Kubo Won’t Let Me Be Invisible – 03 – You Can’t Go Wrong with Mittens

Shiraishi returns the tracksuit he borrowed from Kubo, and she asks if it was small on him. It was, but only a little, as he’s 5’4″ to Kubo’s 5’3″. She gets onto a higher step on the stairs to become 5’9″, because she heard six inch difference is ideal for couples. Then she gracefully jumps down to Shiraishi’s level and declares that she prefers it this way. Give this girl an inch…

Kubo wants to hang out after school, but Shiraishi rushes out in an apparent hurry, with plans. This turns out to be taking his baby brother Seita to the park to play in the snow. Shiraishi is no fan of the cold, so it’s fortuitous that Kubo (who lives nearby after all) spots him. She has a warm bottle of cocoa which she offers to Seita, who then offers it back to her. But when she offers it to Shiraishi, he won’t take the obvious indirect kiss bait.

Shiraishi has to go a little ways to get a limited edition manga magizine with a poster he wants, but when he finds it among the stacks, an adult magazine is laying on top of it. Assuming no one can see him due to his presence, he prepares to take a peek, but is caught red-handed. Just his luck Kubo’s sister Akina works there—and that apparently all Kubos can see him!

Akina doesn’t 100% buy his innocent explanation, but when he drops his school ID after leaving, she notices it’s the same school as her sister, and asks her to return it to its owner. When Kubo says it’s Shiraishi’s, Akina stirs the pot a bit by saying he was looking at a porno mag featuring big boobs. This leads Kubo to asking him if he likes big boobs, calls him ecchi, and flees before he can explain.

Kubo isn’t sore about it for long, as she overhears other girls hanging out with their boyfriends for Christmas, and decides to cash in Shiraishi’s promise. Only she asks if they can hang out “Saturday after next” and he agrees, and only later realizes that it’s Christmas day.

Nevertheless, he’s at the agreed-upon spot 30 minutes early, while Kubo comes 10 minutes early. She manages to deduce that he was waiting longer than a couple minutes by the coldness of his hands. She also came with a Christmas present for him, and gives him fifteen minutes to buy her one with a budget of 1000 yen.

Shiraishi draws a blank on what to get her as he mills through the mall, until he realizes that like him her hands must be getting cold as she waits, so he buys her a pair of cozy pink mittens that go well with rose sweater dress and pale pink coat. Kubo is elated to receive a gift into which he clearly put a lot of thought.

As for his gift? A highlighter yellow shirt that says “Main Character,” so he’d be more noticeable to others. Something of a gag gift, but still a thoughtful one. Put it all together, and this was another sweet, cozy, charming episode to warm the heart on a cold winter day.

Rating: 4/5 Stars

Kubo Won’t Let Me Be Invisible – 02 – Scent of a Shiraishi

Another con of Shiraishi’s lack of presence is that his P.E. partner will lose track of him when he’s running unless he announces when he’s finishing. On the other hand, Kubo always has eyes on him, even when he doesn’t know it. When she approaches him after his run he’s self-conscious about his sweat and smell, but Kubo doesn’t mind. She even lends him her scented wipes specifically so their smells will match. Marking your man, if you will!

Kubo doesn’t wait for Shiraishi to propose a time and place to hang out. When she spots him trying (and failing) to open the automatic door to the bookstore, she can’t help but assist. He’s there to buy the latest volume of a manga she wants to start reading (probably solely because he’s reading it) but the store doesn’t have Volume 1 in stock. Perfect excuse for her to stop by Shiraishi’s house so she can borrow it from him!

Kubo also learns that Shiraishi lives a five minute walk from her house, and also leaves earlier than her, so the next morning she gets up early so they can walk together. Her sister Akina sees her different hairstyle (and smells her hair mist) and knows exactly what’s going on. Kubo can deny it all she likes, she’s got a crush and wants him to notice her.

Kubo manages to intercept Shiraishi on his way to school, resulting in the very first time he’s walked to school with anyone, boy or girl. Kubo even suggests they sit at a park bench to chat for a bit since they have time. This ends up working against her, as her friends Tamao and Hazuki show up, and Shiraishi continues on alone; definitely not what Kubo wanted!

Shiraishi notes that his day is the same as always despite Kubo walking with him at least part of the way: no one notices or acknowledges him. Except her, of course. When he gets hit by mud from a passing car, she sees it, and when he realizes he forgot his key, she offers the use of her shower and a change of clothes. He briefly spots a hamper with her unmentionables, but otherwise it’s a pleasant house visit.

When she’s sitting outside the bathroom, Kubo has a noticeably forlorn look; an expression she also wears after Shiraishi has gone home. Suffice it to say, she’s down bad, and there is no such thing as spending too much time with her invisible-to-everyone-else crush. These scenes that are just Kubo alone with her thoughts might just be my favorite.

In what is hopefully a sign he may finally be catching on (though I won’t hold my breath), Shiraishi blushes profusely while walking from Kubo’s house where he had a shower, used her shampoo, and is wearing her tracksuit. Ain’t young love grand…

Rating: 4/5 Stars

Kubo Won’t Let Me Be Invisible – 01 (First Impressions) – Getting a Little Closer

I wasn’t initially going to pick this show up, as it sounded awfully familiar to shows I’d already seen (most prominently Takagi-san). However, I needed some Tuesday evening comfort food, and two words sealed the deal: Hanazawa. Kana. She voices the titular Kubo, the smart, popular, athletic, and beautiful class idol who has eyes only for Shiraishi. This, despite the fact Shiraishi has such a severe lack of presence, most of the class doesn’t notice he’s there, and considers it good luck when they do.

Kubo sees him just fine, and no one else will do when it comes to killing time in class. She decides they should experiment whether he’ll be noticed if he stands on his chair during a lecture (he can), then “punishes” him by sitting on him for failing to say Good Morning back to her (he assumed she was greeting one of her girlfriends). She initiates little bets, but is neither as competitive as Takagi or as aggressive as Hayase.

Like those other two rascals, Kubo’s primary purpose is to get closer to the boy she likes, and even if he hasn’t yet gotten the message (and probably won’t for some time), she looks determined to keep trying until she does, and in the meantime enjoy herself immensely. She even arranges for him to be able to give an answer in class by being called upon and giving him the floor.

At the end of a day Kubo tries to casually ask for Shiraishi’s LINE contact (called PINE in the show), but they’re interrupted by her friends, and before she knows it, he’s vanished. But when she spots him at a park on a school holiday, she cannot hide her elation, and uses her phone’s difficulty focusing on Shiraishi’s face to draw closer to his than ever to take a selfie together.

She then gets his PINE info, and proposes both verbally and in a text that they should hang out together sometime. Shiraishi wonders if she’s just messing/toying with him, but responds “all right”. He has no idea just how happy that makes Kubo. Her big sister even remarks at how cute her face looks, and asks her (and also can guess without asking) what happened to give her such an expression. Just love, baby.

Kubo Won’t Let Me Be Invisible is a bright, breezy, fluffly school rom-com with cute character designs, exemplary voice wrok from both Hanazawa and Kawanishi Kengo (Rei from 3-gatsu No Lion, among other things), and generally low-key cozy vibes perfectly suited for a Tuesday Winter anime.

Rating: 4/5 Stars

Urusei Yatsura – 08 – A Ran for Her Money

After seven episodes of floating around class causing a commotion, Lum officially enrolls at the school, surprising Ataru so much he nearly chokes to death. He insists Lum attending school will “cramp his style” but I know not of what style he speaks.

Lum isn’t the only transfer student either: the other is the newest addition to this boisterous and chaotic bunch: Ran, Lum’s childhood friend. Ataru starts hitting on her immediately, which is when Lum recognizes her and asks for a talk behind the school.

Once there, Lum and Ran greet each other like the old friends they are, and Ran says she’s disguised herself as a human so she could see Lum. But when reminiscing about old times brings up the boy they both fell for—Rei. who looks like a complete bore—Ran’s personality suddenly curdles into that of an enraged ogre.

Ran hasn’t forgotten how Lum stole Rei from her, and has come to earth to take revenge on her. Specifically, she intends to use her succubus-like ability to suck the life out of people with her mouth on an unwitting, two-timing Ataru who will be all too eager to kiss.

Lum tries her best to stick close to Ataru, committed to protecting her darling despite the fact he’d still cheat on her in front of her face without batting an eye. This episode does not show Ataru at his best, but I suppose it shows him at his most libido-first Ataru-ness.

Ran manages to get Ataru alone under a tree, but is unable to apply a smooch due to Lum flattening Ataru at the last minute with a tatami mat. I guess the injuries he receives as she keeps him away from Ran’s mouth aren’t as bad as what would happen if she kissed him.

During the cavalry clash, Ataru gets the chance to witness what happens as Ran accidentally kisses another boy, who ends up transforming into a feeble old bansai-watering fogey. And yet, Ataru doesn’t care in the slightest. He’s always been about the hunt. If capturing the hot babe of his dreams will result in his death, it will have been worth it.

Yet the day passes with Lum successfully defending her baka-darling from Ran’s lips. Ran slips back into her more mild-mannered mode, only to get all worked up again when she remembers the wedge that split the two of them apart: her would-be darling Rei—whom I must point out chose Lum over her.

The second segment involves Ran saying, Poochie-style, that she’ll be returning to her home planet shortly, but wants to spend one more day of tea and cookies with her best friend and her darling. Why she chooses to relay this message via self-destructing Ran doll is a mystery I fear we’ll never solve.

Ditto Ran’s insistence on passing as human while her house is very clearly an alien spacecraft. Ran makes sure she looks her cutest and most innocent, as she tries to convince Lum that 1.) she’s really leaving and 2.) she’s given up on stealing Ataru from her. That fiction evaporates when Lum feeds her drugged cookies to a sentient vase that then falls fast asleep.

But Ran has more than one trick up her lavender sleeve, as she’s preparing a copy of Ataru in her oven, identical in every way except for an apostrophe near his head (looking like a kind of floating ahoge). That apostrophe is actually one of the first things the real Ataru notices, and he snatches it just as Ran grabs him and returns him to Lum, thinking he’s the copy.

Ataru doesn’t know it, but he accidentally saved his ass by grabbing that little thingy. As Lum forces him to leave with her, Ran storms out holding a wholly deflated Ataru clone, madder than ever. That night, Lum, ever the optimist, wishes she’d tried to get along better with Ran before she returned to her home planet.

Of course, Ran doesn’t return to her home planet, but back to Ataru and Lum’s school the next morning, still maniacally determined to steal Ataru from Lum and suck the vitality out of him. So for all intents and purposes, she’s here to stay … and I’m fine with that! The more intensely-haired shiny alien beauties, the better, I say. I’m simple like that!

Ran is, you’d probably guessed voiced by the incomparable Hanazawa Kana, and I’m glad Urusei Yatsura saved one of the biggest guns in its massive seiyuu arsenal for a character with a split personality; the better to utilize Hanazawa’s fantastic vocal range. She has the ability to jump from syrupy-sweet to pure venom on a dime.

She also makes Ran, for all her flaws, a lot more likable than if someone else voiced her. The episode also wisely kept Shinobu, Mendou, and all the other characters out to the periphery so it could focus on the Ran-Ataru-Lum triangle at hand. I’m sure it won’t be long before Rei arrives on Earth to try to reclaim Lum’s heart. His efforts are sure to be met with failure, since Lum only has eyes for Darling now.

Rating: 4/5 Stars

Aharen-san wa Hakarenai – 08 – Esteem in the Bloodstream

Toubaru-sensei has taken note of the supreme squeeness of AhaRaidou and its deleterious effects on her health, which is why she’s made a habit of imagining the pair in all manner of adorable romantic situations while safe in her bed at night. Unfortunately, the real thing proves far more esteemed than she could imagine, as she watches the “nuclear esteemed family” dynamic of the two plus Ooshiro play out on the rooftop.

It is fortunate that Toubaru’s, or should I say Momo’s friend and fellow teacher Miyahara-sensei is well-equipped to deal with her reactions to the pure innocent romance she watches unfold. That night, she tries to imagine ever more ludicrous scenarios (with Aharen and Raidou’s characters changing completely) and almost bleeds to death in her sleep. Thankfully Miyahara had a spare key!

Ishikawa and Satou may not be the most dynamic side characters (honestly they’re bland as wallpaper paste, and probably intentionally so to serve as amiable straight men. But one thing they do do is give Aharen and Raidou an opportunity to go to a festival together, so they’re not all bad! Aharen looks appropriately angelic in her yukata.

She’s also appropriately ravenous, visiting every food stall and spending all her money before Raidou can finish explaining his grand strategic plan for “winning the festival”. Meanwhile, Toubaru and Miyahara-sensei also attend the festival, and Toubarou proceeds to lose a lot of blood for the second day in a row.

Otherwise it’s a perfect evening for our main couple, until it’s not; Raidou not only loses his phone, but Aharen, as Futaba ended up holding his hand believing him to be her dad. After taking Futaba to the lost child desk and reuniting her with said dad (after which she properly expresses her gratitude for once) the gods smile on our couple, as Aharen appears right beside him at that very lost child desk (naturally, the guy assigned to the desk assumes Raidou is her guardian.

Aharen is so happy and relieved to see Raidou, she sheds a tear. After all this dilly-dallying though, the two have to book it to get a good fireworks viewing spot. Ultimately, any spot is good for the nearly 2-meter-tall Raidou. When Aharen can’t see due to being small, he hoists her onto his shoulders, and she experiences a whole new world.

Later, after he daintily repairs her broken sandal strap, he offers his hand so they can go find the others. She hesitates, but ultimately takes it and proceeds to blush profusely. She’s grabbed him so many times, but in this time and place, it feels different. If the show is serious about progressing these feelings further, I’m looking forward to watching it happen…while making sure I’m more prepared than Toubaru-sensei was this week!

Rating: 4/5 Stars

SAKUGAN – 04 – COLONY OF PASSION

We go from Gagumber and Memenpu parachuting into Jolly at the end of last week to the two in the custody of one Merooro of the Labyrinth’s “Bureau of Regulation.” They’re guilty of Crimes, and they will be Punished, but he doesn’t offer details about what either of those things were or are.

Instead, the father-daughter duo is set loose in Jolly Jolly pending the handing down of sentencing or some such. And Jolly Jolly is…fine. It’s fine! It’s one big Italian Disneyland, complete with canals filled with LCD “water”, a Leaning Tower Colosseum, and ristorantes galore. Memenpu, sick of noodles, decides to sightsee. Gagumber hits up the nearest bar.

After twelve straight rejections by women at said bar, Gagumber finally meets someone who’ll give him the time of day—the woman on the motorcycle we saw a couple episodes ago, whom I assumed was Memenpu’s mom and Gagumber’s ex. Turns out she’s neither, but she is voiced by Hanazawa Kana in Sultry Mode, demonstrating her considerable range.

Turns out this lovely lady, rather inelegantly named Zackletu (sounds more like the name of a kaiju, if I’m honest) is wanted by Jolly Jolly’s mafia, who shoot up the bar just as Memenpu arrives. Gagumber covers Zack and Mem’s escape, only to be captured and almost tortured by the mafia don, only to be saved by Zack because his cell conveniently has a window.

Numerous chases and shootouts ensue, which oddly require more suspension of belief than the action of previous episodes. For one thing, I am not a big fan of characters in like Jumbo who are too impossibly huge to be actual human in shows where everyone else is normal sized. For another, the mafia guys and their don are pathetically dull, and have suspiciously bad aim.

Once the mafia is predictably foiled thanks in part to Memenpu arriving to save her dad and Zack in Zack’s own motorcycle, Zack takes her leave, promising to be back one day for the million Gagumber promised her. Like Jolly Jolly as a concept, this episode was…fine…but after the first three episodes I was expecting something more adventurous than generic colony mob chases.

Jahy-sama wa Kujikenai! – 03 – Keeping Up Appearances

Jahy has herself a huge mana crystal that puts a serious pep in her step. Not only can she maintain her adult form, but she can work till last call without getting tired. Well, without getting physically tired.

Emotionally, she seems to wear down as she starts to question why she’s working at this izakaya. Her manager only makes things worse by having Jahy use the crystal to clean the place. Jahy has fun…until she reverts to her child form.

It’s here where we see how much “Hy-chan” of the human world differs from the Jahy-sama of the Dark Realm. While there she was at the top of the pyramid and often idle, here she’s just barely making ends meet as she works herself to the bone.

The fear and doubt that enter her mind are at least partially soothed by Druj’s fanatical sycophancy. But even that bubble is broken when Druj assumes Jahy’s crystal is just a small piece, then shows her a literal truckload of crystals she’s collected in the meantime.

It’s such an intriguing choice to have someone who will probably never see Jahy-sama as below her end up not only landing on her feet in the human world, but thriving. But we shouldn’t feel bad for Druj not realizing her and Jahy’s roles have reversed, because in her twisted dark realm mind, they haven’t, not matter how suspicious Jahy gets.

I was reminded of Fraiser and other classic sitcoms in the segment where Jahy pretends she’s the owner of the izakaya. As much as she flails about and lets slip about the reality of the situation, Druj simply will never suspect her God Queen is just an ordinary girl in this world trying to make rent. There’s a bittersweet purity to that notion.

But if Jahy hadn’t been outside hanging the open sign when Druj happened to be walking by, Jahy wouldn’t have received the affirmation she so sorely needed to keep moving forward. Watching Druj have an absolute blast drinking and scarfing down over a hundred bucks worth of beer and food she served to her, Jahy starts to get it.

Sometimes it just feels good to serve, especially if it’s someone you care about. Druj cares about no one more than Jahy, and while her masochism and idolatry can be excessive, let’s not forget she came from a place called the Dark Realm.

While Jahy and Druj’s power dynamics undulate in the human world, the post-credits omake puts Jahy back in command…as a space pirate! Druj is her only crew, while the Landlady warps into their vicinity to demand Jahy pay the rental fees on the ship.

I’ll admit this was a fun and unexpected departure from reality, and I could probably watch a whole cour of this, but Jahy’s continuing voyages back down on earth are far more compelling. While Druj remains the same loyal-to-a-fault servant no matter where she is, Jahy’s sudden shift in fortunes have forced her to adapt and evolve into a more complete person.

Zombieland Saga: Revenge – 07 – We’ve Got a Live One

This week’s opening minutes are very familiar, because they unfold very similarly to the very first episode of ZLS, when a super-chipper Minamoto Sakura’s life was unfairly snatched away by a passing car.

In the case of Yuzuriha Maimai (Hanazawa Kana!), she trips and falls on the way to the bathhouse, smashing her glasses. Undeterred, she accidentally walks into the men’s bath, then slips on a bar of soap that happened to slip out of a bathing Koutarou’s hands.

Cue the death metal and multiple camera angles that, in its first ever episode, made clear that this wasn’t going to be quite like other idol series.

We quickly cut to the briefing basement, where Koutarou, Maimai’s wrapped corpse behind him, announces they have a new member! There’s no doubt that among the many thoughts going through the girls’ heads is Did Koutarou finally go too far and murder someone??

Fortunately, the “corpse” comes to—apparently, Maimai is too dumb to die (either that, or the blow to the back of her head wasn’t as bad as it looked). In any case, Maimai’s series of errors led to Koutarou panicking and not confirming she was actually dead before exposing the rest of Franchouchou to a living person.

Fortunately, Maimai is a good girl, and also a huge fan of Franchouchou and Number One in particular. She has no intention of telling anyone their secret, but since she’s there anyway, she asks if she could join the group anyway! Koutarou, thanking his lucky stars he didn’t accidentally kidnap someone brighter, agrees, and Maimai is christened Number Seven.

While Maimai knows all the words to their songs and all the moves to their dances, her brain and body rarely operate in concert. As a result, her training does not go smoothly at first, but Ai, consummate professional that she is, never loses her patience, and Maimai eventually starts to improve.

When her school’s cultural festival committee is deadlocked on what the big act should be, she says she can get the Franchouchou. The girls are excited to perform there, particularly since they either didn’t spend much time in high school or, in Lily’s case, never made it there. It’s also slightly implied that Koutarou seduces the principal to get approval.

The girls stop by for a pre-festival tour of the festival, and when Maimai tells Sakura how she thought Saga was “done for” until she heard Franchouchou, Sakura can’t help but remember how negative her outlook was until she first heard Ai and Iron Frill. Maimai is shocked to learn of the group’s intention to have a “revenge” show at EFS, but Sakura tells her that’s what Franchouchou is: they never give up.

The big day arrives, and wouldn’t you know it, Maimai doesn’t screw up once! Instead, she totally surprises her friends and classmates by appearing on stage and performing with Franchouchou, announcing after their first song that she’s the newest member…only to then immediately announce she’ll be “graduating” from the group as soon as she leaves the stage.

Her reasoning is solid: while she initially thought she was “one of” them, and they welcomed her with open, caring, and encouraging arms, the bottom line is that other seven have no choice but to do what they do, because they’re zombies. Maimai reckons she needs to live out her life in Saga first in this new Reiwa era, inspired by their dedication to continue rising up and living life to the fullest despite being dead.

After giving a giddy Saki a parting gift of a 20th-anniversary color Tamagotchi, Maimai parts ways with Franchouchou. Part of me is sad Hana-Kana’s time with the group was so brief, but I absolutely understand, respect, and even admire Maimai’s choice.

And while she’ll absolutely never spill the beans about Franchouchou’s true undead nature, reporter Ookuba Shinta has now matched all seven members except Yuugiri to their living counterparts.

Whether he’ll put this scoop on the front page immediately, or go to Franchouchou first for further explanation, I don’t know the guy well enough to say for sure. All I know is, the preview for next week confirms that Yuugiri, the only member on which he has no info, will finally get her own focus episode, which looks to be a period piece. It’s about time!

Rating: 4/5 Stars

Read Irina and Crow’s discussion of this episode here!

Kiyo in Kyoto: From the Maiko House – 01 (First Impressions) – Always Giving Their All

Nozuki Kiyo and her best friend Herai Sumire moved to the Kagai district of Kyoto from Aomuri at sixteen. Sumire came to become a maiko (an apprentice geiko, the Kyoto version of geisha), while Kiyo found her place in the kitchen of the house where all the maiko live like a family. We meet Kiyo as she’s carrying a sherpa’s load of groceries for the next round of meals.

We meet Sumire when she sticks her head into the kitchen to say hi in between her extremely rigorous study and practice. After meeting with her sensei, she learns she’s been given permission to debut, making it official: she’s going to be a maiko. Kiyo hugs her and congratulates her from the bottom of her heart, and Sumire has to excuse herself to wash away her tears of joy. It’s a lovely moment between good friends on very different paths, who happen to be able to still live together.

While serving the sensei and Maiko House’s mother, Kiyo learns that Sumire is extremely special, and may have what it takes to become a “once-in-a-century maiko.” The sensei compares Kiyo’s cooking and baking skills unfavorably to her “truly impressive” friend, but Kiyo isn’t insulted or hurt…she’s in full agreement that Sumire is indeed amazing.

In fact, it’s precisely because Sumire is so amazing and always gives her all, Kiyo is able to work hard to provide the Maiko house with nourishing, savory, energy packed meals to sustain their packed schedules. Kiyo even goes a little overboard for lunch one day, serving over a half-dozen dishes that could each be supper by themselves.

While many of the maiko tap out before they can finish their portions, Sumire eats everything put in front of her, which is what Kiyo wants to see. If Sumire is going to give her all in becoming a maiko, Kiyo is going to give her all keeping her fed.

Then we meet a recently retired otokoshi, one of only a handful of men in the Kagai district who assist maiko and geiko with putting on their kimono, as well as doing heavy lifting and other manual labor the women either can’t or shouldn’t do (hernias are a bitch). In Kiyo’s case, she needs him to move the fridge so she can pull out the cookbooks that fell behind it.

Kiyo thanks the otokoshi by serving him coffee and a fresh-baked scone…a pretty good deal! Then Kiyo moves on to a matter of increasing concern for both her and the house mother: Sumire is working so hard, she’s skipping meals with regularity, and starting to lose weight.

Rather than, say, lasso Sumire and force-feed her, Kiyo plans to prepare some smaller dishes packed with energy so Sumire can quickly get the nutrients she needs to keep going. Her secret weapon is a local dish from their home prefecture of Aomuri: fried squid mince. A familiar taste of home is just what her hungry friend needs.

Kiyo in Kyoto: From the Maiko House is very straightforward, but with the subject matter it’s presenting it doesn’t have to be anything more than that. It’s also lovely to look at and full of lush blend of traditional and modern music. Hanazawa Kana and MAO are captivating as the voices of Kiyo and Sumire, and their little “Dish of the Day” omake bits provide fun punctuation between the three segments. It’s pure comfort food and a warm, soft blanket rolled into one, and I loved it!

Wandering Witch: The Journey of Elaina – 10 – Meeting in the Middle

Journey of Elaina takes a break from Elaina’s journey to tell the story of her teacher Fran and Saya’s teacher, Sheila. Both were apprentices of Niké, who no doubt decided each of them could benefit from each others’ unique qualities.

Fran is your typical quiet, dignified, by-the-book “teacher’s pet”, while Sheila is the mage equivalent of a delinquent, complete with blond hair and twisted scowl. She’s always smoking a cigarette, and her gaudy broom is souped-up like a Yankee bike, complete with fancy lights and a two-strok burble.

Hanazawa Kana and Hikasa Yoko demonstrate how adept they are at voicing younger versions of Fran and Sheila, and it’s a lot of fun watching them bounce off each other like oil and vinegar while Niké serenely smiles between them. I particularly like how Fran starts imitating Sheila’s combative “Huh?!” with a “Huh” of her own!

The trio arrives in Qunorts, Town of Freedom, for an Association job, and like Elaina, Niké is primarily concerned with what the job pays (like mother like daughter!). The job is to take care of the non-magical Curio Company, which has been tricking and embarrassing the town’s mages with “mysterious tools.”

Niké, who has tolerated her students’ bickering to this point, now calls upon them to work together to take Curio down. If either or both of them fail, she’ll expel them from her instruction. Naturally, Fran and Sheila try to use the job as an opportunity to sabotage one another so they’ll be rid of each other.

Because they start out working at cross purposes, the Curio Company problem only grows, and their leader calls Fran out in a cafe that turns out to be full of her loyal subordinates. Fran is captured, and finds that Sheila has also been captured. If they’re going to escape expulsion (and, incidentally, beheading) they know they’ll have to work together.

Either the mages of Qunorts must not have been much to write home about, or Fran and Sheila are particularly gifted mages, because they’re able to deal with Curio all at once without much difficulty, and with much style and flair. Turns out both of them let themselves get captured to spare them the effort of tracking their targets down one by one.

Once Curio is dealt with, the two have a rest and each explain why they wanted Niké to teach them. Sheila was a street urchin unaware of witches who one day stole from Niké, and saw an opportunity to right the wrong path of her life. Sheila sought to become the first witch in her country, thus securing a steady job and source of income.

Both realize that because self-interest was their motivator, they have a lot more in common than they thought. Shortly thereafter, Niké makes them official Witches and names them Stardust and Night, with the implication that they complement one another perfectly.

After a rough start to their relationship when they were constantly clashing, Fran and Sheila became friends, which they remain to this day such that they still go on annual vacations together. Only because the box Sheila instructed Saya to take to Qunorts was the same box the Curio Company had, Sheila decides to put their vacay on hold, and Fran follows.

At roughly the same time, Elaina, who is either completely over her crisis of confidence or doing a good job suppressing her trauma from the time traveling ordeal, is headed to Qunorts as well. That means next week could feature Elaina, Saya, Fran and Sheila in the same place at the same time. That’s something I can get on board with!

Rating: 4/5 Stars

For more on Wandering Witch episode 10, read Crow’s review here.

Wandering Witch: The Journey of Elaina – 02 – You’ll Never Fly Alone

While flying along on her broom during her travels, Elaina makes it a point to declare that even the “sun’s eyes” squint at the beauty and majesty of the lovely Ashen Witch, i.e. her! I like how Elaina isn’t a perfect goody-two-shoes but has a healthy ego that could curdle into arrogance if she’s not careful, but hasn’t yet. That confidence is both to be expected of the youngest Apprentice and full Witch ever, at at times, justified!

Her destination this week is the gorgeous, whimsical City of Mages, so-called because the non-magical are unable to reach it, as if Diagon Alley were a whole city. Instead of flying cars, witches dart hither and thither in the sky, and Full Witches like Elaina are idolized. Unfortunately her first encounter with a resident involves a mid-air collision with a novice who lost control of her broom.

Elaina repairs the damaged roof and the cut on the face of the girl, who introduces herself as Saya. She thanks and apologizes profusely to Elaina, insisting that she be allowed to do something to make up for the trouble she’s caused, but Elaina is content to continue on her journey, and bits Saya farewell—for all she knows, for good.

Of course, Elaina and Saya are fated to meet again. This happens when Elaina is roughly turned away from every other hotel in the city—a far cry from the fawning and deference she expected due to her full Witch status. It’s a fun echo of when none of the witches in her hometown would give her the time of day. However, Saya happens to work at the one hotel that will let her stay there, and Elaina asks for and receives a “nice witch discount”.

Turns out Elaina was turned away from the other hotels because her Witche’s brooch fell off and is now lost. After a fruitless search, she takes a relaxing bath…and Saya waltzes right into her room! It’s the first sign that Saya wants quite a bit more than just to make up for bumping into Elaina. She prostrates herself and begs Elaina to help train her to pass the Apprentice exams.

Saya shows Elaina a photo of her and her little sister, who came with her to the city but passed the exam before her and returned home. Since Elaina’s ego was bruised by getting kicked out of so many fancy hotels, she wants a win, and a boost to that ego. Impressed with Saya’s prostrating skills (an odd but sincere gesture from her home back east), Elaina agrees: while searching for her lost brooch, she’ll train Saya for a week.

It turns out to be a wonderfully equitable arrangement for both parties. Saya proves a quick study in both broom-flying skills, and while she’s lacking in magical attack focus and accuracy (and mushroom tolerance), Elaina’s very close attention is both appreciated and effective.

In return, Elaina gets to experience what it’s like to be a teacher like Flan was for her, and finds nurturing her junior to be extremely appealing and rewarding. While there’s nothing as intense as Elaina and Flan’s duel, there’s still plenty of lovely eye candy to enjoy throughout their training.

While searching on the roof where she landed for her brooch, Elaina spots a lady whom she pays to tell her what she saw the day of the collision. That night, Elaina lets Saya sleep in her bed with her, and Saya indicates how happy she is that, at least until her brooch is found and she continues her journey, they’ll be “together forever.” That’s when Elaina says she knows Saya stole her brooch and has been concealing it.

This was never about learning how to fly properly—Saya wouldn’t have been able to come to the city from far to the East if she weren’t a solid flyer—instead, but how Saya can’t “pin someone down” with “misguided methods” so they’ll remain with her. Ever since her sister left Saya has experienced crippling loneliness, which she hoped would end upon meeting Elaina (with whom her collision was intentional).

Seiyuu Kurosawa Tomoyo brings a beautiful vulnerability and comic expressiveness to Saya throughout the episode, and shows her equally solid dramatic chops in this scene as Saya breaks down. Hondo Kaede is just as effective as a consoling Elaina who, after delivering a needed forehead flick, tells Saya that being alone is an inevitable and necessary part of becoming a witch (like eating mushrooms).

Elaina felt lonely during her development, but she gradually gained the courage to fight alone, and so must Saya. Part of that means understanding that those she loves are always watching her, even if they’re not physically there. To that end, she gives Saya her spare hat, so that when the time comes that she’s lonely, she’ll remember Elaina’s words and her affection.

Six months later, Elaina is elsewhere in the world (looks like Venice…Hi Arte!) and reading this show’s equivalent of the Daily Prophet, an article in which reports that Saya finally passed the Apprentice exam, and announced that her next step is to go see “the traveler I love!” It’s an immensely sweet sentiment to end the episode, while almost assuring us that not only will Elaina and Saya meet again, but Saya could well become her apprentice.

I’d be remiss if I didn’t pick up on some of the yuri undertones to Saya’s interactions. While Elaina kept things platonic, it’s clear Saya is very much enamored of the Ashen Witch…and who can blame her? While Saya first tried to replace her little sister with Elaina, now that she’s advanced to the next stage of her magical life, Elaina is something else—a friend, mentor, and ideal for which to strive!

Our fellow anime lover Crow has also written on this episode; you read about it here!

The Journey of Elaina – 01 (First Impressions) – The Ashen Witch is Born

Ever since she was wee, Elaina (Hondo Kaede, recently Bofuri’s Maple) dreamed of traveling the world like Nikeh, a great witch who recorded her adventures in a diary. Her parents, the supportive type, told her she could do it if she studied hard to become a witch. She did just that, not only passing the sorcery examination with flying colors, but being the youngest ever to do so at age 14.

Elaina’s next hurdle to becoming a witch would be to train under one as their apprentice, but due to her fame as the youngest ever, she has the door of every witch in the city slammed in her face before she can even state her case. Then she overhears a “dodgy” witch having taken residence in the forest outside the city, and flies over to take a look.

Flan, Stardust Witch (Hanazawa Kana, who is having a ball) agrees to take Elaina on as an apprentice, but like Mr. Miyagi with Daniel-san, it doesn’t seem she has any actual interest in training her, just using her as her own personal assistant. Cooking her meals, collecting ingredients, dealing with spiders in the tub and rubbing her shoulders; this is all Elaina gets to do.

After a month of this, Elaina has had enough, and asks if Flan is at last ready to train her. Flan tells her she has “nothing in particular” to teach her, but she will have Elaina fight her. Flan’s awesome mastery of the elements proves too much, as Elaina can only bob and weave against an onslaught of fire, earth and lightning. This fight was also the point at which I was utterly and completely sold on the show; its fantastic magical combat!

Totally defeated for perhaps the first time in her life, Elaina collapses into a heap and starts to bawl uncontrollably, catching Flan, clearly not used to dealing with teenage witches, tries to cheer her up with butterflies and a crown made of weeds, but settles on a hug, which proves most effective.

Flan also confesses to Elaina that her parents paid her to teach her about setback and failure until she reached her limit. Elaina has the skill, talent, and potential, but needed to learn not to deal with or endure everything no matter what, just because she can.

With that catharsis, and Flan’s strategy revealed, the training continues in earnest. Over the period of a year Flan teaches Elaina everything she knows, and Elaina soaks it all up like a sponge. But unlike her first month, she speaks up if something displeases her. Eventually, she’s good enough to best Flan in a duel for the first time, and that’s when Flan knows she’s ready.

Replacing her apprentice’s flower badge with the star brooch, Flan bestows upon her the status of a full-fledged witch. On Flan’s suggestion, Elaina picks the magical name “the Ashen Witch” due to her hair color. Fran then bids Elaina farewell and returns to her home country, and Elaina returns home.

She’s not there long, as now she’s achieved the requisite of being able to travel the world freely like Nikeh. Her parents keep their word, giving Elaina three simple rules to follow: When in serious danger, run; don’t come to think she’s a “special human”; and come home someday with a smile.

She’s outfitted in new witch’s robes, a kickass oversized hat (along with a spare—it’s windy out there!), and of course, a handsome diary in which to write about her adventures. With that, she says goodbye to the only home she’s ever known, without a particular plan or destination, and journeys in that fashion for three years, finally reaching the age of eighteen.

I for one am glad we got Elaina’s “origin story” at the most logical part of the anime: the beginning. It’s a story beautifully and efficiently told, and delivered the same kind of fuzzy feels as goodhearted witch series like Kiki, Flying Witch, and Little Witch Academia. I can’t wait to see where Elaina ends up landing next week!

Rating: 4.5/5

Crow is also watching the Wandering Witch, and always has great observations about the episodes’ best moments. Read Crow’s review here.

Princess Connect! Re:Dive – 06 – Bye-Bye Loneliness

After Karyl returns “30% better” (and a certain additional % traumatized) the Gourmet Guild departs from the big city for their first real quest. They’re headed to a village called Targum to harvest a treasured spice of the same name. There’s a palpable sense of adventure and occasion to leaving the walls of the city thanks to the heroic direction and stirring overworld score.

When they make camp for the night and Karyl is unsuccessful in catching any fish in the “useless” lake, she dreads a supper of bugs or frogs. Pecorine comes to the rescue with a plump fowl she caught in the forest, and slow-cooks in a pit for maximum juiciness. She also found some sweet ripe fruits, one of which Kokkoro is about to eat when the other three start acting drunk. Unsurprisingly, Pecorine isn’t that different drunk, while Karyl is sloppier and more sentimental.

The next day while everyone’s guard is down, Yuuki is suddenly captured by a mischievous behemoth, but he’s rescued by a forest elf archer named Aoi, who is a self-professed “lonely soul” so desperate for friends she made one out of a small log. Hanazawa Kana provides the voice for both Aoi and her woody friend, whose bizarre antics and monologuing even make Yuuki a little weirded out.

The others eventually find Yuuki, and Aoi leads the guild to Targum, where they meet Misato, who along with her sister and Hatsune form the group called Forestier. She’s glad for the spice harvesting help, and announces that a third group, Elizabeth Park (to which llama-girl Rima belongs) is also on their way to the village. The Gourmets eventually encounter the eccentric Hatsune sleep-flying…a term I didn’t know I needed in my life until I witnessed it!

Unfortunately, Elizabeth Park encounters a lot more trouble than a Yuuki-glomping behemoth. Rima and her three comrades (including Hatsune’s ill sister Shiori) encounter strange “dark doppelgangers” of themselves (just like a woodsman did earlier in the episode). Liz-Park proceeds to fight them to a stalemate until a powerful warrior named Christina blasts the foes away and challenges them to a fight.

Shiori is separated from the others, and her dark double returns and appears to consume her in a ball of dark energy, leaving no trace. Even though I’ve just met Shiori (and her very extra sister), her fate represents the most genuine unknown peril we’ve seen befall someone. I imagine spice harvesting won’t be at the top of Forestier’s list of priorities next week…they’ve got a sister to save!

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