Cardcaptor Sakura: Clear Card – 11

In what felt like a brisk episode, after a class lesson in formulas and equals gets Sakura thinking about how similar the Clear Cards are to Clow Cards she once captured, she has lunch with friends, during which Yamazaki informs everyone the ball sports tournament will begin soon.

On the way home from school, Sakura, Syaoran and Akiho encounter Yuna D. Kaito, who escorts Akiho the rest of the way home. Syaoran, meeting Yuna for the first time, is spooked—the butler is definitely a magic user. Eriol tells him via video chat that there’s an order in the UK that grants it’s highest-ranked magic users “D”—and for Syaoran to stay on his toes.

CCS is nothing if not adept at suddenly shifting from ordinary life to weird magical scenarios. After dinner with her brother during which she notices he switched up a recipe to include butter, she senses the presence of another card, which leads her and Kero to Penguin Park, the venue of a Clow card encounter in previous series.

Tomoyo placed Kero in charge of getting Sakura dressed up and filming her in case of her absence, and it’s a good think Tomoyo isn’t there, because this card loves pulling things off or out of the ground, inverting them, and smashing them back to earth.

In a rare interruption of Sakura’s capturing routine, it even lifts her off her magical circle. It’s only thanks to Kero diving in to catch her that she doesn’tsuffer a big bump on the noggin…or worse. But he wouldn’t have been able to save both Sakura and Tomoyo simultaneously.

Sakura figures out that up and down don’t matter if she’s already in the air, so she activates her Flight Card and secures the “Reversal” Card while airborne in a short but sweet little burst of action.

Unfortunately, just like last time the inverted playground equipment attracts the attention of bystanders and ends up a news story on TV; Sakura and Kero are able to fly home without being seen.

Back home, while chatting with Tomoyo, they also learn most of Kero’s footage is useless since the camera shifted when he caught Sakura. Tomoyo, containing her rage well, orders a training session for Kero so such mistakes aren’t repeated.


Cardcaptor Sakura: Clear Card – 10

Sakura is taking hands-free calls from Meiling and her dad whilst preparing for an afternoon visit from Akiho. For those who suspect Akiho of being somehow related to the dreams with the cloaked figure, this episode neither allays nor confirms those suspicions. All it confirms is that Akiho and Sakura get along like peaches and cream.

Akiho is almost too perfect a friend, proper, courteous, and self-effacing as she is. She even hates konjac…just like Sakura. But in the middle of a sumptuous meal lovingly prepared by Sakura, a strange glowing ball that originated in her room puts Akiho into a deep sleep. Assuming it’s a new Card, Sakura and Kero-chan spring into action, but the glowing ball eludes them and heads outside.

When Sakura follows, she finds herself in a trippy alternate dimension that resembles Escher’s RelativitySakura dons rollerblades, gloves, and kneepads to give chase, and instantly makes all of those things super-cool again for the duration of the episode. Kero points out that “they haven’t done this in a while”, so it’s clear the Sakura of previous iterations of the show have done this, back when rollerblading actually was cool.

Both the glowing ball and the labyrinth are seperate Cards: Sleep and Labyrinth, respectively, and Sakura manages to capture both. Akiho wakes up and Yuna D. Kaito takes her home. The rollerblade labyrinth is one of the cooler action sequences the show has done, and it’s executed pretty much flawlessly and with a cool, casual confidence. Not only that, but if this ep was meant to be part of the continuing Akiho charm offensive…well, it’s working!

Cardcaptor Sakura: Clear Card – 09

“A lot happened, but today was a good day.” Sakura could say that about just about any day, considering how much she has going on in her life, but I’ll concede that this day was better than most because she got to finally go on a date with Syaoran.

Sakura arrives at the meeting spot early after a quick chat with Yue (during which Kero once again transforms for no reason other than ‘it’s cool’), but Syaoran is earlier still.

The date unfolds as one would expect, with the two periodically getting embarassed and blushing but also generally having a great time. Syaoran also gets to show off his encyclopedic knowledge of jellyfish—they’re poisonous…who knew?! ;)—as well as his fluency in English.

In an interesting scene, Touya appears as a waiter at the aquarium tea room, and Syaoran later feels bad for simply glaring at him (though Touya glared back!) Also, the height difference between Sakura/Syaoran and adults like Touya is a pretty weird quirk of the show. Look how low that table is!

It wouldn’t be a Sakura date without some kind of Card-related excitement, and Sakura almost seems to be expecting some, especially when she takes Syaoran to the same place where she secured the Watery Clow Card. That excitement takes the form of a cracked water tank, in which…something grabs hold of Sakura.

Touya hits the emergency drains and Syaoran plucks her from the water (interestingly, neither seems embarrassed by him carrying her). That tank burst occured just when Syaoran was going to tell Sakura he officially wanted to go out with her.

Instead, it’s a wash (pun intended), but there’s nothing saying they can’t go on another date in the near future. Indeed, when Sakura vows to return to the aquarium after dark to secure the Card there, Tomoyo dresses both her and Syaoran up and makes sure she has plenty of pics and footage taken.

Sakura uses Lucid to hide everyone from security, then goes through various Cards from Gravitation to Flight to Gale, and isn’t quite able to bring down the Card, which rather than watery, has the form of a kind of giant Slinky.

Syaoran comes through with an assist, freezing the Card with ice magic so Sakura can secure “Spiral.” While larger questions loom and few were answered, Sakura is still quite correct that a lot happened, but it was a good day. From the happy would-be couple’s priceless interactions to the gorgeous environs of the aquarium, to even Tomoyo’s next-level surveillance, it was a pretty good episode too.


Cardcaptor Sakura: Clear Card – 08

CCS keeps on keeping on, with Sakura capturing another card and only the slightest movement made on her “clock dreamworld” situation. She also learns that yet another frined of hers is stinking rich, or at least gets to live in the house of someone stinking rich; namely Akiho living in the house Eriol used to live in.

Eriol may have been “very mature and a wonderful person”, but he still hasn’t replied to Sakura about the Clear Cards. Nevertheless, Akiho invites Sakura and Tomoyo over to see her collection of books from her travels.

Sakura invites Syaoran, who can’t go because he has unspecified “plans,” but Sakura, undiscouraged, and asks him if he’ll go out with her the Sunday after that, to which he agrees before trying to flick a petal off her shoulder. Their romantic scene is rudely interrupted by Kero, telling them “the world ain’t just for you two!” Speak for yourself, purse rat!

After another school day and a successful cheerleading practice, Sakura heads home and is greeted by her brother who seems like he wants to say something but doesn’t, and when she reaches for her closet, ends up in the clock world again. No matter how many questions she asks, the cloaked figure won’t answer her, and the clocks only multiply. Frustrating, right!

That Sunday, Sakura and Tomoyo show up to Eriol’s former, now Akiho’s current house, and it’s not only huge and stately, but comes with a dutiful butler named Tuxedo Mask Yuna D. Kaito, for whom Akiho used to cause “all kinds of trouble” when she was little. As guests in such a house, the girls mind their manners, and flowery formal pleasantries fly freely.

After tea and cake that tastes so good Sakura lets out an exhortation in some other language, the girls hit Akiho’s book collection, which is basically a damn library. The book Akiho is currently reading and considers a favorite is not there, and when she runs to get it, Sakura notices a group of numbered books missing, along with a section of shelving: this week, she doesn’t have to fight the card or become friends with it; she only had to find where it was hiding.

The card, “Lucid”, thus captured after the oh-so-brief hide-and-seek, Akiho returns with the book, the cover of which looks just like the clocks and gears in Sakura’s now waking dreams. It’s called Alice in Clock Land, not written by Lewis Carroll. Sakura wants to learn more, but Kaito interrupts their discussion asking if they want more refreshment.

Back in the UK, an impatient Akizuki Nakuru complains to the cat Spinel Sun about why they haven’t gone to Japan to help Sakura out. Eriol insists that there’s nothing they can do but wait “for the time to come.” Cut to Syaoran studying some kind of magical tablet in his room in the dark, and roll credits.

I’m encouraged that the aesthetic of Sakura’s dreams has finally shown up in the real world, and that Akiho is most definitely connected in some way. Her interactions with Syaoran continue to be adorable beyond compare, though I wonder if they’ll be able to go on an entire date without interruption from Kero, a Card, or something/one else.

As for still being mostly in the dark about everything going on around Sakura, well, at least we have good company, in that Sakura herself is just as in the dark! Nothing for it but to keep capturing Cards as they come, and living life in between.


Cardcaptor Sakura: Clear Card – 07

After a somewhat fruitless video conference with Yue, Sakura heads to Tomoyo’s vast estate to test out her new “Record” card, since who has more experience recording things than Tomoyo?

Tomoyo uses the opportunity to dress Sakura up, presents a new miniature camera drone, and then offers her vast gardens as a venue for Sakura’s experimentation.

Upon summoning the card a camera appears, which they learn can be used to record holographic footage on command.

Syaoran arrives and a apologizes for cutting their fun short, and they have yet another discussion in which Syaoran voices his frustration at not being able to sense the cards.

But when a mysterious unseen wind-like force starts bothering Sakura, he still shows he can take care of business by summoning a magic sword.

The intruder dodges his attacks, and Sakura stops Syaoran from taking further action, preferring to follow it herself and try to learn more.

The somewhat cheeky, almost childlike “wisp” sends Sakura on a wild game of tag across Tomoyo’s land, and Sakura can’t quite keep up even when she uses Gravitation to create a series of wormholes to teleport from spot to spot.

Action is even less effective, with the tree vines only serving to tangle themselves up. Finally, Sakura realizes that unlike previous cards, a direct attack won’t work, nor will any provocative action.

Instead, she has to stand still and simply act friendly, asking the wisp if she can be it’s friend. Only then can she secure the card, appropriately called “Flight.”

Sakura puts the card to use and spreads wings with which she can propel and maneuver herself across the sky with ease in a beautiful, joyful sequence. Sakura hopes that along with all of her other powers, her newly-acquired aerial abilities will be able to “make people happy”…but down on the ground Syaoran ain’t smiling.

Is he concerned about the nature of these cards he can’t detect? Worried about Sakura? Jealous? Hiding ulterior motives? Plotting a betrayal? We still don’t know enough. Ditto her dream about the cloaked figure and the giant clocks; it’s only briefly mentioned with no additional information provided.

CCS definitely elevates Sakura’s card capturing as far more than mere tedious drudgery, and the formula of most episodes has been reliable watchable and packed with fun character moments. I just hope we’ll eventually get movement—rather than further reiteration or repetition—of the show’s more mysterious elements.


Cardcaptor Sakura: Clear Card – 06

CCS definitely seems to be building towards something on the Clear Card and Cloaked Figure fronts, but the show is more than content to apportion that plot in dribs and drabs. To be honest, so am I—Sakura and her circle friends are likable enough that I’m just fine hanging out with them as their normal lives unfold.

While out shopping Sakura runs into Akiho, and discovers that she carries around a little stuffed rabbit, and considering Kero-chan pretends to be a stuffed animal, I wouldn’t be surprised if Akiho had a familiar of her own who stayed still around others.

As a newcomer to the franchise, I’m also chuffed to finally meet Keroberos in his “true form” as a great winged cat; he whips that out when another face from past shows, Meiling, has a Facetime call with Sakura.

Our only check-in on the Cloaked Figure mystery is when Sakura suddenly spaces out and ends up in a strange space filled with giant shimmering clocks and gears. She asks the figure questions but as always the figure says nothing.

From there, it’s back to school, where both Sakura and Akiho demonstrate their aptitude for reciting Japanese, and Tomoyo invites Akiho to try out the Chorus Club, recruiting Syaoran to accompany them on the piano as they sing a lovely duet.

The Clear Card of the Week is almost an afterthought, as ominous sounds of a camera recording turn out to be the “Record” Card, which Sakura secures without any difficulty whatsoever. I guess not every card-capture involves hazards!

Another week, another card for Sakura, while Syaoran seems increasingly frustrated he can’t sense them the way he could sense the Clow Cards of past series. Whether that inability will curdle into resentment or envy, creating a rift in his budding romance with Sakura, remains to be seen.

But then, a lot remains to be seen: who Akiho is, who the cloaked figure is (if not Akiho), whether Momo can move and talk like Kero, what Syaoran is keeping from Sakura and why, and what exactly the deal is with all these dang Clear Cards.


Cardcaptor Sakura: Clear Card – 05

As Chekhov’s Teddy looms in the background, Sakura prepares for a day of delicious lunches and beautiful flower petals that share her name.

Kero-chan teases her a little, her brother teases her a little, but she’s off nevertheless high in spirits.

Ain’t nothin’ bad gonna happen today! And how can it, with such sweeping, majestic, upbeat music playing as she walks to the park?

If I rated episodes purely by the quality of the soundtrack, this would easily be a 10 out of 10.

Upon meeting up with Tomoyo, the only thing that seems amiss is a slight feeeling that something has a hold of Sakura’s leg, but it’s only momentary, and engenders her smallest of “ho’es?”

The girls arrive earlier than the meet-up time to find their friends already waiting for them, having arrived even earlier.

It’s pastoral perfection and universal punctuality in perfect harmony, and it couldn’t be a prettier day to relax, eat good food, and enjoy the cherry blossoms.

But those little feelings of being pulled become more frequent and more forceful, until Sakura is being pulled away from the picnic and across the park (though she’s able to get her boots back on, somehow).

The weather turns dark and gloomy, and her destination comes into view: a gargantuan sakura tree with glowing purple blossoms that looks particularly sinister, especially with its whipping vines.

Obviously, it’s a card. Boss music plays, Sakura releases her staff, and tries to use a flexible Siege Cube to arrest her momentum, to little effect.

Still, all this card seems to be doing is pulling her towards itself, so it’s really just a matter of pointing her staff at the epicenter and yelling “Secure” from just the right distance without hitting the tree.

The new card she gains is “Gravitation”, which will come in handy if any future cards try to play hard to get. And sadly, Tomoyo once more fails to record Sakura’s heroics; I might be crazy, but this seems like it could be recurring gag.

Sakura is actually full of recurring interactions that differ in the details. We get out latest Lovey-Dovey Sakura x Syaoran Scene in which Syaoran initially says he just ate, then remembers Sakura made a lunch for him and eats that as well (I mean, he would’ve been a jerk not to).

Following some of Yamazaki’s patented Nonsense-Spewing and Sakura-, Syaoran- and now Akiho-Believing, and something, we get something new: everyone pipes down and listens to Tomoyo sing—and she sings beautifully.

There are no weird dreams with the hooded figure who may or may not be Akiho this week, nor any shadowy talks between Syaoran and Eriol; just a nice, idyllic spring picnic with just a brief interruption by a card that was more bark than bite.


Cardcaptor Sakura: Clear Card – 04

So, the pretty new transfer student Shinomoto Akiho is totally the cloaked figure in Sakura’s dreams, right? Someone her same height (and even a similar-sounding name) shows up way too concurrently with the arrival of the cloaked figure in the real world at the tail end of last week’s outing.

If Touya doesn’t let on like he knows anything concrete (for now), he certainly seems to sense Sakura is out of sorts the morning after her disturbing vision of the figure. As for Sakura, she and Tomoyo are bowled over by Akiho’s beauty and eager to make friends with her ASAP.

Whatever, I say, could go wrong here?!

Syaoran certainly seems suspicious of Akiho, even if the others are just as charmed by the newbie as Sakura (then again, remain suspicious of Syaoran…what a tangled web we weaved). Akiho seems singularly invested in making Sakura like her as much as possible, flattering her when they’re alone in the hall, and again when Sakura gets an answer right in class (apparently not a common occurrence!).

After giving that answer, Sakura notices the trees getting up and walking around outside, setting off a series of Sakura’s patented all-purpose catchphrase, HOEHHH! At this point I always look forward to every time she does that, and hearing all the subtle variations on that exclamation. Tange Sakura is a treasure.

It’s Tomoyo to the rescue, having the class believe Sakura is not feeling well. Of course, she also has ulterior motives, and has prepared a Chinese-style costume for Sakura to don during her next card-capturing escapade.

Sadly for her, Tomoyo doesn’t get to film much of the spectacle, as Sakura encloses the runaway trees within Siege, then floods the cube with water from Aqua to immobilize their scampering roots.

Every action sequence thus far in CSS has been a delight to watch, from the novel ways in which Sakura achieves victory, to even the more repetitive elements like her chants and pose-striking (week-to-week variety to which is achieved by the varying costumes).

Her next card, “Action”, thus secured, Sakura takes it to Yukito, whose alter-ego Yue inspects it and concludes that it also seems to lack magical power; it’s all, apparently, in Sakura’s key and staff. The visit gives us the opportunity to see both sides of Yukito/Yue, and learn more about the interesting dynamic he has with Sakura.

Then Syaoran calls, and we’re treated to another heart-melting romantic exchange between the two, with Syaoran accepting Sakura’s offer to make him a lunch sometime, then asking her to call him if anything unusual happens, and Sakura taking it further and asking if she can call him even if it isn’t something unusual.

While Sakura is calling from Yukito’s porch, bathed in gorgeous light of the setting sun, Syaoran is holding the phone at arms length, holed up in the shadows, because he is clearly up to some shadowy shit. He immediately calls Eriol, who isn’t returning Sakura’s calls, and reports on Sakura, Akiho, and the new card, before these words are exchanged:

Eriol: I’m sure it’s hard on you, but this is not the time.
Syaoran: I came here to be ready for that time, when it comes.

All the while, the true mastermind, the dreaded teddy bear, looks knowingly, menacingly on.

I kid, but seriously, what is Syaoran’s deal? Has he been deceiving Sakura with a fake lovey-dovey act (I won’t forgive him), or is there a less sinister explanation, like he’s working in the shadows to protect her? While it’s still a bit too soon to tell, things are not looking good…and that’s not an accident.


Cardcaptor Sakura: Clear Card – 03

The rate of strange magical happenings in Tomoeda increases this week, with Sakura capturing not one but two Clear Cards. The first is a water-element Card called Aqua, which telegraphs its presence to us early on with an unexpected rain that grows heavier and heavier as the day progresses.

School goes on as it pours outside, affording us a look at “indoor lunch”, as well as another demonstration of how Yamazaki and Chiharu’s running bit in which he comes up with bizarre and dubious facts about things, Sakura and Li believe him, and then Chiharu hits and/or scolds him.

Finally, the rain is so heavy Sakura has to respond by releasing her staff, while Tomoyo provides a frog-themed battle suit. Sakura also makes use of her Clear Cards for the first time, using Gale to disperse the rain and Siege to surround and hold its source so she can secure it.

Indeed, it’s as if a Card showed up that specifically required the power of the two Cards she’d already collected to capture. I’m also now versed in Sakura’s trademark lingo, be it “Release”, “Secure”, and her all-purpose exclamation of “HOEHHH!” All good stuff. Also: consistent Battle Music!

When Sakura texts Yuki that she’s gained another Card, her brother Touya is nearby, and lets on that he may know a little about what Sakura and Yuki are up to, and that he himself once gave them power which he doesn’t expect he’ll ever have back.

The next day Sakura and Chiharu get to show the Cheerleading Club what they’re made of, but after stooping down to tie her shoe, Sakura gets up to find every other person at school gone. With nothing attacking her, she releases her staff and goes on the offensive, only to have her Gales either hit nothing or get reflected back.

Eventually, Sakura can see a faint wisp of something racing around, but it’s mostly invisible, so she employs Aqua’s rain to render it visible. Upon securing it, she herself is drenched by the rain she used, but Li races to the rescue and lends her his jacket until she can change.

It’s a cute and heartwarming moment, and it’s nice that every episode has at least one or two such moments (even if Li still seems a bit shady).

Just as Sakura thought she was done with magic for the day, she suddenly loses consciousness and ends up in her recurring dream with Cloaky. This time the figure tries to steal her Key, and when she grabs hold of it she gets pulled along with it, until she’s face to face with them.

Upon waking up, she notes that they’re about the same height, but that’s about all she seems to know. I’m now caught up on CCS:CC, and must now wait until next week like everyone else to see where this goes.


Cardcaptor Sakura: Clear Card – 02

Sakura has a new key, a new staff, and new clear cards, but neither she nor Li can detect any magic emanating from them. Sakura wonders why these kinds of things are happening in Tomoeda again, while Tomoyo is simply disappointed she wasn’t present for Sakura’s first card capture in a while with a fitting outfit or her camcorder.

As much as Sakura wants answers, for the time being there’s not much for it than to continue on with her middle school life, slices of which are wonderfully presented this week without any shoes dropping. Sakura intends to join the cheerleading squad, the girls have art class, and Syaoran is stubbornly non-specific in the “things” he has to “take care of” which preclude him joining any clubs.

Still, just two eps in and I’m a fan of Sakura and Syaoran, because neither try to be in each other’s lives every second of every day. They each have their own stuff going on, and each respects one another’s need and right to be individuals. Pretty enlightened relationship strategy for middle schoolers!


CCS:CC is also full of little life lessons about not worrying too much about things outside your control. Sakura resolves to do what she has to do and put one foot in front of the other every day, and she’ll cross bridges when she comes to them.

One problem that often arises is the need to conceal magical things—like Kero-chan—from her older brother Touya. Kero must be completely still when he’s around—kinda like Hobbes—but Touya can’t help but wonder what’s going on when he sees fruit sauce on Kero’s mouth, and later spots beads of sweat. Amusingly, Sakura employs literal hand-waiving to distract her bro.

After dinner, Tomoyo presents Sakura with a new outfit (the first she’s worn in years, a meta statement referencing how long it’s been since the last CCS series), but no sooner does Sakura don the garb of a magical girl than she, Tomoyo, and Kero suddenly find themselves in a giant white cubic room with no doors or windows, an eerie situation well-sold by both visuals and the soundtrack.

When Sakura and Kero try to touch the walls, they bend out of the way, and before long, the entire cube starts to wobble like Jell-O. Kero deduces the material is similar to rubber, and that they’re inside the equivalent of a giant cubical balloon.

The seamstress Tomoyo, armed with her trusty pincushion, proceeds to pop the cube once Sakura summons her Staff of Dreams to capture another new card: “Siege.” Just like that, the trio are back in Sakura’s room, and have to play things cool when Touya checks in.

Let’s face it, neither of the two challenges Sakura has faced so far have been all that difficult to crack, nor the cards difficult to capture. However, there are still numerous unanswered questions, and while a new dream only adds to them, Sakura’s friend Eriol in England is holding off on contacting her until “the time is right”; presumably not until she captures more clear cards.


Cardcaptor Sakura: Clear Card – 01 (First Impressions)

Why am I seriously considering belatedly picking up a reboot of an 18-year-old anime I never watched and know nothing about? Simple: Cardcaptor Sakura: Clear Card is gorgeous, massively charming, and surprisingly easy to jump right into.

My knowledge of the franchise is its own “clear card”, and yet Keroberos’ super-abridged intro at the beginning gave me the gist. From there we join Kinomoto Sakura as she starts her middle school life, along with her best friend Daidouji Tomoyo and her boyfriend Syaoran Li, with whom she rather dramatically and beautifully reunites.

All seems well in Sakura’s life, but after she has a startling dream about clear cards, she discovers all of the “Clow Cards” she’d amassed have become clear, blank, and devoid of power, which I imagine could be a problem since the cards are the source of much of her power.

This situation has Sakura reaching out to fellow magically-inclinded friend Yuki (who can transform into an angelic alter-ego) and her friends in England, but no easy answers are forthcoming. Tomoyo tries to distract her from her troubles by assuring her she has no shortage of cute costumes waiting in the wings for Sakura’s future use.

In another trippy dream sequence, Sakura’s cloaked tormentor faces her again, but she’s able to summon a crystal that transforms into a key, much like the one she’s always used to summon her magical staff. The next day, when she and Kero-chan are attacked by sharp gusts of wind, she releases the new staff.

With the staff, she’s able to focus the winds into a captured card of a type she’s never seen before, and just like that she’s back in the card-capturing and mystery-solving business.

CCS:CC features top-notch animation with very satisfying movement and modern special effects, while the retro-inspired character design, voice work, sound effects and music lend an irresistible nostalgic feel. The dialogue is also a nice balance of humor, drama, and romance. In short, I may not know much about the CCS universe, but I definitely like what I’ve seen so far.


Orange – 13 (Fin)


Naho vows to give Kakeru chocolates on Valentine’s Day and make sure he knows her feelings, but even though her letters state all of the various opportunities, she still manages to blow by almost all of them without success, which is obviously done to heighten the tension. It works!


But this isn’t like the squandered opportunities of the past. This is it, with just a day before he commits suicide in the original timeline. She has to get those damn chocolates to him, or at least make up with him. A particularly one-dimensionally evil Ueda Rio provides one last obstacle to Naho, but she doesn’t back down, and by the end of the episode’s first act, victory is hers. It’s a satisfying scene that cuts through a lot of the murk that had built up.


With apologies, hugs, and tears thus shared, Naho and Kakeru are back to normal; no, better than ever, and all the happier for it. Kakeru even blurts out that he loves her, and she doesn’t blush and run off.

But the hour of his past death is still ahead of them, and the circle of friends remains concerned enough to consider either breaking his bike or waiting at the site of his once-and-hopefully-not-future demise.

Again, we see the future friends planning out the logistics and agreeing to send their letters to the past. Again, it seems a little odd to call so much attention to such a mysterious and hard-to-swallow process that is never fully explained anyway (because it’s time magic).


In any case, because they’ve changed the future so much, the timing of Kakeru’s attempted suicide is altered somewhat, and because Hagita actually sabotages his bike, he’s on foot when a truck nearly hits him.

Kakeru is wandering the night wanting to die, just like last time, because of the power of the unsent text on his mom’s phone he found. But unlike last time, Naho and the others have had an equally powerful cumulative effect on him, to the point it doesn’t matter that they’re too late to stop him, because he stops himself. He doesn’t want to die after all.

From there, everyone runs to him, thinking he’s been hit but relieved to find he isn’t, and when they have to explain why they’re all there, they finally let him in on the future letters, even giving him letters from their once-but-no-longer selves. And there’s a big ol’ group hug, baaaaaaaw.

Those former selves are still chillin’ in the future, content that they did all they could to make Kakeru in an alternate world a better chance to stay alive, for the benefit of their alternate past and future selves. They created a new world, where Kakeru could live and be happily ever after.



Parting thoughts: In its first three to seven weeks, Orange could almost do no wrong by me, so enthusiastic was I by a show that had the potential to be AnoHana or Toradora! quality, with Hanazawa Kana as its able lead.

But the show eventually regressed a bit as the angst was heightened, and my enthusiasm waned just when it was growing for those other shows. Orange could also be a little cheesy at times (I continue to have mixed feelings about the huge smiles of various characters),  and it never maintained the (in hindsight unreasonable) heights I envisioned for it, but it still really wowed and moved me for a solid half of its run.

I liked these earnest kids and their mission to save their friend, I’m glad they succeeded, and I look forward to the anime movie that continues the tale a little further.


Orange – 12


This week we finally get glimpses of life from Kakeru’s perspective, both events Naho and the others weren’t present for, and in the re-telling of important moments we’ve already witness from the point of view of others. More importantly, we see the “initial” future that leads to his suicide. Here, Kakeru finally opens up, and it’s a dark, brooding place.


Kakeru is clinically depressed, and can’t forgive himself for what he thought as sending his mom over the edge into suicide. It’s shocking to see him make an actual attempt, since it’s the realized fear of both us and Naho & co, who at the end of the day can only see a small part o Kakeru’s daily life, and only what he chooses to show them, which isn’t much.


Even when he finds his mom’s old phone containing a lengthy apology for what she did to him and an explanation for her actions, he’s so stuck in his head on that bike ride he ends up getting killed, even if that wasn’t necessarily his desire at the time.

All the other events unfold as Naho’s letter said they would, bringing us to that sudden end. But the last thing he sees in his head is the face of Naho, whom he thinks would probably be sad if he were to die. But he can’t be sure, and in any case isn’t sure anything actually matters.


That brings us back to the present of the “second” timeline, in which Naho and the others have worked so hard, unbeknownst to him, to keep him safe and happy. But like last time, the New Year’s fight with Naho is an open wound that’s hard to heal, even though Naho knows she must.

We check in on her alternate future self and the others deciding to send letters out to sea, hoping the black hole in the Bermuda Triangle will swallow them up and send them to the past.

This is…a pretty ridiculous plan; frankly I kinda wish they had kept the means by which they received the letters a mystery rather than try to clunkily lay out the practicalities of actually doing it. It’s enough that they wanted to reach out to their past selves to try to change things; I didn’t need the details.

In any case, Naho feels like she and Kakeru are drifting further and further away. The awkwardness and helplessness are palpable. So she goes for broke and asks that Kakeru wait until Valentine’s Day. She’s decided she’ll make her stand there. Whether it causes Kakeru to hate her or causes her pain is irrelevant. She’s not going to lose him again.