BokuBen – 13 (Fin) – The Lights in the Sky are Stars

This is it—The episode we’ve all been waiting for: when Nariyuki finally chooses which of the girls he’s going to go out with! Pfft, sure. If only it were that simple! Every girl has good qualities—though as discussed ad nauseum last week, some people have a particular preference, depending on their own type—but however Nariyuki feels about them, he’s either unaware of their feelings for him (in the case of Fumino and Rizu) or has been misled or messed with so much he doesn’t know what to think (Uruka, Kirisu, Asumi).

While she’s serving as a kind of “substitute Nariyuki” at an all-girls pajama study session at Rizu’s, Sekijo Sawako impresses upon them how lucky they are to have such a dedicated tutor, though she’s not sure if it’s because he’s a pushover or simply gets “caught up in stuff so easily”—the answer is somewhere in the middle. Alas, that’s the last we see of Sawako, one of BokuBen’s more intriguing but underutilized supporting players.

Later, Nariyuki intends to help his mom with his littlest brother and sister at the summer festival, but when his fam sees his two cute friends in yukata, they quickly ditch him, and Fumino soon follows, leaving Nariyuki with Uruka, which came as a bit of a surprise considering they arrived at a pretty good stopping point last week.

Aside from her showing him her tongue (stained pink from shaved ice) and offering some to him (for an indirect kiss), there’s no further romantic awkwardness between them, as they chip in to help an overworked Rizu and her dad at their udon stand.

Kirisu ends up attending the festival in disguise to keep an eye on students, but when Nariyuki makes her, she runs away, trips, and injures her knee. He has to give her a second piggyback ride (only this time she’s not sauced) to the first aid tent, which of course is being tended by Asumi and her dad.

Asumi leaves Kirisu’s skinned knee to Nariyuki, but he ends up helping out the rest of the night, showing that Sawako is indeed correct about him being a bit of a pushover and easily caught up in things. But hey, if he enjoys helping everyone out, so what if he’s not the one instigating these scenarios?

Fumino, who split off to let Nariyuki and Uruka be alone, ends up losing track of time gazing at the stars, and on her way to the last train, she has to corral a little lost girl and get her back to her mom. Nariyuki also loses track of time at the first aid tent, and ends up finding the little lost girl’s twin sister.

With the twins back with their mom, Fumino and Nariyuki end up missing that last train, and encounter one other at the station. With no taxis (or indeed any cars) around and only an inn to turn to, the do-gooders have to consider an action that, if taken out of context of their situation, could be seen as very bad.

That action, of course, is spending the night together at a ryokan, which only has one room left, and that room has only one futon, and because it’s a chilly night they have to share it. These two have clearly never heard of sleeping head-to-foot to avoid awkwardness, but that’s rarely a comfortable way to sleep anyway.

For the first time, Nariyuki and Fumino find themselves sleeping in a bed with a member of the opposite sex, and it’s tough. Thankfully, it’s a gorgeous, clear, starry night, so they manage to find a topic that sets them both at ease; the very subject Fumino intends to pursue: astronomy.

Fumino tells Nariyuki about a book she first read when her mother was on her death bed, about an old astronaut continuing to chase his dream and conquering his weakness—something she, Rizu, Uruka, and Asumi are all doing. Nariyuki points out how cool he thinks they are for doing so, and expresses envy for not having any particular personal goal of his own.

Fumino tells him she doesn’t consider herself particularly special for having a dream, and it’s clear she doesn’t think he should discount his desire to help make his family more comfortable and prosperous. But if he ever comes up with another dream, she promises to help him, as his “big sis” (they checked in to the room as siblings).

Fumino ends up falling asleep while grasping Nariyuki’s hand, and he doesn’t have the heart to wake her up. Turns out she’s dreaming of that day she read that book with her mom, and when she wakes up, her hand and his are still intertwined. While initially surprised and bashful, she doesn’t see any need to break their embrace, and so curls up a little closer to him.

The night after on the train, the two are mortified by the choice they made last night, but as they part ways, Fumino, back to calling him by his family name Yuiga, smiles and tells him simply that she’ll see him later. And indeed we shall, as a second season of BokuBen is coming this Fall, where I’m sure we’ll be presented with more adventures both wackily comedic and poignantly warm between Nariyuki and the girls he tutors.

I can’t see why I wouldn’t be around to keep watching them. After all, it seems when it comes to this kind of show…I never learn.

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Goblin Slayer – 03 – A Fellowship Forms

A High Elf, a Dwarf, and a Lizardman walk into the guild, and then into the lives of the Priestess and Goblin Slayer. While they have far loftier goals in mind—defeating a horde of world-ending demons—the Slayer won’t give them the time of day until they propose he kill goblins, to which he asks how many, how strong, and where.

The trio of adventurers adds much needed new personalities to the show, and I enjoyed the Lord of the Rings-style banter, with the Elf and Dwarf going at it about any number of things while still tolerating their company, and the stoic Lizardman floating above the fray.

The Elf doesn’t think much of the GS at first, but the Dwarf can see much practicality in what he does and how he does it. We also learn why the GS never cleans his arms or armor: the goblins would be able to smell clean metal, putting him at a disadvantage.

The GS would probably be content rushing into a situation where there were so many goblins he’d end up getting killed, but he’d certainly take a lot of goblins with him. He’s not quite sure that’s what the Priestess wantshowever, and so prepares to leave her behind to “rest.” However, the Priestess doesn’t like how he’s making decisions without her input, and voices her desire to come with.

And so the group of five adventurers set off to their first goblin target. But before that, they make camp and have a meal, in which everyone introduces themselves and offers a gift to the others. The Lizardman provides the meat, the Elf some elven bread, the Dwarf some firewine (that gets the Elf tanked), and GS provides some cheese from the farm where he hangs his hat (so to speak), which the others love.

He even opens up, but only when the subject of conversation turns to, what else, goblins. Specifically, how they come from the desolate green moon, and live their lives envious of the riches of Earth. It’s a story his late sister told him, and it’s clear he treasures it. As for the priestess, her contribution to the evening is insight into the GS, whom the others find particularly inscrutable.

At dawn the five strike out, and the High Elf demonstrates her prowess with the bow by sending a single homing arrow through the heads of two goblins at once; very Legolas-esque. They move with accompaniment of a metal riff, indicating that the goblins within the lair they approach aren’t going to be much of a problem; the main question will be how cleverly and awesomely they can dispatch them.

Watashi ga Motete Dousunda – 03

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R to L: Snow White, Eren Yeager, Shion

The Japanese government mandates that at least one episode of romantic comedies must be a cultural festival episode, but Kiss Him Not Me didn’t treat it like legal compliance; it put quite a bit of effort and its own wonderful brand of energy into it, making for twenty minutes of television that felt much longer, but had me wishing by the end it was longer still. All the positive aspects I mentioned in the first two eps apply here, and then some.

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This KHNM took its real life otome game theme to its natural next step: growing mutual resentment among the boys. The four of them are only together because they like Kae. Kae, a fujoshi, its perfectly content to keep things this way, but they aren’t. They want to court Kae properly, which means they need alone time with her (the last thing she wants).

It’s a great dynamic, and I’m glad it comes to a head so quickly in the series, and so organically, as a result of the give-and-take of the otome scenario. Kae formed a coalition so her class would vote for a cosplay cafe, and she gets to dress up all her boys the way she sees fit. But in exchange, she has to tacitly accept it when they set up time slots for alone time with her during the festival.

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To the show’s credit, despite her amazing physical transformation, Kae remains steadfastly Kae, even if she often manages to hide her baser instincts from the lads. She worries she won’t do well alone with guys, and then she goes and doesn’t do well alone with the guys. It’s the English title in a nutshell: She wants them to Kiss (or do other romantic things with) Him, not her.

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It doesn’t help that the guys are a little overeager. Nana backs her into a wall and they come close to a kiss, Mu achieves an indirect kiss through chopsticks; Iga takes her hand in his, then puts it on his knee; and Shi leaps into her arms in the haunted house, resulting in a fall and his face in her bosom.

It’s all just too much for Kae, who is completely un-inoculated against such romantic gestures. She rushes into the arms of her friend Akane, lamenting how impossible it all is. A-chan was initially amused that Kae had four dates with four hotties, but she’s quick to drop the ribbing and offer support when it turns out badly.

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But while A-chan is grabbing Kae a drink, Kae is accosted by three less-than-savory classmates, who make her guys’ aggressiveness seem coy by comparison. These guys aren’t even trying to be subtle: this girl’s hot and they’re going to get as much out of her as they can.

Then she gives one of them an uppercut, which both he and she thought was overreacting…but how the hell else is a girl supposed to act when there are hands all over her and a crotch in her face?

They chase her down the hall, but she’s rescued by Iga and Nana in the nick of time. Soon Mu and Shi are also there and the four locked in combat with the punks. Kae stops gawking and spluttering and yells, at the top of her lungs, “KNOCK IT OFF!” 

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Kae’s four guys hear her, and realize that and how they erred, and apologize, and all agree to take things slower so as not to overwhelm her again. Thus we return to the status quo, as expected, but it was a fun ride. The show didn’t want us to forget not just that these four guys really like Kae, and not just in a buddy-buddy way, but that when it comes down to it, they also don’t hate each other’s company.

When the time comes for the bonfire dance, the four agree to drop the romantic pursuits for the day and give Kae a little something for tolerating their forwardness (and the brawl, for which there was somehow no punishment). That something turns out to be another dream come true not just for fujoshi Kae, but her fujoshi BFF Akane: the four pair off and dance with each other.

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Sousei no Onmyouji – 07

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This episode’s Arima-heavy early scenes (and why does every show need someone dressed like a proper English lady having tea?) were a little troublesome, but I liked the end result, as well as his very serious underlying goal: he wants to bring about the prophecy of the Miko; to do that, he needs to bring Rokuro and Benio together.

So this week, the two would-be lovebirds graduate from being two roommates in a dorm of many to two occupants of palatial villa, in order to grow closer to each other. Thus continues SnO’s emphasis on character over plot or action (though the short bit of action still packs a punch)—something I’m on board with, because I happen to like both leads.

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A big part of why I like them is that while they do spar a lot of the time, they also spend a fair amount of time not sparring. They also can suck it up and work together when they have to, and the floors of their two once-separate bedrooms literally turn on an incline and create a sidescroller-style physical challenge, the two know they need each other, and as they figure out how to overcome the various obstacles involved, they find themselves thinking alike more often than not.

A challenge that could have been sigh-worthy in less careful hands also adds to the enjoyment and complexity of their trial, as Benio just happens to be going commando today on account of her panties being in the wash. This means she has to be careful what happens with her skirt, and Rokuro has to be careful where he’s looking. But when he accidentally sees something, she doesn’t go berserk and beat the shit out of him. They simply deal with it, in a reasonable fashion.

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Indeed, Arima meant for this trial to bring the two closer together in several ways, and when they do, Rokuro and Benio are what you’d expect two kids to be: embarrassed, a little excited, but also respectful. Rokuro doesn’t try to sneak another look, and Benio doesn’t hold it against him when gravity causes him to fall on her.

Because they work together, they get out of the combined room without too much trouble, and when they face another trial in the air ducts in the form of a question involving numbers of hiragana and strokes, the two put their brains together again to come up with the correct answer.

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It’s a good job they do clear the trial as quickly as they do, because their “exorcist” pals need bailing out once again. Seriously, is there ever going to be an episode where these guys can handle a Kegare on their own? Until they do, I’m putting “exorcist” in quotes when referring to them.

Rokruo and Benio work together again to bring down the giant mantis-like beast, but Benio starts to panic when she realizes her hair tie is gone, one of the two her brother gave her. Rokuro stops her desperate search and takes her back to the villa, where he finds the tie in the air duct (and I noticed the glint when they fell out of it the first time, a neat little visual detail that went unexplained at the time).

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The day over, the two have their baths (ladies first, says Rokuro, but again, no funny business with peeping), and prepare to go their respective, once-again separate rooms to turn in. But before that, Rokuro asks about Benio’s brother. She wonders why, but the amount of importance she placed on her hair tie made him curious.

She sits down with him and talks about her beloved twin brother, from whom she was separated and believes to be dead—though I think we might have caught a glimpse of him a couple episodes back. Maybe if he reappears, he’ll be Benio’s version of Mayura?

Rokuro’s desire to learn more about Benio means he’s starting to care about her, just as Benio is starting to care about Rokuro when she tells him to make sure to brush his teeth, and assures him that even if he’s not the heir to a great family, his skills are remarkable…even if he’s usually “mostly useless.”

That last jab that leads to bickering at the end wasn’t all that necessary, but it’s clear she’s half-joking, and just giving Rokuro shit. If she didn’t like or care about him, she probably wouldn’t bother. As goofy and insufferable as Arima is, he may be on to something here.

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Fate / stay night: Unlimited Blade Works – 23

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The calm is over, bring on the storm. And my oh my, is that storm ever gross. Let it be said: shutting down the Holy Grail is a task akin to wading through refuse in the bowels of the Death Star; at least that’s the vibe I got. This is mana given physical form, but that form is nasty. It seems too crude weapon for a King of Heroes would use to “cull the mongrels” as he so eloquently puts it. Then again, I imagine it’s the only weapon he has to get the job done.

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Shirou, Rin and Saber’s plan falls apart almost immediately, as Gil confronts the former two while the latter is tied up for the entire episode by Assassin, who has not vanished yet, due to…good fortune? Don’t you mean ‘plot convenience,’ show? Regardless, I’m glad the show didn’t forget about Assassin, and even though he’s fading away, he puts up his usual tough fight at the temple gate, complete with his original brand of stoic banter.

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As for Gil, the glimpse of yore is striking, but his grandeur is let down by his unceasing monologues, which make him sound like a garden-variety villain, contemptuous of humanity, seeking to reshape the world to the way it was, when everyone’s life had purpose. I don’t remember the Gilgamesh of the eponymous epic to be such a dick towards humanity.

Then again, I haven’t read it in a while. He also seems to take his sweet old time killing Shirou, even saying out loud he’s going easy on him, since he’d consider taking the “Faker” seriously a defeat in and of itself. Look, I don’t need all villains to have a sympathetic side, but Gil is essentially nothing but a harbinger of death. He’s barely even a character, and for all his talk of originality, he’s always felt like the thinnest, least developed Servant in UBW. 

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His bluster about not going all out is also an opening to his defeat, as arrogant villains like him are often their own worst enemies. His complete lack of understanding of humanity’s complexity is also demonstrated as Rin casually wades through the goo, climbs the grail, and pulls its vessel Shinji out, disrupting Gil’s plans. Rin isn’t doing it for her would-be sexual predator, but for his sister, someone the show has totally forgotten about but we know to be a good person.

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Gil think’s Rin’s actions are part and parcel of what’s wrong with humanity, but hey, the grail ain’t got a vessel any more, and it forms a giant arm to reach out to him when Shinji is gone, interrupting a fight that Shirou is hanging in fairly well, now that he’s copying all of the weapons Gil sends at him.

In one of Gil’s cooler moments, his mouth is actually mostly shut. Instead, he summons a strange lock-like mechanism which he then unlocks, summoning a bizarre-looking sword Shirou neither recognizes or nor can scan. Gil calls it Ea—no doubt named after the Sumerian deity also known as Enki—and dispatches the grail arm with ease, also destroying the temple he’s standing on and knocking Shirou out.

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Meanwhile, as their battle rages on, Assassin reveals nothing he’s ever done has had any meaning, since he was always a false, fictional servant. Sasaki Kojirou was never his name; he has no name, and only exists to replicate the skills of the real Sasaki.

Yet despite all that untold time as nothing, doing nothing of consequence, he considers the final moments he spends locked in battle with Saber to finally provide him with purpose. Saber manages to cut him through with her Holy Sword, and he lets her pass, making me wonder if she’ll now disappear because she used it…

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So that leaves us with a Rin with an out-cold, messed-up Shinji in her arms, a grail seeking a new vessel and being rebuked by Gilgamesh, a Shirou who is severely winded and lying in a pile of rubble, and a Saber whose time on this earth may or may not have just become severely curtailed a result of using her trump.

Of these people, Gilgamesh certainly seems to be standing on the firmest ground, but with his grail sabotage Saber sure to bear down on him momentarily, he may want to start thinking about a Plan B. I’m certain he’s going down—he’s the bad guy and this is that kind of show—it’s a matter of how fantastically he’s brought down, and what it will cost our heroes.

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Fate / stay night: Unlimited Blade Works – 22

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After a tense multi-episode battle with Archer, Shirou, Saber and Rin get a much-deserved respite back home, which almost seems like a preview of sorts for the “household of three” domestic arrangement that represents the ideal ending for these three once the war is over.

But it’s far from a sure thing, as there’s still Gilgamesh/Archer and his Shinji Grail to deal with. Rin determines that it’s all going down at Ryuudou Temple, so after a meal (gotta feed the brain), they determine the best course of action.

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There’s an interesting dance between the three in Shirou’s sprawling manse, as he happens to not be around while Rin is conferring with her servant, while Saber happens to not be around when Shirou goes to Rin’s room, where she tells him how they’re going to get over his lack of mana (and thus inability to maintain a reality bubble like Archer): she’s going to transfer her magic crest to him, giving him all the mana he’ll need to face Gilgy.

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This is treated as very intimate act, but not too intimate. While it’s certainly the hottest thing these two have done together (on this particular show, that is), things stay tasteful…if a bit dull and underwhelming.

Considering the affection these two have for each other, everything they’ve been through, and the fact they may not come back from their next fight, part of me wanted a little more amorousness.

Yet their contact never comes close to veering into the territory of sex, with Rin only removing her iconic turtleneck and Shirou taking off his shirt, with the understanding that more efficient “exchange of body heat” helps the process. Whatever you say, show.

While the transfer takes place, Shirou has some trippy dreams about being amongst jellyfish-style marine animals in the sea, to a scene of a kid practicing the high jump over and over as a young Rin watches.

I gathered that the jumping kid was him, and this was an actual memory Rin cherishes, and bristles when Shirou brings it up, because she doesn’t have an intimate memory of his to lord over him.

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When they’re all done, Shirou goes out to see Saber, who was thankfully not peeking through the window to see what was going on or anything silly like that. Shirou is resolved to take care of Gilgamesh and come back home safe and sound, but Saber seems more tentative about that last part.

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So this was the calm before the storm—which is brewing menacingly on the other side of town—but a warm and enjoyable one. Again, I don’t particularly care about Gilgamesh’s ideals or anything; he’s just an arrogant Bad Guy who needs to be put in his place. Here’s hoping our Power Triangle can make it happen.

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