Vanitas no Carte – 19 – Quelqu’un avec qui se Blottir

The prison Chloé has found herself in for centuries was never entirely of her own making. Its bars were forged in part by her love of her father, and his lifelong devotion to returning her to human form. As much as she loved her father, the human Chloé d’Apchier he loved was gone and could never come back. Because of this, the vampire Chloé always felt alone, even before her father and the rest of the d’Apchiers died.

Astolfo is also in a prison, albeit one that doesn’t also hold everyone else: his anger over being betrayed and grief over the slaughter of his sister and family set him on a laser-stright “Kill All Vampires” path. Noé may have suffered equal or greater torment, but has Vanitas by his side to tell him not to lose himself in that rage, even if he can’t back down.

…But back to Chloé, who only got more and more sympathetic and compelling as her arc progressed. Within the prison built in part by the loneliness of a father who couldn’t accept or love what she’d become, she chose to stay there, but now that it’s crumbling around he she has a choice: stay within its bars and vanish into oblivion, or take the hands of the two people who do love her for who she is—Jean-Jacques and Jeanne—and let them pull her to freedom. Chloé wisely chooses the latter.

As J-J and Jeanne pull her from the black cage, Vanitas uses the book—and begs for Luna’s strength—to obliterate that cage and the false world of endless winter around it, as well as reveal Chloé’s true name: Canorus, “she who makes music with snow flowers.” As the cursed world vanishes to reveal blue skies and patches of astérique flowers, Astolfo finds some relief in the arms of his senpai, Roland.

Chloé finds herself in one of these astérique patches, and her first action is one of anger, slapping and then uppercutting J-J for letting himself get so brusied and bloodied. But once that passes, her eyes fill with tears of relief and joy. The flowers remind her of when she looked up at the sky with lil’ Jeanne, thinking if she could die, it would be on that day. But now she wants to live, and J-J is there to love, accept, and be there for her, warts and all.

Seeing Chloé and J-J embrace, Jeanne’s thoughts turn to Vanitas, and when she finds him, she can’t hold back her relief, gratitude, or joy. Their relationship may have started out fraught, but all Vanitas has done since then is what he said he’d do. She thought Chloé was beyond saving, but he showed her there was another way. He also saved her from the regret of not having saved Chloé befoe. Jeanne celebrates by lustily drinking Vanitas’ blood, and then planting a pure yet passionate kiss on his cheek.

Nobody may yet live happily ever after. There’s the looming threat of Ruthven’s control over Noé to kill Vanitas, Vanita’s spreading affliction, and the consequences for Chloé, Jeanne, and others by the powers that be. But right now, none of that matters. Jeanne’s radiant smile says it all—Everyone can relax, at least for a little while, with the clear blue sky above them the pale blue flowers below, and the ones they love beside them.

When Vanitas and Misha were little, Luna told them that everyone, be they human or vampire, is alone, and most of them go their entire lives never understanding themselves. That’s why they reach out for someone to snuggle with and keep them warm in a cold world; who will accept and love them for who they are, and thus no longer feel as lonely. Chloé and Jean-Jeaques have each other, while Vanitas now has two such someones in Jeanne and Noé.

Vanitas no Carte – 18 – Souhaiter de L’aide

Things start out strong this week, as Vanitas professes his love for Jeanne as he breaks her out of her prison of despair and asks her what she wishes for. The sight of her parents’ heads on stakes instilled in her a self-imposed ban on hopes, dreams, and prayers, but it’s not too late for her, or Chloé. All she has to do is tell Vanitas what she wants…and she wants help.

From there, we’re taken back in time yet again to cover the backstory of—Astolpho Granatum? Is that his name again?—who once had a kind heart and, encouraged by his little sister, even helped a wounded vampire in the woods. His mother told him that his kind streak was a strength and not a weakness, and the fact he and his sister become friends with the young vamp lad seem to bear that out…

…Until the vamp lad and his friends murder and eat Astolpho’s whole family. Ahh, so that’s why he hates vampires so much he’ll try to kill them even if he has no context about who they are or what they’re trying to do…like Noé in the present situation. I appreciate the attempt to make Astolpho’s position more understandable, but I’d be lying if I said an Astolpho backstory was a priority in this arc.

As for Chloé, she seems to be enjoying her new existence outside of her corporeal body, merging with the closed world she created. If everyone in that closed world ever wants to get out, they have to reverse it somehow. That task falls to Vanitas, the only one who can apparently figure out her organ-like Alteration Engine, while Dante and Johann track down his book, which he’ll need to close the deal.

Vanitas’ gambit succeeds, as he manages to play the same tune Chloé used to turn Naenia tangible, thus returning Chloé to the physical world. Jean-Jacques seals the deal by embracing Chloé, telling her all she’s doing to make the world safe for him is for naught if she’s not there to share it with him. Just as Vanitas loves Jeanne, J-J loves Chloé, an won’t allow her to sacrifice herself for his or any other greater good.

Speaking of Jeanne, she comes crashing through the walls of the already shattered library just in time for Vanitas to catch his titular tome and begin the process of saving someone who can still be saved. Whether the drugged-up Astolfo will try to interfere remains to be seen, but I for one hope Chloé isn’t cured of her curse just to be slain by his hand.

Vanitas no Carte – 17 – Voler Trop Près du Soleil

With her fully operational Alteration Engine, Chloé is able to give Naenia a physical form…so she can choke the bitch out for what she did to her beloved Jean-Jacques. As she says, she’s a terribly jealous woman, to the point she’ll change the rules of space and time just so she can get her hands around a solid neck of the non-corporeal devil dwelling on her shoulder for so long.

Naturally, this backfires, when Chloé, in her desperate desire to uncover who Naenia truly is, ends up awakening Naenia’s memories of who she is: the first vampire of the crimson moon, Queen Faustina. The tables are suddenly turned, as Chloé is overpowered, the Beast tamed, her Engine stalled, and her castle and the lands around it shattering into shards floating in a purple void.

In the midst of this chaos, Vanitas falls, and Noé leaps after him, something Jeanne didn’t do when Chloé leapt off the cliff. Naenia’s voice tells him he’ll “never reach” Vanitas and that there’s no hope, but Noé does his best to ignore it, and ends up beside Vanitas once more. They’re soon joined by Roland, who comes out of nowhere with other Chasseurs to protect the unwitting townsfolk.

Speaking of Jeanne, the final act of the episode centers exclusively on her journey from vampire whose loving parents were beheaded as traitors to her conversion into a Bourreau—an unthinking, unfeeling tool. The only problem is, when sent to kill Chloé those thought sand feelings all flood back. When she fails, she’s sent into a long slumber until “the war ends and all can live in peace”.

Jeanne laments that all she can do now is her duty as a bourreau, finishing what she couldn’t finish by offing Chloé. But awakening her from her forced stoic trance is Vanitas, who stands before her and says it’s not too late, either to save Chloé or herself. By restoring Faustina’s body Chloé rent the very fabric of the world. Now it falls to others to try to piece that world back together.

Rating: 4/5 Stars

Vanitas no Carte – 16 – Mettre Fin au Cauchemar

Vanitas no Karte always knows the right time for a moment of goofy levity, such as when Vanitas & Co. discover the same soldiers the beast already slew, leading him to conclude they’re in a looping closed world created by a curse-bearer. Jeanne uses her gauntlet to launch herself into the air and towards Chateau d’Apchier to fight the beast, as is her duty. She wasn’t counting on Vanitas hitching a ride!

As he’s walking in a corridor with Jean-Jacques, Noé suddenly doesn’t feel so swell…turns out his food was drugged. Likely expecting more visitors, J-J wants him to sleep things off until things die down. But first he wants him to drink his blood, so that in case anything happens to him, at least one person will remember not the legends, but the truth of who he and Chloé were.

Noé thus travels down memory lane through J-J’s eyes, as he flees his home and abusive father, gets lost in the woods, and encounters the Silver Witch, only to find that they’re two peas in a pod: vampires who have done nothing wrong but have still been scorned and abandoned. The two become fast friends, and J-J devotes himself to her entirely.

The townsfolk of Gévaudan don’t give up the hunt for the “Beast”, and  Chasseurs and Bourreaus soon come to force the issue. Knowing that Chloé isn’t responsible for the deaths but not knowing who is, J-J decides the only way to protect her is by becoming the Beast. Like Chloé, the scarred and world-weary J-J was all too easy a target for Naenia’s manipulation.

One night, J-J ends up badly wounded, including from his own father, who joined the hunt for the Beast. Naenia lures Chloé out of the castle to save J-J, but the two end up cornered by Jeanne, who seems ready to do her duty here as she does in the present. That is, until she gets a good look at her big sister, her eyes fill with tears, and she hesitates.

The thing is, at this point Chloé wants death, and is happy that Jeanne will be the one to deliver it. When it’s clear Jeann won’t do it, Chloé leaps of the cliff with J-J in her arms, only to be caught by Naenia, who promises vengeance in exchange for Chloé ‘s true name. Now we’re up to speed!

Vanitas, on the other hand, isn’t, but as Jeanne fights the Beast, he finaly reunites with Noé. When he learns that Chloé became a curse-bearer willingly for vengeance, Vanitas deems Chloé unsuitable for treatment—no point saving someone who doesn’t want to be saved, right? But Noé insists, and Vanitas agrees to treat them—provided Noé can inspire his help.

Vanitas reaches the library and finally meets Chloé, telling her he’s there to save her and demanding his book back. In the funniest gag of the episode (and indeed the season so far), Chloé pleads genuine ignorance. She liked the shiny jewel on the book, but when she couldn’t rip it off she just tossed the book…somewhere among the literal mountains of books. Yes, in this arc the titular Vanitas no Karte is naught but a MacGuffin…which rules!

As for what exactly Chloé is doing with her newly operational, keyboard-controlled Alteration Engine, Naenia claims she’s going to use it to wipe Gévaudan and its environs from the face of the earth, a potentially fatal bit of tampering with the World Formula Vanitas cannot allow.

But Chloé, it would seem, had other plans that even Naenia didn’t know about. To whit: Chloé uses a command “Perpetuate Existence” to give Naenia a physical body, which is to say, imprison her within one. Is Chloé officially showing her colors as someone who doesn’t want the world thrown into chaos, but rather wants to end Naenia’s reign of chaos? I am very intrigued to see where this goes.

Rating: 4/5 Stars

Vanitas no Carte – 15 – Onze Pour Toujours

Noé is outraged to find Naenia, who killed his beloved Louis, lingering so close to Chloé, to the point he lashes out and makes a mess of supper. But having been on this earth for so much shorter a time than Chloé, he can’t hope to understand why she not only doesn’t mind Naenia’s company, but gave up her true name willingly. For the crimes of crass insolence (and wasting food, something Chloé adorably can not abide), Noé is smacked across the room.

He comes to in the kitchen, where he apologizes and introduces himself to Jean-Jacques. J-J lives such a sheltered existence as Chloé’s attendant, he’s never once even shaken hands with anyone…until Noé. Noé makes clear to J-J that Naenia is his enemy, not Chloé, but all that matters to J-J is that ever since Naenia arrived, Chloé no longer cries every day. He won’t let anyone do anything the Naenia that might make Chloé weep again.

From there we launch headlong into Chloé’s history, which began around 1550, making Chloé well over three hundred years old. When she suddenly became a vampire, her father, Lord d’Apchier, gathered mages and alchemists the world over to study the World Formula and restore his daughter’s humanity. They failed, and her father passed away, but his wish to gain the power of God became a legacy that future d’Apchier generations continued to carry.

All the while, Chloé lingered within the walls of the d’Apchier castle, forever eleven. At one point, she met a young(er) Ruthven, who became her first and only friend. Back then, he was on the side of neither vampires nor humans, but sought to end the struggle between them and forge a lasting peace. I gotta tell you, I liked this younger, more naïve Ruthven to the one who has basically brainwashed Noé to kill Vanitas on command!

It’s also thanks to Ruthven that Chloé met lil’ Jeanne, the closest thing to a true little sister she ever had. By wandering off into the forest Jeanne motivated Chloé to finally leave the castle walls and explore the world outside. Jeanne led her to a bed of blue roses that grew even in the snow and frost. But while these new experiences were powerful and tempting, Chloé could not abandon her family or its long-standing mission to complete the Alteration Engine.

One year/decade, Ruthven returned a changed man, consumed by darkness. He lost and eye, and had become disillusioned by the prospect of peace between humans and vampires. Driven by unchecked ambition, he drank some of Chloé’s blood and attempted to use his power to compel her to obey him, such that he could command the power and knowledge of House d’Apchier. He failed and retreated in shame, but the damage was done: Chloé lost her first friend.

She continued her work on the engine for many years, often returning to the flowerbed Jeane had shown her, slowly becoming consumed by lonelieness. Then Naenia arrived, promising not only companionship, but the opportunity for her wish to be granted. All it would cost is her true name, and the Alteration Engine could be completed. Chloé started to experience nightmares that may or may not have been actual waking events of violence. She even dreamt of slaying her beloved Jeanne.

But when we return to the present, apparently all of that torment was worth it to her, as she activates the Alteration Engine situated in the middle of her gigantic library. Perhaps the Book of Vanitas was the last missing piece to unlocking her success and achieving the wish Naenia had granted.

If nothing else, now that we know a lot more about Chloé, I can empathize with her centuries of solitude and suffering, and desire to restore what all those years had undone. Even if he can get his book back, how will Vanitas “save” someone who chose to be condemned for the sake of her family’s legacy?

P.S. As Vanitas, Jeanne, Dante, and Johann make their way to rescue Noé, Dante confesses that he was given a mission by the “Marquis Machina” (a kind of steampunk Dr. Robotnik) to investigate whether the Alteration Engine really existed. Machina’s real name is Sir Francis Varney, who takes his name from an 1840s serial fiction called Varney the Vampire, which influenced Bram Stoker’s Dracula and was the first work to depict vampires with sharp teeth.

Vanitas no Carte – 14 – Nu au Coin du Feu

Jeanne’s complex relationship with Vanitas gains a new layer as she rescues him from dying of exposure, finds a cabin, and orders him to disrobe. The two sit by the fire together, naked under a blanket. While she’s most often disgusted by his usual arrogance and terseness, she can’t help but find this vulnerable side of him refreshing…even cute.

On the surface, nothing she does for Vanitas is with romantic or amorous intent—even feeding him water with her mouth—she’s just helping to save someone who helped her. But it’s impossible to ignore their history together thus far—all their scenes here are sexy as hell. Vanitas even tells her that they want different things: he wants to save the Beast and she’s been ordered to execute it.

That makes them foes in this enterprise, and she’d be better off letting him die. Of course, Jeanne isn’t going to do that. Instead, she tells Vanitas why she feels responsible not just for getting Vanita’s wounded by a poisoned blade, but for the whole Beast of Gevaudan affair. When she was a little girl, she met the vampire Chloé d’Apchier while left in the care of the Marquis d’Aphcier. Chloé was like a big sister and Jeanne loved her, but that no longer matters: she’s killed scores of people, and must now answer for it.

The reason Jeanne is here is that she failed the first time, but Ruthven gave her a second (and probably last) chance to do it. The next morning, when Jeanne is far more flustered than the fully-recovered Vanitas by the previous evening’s activities, she finds him speaking with Johan, and eventually Dante shows up as well. After threatening both Dhams to tell him everything about this Beast situation, he bids the four of them make haste to the castle to retrieve Noé.

Vanitas is right to worry—Noé wakes up in an unfamiliar bed with the tiny vampire lying on top of him sucking his blood. Despite Chloé being tiny, Noé is so weakened from the battle that he can barely move, leaving him completely at her mercy. If she wants another taste of his blood (and the memories it reveals—though that’s not touched upon here), there’s nothing stopping her…

Except for her attendant, Jean-Jacques, who scolds her for sucking someone’s blood without their consent while also expressing deep loathing for the owner of the other neck she bit. That said, JJ presents Noé with a safe-and-sound Murr and his freshly cleaned and mended clothes. When Noé meets Chloé and JJ in the banquet hall, they’re accompanied by a troupe of musical automatons…along with Naenia.

It addition to being its usual sexy self, this episode of Vanitas added texture to what had initially been labeled a simple mission of kill-or-save the Beast. Chloé is an intriguing potential antagonist, but despite her apparent alliance to Naenia doesn’t come off as pure evil; she was kind to Jeanne, after all.

Instead, as is typical of ancient vampires, she seems to float over everything and everyone, seeking nothing but entertainment and satisfaction out of this scenario…a balm for the ennui of the centuries.

Rating: 4/5 Stars

Vanitas no Carte – 13 – La Bataille D’Argent

I did not watch the Episode 12.5 recap of the first twelve episodes, instead catching up by reading my write-up of Episode 12…only to find it full of typos and grammatical errors! I do apologize for that; it’s all fixed up now.

It’s now Winter where I live, and freezing more often than not, so it’s only appropriate for Gévaudan to be cold as well when Vanitas and Noé arrive—with Dante and Johann tagging along. As is his wont, Noé gets separated from the others in the deep Silver Woods. Then, quite suddenly, the forest becomes a winter wonderland.

When Vanitas and the others spot vintage dragoons hunting the great beast (well, trying to anyway)he deduces that time has somehow rewound to the 18th century, when the King sent his best soldiers in to take care of the storied wolf. Unfortunately for those soldiers, they’re in the way of the Chasseur and Garnet Paladin Astolfo Granatum, who unlike Roland seems to be a bit of a sadist, and doesn’t consder it his job to protect humans, only hunt vampires like Noé. He’s not bad, either, as Noé isn’t fast enough to avoid getting cut.

Their duel is interrupted by the great wolf itself, and it’s not long before Jeanne shows up out of nowhere to battle the beast. Vanitas wants to save the Curse-Bearer who is in the form of the wolf. If Jeanne kills it, that won’t be possible. The thing is, Jeanne doesn’t care. She’s a bourreau, and considers it her job to destroy curse-bearers and eliminate the threat they pose—nothing more or less.

Once Vanitas and Noé reunite, Vanitas can tell that Noé was holding back in his fight with Astolfo for whatever reason. Vanitas in turn employs his inimitable gift for shit-talking by getting Astolfo extremely pissed off, and thus not at his sharpest. You have all the skills and talent in the world, but if you’re off-balance emotionally you won’t be able to fully summon those gifts.

Jeanne continues to battle the wolf, calling her “Chloé” and trying to get a dialogue going. When that fails, she re-commits to destroying the wolf. When she’s stopped by Noé, she warns the lad that if he gets in her way she’ll kill him too. That’s when Charlatan’s Naenia, who felt left out, shows up and creates an illusory world around everyone.

Some, like Astolfo, are unable to fight against the illusions and madly lashes out at Jeanne. But others, like Vanitas, can keep their heads, and he comes between Astolfo and Jeanne, paying back the favor when she saved him earlier. Sick of Naenia’s games, he whips out his titular Karte, only for someone to snap its chain, separating the book from its owner.

When the diamond dust settles, some dude with unkempt dark hair picks up the book, with Vanitas nowhere in sight. The man walks over to the silver-haired woman with azure eyes we caught a glimpse of back in episode 12; the Chloé Jeanne spoke of. Clearly she’s the Woods Witch referred to several times earlier in the episode, and if taking the Karte from Vanitas was the plan all along, then it went off without a hitch!

It’s a hell of a stirring start, introducing a new wintry woodsy setting, new characters, and big new stakes. All the while, the killer directive programmed into Noé looms over everything. Also, while I fully expected the OP and ED to not live up to their Part 1 predecessors, I’m please to report they both slap just as much! Vanitas no Karte hasn’t skipped a beat.

Irina: The Vampire Cosmonaut – 12 (Fin) – Moonlight Dreamers

Having watched Irina and Lev risk their lives so many times for each other and their country (very much in that order), Anya has decided it’s her turn to put everything on the line. And boy, does she ever, drugging the guards and sneaking off to the ceremony in the Zirnitran equivalent of Red Square.

There, a seemingly obedient Lev is giving the speech he was told to give…until suddenly he’s talking about how he actually isn’t the first cosmonaut, but the second, after a 17-year-old vampire girl! As he gives her her proper due by describing everything he loves about her, she breaks from the crowd, and with help from Anya (using herself as a missile!), manages to reach Lev before the sun knocks her out.

I expected there to be some bittersweet way Irina and Lev would be reunited. I did not think it would be in front of 200,000 Zirnitrans, Chairman Gergiev, and a TV and radio audience of 3 billion. In front of the largest audience in human history, Lev decided that lies wouldn’t do. He made his estranged parents, and more importantly Irina, proud. He told the truth. Then he hands the mic to the true Hero of Zirnitra.

A lot of the crowd is not initially open to listening to what they perceive as an evil monster to say, but the more Irina talks, the more she sounds like just a young girl who dreamed of reaching the stars, and frikkin’ did it. Later, Gergiev uses Lev’s and Irina’s modifications to the ceremony to tell the world that, actually, Zirnitra is the progressive, tolerant nation of the future, and these two crazy kids are proof positive!

Lev makes a stink about being used as a pawn by Gergiev and Harlova, but it ultimately doesn’t matter that much because a.) somehow, Lev and Irina (and presumably Anya) escape any kind of consequences for basically committing high treason—at least in the country that had been portrayed to this point—and b.) they’re both alive, together again, and the twin faces of hope for a better world, and a future where they travel to the moon together.

Did this ending strain credulity a bit? Sure. But is it a cold Monday, the second-shortest day of the year, and this was exactly the fun upbeat ending I both wanted and needed? ALSO SURE. All it was missing was a first kiss…though their first “bite” a few weeks ago arguably already achieved that!

Rating: 4/5 Stars

Irina: The Vampire Cosmonaut – 11 – The Second Ever Cosmonaut

On the bus ride to the launch pad, Lev suddenly asks the driver to stop, and makes a face that wouldn’t look out of place on Irina. Everyone is worried until he says he just needs to take a leak, and the bus erupts in laughter and relief. Mikhail joins him outside, and offers Lev congratulations, now that he knows why Lev was chosen over him: because Lev is an everyman.

The launch goes off without a hitch; it’s almost too problem-free. Then again, the team learned a lot from the problems that occured during Irina’s test flight, and it looks like they were able to use her data to solve those problems.

While in orbit, Lev borrows Irina’s words to describe what he sees, and then uses kholodets as a code word to let her know, wherever she is, that he’s thinking of her.

The launch occurs in the middle of the day, when Irina is still in bed. Anya lets her know Lev made it to space, and the throngs of celebrating Zirnitrans outside confirm the success.

The radio relays Lev’s words to the masses, which Irina recognizes as her own, then hears about the kholodets and weeps in happiness. The effect of her going out into the sunlight is very well-done, evoking pain and disorientation.

Lev feels a bit disoriented after returning to Earth too. He’s been promoted several spots to Major and has immediately a world historical figure and national hero and celebrity.

For someone as honest and unassuming as Lev, it’s hard to keep up, especially when his post-launch job is all about schmoozing, marketing, and propaganda. Harlova even tells him he now has the power to start a revolution…if he so chooses.

Harlova seems to want Lev to go down this road, but he’s still preoccupied with Irina, who lied to him about joining the design bureau. It gives him further pause when Harlova tells him that anything that no longer has a use is disposed of as a matter of course.

Anya is reassigned, which means Irina will soon be all alone. But when she gives Anya her jewel necklace to give to Lev, Anya presses it back in Irina’s hand. She’s resolved to help Irina see Lev again, and won’t let Irina give up so easily.

Rating: 4/5 Stars

Vanitas no Carte – 12 (Fin) – The Beast Lives

Vanitas and Jeanne end their bloody makeout session, neaten their clothes, and return to the streets, and when Vanitas asks why she was permitted to spend the day with him, it becomes immediately apparent that Jeanne was unknowingly serving to distract him while Ruthven helped himself to a Caffè Noé. Specifically, he keeps Noé alive so that one day, he can give him a command and he’ll obey it without question…even the command to slay Vanitas.

Roland may have lived his entire life believing that vampires were an enemy to be eliminated, but his encounter with Noé changed his mind about that, and we find him digging into books in a cozy little church library. His comrade Olivier warns him against digging too deep into forbidden topics, but then Roland warns Olivier that there isn’t really anyone who can stop him from discovering the truth. He can’t believe in things he knows not to be true.

Speaking of which, once Vanitas returns to the hotel to find Noé right where he left him, the two are visited by Dante with news: The Beast Lives. Specifically, the Beast of Gévaudan, a wolf-like abomination that slaughtered women and children in the Gévaudan region in the 18th century. It’s believed to be a curse-bearing vampire, so Vanitas is just the man to hunt the beast down.

While Vanitas and Dante chat, Noé is distracted by Vanita’s ridiculously sweet-smelling blood. Combined with his fatigue and hunger, he begins to ask if he could have but a small taste. Vanitas responds deadly seriously by promising Noé that if he ever tries to drink his blood (and therefore see the memories from his past), he’ll kill him. Daaaaamn.

This creates a friction between the two that lasts through the night until the next day, when the two head out to board the non-Mugem Train to Gévaudan. Noé apologizes, Vanitas half-jokingly offers to let him lap up any blood he spills (he can only read memories from blood straight out of the taps) and the two share an easy laugh. They thus make up just in time for a train ride that Noé is super excited about, the way a kid—or me—would be about such a train! Trains are awesome.

After the credits, we get a lovely but ominous birds-eye view of a snowy landscape not too dissimilar from the countless wintry vistas we were treated to in Golden Kamuy. Only here there be not bears nor naked Russians: but Charlatan’s apparent Boss: an ethereally beautiful lass with silver hair and piercing azure eyes poetically declaring how she’ll “make my song of vengeance echo across the land”. My guess? She’s the Beast!

While there were some nice tense scenes between Noé and Ruthven and Noé and Vanitas, and their little fight and make-up sequence was a subtle, quiet little marvel of character work, but I’m not gonna lie: not a lot actually happened this week. It was but table-setting for a feast that won’t take place until Winter 2022. But the dishes and silverware look great…just in time for a giant wolf to smash it all!

Vanitas no Carte – 11 – Jean d’Ate

Armed with the notion that Vanitas will despise someone who professes their love for him, our favorite easily-flustered vampire knight decides to ask her blood buddy out on a date, hoping he’ll end up in the palm of her hand. Predictably, this doesn’t go remotely how Jeanne hoped.

After all, it’s hard to pretend to have affection for someone when you are truly drawn to them, no matter how much you don’t want to be. Such is Jeanne’s plight: whether due to the lure of his delicious blood or the fact she simply adores a bad boy, she’s genuinely excited about the date, especially as it allows her to tour human Paris.

Meanwhile, Lord Ruthven, whom we know is up to no good, gets Noé out of bed so they can have a nice friendly chat at the Lord’s favorite human café, the entirety of which he rents out for such a purpose. While initially apprehensive, Noé soon settles into an easy rapport with Ruthven, to the point he reminds him of his teacher, the Shapeless One.

Throughout Vanitas and Jeanne’s date, Domi is diligently following and observing with opera glasses. She originally committed to doing this because she thought she’d derive some entertainment from it, only to find it looks like an ordinary date. It’s also funny that Dante tags along, and the more bored he gets, the more he resembles Cartman.

It’s atop Paris’ highest hill—from one gets a good look at the Sun Tower that takes the place of the Eiffel Tower in this alternate steampunk world—where things turn from a fun dawdle to Serious Business.

When a boy scrapes his knee and Jeanne gets one look at the blood, she’s ready to pounce on the lad, but Vanitas stops her, having her bite his arm instead. Dante tosses a smoke bomb so they can get away safely, but it’s close call—and a revealing one too, when it comes to Jeanne.

The pleasant, cordial café date also takes a turn when Ruthven asks Noé straight-up whose side he’s on: humans or vampires. At this point Noé is only on the side of those he cares about, which includes members of both groups. This is the wrong answer, and he fails Ruthven’s “test”.

The Lord grabs him and sucks his blood ravenously. Could this be how Noé ends up killing Vanitas, as he said he would back in the first episode: while under the thrall of Lord Ruthven?

Vanitas takes Jeanne somewhere safe, where she proceeds to seductively suck on his blood in another one of their hot-and-heavy scenes. Vanitas takes the opportunity to ask once again whether Jeanne is a curse-bearer, which Jeanne doesn’t confirm or deny.

Even so, when she stops drinking his blood and starts to shed tears that fall on his face, Vanitas promises her that whatever she is, he promises to kill her if she ever becomes a threat to her beloved charge, Luca. Of course, if he can find a way to release her of whatever is slowly sapping her sanity, I imagine try that method first!

Rating: 4/5 Stars

Vanitas no Carte – 10 – Into the Maw

Upon entering Dr. Moreau’s laboratory of torture and death, Vanitas makes sure to play nice, pretending to be reuniting with his old pal. As long as they’re chatting all friendly-like, Moreau is no threat. The good doctor recalls that unlike the other children, Vanitas (or rather “69” never cried no matter how cut up or battered he got, but he’s probably got a selective memory.

Soon, the casual conversation over coffee becomes a bit too much for Noé, who slams Moreau against the table once he’s heard enough, ruining Vanitas’ plan to keep things nice and copacetic. Then again, Moreau wanted to gouge out one of Van’s eyes so he could study it, so you can’t blame Noé or Roland for wanting to mop the floor with the guy.

Unfortunately, Moreau slips away before he can divulge the “exalted one” with whom he’s currently collaborating. Spider, one of the members of Charlatan, drops in to whisk Moreau away, while one of Moreau’s most deadly experiments breaks out of its cell, looking every bit like Spirited Away’s No-Name, and with just as big an appetite.

Because this Prédateur is a monster made of shadow, Roland and his underlings’ weapons have no lasting effect. Vanitas gets slammed hard against a wall and starts to give up hope, but Noé, who doesn’t know as much about the beast as Vanitas apparently does, insists they can defeat from the inside it if they work together.

Sure enough, Noé provides cover with his fists and legs while Vanitas uses the Memoir to heal and release the child from his curse. The Prédateur turns to stone and crumbles, leaving only Vanitas, Noé, and the rescued child. After Noé admits he grossly underestimated how close they were to dying, he and Vanitas break out in spirited laughter.

Hearing a human and a vampire charms Roland so much, he decides to let Noé and Vanitas escape, using his authority as Paladin. He admits that vampires had nothing to do with this incident, and if anything, it was the Chasseur’s mess for letting Moreau operated under their noses. But more than anything, befriending Noé has turned everything Rolly believed about vampire relations on its head. No doubt he can be a valuable ally in the future.

When Vanitas and Noé finally make it back to the surface, they take a few minutes to rest, with Vanitas leaning against Noé unexpectedly. Noé wonders if it was Vanitas’ duty as a doctor and the presence of a curse-bearer that kept him involved with this incident, of if he uses his crusade to save all the vampires whether they hate him or not as a crutch to get through his days.

Clearly Vanitas suffered a good deal of trauma by Moreau’s hand; I just with Moreau wasn’t such a goofy caricature of a mad scientist. But Vanitas also seems to bear a good deal of guilt for what happened to his white-haired little brother, “Number 71”. Noé notes that while Vanitas is hell-bent on delivering salvation unto every cursed vampire, he may just be the one who needs salvation most of all.

As for Lord Ruthven apparently putting out a hit on Noé for what happened to Moreau’s lab, well…I guess I should have known a dude that powerful and mysterious was up to no good.

Rating: 4/5 Stars

Vanitas no Carte – 09 – Qui Chasse Les Chasseurs?

As soon as Noé blurts out Vanitas’ name, Roland Fortis not only treats Vanitas gently and warmly, but with pity. Roland is as immune to Vanitas’ barbs as he is to the idea that a vampire who trespassed in these catacombs shouldn’t be slain. And while Roland proves he’s a tough opponent in a battle thanks to his ability-enhancing drugs and a Durandal that’s full of tricks, he’s no match for the duo of Vanitas and Noé.

Even when they’re almost constantly bickering like an old married couple, the two manage to slip away from one of the church’s most powerful chasseurs. But it isn’t Roland’s power, but his personality that rubs Vanitas entirely the wrong way. Noé can see why: Vanitas has met his match: someone who will not for one second stop being the person they are. The only difference is Roland still works within the structure of the church while Vanitas is his own master.

As they evade Roland and his underlings, Vanitas reveals why he knows his way around the labyrinthine catacombs: he basically grew up there after vampires killed his parents and the Chasseurs took him in. While they intended to train him, he caught the eye of one Doctor Moreau—yeah, that one—and became his guinea pig.

That’s a pretty dark past for our boy, and explains a lot about his reluctance to get to close to anyone, Noé included. But when Vanitas keeps making “that face”, and then decides to take one of the Chasseurs hostage, Noé objects, the two have a fight, Vanitas says more than he should, gets Noé angry enough to use him as a hostage.

Noé’s plan, while hastily hatched, ends up working perfectly, as tossing Vanitas into the air for Roland to catch ensures Roland is exactly where he wants him when he wants him there. But rather than deal a potentially killing blow, Noé holds back: and not just so he doesn’t kill Vanitas.

As Noé said before, he kinda liked the cut of Roland’s jib. So do I, now that I know his airhead act wasn’t really an act, but that he can flip a switch and enter Serious Badass Mode whenever he feels like it. Noé intentionally doesn’t seriously injure Roland because he’s hoping he can be reasoned with and a truce can be struck…and he’s right!

Despite his underlings’ objections, Roland not only decides to sit down and listen to Noé and Vanitas, but even agrees to be friends with Noé. After a lifetime of hunting and killing dangerous, insane, or downright evil vampires, Noé is a breath of fresh air, so much so that Roland can’t believe he’s really a vampire.

As for the reason Vanitas is there in the first place, Dr. Moreau is up to his old tricks, operating right under the Chasseurs who cast him out. Moreau himself seems to have a screw or two loose, and looks like Dr. Robotnik’s cousin to boot. It’s an odd choice to introduce someone who clearly traumatized Vanitas as a goofy eccentric, but that kinda also adds a layer of menace to the guy. Hes so caught up in his experimentation he’s long ago abandoned all notions of human morality.

Rating: 4/5 Stars

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