Fruits Basket – 15 – Lakeside Detour

In a show that is very upfront of being just the first of several seasons—and a 25-episode first season at that—it’s going to move at its own leisurely pace, and there’s going to be the odd episode that feels more like filler than others. This week was one of those times, and it felt like a few disparate story lines were combined to fill the run time, none of which were resolved or even advanced all that much; only inched forward a bit.

Ever since seeing her hat and remembering when he last saw it, Yuki has been quiet and awkward around Tooru. Similarly, Kyou has been quiet and awkward ever since he seemingly kissed her as she napped. Tooru is very weirded out by their lack of arguing and naturally assumes she said or did something to offend them. Before they can assure her, she trips and falls down a hill.

Meanwhile, Hatori, who drove everyone to the cabin, passes the time reading Shigure’s books. Shigure claims he’s just teasing his editor by going AWOL for a couple of days, but Hatori sees a possible other reason: his former fiancee Kana is getting married, and perhaps Shigure just wanted to get his friend away from…all that.

Tooru’s tumble results in Yuki and Kyou transforming into rat and cat for the first time in a while, and it’s apparently enough of a shock to forget why they were so silent and awkward and start arguing again, which makes Tooru laugh with relief and joy. But they still don’t tell her what was bothering them, and because she’s so easily distracted (or relieved), she doesn’t press the matter.

That brings us to the most problematic part of the episode from where I’m standing: Ayame coming out of freakin’ nowhere. Ayame is just way to zany and hyper for the scenes he’s in, which feel like they go on forever: he says something that angers Yuki and Kyou, they react with hostility, rinse repeat. It just isn’t that interesting.

We later learn that Ayame came to give Hatori Kana’s wedding picture, courtesy of her friend Mayuko (whom Shigure dated for a hot minute but they broke up). Even if Hatori has decided there can be no going back to Kana, as his BFF Ayame isn’t satisfied. Shigure hopes Hatori finds happiness with someone else some day; he’s still very young after all.

Hatori just wants to make sure the likes of Yuki and Kyou don’t end up making the mistakes he did—by which I presume he means letting Akito control every aspect of his life, torch his relationship with his soul mate, and blind him in one eye.

Advertisements

BokuBen – 12 – The Sting of Defeat

Nariyuki and Uruka are a great couple I’m proud to ship, and they’re only a five-minute proper conversation away from living happily ever after. While I’d like to say I’m under no illusions that BokuBen will actually ever make them a thing, the teasing keeps me coming back. I guess I’m saying I’m an idiot…but a generally happy one, so who cares!

This week both halves of my favorite couple are sick of the awkwardness that’s cast a pall over their once lively friendship, and both seek the advice of their sensei Fumino. In addition to stringing along a NariUka shipper like me, they continue to lock Fumino in a cycle of pushing her own potential feelings for Nariyuki aside in favor of supporting her friends, Uruka and Riko.

She’s unsure how to break out of this cycle, and is worried Uruka and Nariyuki’s continued problems will have an adverse effect on their studying, so she decides to break neutrality and help Uruka out this time. To closely supervise her two students, she shows up to their rendezvous in a shrewd disguise.

Fumino quickly learns things are much worse than she thought regarding these two. Every effort to spark a conversation is quickly snuffed out when the talk quickly goes back to the source of the awkwardness, whether it’s Uruka’s see-through top after the rain, or her sexily modified uniform at the shrine.

As the two grow more and more awkward and discouraged, their texts to Fumino grow less and less coherent. Matters aren’t helped by Nariyuki and Uruka constantly insisting they’re not talking about themselves, but “friends of theirs,” a conceit that grows less and less plausible as the meeting digresses.

Finally, Fumino’s complicated texting is interrupted by Sawako asking about hairstyles, and she sends the wrong texts to the wrong party by accident. Thanks to pure dumb luck (or good karma on Fumino’s part) it all works out somehow, thanks to one of the hairstyles Sawako mentioned being the same one Uruka has. Nariyuki follows the text and declares Uruka cute, and Uruka gets him to repeat that comment over and over. Ice broken!

Nariyuki attends Uruka’s swimming tournament, in which she wins the 200m free, but loses in the relay when a kohai has a false start. Nariyuki tries to cheer Uruka up afterwards, and ends up with more evidence for why Uruka would be such a good choice for a partner.

Uruka doesn’t pretend either to her kohai or to Nariyuki that it’s not a big deal to have lost, and that she doesn’t want to cry her eyes out about it. But, and this is key, if that kohai learned a lesson she can carry forward and succeed later in her career, their loss won’t have been in vain. That’s Uruka for you: an ace and a team player, through and through.

Uruka even shows signs of boosted confidence when she invites Nariyuki to hang out with her that night. She takes him to their old middle school, where “it all began,” with “it” being their friendship and her feelings for him. Those years ago, when she was ready to quit out of frustration for losing, he encouraged her to stick with it. To be as serious about something as she was about swimming was something rare and precious to him.

All this increasingly non-vague talk about their history together leads Nariyuki to ask her if she ever managed to confess to the “guy she likes”, still—and perhaps perpetually—unaware it’s him. Uruka really shot herself in the foot by lying about it not being him, since now he can offer, without a hint of awkwardness, to be the one she confesses her feelings to as a “dry run”.

But because Nariyuki’s words, out of context, sound like he’s urging her to tell him the truth, a flustered Uruka comes right out and does just that. She well and truly confesses that she likes Nariyuki, a lot, and always has. Too bad then that her previous lie dooms his ability to take her seriously. He thinks she’s practicing on him.

Rather than clear this up by saying something like “no, actually you are the guy I like and there truly isn’t another person”—admittedly out-of-character—she tosses Nariyuki into the drink. He takes her arm and drags her in too. When he protests, calling her Takemoto, she gets him to say her first name Uruka again, and is all better again.

With other characters with routes to wrap up, this may have been Uruka’s last chance. But I do think she’s being more honest than anything else when she told Fumino she just wants things to be good with Nariyuki…and for him to occasionally note her cuteness. So while, like me, Uruka may be a fool when it comes to settling for less than total victory, as long as she’s happy, that’s what matters. I just hope she keeps trying, because I won’t stop rooting!

3D Kanojo: Real Girl – 16 – Stuck On You

Hikari has Iroha prepared for the worst—that he’d move to Hokkaido with his mom. Even though the two have progressed enough in their relationship for her to know and openly admit that she’s not helping matters, she still can’t help yelling at him and running off in a tizzy.

I mean, she wouldn’t do either if she didn’t truly care for and love Hikari. But she’s super-frustrated that neither of them can do anything about it…which is why it’s auspicious that while walking home she crosses paths with someone who can: Hikari’s father.

Iroha uses the opportunity to introduce herself as Hikari’s girlfriend, and Dad apologizes for indirectly disrupting her life as well, but assures her he’s working on a solution, and seems encouraged by Iroha’s devotion to his son for all the right reasons.

The same time Iroha goes to Hikari’s house to apologize for her outburst, Kono, the woman Hikari’s dad is seeing, also pays a visit. They whisk her away to a family restaurant, and Iroha proceeds to lays into her by saying nothing that isn’t true.

She admonishing the 24-year-old Kono for crying when it’s she and Hikari who should be crying about this situation. Iroha would hope someone of Kono’s age would know loving someone is no excuse for destroying the lives of others.

As Kono gets told the riot act, eventually confessing that she didn’t think going out for a couple dinners would be that bad, both Itou and Ayado think about the last time they interacted. She approached him to apologize for ignoring him, and he told her she didn’t have to talk to him anymore, and apologizes himself for not being able to be her friend (since he can’t help but want more).

Ayado ends up moping on the roof, but thankfully, she’s not stuck in that inactive funk for long, because Ishino Arisa is on the case. When Ayado explains how she felt she had no right to fall for someone else so soon after falling for Tsutsui, Ishino delivers a swift slap to the face. Of course she has a right to be happy, and she has to take every opportunity she’s got to do so! If Itou has the wrong idea, she has to correct him!

When Hikari and Iroha realize his dad and Kono never actually did it, but only had dinner a couple times, Iroha is embarrassed for taking things too far, but Hikari is even more angry at his dad for not being clearer about the extent of his betrayal of Mom.

Hikari and Iroha take his dad to the restaurant (I swear high schoolers shouldn’t be able to afford this many trips to the famures, unless Pops is paying the second time around) to talk it through, and he proceeds to tell them the story of how he and his wife, Hikari’s mom, Kie met.

It all started with an act of kindness (not surprising, coming from a Tsutsui male): when one of Kie’s shoes broke, he fixed it with some of the glue he always had on hand (“I’m not a shoemaker, I’m a gluemaker” is a great line that actually sounds better in English).

Kie takes him out to dinner to thank him, and wonders why he’s so quiet. When she brings up the subject of glue, he talks her ear off, then apologizes for being such a “lost cause.” But Kie isn’t impatient; she’s charmed by this kind, awkward guy, and laughs.

When Kie is out with her drunk boss and that boss propositions her, telling her she’s incompetent and only kept around the office because of him, Hikari’s dad (who happened to be there) is there to comfort her. Even though he couldn’t run out and slug her boss, he is able to fix her shoe (again), and comfort her in her moment of vulnerability. He confesses his love to her, and notes how absurd that is considering they hardly know each other…but Kie doesn’t mind. She wants to know him better.

The rest is history…or would be history if Hikari’s dad continued to sit on the sidelines and do and say nothing to stop his marriage and family from becoming destroyed. Hikari has him seek Kie out at the playground to try to work things out, and he’s ultimately successful by being honest, forthright, and kind, the qualities that made her fall for him in the first place. Kie forgives her husband his transgressions, as not only were they not as severe as she initially believed, and that they served to rekindle his love for her.

With that crisis averted, the episode closes with Ayado calling out to Itou, who seemingly ignores her and boards the bus. But he ends up approaching her and asking what’s the matter, like he doesn’t know…and Ayado throws herself at him and tells him what’s the matter: he ignored her, he told her she didn’t have to talk to him anymore…and she can’t think about anything but him. Really great work by Ueda Reina here, as usual, and encouraging news on all dramatic fronts!

3D Kanojo: Real Girl – 10 – Love is Painful, but Also Fun

I’ll admit the title above isn’t a particularly original observation, but one thing it definitely is is true, as anyone who loves or has ever loved someone else can attest. When 3DK started I noted the balance in its core couple, and I stand by that assessment.

Whatever they may feel about their situation, the fact is both of them are at pretty much an equal disadvantage when it comes to matters of love and intimacy. Before falling for one another, neither had any experience with intimacy. Hikari had never liked or been liked by someone like Iroha, and Iroha had never liked or been liked by someone like Hikari.

Their mutual lack of experience has made for a bumpy road as their affection for one another intensifies, but it also leads to some novel strategies someone with more experience than Hikari might not attempt, such as having Iroha present for his gentle rejection of Ayado.

It wasn’t even a stone-cold rejection of Ayado, so much as a calm and measured affirmation that he’s simply already in love with Iroha. More importantly, he showed his work, explaining how he used to feel and how those feelings changed when he learned more about her, and when his preconceptions were replaced by truths.

Iroha, who only wanted to hear Hikari say the words “I love you”, wants to hear them again later, and Hikari knows not to refuse her. Ayado feels bad about being turned down, and both she and Hikari find themselves weighed down by their 3D problems in the immediate aftermath, but after that both are fine; Ayado is refreshed.

Itou knows now is not the time to confess his love for Ayado, nor is he sure such a time will ever come. When making up with Hikari after yelling at him by sleeping over, Itou reveals to Hikari that there’s a girl he likes, but believes he’s already been given his answer.

I wouldn’t be too sure about that; Ayado is coming off a rejection, but given time, she might be receptive to someone like Itou’s feelings provided, ya know, she is aware of them, and that’s up to Itou. It’s up to him whether he can get past the fact she once loved Hikari. In any case, as Itou says, it’s painful being in love, but also fun.

Hikari’s tale of romantic ineptitude is a simple one: he buried himself in games after he decided interacting with people was too hard and painful. It was Iroha who brought him back to the 3D world, and showed him how it wasn’t only pain that awaited him there, but a good deal of joy as well. He also learned how well-equipped he was to live in such a world, owing to his basic decency and kindness.

Iroha’s tale is one we hadn’t delved into, but I’m glad this episode finally does so. Iroha has a pretty face, and so she never wanted for the attentions of men of all ages, whether that attention was appropriate or not. When she pressed those who confessed to her what they liked, they gave only superficial answers.

What changed Iroha from an insular person not any more sure how to interact with people into someone approaching gregariousness was, apparently, a medical diagnosis. She decided she’d interact with as many people as she could, but she only managed to attract those like her; people only looked at the surface and never dug deeper.

In a way it’s hard to blame them, because like her it was all they knew. Then she met Hikari, someone who wasn’t simply looking to share in the kindred understanding of attractive people that your real self will always elude others. Hikari got past that, found the awkward person beneath the surface, and wanted to protect that person…and stuff.

Hikari is still nervous being alone with Iroha, particularly in his room, but after a day of karaoke and bowling during which Iroha discovers Hikari’s cool, intense side (going all out singing) as well as his delicate, nurturing side (clipping her nails when she breaks them while bowling), he comes to the realization he’s okay being with her.

When he and Iroha spotted his little brother holding hands with Takanashi’s little sister, Hikari lamented that he sometimes feels his life moves five times slower than average. But when you only have three months left with your girlfriend before she moves, he realizes that slowing of time is a good thing.

3D Kanojo: Real Girl – 09 – She Loves Me as I am; I Hurt Her as I am

Hikari manages to find Iroha, but their communication impasse continues unabated. Iroha knows she shouldn’t get so mad whenever he’s kind to others, but doesn’t quite know how. Hikari doesn’t know much of anything, just that something’s wrong and he wants someone—Iroha, Ishino, Takahashi—to give him all the answers.

Itou’s doomed pursuit of Ayado has him accompanying her into town for a post-fever hospital visit, but what with her talk of needing to confess to Hikari, he never gets what he deems a decent chance to tell her of his own feelings for her.

While on the train home (alone), Hikari dreams of Julia, the only other girl who ever interacted with him on a regular basis, in elementary school. She liked how he was good at drawing, but he didn’t know how else to get approval from others, so he kept drawing, even after everyone else, Julia included, moved on.

He repeats his assertion it’s a miracle someone like Iroha likes him, but decides a grand gesture like confessing his feelings for her might get things back on track. To his dismay, Iroha doesn’t want to talk, but Hikari only makes things worse by answering a text from Ayado when his attention should be on Iroha first and foremost.

I don’t care how indiscriminately kind you are; the person standing in front of you is almost always more important than a text or phone call. Hikari blows it, then gets completely blindsided by Ayado’s confession. So much so he runs away, engendering the scorn of Itou, who tells him he’s “the worst” for responding to Ayado’s courage with such cowardice.

Hikari surely looks like he’d like to go back to not having any friends at all, but it’s too late for that. He may not be on the best terms with some of them, but they’re still his friends. He may be on rough seas with Iroha, but they’re still boyfriend and girlfriend.

Ishino and Takanashi serve as sounding boards for Hikari and Iroha, and both find themselves giving out serious advice in spite of themselves. Like it or not, these two have become good friends with this dysfunctional couple, and so they’ll lend a hand whenever they can, because beneath Ishino’s rough and Takanashi’s douchey exteriors, they’re both good people.

Takanashi tells Iroha the only way to figure things out is to keep seeing Hikari and talking with him. Hikari, meanwhile, gets punched by Ishino…but at his request, leading him to properly respond to Ayado’s confession.

3D Kanojo: Real Girl – 08 – IT BURNS US, PRECIOUS!!!

In hindsight, the camping trip seemed doomed to failure. You had multiple parties involved who liked someone who didn’t like them back, whom I listed last week. You had the central couple just having forged their latest peace treaty after yet another misunderstanding. It all felt like so much tinder ready to ignite from the tiniest spark. Besides, we all know what camping leads to…FIRE.

Still, while things were all but certain to blow up before the episode concluded, it featured lots of good character pairings beyond the usual Hikari-and-Iroha. Ishino goes for it with Takanashi only to be turned down in sensational fashion (she asked what he didn’t like about her and he answered, holding nothing back).

While you could say Takanashi’s general feeling of being put out by being invited in the first place is a measure of comeuppance, he is also forced to endure as thorough a dressing-down from Iroha as he exacted upon Ishino. It’s not just that Iroha hates him for what he did to Hikari; she hates how he tries so hard to defend himself to the end.

Itou mostly keeps a respectful distance from his new crush Ayado, but when she calls him “cat-ears-senpai” one too many times he starts to suspect she doesn’t even see him as a potential mate. When she, convinced she’s a “below-average nothing of a girl” thinks no one is looking, she steals a gaze at Hikari talking and laughing with Iroha. But Itou is watching, and he can see—as could anyone with eyes—that Ayado is neither ‘below-average’ nor ‘nothing’.

Despite all this magma simmering just below the surface, it must be said that pretty much everyone is having fun on this trip, even if that fun is being somewhat marred by varying levels of heartache. Iroha even makes a point to tell Ishino how glad she is everyone is having fun. And then Ayado drops a teapot and burns her hand, and Hikari (who was in the kitchen with her) takes her to the sink and tenderly holds her hand under running water.

Seeing Ayado in Hikari’s hands—and seeing how she reacts to being in them—is too much to bear for Itou, who goes outside for some air. When Ayado goes so far as to make guilty eye contact with Iroha, it’s too much for her too, and before you know it, Iroha and Itou are outside for the exact same reason: Ayado and Hikari.

I don’t know if she’s on new medication to make her more sensitive and perceptive or if she was always like this beneath her rough exterior, but Ishino goes out and diagnoses Iroha’s mood with frightening accuracy, in addition to offer some worthwhile advice: if you don’t want things to keep getting weird, don’t be afraid to speak up on the spot.

The group reunites for cardplaying, but only Hikari and Takanashi actually seem interested in playing, while Ayado, who was accidentally pushed into the drink by Ishino, comes down with a fever. Tending to her falls to Iroha, which we later learn was Hikari’s idea, in yet another case of not knowing what he doeth.

Ayado’s pent-up feelings combined with her fever compel her to confess that she’s in love with Hikari, which is really the last thing Iroha needs to hear right there and then. The next time she sees Hikari, he pleads ignorance once more, and she blows her stack and runs off into the chilly woods. “Too dense. I’ve had enough of it.”


Hikari and Ayado are in trouble for the same thing: failing to properly gauge how their words and actions will be construed by the people they care about. Ayado’s poor timing and lack of tact set Iroha off, though she doesn’t deserve the reaming she gets from Takanashi.

Itou is there to put a stop it. Itou may never find himself being watched by Ayado the way Hikari has, but he won’t stand for Takanashi being overly cruel, not to mention hypocritical.

Meanwhile, Ishino accompanies Hikari to look for Iroha, who remains hidden (and cold) to the end of the episode. That’s one damn dark way to end! Honestly, I don’t know where Hikari and Iroha go from here. Hikari’s continued inability to understand anything is wearing thin, while Iroha knows that it’s not entirely his fault—his kindness for those deserving of it simply has no filter.

Sometimes it’s no one’s fault. Sometimes things just burn down, and all you can do is properly dispose of the ashes. Or will new growth (in their relationship) sprout from those ashes, like a Phoenix rising over Arizona?

Wotaku ni Koi wa Muzukashii – 02 – Settling into a Nice if Familiar Rhythm

If the newness of WotaKoi masked it in the first episode, Hiraike Yoshimura’s style has become apparent in the second, as this week’s episode is more of a loosely-connected sequence of joke-dense vignettes with plenty of self-deprecating commentary (and some that references Eva, including Hirotaka-as-Ikari Gendo…Oigakkosan Cameo!)

Where WotaKoi distinguishes itself from Working!! and its various sequels is the speed with which the main couple comes together. Even when Hirotaka and Narumi are a little awkward at work, their friends Koyanagi and Kabakura point out the positive aspects of the other party, and that they’ve made the right choice.

But when Narumi somewhat carelessly admits Kabakura might be more “her type” in earshot of her boyfriend, she draws his ire, and the episode takes on the structure of a multiple-choice RPG, in which her avenue of escape is blocked until Kabakura and Koyanagi—former captains of their schools’ volleyball teams—start going at it, and she exploits the opening to flee.

Hirotaka chases after her, however, which results in the two adults working things out right then and there. She was scared of his reaction, while he was worried she didn’t like him anymore and wonders if it was a bad idea to confess to her.

In response to that, Narumi hugs him tightly, telling him not to say such things. She makes sure he knows she’s happy he confessed, and likes where they’re at. Some initial awkwardness is to be expected in a romance where the two parties work together.

Those initial hiccups in the relationship are all but forgotten in the next segment, in which the quartet decides to go out for drinks after Narumi finishes up some OT work. But because all four of them are otaku, they decide to head to a bookstore first.

Once there, the women split from the men. Narumi and Hirotaka may be dating, but their forms of otakuism differ, which means on occasion they’ll give each other a berth in which to pursue their individual interests.

That’s especially the case on a night when Narumi gets to browse and shot with Koyanagi. Narumi has always hidden her otakuism from her friends, and feels liberated for finally not having to. Koyanagi, for her part, wants Narumi as a cosplay partner.

The result of the group’s extended shopping trip to the bookstore is that everyone other than Hiyotaka bought so much stuff and they’re so eager to read it, they skip going out for drinks altogether, part ways for the night, and stay up way too late. The next day they’re all groggy at work, which might actually work in Hiyotaka’s favor with regards to his attempts to learn how to wink!

While I’m sure it will expand to more people before too long, this is a fun quartet of people so far, consisting of a definitely-together-yet-casual couple and a long-standing love-hate/will-they-won’t-they. Those two kinds of dynamics on display lend balance to the proceedings, and the volume of jokes is high enough that even if some might not land huge laughs, there’s always more to come.

Koi wa Ameagari no You ni – 09

I had high hopes for some enjoyable festival times with a newly reunited Akira and Haruka, but the reveal of the episode’s title, “Rain of Sorrow” (yikes!), After the Rain had other ideas. While Akira made a nice gesture by inviting Haruka out, there’s no avoiding the fact the two have drifted apart considerably.

When Haruka watches Akira interact with Kondou (who is there with Yuuto), Haruka is thrown for a loop when Akira makes it clear she likes someone so “old.” It’s a reasonable thing for a high schooler to say, but Akira doesn’t take kindly to it, and cuts off the discussion.

That, in turn, leads Haruka to lose her temper, since Akira has made it almost impossible to talk to her about anything anymore. With a few words that probably weren’t meant to cut as deeply as they do, Akira has Haruka running home crying. Those words? “We can’t go back to how we used to be.”

That’s damned harsh, and I’m a little disappointed in Akira for going there so quickly, but then again, perhaps a degree of maturity and pragmatism have rubbed off on her, both from Kondou and the reality of not being able to run. Bottom line, harsh or not, Akira is right, and she’s not quite sure how to integrate Haruka back into her life.

Somewhat conveniently, Kondou is going through the same thing, only at a more advanced stage: he’s meeting an old friend and classmate Kujou Chihiro at their old watering hole, where they’re the only two guys who aren’t college students.

Kujou is the author of the book Kondou checked out of the library and got mad at the Amazon reviewer about. And it’s lovely to see these old friends gel so nicely right out of the gate (beer and delicious food help grease the proverbial wheels).

It’s also apparent Kujou holds Kondou’s opinion and skills as a writer in high regard; perhaps even beyond his own, which is why he doesn’t believe Kondou when he says he doesn’t write anymore. He does, but rather than a dream he wishes to achieve, it’s “just a little something.”

But there’s a reason Kondou and Kujou haven’t seen each other in ten years. Kondou was meant to join Kujou and other classmates on a trip to India, but he ditched them to marry Yuuto’s mother, while Kujou’s experience kicked off his successful writing career Kondou wanted but apparently put aside for love and family.

Kondou and Kujou never had a grand public yelling match in full yukata regalia like our girls, but through their individual choices and the passage of time, grew apart to the point they couldn’t go back to how they used to be. There may be other times when they see each other to drink and talk. When together, they’re not adults, but classmates. But there will never be a time like back they enjoyed in their youth. Nostalgia, indeed!

The new term starts for Akira, and while her other track friends are friendly, since she hasn’t made up with Haruka, things are still awkward between them, and Akira isn’t sure how or even if she can mend fences, because she’s just as behind in what Haruka is thinking and feeling as vice versa.

Kondou (who made sure to tell Kujou his depiction of high school girls was inaccurate, no doubt based in part on his friendship with Akira), can sense Akira is down about something, and unlike with Haruka, Akira can relatively easily tell him what that something is.

Their talk is interrupted by work, but at close Kondou has Akira join him outside once more, where he presents her with a gorgeous supermoon (and what a great closeup of Akira’s eyes reacting to it’s glory) upon which to wish.

Kondou also lays down some adulty wisdom: even if she and her friend are growing apart, the irreplaceable moments they shared won’t disappear, so perhaps neither will the possibility they’ll grow closer again someday. Sometimes people need to grow apart to truly find themselves. But in Akira’s case, I think she should attempt to make up sooner rather than later; I don’t think they’re irreconcilable.

Just Because! – 10

In its third-to-last episode of the Fall, nobody has a particularly happy Valentines Day, both as a result of bad luck, poor timing, simple misunderstandings, and an inability to resolve those misunderstandings in a timely fashion (hence the two episodes remaining).

Komiya Ena—who may be the more charming and less passive of the two girls, but is nevertheless someone I don’t think Izumi should end up with—still wants to give him chocolates, but becomes dejected when she sees him with Natsume.

Meanwhile, Natsume seems on the cusp of giving Izumi chocolates as well, but a LINE message from Souma leads Natsume to glance at Izumi’s phone, and Chekhov’s Phone Background goes off, upsetting her to the point of running off with a face Izumi has never seen. THANKS A LOT, SOUMA.

Almost immediately after Natsume retreats, Komiya goes up to Izumi and gravely removes the background before running off herself. And when Natsume finally stops running, she beams, happy to be so “completely serious” about Izumi, even if he has no idea his love is requited.

Frankly, I found the need for Natsume to see the background a bit of a cheap stunt, even if it was telegraphed as a potential point of conflict as soon as Komiya made it Izumi’s background.

I get it: these crazy kids take their social media seriously, but they’ve also proven capable of using their words with one another in person. Sure, emotions ran high, but Izumi made no real effort to go after Natsume or explain the reason Komiya was on his phone.

Speaking of communication, Souma and Morikawa meet up, ostensibly so Morikawa can deliver her answer—which she does, but not before they do a kind of performance piece in which she’s playing the trumpet while Souma pantomimes hitting a home run and rounding the bases.

It was…odd, more than a little corny, and not really effective. That being said, their exchange after their little “dance” went better than Izumi’s triangle, even if Morikawa asks Souma to be patient and let her get settled with college before dating.

Asking for another delay is cruel, but hardly avoidable. The two being able to see each other regularly is practically impossible, no matter how gung-ho Souma claims to be, he’s not made out of travelling expenses, and it wouldn’t change the fact they’d be leaving the gate in a long-distance situation, which is never a good way to start.

Ultimately, I’m satisfied with Morikawa’s position evolving from “no way” to “I don’t know what I’m doing” to “yes, but later.” As Souma said, she gave it a lot of thought and consideration. Could he fall in love with someone else in the weeks and months he and Morikawa are apart? Perhaps, but that’s not presently the case. If it’s to be, it’s to be.

That’s kind of the attitude I have to take with Izumi and Natsume too; if it’s to be it’s to be. Komiya decided to bike to temples all over the place to grab as many amulets as she can. It’s a gesture simultaneously self-serving (to impress him with her dedication) and selfless (she got them to ensure he’ll pass the exam). She both wants him to fail so he won’t go off with Natsume, and wants him to succeed because he’s studied so hard.

Izumi likes that part of Komiya, and so do I. She also gives him chocolate—albeit one small store-bought bite rather than her homemade sweets—and he gives her one of her charms back, in hopes she’ll win her competition, something he didn’t use to care about, but now does because he considers Komiya a dear friend.

As for Natsume, she’s going for it. She’ll get into Joei and then “lay bare all her feelings” regarding Izumi. Here’s hoping she and Izumi don’t end up at different schools, thus having same problem of distance and time as Souma and Morikawa. Don’t do that to me, show. I’m warning you. DON’T YOU PUT THAT EVIL ON ME JUST BECAUSE!

Just Because! – 09

Whew, there’s a lot to unpack this week. A lot happened!…or at least a lot seemed to happen. Morikawa’s new ‘do causes an unexpected sensation from just about everyone in her class, except for the one guy whose reaction mattered most to her—Souma, because he’s an idiot.

After her not-confession (which Izumi mutters to himself had the exact same effect as a not-not-confession), Komiya is awkward with him, and all the times they naturally bump into each other always end with her retreating wordlessly.

Souma and Natsume encounter one another at the shoe lockers justs as Morikawa starts to play her trumpet, which sounds like it’s beckoning Souma, particularly when Natsume tells him he should go to her. Souma doesn’t want to be a bother…but he is.

No matter, Natsume goes to Morikawa instead; she wants to know how she decided on her future. Morikawa answers earnestly as always, citing her devotion to her family and paying them back for their kindness, but also wanting to taste life on her own for a bit, hence a woman’s university.

Morikawa wonders if it’s just a matter of her not wanting to be an adult, but Natsume thinks Morikawa really has “her act together”, especially compared to her.

After some unintentional synchronization after school (after which she exclaims “this day sucks!” with a smile), the third time turns out to be the charm for Komiya, as she runs into Izumi again while he’s on a run. She runs into the konbini and buys him a cold tea; he goes in and buys her a hot one in return.

There’s a Valentine’s Day sign in sight, and Izumi tells Komiya it’s almost time for his least favorite time of the year. Komiya coyly replies that even if Natsume never got him chocolate, he should expect some this year. Did I mention how fun these two are to watch?

Before leaving hastily yet again, Komiya expresses hope they can “get along like this from here on out!”; after she leaves Izumi mutters that that’s impossible. I think Komiya kinda knows that; Natsume still probably enjoys a lead in Izumi’s heart, regardless of how few nice interactions they’ve had.

The next day, Morikawa’s brothers spot Souma on the baseball field and run out to meet him. Souma finally has the opportunity to compliment Morikawa, and while she seems grateful, there seems to be something on her mind.

That gets back to the continuation of her talk with Natsume, after she asked how Natsume if she had feelings for Souma. Natsume responds that she liked him, past-tense, in a one-sided middle school crush, but locked the feelings away, but they eventually dispersed naturally.

Natsume was satisfied with “nothing coming of it” and “not trying to let anything come of it.” She also says there’s someone else she likes anyway, and when on her way home, she can’t resist buying chocolates for that person…and has made the decision to change her university to Izumi’s recommended school.

That means, of course, Izumi’s now studying for enrollment to the wrong school! It’s an object lesson in why you should really be more open about their plans, especially with someone you has feelings for. It would have obviously been a nice surprise if Natsume had stayed put, but that’s no longer the case.

I definitely dig Natsume’s bold move in escaping her sister’s orbit, even if neither she nor Izumi are making it easy for each other to come together. Still, while I’ve instantly come to love the idea of Izumi and Komiya, that “impossible” from him certainly leads me to assume Natsume is the one he’ll choose, even if they attend different universities.

I’m okay with that; I like both girls but there has to be a winner and a loser. All I’m sure of is that the next two-three weeks are going to be a roller coaster.

Just Because! – 06

Morikawa’s Sunday request to Souma for a chat goes unanswered into Wednesday. Why? Souma is weary of breaking the “stalemate,” unaware of what someone who outright rejected him could possibly want to talk about.

While that’s festering, Komiya continues her campaign to become Izumi’s friend, believing it will net her the benefit of him giving permission to use the photo. Rather than absense, she’s hoping her constant presence will make his heart grow stronger.

They have lunch in the depressing office where Izumi studies alone, and Souma catches him being fed by Komiya. “It’s not what it looks like!” Izumi protests. Maybe not, but things seem to be moving in that direction!

Souma and Izumi have a talk about Morikawa’s text, and Izumi suggests they settle it with baseball…again. If he hits a homer off Izumi, Souma must respond. If Izumi strikes him out, he’ll “be clear” with someone whose name he’d rather not say (though I’m assuming it’s Natsume; isn’t that why he’s studying; to get into a college near hers?)

Once more, Souma and Izumi’s two-man, one-out game becomes the focal point on which all others are focused, from Komiya (literally focused with her camera) and Natsume (who can tell Izumi’s doing his best) to Morikawa, who almost, almost breaks out her trumpet, remembering Souma liking it, even though she thinks she sucks.

The next day, Komiya gets some reasonable advice to back off from Izumi since getting closer isn’t working, but it becomes immediately clear Komiya isn’t capable of backing off in a realistic manner, and even if she did, it would have no effect on Izumi.

Natsume, inspired by both Izumi and Souma, gives Souma an eraser as thanks for him lending her one years ago. Souma is understandably confused, and unfortunately Natsume leaves it there without any further information, forcing Souma to, as Izumi says “figure it out for himself.”

Later, one of Natsume’s friends (one of three all rooting for her and Souma) asks straight-up if Natsume even likes Souma. Natsume doesn’t know anymore. She’s torn between the elation of that eraser lend in the past, and the presence of Morikawa in the present, and of course, the tests that will determine her future.

Souma, meanwhile, finally gets back to Morikawa, only for her to procrastinate over responding to him. These damn kids, I tellya! Fortunately, Inui kinda forces the issue by telling Souma where to find Morikawa, who is practicing trumpet by the river. She plays for him, and it only makes him repeat how much he likes her. Her playing! But her too.

Then Souma gets a victory (well, he’d call it that) he never saw coming: Morikawa wants more time to give him a final answer; he’s not rejected. His raw elation upon hearing this was palpable. They come to a detente; planning a celebration when Natsume’s tests are done. But they dare not hang out one-on-one…why, I don’t know.

Meanwhile, Izumi is jogging when he comes upon Komiya, who has been busted by the cops for taking photos of someone without permission. The sequence is chopped up a bit, but it’s apparent he came to her aid, and he offered to ride her home on her moped.

Natsume just happens to spot the two, looking every bit like a couple to the untrained eye, before they motor off. Could Izumi actually be warming to the more accessible girl? Or is he just being the good friend Komiya wanted him to be? Whatever the case, it’s pretty likely Natsume will see what anyone else would see: Izumi and Komiya looking very close.

Just Because! – 05

It’s a new year and a new semester; the last for all of our main characters (save Komiya). So why is everyone so bent out of shape (save Komiya)? Well, the events of last weeK—Natsume and Izumi having a fight and leaving on bad terms, and Morikawa shooting Souma down—had lasting repercussions.

Neither Izumi nor Souma want to go to school, and who can blame them? But now that Izumi and Natsume had time to cool down, both realize the error of their ways and wish to apologize to one another, because they really do care about each other. If anything, the fight demonstrated to both of them that they cared more than they knew.

Unfortunately, the reconciliation isn’t prompt; Natsume finally finds Izumi (who studies by himself in his own room…?), but Komiya is already there, monopolizing him, so Natsume bails with Morikawa and Noriko, and she ends up telling them what transpired with Izumi, and how she wants to fix it.

Morikawa also wants to fix things with Souma. Even if her rejection would ultimately stand (nothing’s 100% certain), in hindsight she believes she brought the hammer down too hard; it was her first confession, and one could say she panicked. It’s not that she dislikes Souma, she just doesn’t think she knows him well enough to start dating.

Natsume, putting Morikawa’s feelings ahead of her own in this matter, encourages her to talk it out with Souma; he’ll probably be happy for increased dialogue, and come to understand Morikawa’s position as more nuanced than “you’re trash.”

It’s not just Morikawa’s rejection that has Souma down in the dumps. This is his last semester, then it’s off to the factory, where he thinks he won’t be able to have fun anymore. A senpai invites him to a factory baseball game, and he’s shocked to see how into it the old fogies are.

Thanks to Izumi being in the right place at the right time, he’s able to produce the glove Souma tossed in the dumpster (the incorrect dumpster, mind you!), and Souma immediately makes an impact on the game that endears him to his future comrades.

On his way home, Souma runs into his mom, also on her way home. We see that Souma has been looked after by his grandparents, as his mom is really frikkin’ busy at work. But in a really sweet scene between the two, she tells him it’s worth it.

In a day’s time, Souma is feeling much better about himself, life, and the future…and that’s before Morikawa reaches out to him so they can talk more.

Having given Morikawa advice that talking things out properly is best, Natsume can’t very well not practice what she preaches! In a particularly romcom-ish coincidence, she and Izumi encounter each other at the monorail stop, and have the whole train to themselves.

Natsume tries to break the ice by joking about what book he bought (he says it’s manga, but it’s really a college prep book), but it backfires, so she says sorry, and then says she’s sorry about the other night as well. Izumi, in turn, apologizes back.

And while she says it’s not because of him or anything, she’s going to make a concerted effort to make her feelings clear to Souma, and face whatever’s to come after that. However, they part ways before it’s clear to Natsume why Izumi said what he said, nor is it clear to Izumi if Natsume realized how he actually felt about her.

There’s still lots of work to do…but everyone’s either talking again or about to talk again, so there’s hope that more will become clear in time.

Net-juu no Susume – 04

A new series of cute loot and a bonus point campaign spur Morika, already in high spirits upon becoming partners with Lily, to splurge a little. Only a happy circumstance takes place at the convenience store as she has to wait a few minutes for the store’s e-money system to boot.

Those minutes are spent suddenly learning that the store clerk is also a fan of Fruits de Mer, and goes on and on about it in a way Morioka find very fulfilling. They have so much fun talking, the clerk neglects the fact there’s a guy who needs his cigs!

Even so, it was exhilarating for Morioka to finally talk with someone about MMOs in real life. In the game, Hayashi encounters Kanbe and Lilac, the latter of which has just gone to the loot outlet and picked out some stuff that’s very fluffy and cute, but Kanbe prefers what she usually wears.

We also meet Lilac’s real-life player, who both laments not having snatched up Hayashi as her partner and seems to have a bit of a spark with Kanbe. Hayashi manages to score both rare and common loot, but lucky Lily takes the cake by scoring the whole set.

When in-game, NjS packs a lot of neat details, like the way Lilac sees Hayashi as a sensitive guy (compared to Kanbe) rather than what he actually is—a she; Pokotarou suddenly spawning in the same space as Lilac, obscuring her avatar; or Himeralda’s player playing as her husband, who plays Pokotarou; a surprising and clever occurrence.

But NjS makes good use of both of its worlds, and seems really balanced this week. Sakurai is depressed about not being able to see Morioka, and as he lists off all the ways he’s tried, Koiwai rightly suspects him of stalking, which isn’t good.

But then…Koiwai stakes out the convenience store, bumps into Morioka as planned, and works his businessman magic. Morioka is initially like, “why is this guy talking to me?!” and rightly so, even if she weren’t naturally shy; but once they get to talking they establish a quick rapport, though Koiwai comes off as a little pushy in gaining her contact info.

When Koiwai shows Sakurai what he’s done, how he managed to get a date with Morioka, Sakurai’s expression is of shock, which if the camera had lingered would have surely turns to dejection. Is Koiwai simply helping Sakurai out, or does he want to date Morioka? I hope it’s the former; besides seeming like a nice guy, what kind of friend would stab him in the back like that?

That brings us back into the game, where Hayashi goes to a, yup, dejected-looking Lily, who reminds them that since they’re partners, he can come to her to talk any time. Morioka, through Hayashi, words things very carefully in telling Lily the story of how she ended up in the hospital on an IV all the way to accepting a date from a former work colleague.

The coincidences are far too many, and Sakurai is no fool; he connects the dots, flipping Hayashi’s gender to make her Morioka. Now all he needs to do is believe the deduction he’s just made and proceed from there. After all, despite thinking he’s had no contact with Morioka, all this time he’s had all the contact, and they’re already partners, for gosh sakes. It’s high time the RL players need to catch up to their MMO counterparts.