Oresuki – 03 – Bounce Back

When Sun, Himawari and Cosmos all arrive at the library at once, it’s clear that some shit is going to go down. Joro almost manages to slip out of it by revealing his darker side and calling out the two girls for using him as a convenient tool, not because he’s a dear childhood friend or cute kohai.

That last-ditch effort fails when Pansy throws him under the bus, telling them he was trying to get her to date Sun while claiming to be on their side. Sun punches him for playing with the girls’ hearts, declares their friendship over, and carries him off.

It sure looks like this is curtains for Joro, and that all Pansy did was assist in this catharsis of misery. But when she mutters “have faith in me” to Joro on his way out, it becomes apparent there’s still more to this story yet to be explored.

Since there was a bystander in the library during the exchange, rumors spread and Joro is ostracized overnight, including having his indoor shoes bedazzled and a detailed golf course model placed on his desk, which is such a bizarre and random head-scratcher of a prank I couldn’t help but laugh.

With Joro out of the picture, Sun is free to spend the next week of lunch periods in the library with Pansy, unaware that she’s putting the finishing touches on her grand plan. It all starts by asking him, quite simply, why he tricked and entrapped Joro, using the feelings of Himawari and Cosmos as his tools in that venture.

And there it is: Joro, as we know, wasn’t the mastermind here, but neither was Pansy: it was Sun all along, sore over an incident years ago when a girl he liked asked him if he’d help her get with Joro. Sun was the one who put the girls up to confronting Joro about asking Sun about them. Joro played the part Sun knew he would (aware as he was about “dark Joro”) and he got his revenge.

Believing he’s all alone with Pansy, Sun doesn’t deny any of this, but proudly proclaims he was after revenge for “losing” to Joro back then, and again with Pansy. He’s also enough of a jerk that he threatens to “do whatever he wants” to Pansy without consequence, since they’re all alone.

Of course, they aren’t. Joro, whom Pansy summoned to the library a minute before Sun arrived, is a witness to her takedown and exposing of Sun as the villain. She threw Joro under the bus in the previous dust-up to give Sun the false sense that everybody was against Joro, when in fact she loves Joro and intended to clear his name.

Joro comes out of his hiding place at the perfect time, and tells Sun where he truly erred: in making light of the “birdbrained” two girls’ feelings for him in order to use them in his scheme to destroy him. A chastened Sun promises to apologize, and departs, and then Joro tells Pansy that her efforts don’t change the fact he hates her, and he won’t be returning to the library.

That’s when Pansy tells Himawari and Cosmos to come out of their hiding spot; unbeknownst to Sun or Joro, Pansy invited them to listen in on the truth of things.

In golf parlance, we can call this episode a major bounce back for Joro. Himawari and Cosmos apologize, the vandalism of his stuff ceases, and Sun confesses in front of the class, clearing Joro’s name to the whole school through the same rumor mill that sullied it.

That brings us to Joro and Pansy, and why the latter fell in love with the former. Turns out, it isn’t his “dark side” she necessarily likes, but the kind, hardworking side that waited by the north entrance to the gym after Sun’s game, standing there dutifully and waiting with his arms full of Sun’s favorite food.

What Joro remembers most about that day was the gorgeous, well-endowed, raven-haired maiden whose eyes met his and with whom he became transfixed, only to never see her again. The last twist is the most predictable lame: Pansy is that gorgeous maiden, and was simply hiding her looks behind a “plain girl” disguise.

While I understand this reveal was necessary, it was very clumsily done for a show that had just crafted such an intricate tapestry of romantic intrigue, and portrays Joro in a very poor light: someone who is now more or less on board with this “Hot Pansy” on the surface but is still confident he’ll never fall for the Pansy inside.

While the ball might’ve land in a bunker (more golf talk…sorry) at the end, after three (or more precisely, 2.85) strong episodes that subverted my expectations, Oresuki has earned some benefit of the doubt. Let’s see where this goes!

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Oresuki – 02 – Golden Sombrero

You’d be forgiven for thinking that Joro’s thankless parallel missions to help both Cosmos and Himawari win the heart of the same guy would continue on for a number of episodes, but this week that’s just a small part of a much bigger picture, as the plot progresses farther than I could have anticipated. Lesser shows might’ve have kept the cupid act going longer, but Oresuki sweeps it all aside in favor of something new. It has more to say. Much more.

It also reveals something I touched on last week: the intentional repetition of situations and dialogue that lend the show an appealing poetic rhythm. While Cosmos and Himawari are equally terrible in executing the plans Joro lays out for them (due mostly to how nervous they get around Sun), their particular ways of bombing are both unique to their characters. It takes a lot of hands-on involvement from Joro to get the two definite dates with Sun.

But it’s not just the girls’ ineptness that makes things hard for Joro. Either consciously or not, Sun is simply hesitant to go on a date with either Cosmos or Himawari, and on Pansy’s urging, learns that there’s a girl Sun already likes. In a third “Darth Bench” scene, Sun confesses to Joro that he’s in love with Pansy, adding further complexity to an already unwieldy love polygon. His story is also very similar to the girls’, as there was a third exit from which he encounter Pansy, who encouraged him after seeing him cry.

This scene with Sun features some subtle yaoi undertones, such that until he specifically said “girl” instead of the vaguer “someone,” I thought Sun might confess his love for Joro. Not only that, after the way Joro genuinely blushes when Cosmos and Himawari mentions his strong bond with Sun, I had to remind myself that Joro was interested (at least initially) in those girls…and hence not into Sun.

Joro refuses to help Sun with Pansy, claiming not to know her well enough (partly true, but also partly a lie) but when Sun brings up a baseball metaphor, Joro responds with advice as if it were about baseball and not love. Sun’s confession of love for Pansy ups the danger for Joro exponentially, since that bombshell renders not just one but both of his cupid missions futile.

When Sun sees Joro talking with Pansy about Sun, and Pansy gets angry for Joro cruelly pushing his friend on her when it’s him she loves,  he gets suspicious. But Pansy of all people bails Joro out, confirming Joro’s claim that they’re not close and were only talking about official school business.

Still, Joro keeps Cosmos and Himawari in the dark, clearly overestimating how much time he has before they find out on their own…which of course they do when Sun does the same thing to the two of them that they did to Joro: ask them to help him get closer to someone else…in this case, Pansy!

That brings us to the Golden Sombrero, a baseball term for when a batter strikes out four times in a game. In this episode, Joro strikes out once when he’s not entirely honest with Sun vis-a-vis Pansy, once when he’s callously dismissive of Pansy, and twice more when he tries to explain to Cosmos and Himawari why he kept Sun’s true feelings from them.

As a result of Joro’s Golden Sombrero, his friendships with both Cosmos and Himawari are in the toilet, all because he took Sun’s words about baseball literally and inadvertently advised him to do what he thought best, which was to ask the two girls he went on a date with about another girl. His friendship with Sun seems secure for now, but Joro is still keeping him in the dark about who Pansy really likes.

That brings us to his latest scheduled meeting with Pansy in the library after some time off, which I assumed was to get a possibly-still-suspicious Sun off their trail. Instead, Pansy comments about how “interesting” things have gotten now that Joro’s plans for the girls have gone up in smoke and the girls are now doing what Joro did for them: supporting someone they love in their quest to be with someone else.

Early in the episode, I wanted to take Joro to task for being so unceasingly hostile towards Pansy in all of their interactions, since we hadn’t really experienced enough of Pansy as a character to justify that attitude. And yet, here we are, with Pansy effortlessly manipulating people and having a gas doing it! She even brings Cosmos, Himawari, and Sun to the library in order to find out how much more interesting things can get.

While that final twist feels very Jerry Springer-esque, it’s entirely earned by the events that preceded it. Sun may be the school’s ace pitcher, but when it comes to twisting people into knots with change-ups and curveballs off the diamond, Pansy wins walking away!

Oresuki: Are You Really the Only One Who Likes Me? – 01 (First Impressions) – Why is that Bench There?

Right off the bat, Oresuki looks good—and keeps looking good; there’s a lot of love in the animation and character design—but otherwise feels so damn boring. Ordinary high school kid narrating? Check. Childhood friend who likes him, unbeknownst to him? Check. Regal StuCo Prez who won’t give him the time of day? Check. Everyone has nicknames. Stop narrating! Show, don’t tell!

So, it’s not looking good. But then interesting things start happening. First, Regal StuCo Prez Akino “Cosmos” Sakura asks Ordinary high school kid Kisaragi “Joro” Amatsuyu out on a Saturday date…but it’s not what he thinks. When she sits him down on a bench, she doesn’t confess her love for him, but his best friend, Ooga “Sun” Taiyou. She wants him to help her go out with him.

The next day, Joro spends the day with his childhood friend, Hinata “Himawari” Aoi. She sits him down on a bench and confesses her love not for him, but for Sun! Even more hilarious, she fell in love with him at the same exact time Cosmos did—when they spotted him from opposite sides of a hall secretly crying after a big team loss.

Needless to say, Joro is pissed off; he was aware that Himawari had feelings for him, and no doubt saw her as a reliable Plan B. Instead, because he can’t resist either of the girls’ charms in the moment, he agrees to help both of them get with his best friend, whom Joro admits is quite a catch.

As all of this goes down, Joro shares his inner thoughts with us, the audience, like Fleabag in…Fleabag. And while he’s patient and dutiful to both Himawari and Cosmos as the two bomb in their attempts to naturally approach Sun, his Plan C is to help both of them and let Sun decide, and he’ll ask out whomever Sun rejects. I mean, Sun can’t date both of them…can he? (He totally can.)

But the sequence of twists in Joro’s carefully manicured bonsai of a plan for high school love is not yet finished: there’s a third bench. That bench is purchased on Amazon by the librarian’s aide Sanshokuin “Pansy” Sumireko, a girl who is quiet and meek to everyone but Joro, whom she teases and berates at every turn.

As Joro learns when she makes him sit on that third bench (to the tune of a modified arrangement of “The Imperial March”, hilariously enough), Sumireko is in love with him. Not Cosmos, not Himawari, but Pansy. Furthermore, she’s been stalking him for a while and the Joro she’s fallen for isn’t the Nice Joro he presents to everyone else. She wants Inner Thoughts Joro. Mean Joro. The Joro he only shows us, the odd slip-up aside.

Just like that, Mr. Calm, Cool, and Cynical is totally off-balance. Someone he’d never imagined would come close to liking him is the only one who likes him. Yet of the three young women, Pansy seems like the one best suited for him—I mean, she likes the guy beneath the surface! And though we saw her the least this week, I’m sure we’ll see a lot more of her, even as Joro tries to stick to his Plan C.

Oresuki starts out cliched and obvious on purpose, so when interesting things start happening and it flips the script on you not once or twice but three times, you’re that much more surprised and delighted. Or at least I was. But you don’t have to take my word for it…go watch it!

Ao-chan Can’t Study! – 12 (Fin) – Virgin Saints to Kissing Experts

After consulting with Miyabi on kissing (who is just as much a novice as she is and thus no help), Ao realizes that in all of her scenarios in which she and Kijima do it, she overlooked the fact that a first kiss should happen first. But who should initiate? She’s confident that “Virgin Saint” Kijima won’t, so she resolves to be a saint herself and not expect anything.

That all goes out the window virtually the next time they see each other. Kijima meets Ao in an empty classroom at sunset, he calls her beautiful, she brings up kissing, and when he gives her an opening, she moves with the sudden gust of wind and takes it. Apologizing for breaking their promise, Kijima kisses her right back, twice, so that both of them have broken it and can now start fresh.

That creates a new problem, as even after her first kiss(es) with Kijima, Ao becomes fixated on his previous kisses, when she hears classmates talk about him being “good at it.” Kijima doesn’t know what they’re talking about, as Ao is not only the first girl he kissed, but he practiced with a pillow (as many do). Still, she lets out one last “I’m done!” and scurries away in outrage.

Later, when she realizes she overreacted and really just wants to see Kijima’s face, there he is, at the same bookstore she’s at, and they leave hand in hand. Kijima, after consulting his friends, decides to be as honest as he dares—admitting his first kiss was with Ao (though he doesn’t mention the pillow). They realize neither of them is a “natural” at kissing, but they liked their kiss because they like each other.

Unfortunately for Ao, the title of this show ends up being on point: due to her preoccupation with Kijima and kissing, she does horribly on her mock exams. Even so, thanks to Kijima she learned something very valuable: Never underestimate how much your ideas about love have been warped by your erotic novelist Pops!

Ao-chan Can’t Study! – 11 – Takumi Can’t Get the Picture!

Takumi suggests he and Ao study together some time, but Ao is against it because she knows what such things can lead to. However, Takumi says “pretty please,” so she grudgingly agrees, and orders her first pair of silky panties so that if and when Takumi makes his move, she’ll be prepared.

Then she goes to Takumi’s and they’re both alone together, and there’s never an if or when. One, two hours pass, and Takumi only seems interested in…studying. Even when they make a wager for the loser to do whatever the winner wants, he just wants her to make her lunch again.

This steams Ao’s beans, because she went out of her way to wear sexy panties for the occasion, and Takumi is so pure and dense he can’t take the hint that it’s okay for him to make a move. It either never occurs to Ao that SHE should make the first move instead, or she, like Takumi, is too inexperienced and timid and afraid of coming on to strong.

So Takumi fails to resemble anything like the crazed sex beast of her imagination, and ends up a lot more like…well, like her. Only he likely wore comfortable boxers with the knowledge she’d never see them, while she ends up with a stomachache due to being unaccustomed to low-riding underwear. If she wants…that from Takumi, simply waiting isn’t going to cut it. She’s going to have to say or do something, and deal however he ends up responding.

Ao-chan Can’t Study! – 10 – …But She CAN Run!

Ao is utterly apathetic about the upcoming sports festival, until she learns Takumi will be on the cheer squad, and dedicates herself to training hard for the 800m run so she can experience the joy of being cheered on by the guy she likes.

Kudos for the show finally portraying these two as a comfortable, easygoing couple, even if they’re not 100% officially “dating;” it’s nice to see Ao not only publicly acknowledging her interest in Takumi (already well known in her class) but contributing to him making the decision to participate.

Of course, there has to be a conflict of some kind (beyond winning the race) and it comes in the form of her father, who has embarrassed her at every level of her education during the sports festival. When she bans him from this one, he bans her from ever moving out, and the two.

Yet, despite their fight, and despite the fact Ao made sure Yabe increased his workload tenfold, her father still makes it to the festival. Ao notices him just after having a talk with Takumi, who tells her he’s probably not that upset over their fight and that she should just talk to him.

While Pops gets to apologize, and explains his presence as having done all the work put before him with maximum efficiency, all so he could watch her compete, Ao is about to apologize back, but it’s time to run. Her dad joins Takumi and the cheer squad, and Ao takes the lead, but starts flagging in the home stretch.

This is when Pops fulfills Ao’s worst fear, yelling for her to hold onto her “G-cups” so she can run faster. This embarrasses her, Takumi, the cheer squad, and also freezes the other runners, as well as energizes Ao into finding her second wind and finishing first. But her Pops doesn’t escape a beatdown for his raunchy words.

Of course all of this could have been avoided if the show remembered there are these things called sports bras, to be used while running, jumping, and doing other athletic things!

Fruits Basket – 06 – Not One to Ask for the Moon

After a particularly narratively and emotionally heavy episode that ends with Tooru back where she belongs, we get something much lighter, starting with the cultural festival at school, the great success of Tooru’s onigiri, and Yuki giving his upperclassmen the going-away present of cross-dressing for them.

We also meet a Souma relative somehow more annoying than Kagura (though mercifully less violent): Momiji, the pint-sized half-German who is brazen enough to hug Tooru in the middle of school and transform into his Zodiac form, the rabbit. Thankfully Yuki manages to distract the class with his charms.

We also meed Momiji’s minder, Souma Hatori, whose animal remains a mystery for now (my money’s on Ox), and who was the one who altered memories the last time Yuki’s secret was exposed to normies. Once he and Momiji are gone, Yuki laments to Tooru how unmanly it is to be called “cute”, and she can’t deny she thinks he’s cute-looking too.

Yuki throws her for a sudden dokidoki loop when he tells her he’s sure she’d look much cuter than him in his princess dress. While heading inside, Tooru is confronted by her BFFs Uotani and Hanajima, who are concerned she’s hiding something from them from the way she’s acting around the Soumas. When she says she’s living with them, she assures them there’s nothing to worry about.

Uotani and Hanajima decide to determine that for themselves, leading to an impromptu visit and sleepover at Shigure’s house. Tooru learns (and is duly #impressed) that Shigure is an author, of both “high” and “low” literature. While Tooru is grabbing some playing cards, Uotani and Hanajima wonder if they’re actually useful friends to her anymore, considering in her dire need they weren’t there to help.

Kyou and Yuki tell them she doesn’t sweat things like that, nor does she “ask the moon” of her friends. It’s more than enough for Uo and Hana to be by her side, like they were at her mom’s funeral, like they are at school, and like they are tonight at her new home. Tooru confirms this by telling them the story of her baseball cap, which a boy (that looked an awful lot like Yuki or Kyou in silhouette) gave her when she was feeling sad and lonely years ago.

After a good night’s sleep in Tooru’s awesome bed, Uo and Hana have some breakfast and give the Soumas their official approval. Not only are they kind gents (despite their spirited cat-and-rat rivalry), but they already know Tooru well, and appreciate her. Yuki and Kyou also agree that Uo and Hana can come back anytime…as long as the Souma family secret is maintained.

Speaking of which…Souma “Memory Modifier” Hatori is Tooru’s latest “Ominous End-of-Episode Phone Call,” basically ordering her to report to the main house on her next day off school to speak to him and possibly meet Akito, the family head—who admits in a scene with Shigure that he does ask the moon. Now what could they want with Tooru?

Fruits Basket – 05 – Rescuing the Princess

This episode’s cold open moved me to tears. Tooru’s grandfather has informed her that his house is sufficiently ready for them to move back in. Just like that, her new life with her unique new friends has been snatched away from her.

There’s a palpable atmosphere of gloom and emptiness to the scene in which she tells the others, before realizing she hasn’t started dinner. Then, while in the kitchen, her mom suddenly walks in the door, and she’s in her old kitchen, making dinner despite suffering a fever.

When she tells her mom she couldn’t just stay in bed while she’s working so hard, her mom simply hugs her, and says sometimes it’s okay to be discouraged or selfish, once in a while. It’s as if she almost did too good a job raising her daughter!

When the kettle whistles she’s brought back to the Souma house, and declares that no, she’s okay. It doesn’t matter if she can get discouraged, she won’t get discouraged. Gramps’ newly renovated house may well be fine; and definitely better than her tent!

But for someone who’s come so far in so short a time, it feels like moving backwards, and that she’s deferring her happiness in order to go with the flow. Trying to convince herself she and the Soumas can’t be family when they already are just that.

It’s heartbreaking and yes, tear-jerking. It remains so as she tells herself she was never the brightest bulb, hearkening back to grade school when she played in the “Fruits Basket” game that gives this series its name, and in which she was cruelly excluded by being declared an onigiri.

She declares it foolish to ever believe she could join the Fruits Basket group of Zodiac animals that is the Souma clan. But she’s wrong, you see. She’s foolish to think she was or is foolish. It’s when she’s welcomed “home”, where her grandfather can’t even get her fucking name right, when I thought to myself it can’t end this way.

I’m not alone, as a melancholy Yuki and Kyou recall all the good times they had with their dear friend Tooru, whom they allowed to depart without any resistance, and suddenly sport defiant looks on their faces. They’re on my side; they’re not gonna let it end this way.

Every second Tooru is in that hellish house with those trash people, it made my blood boil. Being asked to hurry up and unpack her meager two shopping bags of effects. Her mother’s older sister hiring a P.I. to investigate where Tooru was living to protect her son, who’s going to be a police officer and can’t have any bad apples in the family mucking that up. Calling her sister a bad seed and declaring “like mother, like daughter.” Tooru’s asshole of a cousin, leering at her while asking if the men she lived with did anything indecent.

Gramps may confuse Tooru with his daughter, but he’s still sharp enough to slap his would-be cop punk of a grandson for speaking to “Kyouko” that way, and condemning his family as a bunch of “unpleasant people”…which they most certainly are! Go Gramps! He concedes that he has to put up with them, but tells her that she doesn’t. Her late father said Kyouko deserved to live where she could “spread her wings,” so if there’s a place where she’s happier, she should go there.

Still, Tooru resists. She doesn’t deserve “more.” She has to be grateful with what she has. She’s “blessed”. She shouldn’t say “I want to go home,” and home not be her gramps’. She can’t say “I didn’t want to leave!” If she did, that would be selfish, and mean she’s too soft on herself? “Yes,” replies Yuki, suddenly in the living room, dazzling the stage.

Flashback to before his surprise appearance; he and Kyou are taking out their frustration on each other, as per ususal, with Shigure in the middle. Yuki notices the note with Tooru’s address on the table, and excuses himself to take a walk. Kyou has the same thought, but is just a step behind.

He catches up, and after walking around in circles, remember the exterior walls of the house aren’t finished. They knock on the door but no one answers, then watch the scene we just saw unfold and wait for the right time to swoop in. When that moment arrives, Yuki is there, followed closely by Kyou, who escorts her out while Yuki grabs her things and calls her cousin a lowlife.

Kyou tells her he’s been on edge since the moment she left, and now knows why: she didn’t want to leave. It’d piss him off to indulge someone’s daily selfishness, but in Tooru’s case, it’s okay once in a while, repeating the words her mother said to her. So she finally lets herself be selfish, and declares she wants to go home to where he and Yuki and Shigure are.

Yuki and Kyou take her hands and do just that. Finally, in the Fruits Basket game of her life, the onigiri has been chosen. Her new tribe may not be perfect, and their house always on the verge of being destroyed by familial strife, but she’s home, with her family, where she belongs. As the cameras pan up from the exterior of the house to the dusk sky, it’s never looked more beautiful.

Fruits Basket – 04 – Boarish Manners

That meek, soft-spoken girl at the door who wants to see Ryou? Uh, she’s not so meek once she sees him for the first time in four months. She delivers upon him a beatdown the likes of which we’d yet to see if this series, far beyond his sparring with Yuki. Turns out that’s just how Souma Kagura expresses her affection…with extreme prejudice. Her two-sided personality is voiced by the supremely talented Kugimiya Rie.

Kyou’s two years older, self-professed fiancee (based on a promise he made at knife-point when they were kids), Kagura demands to know where she stands, and doesn’t like how there’s another woman living in his house, albeit one who can’t hug him without making him turn into a cat. Since they’re both Soumas and Zodiac animals, she can hug him freely.

Kagura is clearly much stronger than Kyou, and so basically rolls himself into a ball and endures her savage beatings, but he dares to silence her when she starts mentioning his “true form” to Tooru. As someone who hasn’t yet found her first love, Tooru can’t help but feel a little jealous that Kagura loves someone as deeply as she does.

Repairing the substantial damage to Shigure’s house takes up much of the day (especially with Shigure and Yuki pointedly not helping), and before long, Kyou’s stomach starts to grumble. Tooru offers to start dinner, as is routine, but Kagura stops her in her tracks. Tonight, she’ll be the one to feed her beloved Kyou. The resulting feast reduces the food supply in the fridge to nothing, but as seems to be Kagura’s M.O., she got a little carried away.

As good as the food looked, part of me expected it to taste vile or some such, but nobody even gets to eat any of it, as Kyou snaps at Kagura when she says it’s ready, and she responds by driving him through the floor and onto the feast, ruining it all. With no other food to cook, Kagura heads out to the grocery store in a huff.

It isn’t until she’s at the checkout that she realizes she left her purse at home, but Tooru bails her out by paying for her, and the two women walk home together. When asked, Tooru specifies her “love” the sign of the Cat more than overt romantic love for Kyou himself, and is “humbled” by the extent of Kagura’s love.

Here we have another example of Tooru not judging someone as volatile as Kagura, but rather believing in her and her long-standing love for Kyou. Kagura in turn thanks Tooru for coming for her, and the two make hamburger steaks together. This time, when everything is ready, Tooru climbs up to the roof to tell Kyou.

Up there, she tells him how lucky he is that someone cares for him and worries about him so much—not surprising, coming from someone who was loved by her parents, but lost them far too soon.

She also brings up peoples’ dreams, whether Kagura’s dream of marriage to someone she can truly embrace, to Kyou’s love of martial arts. Tooru sees another side of Kyou as he lights up talking about martial arts. It’s clearly not just about beating Yuki, but becoming better and better at it.

When Tooru gets Kyou to come down to eat, Kagura presents him with a hamburger steak a little different from the others: his has a fried egg on top, like the fried egg he was drawing in the sand when they first met, which was when Kagura basically fell for him. Kyou tastes his dinner and through his sheepish silence expresses his approval and thanks.

The next morning, Kagura has to leave, and bids Kyou farewell with a big hug, followed by one last beatdown. Kyou says some unkind words, and Kagura responds by punching through the front door…and straight into the chest of the paperboy.

Yuki manages to distract the civilian, but Tooru finally learns that Kagura is the sign of the Boar—very appropriate considering her propensity for charging headlong towards her goals. When Tooru compliments her as the cutest boar anyone could ever ask for, she transforms back into a woman—a naked woman, on Kyou’s back.

That brings us to a cliffhanger that threatens the relative peace of the last four episodes, as well as the status as Tooru’s new home and life. She gets a call from her grandfather, and the contents of the message are enough of a shock for her to drop the gardening books she checked out. Is Tooru doomed to lose everything once more, after an all-too-brief taste of happiness?

Fruits Basket – 03 – The Different Shapes of Kindness

Yuki, Tooru and Kyou’s class decides to do an onigiri stand, and we see again the dynamic between Prince Yuki fangirls and Tooru’s delinquent friends, as well as the fact the class has warmed to Kyou despite—or possibly partly due to—his hot temperament. Oh, and because cute cats flock to him!

Still, when they criticize his idea and accept Yuki’s, he storms off to skulk on the roof. Kyou opens up about his long-held resentment of his “golden boy” cousin, who was always respected and trusted more than him, and excelled at everything he did better and faster than Kyou. He admits if he could be like Yuki, he would be.

That sentiment proves vital to Tooru as she attempts to figure out why these two hate each other so much. She gathers more intelligence when Kyou becomes the life of the party when the class plays cards, while Yuki is off rejecting the umpteenth girl to ask him out. She tells him he’s nice, but closed off to people, and that everyone says a “normal girl” isn’t worthy of him.

It doesn’t sound like a compliment to him, and it puts him in a sour mood when he ends up in Kyou’s presence. The two go at it verbally until Yuki loses his cool and kicks Kyou across the room. All Tooru knows is that this is about more than the fact they’re rat and cat; and probably quite a bit about Kyou waning badly to become the thirteenth member of the Zodiac.

In what feels like a non sequitur of a mini-scene, Tooru falls down the steps at work after her shift is over and encounters a strange blonde who speaks German to her and kisses her before Tooru runs outside. Obviously, we’ll see more of this person in the near future, but all I could do for now was chuckle at Tooru’s extremely flusteredness around someone seemingly not from Japan.

When Yuki arrives to walk her home, Tooru tells him he and Kyou are both so kind, and Yuki flashes a sad smile and turns to walk. Tooru stops him to say he can tell her anything that’s troubling him and she’ll listen and try to help. She’s so passionate about this point she doesn’t notice the drunk salaryman who shoves her into Yuki, transforming him into a rat.

While walking with Rat-Yuki, he tells her his deal with Kyou, which is basically that once the ice is broken it’s easy for him to fit into a group of people, who flock to him just like cats do once they learn the rough edges are only skin deep. Thus Tooru learns that Kyou and Yuki resent each other because they’re both jealous of the ways they’re not like the other. Tooru tells him how kind he is and how that draws people to him too, but Yuki dismisses his kindness as merely self-serving; phony.

When a typhoon suddenly hits, Tooru assists Yuki in protecting his secret base—a vegetable garden—from the harsh weather. Tooru tells him what his mom told her to be, which is a believer and not a doubter in people. When everyone is born they have nothing but desires, but gradually develop their own unique “shape” of kindness; their hearts growing with their bodies and minds. To her, Yuki’s kindness is like a warm, bright candle.

Yuki apologizes for bringing this stuff up, but she assures him she’s glad he did, because it means he trusts her enough to share his problems, and that they’re becoming closer as friends. Yuki promises to try harder to interact naturally with people at school, even if it’s intimidating, because that’s what he wants.

After a night protecting the vegetables, Tooru decides to use some as she spends the rest of the morning experimenting with onigiri in the kitchen. Kyou wakes up before Yuki, but since he’s cat-based he hates the chive filling, and would prefer something meatier. He makes some of his own, showing Tooru that he’s actually a natural at forming onigiri, though he doesn’t think it’s so great.

Tooru disagrees. In fact, she decides to create another metaphor to describe both Kyou and Yuki’s issue, which is not so rare: if a person is a rice ball and the plum is what’s great about them, they have “plums on their backs,” meaning they can’t see them. But people are drawn to both of them, just as all people are drawn to their friends, because they can see those plums. Hence, both he and Yuki are great.

With that, Yuki arrives on cue and force-feeds Kyou a chive onigiri to show him that one politely eats something someone has made for you, even if you don’t like it. Then a knock comes at the door, and Tooru finds a shy young woman outside, asking about Kyou. Could this be an admirer of his, or another member of the Souma clan? Whoever she is, it seems pretty clear she can see his plum!

Tooru could come of to some as overly preachy and poetic this week, but she’s so goshdarn cute and sincere it’s hard to fault her. She had such a good Mama, and duitifully honors her memory by being the best possible person she can be, while sharing the lessons she learned from  her.

For all the loss, grief, and pain she endured, Tooru remains a staunch believer in people, as well as in her ability to help those people. If Kyou and Yuki can’t find each other’s good aspects or make any kind of peace with each other on their own, then she’ll lend them a hand.

Fruits Basket – 02 – Sodium in Water

When Kyou, Yuki and Shigure all transform into animals, Tooru panics, right up until the dog signs for a package with his seal, and they start talking with human speech. Turns out each member of the Souma clan is possessed by an animal of the Zodiac, and when hugged by the opposite sex, they transform into those animals for a time, eventually changing back to (buck naked) humans.

To call Yuki and Kyou like oil and water would be inaccurate: oil kinda just sits on top of water. Yuki’s more like sodium and Kyou water; it always ends up with an unpleasantly violent explosion. Once’s everyone’s dressed they go at it again, and Kyou breaks a table in his rage, accidentally injuring Tooru’s forehead. Yuki has had enough, and decides to show why sparring with Kyou is never fun for him: he always wins handily.

At school, suspicions from Yuki’s fan club persist, but he doesn’t pay them any mind, and meets with Tooru in an empty classroom, asking if she told anyone about “them.” Tooru takes this to mean the Souma family secret of animal transformation, but it could just as easily be asking if Tooru told her friends she was now friends with Yuki and living in his house.

Regardless, Yuki informs Tooru that Shigure has to report to the Souma family head, Akito, who will determine what if anything is to be done about Tooru knowing, up to and including memory-suppressing hypnosis. Tooru accidentally bumps into him, turning him into a rat, but once the shock of that is over, Tooru expresses her wish that even if her memories do have to be altered, she’d like to still be friends with Yuki afterwards.

Back home, Kyou is making preliminary repairs on Tooru’s ceiling, and is about to offer some kind of apology when Shigure returns home with good news: as long as Tooru keeps their secret, she’s free to live there without any memory modification. Tooru celebrates by putting her well-honed cleaning and cooking skills to use. That night, she learns Shigure has arranged for Kyou to transfer to Yuki and Tooru’s school.

The reason for this is because he essentially dropped out of the school he was attending to train his body and mind to defeat Yuki, and he could use a fresh start to learn more about interacting with people in ways other than confrontation and combat. True to his Zodiac sign, this is better said than done.

He causes an instant sensation at school, as the girls flock to his desk to chat with him. Not used to so much attention, he tries to get away, but one of the girls clings to him, and he puts her in a painful arm lock before jumping out a high window (and landing on his feet, natch). In other words, not a good start!

Outside, Yuki tracks Kyou down and scolds him, and their two diametrically opposed goals are made plain: Kyou wants to work to become a full-fledged member of the Souma clan, something Yuki considers a cage he’d rather escape.

The fight gets heated, and Tooru intervenes, resulting in Kyou transforming into a cat. The enraged Kyou snaps at Tooru once more, and she slinks away, believing Kyou truly hates him. Yuki doesn’t even bother punching him.

Back home, Shigure tells Kyou it’s simply not going to be easy, but he has to keep going to school, and consider it training. That means hurting, being hurt, and developing empathy that informs his future words and actions, not just going with his impulses.

As Tooru walks home from work later that night, she remembers her vow to her mom to cease being a Dog and become a Cat in solidarity for the way the Cat was treated in the Zodiac legend, but now that she’s met the Cat, he seems to hate her. Of course, that’s not strictly true; Kyou simply isn’t sure how to act around Tooru yet, and takes Yuki’s place as her escort home as an olive branch.

He snaps at her again once or twice, but takes the advice from Shigure—not every strike, verbal or physical, needs to be carried through. He can stop short; hold his tongue or fist; consider a less extreme response. He tells her she can call his name even if she doesn’t need anything, can hang around where he can see her, and she’s welcome to hit him if she says or does something she doesn’t like. It’s his way of apologizing, and it lifts Tooru’s spirits considerably. She tells Kyou about her love of the Cat, and her desire to be friends with its vessel.

Kyou reacts somewhat like a tsundere would, and Tooru feels she finally understands Kyou has a gentle heart under the rough exterior. Having thus made peace with Cat and having official permission from the family head to live with Yuki and Shigure, Tooru is looking forward to fun-filled days ahead. Here’s hoping she gets them; she’s already experienced enough of the other kind.

Fruits Basket (2019) – 01 (First Impressions) – Anywhere Can Be Home

Honda Tooru’s backstory is almost comically tragic: her father died of an illness when she was three, and one day her mother was killed in an auto accident. The only relative who’d bring her in was her pensioner grandfather, for whom she didn’t want to be a burden.

Then his house needed months of renovations, so he told her it might be best if she moved into a friend’s house…only she felt too bad about staying at her one friend’s tiny apartment or to be another mouth to feed at her other’s. So she started living in a tent she bought on sale.

Unbeknownst to her, this tent is on private property belonging to the Souma family, one member of which, Yuki, is in her class. When they cross paths while she’s exploring her tent’s surroundings, she meets Yuki’s older cousin, Shigure.

When Yuki and Tooru walk to school together, his fan club, “Prince Yuki” aren’t having it, and give her a multi-pronged verbal attack. She’s saved by her yankee BFFs, Uotani and Hanajima, who you’ll remember, are not aware that their lovely friend is essentially homeless. But they have her back. In exchange, she helps them ace Home Ec by doing all the cooking, which she’s of course happy to do.

After school, Yuki walks with Tooru and they discuss the Zodiac (a subject first broached when she saw Shigure’s Zodiac knickknacks). In particular, Tooru voices her love of the Cat, even though it has no official place in the Chinese Zodiac. Tooru declares the Cat an “idiot” and that the math was never there for it to begin with. Before Tooru rushes off to work, Yuki tells her to look out for her health—no doubt sensing how thin she’s stretched.

After Tooru gives her appalling sad life story so far, through which she’s remained strong, upbeat, and committed to taking care of herself and burdening no one, we see her working so hard at her job that her older co-workers consider her a godsend.

Later that night, as she’s walking (or more accurately teetering) “home”—to her tent—she’s spotted by Yuki and Shigure, on a stroll of their own. That’s when she first learns she’s squatting on Souma land. Shigure can’t help but laugh at the absurdity of a high school girl living in a tent…but as Yuki says, it’s not that funny. And it isn’t! It’s heartbreaking!

It’s doubly heartbreaking because no one, not even someone as strong-willed and determined as Tooru, can go to school, keep up with her studies, and work as many jobs as she can to pay for that school, all while living in a tent. When Shigure hears a wolf howling, that indicates to him that there was a landslide nearby; possibly near her campsite.

They rush there to find her tent buried under a huge mound of earth, but because the photo of her mother is in there, she starts clawing at it, despite the fact she’s already running on fumes and about to keel over from fever and exhaustion. Shigure makes sure she’s in bed at their place while Yuki employs thousands of rats to help him dig out Tooru’s effects.

Wait…thousands of rats? What’s that about???

Before falling asleep, Tooru tells Shigure about how her mom only had a middle school diploma, and wanted her daughter to experience high school life rather than go right into the labor force. Tooru also recalls the last morning her mother was alive. She’s haunted by the fact she was studying all night and so slept in and didn’t get to say “itterasshai.” 

It was the one and only time she never said it, and that was the day she was killed in the accident. Like I said, Tooru’s story would be ridiculous if it weren’t presented to straight-forwardly and soberly. Once she’s out, Yuki admits that compared to her, he’s spoiled beyond belief.

After a dream of her mom that has her waking up with tears in her eyes, her first thought is to recover the picture, only to find Yuki outside, picture in one hand, and her other stuff in the other. He says there’s an extra bedroom on the second floor, and she’s welcome to stay there until the renovations at her grandfather’s are complete.

True to form, Tooru doesn’t want to be any trouble to them…but she isn’t. Besides, he and Shigure were just talking about how their household is in dire need of someone who is good at cooking and cleaning; Tooru likes doing those things—she even cooked for her mom! So it’s not like she’s going to be a freeloader.

All she has to do, Yuki says, is be Tooru and “go at her own pace.” That moves Tooru, because her mom said those same words to her.

It doesn’t take long for Tooru to learn that she’s not going to be the main source of trouble here, nor a source of strangeness. There’s plenty of that in the Souma family, as while they’re airing out her new room, a guy named Kyou who was lurking in a tree bursts through the ceiling and picks a fight with Yuki.

In the ensuing chaos, Tooru trips on a piece of wood and lands in Kyou’s chest in a kind of pseudo-hug. Kyou instantly transforms…into a cat. Her first thought is to rush him to a hospital, but a piece of wood falls on her head, and she falls into both Shigure and Yuki, transforming them into a dog and rat, respectively.

So there you have it; the secrets out: the Soumas are a family of animals representing the Chinese Zodiac, who normally have human form, but transform when hugged. Shigure understanding the wolves’ howling; Yuki’s inherent hatred of cats, it’s all explained. But more importantly, Tooru is no longer on her own.

There are people—strange, supernatural people, but people all the same—who have opened their home to her, and won’t hear of her roughing it any longer as she works herself into another fever. And while neither Yuki or Shigure represent a pig, their place is a mess, which is where Tooru’s skills come in. It’s a mutually beneficial situation.

I’m happy for Tooru, and can’t wait to see how her new housemates handle her discovering their secret. I may have gotten into this show nine weeks late, but it’s right up my alley, with a winning premise reminding me a lot of Kamisama Hajimemashita. Of course, that show is based on a manga first published seven years after the original anime adaptation of this show, so this has the older pedigree.

In any case, there’s a lot of warmth, moving drama, lighthearted comedy, and plenty of potential for romance here, and I’m looking forward to catching up with the rest of the anime-watching masses on what looks like one of the Spring’s consensus best.

Ao-chan Can’t Study! – 09 – Another Goal

Ao has successfully gotten rid of Kijima. At school, he avoids her, and warns others not to interrupt “Miss Horie’s” studying. At home, she has only a super-creepy companionship doll and her dad to comfort her.

Oh, and Yabe, who is determined to assist her studying, but finds she’s far too distracted to make any progress. So he does what any tutor would do: punishes her by making her dress as a catgirl maid. AS YOU DO!

When Kijima comes calling and encounters Yabe, he’s surprised how accepting he is about letting him have one last try. But it makes perfect sense to Yabe; if Ao feels better, she’ll study better. So Kijima sneaks into Ao’s room and hears her talk to herself about having nothing but him on her mind.

A little mild friskiness ensues—Ao is a little miffed he goes for her stomach first and doesn’t touch anything else, but melts when he kisses her head—and the two have a bit of a breakthrough in their relationship, now that the cards are on the table.

Furthermore, Kijima is prepared to help Ao study, and is find holding off on dating (and other activities) until she gets into a good school and moves out of the nest. Ao’s a little disappointed Kijima is being so accommodating, but considers dating him another goal to strive for through study. In other words, welcome motivation.