Tsuki ga Kirei – 09

Now that Kotarou and Akane have (mostly) overcome the largest impediment to their relationship with each other—their timidity—we see them hanging out alone together a lot more often and more comfortably, even discussing the ideal situation for the future: attending the same high school.

But no sooner do they swap first names and share a kiss does another obstacle come along; this one isn’t either of their faults, but an external factor.

Whenever a dad in an anime has to make an announcement, it’s probably because he’s being transferred and will be moving the whole family with him. That would be fine…if Akane didn’t have a boyfriend and had no interest in being uprooted. Alas, her dad’s gotta go where the bacon is.

It isn’t a sure thing, so Akane keeps it a secret as long as she can. She has her final junior high track meet approaching, after all, and has to keep her head in the game. Incidentally, that also means keeping Kotarou away when he asks if he can watch her run; it would be to embarrassing to her.

But Kotarou attends anyway, keeping a secret of his own, for the best of reasons: wanting to cheer his girlfriend on without distracting him. I honestly thought Akane would look up at the stands and catch a glimpse of Kotaoru there, but she doesn’t, and instead sets a personal best which she’s quick to snap with her camera and send to Kotarou, not knowing he saw her be awesome.

While Kotarou gets the slip on Akane, Chinatsu sees him, and because she’s still not quite over him, she doesn’t let Akane know she saw him. Hira asks Akane if she’ll still pursue track at high school, and she lets slip to Hira that she might be moving to Chiba.

Chinatsu, like Hira, is still stinging from her recent romantic defeat, but Hira seems to instill her with a glimmer of hope; after all, neither of them have actually taken a proper shot at getting the object of their affection to look their way; they’ve only dealt with the other member of the couple; with Kotarou being firm with Hira and Akane making her feelings for Kotarou plain to Chinatsu.

Whether Hira or Chinatsu give up may ultimately become moot if Akane moves, and when Kotarou confesses he watched Akane, Akane tells him about the possibility, and he’s suitably devastated. That being said, Kotarou has an awesome, progressive dad who wants his son to put happiness above fulfilling some kind of obligation; to “take it easy” and live his life doing what he loves.

With that in mind, if Kotarou decides to take a creative pivot towards light novels, he may find himself living in Tokyo before long, and Tokyo is not far at all from Ichikawa, where Akane and her family might move. If not, and the two end up being broken apart do to something as silly as a parent’s transfer, well, that’ll suck!

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Tsuki ga Kirei – 08

Simplicity can contain multitudes. By that, I mean sometimes there’s a lot to be found in a pure, unembellished tale of first love of the kind blooming between Koutarou and Akane. With Chinatsu out of the way (an unpleasant but necessary step), all that stands between the two is their gossiping peers at school, eager to know all there is to know.

But there isn’t that much to know. Akane doesn’t even give a straight answer to the question “Why Azumi?” She may not be able to put it in words, but that doesn’t bother her; she doesn’t care why she likes him, she just…does. And he likes her, which is why they now actively do all they can to see as much of each other as possible, during which time they’ll explore more about the ‘why’.

During their private lunch in the library, Kotarou gets a text asking him to attend a hayashi practice, and Akane pounces on the opportunity to see her boyfriend perform, which he does. Just as Akane seemed to run harder, Kotarou dances harder, impressing the hell out of his girlfriend.

Kotarou also gets nods of approval from his hayashi peers, one of whom suggests the couple attend Hikawa Shrine’s Summer festival, famous for its hanging wind chime fortunes. Akane arrives at their meeting spot for the date in full yukata. Kotarou is loving the look; Akane is loving how he’s loving it.

A near-perfect festival date ensues, with no one getting lost or bumping into unwanted secondary characters. Akane also cuts her foot on her sandal, but Kotarou tenderly bandages it when she can’t bend over in the yukata. They don’t let anything spoil their enjoyment of the night and of each other.

Akane ducks away for a bit, but only once she hears Kotarou’s most recent birthday has already passed, and decides to get him a little present: the same beanbag stress toy she has. The only remaining ‘drama’ is her trying to finding the right time and place to present it to him.

Once she does, she feels much better, and Kotarou is grateful, and decides the time has come for him to call his girlfriend by her first name, and she, in turn, calls him by his. And with no one around to suddenly stop them, they finally connect for real on their first kiss, finishing what they started last week and hadn’t been able to stop thinking about.

It all happens to the tune of a rendition of “Summer Festival”, which I last heard in Re:Life. The camera keeps a tasteful distance, underscoring how the two must feel like they’re in their own little world. The next time her friends at school ask, Akane can tell them being with Kotarou makes her feel safe.

The parting shot of what the two wrote on their chime wishes—they both wrote the same thing: to be together forever—is a little mushy, but who cares! I daresay these kids are gonna be alright, and there’s a quiet thrill in watching them steadily improve at this thing called courtship.

Tsuki ga Kirei – 07

It ain’t just the game of thrones—in the game of love, you win or you die…romantically speaking. It’s take no prisoners; shit or get off the pot; even moreso when you’re young and just figuring this stuff out.

With the Dome City amusement park as the setting for this outstanding episode, Akane, Kotarou, Chinatsu and Hira all learn harsh lessons about the game they’re all playing, the risks and rewards of being passive or active, and how being on the winning side can be fleeting. It’s a side that must be defended.

I honestly can’t stop snickering at Kotarou’s face while on the roller coaster. That is the face of someone very unhappy he didn’t decline Chinatsu’s suggestion they sit together. He might as well be shouting over the roar of the coaster ‘I’VE MADE A HUGE MISTAKE!’

Because he’s next to Chinatsu, Akane is next to Hira, and because she doesn’t handle coasters so hot, it’s Hira, not Chinatsu, who serves as her support during and after the ride. It doesn’t help Kotarou that the majority of the rest of the group is shipping Akane and Hira (except Roman, who we learn has had his suspicions about Kotarou and Akane before Kotarou confirms it).

Kotarou and Akane simply start out the trip all wrong, due to their general passivity in a scenario that requires activity. Akane ends up with Hira a lot of the time, but did nothing to prevent it; Kotarou ends up with a super-aggressive Chinatsu, who understands she’s got to hustle to have any chance over Akane…and may even be moving so fast and forcefully because she already knows she has no chance.

In either case, after Kotarou sees Akane with Hira, Akane sees Kotarou with Chinatsu, and after some time passes, Kotarou sees Akane with Hira AGAIN, Kotarou has finally had it; he’s groaned his last ineffectual groan. Time for some muthafuckin’ ACTION!

He calls out to Akane, then tells Hira he’s in a relationship with her, which she backs up. He then takes her by the hand and they walk off, just in time for Chinatsu to spot them together. As her tears start to fall on the souvenir photo of her and Kotarou on the coaster, I can’t help but feel for her. She got off to a good start, but ends up running out of steam.

After a great series of reactions from the group after Roman confirms Kotarou and Akane are going out (which NO one else saw coming), the happy new couple finally has their precious time alone. What had felt like such a delicate bond strengthens with each activity they do together.

I appreciate how they mirrored my own glee over the whole situation with lots of beaming and giddy laughter, neither of them able to contain their elation at being able to hang out together.

After eating together for the first time, going on various rides and to a haunted house, the two close in closer and closer for a couple selfie, and their bubbly contentment only intensifies when they see how much like a couple they look in the photo.

Meanwhile, Chinatsu returns to the group, her eyes raw from crying, and her girl-friends get the bad news that Kotarou chose Akane over her. Chinatsu might’ve stolen Akane for the coaster and gotten temporarily “lost” with him, Akane ends up stealing him back, though mostly thanks to Kotarou taking action.

No matter; it’s the action Akane wanted to be taken. She’ll be the proactive one next time. As the fireworks explode across the night sky, Kotarou takes her hands in his and leans in for a kiss, and Akane leans in right back.

A nosy little shrimp interrupts them (where are your damn parents, kid?), but they get so goshdarned close to kissing, I’m going to go ahead and call it a kiss, even if it isn’t officially their first kiss. Neither of them bailed out; it was a matter of being surprised by an outside stimulus. Close enough, I say!

Chinatsu…she was never that close, because Kotarou simply isn’t interested in her the way he is in Akane, just as Akane isn’t into Hira that way. At the end of the night, Akane and Kotarou are exactly where they should be, where they want to be.

hen Chinatsu texts Akane that she couldn’t confess, Akane says “Sorry” to herself. I’ve no doubt she feels bad about Chinatsu getting hurt. Chinatsu was the one who chose to keep going even though she knew Akane was with Kotarou, but Akane could have been more forceful in discouraging her.

But at the end of the day, when made to choose between her happiness and Chinatsu’s, there is no choice. It’s shitty not being the one chosen, but that’s life. Akane and Kotarou won the game today. They deserved to savor their victory. Here’s hoping the wins keep coming. They must be vigilant.

P.S. Attention, Show: You have extinguished your allotment of near-kisses. Next kiss better not be interrupted. You have been warned!

Renai Boukun – 07

After establishing its kooky cast, Love Tyrant has proceeded to explore more and more serious dramatic stuff with the trappings of a quirky comedy. Guri first attempts to test out Akane’s “heartache” theory about love by stabbing herself with one of Akane’s kukris.

But after her desire to go to the festival is rebuffed by Seiji, who already has plans with Akane, she goes off on her own and is approached by The Perfect Guy, who is kind, patient, and respects her interests—the opposite of Seiji, leading her to question whether Seiji’s even worth her time.

A lovely festival date with Mystery Guy leads to a romantic setting in which he leans in for the kiss, only to have his eyes shoved into his brain by Guri; a reflex, she says contritely. Nice Guy is nice, but isn’t Seiji, and kissing him feels wrong.

So when she happens to bump into Seiji, who came to festival as per her original wishes anyway, she kisses him, it feels right, and she proclaims that while Seiji may have his issues—not handsome, stubborn, quick to anger, boring, insensitive—but she doesn’t hate him after all.

It’s good to see Guri and the show point out Seiji’s flaws, but also demonstrate how love is more than an equation of pros and cons. As for Perfect Guy, he was under a spell from Maou as part of his larger plan to recruit Guri, which, sure, fine.

Someone else who loves Seiji deeply in spite of his flaws is Akane, but unlike the cupid Guri, she’s supposed to have no need for love. In fact, giving her heart to Seiji is a serious crime against her family, and her mother Suo soon has her captured and bound, and gives her an ultimatum: break up with Seiji, or else.

What ‘or else’ means, precisely, I don’t know, as Akane is technically immortal. As is Seiji, as demonstrated when a group of thugs try to kill him in broad daylight in the park. He’s rescued by his tough little sister Akua, who is then totally freaked out by Coraly, because who wouldn’t be?

(I for one actually have a soft spot for Coraly because my roommate’s cat looks just like him…without the human face of course.)

Shikimi arrives to tell Seiji and Akua what Suo has done with Akane.  In solitary confinement, Akane remembers not giving a hoot about anyone’s feelings and keeping her heart to herself, as her mother wanted. Until she met Seiji by chance in an alley, and for some reason when he says she’s kind, it resonates, and whether she liked it or not, she fell for him right then and there.

Though it definitely weighs down what had been a lightweight rom-com, I appreciate the show elaborating on Akane’s feelings and showing their origins and how she must choose between love and family. I also like Seiji (and Akua!) teaming up with Shikimi to rescue Akane (even though Shikimi is clearly up to something).

Meanwhile Guri and Yuzu don’t have much time together in the second half but they make the most of it, first with Yuzu’s takedown of the cat maid cafe Guri brought them to, then in planning a sleepover, then ditching that plan to join the fight to save Akane.

Tsuki ga Kirei – 06

Uh-oh…the dreaded Pinky Promise, long the bane of many a budding middle school relationship. Tsuki ga Kire’s couple makes theirs after Kotarou gets a call from a publisher in the city and Akane prepares for her big meet, and the two are determined to achieve their dreams.

No matter how much Kotarou’s mom worries about his future, or how much Akane’s family gawks at her upon figuring out she’s dating someone, they like having each other around, supporting each other both in person and on LINE.

Both are drawing strength and ever-so-gradually becoming bolder, braver people, as demonstrated when Akane texted Kotarou that she wanted to discuss something with him (namely, the Chinatsu situation). But they’re in such high spirits after the pinky promise, Akane leaves it for another day…The worst possible day she could leave it for, the day of the big track meet.

She manages to get out to Chinatsu that she’s already in a relationship with Kotarou, which is good, but the timing couldn’t be worse in terms of the emotional toll it takes on her. Chinatsu, for her part, already knew—they’re friends, after all—but when the time comes to race, Akane is so weighted down by complex, conflicting emotions, she ends up with a terrible time and is eliminated, while Chinatsu has a personal best and advances. Ouch.

Akane isn’t the only one to take an L, mind you: when Kotarou sneaks out to make the long trip to the publisher, he’s full of cautious optimism, determined to fulfill his promise to Akane and to himself, eager to take the first step towards joining the ranks of his beloved highbrow authors…only to be crushed like a bug under a different weight than the one that slowed Akane: literary reality.

The publisher minces no words: Kotarou is not cut out for the kind of literature he attempted and submitted, but he may just have a knack for “light novel type stuff”, which Kotarou is clearly not into.

So after pumping each other up so much and pounding the pavement with confidence and gusto, secure in knowing the other is trying their best right beside them, Akane and Kotarou end up having the worst day. And I’ll tell you, I felt every ounce of their combined…er…worstitude; I really did.

I felt Akane’s exasperation over her best friend’s crush on Kotarou, which just so happens to be mercilessly translated into a literal footrace with her friend-and-now-rival. I felt Kotarou’s crushing disappointment that his odyssey to the city was all for naught.

And I definitely felt the both of them not feeling the slightest bit better once they return to their homes. Akane’s parents are warm enough and tell her there’ll be other races, while her sister tells her it’s going to be very hard to remain friends with someone still actively after her boyfriend.

Kotarou’s mom lets him have it as soon as he comes in the door, telling him no good will come of the thing he’s most passionate about doing (though is dad is more sympathetic). Dayum.

Sometimes family helps you recharge and heal from the stress and wounds of the world out there, but sometimes they contribute to it. Which is why I was so glad that after so much mutual moping about, in the middle of the night, by the light of her phone, Akane finally gets a message on a screen still mockingly displaying the optimism they expressed before the day began.

Just three simple words: I miss you. Akane only needs two: Me too. The two meet up in the library the next morning, cheered a little by their mere presence, and cheered more by their shared determination not to give up on track or writing, to work even harder so awful days like yesterday won’t become a common occurrence. They reaffirm their still-active pinky promise, to which they wisely did not assign a deadline.

And yet their struggles are far from over. When Akane meets with Chinatsu on a beautiful tree-wreathed path bathed in the warm glow of the setting sun, there’s a friendly, conciliatory mood to the proceedings: Akane apologizes for not telling Chinatsu sooner; Chinatsu apologizes for falling for Kotarou.

That mood is upturned by one last, frankly cheeky request by Chinatsu: that she be allowed to confess to Kotarou, for “closure.” And herein lies the danger about which Akane’s big sister warned her: neither confrontation with Chinatsu over Kotarou resulted in closure. Chinatsu, fresh of her big track win, is feeling more confident than ever, while Akane has never felt less, despite the fact she has the guy.

But it doesn’t matter if Kotarou immediately says no. Putting Akane in such a position at all is a clown move by Chinatsu, straight up, as is pretending it’s not a big deal. It’s also a possible prelude to war, a war for Kotarou’s heart. And when friends go to war, they tend not to stay friends.

Tsuki ga Kirei – 05

Kotarou and Akane are officially dating now…but neither are quite sure what dating entails. They’re also keeping it a secret from their respective circles of friends, so they’re still not comfortable talking to each other at school, which gets old for them fast.

They need guidance on how to proceed, and both end up relying on a combination of advice from their elders (Kotarou’s senpai Daisuke and Akane’s big sis Ayane) and the interwebs. The next time they message each other, they’re on the same page about meeting up in the libarary, but the rendezvous is broken up by Chinatsu, who is clearly taking a shine to “Curly-kun.”

Akane is understandably upset, and this results in both her and Kotarou ending up with the wrong person at the wrong time: Akane with Hira-kun after track, and Kotarou with Chinatsu after cram school. It also doesn’t help that due in no small part to the emotional weight of their relationship, Kotarou is doing worse with his academics while Akane is slipping in athletics.

No matter: they want to meet, and Kotarou finds a way, as Daisuke lets him use his shop as a meeting place where they won’t be bothered by classmates (who are always portrayed as an irritant, heightened by the couple’s desire to simply be alone together).

Here, they do indeed finally get to be alone together, and revel in it, clearing the air, and even holding hands. But the bliss is all too brief; interrupted once more by an outside force: a text from Chinatsu to Akane announcing she may have a crush on Kotarou. This isn’t an out-of-nowhere twist for twists’ sake, because we’ve seen firsthand the easy chemistry of Chinatsu and Kotarou.

As Kotarou’s favorite writer says, humans are the only creatures who harbor secrets, and it’s a double-edged sword. Their secret relationship is exciting, but neglecting to tell Chinatsu before means that telling her now will end up stinging that much more. Hang in there, guys!

There’s a reason I watched and reviewed this before Saekano: At the moment, I’m simply more engaged and invested in Kotarou and Akane figuring out how to date than Tomoya & Co.’s amorphous dating sim struggles. It’s a straightforward narrative with a reliably steady progression and an appealing aesthetic (which would more appealing still if the CG NPCs were a little less zombie-like in their movements). It ain’t flashy, but it’s solid.

Momokuri – 21 + 22

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In a monologue around the halfway point, Momo describes his girlfriend as cute, smart, kind, hardworking…and a little weird. That last adjective sets her apart from other cute/smart/kind girls, some of which Momo knows, and one of which (Rio) harbors unrequited feelings.

And Momo likes the weird. She may like collecting his “used stuff”, but he’s always thinking about her in clothes he sees on TV; and is only too happy to get an indirect kiss from the teddy bear he won for her. Her weirdness helps him realize he’s a little weird too.

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The only things that frustrate him are not knowing where Yuki gets information on him he himself did not provide. It’s a secret she possesses, which means it’s distance she’s keeping from him.

Mind you, all healthy relationships have a measure of distance – you can’t be with someone every waking moment – and this is hardly a major crisis for Momo. He’s just…curious. And yes, tartar sauce on omelette rice is perhaps the weirdest part of him revealed thus far!

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Momo is also an easy-to-read, jealous fellow who is very possessive of Yuki. Under normal circumstances this would be distasteful, but Yuki happens to love his fierce protective nature, even when he slaps away the hand of Seiichirou (Ikue’s brother), who happens to be Yuki’s “Momoformant”.

It demonstrates he thinks and cares about her every bit as much as she thinks and cares about him, which makes her very happy. Neither of these weirdos could be good matches for just anyone, but they seem to be perfect matches for each other, which is why it’s so easy to root for them.

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Momokuri – 19 + 20

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Our next episode pair starts off with a nice monologue by Momo explaining where he’s coming from (loving parents he doesn’t see a lot) and how Yuki’s undivided attention is a new and exciting thing. This is the closest the show comes to drama, and while it’s no Orange, it gets the job done.

Since he’s come to like her attentions, Momo takes Rio’s words to heart about the distance Yuki seems to keep, but only confuses Yuki when he tries to rectify it.

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The thing is, there’s nothing that needs rectifying. Rio is observing this relationship from the outside; she can only tell Momo what she sees, how she sees it. Ditto Norika. But Yuki is just fine when it comes to Momo. While 90% of girlfriends would get jealous upon overhearing Momo call Rio cute, she seconds Momo’s opinion; Rio is cute.

Rio worries Yuki is an airhead, but it’s not really obliviousness. It’s a matter of point of view and confidence. Rio doesn’t have it, and Momo is still working on it, but Yuki is already there. She’s over the moon that Momo is on stage dressed up like a wolf, and not only happy all the other girls like him, but would think something was amiss if they didn’t. Momo’s a wonderful person; they should all like him.

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But it never crosses Yuki that Momo might slip out of her hands. What others think or her or Momo or the two of them as a couple is ultimately irrelevant. When Momo sees that as being passive or a pushover, and asks her to be a little jealous once in a while, it’s only more confirmation that he likes her. She’d probably be fine going out of her way to seem jealous for his sake, but not because he asked her to…because she wants to.

I honestly thought Momo already told Yuki he liked her, but perhaps I was taking his agreeing to go out with her as a confession. But the actual official confession happens here, and it only deepens Yuki’s feelings for him, to the point she gathers the courage to tell him the truth about her “collecting.”

The episode ends before Momo has quite grasped what Yuki means, but as I said, this isn’t a drama, so whether he ends up truly understanding the extent of Yuki’s…activities, I’m sure they’ll be fine.

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Momokuri – 17 + 18

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The rest of Summer Break breezes by without any contact between Momo and Yuki after accidentally ending up so close together. It wasn’t a matter of Yuki not liking it, but liking it too much and not being able to withstand any more. As a result, Momo is a little confused by their distance when the new semester arrives, but a nervous Yuki is later comforted by the fact that Momo not only worries about her, but is willing to call her to make sure everything’s okay.

Norika and Sawaguchi have a nice sidebar wherein the latter notices Yuki’s stalking, but comes to Yuki’s friend instead of Yuki directly, showing a degree of tact and delicacy. Norika is impressed by this, but as easily as Sawaguchi was able to detect Yuki’s bizarre behavior, he has a much tougher time reading Norika, who I feel genuinely believes he is a nice guy, even if her vitriol-spewing gives him cause to doubt it.

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Momo invites Yuki to a date at an amusement park, and the two have a grand old time, eventually ending up at the haunted house (where Yuki wants to hang off of Momo’s arm). A fortuitous power outage gives them both far more than they bargained for when Yuki trips on Momo, falls on him, and her hair gets tangled on his sweater button.

The house had legitimately made Yuki tremble in fear, so Momo’s correct and natural instinct is to hold and comfort her, which is what he does. Momo is surprised she’s more receptive to being held after running off and not being heard from the rest of the Summer, but due to the button entanglement they’re both in a situation of forced intimacy, and neither really has a problem with it.

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After they get entangled and Momo sees Yuki home, he crosses paths with Rio, who we know full well is jealous of Yuki, something she may only just be starting to realize when she gets to sit down, mend Momo’s sweater, and simply comes out and says things one could construe as critical of Momo and Yuki’s relationship.

Specifically, Rio sees Momo keeping a distance from Yuki, putting more value in his absence (and the trinkets he discards, like his button) than his presence, since his presence is often so overwhelming. At the same time, she sees Rio looking at Momo but not really looking.

What she really sees, jealous googles or not, is that Momo and Yuki are still fumbling through the basics of romance. Like Rio herself, neither of them have the slightest clue what they’re doing, and continue to put up walls when things get too intense. But there’s every indication, especially taking into account the progress they’ve made thus far, that they’ll figure it out eventualy.

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Momokuri – 15 + 16

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It’s a pool episode…another opportunity for Yuki and Momo to get a little closer. But after Norika inadvertently makes her feel weird about showing so much skin, Yuki covers up and sits alone. Momo thinks she’s caught his cold, but when she tells him that’s not the case, he starts blowing up a beach ball for them to play with.

This unlocks Yuki’s obsessive side, as she’s so preoccupied with the fact she’s batting a ball of Momo’s exhaled breath that she breaks the cheap ball, treating it with far more reverence than Momo, who’s content to buy another.

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When Momo is directed by his friend to hold Yuki’s hand as he escorts her to the bus stop, Yuki overprepares by dousing her hand in sanitizer spray. There’s no need for her to act so deferential; he wants to hold her hand.

More than that, he doesn’t want their day to end with her maturely saying goodbye as she boards the bus. Instead, he grabs her hand and takes the lead, surprising even Yuki.

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Momo really wants Yuki to understand he’s not just a cute animal, but a man, and believes being more assertive is the key. The only thing is, Yuki is so into Momo, his attempts to get closer end up overwhelming her, to the point she’s involuntarily spinning in her swing until she’s dizzy and collapses in his arms; no doubt an ideal outcome for both of them.

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Later, while studying with Yuki, Norika discovers her hidden stash of gifts Momo has given her, but also an obscene amount of used items he has cast away. In effect, it’s a cabinet full of junk that Yuki is placing far too much importance on, so Norika walks out of the room returns with bags, and starts cleaning up.

Even once the stuff is bagged with tight knots, Yuki still wants to get inside to retrieve her “treasures.” This kinda stuff in Momokuri walks a fine line, but the point is made that her love of Momo is so intense, sometimes she thinks she’s going crazy, an assertion Norika can’t argue with.

Purging her stash, and letting the stuff that doesn’t matter go, are necessary steps to tempering what is right on the line of being an unhealthy obsession. Love the guy, not his refuse.

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Momokuri – 13 + 14

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Momo and Kuri are taking their time, to put it mildly; so much so Momo’s friends are getting a little antsy with his slow progress. Because of her frequent assertions he’s cute, Momo’s worried Kuri doesn’t see him as a man (which his friends know not to be true), so they suggest he kiss her and see if that “does the trick.”

Turns out Momo is coming down with a fever, so his friend texts Kuri with Momo’s phone and she comes, full of nervousness. The fact is, both Momo and Kuri are incredibly timid when it comes to…one another. Krui constantly hides her more intense thoughts towards him (which we’re privy to), while Kuri…does pretty much the same thing.

They cannot deny how much their hearts pound when around one another, but as we see, Momo isn’t able to quite pull the trigger, faking a feverish collapse rather than go through a first kiss that Kuri definitely would have accepted.

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Still, as Chu2Koi! effectively demonstrated, every couple has it’s pace, and while Momo and Kuri’s pace may be slow for some, it shouldn’t be construed as anything other than the only pace they should be taking things: a pace they’re both comfortable with. They both love each other, so progress will be made given enough time.

Take their first-name-basis: Kuri has already started mixing in some “Shinya-kun’s”, and Momo decides in bed that he truly wants to start calling Kuri “Yuki”.

They’re both still very embarrassed to do it, but the fact they both do it, and share in that embarrassment, is a step in the right direction. The fact that hearing one another’s first names spoken by the one they love also serves as motivation to continue taking steps forward.

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Momokuri – 11 + 12

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Another week, another familiar rom-com scenario: the Summer Festival. While Momokuri’s didn’t come close to the heights of, say, ReLIFE’s festival, it was still Momokuri’s best episode to date, because it progressed, and characters came in contact with one another, so naturally and effortlessly. Not only was it a fine bit of slice-of-life, it also developed Rio’s relationship with Yuki.

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Momo and Yuki are having a fine time as a couple at the festival until they become separated, and Momo’s phone dies. Momokuri subverts the typical instance of a cute girl left alone falling prey to some wolves. In this case, the wolves are older women, and it’s diminutive-for-his-age Momo who is the prey.

Not only that, it’s “Prince” Rio who swoops in to save him from the “panthers”—more androgynous than ever due to her tan and boy’s clothes (provided so she could serve as protection for Ikue and Yuzuki.

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Despite looking like most like a boy (and a delinquent at that), Momo remarks how he’d rather see Rio in a yukata. Rio has spent much of her most recent years enduring those who say she could pass a a boy, so she’s heartened by Momo treating her like the girl she is.

Rio heads off on her own to look for Yuki, because a part of her wants to be one-on-one with her. It’s just as good, because when being with Yuki, Rio learns a little more about her rival-in-love, and determines maybe she’s not as weird as she thought. Indeed, she helps Yuki come to grips with feelings she’s not able to understand all on her own.

Like Momo and Yuki, she too was a bit lost early this week. But by the end, her stated desire for Momo to be happy above all else is evidence enough for Yuki that what Rio has isn’t just a like for someone, but love. Of course, Yuki isn’t aware that it’s Momo Rio likes. I doubt she’ll ever find out, either; this isn’t a drama, after all!

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Momokuri – 09 + 10

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After an exhaustive search for the perfect swimsuit (driving Norika half-insane), Kuri joins Momo and the rest of their circles of friends for BBQ. And that’s really all this episode is: a nice, pleasant, relaxing slice-of-life BBQ.

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Sure, it draws more attention to one of the other couples, which is non-romantic in nature and between cousins, with the guy somewhat worried about the girl being too close for too long. Ya know, ’cause their respective parents are siblings, and all.

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Moving along, the one person who probably relaxes the least (other than Momo) is Rio, who came in part to try to make some kind of tangible progress on the Momo front. Alas, as much as she stares into his soul, Momo considers her naught but a friend, if he considers her at all.

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Kuri brings her A-game to the BBQ, and even though it’s too cold to swim, Kuri wants to see Momo’s skin so bad she gets it into her head to show him hers, lifting up her skirt to reveal her red swimsuit.

Momo has nothing but compliments for said suit, but makes it clear the compliments he’s making are directed at the suit and not anything else. Bold “reveals” aside, these two can still awfully timid around one another, suggesting the next steps in their courtship won’t come quickly or easily.

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