The Detective Is Already Dead – 09 – Foregone Conclusion

We’ve now arrived back at that scene on the boat where Siesta, Kimihiko, and Char—who is still not really a character—are headed to Secret Evil SPES Island. It’s as clear as it is by the name of the anime that this will be Siesta’s last mission, especially since Char keeps telling Kimi he’s going to regret not hugging Siesta or having her pat his head.

Kimi and Char go off on their own armed only with guns against an enemy they know to be superpowered. Seems kinda dumb! But then the entire excursion into the deeply unimpressive SPES HQ is a bit of a waste of time, unless you got anything at all out of the deadpan monologue of SPES’ space plant uber-boss. I was just waiting for Kimi to go back to Siesta. When he does, she’s only playing dead…at least at this point.

It’s a trick as cheap as much of the animation, framing, and general direction of the final showdown between Hel and Siesta/Kimi. Giant vines pop out of the ground, but they’re mostly a series of still shots. Our heroes move awkwardly and stiffly across the barren, boring battlefield. Hel reveals that she’s a personality created by Alicia to deal with all the torture, or something.

Then the giant stupid monster comes out of nowhere and tries to eat Kimi, only for Siesta to dive into harm’s way, push Kimi aside, and get killed. Yet even this is so oddly and sloppily presented that finally witnessing how the Detective who was Already Dead dies elicited no more than a shrug, and a bit of a yawn.

As if there weren’t enough clichés in this episode, it ends with Kimi waking up in his bed, presumably in the present when he’s rolling with Nagisa…but who knows? It’s a bit frustrating to think that all these episodes that took place with Siesta, and indeed made up the bulk of this cour, were just one long flashback that undermined the show’s premise. Sure, the Detective is Already Dead…but we’re spending most of the time with her still alive. Now that she’s gone, I’m not sure I care where this show goes next…

Tokyo Revengers – 14 – Kisaki Tetta Day

This week is essentially one long drawn out ceremony to announce the new third division captain of Toman: Kisaki Tetta, the one guy Takemichi can’t allow to gain too much power if he wants to save Hinata, Akkun, and Draken—not to mention himself from a disappointing dead-end life.

Unfortunately, most of this ceremony is extremely dull and slow-moving, and intercut with slow pans of still images of the dark, muddy background. There’s no insight into who Kisaki is or why he’s so intent on killing Hina. Honestly, I was glad Takemichi decided to cold-cock the guy; at least it made things a little interesting.

There’s all kinds of bizarre choices made this week, starting with Takemichi, who is still somehow not a member of Toman, being invited to a captain-naming ceremony at all, or how there was no build-up to Mikey’s choice, which Draken clearly isn’t happy about. Even Mikey admits Kisaki is “bad news” but acts like he has no choice but to bring him aboard.

Even more awkward is the sudden inclusion of first division captain Baji Keisuke in this episode. He’s apparently someone so important to Mikey that he makes Takemichi a Toman member under Mitsuya with the mission of bringing Baji back into the fold after he threatened to join Valhalla.

Takemichi agrees to bring Baji back, in exchange for Mikey firing Kisaki. If Takemichi fails, Mikey promises to kill him. Considering Takemichi’s showing this week—mostly sweating, panting, and panicking—I can’t say I’m optimistic about his success. And yet, he’s such an ineffectual fuck-up I somehow can’t help but want him to succeed.

Tokyo Revengers – 13 – Crossing the Bridge

Why? Why is this show still going on? Why did Hina have to die, again, and in the most horrific, heart-demolishing way? What was Kisaki Tetta up to all this time? These were the unavoidable questions going into Revengers’ second cour, and this first episode of that cour had to do a lot of heavy lifting to convince me to stick around Takemichi’s tragic party, rather than executing a tactical Irish exit.

Rather than pass or fail, I must give Revengers…an “Incomplete”. This is purely a bridge episode, literally called “Odds and Ends”, though I appreciate that it’s a little rude to call Hina’s funeral a “loose end”. But the episode starts out by making us relive Hina’s final moments again, which I did not appreciate.

We know for a fact Takemichi isn’t going to let Hina’s death pass; not as long as he has the ability to go back and fix things. Where he and Naoto went wrong is thinking simply saving Draken would fix everything, all while pretty much forgetting about Kisaki Tetta…which was very weird.

Leaving Kisaki completely alone was never going to pay particularly positive dividends in the future, and even if we grant that Takemichi is an idiot who might well not consider Kisaki, Naoto let the joy of getting his big sis back distract him from the fact they had much bigger Toman fish to fry before they could secure a future for Hina.

Takemichi’s plan to become the leader of Toman and “bring it down” from within is an admirable one, but aside from being able to take the odd beating or stabbing we just haven’t seen the level of fighting ability, cleverness, or charisma needed to be one of the captains, let alone the boss. This isn’t something you can get by asking nicely with dog poop on your head.

Also, it’s been clear from the start that Takemichi has clear boundaries when it comes to being a gang member. But outside of murdering Kisaki Tetta (and possibly that Hanma guy too), I don’t’ see how you eliminate him as a threat. And since the days and months run parallel in the two timelines, Takemichi can’t go back any further in time to do what needs to be done.

So yeah, it was an uneven return to Tokyo Revengers, a judgment perhaps best exemplified by an extremely dull montage of Takemichi working and sitting around his still-messy apartment waiting for Naoto to call, all while extremely dramatic music is playing. This show has never been interested in showing its work, but Takemichi’s still just winging it doesn’t bode well for Hina’s future.

Tokyo Revengers – 12 – Hina We Go Again

I knew two things going into this twelfth episode of Tokyo Revengers: this wasn’t the last episode, and Hina was most likely doomed…again. I was hoping to be proven wrong, but when nearly half of the runtime is spent watching Takemichi and Naoto very gradually make their way to Hina’s place, it didn’t bode well.

It was very in character for Takemichi to reconsider seeing Hina at the last second, thinking that it would just be odd for someone she dated twelve years ago to show up one night with her little brother. Fortunately, fate smiles on our crybaby revenger, as he bumps into Hina and she recognizes him instantly.

Once his tears finally subside, their reunion is painfully awkward; so much so that Naoto prepares to ditch them to figure things out themselves—they are adults, after all. Then Takemichi clings to Naoto’s leg, and for some reason Naoto gets it in his head that taking the two out on a drive will be a better idea than keeping Hina away from any and all cars, considering how she died in the previous timeline.

No, instead, as a very obvious and extremely menacing black Hummer follows them, Naoto drives Hina and Takemichi around until he’s called away by the station, so Hina has to take over driving duties alone with Takemichi. Takemichi, meanwhile, notices she’s wearing the four-leaf clover necklace he gave her twelve years ago…yet inexplicably chalks it up to some kind of coincidence.

They park at the Tokyo waterfront, where she has a memory of being with “the one she loves”. Takemichi learns that it was he who dumped her twelve years ago. Considering how easily he almost ended up sleeping with Emma, you’d think he’d remember what a jerk his past self was. Hina, meanwhile, often said how it felt like there were two Takemichis, and the one she fell for was really his future self.

Even so, this is apparently too much for Takemichi, who runs off to the public bathroom, where he thankfully steels himself to confess to her, no matter how badly he’s afraid it will go. It will and does go bad, but not the way he expected—otherwise, he would never have left Hina alone, let alone tell her to go back to the car.

On his way out of the bathroom he bumps into someone he recognizes is the present-day Hanma, who promised Valhalla would ensure Toman never had any peace. He’s confused why Takemichi “isn’t in the car.” Uh-oh…

Turns out Akkun is behind the wheel of the Hummer that tailed them, and he drives right into the back of Naoto’s car with Hina—and only Hina—inside. A bloodied, tearful Akkun says he’s sorry, but he couldn’t go against Kisaki—any more than his alternate present-day self could. He even repeats a lot of the same lines he said, further torturing Takemichi.

He’s able to get the door of the burning car off, but Hina can’t get out; the front of the car has crushed her legs. Takemichi hugs her and says he’s always loved her, which makes her happier than he can imagine, but shortly after that she pushes him out of the car, which then explodes.

It’s extremely shitty to find Takemichi back at square one, with the added tragedy of having to witness Hina’s horrific demise this time. It’s also extremely annoying and lame that Hina once again has to suffer and die so our protagonist can grow (…again). While he managed to avoid one possible route that would lead to Hina’s death, now he knows there are others, and it will take at least another trip back to eliminate them.

Had Kiseki or Hanma known that Naoto is the one who enables Takemichi to travel back in time—or that he’s even able to do that—they would probably have made sure Naoto was in the car too. But the fact they carried out the plan without Takemichi in the car means they too left a loose end hanging, and that loose end is bent on exacting revenge by becoming the damn leader of Toman.

Super Cub – 02 – Two-Wheeled Freedom

Koguma discovers how to hang her helmet off her Cub after seeing her classmate stow his under the seat of his scooter. Once in class, she daydreams about suddenly blurting out that she came to school on a motorbike and suddenly becoming Miss Popular. Thankfully, she chooses a much more natural time to mention her new scooter—in Home Ec class when they’re making drawstring bags. Her mention leads to a classmate asking if she can see her Cub after school.

While last week Koguma was thoroughly in her own little world, directly interacting only with Shino, this week we see just how socially awkward she is, first by only tentatively agreeing to meet up and then trying to make an Irish exit, only to forget her newly-made bag.

Fortunately, the other girl doesn’t hold it against her, and reveals she’s something of a motorbike otaku in her appraisal of Koguma’s Super Cub. She also makes plain her biker girl bonafides by presenting her own steed: a red MD4=90 Postal Cub, she’s souped up with aftermarket and bespoke parts.

Their interaction kind of trails off when the girl, named Reiko, has to head out, but Koguma privately hopes they’ll get to talk more tomorrow. Even so, when tomorrow arrives, it takes everything she has to let out a hushed good morning that Reiko only acknowledges with a curt “Mmm.”

Koguma’s fear that their interactions are at an end are alleviated when Reiko takes her arm and leads her to their bikes where they eat lunch together, explicitly mentioning they’re friends now. Yet even here, when Reiko tells her they can go anywhere they want with their Cubs, Koguma seems held back by a lack of imagination.

But once she’s riding home after school, Koguma starts to feel what Reiko was talking about, and instead of going straight through her usual intersection, she takes a right turn. That leads to a supermarket with much better prices on her lunch packets, and she even saves a few yen by using the drawstring bag she made the other day.

You could say that inspiration fueled Koguma’s imagination, allowing her to make a different turn than usual and find a new an unknown place. It’s her first small step to realizing the boundless potential for freedom her new ride represents. As we see Reiko taking full advantage of her Cub to find a gorgeous Yuru Camp-esque vista featuring Fuji-san, Koguma looks forward to her next after-school side trip. So am I!

Rating: 4/5 Stars

Horimiya – 12 – The Mantis

This week it’s Christmas in Horimiyaland, and everyone is figuring out how—and with whom—they want to spend their holiday. It’s just too perfect that Yuki fell in love with Tooru having absolutely no clue that the boy’s family was freakin’ loaded. Money can’t buy you love! If anything, it intimidates a girl of more modest means like Yuki.

At a time when everyone needs Christmas cake, Izumi is scheduled to work through the holidays at the bakery, meaning he won’t be able to join Kyouko and her family. While she’s understanding—her boy’s fam gotta earn, nothing you can do about it—her dad, mom, and Souta are less forgiving. Never mind if it’s Kyouko’s the one technically dating him. They want Izumi!

Shuu and Sengoku were both convinced Tooru and Yuki were already an item, but by saying he only “recently” harbored a crush on Kyouko, Tooru he reveals he’s still in a transitory place: not yet far enough removed from the pain of not having those feelings returned, and thus not quite ready to look for love elsewhere. Compounding matters is that he likely considers Yuki his best mates.

Why else would he so helplessly waver when she asks if she can come to his place to play video games? Or sneak in the house like something elicit is afoot? Or so determined to keep the family’s statuesque personal assistant Yashiro’s nose out of his business? Like his other friends, Tooru likely doesn’t want Yashiro or his family to get the wrong idea in the present—even if it may well turn out to be the right idea in the future.

After they both calm down after tea and cake (from Izumi’s bakery!) and fire up the video games, Tooru lets slip that he’s “happy with the way things are.” And honestly, I really don’t see Yuki disagreeing with that. As they watch that loading screen, they both seem content and comfortable. No need to rush things.

There’s a bit of drama at school when Sengoku doesn’t immediately agree to spend Christmas with Remi at Remi’s, and for a very bizarre reason: her dad is into catching bugs and putting them in boxes. When it’s trifling things like this that come between lovers, you know it’s true love. Sengoku simply has to grow a pair. The bugs are DEAD, dude!

When Kyouko shows her parents her superlative marks (all A’s save gym and art…kinda the opposite of me!) her mom remarks how there will only be one more report card, and then she’ll graduate. As her parents bicker and Souta asks her to look at his marks, Kyouko gets lost in thought: What will her life be like after graduation?

But before that, it’s Christmas, and the episode doesn’t want to leave anyone out as it checks in on just about everyone, starting with a contact-wearing Yanagi and Yuki’s big sister, who have a cute little exchange by a big outdoor Christmas tree. Tanihara and his brother wrestle over a clear view of the TV.

In what is a promising development, Yuki and Tooru are hanging out together for Christmas. I’m rooting for you two tentative bastards….take all the time you need!

Motoko is studying hard even the night before Christmas, but Shuu makes sure she takes a fried chicken and cake break. Sakura urges Sengoku to stop being a goddamn wimp and go hang out with his adorable girlfriend on one of (if not the) most important nights for couples both potential and extant. On the latter front, Shindou asks his girlfriend to wait one more year for him to graduate, and she agrees.

The entire Hori residence—including Souta’s cute friend Yura—is united in their elation when Izumi stops by to drop off their cake. When he says he can’t stay, Kyouko is again understanding, but her family won’t let him leave without a hot drink, eventually stealing a whole hour of his shift at the bakery.

When they finally allow him to leave, Kyouko walks him home, despite not being dressed for the chilly night; she’s in slippers, for goodness sake! But there’s something she wants to say to Izumi, and mercifully it’s not to ask him to berate or hit her; that particular pothole on their relationship road seems to have smoothed out off-camera…and that’s fine.

No, Kyouko tells him the same thing he told her back when they first started going out: she still doesn’t know very much about him. But due in part to that and other factors, she wants to be with him even after they graduate. Izumi goes quite a few steps beyond agreeing, and proposes marriage! Whoa, boy! Immediately embarrassed by blurting out what is surely deep-seated but still premature desire, he shuffles off.

But Kyouko promises she’ll “make him happy”, something Izumi says is usually what the guy is supposed to say in such a situation—which ironically is the kind of cisnormative comment you’d expect from Kyouko! She insists she should be the one to say it, as she admits she’s self-centered and “only good at studying and chores” though she’s selling herself short.

These two lovable dorks then bow to each other, expressing how they’re looking forward to their future together. All I can really say to that is BAAAAAWWWW.

After the credits, we fast-forward to New Year’s, which Kyouko and Izumi are spending together at a festival. They get their fortunes, but they hardly matter, since they both agree that as long as the other person is smiling, it’s all gravy. They grab some amazake and reflect how they were the last people they saw at the end of the previous year and the first people they saw at the beginning of the new one.

Izumi wants every year to be like that. Izumi walks Kyouko home hand-in-hand, assuring her that they can and will indeed be together forever. And damnit, I believe him. And like them, I’m happy just seeing the two smiling together, shrugging off the anxiety around what would happen after high school, laying out their future, and sharing in the warmth, relief, and elation of knowing graduation will only be the end of their beginning.

Jaku-Chara Tomozaki-kun – 09 – The Normiest Summer Ever

Summer break is here, but it won’t be a break from Tomozaki’s mission to master the game of life. It can’t be; it’s their last summer break in high school! His first task—go somewhere one-on-one with a girl who isn’t her—can be satisfied by going to that movie with Fuuka. But for Hinami victory ultimately means him regularly dating Fuuka, and she’ll be setting other goals for him between now and the end of August.

Hinami wants Tomozaki succeeds in his first date, so they have what she calls a “rehearsal date”, in which she texts him places he’ll suggest they go as if he had chosen them, and she’ll speak in a higher register and act like his date. While clothes shopping, she gives him a slightly scratched backpack she bought earlier for a cute button he buys for her. Then they hit up the electronics store and play some Tackfam at the Yontendo display.

It’s here where we watch Hinami openly struggling for once and not being The Best. I emphasize that she’s not acting here; she’s being her genuine self with him, and the pretend date suddenly feels like a real one. He considers their Tackfam playing to be the “best form of communication” for them; it’s when he realizes she’s not just a top-level normie but a dyed-in-the-wool gamer like him.

While having a bite, Hinami tells Tomozaki she already got the OK from Fuuka to give him her LINE ID, which saves him the trouble of asking her in person. Hinami gives him the brass tacks of his message, and Tomozaki bangs it out. It’s a bit lengthy, but it’s earnest and straightforward, so she clears it for sending. And despite warning Tomozaki that sometimes it takes a while for Fuuka to respond, she responds almost instantly with an enthusiastic “yes”—a definite good sign.

Before parting ways for the day, Hinami tells Tomozaki to keep the 4th and 5th open, as she and the rest of the gang are going to have a barbecue and sleepover, ostensibly as a ploy to get Yuzu and Nakamura together. But such a youthful normie event will be a veritable goldmine for Life XP Tomozaki needs to level up. I don’t think that Hinami “pulled strings” to get him invited—I’m sure they were all fine with him joining them—as someone who wishes to master the game, this is a challenge he can’t pass up. He’s in.

First Hinami invites him to join her and Mizusawa for a planning event at Mimimi’s. There, his task will be to “mess with” Mizusawa at least three times, for as she says, “moderate teasing is key to making friends as equals.” It’s a super-clinical, even cynical way of looking at bonding rituals, but that doesn’t make it not true!

Sure enough, as soon as Tomozaki arrives ready for an opening to mess with Mizusawa, he is the one messed with. But when Mimimi requests a change of venue since her grandma is over, Hinami suggests the house of the one who lives closest to Mimimi. That’s Tomozaki, and as a result his little sister and mom totally freak out by the top-tier characters who are suddenly hanging out with their Fumiya!

While playfully searching Tomozaki’s room looking for porn, Mimimi finds a box full of totally worn-out old controllers. He explains that while they’re no longer sensitive enough for Tackfam, they’re still fine for other games. Hinami takes a particular wordless interest in these, actual artifacts of his grueling effort to become the best that she can hold in her hands. No doubt she has a few such controllers in a box in her room too!

Planning to bring Yuzu and Nakamura closer together turns to talk of the future in general, with the knowledge that with exams next year there won’t be as many opportunities to hang out; this summer must not be squandered. Tomozaki successfully messes with Mizusawa thrice. Mizusawa also noticed the hair gel he recommended to him isn’t being used too frequently, and Tomozaki demonstrates why when he applies it: he needs some pointers.

What follows is a very sweet little scene as Tomozaki films himself as Mizusawa shows him the proper way to apply the gel. Mizusawa notes that Tomozaki takes everything seriously, and wonders why he goes to such lengths, with everything from hair gel to Mimimi’s speech. Tomozaki likens life to a game he doesn’t want to lose, and Mizusawa can see, but from his perspective, if life is only a “game”, why not loosen up and enjoy it?

It’s a very enlightening exchange of viewpoints, as the two guys treat the word “game” very differently. When Tomozaki returns to his room with his new ‘do, Mimimi is the one messing with him, using a pen as a microphone to report “something fishy going on.” After everyone leaves, he suggests Saturday the 1st for the movie with Fuuka, which is fine with her.

Now comes the even I’ve been looking forward to since it was first suggested: his big date with Fuuka. Tomozaki is the first to arrive at the meeting spot, which means he gets to see Fuuka before she sees him, and watch her neutral, almost forlorn expression turn to pure quiet joy when she spots him waving to her. Both of them are so happy and giddy this is actually happening, the two freeze up a bit, until Tomozaki says “Shall we?” and they head to the theater.

When Tomozaki mentions her long sleeves, she tells him how she has extremely sensitive skin that burns easily in the sun. He misses an opportunity to compliment her, but at the same time saying something like “I think your skin is lovely” might have made her to self conscious. In any case, Fuuka is so excited upon seeing the movie posters she draws quite close to him, then realizes how close that is an retreats a bit.

Once they’re in their seats, Tomozaki can’t help but look over at Fuuka beside him and blush with happiness. After the film they grab a bite, but as he continues talking about the film in detail, Tomozaki realizes he’s talking too much and not giving her an opening to add to the conversation. It’s here where my stomach started to sink along with Fuuka’s expression as Tomozaki overcompensates by bringing up a string of conversation topics that don’t mesh well.

Worse, he thinks it’s going well when it’s clear from Fuuka’s look that she notices something is off. He realizes this too when she comes right out and says he’s a “mystery” to her, in the way he suddenly swings from being really easy to really hard to talk to. An awkward silence ensues.

Still, and this is key, those moments of awkwardness do not end up sinking the date or their prospects for each other. Instead, while on the train Fuuka clarifies her comments: she didn’t mean what she said about Tomozaki to be a bad thing, but a good thing. She’s never been good at talking with boys, so the times when it’s easy to talk with him represent the first such time. That makes her happy, which is why, without any needed input from him she tells him she wants to go out again sometime.

Tomozaki reports his great victory to Hinami over the phone while she’s painting her toes. She urges him to reflect on the “hard to talk to thing”, which really comes down to lack of experience on skills on both his part and Fuuka’s. The more time they spend together, the more comfortable they’ll get talking with one another.

Hinami may well have expected Fuuka would want to hang out with Tomozaki again, so she already has the ideal event for their second date: a fireworks show on the sixth. Tomozaki texts Fuuka, and she again gets back to him immediately with a yes. But before that he’ll tackle the barbecue and sleepover with his normie friends. I for one can’t wait for either!

Sing “Yesterday” for Me – 12 (Fin) – Life Goes On

Rou is his usual puerile self upon discovering Shinako with Rikuo (though you can’t really blame him!) and runs off in a tizzy, Shinako chases him down and tries to explain. She valued their relationship and was afraid of ruining it.

To his credit, Rou takes the high road, telling Shinako all that mattered was her happiness, and he was a “chump” for not noticing her feelings for Rikuo. Despite telling her “it will take time” for him to comes to terms with it but that he gets it now, Shinako assumes she’s just ruined everything with Rou forever.

The next time Shinako and Rikuo meet, its at a park bench, and as they analyze what they are to each other and how things went with Rou and Haru, the meeting gradually morphs into a more-or-less mutual breakup.

It’s only natural; things haven’t quite felt right because Rikuo hasn’t been able to properly tell her he loves her, but when he asks her simply “me or Rou”, she can’t help but summon much more emotion for Rou, who is family.

Rikuo owns up to becoming terrified of the happiness that suddenly rained down upon him when he found himself in a relationship with Shinako, but perhaps the reason it never felt 100% real for him is that…it wasn’t. He and Shinako had a natural distance from their long friendship that could not be closed, no matter what either party tried.

At the same time, Rikuo assures Shinako that Rou, who is still mostly a kid after all, will eventually come back around to talking with her. He just needs time to cool off, and as we saw, he already exhibited the self-consciousness to admit the mistakes he made. The two cordially shake hands, committing to maintaining what they know works: their friendship, and just like that, Shinako x Rikuo is dead.

Despite this breakup occurring in the last episode, there’s nothing rushed about it. After all, these three had been milling around for three months without the slightest romantic progression, which all confirmed that they’re not meant to be in that kind of relationship, however logical it might’ve seemed.

Meanwhile, Haru notes how little has actually changed in the world since what she felt was a categorical rejection by Rikuo, but still can’t help but wear a gloomy face as she fries vegetables, much to her mom’s dismay. It turns out she’s only taken some time off from Kyouko’s cafe and moved back in with her mom and stepdad. She spends the time away contemplating what love and happiness are to her, not

Rikuo ends up securing Haru’s address and bus route from Kyouko, and sets off to meet with and talk with her about what’s happened, if she’ll have her. During his long journey we get all of his naysaying inner thoughts in real time, negative and dismissive sentiments he must force his way through in order to take action.

He doesn’t like how things ended with Haru, and despite not knowing how she’ll react to seeing him again (or even if she’ll agree to do so), he’ll never forgive himself for not making he attempt, even if it makes him look selfish and foolish.

When he finally crosses paths with her (kudos to Kansuke for keeping her off the bus he just got off!) she’d been remembering when she met him and fell for him in middle school, assumes he’s just another vision, and proceeds to punch him. But when she realizes he’s real, she regrets the assault…but not too much.

All of Rikuo’s inner dialogue was a fight with himself over whether he should even be attempting to reconnect with Haru, which means when Haru is finally there in front of him, he has almost no plan for how to describe his feelings. He initially comes off as having only come to her because Shinako dumped him, but when he elaborates on the details Haru can sense it was more nuanced than that.

Rikuo comes out and says what we all know: he likes it when a woman is nice to him, and for a long time, he thought that was love…until he took the next step with Shinako and it didn’t work out. Then an “incomprehensible, bothersome chick” came along, and Rikuo didn’t realize until recently that love was staring at him all along from the opposite end of the konbini counter.

He thinks everything he thought about love and feelings up to now had been mistaken, but he knows one thing for sure: he thought Haru was cute, and that all of the time she was suddenly away from him, and all hemming and hawing on his way to seeing her, mean that he’s in love with her. It’s something he can come out and relatively easily say to her, while he could never say it about Shinako.

Seeing the shock, embarrassment, joy, and relief wash over Haru’s face is a season standout, as is her instinct to immediately embrace Rikuo and give him a kiss before he knows what hit him. Then she allots only 35 points to his confession and orders him to give another one. After three futile months and so much overthinking, I was astounded and delighted by how comparatively easily the distance between these two was closed!

A little time passes, and Rikuo and Haru prepare to go on their first official date together. Haru, always one to wear her heart on her sleeve, is clearly on cloud nine as she glides around the cafe where she returned to work. Meanwhile as Rou’s classmates celebrate him moving in to his own place, Shinako pays him a surprise visit.

This isn’t exactly how I thought things would end up between these four, but I can’t say I’m not satisfied. The events of this last episode, in hindsight, didn’t even feel at all like sudden twists, but a logical, necessary, and welcome corrective to the awkward confusion of previous alignments. It made me immediately giddy and excited for a Haru x Rikuo future. Not a bad trick for a show based on a 23-year-old manga!

For those asking “Wait, weren’t there going to be eighteen episodes, not just twelve?” Alas, that was an unfortunate miscommunication. Turns out the final six episodes are streaming-only shorts, so this is the final episode, with an anime-original ending. That’s obviously extremely disappointing as I was watching this show unfold as if it had six more eps to work with, but oh well…at least it ended on an upbeat note!

Sing “Yesterday” for Me – 11 – Driving With the Parking Brake On

Haru was calling because her house was broken into, but she’s fine and nothing was taken. Still, she asks Rikuo if he’s really the kind of man who would leave a young woman in her state all alone and go home. Rikuo isn’t that kind of man, so he sleeps on the floor, ignoring her offer to stay in her room.

Nothing happens in the night, but Haru makes Rikuo a modest but hearty breakfast as thanks, blissfully unaware his current status with Shinako because Rikuo never comes around to telling her. Even if the timing stinks, he’ll never get a better opportunity to let her down relatively easy.

Rikuo and Shinako are a picture of domestic bliss as he accompanies her grocery shopping and she cooks at both their places. Rikuo calls her cooking “leagues apart” (from Haru’s), though Shinako wonders if he’s making fun of her, since to her it’s just self-taught cooking; nothing special. But it is special to him, just as cooking for him is special to her.

Still, when Rou calls on her phone, she tells Rou there’s no one else there. Like Rikuo with Haru, the timing for telling Rou about them sucks, because she doesn’t want the impact of knowing to affect his college entrance exams. But like Rikuo, she’ll never have a better opportunity to tell Rou, despite logic suggesting she keep them a secret for a little while longer.

But I don’t think mere fear of hurting Haru and Rou is what drives their inability to make their new relationship public. That they’re the only two who know about each other means it’s not yet official, or even 100% real yet. While they’ve shown tremendous courage in taking the first steps toward each other, it’s as if they still have the parking brake on, slowing their progress and its legitimization to an awkward crawl.

It’s why Shinako still can’t let Rikuo kiss her when he draws in. He doesn’t mind, but in drawing in he’s already established that he’s ready for a kiss; that he sought to release that E-brake and drive a little further down the road, while Shinako’s brake is still on. It doesn’t, nor should it, irritate Rikuo, who is just happy to be with her, but he automatically starts to think of what he still needs to do to get her to release that brake.

Whatever issues the two are having in transitioning into a more romantic relationship, the fact remains they’ve both procrastinated too long in letting the other man and woman in their lives know what’s up. Because Rikuo didn’t tell Haru that morning to spare her feelings, Haru ends up learning about the two when she stops by Rikuo’s with food from the cafe as thanks for him spending the night at her place.

The looks on Haru’s face as she repeatedly tries and fails to cover her true feelings with a brave smile over and over makes for the most heartbreaking sequences of the show so far. Any notion of sparing her feelings is thrown out the window. Haru knew this moment would come, but she didn’t truly know how it would feel until it did. Rikuo didn’t make things any easier for her, so he and Shinako also feel shitty.

Rou ends up passing his entrance exams, and is officially heading for college, which means it’s time to tell him lest he face the same moment of embarrassment and despair as poor Haru (not that I particularly care about Rou, mind you!) But when Rou tells Shinako he’ll be moving closer to her place and she gently bristles at him presuming she’ll keep cooking for him, Rou’s reaction is so callow and impudent, she dare not say more to upset him further. Yikes! Later, Shinako tells Rikuo that she’ll surely, definitely tell Rou about them soon, when the time is right. MmHmm.

Then she has drinks with her still-single friend, who learns that Shinako may be going with her guy, but that nothing has happened in that department for three months. THREE. MONTHS. There’s taking it slow, and there’s frikkin’ pitch drop experiments. Her friend is understanding, but wisely wonders if Shinako will ever feel comfortable doing “anything” with Rikuo.

Some time passes, and Rikuo learns from Kyouko that Haru has quit her job at the cafe. That night, Rikuo takes Shinako out to dinner as thanks for all his cooking (per his boss’ suggestion), and invites her to the aquarium. Unfortunately, Shinako already agreed to help Rou move, and once again assures Rikuo she’ll tell Rou about them.

When he walks Shinako home, she ask him if he wants to “stop by”, and he politely declines, he detects relief in her voice. He’s not feeling restless or anything, but she should let him know if there’s any way he can better meet her expectations. Shinako tells him he’s fine the way he is, and she won’t expect more or as him to make any promises. As long as he stays by her side and be who he’s always been, it’s all gravy.

Then Rou shows up, sees Shinako clutching Rikuo’s shirt, is outraged, and asks what the hell is going on between them. There was never going to be a good time to tell Rou or Haru, but the absolute worst time could have been avoided in both cases. Another unforced error for the fledgling couple. I’m thoroughly rooting for them at this point, but they have got to do better.

Sing “Yesterday” for Me – 10 – Making an Effort

First of all, thank goodness for the Fukudas, for hosting a party that doubles as an excuse to bring Rikuo and Shinako to see each other. Kozue even insists Rikuo give Shinako the moonstone pendant his boss gave him.

When he can’t hide the gift’s provenance, Shinako is still charmed by his honesty with her, and feels good about it being the first gift he’s ever given a woman. It’s a sign they’re starting to find some comfort in each others’ romantic inexperience. Rikuo’s gesture also enables Shinako to suggest they spend New Year’s Eve together.

It’s ironic, then, that the woman who ends up at Rikuo’s place that night isn’t Shinako, but Haru, who waited outside his door for untold hours in the cold. Rikuo isn’t so cold-hearted he won’t offer her the warmth of his apartment and something warm to drink. Haru’s been dealing with a lack of Rikuo so long she can’t help giving him a big hug.

While Rikuo’s slightly stronger insistence Haru stop “this kind of thing” makes for a heartbreaking interaction between the two—not to mention Haru settling for way too little in my book—there’s a nobility in her sticking this out regardless, even if she comes off as clingy or desperate, she’s making the effort to see him because she likes him, so he should cut her some slack.

Speaking of effort, neither Shinako or Rikuo call each other to make plans until New Year’s Eve. Rikuo eventually is the one to call her, and the call is awkward, but also appreciated. Both of them accept partial responsibility for the temporary communications breakdown, since both were anxious about what form their New Years Eve date would take.

Thankfully, once they end up at a restaurant together and have some drinks, the two hit it off splendidly, and are able to talk naturally, have fun together, and talk about one another in ways beyond mere small talk.

The romantic tension increases a hundredfold when Shinako finally  decides to take the initiative (again) and invite Rikuo to her place (again). Thankfully the show skips the long hallway walk and the door-opening and we finally have the two in the same apartment together after spending a wonderful evening together—an evening that marks a literal new beginning with the new year, but also a different kind of beginning for their relationship…hopefully!

Again, Shinako finds herself apologizing for so slowly realizing that it’s possible to experience a kind of love that’s different from her first; that of Rou’s brother. Expanding her view of what forms love takes makes it easier for her to avoid pitting those two loves against each other, and she makes sure Rikuo knows she wants to move forward and learn what forms this new love takes.

Even if she has to take it slow, it’s something she wants to do. Rikuo pulls her into a passionate embrace and the two come close to a kiss, but ultimately pull away amicably. Rikuo no doubt respects Shinako’s desire to take things slow and it probably makes a lot of sense for him as well—taking a long friendship to another place is tricky in the best of conditions.

We then shift somewhat abruptly from the beautiful tension of Shinako’s apartment to the dread of Haru alone in her vast accommodations after spending the evening with her mom and her new husband. Something goes bump in the night, Haru investigates, and then Rikuo gets a phone call he reacts to with shock.

A lot can happen in the remaining eight episodes, and it’s telling that the “Game Over” video game ED has already been replaced with a new ED that gives the four protagonists relatively equal treatment.

I’m worried that this cliffhanger-y final scene portends a sudden stamping-out of the slight but very meaningful progress Rikuo and Shinako made this week. Why introduce a “bump in the night” if Haru isn’t about to be in some kind of danger or trouble?

Sing “Yesterday” for Me – 09 – Ginkgo Nuts

When Shinako returns to the Hayakawas’ kitchen, its a tactical retreat to familial comfort, and a means of stalling for time with the whole Rikuo angle. But she’s at least certain on one front: she loves Rou and her dad like family and never wants that to change. Rou apologizes for making things awkward with his advances. Like her with the Hayakawas, he’d rather she remain in his life than not, and to that end, suggests they celebrate Christmas together, like old times.

This episode is notable as being the first in which Rikuo and Haru never interact, but Rikuo is never not in her thoughts throughout. She rolls restlessly in bed, frustrated by her feelings for Rikuo, his apparent lack of interest in her, and her dwindling opportunities to see him due to his quitting the konbini. Still, she’s not ready to give up on him, and so the fact they never cross paths this week shouldn’t be an indication of Game Over.

That said, and as much as I like Haru, things are going so well between Rikuo and Shinako (even if he doesn’t think so) that he barely notices Haru’s absence. He and Shinako are thinking about college days at the same time, for crying out loud! In his case, it’s because Fukuda’s wife wants to see the photos Rikuo took of her new husband.

In Shinako’s case, because she spotted Gingko nuts at the grocery store, which she helped him pick on campus when he was hard up for cash. He doesn’t seem to remember, and Shinako seems pretty cross about it, but he still manages to halfheartedly invite her to Fukuda’s little Christmas get-together, which she must decline only due to previous obligations with Rou.

Shinako and Rou’s Christmas celebration turns out to be pretty staid, as the awkwardness is still very much there, especially since Rou’s dad is out of town and Rou insists on drawing her portrait. When he suggests she loosen her collar to look a little more “sexy”, she makes a quick exit…and good for her! I like her zero tolerance policy for Rou’s flirtations; she neither sees him that way nor wants to.

Since it’s only 20:00 when she leaves Rou’s, Shinako has a choice: go home and watch a movie, or go to Fukuda’s. Again, she makes the right choice in my opinion, as it’s clear she and Rikuo have something that should be cultivated, and it can’t be cultivated if they never hang out casually.

Rikuo, who is seemingly genetically incapable of being optimistic about anything regarding Shinako, is shocked she actually came. Maybe she’s shocked too, but her previous invitation, despite not amounting to anything, may have made her a bit bolder regarding Rikuo. Here’s hoping he can respond properly!

As for Haru, well, there’s no doubt she’s in rough shape, seeing as how there’s currently no way for her to bump into Rikuo anymore (and her crow left a feather behind that he found; the one and only moment he thinks about her). But hey, we’re only halfway through this saga, so it’s anyone’s game to win!

Jibaku Shounen Hanako-kun – 07 – Donut Unto Others

Ever since digging into Hanako-kun’s past, Nene has felt awkward and uncomfortable around him, to the point Hanako starts to notice. She wants to learn still more but isn’t sure how to broach such sensitive topics, or even if she should. It’s not about anything Hanako has done, just about what she now knows.

Enter Kou, who despite being a great cook asks Nene to help him bake some donuts for his “little sister.” Turns out the donuts are for Hanako, and making them with Nene was meant to give her some space and time away from the bathroom to think things through.

Nene is appreciative of Kou’s friendship, and the donuts work great…until a black crane appears and transforms into…Hanako’s twin brother, whom he murdered. Nene manages to shoo him away (he doesn’t seem to be the most powerful as far as spirits go).

Still, after that things are right back to being awkward between Nene and Hanako. Even though she didn’t actually pry, circumstances exposed still more elements of a past Hanako would clearly not get into, even with a friend like Nene.

Hanako’s brother, meanwhile, seems to be in cahoots with the doll-like Sakura, who along with her lackey Natsuhiko’s help and the use of the broadcast club room seems to be responsible for a lot of the rumors that are causing problems around the school.

We’re not yet sure why she’s doing this, mind you, which is a little frustrating as we’re now past the halfway point of this season. Withholding secrets is fine, but with Hanako and Nene’s story basically going in a circle (donut?) this week, hopefully they’ll confront Sakua’s plot sooner rather than later.

Then there’s the cute ghost of a dead student Kou finds, which just kinda comes out of left field at the end. Kou’s mission to extract the ghost’s “regrets” is way too rushed and to make much of an impact, though the ghost’s protestations of Kou being a pervert bent on doing things “just like in porn” was amusing enough.

For now, there’s a lot of pieces now on the board, with parties of varying interests observing one another and sizing each other up, and Nene’s complicated bond with Hanako stewing in the middle. It’s anyone’s guess how those pieces will be move and interact with one another in the final five episodes.

Karakai Jouzu no Takagi-san 2 – 11 – A Big Catch

In a desperate attempt for a win, any win, Nishikata manages to find out from Takagi’s friend that she’ll be walking down a certain road at a certain time, and arranges for a game to guess the steps to a certain spot.

Thinking more than one step ahead for once, he correctly predicts she’ll call for a further target, but he’s such an open book she changes it again, demonstrating that thinking just two steps ahead won’t cut it if you want to beat Takagi!

Still Takagi had fun, and is flattered that Nishikata would go so far to win a game, and asks what he wants her to get him as a souvenir on her family vacation. Later, Takagi’s friend can tell from her face “something nice happened.”

When Takagi is back, she presents Nishikata with another great gift: a 100% Unrequited Love-themed curry kit. He also went on vacation, and surprises her with a gift of cookies. Little does she know they’re sour cookies. When she suggests they go to the shrine to enjoy their gifts together, it’s the perfect chance to see her distressed, puckered face…

…But on the way there, Takagi expresses her happiness so genuinely, Nishikata has no choice but to warn her ahead of time. Turns out the cookies are actually pretty good. Takagi also uses their shrine visit to tell him she had her family vacation shortened so she could go to the upcoming summer festival.

Nishikata isn’t planning to go with anyone, and neither is Takagi, so she tells him in no uncertain terms that if someone asked her to go, she would—someone she teases all the time, for instance. Knowing him all to well, Takagi provides him with everything he needs…all he has to do is, well, ask her out.

The subtle animation really shines in this scene, conveying Takagi’s nervousness as she adjusts her legs and stretches her trembling hands, matching Takahashi Rie’s superb voice work.

Asking Takagi out is one of the hardest things Nishikata has ever had to do, because it pretty much throws out the window the fiction that, as he’s so fond of saying, “it isn’t like that” between them. When the two run into each other on the street and he offers to carry her groceries in his bike basket, the atmosphere gets more and more awkward as he utterly fails to speak up and say the words that need to be said.

I really can’t overstate how much tension is built up as they walk up to her house and say goodbye and he starts to walk away, without asking her out. Her usual cheerful smile vanishes, replaced by a look of resignation…she tried her best. But then she hears his bike returning, and the shy sonofabitch finally, finally asks her if she wants to go to the summer festival with him.

The answer, of course, is yes, and in her elation she tosses more canned drinks into his arms before he heads off to fish with his mates. Nishikata doesn’t get to see her adorable quivering look of relief and joy as he pedals off. Now this is how you build anticipation for the twelfth and final episode!

While fishing, even when he gets a bite on his line he doesn’t notice, as he’s in a kind of trance state. Not surprising, as he’d already snagged the biggest catch of his life.