Call of the Night – 08 – Date Night

Kou’s comment about falling in love with Nazuna “no matter how many years it takes” is met with the reaction it is because there’s a rule he hasn’t been told about: once their blood is sucked, a human only has one year to become a vampire. If they can’t by then, they’ll never become one.

Nazuna cheekily pretends she forgot to tell Kou this, then conveniently remembers the debt she owes him for working on Kiyosumi, and kisses him right in front of the other vamps before flying off into the sky. Kou tells Nazuna that he realizes she’s weird even for a vampire, but he’s glad he met her first.

That said, this new time limit is concerning, and it takes Akira spelling it out that after that year is up and he’s not a vampire, he’ll be killed to protect their secrets. Later, at school, Akira comes across Seki Mahiru sleeping at the top of the steps, zonked out from being, you guessed it, out all night.

We learn that Mahiru, who befriended everyone, befriended Akira and Kou when they were all little. That said, neither Kou nor Akira realized that they were actually friends with him, due to his gregarious nature. Speaking of gregarious, Kikyou Seri greets Kou again one night, and while he tries to run, she promises she won’t kill him, and only wants to start off on the right foot.

When Kou demonstrates his middle school innocence regarding romance, she can’t help but serve as his love coach, and suggests he kickstart his relationship with Nazuna by taking her on a date. Naturally, when Kou proposes this, Nazuna isn’t interested, and continues playing her video games. But Kou switches her PSOne off and insists.

The date plan Seri drew up for him would probably work for most couples, but Kou and Nazuna aren’t most couples. Nazuna won’t even pretend to be able to stand the romcom movie they go to, while at the café Kou tries to start a conversation about the movie even though he knows she hated it.

Nazuna suspects someone put an idea in his head, and after reading Seri’s list she snatched from him, decides this is all lame and goes home. Kou lies in bed forlorn, but soon Nazuna taps on his window, not liking how the evening almost ended and suggesting they at least get that bite with a night view.

Naturally, that means one of their patented late night flights, and the “meal” ends up being one-sided, as she sinks her fangs into him in midair for the first time. Nazuna tells Kou that he doesn’t need to over-plan or overthink; they’ve already been going on dates, and she’s enjoyed them. Her attitude makes me encouraged that Kou can indeed become a vampire within the time limit.

Another night becomes a reunion of Kou, Mahiru and Akira when Mahiru spots Kou while hanging out late at night with other peeps. Kou is surprised Mahiru recognized him, but Mahiru says of course he did; they’re friends. The two proceed to get very corny about their feelings when Akira joins them and asks that they please stop. It’s a fun and wholesome all-human interaction.

Mahiru bids the other two farewell as he must meet someone he’s come to like. Nazuna, while looking for Kou, happens to spot him walking hand-in-hand with a lady, and when Kou arrives, she decides that they should hold hands too, with the practical excuse of not losing track of one another.

While Kou idolizes Mahiru as a “perfect” person (his family even owns a flower shop!), it’s Kou who encourages Mahiru to continue his nightly pursuit of love with the story of how he’s been hanging out with his own late night lass. I love how the episode ends with a super wide shot looking straight down at the two couples walking in opposite directions while both experiencing happiness.

Rating: 4/5 Stars

Love After World Domination – 09 – Become Strong, Then Fall in Love

One minute you’re alone with your girlfriend in her dorm, the next, you’re staring down her eccentric, fanatical father and taciturn yet hostile little sister. The latter, Magahara Urami, is basically the protagonist of this episode, and she’s in crisis.

This…man, who is dressed as a common Gekko foot solider, seems to have turned her invincible sister into a weak, girly softie. The main flaw with Urami’s position is that she couldn’t be more wrong, but she has to learn that the hard way.

When Fudou, who makes up the fake name Mudou, assures Desumi’s dad that she only turned down the monster promotion after careful consideration, then insists he allow Desumi to attend college, both Urami and Pops are furious that an “outsider” is interfering in family matters.

Pops even starts a fight with Fudou, and demonstrates his carefully-honed “Art of Defeat”; i.e. the most stylish way of taking a hit. Pops leaves impressed with Fudou’s devotion to a cause and will table the university discussion, and Desumi sees him off with a smile.

Urami spends the night, presumably hiding in the closet from a big sister she no longer recognizes, thanks to “Mudou” “ruining” her. Growing up, Urami’s problems with communicating and resting emo face made her an easy target for bullies, all of whom were obliterated by Desumi. It’s no surprise Urami developed a sister complex.

When the sisters visit Gekko’s HQ and Desumi receives a royal greeting befitting her rank, Urami briefly believes that the badass sister she knows is still in there…only for Desumi to scold the foot soldiers for going out of their way, and get upset they don’t notice her new (adorable) hairdo. Urami is in awe of HQ and particularly Desumi’s co-workers and superiors, but Desumi would rather go shopping with her in Harajuku.

Urami is beside herself with frustration…how could the sister she loved and idolize become thus? She storms off in a huff and sulks in a dark alley, where she’s cornered by three lunkheads who aren’t at all concerned with age limits. She’s about to clobber them, but when they call her an “emo kid” like the bullies of her past and present, she freezes up.

That’s when Desumi appears, two delectable crepes in hand, and ignores the dopes entirely. When they warn her that they’re “bad guys”, Desumi puts on her game face and ethers all three of them so easily the show doesn’t bother showing the carnage, only the aftermath. Urami may think Desumi has “gone soft”, but the fact of the matter is she’s as strong as she’s ever been.

She realizes she once told Urami that one must become strong to survive, but now that she’s older she knows that’s not enough. If you want to survive and thrive, you have to fall in love. Urami returns home wearing the hairband her sister bought her. She hated the new version of her big sister at first, but having seen that she dole out carnage and be cute at the same time, maybe this new Desumi isn’t so bad after all.

“Mudou”, on the other hand, will be the first to be purged when she rises up in Gekko.

Fruits Basket – 17 – Paying It Forward

Uotani Arisa was a broken and rudderless teen, subsumed by dirt and blood from pointless beatings; lost in the darkness. Things were briefly made worse when her idol Kyouko turned out to be the “lame” doting mom of the even lamer and impossibly sweet Tooru.

And yet, when Arisa is alone and on the run from more beating than she can take in a day, who does she barrel into once more but that sweet and polite Tooru, who immediately senses her friend is in danger, grabs her by the arm, and runs.

At Tooru’s apartment, Arisa finds herself back in an atmosphere of warmth, tranquility and love that is so foreign to her it’s uncomfortable. She figures her dirty delinquent self wouldn’t change even if she had such an atmosphere at her home, with her dad. Nevertheless, she’s jealous of it, and she wants it.

Tooru Kyouko are more than willing to share it with her, and to soothe her crushing loneliness that has been the core of her struggles in life so far. Back in the present, we see that Arisa is no longer lonely, and loves Tooru and Saki very much. That’s when the three young delinquent wannabes finally confront Arisa, but she ignores them as if they were mere gnats.

While her story about how she became besties with Tooru is complete, there remains the rest of her story: how she became the strong, beautiful, wonderful person she is. It’s a story she doesn’t tell the Souma boys, but is generous enough to share with us.

Hanging out with Tooru and Kyouko is a positive force for change in Arisa, but that change doesn’t come as quickly or easily as removing the stems peas. She may have returned to school and studies with Tooru, but her teachers assume she’s bullying her, while her gang takes none to kindly to her efforts to go straight.

Other students are weirded out by Tooru hanging out with Arisa all the time, and rumors spread about Tooru actually being a delinquent beneath a goody-goody facade. To Arisa’s relief and joy, Tooru pays such rumblings absolutely no mind. She’s going to make an extra muffin for her dear friend Uo-chan, no matter what anyone says.

But while the bond of friendship between Tooru and Arisa can’t be easily broken, the same doesn’t go for Arisa’s bones. While in the present she credits Kyouko and Tooru with saving her, it’s not like Arisa did nothing to help her own cause, and while she might not have known it at the time, going back to her gang to tell them she’s out and facing the consequences was actually the first step towards saving herself.

Thanks to her older gangmate Akimoto, Kyouko learns of the horrible beating Arisa’s doomed to receive if no one intervenes, so the Crimson Butterfly dons her duster for one last rodeo, intervening in the fight, extracting the battered Arisa, and carrying her back to her place on piggyback.

As Arisa demeans and insults her idiotic self for not realizing sooner she was on the wrong path, Kyouko offers some sage life advice, having experience quite a bit of that life herself. She tells Arisa that sometimes you need to hit rock bottom to realize you want to change; and that neither the light nor purity of life she seeks would be possible without the presence of darkness and dirt from which she emerged.

Arisa didn’t understand the feelings she bore until she got hurt exploring them, but now that she’s come out the other side, she knows with the clarity of a mountain lake what she wants to do: to become a strong, beautiful, wonderful best friend in whom Tooru can take pride.

So Arisa abandons her delinquent past to become just that, and eventually she and Tooru befriend Saki as well. And while she is utterly devastated when Kyouko suddenly dies, she’s also eternally grateful for the things Kyouko gave her and the things she left behind, with which she can not only continue to be a better person with a kinder soul, but pay the love and kindness and wisdom she received to others.

That means not simply socking the redheaded delinquent punk (Ishi-chan) who keeps bothering her, but offering her words of advice she wished she’d received earlier: Stop acting out while you still can, before something serious happens. If you need someone to scold you, I’ll do it anytime.

Ishi is immediately smitten by Arisa’s blend of warmth and coolness, and her two friends fall in line, becoming fans of Uotani Arisa on the spot. After the credits, Ishi not only cosplays as Arisa, but wears the exact same outfit Arisa wore the day they met! Needless to say, this is exceedingly cute and heartwarming.

Just like Arisa idolizing someone like Kyouko instead of a less savory gang member, it’s almost as if the universe is looking out for these three still very young kids who have a lot of life yet to live before giving up.

Because they chose the right woman to idolize, just as she did. And perhaps, one day, when they’re better people, they’ll pay Arisa’s wisdom and kindness forward, and help others become better too. Along with Tooru—essentially a demigoddess of love and kindness—this is the enduring gift Kyouko left behind, and why she’ll never really be gone.

Fruits Basket – 16 – Her Kind of Place

This week’s cold open is perhaps the darkest scene since the show dove into Hatori’s dark past. It’s not just shot dark, it’s frikkin’ dark, full stop. A younger, short-haired, long white coat-donning Uotani Arisa comes home to a dad wreathed in TV light and surrounded by bottles who doesn’t notice she’s there. She goes to the room and sits in the dark, wondering, perhaps, why she’s even fucking alive; what the point of all this is.

The next we see Arisa, in the present, luxuriating in the pool during P.E., is as bright and upbeat as the cold open wasn’t. Despite their reputation for delinquency, both she and Saki love the pool and would never skip out on an opportunity to swim in it. But the sight of Tooru in the same school swimsuit she wore in middle school reminds Arisa of elderly people buying dinner at the konbini she works at: somehow just really sad and wrong.

So she does something about it, asking—nay, telling—the Souma boys that it’s about goddamn time they get up off their asses and show some gratitude for Tooru constantly cooking and cleaning for them, by coming along to help her and Saki buy Tooru a big girl swimsuit. After some brief Shigure lecherness, the kids hit the mall.

Yuki and Kyou are beyond embarrassed to even be in a store that sells skimpy bikinis, let alone to see one placed in front of Tooru, but Arisa demands they at least lend their opinion as to what color Tooru would look best in.

Naturally, the boys pick opposite colors: Yuki blue, Kyou orange. Saki corrects them: Tooru looks best in pink. Her mom was the Crimson Butterfly while her straightforward dad’s color was white; combine those, and you get pink. When Yuki remarks that Arisa and Saki seem to love Tooru very much, Arisa quickly confirms that assessment. After all, Tooru saved her.

That’s when three yankees spot Arisa and plan to jump her, but are totally distracted by the gorgeous Souma boys she’s with.

Tooru is very predictably reticent about accepting the swimsuit, claiming she doesn’t deserve such a gift or any gift for that matter, because she’s nuts—but Arisa and Saki insist, so a swimsuit it is. Yuki and Kyou will just have to wait until next time they’re at a pool or beach with Tooru to see what it looks like.

Yuki remarks about how much Arisa and Saki love Tooru (and vice versa), and asks if the three go back to grade school. Arisa says no, only since middle school, when she was still active in a women’s gang she joined in fifth grade. She beat the shit out of people and had the shit beat out of her, and absolutely idolized the Crimson Butterfly, AKA Honda Kyouko.

When her gangmates tell her the Butterfly’s daughter attends her middles school, Arisa keeps her eyes open for “Crimson Butterfly II,” a carrot-topped delinquent in the mold of her mom. Instead, she’s bumped into by Kyouko’s actual daughter: klutz, space cadet, and deeply kind and decent girl, Honda Tooru. Arisa can’t believe it.

When she finally gets to meet the total badass bike empress she placed on such a high pedestal, she was bound to be disappointed, but could never in a million years have thought she’d be a carefree doting parent. When Kyouko and Tooru invite her to dinner, Arisa suddenly feels very uncomfortable and out of place.

Arisa gets up to leave, and when they insist she stay, she lets Kyouko have it: she’s disappointed and embarrassed to see what has become of the Crimson Butterfly. Kyouko’s response is perfect: she “just relaxed a bit”, is all. But it’s just too hard a pill to swallow.

In her rush to leave, she left her trademark black face mask, and Tooru chases after her to give it to her, calling her “Uo-chan.” But Arisa rejects the nickname and rejects Tooru’s open hand of friendship. She can’t look at Tooru without being reminded of how low the Crimson Butterfly fell. So she goes back to beating the shit out of people and getting the shit beat out of her, because what else is she going to do?

That brings us back to the cold open when she comes home, shuts herself in her room, and can’t get the image of Kyouko and her warm, bright, happy life with her “strange” daughter out of her head. Lame as it might seem to her, it may nevertheless be something Arisa wants, but long ago thought she could never have.

After last week’s disappointing Ayame-stuffed lakeside excursion, Fruits Basket roars back into relevance with a much-anticipated look into the past of one of Tooru’s BFFs and one of the most lovable characters on the show, and it didn’t rush things, leaving its resolution for next week.

It reminded me of another excellent backstory episode of another blonde delinquent-turned respectable civilian (Onizuka Hime from SKET Dance) as well as a wonderful exploration of how much a person can change in a short time—and how much Tooru can change them just by being Tooru. More of this, please!

Oh, and as an added bonus, the three delinquents who have a beef with Arisa have a hilarious post-credits sequence where they’re enthusiastically practicing their threatening techniques under a bridge, only for their first “victim” to be none other than Souma Momiji, who inadvertently scares them off with a his terrifying German friendliness. Very good stuff.

%d bloggers like this: