.

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Again, however, Priscilla is able to calm Irene, and offers Ayato an invitation to dinner as thanks for his help and for his trouble. Irene angrily complains to the stodgy Le Wolfe’s Dirk Whasisname, who later makes sure via tarot-reading from his aide Corona that the Urzaizs will indeed prevail in the coming battle.

Julis very successfully includes herself in Pris’ invitation, but that turns out to be no problem at all, since neither Pris or Irene are interested in seducing her Ayato, nor are they using the dinner as a ploy to somehow gain intel on their coming matchup. It’s just…a dinner party. And that’s fine!

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Irene even wears a shirt for the occasion! She doesn’t get up, though, and welcomes her guests with a nonchalant “yo”, drawing the ire of her far more mannerly sister. The ice is broken when the food arrives, as Irene loves food, loves Pris, and genuinely appreciates how good a cook her sister is.

Dinner conversation takes a darkish turn when Irene mentions the casino, her primary source of revenue to keep their fam of two afloat. Ayato assumes Festa winnings would be enough, but Dirk garnishes those earnings from her, slowly repaying a huge debt she incurred from him in a time of dire need.

Beholden both to a callous loan shark willing to squeeze her for everything she’s worth, and an Ogre Lux, Gravi-sheath, that transforms her into something even Priscilla fears, if she’s honest, this episode did a nice efficient job of humanizing Ayato and Julis’ next opponents.

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Irene isn’t coy about the mission Dirk has given her, which isn’t to win the Phoenix Festa, but simply to destroy Ayato. He wants to do this sooner rather than later, since he once knew someone else who wielded Ser Veresta. Since the rest of his info on his big sister came from Claudia, I imagine that’s why he wished to meet with her so late at night.

But because he comes on such short notice, Claudia nods off while waiting for him, and her dreams are how her Ogre Lux Pandora take hold of her: she’s experienced death 1,200 times since taking up the weapon, and always a different way. I knew Ayato neglected her, but to know she also suffers this much due to her Ogre Lux – she has even more of my sympathy. Being voiced by Touyama Nao helps, too.

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Claudia only tells Ayato all this because he agrees to be part of her team in the upcoming Gryps Festa. She also gets into how Ogre Luxs, like people, cover the full spectrum of personality traits good to bad.  And one of the worst is Gravi-sheath, which turns Irene into a vicious vampire.

Things seem to be getting worse for her, but what can Irene do? She needs to repay Dirk, and doesn’t believe she can do it without her Lux, even with Pris by her side. In a very nice parting montage that transitions into the ED (which I never ever tire of; it’s so beautiful) we see what’s at stake, from Claudia to Julis and a worried Priscilla to an Irene possessed. Will she have to destroy Ayato, or will another way emerge?

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Owarimonogatari – 10

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No show is better at stylishly embellishing otherwise static conversations—that’s really most of Monogatari in the first place—but unlike Sodachi Lost arc, I’m nevertheless starting to feel some exposition fatigue.

Gaen Izuko takes a seemingly very long time to explain how the ashes of Shinobu’s first minion gathered here and formed the raw material to create all the apparitions Araragi has encountered. The first was drawn to the second, and at the shrine where apparitions are most likely to gather, they did.

Shinobu, who initially wanted to visit Fujiyama, was instead redirected to the place where the first and second minions were. This all created a perfect storm for apparitions, which in turn drew specialists like Meme, Kagenui, and Kaiki. Izuko pooled their investigations and sent Yotsugi to “clean up the ashes”, but she failed because of the proximity of Araragi and Shinobu to the shrine.

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With all these naturally attracting things naturally attracting each other, and the first one being drawn to the second, as well as empowered by seeing Shinobu, Izuko wants Araragi to “inheret responsibility.” Dealing with the first is his duty. Yotsugi will be available to help him, along with Shinobu, Kanbaru, and “one more assistant” Izuko needs to pick up, accounting for Yotsugi’s latest report on the swordless samurai.

Izuko then leaves Araragi with some breakfast money and shuffles off to get him, wanting to solve this problem as soon as possible before the first one powers up to a level uncontrollable by all but possibly Kagenui (and Izuko would rather it not come to that, due to the bad blood between them).

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Araragi instead uses the money to buy some BL light novels for Kanbaru (though not a bra). Kanbaru and Araragi’s discussion of the 21-novel series is more than a little meta-, since the Monogatari series is about that size but unlike  Brutal Garcon Huff Huffs a Half-Blood Boy!, they all have pretty vague titles like “Ghostory” or “Endstory.”

The episode then delves into observational comedy, laying out the dilemma a young man faces when purchasing possibly embarrassing content from a bookstore. He tries to both hide the BL and disprove the rumors he’s into lolitas by snatching up some “mature ladies” magazines (both of which feature a woman who looks a lot like Izuko!) but the employees still end up laughing at him.

Then, just when our guards were down, Araragi bumps into a smallish kid with long black hair who looks like he could be around fifteen, and talks with a higher-pitched version of Araragi’s voice. It’s the other one, and Izuko was right: the two minions are extremely drawn to each other. We’ll see how their next encounter goes.

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Gakusen Toshi Asterisk – 10

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Ernesta keeps from Aldy that Rimsy is his limiter, indicating we haven’t seen the limits of his power yet. And while Ayato and Julis walk to Saya and Kirin’s match, they encounter Irene Urzaiz whaling on some nobodies before she turns her attention to Ayato. Her very polite sister Priscilla bails him out this time, but message received: Ayato has yet another powerful opponent gunning for him.

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While I’m sure Saya and Kirin are looking forward to a fight with Allekant’s puppets, this week’s opponents are no sweat, and Ayato and Julis don’t even arrive until the match is long over, when they walk in on a nude Saya is trying in vain to grab a nude Kirin’s boobs.

After another ridiculously quick and easy match against two dolls from Queenvail, Julis (who defeated “Non-Sugar” all by herself) suggests she and Ayato have lunch, then presents the sandwiches she made, then hints at Ayato to reward her fairly by patting her head too, something Ayato didn’t know she wanted.

It’s a cute little scene that underscores how far behind Stella and Ikki these two are in the romance department. Then again every couple has their own pace and rhythms.

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They’re also merely spectators for this week’s main event between Lester and Irene, who we see in action for the first time. Lester and his partner try using the same tired old strategy against Irene: keep moving and wait for her gas-guzzling Ogre Lux to drain her dry.

But that fails when she uses gravity magic that renders Randy unconscious, then sucks the blood of her partner Priscilla to regenerate her power and assault Lester into submission. A Vampire Girl with gravity magic? Pretty sweet combo right there that’s sure to cause headaches for our wonder duo.

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Owarimonogatari – 09

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After escaping the trap of the snail by going over the rooftops, Koyomi and Kanbaru encounter a crab-monkey hybrid. Once they deal with it (and as a fellow left-hander I feel for Kanbaru mixing up directions), snakes emerge, which Shinobu grabs, then lends Kokoro-watari to Koyomi to finish the demi-apparition off. All of the animals that afflicted Koyomi’s girls are coming back, and all seemingly in service of the samurai.

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After lying under Shinobu as she swings—revealing a small sticker with Gaen’s location, the shrine—Koyomi heads there with Kanbaru and Shinobu. When Koyomi describes what the samurai was after (and imitates his laugh all too perfectly, another clue as to who he is), Shinobu is incredulous. The minion she created, from whom she took Kokoro-watari…she watched him burn up in the sun and die 400 years ago.

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He can’t be back, she insists; This is all some kind of lie or trick. But when they meet up with Gaen Izuko (introducing herself as Oshino Izuko to Kanbaru and Shinobu, who seem to buy it), and Koyomi tells her everything that happened, Izuko disputes Shinobu’s assertion the first minion is dead.

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While her scenes are primarily exposition, she inhabits a variety of interesting environments as she provides it, eventually whipping out “game pieces” of all the Monogatari characters. She makes connections between the first minion and Koyomi, the second minion, and describes coincidences that weren’t coincidences, like the fact that the first five animal apparitions infected five of his female friends, and later phoenixes and cats and tigers.

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She then takes things all the way back to four centuries ago, glossing over Shinobu’s story (because Shinobu already told it, and beautifully so) and focusing on the first minion, who became so after Shinobu drank his blood. He came to loathe what he had become, but that loathing couldn’t change the fact that his immortality was such that even burning up in the sun would not kill him, only disperse him into a cloud of ash.

Over 400 years, exposed to the elements and through trial-and-error, the first minion resurrected, not necessarily because he wanted to but because that’s just what happened. And the final reveal, that the minion was finally successful in coalescing fifteen years ago, leads us to wonder if he’s someone Koyomi already knows…the fifteen-year-old Oshino Ougi, for instance.

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Owarimonogatari – 08

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After Ononoki Yotsugi saves Araragi and Kanbaru, Araragi asks if he can take Kanbaru home because she needn’t get involved. But Yotsugi isn’t okay with that. Not only did Araragi promise her master Gaen Izuko that he’d bring Kanbaru to meet her, but by not only touching but punching the suit of armor, Kanbaru is already inextricably involved. Taking her home wouldn’t necessarily be the best thing for her safety. Yotsugi drives this point home by pressing her bare foot into Araragi’s face, which is a weird way to admonish someone!

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So Araragi carries Kanbaru to the aforementioned rendezvous point. When she comes to, Kanbaru is so excited about being carried she locks her arms and legs around her upperclassman, demanding to remain on his back. But then she notices they’re going the wrong way, and after an hour, Araragi can’t find the right way.

Either due to the samurai or some other apparition (like the one that affected him and Mayoi), they’ve become lost. Araragi calls Gaen, but she just tells him to figure it out on his own, otherwise he’s of no use to her. Harsh! Anyway, it’s his cute, reliable, and above all extremely athletic underclassmen who bails them out of the situation by climbing a telephone pole and charting a route that doesn’t rely on conventional paths.

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Due to the delay and detour, they don’t get to the rendezvous at the park until three in the morning, and Gaen is nowhere to be seen. Again, Kanbaru comes in handy quickly combing the park. She doesn’t find Gaen, but she does find Shinobu sleeping under a swing. She wakes up and tells Araragi she’s there because Oshino’s master (Gaen) intends to restore their (Shinobu and Araragi’s) pairing.

She also bears the marks of some kind of recent battle, which she says isn’t quite over yet. Sure enough, a figure starts to draw near to their position, silhouetted by the rising sun (or some other light)…a menacing figure with a giant crab claw. This has been some night!

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Owarimonogatari – 07

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With Sodachi’s arc completed, we rewind a couple months to before Araragi met Oshino Ougi in the first episode. Araragi has Kanbaru Suruga to meet him at the cram school. Kanbaru is her usual bright, cheerful, sexually aggressive self (she assumes she was summoned so Araragi can take her virginity, and she arrives braless).

Sawashiro Miyuki knows this character through and through and really sinks her teeth into her portrayal of a girl we haven’t seen in some time and, frankly, missed. Noting her pre-Hanamonogatari long hair, it fascinates me how Araragi’s girls seem to swap hairstyles through time.

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Things couldn’t be more affable as Araragi struggles to tell Kanbaru the real reason for their meeting: to ask her if she’ll help him out with something, and to go to another rendezvous point to meet someone. Flirting and clever wordplay ensues, but then the two hear some loud noises, and a giant suit of samurai armor enters the classroom.

Kanbaru wastes no time tossing Araragi aside and charging at the armor, but every time she touches it, it grows stronger and she grows weaker, until she passes out from an energy drain, something Araragi knows to be a vampire power. The transition in atmosphere from happy and playful to dark and dangerous is nicely handled. It’s also the first time in a while Araragi is up against a physical threat, unless you count Oikura’s slaps.

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With Kanbaru down, Araragi steps up to the plate, but there isn’t much he can do and the armor starts to choke the life out of him. Kanbaru prepares to sacrifice herself for her beloved senpai, despite his wanting her to run, there’s no way she will. The impasse is broken by pink flames that surround the armor, which Kanbaru believes are the work of Hanekawa.

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The armor retreats, but Araragi and Kanbaru are stuck in the burning building. Kanbaru asks him to take her virginity before she dies, but Araragi shoots that idea down, as he has a better idea: try not to die, by jumping out a window together. That somewhat reckless action is preempted by an explosion that extinguishes the fire: an explosion caused by one Ononoki Yotsugi, whom we last saw in Tsukimonogatari (which also takes place after this episode).

This episode got off to a slow-ish start that was mitigated by the return of Kanbaru, then became a tense test of Araragi and Kanbaru’s mutual devotion to each other, which they naturally aced. And with the title of “Shinobu Mail” and the armor demanding Kiss-shot (AKA Shinobu Oshino) return the sword she borrowed from him centuries ago, I imagine the blonde vampire herself will be making an appearance before all’s said and done.

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Tsukimonogatari – 04 (Fin)

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Before they sneak into the temple where Tadatsuru is keeping the girls, Koyomi and Ononoki are met by Oshino Ouji, who reminds him what her ‘uncle’ said: “All you can do is save yourself on your own”…even though Koyomi following through on that would mean he’d be open for extermination.

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Ononoki surmises out of earshot that Ouji is the mastermind and ‘final boss’ that requested Tadatsuru’s extermination services. I’m not sure what to make of that since I’m still a bit fuzzy on who or what Ouji is, but in response, in the finale, Ononoki makes clear who and what she is, in spite of herself.

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Taking what Ouji said about ‘keeping things proper’, Ononoki lists all of the things she is that make her unproper: apparition, shikigami, corpse, tsukumo-gami. She also, seemingly intentionally, deepens the significance of what could have been a simple matter of saving three girls from a hermit without being detecting, because while the girls will be safe, the basic problem of Tadatsuru being after him would remain.

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That’s…just…gorgeous Winter environs.

 

She also tells the story of how she came to be: Kagenui, Kaiki, Oshino and Tadatsuru all collaborated on her production, which was “something like a Summer research project by bored college students”.

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The trouble came afterward when Tadatsuru and Kagenui fought over who would have ownership over her. Kagenui won, because Ononoki chose her. Ononoki can therefore say, and be technically correct, that she was the one who causes a rift between the two, even if she was merely the straw that broke the camel’s back.

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So many easter eggs…

 

Ononoki mentions this heretofore untold story because she wants Koyomi to know that he can offer her to Tadatsuru in exchange for the girls. In other words, she’d give up her life to save him from spending his.

Koyomi reacts to what he deems a stupid offer by doing something stupid: flipping Ononoki’s skirt…then holding it in a flipped-up state.

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The message he means to convey with his sexual harassment is that Koyomi doesn’t value his own life above hers, even if she’d be fine with him doing so. Ononoki concedes, then offers to kill Tadatsuru herself. He balks at that too, worried she’d lose whatever humanity she had gained in the time he’s known her. She even suggests he could get away with the girls by giving Tadatsuru Shinobu, knowing Koyomi wouldn’t go for that either.

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Ultimately, she makes Koyomi let go of her skirt, and she agrees to go by his original plan where he acts as a decoy and stalls Tadatsuru while she swings around back and rescues the girls, leaving him on his own. It’s a plan we see Ononoki will unilaterally tweak once in motion; again asserting her humanity.

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Tadatsuru himself…well, he’s a bit underwhelming, aside from being an origami folder par excellence. He seems impatient with Koyomi’s banter, but he’s also in no hurry to kill him.

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In fact, Tadatsuru simply sits there above an offertory box as he and Koyomi chat, giving Ononoki the time she needs to sneak up behind him and cast Unlimited Rulebook at point-blank range, killing him. It’s something he almost expected, even requesting she do it with “human compassion” and deliver her catchphrase, “I said, with a posed look.”

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So Ononoki ends up a killer, albeit one who acted on her own, against his wishes. She also quite likely saved his life and that of the girls, and Koyomi and Shinobu didn’t have to use any power. But it occurs to Koyomi that, all along, this was meant to drive a wedge between him and Ononoki.

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After the girls are safe and sound, Koyomi pays a visit to Senjougahara, who reminds him with a chocolate to the mouth that it’s Valentine’s Day. He informs her of his present state, and she essentially shrugs it off: as long as she can see him with her eyes (and he does see himself reflected in them), why should he care about being seen in mirrors? If anything comes of it, he won’t have to deal with it alone.

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Back home, Tsukimonogatari exploits one last sequence of Koyomi walking in on his half-naked sisters, who ‘coincidentally’ won Ononoki on the crane game earlier that day. To counter the objective of creating a fissure in Ononoki and Koyomi’s relationship, Gaen and Kagenui decided the best thing to do would be for Ononoki to move in with Koyomi and become even closer and ‘more intimate’ until the town stabilizes.

This, of course, creates an entirely different kind of tension, which may not be as serious as losing one’s humanity or being targeted for extermination by specialists, but a tension all the same: that of yet another girl in Koyomi’s life, competing for his time and affections, when he already has plenty.

But to put it another way, Ononoki is one more girl to protect him so he won’t have to vamp up…and the only one with UNLIMITED RULEBOOK!

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