Fruits Basket – 03 – The Different Shapes of Kindness

Yuki, Tooru and Kyou’s class decides to do an onigiri stand, and we see again the dynamic between Prince Yuki fangirls and Tooru’s delinquent friends, as well as the fact the class has warmed to Kyou despite—or possibly partly due to—his hot temperament. Oh, and because cute cats flock to him!

Still, when they criticize his idea and accept Yuki’s, he storms off to skulk on the roof. Kyou opens up about his long-held resentment of his “golden boy” cousin, who was always respected and trusted more than him, and excelled at everything he did better and faster than Kyou. He admits if he could be like Yuki, he would be.

That sentiment proves vital to Tooru as she attempts to figure out why these two hate each other so much. She gathers more intelligence when Kyou becomes the life of the party when the class plays cards, while Yuki is off rejecting the umpteenth girl to ask him out. She tells him he’s nice, but closed off to people, and that everyone says a “normal girl” isn’t worthy of him.

It doesn’t sound like a compliment to him, and it puts him in a sour mood when he ends up in Kyou’s presence. The two go at it verbally until Yuki loses his cool and kicks Kyou across the room. All Tooru knows is that this is about more than the fact they’re rat and cat; and probably quite a bit about Kyou waning badly to become the thirteenth member of the Zodiac.

In what feels like a non sequitur of a mini-scene, Tooru falls down the steps at work after her shift is over and encounters a strange blonde who speaks German to her and kisses her before Tooru runs outside. Obviously, we’ll see more of this person in the near future, but all I could do for now was chuckle at Tooru’s extremely flusteredness around someone seemingly not from Japan.

When Yuki arrives to walk her home, Tooru tells him he and Kyou are both so kind, and Yuki flashes a sad smile and turns to walk. Tooru stops him to say he can tell her anything that’s troubling him and she’ll listen and try to help. She’s so passionate about this point she doesn’t notice the drunk salaryman who shoves her into Yuki, transforming him into a rat.

While walking with Rat-Yuki, he tells her his deal with Kyou, which is basically that once the ice is broken it’s easy for him to fit into a group of people, who flock to him just like cats do once they learn the rough edges are only skin deep. Thus Tooru learns that Kyou and Yuki resent each other because they’re both jealous of the ways they’re not like the other. Tooru tells him how kind he is and how that draws people to him too, but Yuki dismisses his kindness as merely self-serving; phony.

When a typhoon suddenly hits, Tooru assists Yuki in protecting his secret base—a vegetable garden—from the harsh weather. Tooru tells him what his mom told her to be, which is a believer and not a doubter in people. When everyone is born they have nothing but desires, but gradually develop their own unique “shape” of kindness; their hearts growing with their bodies and minds. To her, Yuki’s kindness is like a warm, bright candle.

Yuki apologizes for bringing this stuff up, but she assures him she’s glad he did, because it means he trusts her enough to share his problems, and that they’re becoming closer as friends. Yuki promises to try harder to interact naturally with people at school, even if it’s intimidating, because that’s what he wants.

After a night protecting the vegetables, Tooru decides to use some as she spends the rest of the morning experimenting with onigiri in the kitchen. Kyou wakes up before Yuki, but since he’s cat-based he hates the chive filling, and would prefer something meatier. He makes some of his own, showing Tooru that he’s actually a natural at forming onigiri, though he doesn’t think it’s so great.

Tooru disagrees. In fact, she decides to create another metaphor to describe both Kyou and Yuki’s issue, which is not so rare: if a person is a rice ball and the plum is what’s great about them, they have “plums on their backs,” meaning they can’t see them. But people are drawn to both of them, just as all people are drawn to their friends, because they can see those plums. Hence, both he and Yuki are great.

With that, Yuki arrives on cue and force-feeds Kyou a chive onigiri to show him that one politely eats something someone has made for you, even if you don’t like it. Then a knock comes at the door, and Tooru finds a shy young woman outside, asking about Kyou. Could this be an admirer of his, or another member of the Souma clan? Whoever she is, it seems pretty clear she can see his plum!

Tooru could come of to some as overly preachy and poetic this week, but she’s so goshdarn cute and sincere it’s hard to fault her. She had such a good Mama, and duitifully honors her memory by being the best possible person she can be, while sharing the lessons she learned from  her.

For all the loss, grief, and pain she endured, Tooru remains a staunch believer in people, as well as in her ability to help those people. If Kyou and Yuki can’t find each other’s good aspects or make any kind of peace with each other on their own, then she’ll lend them a hand.

Bunny Girl Senpai – 12 – Trying Your Best ‘Till You Disappear

Sakuta tells Mai and Nodoka the story of Kaede he’s never told anyone, but now that Kaede is making friends and thinking about going back to school, he can’t hold it off. It’s also the story of himself and the rest of his family. When Kaede suddenly enters a dissociative state as a result of online abuse, she loses her memories and becomes the “Kaede” we know.

Other than her outward appearance, everything about her is different, to the point she could have switched personalities with someone the way Mai and Nodoka did. She walks different, talks different, eats different. Kaede’s Mon can’t deal, and due in part to being a big brother who is utterly powerless to stop whatever Kaede’s going through, the slash marks on his chest appear one night.

The doctors believe they’re self-inflicted, as “Adolescence Syndrome” isn’t a theory they’d subscribe to. But Sakuta gets sick of the hospital and sneaks out, finds himself on the beach, and meets his “first crush”, Shouko. Shouko tells him “life is here for us to be kinder”, and she strives every day to become a little kinder than she was the day before.

Sakuta adopts that credo; one could say it’s all thanks to Shouko that he’s able to do any of the stuff he does to help his friends later on. But here, before he meets Nodoka or Tomoe or Mai, we see that the first person he helped was Kaede. He helped her simply by acknowledging that she was Kaede. She didn’t have to be the old Kaede. He was the first and only one to accept her, not as an anomaly, but a person.

Back in the present, where Kaede is on the cusp of “leaving the nest”, Sakuta gives her a book the old Kaede apparently lent to her friend. In it is a note expressing that friend’s wish to be friends with “Kae-chan” again. Tears well up, and Kaede suddenly faints.

She wakes up in the hospital, none the worse for wear, but the doctors believe that her dissociative state may be wearing off. The note was apparently the trigger. The Kaede we’ve known all this time is still there, but she overhears Sakuta reporting to Mai that he doesn’t know how long she has.

Kaede accelerates her plans to go to school, even risking her well-being to do so (the dark red bruises appear when she gets overly stressed, and rushing things when it comes to going back to school is definitely stressful. Sakuta, hoping there’s something he can do for her as her big brother, promises he’ll show her the school.

But first they go to the zoo and watch the pandas, tigers, giraffes, elephants, meerkats, and all the other animals, all just “doing their best to live their lives”. Like Pandas with their not-very-nutritious bamboo diet, Kaede—specifically this Kaede—has it rough. But all she can do is keep doing her best.

That night, before heading home, Sakuta delivers on his promise to take her to school: an empty school at night. It proves just the thing. Having seen the place in the flesh for the first time, Kaede is more optimistic and motivated than ever to go to school during the day. Not because she might be out of time in her current state, but because it’s the next natural step.

Her opportunity to go to put that optimism and motivation to the test never comes. The Kaede who wakes up is the old, pre-breakdown Kaede. You can tell, too: Kubo Yurika totally switches up her voice. She remembers Sakuta, but doesn’t remember going to the zoo, and doesn’t speak in the third person. “Kaede” is gone.

Will it be for good…and isn’t that okay? It’s not like Kaede died, after all. Sakuta may feel like he lost someone precious—and in a way, he did—but that person was never going to be around permanently. We’ll also have to see how the “original” Kaede reacts to everything in her life, from her parents, friends, even her room layout, being different from how she remembers. Will Sakuta seek to bring back a part of “Kaede” to help bridge the other Kaede’s gap of experience?

Bunny Girl Senpai – 11 – #KaedeGoals

That little cliffhanger about Mai (actually Nodoka in Mai’s body) being seen with Sakuta by a photographer? No biggie; the director of her upcoming film decides to spin it into a marketing opportunity, while Mai admits to the relationship and is candid not only in how it occurred (a kohai confessed in front of the entire school) but why it matters (were it not for him she wouldn’t be back in show business).

Now Mai and Sakuta get to hang out without any problems, and the two are on cloud nine. Then Sakuta gets a letter from “Shouko” whom he later confirms is not the middle schooler of the same name who hasn’t come by the house in a while, but rather his “first crush.”

When he confides in Futaba seeking advice, Futaba texts everything he tells her to Mai, making her status as a confidant now somewhat suspect! It’s all good, once more: Mai is fine with him meeting Shouko, as long as he’s back by six so she can make him dinner. He doesn’t get a kiss, though.

The main dilemma this week isn’t Sakuta and Mai’s relationship or the return of “Shouko”, but Sakuta’s little sister Kaede, who’d kinda served as the show’s mascot up to this point. Still, as a victim of such intense bullying she and Sakuta had to move and she stopped going outside, it was clear the show was going to promote her to the lead in an arc at some point.

Sakuta is about to go to the beach to meet with Shouko, but he’s delayed by the sudden appearance of one of Kaede’s classmates, who saw Sakuta in a magazine tracked him down. She wants to meet with Kaede to apologize for not doing more to stop the bullying, now that the ones who bullied her were themselves bullied out of the school. Back home, the numerous visits from the other girls Sakuta has helped has convinced Kaede that she can’t remain stagnant, and begins compiling a list of goals to become more independent.

Her first small step is to answer the phone when someone other than Sakuta is on the line (in this case, Mai), but the stress of doing that for the first time in a long time causes her to nearly faint. Even more distressing, when Kaede is resting to recover from a fever, Sakuta notices a dark red blotch on her neck; no doubt another symptom of adolescence syndrome, much like his own chest slash marks.

However, Kaede recovers, the blotch disappears, and she keeps taking smal steps, aided in no small part by an extremely kind and understanding Mai, who offers a number of cute outfits she wore in magazine shoots for Kaede to wear when she goes outside.

The day finally arrives, and Sakuta comes home to a fully resolved sister. Still, it takes Sakuta lying about how far outside of the entryway they’ve strayed to get Kaede to follow through; call it one last little nudge to get her where she herself wants to be. It’s a truly triumphant, emotional moment that’s a long time coming; even Sakuta can’t help but tear up.

Kaede was scared of the outside, where the love of their home, like a security blanket, wasn’t out there to protect her. She still is. But she’s far more scared of staying inside, so even though her brother tricked her, she’s grateful.

From there, Kaede takes larger and larger steps until she’s able to roam around outside without clinging to Sakuta. He decides to surprise her by taking a trip to the beach, along with Mai and Nodoka. They have a grand old time, and Kaede is having fun…until her friend arrives, and she retreats behind Sakuta once more.

This friend doesn’t understand why Kaede doesn’t remember her, but Sakuta has an explanation, and it’s something he’s been waiting for the right moment to tell Mai too: Kaede has no memories. I suspect that is to say, no memories from after whatever psychological break she suffered as a result of her bullying.

Obviously, that’s still objectively not good, and looking back at Kaede’s behavior, it has seemed like a part of her was missing beyond the part that could go outside and interact with people. The stagnancy she fears isn’t just about remaining shut in, but about that yawning gap in her memory.

The two main questions are 1.) will and how will Sakuta & Co. help Kaede get those memories back, and 2.) where do “Shouko” and Makinohara Shouko” fit into this equation, if at all?

Bunny Girl Senpai – 10 – Damn You, You’re Too Awesome!!

Nodoka prepares for the second day of commercial filming by watching DVDs of her sister in action, including a horror movie, which seems apt; body-swapping carries its own kind of horror, and she’s essentially wearing her big sister’s skin!

The prospect of screwing up similarly fills Nodoka with dread, but after twelve takes she does eventually get the job done.  When Mai calls her, she gives the phone to Sakuta, still not ready to talk to the person she’s made out to be her nemesis. But Mai tells Sakuta to congratulate her nonetheless; it can’t be easy to do your big sister’s job…especially if you come into it not believing you can do it from the start.

As for little sisters, Kaede has seen enough pretty girls pass through the doors of their apartment to start thinking like someone who knows that at some point they have to start going outside again. Putting on her school uniform is a small but meaningful first step on that path, and it’s good to see she’s not just some static mascot of a character. Like Futaba, her own story has been subtly maintained.

Nodoka’s personal horror movie inludes a banshee of a mother who confronts “Mai” to cease harboring her daughter; Nodoka-as-Mai truthfully replies that she’s doing no such thing (since she’s at Sakuta’s…but she wisely leaves him out of the equation).

Mai gives Sakuta and Nodoka tickets to her latest gig in Nodoka’s body, but before that Sakuta has a rare meeting with his Dad. When Kaede became a shut-in, their mother apparently had some kind of breakdown of her own (it’s kept pretty vague). It was serious enough for their father to have to basically choose between continuing to live with his kids, or taking care of their mother full-time and trusting that Sakuta will be able to take care of himself and Kaede.

While at a family restaurant (fitting), Sakuta gleans fresh insight into his Dad; specifically how completely frazzled clueless he was upon his son’s birth. Sakuta says “all of the above” in response to Nodoka’s choices of “love, hate, piss you off, are annoying” as how he feels about his parents. Clearly a part of him has concluded that if he’s able to run a household with his little sister and solve cases involving one girl after another, he can’t really rag on his folks that much.

As for the Sweet Bullet gig, Mai-as-Nodoka is flawlesss, a testament to her consummate professionalism, attention to detail. Hell, she even saves the group leader’s ass when she trips by catching her mic and continuing to sing her part without missing a beat. Her performance is rewarded by the announcement she’ll be singling lead for the next song they release.

Nodoka and Sakuta watch, utterly enthralled. After the concert, Nodoka’s mom is among those who “high-fives” Mai-as-Nodoka, and she smiles, tears up, and congratulates her, things she never did to Nodoka-as-Nodoka. Nodoka demands to go to the beach, and starts striding into the sea, believing she isn’t needed by anyone anymore.

Sakuta stops her, and assures her that’s not the case: if anything happened to her, Mai would be sad, and Sakuta can’t have that. Nodoka doubts him, but he assures her it’s true, and furthermore knows it’s true, especially after looking into the forbidden cabinet at Mai’s place.

He shows Nodoka the box in that cabinet, which contains every single letter Nodoka wrote to her big sis, from before they knew they were sisters. Mai’s always treasured them because they gave her courage and strength knowing someone specific (as opposed to the other faceless masses) was cheering her on.

It was thanks to Nodoka that Mai even started enjoying her work. Mai appears (it is her apartment they’re in) to thank her sister. Nodoka comes back with a tirade about how it’s “too late” since Mai managed to get her mother to smile and approve, and get her own lead singing gig before her.

In response Mai slaps not Nodoka, but Sakuta (since Mai has a shoot tomorrow  and she doesn’t want to risk marring her face). She describes how Nodoka’s Mom’s hands were trembling when she held hers; how she could tell her mom was uneasy about whether her daughter was truly happy; seeing her perform so well all but confirmed she was.

Nodoka asks why her Mom never said anything, but unlike, say, Sakuta’s Dad at the restaurant, parents are always loath to tell their kids how uneasy they feel about raising them, and about whether they’re doing it right. Mai’s solution for Nodoka, as the sisters embrace, is to make her mother happy doing something she wants to do, not just what she’s told. To show that she can stand on her own, without direction, and shine. Seto Asami does a tremendous job voicing Nodoka through Mai in the emotionally cathartic scene.

The sisters now sufficiently made up, their bodies switch back to normal like the snapping of a soap bubble, before Sakuta’s eyes. Later, Futaba posits that Nodoka’s believed need to “be like her big sister” resulted in the swap (possibly through a variant of quantum teleportation), while Mai changed her appearance to Nodoka, out of momentary jealousy.

As for Sakuta, he’s just happy he can be lovey-dovey with the real Mai. But two new obstacles threaten that desire. One, Nodoka moves in with Mai (she got in another fight with her Mom, but hey—that’s what family does sometimes; it’s not the end of their relationship, she just wanted a change—and the little matter of Nodoka-as-Mai being photographed with Sakuta by her side by a photographer. Now there’s buzz out there that Mai Has A Boyfriendsomething Mai calls a “slight problem.”

But I agree with her assessment; it’s not as huge an emergency as a bout of Adolescence Syndrome (the next case of which looks to finally focus on Kaede next week), nor a rift between sisters that was just amicably closed. She and Sakuta are a strong, dependable, shrewd couple. They’ll get through it!

ReLIFE – 10

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Both gifted and cursed by immense natural athletic talent that made her peers resent her and take her for granted, Honoka turned down all the powerhouses and sought refuge at Aoba High, a prep school not too serious about sports, where no one knew who she was.

But when she tried out for the team, someone knew who she was, and was angry she didn’t give it her all. She makes Honoka spike a ball at her as hard as she can, knocking her down, but she gets up laughing, her suspicions confirmed. Her name is Kariu Rena, and she wants to play volleyball with Honoka.

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For three years they played and had fun, but one thing that goes unmentioned is that the rift caused by her ankle injury wasn’t helped by the fact she never really caught up to Honoka’s level, and trying to stand beside her on a still-tender ankle felt impossible.

So Kariu said some very mean things and retired from the team, two actions she felt she could not undo, no matter how much she wanted to. She didn’t realize just how genuinely worried her friends were, and how they’d let her undo whatever she said or did if she’d just…play and be friends with Honoka again. It’s what everyone wants.

Hishiro’s role in the talk with Honoka is masterful, chronicling all the times she transferred and introduced herself with less and less enthusiasm, “giving up on knowing people” as her heart gradually numbed. The bond between Kariu and Honoka makes her jealous. She won’t let it crumble needlessly.

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Kariu is caught listening in on Honoka, and maintains her stubborn iron guard. Oga remains to assure Honoka she didn’t mean the things she said (again), and Honoka is in agreement. Kaizaki, basically acting as Hishiro’s backup thus far, surveys his friends and Honokas; they’re all of the same mind. They give Kariu time and space, trusting her to show up for the tournament.

When she doesn’t, Hishiro is pissed, and vows to drag Kariu there if she has to. Yoake helplfully provides Kaizaki with Kariu’s address. An points out to Yoake that he’s getting more involved these days, because he likes how things are changing. So does she. Kaizaki & Friends exploits are changing them too.

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Hishiro almost makes the rookie mistake of stating her name after ringing Kariu’s bell. Kaizaki shushes her and pretends to be a delivery man, Kariu answers the door, and they barge in. She’s in her tracksuit, with her uniform on underneath. It would appear their trust in her was not misplaced, only their confidence in her ability take the step of going to the tournament on her own. She’s still stuck at home.

Kariu calls Hishiro dense, that she can’t possibly understand how she feels, but Hishiro doesn’t care. Kariu’s her friend; she’s allowed to be worried about her. She’s come to fulfill her own selfish desire: to make Kariu play with Honoka again. She takes Kariu’s head in her hands and ask her what her selfish desire is.

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Turns out, it’s the same thing; Kariu was just afraid it was too late to achieve, but it wasn’t. All their selfish desires align. All that’s left is to act. Kariu accompanies Hishiro and Kaizaki back to school. Kariu enters the gym, and the match. Honoka stops looking, as Hishiro puts it, “ugly” and “dead.” They play, and have fun, like they’ve played for three years.

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They also lose, and are eliminated, and are officially done with high school volleyball for good. But as they both share a good cry behind the gym (with Hishiro sitting between them, a choice she initially regrets), Honoka makes it clear that winning without Kariu would not have been fun or made her happy. Losing is fine if it means she has Kariu back. And Kariu points out they can still play volleyball in college. Duh!

They exchange apologies before turning their gratitude and affection on Hishiro, who couldn’t be happier herself. She’d only just become friends with these two, and she was going to be damned if she was going to let their bond crumble. So she worked her butt off and it paid off marvelously, to the joy and relief of all. Stellar stuff.

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Hanayamata – 09

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While Naru has a serious case of “Oh no, not again!” with regards to her little slip-up, it is quickly acknowledged by everyone else that this is, indeed, not the end of the world, and Naru needn’t commit seppuku about it. If anything, the crowd was probably moved by the camaraderie and love inherent in the other three helping her back to her feet and finishing out their routine.

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The fact that Naru passed out moments after they finished and the general fatigue from lack of sleep due to excitement meant the group wasn’t going to put on a flawless show anyway; Naru just happened to be the first to stumble. However they fared (and they didn’t fare that badly), it was valuable experience to build upon for Hanairo.

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Everything is peachy…until the members find out their club isn’t official yet, since Sally-chan-sensei is just a substitute. This news is first relayed by Sari’s sister, Machi…and that’s no coincidence: Machi doesn’t want messing up Tami and the others like she messed her up. The balance of the episode is about how Machi’s idolization of her big sis evaporated after Sari left home to pursue her own interests.

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It was, as Machi oft repeats, “selfish and irresponsible”, but let’s be honest here: Machi herself is just as guilty of those adjectives. She thinks Sachi will betray and abandon them just they put the most faith in her, but isn’t Machi also afraid that the opposite could happen? That her sister could find happiness advising the Yosakoi Club, and “rub it in her face?”

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Machi has been staring at the flame of resentment she’s kept burning so long, she can’t see past her younger wounded self. In hindsight, she sees that she overreacted to her sister leaving. She knows how much pressure their doctor parents put on them, and Sari didn’t want to be a doctor, she wanted to be a teacher. She also learns that Sari wants to repair their rift, which is why she’s at the school at all. You could say if it wasn’t for Machi, there’d be no Yosakoi Club.

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Now that Machi’s older and wiser, she’s aware of the fact Sari did what she did out of her own personal drive, which everyone has to follow, even if it doesn’t hew to the expectations of those we hold most dear. But Machi wouldn’t have put out that flame if it wasn’t for Tami’s diplomacy. And in exchange for her help, Machi doesn’t refuse an invitation to the Yosakoi Club. We were wondering how she was going to join!

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