Fruits Basket – 37 (S2 12) – One Fine Day

And now, we take a short break from Tooru’s mission to break the Souma curse to check in on Shiraki Mayuko AKA “Mayu”, a teacher at Tooru’s school who is also best friends with Kana. You’ll remember Kana as the woman who dated Hatori, provoking Akito to injure him. Kana went mad, Hatori had to erase all her memories of ever loving him, and Kana married someone else.

Throughout all of that, Mayu was in madly love with her best friend’s boyfriend Hatori. She could never get rid of those feelings—even to this day. She tried to date Shigure when he sensed she was lonely, but that only made Mayu feel more lonely, since she didn’t really feel anything for him. He was a placeholder and happy to be such.

It never occurred to Mayu that she’d ever get a legitimate, consequences-free shot at Hatori, and yet that’s exactly what happened when Kana’s memories were wiped. Heck, when Kana recovers from her mental breakdown, she laughs at the prospect of dating Hatori, and thinks Mayu is an ideal match for him. But Mayu never made a move. Even if it was fine with Kana and Shigure and even Hatori, it never felt right for her.

That brings us to the present, and Shigure has a scheme afoot. First he stops by to ask about a book he ordered from Mayu’s family’s bookstore, but it won’t be there until tomorrow. Then Hatori himself comes, clad in a stuffy suit, having been told by Shigure the book (which was for him) would be there. The next day he comes back, this time without the suit (so Mayu wouldn’t “sweat” while looking at him). When Mayu’s mom starts to sparkle, she grabs him and heads for a more private spot.

When Mayu remarks Hatori doesn’t “exude happiness” the way he did when he was with Kana, he laments that happiness might just not be for him. That causes over two years of Mayu’s pent-up frustration to suddenly burst out in a torrent of bawling. It reminds Hatori of a boy at the Souma estate also crying, and the doctor in him realizes the health benefits of a good cathartic cry, such that he thinks he could use one himself!

With that, the other shoe of Shigure’s scheme drops when Hatori tells Mayu that he actually has no current girlfriend (the woman Shigure mentioned was Hiro’s mom). He then causally asks her out to lunch, his smile returning at the realization of what a fine day it is. It’s the first step in both of them finding new happiness, as Kana already has.

Just as the first episode of Furuba’s second season started with the focus on a tertiary character in Motoko, its twelfth episode does the same. While I can’t say going in I was itching for a Shiraki Mayuko episode, like Motoko’s episode this was still a strong outing in its own right and a welcome follow-up to the first season’s episode 15. Now hopefully Mayu can stay far, far away from Akito…

P.S. Read Crow’s review of episode 12 here.

Sing “Yesterday” for Me – 12 (Fin) – Life Goes On

Rou is his usual puerile self upon discovering Shinako with Rikuo (though you can’t really blame him!) and runs off in a tizzy, Shinako chases him down and tries to explain. She valued their relationship and was afraid of ruining it.

To his credit, Rou takes the high road, telling Shinako all that mattered was her happiness, and he was a “chump” for not noticing her feelings for Rikuo. Despite telling her “it will take time” for him to comes to terms with it but that he gets it now, Shinako assumes she’s just ruined everything with Rou forever.

The next time Shinako and Rikuo meet, its at a park bench, and as they analyze what they are to each other and how things went with Rou and Haru, the meeting gradually morphs into a more-or-less mutual breakup.

It’s only natural; things haven’t quite felt right because Rikuo hasn’t been able to properly tell her he loves her, but when he asks her simply “me or Rou”, she can’t help but summon much more emotion for Rou, who is family.

Rikuo owns up to becoming terrified of the happiness that suddenly rained down upon him when he found himself in a relationship with Shinako, but perhaps the reason it never felt 100% real for him is that…it wasn’t. He and Shinako had a natural distance from their long friendship that could not be closed, no matter what either party tried.

At the same time, Rikuo assures Shinako that Rou, who is still mostly a kid after all, will eventually come back around to talking with her. He just needs time to cool off, and as we saw, he already exhibited the self-consciousness to admit the mistakes he made. The two cordially shake hands, committing to maintaining what they know works: their friendship, and just like that, Shinako x Rikuo is dead.

Despite this breakup occurring in the last episode, there’s nothing rushed about it. After all, these three had been milling around for three months without the slightest romantic progression, which all confirmed that they’re not meant to be in that kind of relationship, however logical it might’ve seemed.

Meanwhile, Haru notes how little has actually changed in the world since what she felt was a categorical rejection by Rikuo, but still can’t help but wear a gloomy face as she fries vegetables, much to her mom’s dismay. It turns out she’s only taken some time off from Kyouko’s cafe and moved back in with her mom and stepdad. She spends the time away contemplating what love and happiness are to her, not

Rikuo ends up securing Haru’s address and bus route from Kyouko, and sets off to meet with and talk with her about what’s happened, if she’ll have her. During his long journey we get all of his naysaying inner thoughts in real time, negative and dismissive sentiments he must force his way through in order to take action.

He doesn’t like how things ended with Haru, and despite not knowing how she’ll react to seeing him again (or even if she’ll agree to do so), he’ll never forgive himself for not making he attempt, even if it makes him look selfish and foolish.

When he finally crosses paths with her (kudos to Kansuke for keeping her off the bus he just got off!) she’d been remembering when she met him and fell for him in middle school, assumes he’s just another vision, and proceeds to punch him. But when she realizes he’s real, she regrets the assault…but not too much.

All of Rikuo’s inner dialogue was a fight with himself over whether he should even be attempting to reconnect with Haru, which means when Haru is finally there in front of him, he has almost no plan for how to describe his feelings. He initially comes off as having only come to her because Shinako dumped him, but when he elaborates on the details Haru can sense it was more nuanced than that.

Rikuo comes out and says what we all know: he likes it when a woman is nice to him, and for a long time, he thought that was love…until he took the next step with Shinako and it didn’t work out. Then an “incomprehensible, bothersome chick” came along, and Rikuo didn’t realize until recently that love was staring at him all along from the opposite end of the konbini counter.

He thinks everything he thought about love and feelings up to now had been mistaken, but he knows one thing for sure: he thought Haru was cute, and that all of the time she was suddenly away from him, and all hemming and hawing on his way to seeing her, mean that he’s in love with her. It’s something he can come out and relatively easily say to her, while he could never say it about Shinako.

Seeing the shock, embarrassment, joy, and relief wash over Haru’s face is a season standout, as is her instinct to immediately embrace Rikuo and give him a kiss before he knows what hit him. Then she allots only 35 points to his confession and orders him to give another one. After three futile months and so much overthinking, I was astounded and delighted by how comparatively easily the distance between these two was closed!

A little time passes, and Rikuo and Haru prepare to go on their first official date together. Haru, always one to wear her heart on her sleeve, is clearly on cloud nine as she glides around the cafe where she returned to work. Meanwhile as Rou’s classmates celebrate him moving in to his own place, Shinako pays him a surprise visit.

This isn’t exactly how I thought things would end up between these four, but I can’t say I’m not satisfied. The events of this last episode, in hindsight, didn’t even feel at all like sudden twists, but a logical, necessary, and welcome corrective to the awkward confusion of previous alignments. It made me immediately giddy and excited for a Haru x Rikuo future. Not a bad trick for a show based on a 23-year-old manga!

For those asking “Wait, weren’t there going to be eighteen episodes, not just twelve?” Alas, that was an unfortunate miscommunication. Turns out the final six episodes are streaming-only shorts, so this is the final episode, with an anime-original ending. That’s obviously extremely disappointing as I was watching this show unfold as if it had six more eps to work with, but oh well…at least it ended on an upbeat note!

Sing “Yesterday” for Me – 11 – Driving With the Parking Brake On

Haru was calling because her house was broken into, but she’s fine and nothing was taken. Still, she asks Rikuo if he’s really the kind of man who would leave a young woman in her state all alone and go home. Rikuo isn’t that kind of man, so he sleeps on the floor, ignoring her offer to stay in her room.

Nothing happens in the night, but Haru makes Rikuo a modest but hearty breakfast as thanks, blissfully unaware his current status with Shinako because Rikuo never comes around to telling her. Even if the timing stinks, he’ll never get a better opportunity to let her down relatively easy.

Rikuo and Shinako are a picture of domestic bliss as he accompanies her grocery shopping and she cooks at both their places. Rikuo calls her cooking “leagues apart” (from Haru’s), though Shinako wonders if he’s making fun of her, since to her it’s just self-taught cooking; nothing special. But it is special to him, just as cooking for him is special to her.

Still, when Rou calls on her phone, she tells Rou there’s no one else there. Like Rikuo with Haru, the timing for telling Rou about them sucks, because she doesn’t want the impact of knowing to affect his college entrance exams. But like Rikuo, she’ll never have a better opportunity to tell Rou, despite logic suggesting she keep them a secret for a little while longer.

But I don’t think mere fear of hurting Haru and Rou is what drives their inability to make their new relationship public. That they’re the only two who know about each other means it’s not yet official, or even 100% real yet. While they’ve shown tremendous courage in taking the first steps toward each other, it’s as if they still have the parking brake on, slowing their progress and its legitimization to an awkward crawl.

It’s why Shinako still can’t let Rikuo kiss her when he draws in. He doesn’t mind, but in drawing in he’s already established that he’s ready for a kiss; that he sought to release that E-brake and drive a little further down the road, while Shinako’s brake is still on. It doesn’t, nor should it, irritate Rikuo, who is just happy to be with her, but he automatically starts to think of what he still needs to do to get her to release that brake.

Whatever issues the two are having in transitioning into a more romantic relationship, the fact remains they’ve both procrastinated too long in letting the other man and woman in their lives know what’s up. Because Rikuo didn’t tell Haru that morning to spare her feelings, Haru ends up learning about the two when she stops by Rikuo’s with food from the cafe as thanks for him spending the night at her place.

The looks on Haru’s face as she repeatedly tries and fails to cover her true feelings with a brave smile over and over makes for the most heartbreaking sequences of the show so far. Any notion of sparing her feelings is thrown out the window. Haru knew this moment would come, but she didn’t truly know how it would feel until it did. Rikuo didn’t make things any easier for her, so he and Shinako also feel shitty.

Rou ends up passing his entrance exams, and is officially heading for college, which means it’s time to tell him lest he face the same moment of embarrassment and despair as poor Haru (not that I particularly care about Rou, mind you!) But when Rou tells Shinako he’ll be moving closer to her place and she gently bristles at him presuming she’ll keep cooking for him, Rou’s reaction is so callow and impudent, she dare not say more to upset him further. Yikes! Later, Shinako tells Rikuo that she’ll surely, definitely tell Rou about them soon, when the time is right. MmHmm.

Then she has drinks with her still-single friend, who learns that Shinako may be going with her guy, but that nothing has happened in that department for three months. THREE. MONTHS. There’s taking it slow, and there’s frikkin’ pitch drop experiments. Her friend is understanding, but wisely wonders if Shinako will ever feel comfortable doing “anything” with Rikuo.

Some time passes, and Rikuo learns from Kyouko that Haru has quit her job at the cafe. That night, Rikuo takes Shinako out to dinner as thanks for all his cooking (per his boss’ suggestion), and invites her to the aquarium. Unfortunately, Shinako already agreed to help Rou move, and once again assures Rikuo she’ll tell Rou about them.

When he walks Shinako home, she ask him if he wants to “stop by”, and he politely declines, he detects relief in her voice. He’s not feeling restless or anything, but she should let him know if there’s any way he can better meet her expectations. Shinako tells him he’s fine the way he is, and she won’t expect more or as him to make any promises. As long as he stays by her side and be who he’s always been, it’s all gravy.

Then Rou shows up, sees Shinako clutching Rikuo’s shirt, is outraged, and asks what the hell is going on between them. There was never going to be a good time to tell Rou or Haru, but the absolute worst time could have been avoided in both cases. Another unforced error for the fledgling couple. I’m thoroughly rooting for them at this point, but they have got to do better.

Oresuki – 12 – The Problem is Ongoing

A week after involving Hose, Cherry, and Tsukimi, the library has been saved. But while the more bustling atmosphere doesn’t bother Pansy, continuing to deal with Hose does. Joro hasn’t figured out a way to help her in this matter, so reaches out to Tampopo.

He’s learned through Asunaro that she’s in love with Hose, and thus worked hard to get Pansy a boyfriend so she’d be off the board. She’s too busy with baseball to visit the library after school, so advises Joro to ask Pansy out immediately.

Joro still isn’t emotionally equipped to do that, and so the problem lingers and becomes more complicated. We learn that Sun-chan’s exchange with Pansy last week was to ask her to be his girlfriend if his team made it to Koushien. In the library, when Joro asks to talk to Pansy she tells him she’s accepted Sun’s offer, to the shock of both Hose and Joro. She also tells Joro to stay away from her…”for a while.”

When Joro meets with Sun-chan, his best friend confirms what Pansy said, adding that he’s been a good best friend thus far, and now it’s Joro’s turn to return the favor and “do what he’s supposed to do.” Tsubaki overhears this and grasps the situation, but Joro is still lost in the weeds.

He stays away from the library, working at Tsubaki’s family’s restaurant, he still gets to interact with her, Himawari, Cosmos, Asunaro, and yes, even Sasanqua (who works up yet more courage to offer support to him, but just can’t quite help herself from going Full Tsundere whilst around him).

Joro rightly considers this to still be a pretty sweet deal, and resigns himself to a Pansy-less life. The thing is, Joro read Pansy wrong in this case, and the ever-reliable Tsubaki is there to set him straight. Pansy may have called him a useless nuisance, but she said that and agreed to Sun’s offer to protect him from getting caught up in her problem.

It’s Joro’s choice whether to get caught up, and the “for a while” (rather than “forever”) was a small SOS to invite Joro to choose to help her despite the trouble. And he does just that, strolling into the library as the arrogant jerk Pansy fell in love with in the first place, just as Hose asks her out in the even Sun’s team doesn’t make the cut.

As expected, the unflincingly loyal Cherry and Tsukimi run interference for Hose, but Joro powers through, and Pansy lets him speak. Joro devises a challenge to Hose, giving each girl one of the excess barrettes Tampopo acquired while trying to win his heart. The barrettes represent votes: the girls should give the barrette to the guy they think should be with Pansy.

Predictably, this backfires for Joro, and he’s the only one who didn’t see it coming. Cosmos, Himawari, and Asunaro give their barrettes to Hose, not Joro, and take the opportunity to profess their love for Joro. Since he gave them the choice, none of them are willing to be runner-up. Cherry and Tsukimi actually inspired them to strive for love and friendship.

Hose also rescinds his friendship with Joro, as he cannot be friends with anyone who would keep him from Pansy. That’s kind of false equivalence, however, as it’s Pansy who doesn’t want to be with Hose, and has made it pretty clear! If Pansy and Joro love each other and want to be a couple the two of them need to break some hearts, full stop.

Hose, Cosmos, Himawari, and Asunaro need to be rejected in no uncertain terms. Sadly, so does Sasanqua, while Joro and Pansy need to clearly define their relationship going forward as one of a boyfriend and girlfriend. There can be no more half-measures creating hope for the others.

Will they take those difficult steps in the series-concluding OVA? One can hope. Joro wants to “leave all rom-coms in the dust.” One surefire way for Oresuki to stand out from a crowd is to have an unambiguous final couple.

Asagao to Kase-san. (OVA) – The Sun is Always Shining Above the Clouds

Asagaro to Kase-san, an OVA released in the Summer of 2018, is a concise but solid piece of serious yuri storytelling in the vein of Aoi Hana, Sasameki Koto, and Sakura TrickIt strikes that delicate balance of covering a fair amount of material while never feeling like it’s trying to do too much. The stakes never stray from the future of a couple of young lovers who start dating in their final year of high school.

That they’re both girls, living in relatively conservative Japan, never comes up, because this isn’t about whether they can be together or not. It’s about their mutual love, plain and simple, and how they weather other challenges to remain together, a state neither of them at any point wish to leave.

Mild-mannered gardening fanatic Yamada Yui had never dated anyone before she and the athletic track star Kase Tomoka got together, but they’re together before the opening credits, which is a heck of a timesaver! Suffice it to say they liked each other to the extent they were equally enthusiastic about becoming a couple.

That mutual enthusiasm paid dividends, as before long the like turned to love. There’s never any doubt that Kase is as smitten with Yamada as vice-versa, even if the latter tends to feel inferior due to Kase’s social and literal stature at school. There are also times when she allows Kase to swept up by others, often interrupting potential time alone.

But while Yamada comes to realize she’ll have to be more assertive at times, the fact that Kase is so popular isn’t a problem for her; it serves to validate why she loves her so much in the first place: Kase’s a surpassingly kind and gregarious young woman.

In any case, in moments when Yamada might feel lonely due to indulging Kase’s natural gregariousness, Kase’s own desire to be alone with Yamada means it’s never that long before she seeks Yamada out, both grateful for her patience and relieved to have in her a kind of haven.

Time with Yamada is special to Kase; more special than time with anyone else. That’s whether they’re on an intimate nighttime phone call, alone together in Yamada’s room raising the temperature a bit, or on a beach in Okinawa making up and out after Yamada gets a bit too “surprised” seeing Kase nude.

The biggest threat to their relationship isn’t the fact that they’re both girls, which is refreshing. Instead, like any other relationship, it’s the unrelenting march of time and the changes it brings. Kase is on the fast track to Tokyo U on an athletic scholarship; Yamada’s inertia seems to be keeping her tethered to her hometown, commuting to the local college from home.

Especially when Kase calls to offer to turn down the scholarship and she essentially tells her not to, Yamada is on the cusp of relegating their relationship to a long-distance affair, with visits very few and far between. It’s only on the very day Kase leaves for Tokyo that Yamada wakes up and realizes she doesn’t want that at all. She wants as much Kase as she can get, and so she runs and keeps running until she’s in Kase’s arms aboard the Shinkansen.

How will Yamada manage to get into a Tokyo school? Ehh, she’ll figure it out! The most important thing is that they’re together, like they want to be. They’re also on the same wavelength; Kase really didn’t want to leave Yamada, but felt trapped by the circumstance of her athletic excellence. Fortunately for her, Yamada wasn’t going to let something like that cause what they had to fall apart.

Backed by gorgeous animation and superb voice work from Sakura Ayane and Takahashi Minami, Asagao to Kase-san delivers an elegant and captivating romance between two girls for whom simply no one else would do, and whose bond managed to withstand the winds of change. Give it a watch and your heart will grow at least three sizes!

How Heavy are the Dumbbells You Lift? – 10 – Please Don’t Literally Crush Your Skull!

It’s Wintertime, the Silverman Gym Christmas Party is coming up, and Hibiki, Akemi, Ayaka, Satomi and Gina want to use the even to snag some guys Hibiki isn’t quite in the shape she wants to be due to overindulgence in delicious winter foods.

Machio suggests she try lying triceps extensions, or “skull crushers,” and Hibiki makes what must be a common mistake with any workout that brings a metal bar that close to your head. Still, by cramming in workouts prior to the party, Hibiki hopes to be the first among them to bag a boyfriend.

The big night arrives, and the young women arrive in cosplay in order to apply for a free training session. They fan out and mingle with all the handsome, fit young men who attend the gym at different times, but quite adorably none of them are quite bold enough to ask for any numbers.

Speaking of numbers, Machio drew them all over his muscles as a novel way to reveal the winners of the gym raffle, the first place prize for which is a pair of tickets to an amusement park, which Satomi wins. While posing with the other winners, she and the girls learn that beneath their slimming casual clothes, the lads are all macho-men like Machio.

That also means most of them are spoken for, so it would seem their mission to snag a boyfriend failed. When Satomi can’t use the tix due to Winter Comiket approaching, Akemi asks if she can have them…and asks Machio to join her! The ladies are shocked.

When Akemi and Machio meet up at the very not-Disney-affiliated-at-all “Tochigi Destiny Land”, Hibiki and Gina decide to trail the pair, while Satomi ends up coming along, wearing the same winter uniform as the high schoolers in order to hide in plain sight.

Part of me wished the tix were for Amagi Brilliant Park, but then I would not have met TDL’s mascot, Mockey, whose appearance Satomi’s inner thoughts sum up quite succinctly.

While observing Akemi and Machio reveals that they’re simply on a normal innocent date, things take a turn when the two suddenly sneak into a suspicious tend. However, the true reason for them coming to TDL is revealed: they’re there for a cosplay event.

Specifically, Akemi is there to see Machio’s sweet, sweet pecs (honed by the incline bench press), which, as she explains while temporarily transforming into Sawako, look even better when juxtaposed with leather armor. Finally, Satomi is skipping about in a high school uni without a care in the world until she runs into someone she knows, specifically her fellow teacher Aina, who is also wearing their school’s uni. They vow to pretend this never happened, but I remember, senseis…and I won’t soon forget!

BokuBen – 07 – Storming of the Bastille

Rizu doesn’t know that Uruka likes Nariyuki, and Uruka doesn’t know that Ri likes Nariyuki, but Fumino knows both of those things, and she doesn’t want to rock the boat. However, fate seems to conspire against her, as she trips over her own feet and lands upon Nariyuki in an apparent passionate embrace that Ri happens to witness.

Fumino, convinced Rizu is furious, tries to make it right, ultimately by shoving Nariyuki into Rizu’s embrace; but his head ends up in Ri’s bust—no doubt due to poor calculations on the part of Fumino, for whom math is not her strong suit, as we know. Turns out Rizu only appeared angry because she was squinting due to using a backup pair of glasses.

From there we shift to Nariyuki’s increasingly complex relationship with Kirisu-sensei. When he attempts to rescue a cat from a tree, it ends up jumping off, and Kirisu twists her ankle catching it. Nariyuki helps her get to her apartment, which is an appalling mess.

But since Kirisu is actually a good person (which is why she saved the cat), she makes coffee for Nariyuki and helps him study some history as thanks for his assistance.

While helping her clean, Nariyuki stumbles upon a trophy case packed with accolades from when Kirisu was an ice skater, proving that her desire to steer the girls away from their “emotional” choice of life path is borne out of her having made the same choice when she was younger, and coming to regret it.

Nariyuki tells her that while he appreciates where she’s coming from, he’s decided he’s going to “hold his head high” and “regret it later” with them. It’s only a meaningless, foolish path if they fail, and he can’t yet say that they will.

With that, he takes his leave. When he asks if it’s really okay for a man to have come to her place, she dismisses him as still a child, but once he’s gone, she drops the pretense and reveals she was a nervous wreck, because he was actually the first man ever to be at her place.

One one of their now regular one-on-one chats, Nariyuki tells Fumino about being at Kurisu-sensei’s last night. Knowing it could enrage Rizu and/or Uruka, she drags him to a tree, pushes him against it, and makes him promise not to tell anyone what he just told her.

Naturally, the next time she’s in class, she’s hounded by classmates convinced that she’s in some kind of “special relationship” with Nariyuki, something Nariyuki himself doesn’t deny (since he considers both his tutoring of her and her coaching of him in matters of women to be “special”).

Fumino’s classmates are extremely protective of her, and aren’t about to let just any schmo go out with her, so they send a covert surveillance team to the library where the two are studying, and determine that there’s no overt romantic spark between them, but that they share a “deep trust that transcends the boyfriend-girlfriend barrier.”

Or was she? Fumino may be committed to not making either Rizu or Uruka sad (or mad), but she can’t deny she’s enjoyed all the time she’s spent with Nariyuki, and not just in a tutor-tutee scenario. He’s supporting her wish to pursue her dreams, after all!

When she finally informs Nariyuki of the rumors going around about the two of them, she “jokes” that maybe they should just go out for real. Only judging from Nariyuki’s reaction—and her reaction to his reaction—it sure doesn’t feel like it was a joke. As much as she wants to be above the love polygon, this episode leaves little doubt that she’s one of the vertices.

Bunny Girl Senpai – 06 – Quantum Entanglement-by-Butt-Kickin’

On the eve of finals, Mai decides she’s used enough of the stick and whips out a carrot in the form of her bunny girl suit, which she wears while tutoring Sakuta. Why the change of pace? She witnessed him stand up for Tomoe at the station, and thinks better of him for working so hard even for a fake girlfriend. I can’t tell you how refreshing it is that Mai isn’t the slightest bit threatened by Tomoe.

The finals come and go, as does the last day of school and the start of summer break: July 18. Sakuta and Tomoe have been dating three weeks now, but Tomoe assures him she has an ironclad plan for the breakup. After a fun final date at the beach, she shakes his hand and thanks him for his help. She’ll simply tell her friends she dumped him when she realized he only had feelings for Mai—something that happens to be true.

But I knew, after that “final” date, there was no way July 19 would come. Instead, July 18 resets, as I predicted. What I didn’t expect was that Tomoe isn’t aware of the reset…or at least says she isn’t. They go on their beach date a second, then a third time.

Sakuta starts to suspect Tomoe may be lying about not knowing about the looping. It’s confirmed when she turns around and smiles at him during the principal’s address; something she hadn’t done in previous iterations. Not only does Sakuta know for sure that she’s lying, but he knows why.

On the fourth July 18 Sakuta throws Tomoe for a loop (for a change), taking her to Enoshima, the place they were originally going to go on their first date, but he’s making it their last. They climb the prodigious stairs to the shrine, and he fills out a votive tablet for good relationships. Tomoe thinks it sinful, since their relationship isn’t real, but he tells her that when they both agreed to do this, they agreed to to it all the way, even to hell.

Moreover, it isn’t sinful for Tomoe, since she’s actually in love with Sakuta. She plays dumb, but once they’re alone on the observation deck, he finally gets her to admit that she’s aware of what she’s doing, and why. Sakuta tells her flat out that whether she repeats time a hundred or a hundred million times, his feelings for Mai won’t change.

Tomoe counters that her feelings have changed. At first, she only meant for the fake relationship to help her save face. But every time she loops, her feelings for Sakuta only keep building up. A stirring monologue ensues, with Touyama Nao effortlessly bringing the feels. Finally, Tomoe does what needs to be done to move on: to stop lying to herself confess her love, clearly and loudly.

The next time Sakuta wakes up, it’s not July 18, or July 19; it’s June 27 (again). Tomoe sent them all the way back to the day she was asked out by the guy her friend likes. This time, she turns him down properly, resolved to face the social consequences…which don’t turn out to be that bad; her friends don’t end up ostracize her. Better still, she can still be good friends with Sakuta, which was always part of her plan.

As for Sakuta, he gets to redo asking Mai out, and she responds just as he’d hoped, as she steals a kiss to express how she feels about him. The next three weeks proceed as they did the last time, with the two differences being Sakuta knows what’s going to happen (even the exam questions) and he and Tomoe aren’t fake dating. They don’t have to.

It was, after all, nought but a simulation of the future, and yet still just as real as the future to come. In her traditional casual science-y explanation, Futaba surmises that Sakuta was drawn into the looping with Tomoe due to “quantum entanglement”, which happens when two particles collide. In this case, Tomoe and Sakuta kicking each other’s butts. Will this show’s delicious cleverness never cease? I for one hope not.

It certainly wastes no time getting the next arc started, as the episode closes with Sakuta meeting a middle school girl who just happens to share the name of his first crush: Makinohara Shouko.

Bunny Girl Senpai – 05 – The Penguin that Follows the Others

I can definitely see the similarities to Bakemonogatari and Sakurada Reset here, and that, readers, is not a bad thing, at least for me. Both of those shows could subvert the concept of a Tsundere Girlfriend or Jealous Little Sister without breaking a sweat, and so too does Bunny Girl. 

In a lazier anime, agreeing to fake-date a kohai would land Sakuta in some seriously warm water, but after he explains everything properly to Mai, she withholds punishment, claiming that’s its own punishment, but really it’s a gesture of trust. Sakuta was the one and only person who never forgot her, after all (except for one brief period).

As with Araragi Koyomi, Mai can see her would-be-boyfriend is trying to help someone in need, and doesn’t judge that someone’s choices that led to them needing help. Instead she gives Sakuta her blessing, serves as the first person other than him to interact with his shut-in sister, and then bids him a good night.

However, she does warn him not to let “pretend” turn into “serious”—not to betray the trust she’s putting in him—and he laughs it off too casually for her taste, as well as mine.

The next day Sakuta is ready for his fake date with Koga Tomoe. She’s late, yawns on the train, and can’t keep her hands off her phone (he has neither smart nor flip, the damn hipster). 

When she lists the reasons for her fatigue (group chatting till 2AM; watching funny animal videos; preparing for the date “a bit”), Sakuta starts to get to the root of Koga’s frustration that led to her becoming an all-seeing, all-knowing Leplace’s Demon: She must be informed. She must join in on the conversation. She must be liked, and not seen as a loner or weirdo.

This point is driven home at the aquarium as they watch penguins: she deems Sakuta to be the penguin whom the others laugh at but doesn’t care, while she’s the penguin who follows the others in lockstep. Later, Sakuta gets more insight: Tomoe was once a “country bumpkin” from Fukuoka (hence her adorable lapses into drawl), but began a regimen of thorough reinvention and improvement to become the stylish and proper-speaking person she is.

Sakuta can surmise that she feels guilty about “abandoning” the person she is and wondering whether who she is now is who she really is, but he considers that kind of thinking “immature.” He assures her that who she is now is who she is; the culmination of choices she made and hard work she undertook. It’s nothing to be ashamed of.

Sakuta also shows Tomoe a few things, such as when they spot a classmate of hers from a group further down her class’ pecking order. The two of them help this classmate find a strap she lost on the beach, despite her feeling “unworthy” of someone of Tomoe’s stature wasting their time on her. Sakuta isn’t the kind of person who ranks people by their social stature; all are equal as long as they are virtuous.

When Tomoe catches a cold from falling into the water and spends a day in the nurse’s office, she asks Sakuta why he’s gone along with her “unreasonable” requests. He states it’s because she seemed desperate when she asked. Their differences in how they see the world are laid bare: she wants everyone to not hate her, while he wouldn’t mind if everyone hated him as long as there was One Person who needed him.

That one potential person Mai checks in with Sakuta on his land line phone, and he is honest about having enjoyed his “date” with Tomoe. Her nonverbal response is an enigma; is she intrigued; disappointed; neutral? She’s in Kagoshima on a TV shoot, and casually asks him to “bolt out of his house” to see her, but he doesn’t.

Futaba (who has unrequited feelings for his friend Kunimi) tells Sakuta that since Tomoe is satisfied with her current condition, there’s no need to relive it; the “demon” has found its desired path. Kunimi’s girlfriend Kamisato once again confronts him about spending time with her squeeze. Kamisato is another who only sees a ranking number hovering over someone’s head; if it’s not high enough, she wants nothing to do with them.

Sakuta tells Kunimi about the second fight picked by Kamisato, and it leads to Kunimi informing him of untoward rumors about Tomoe being loose/easy. Despite Tomoe’s efforts and veneer of satisfaction, her relationship with Sakuta has brought a different kind of unwanted attention. When Mai leaves a message on Sakuta’s phone, he moves to call her back, but stops. He has work to do.

Again, like Koyomi of the Monogatari series, Sakuta is going to perform the task he volunteered for to the best of his ability. He may not be the strongest or smartest, but that doesn’t mean he can’t outsmart someone who can easly outstrong him. As Tomoe already starts feeling the fallout by being left out of her friends’ conversation, Sakuta puts his plan into action.

That plan is nothing more than defending the honor of someone who doesn’t deserve the nasty rumors being told about her. He does so by letting the jock (who I believe originally tried to ask her out) come to him, provoking him into punching him, then getting back up, presenting himself as someone ready to throw hands, then kicks him hard in the shin.

The jock protests that Sakuta isn’t being “fair”, but…c’mon; pot, meet kettle! Sakuta ensures the exchange takes place on the train platform where the maximum number of peers watch how pathetic the jock is, giving him the negative attention he foisted upon Tomoe and then some.

In that moment, Sakuta was Tomoe’s boyfriend. She felt it; and surely he felt it too. They may not have spend much time together, but they both have a pretty good idea of who one another are. At her darkest hour, when it seemed everyone was ready to hate her (and indeed when it seemed she’d reset time to before this all happened), he was that One Person for her.

The person who’d go maybe too far to help her. The person she needed. You know…a friend! Hell, he announced in front of half the school he was a virgin for her sake. He’s a stand-up dude, and she couldn’t be blamed for falling for him right then and there.

Whether that’s precisely what happens, it’s without doubt a nudge in that direction; two people becoming a little closer through shared experiences, the most recent of which were fraught enough to require him to take her by the hand and run away, and the adrenaline of which caused them both to laugh uncontrollably as they ran.

Tomoe now understands a little more what Sakuta meant about his “One Person” position, and asks how she can repay him. Sakuta—ever classy yet also a bit arrogant—tells her she can be his friend “when all the lies are over.” The thing is, the lies may already be over, and Tomoe may just want something more than a friend. Why else would she frown at the sight of one of Mai’s TV commercials on her phone?

As for Sakuta…while he fought hard for Tomoe, there’s no overt indication he’s doing anything more or less than what he deems to be his duty, as he promised to be her boyfriend for the first term. As such, Mai may not have anything to worry about.

But he got awfully into the role on that train platform. He showed Tomoe that she only needs one person, and so far that one person is him. Can Mai—can we—trust that he’ll be able to extricate himself from a Leplace’s Demon so satisfied with him as her boyfriend?

Bunny Girl Senpai – 04 – Full Circle to Acceptable

Now that Mai can no longer sashay around in public as a bunny girl, what’s next for the show with the now-obsolete title? Well…

We may regard the present state of the universe as the effect of its past and the cause of its future. An intellect which at a certain moment would know all forces that set nature in motion, and all positions of all items of which nature is composed, if this intellect were also vast enough to submit these data to analysis, it would embrace in a single formula the movements of the greatest bodies of the universe and those of the tiniest atom; for such an intellect nothing would be uncertain and the future just like the past would be present before its eyes.

— Pierre Simon Laplace, A Philosophical Essay on Probabilities

…Oh dear. That sounds complicated! But really, it boils down to Sakuta seemingly reliving the exact same June 27th three times, similar to the plot of Endless Eight, in which some variable has to be satisfied in order to break the loop.

With Kamijou Touma-esque luck, this phenomenon occurs the day Sakuta finally gets a “sure, we can start dating now” response from Mai after a month of telling her he loves her (which she explicitly asked for). The “Leplace’s demon” turns out to be someone else who got a confession: Koga Tomoe (Touyama Nao), the first-year who kicked Sakuta’s butt (and whose butt, in turn, was kicked by him).

The problem is, Tomoe doesn’t want to be confessed to, because the boy confessing is the object of her best friend’s affections, not her own. While hiding from him with Sakuta inside a lecturn, Tomoe panics and knocks it over, and she ends up in what looks like in flagrante delicto. Not only does the guy see it, but so does Mai when she enters the room from the other side. This is the third repeat of the day, mind you, before he got her okay to start dating.

Because Tomoe is never confessed to, June 28th arrives, and Sakuta has a major misunderstanding to clear up with Mai. He returns to Futaba, who always lends him an ear, but to the show’s credit it finally gives her a chance to be more than that, as she is harboring unwanted but increasingly strong feelings towards Tomoe’s friend, who has a girlfriend.

But there’s yet another wrinkle here: Tomoe starts working at the same restaurant as Sakuta, and her three friends show up, both to support her and to warn Sakuta that he’d better not hurt Tomoe, or else. It turns out the misunderstanding that she and Sakuta are dating is something that works to her advantage, and she begs Sakuta to keep the lie going after work, at least for the rest of the school term.

It’s a twist on the usual “fake dating” angle, because Tomoe actually has a good personal reason for doing it: as someone who was uprooted after middle school (and her accent comes out whenever she’s excited), her high school friends are all she has, and she doesn’t want to lose them just because some guy one of them likes likes her instead.

Is this the best way of dealing with her predicament? I don’t know, and neither does she or Sakuta, but he is willing to help her out, at least for now, even as he wonders how the hell he’ll be able to explain all of this to Mai. To Mai’s credit, she’s willing to hear him out. He kept his distance, and then she came to him, wondering why he didn’t come to her at once. He may not have gotten her okay on the third June 27th, but she still likes him, and wants to know what the hell was up with him and that first-year girl. I recommend the plain, simple truth…even when it’s neither plain nor simple.

The show introduces a new science-y phenomenon with the same confidence and satisfying pace as the first one, and if anything, the interactions between characters have gotten even better. They’re very natural; despite their rough butt-kicking start, Sakuta and Tomoe can still be civil, cordial, even friendly to one another.

Similarly, while Mai has every reason to be mad and/or concerned, she reaches out when he doesn’t to get to the truth of matters. Everyone just seems to have a good head on their shoulders; a rarity in anime. Throw in clean, attractive character design and animation and understated yet effective soundtrack, and Bunny Girl Senpai is firing on all cylinders.

P.S., regarding the title of this post, I really Tomoe’s aside about Sakuta’s big bold public confession being the thing that brought him around “full circle” to being acceptable, at least to the first years, since such a gesture was regarded as brave and cool. Also amusing? His genuine reaction of surprise! Hang in there, Sakuta, you’re not so bad as that rep of yours.

Wotaku ni Koi wa Muzukashii – 09 – Changing at Their Own Pace

Hirotaka and Narumi go on a normie date to a theme park, and Hirotaka takes the normie part very seriously, bringing along a piggy bank and fining Narumi whenever she uses an otaku reference or says something a yaoi would say. Never mind the fact that bringing a piggy bank to a date isn’t a very normie thing to do!

Hirotaka is doing this because he believes he won’t truly make progress in his relationship with Narumi until they can spend time as something other than otaku buddies. That is to say, he wants to see the same side of Narumi her other dates saw: the one actually trying to hide her otaku/yaoi sides.

The date proceeds normally, with both Hirotaka and Narumi incurring penalties for letting their true sides slip. Then they reach a haunted boat ride, and in her rush to get aboard, she ends up leaving the platform on a boat not with Hirotaka, but with Kabakura.

Turns out Koyanagi, who ends up in a boat with Hirotaka, made Kabakura take her to a theme park, because she heard Hirotaka and Narumi would be doing it and it sounded fun. Narumi has to cross her arms tightly so as not to accidentally hold Kabakura’s hand, and both are scaredy-cats.

Meanwhile nothing fazes Hirotaka or Koyanagi, though the latter can sense a bit of restlessness on the former’s part. He tells her not to worry too much about how fast things are progressing; it’s not often two people go at the exact same pace. There’s nothing wrong with taking things slow, and if that’s how things are going, there’s no reason to shake things up.

When the two couples meet up then part ways, Narumi and Hirotaka rest a spell on a bench, and Narumi scares the dickens out of Hirotaka by saying “this isn’t working” and “we should end this.” She’s not talking about their relationship, thank God, but about the piggy bank penalties. Once free to talk about otaku stuff, they both feel much more at ease.

She then gives Hirotaka a surprising gift: a pair of earrings. It turns out she too wanted to see a side of him she hadn’t seen before; in this case, the side of Hirotaka who wanted to grow up fast. While the looks of the show on the whole are pretty much average for the genre, the animators take their time on Narumi fiddling with her hair and Hirotaka suddenly pulling it back to reveal she’s wearing (clip-on) earrings too.

He leans in to what looks at first like a kiss to thank her, but it turns into a hug, albeit a tight and romantic one. He thanks her for the earrings, and admits he can be as childish as she claims to be. He had no reason to be concerned about them not going anywhere, or nothing changing, because they are…just at their own pace.

Wotaku ni Koi wa Muzukashii – 08 – Wind, Lightning, and New Fire

If you’ve ever worked at an office, you have a pretty good idea of the atmosphere of the first half of this week’s episode. When it’s dark and stormy, suddenly its darker outside than in in the middle of the day, there’s a strange cozy feeling to the office, occasionally someone’s sunroof will be open, and you have to remember to SAVE YOUR WORK often, lest a power outage claim the building.

It’s much the same at the office where our four otaku work, but we learn that Hirotaka is afraid of lightning (or rather, traumatized by years of having the power go out while he’s in the middle of gaming). But when he remembers many years ago when he answered the door during the storm, Narumi was on the other side of the door. Then, as now, she puts him at ease, and he her.

Hirotaka is considerably less at ease when during a night of drinking his ability to make Narumi jealous by flirting with other girls is cited as a virtual impossibility. Hirotaka remembers being jealous of the guy Narumi dated, even to the point of getting an ear pierced that probably didn’t need it.

As Hirotaka comes to the always-dueling-in-public Kabakura and Koyonagi, curious what they do when they’re not arguing, Narumi is at Starbocks (Naoya’s eyes still swollen from sensitivity training earlier this week), wondering what a real date is; all she and Hirotaka do are the same things they’d do if they were good otaku friends as before.

Well, both seem to feel uncomfortable about that at the same time, as if the flames below their seats had finally made that seat uncomfortable enough to get up out of it. Just as Narumi is expecting another “at-home” date of reading and/or gaming, Hirotaka asks her out to do the things she used to do with her previous, normie boyfriends.

Wotaku ni Koi wa Muzukashii – 07 – Playing a Netoge, Then Eating Out Separately

This week’s WotaKoi is split between two completely different stories involving the core quartet, which is probably for the best as I doubt either one could be sustained for the entire episode’s length. Feeling more than ever like two distinct episodes works to both stories’ advantages, as neither wears out their welcome.

Most of Part One is presented within the virtual world of a fantasy netoge the crew has agreed to play together. The warrior Kabakura and elf assassin Narumi are the first to arrive, and Kabakura is thoroughly charmed by Narumi’s adorable avatar.

Not too much later the sexy black mage Koyanagi joins them, but when they end up in a random encounter with a rare boss, they’re almost undone when Hirotaka’s avatar is being controlled by Nao. Once Hirotaka takes over, he literally takes over, as in defeating the boss and collecting the loot as if he were playing solo, without any cooperation from the others.

Despite being perhaps the least enthusiasm for the game, he’s still the best at it and his player has the maximum level, because, well, he’s a game otaku. Acing games is kinda what he does.

We’re back in the real world for Part Two, as the guys and gals split off for a night of drinks and dinner. Hirotaka and Kabakura must patiently endure their two junior co-workers talking non-stop about Narumi and Koyanagi, including getting their personalities and traits totally wrong due to their lack of interaction with them.

Meanwhile Narumi and Koyanagi are poised to have a lovely dinner chatting over the anime Narumi had Koyanagi borrow and watch…only for the two to, as usual, hold opposite views regarding said anime. They regain common ground in considering their boyfriends in BL situations, but once again butt heads over which of them should be on top.

When dinner’s over, the four end up running into each other on the street. With the junior co-workers there, the two couples play things cool and quiet, not overly indicating they’re dating each other, and merely bidding each other goodnight.

It was definitely a case where things might’ve been easier (or at least less irritating) if Hirotaka and Kabakura had simply said they were dating Narumi and Koyanagi, respectively. But at the same time, it’s really not their business, so the lads are content to endure their ignorance for the sake of romantic privacy. And rightly so!