Renai Boukun – 09

Not long after the ordeal with Akane and Yuzu’s mothers, Akane and Guri are still going at it, with Guri pushing Akane’s buttons and Akane never failing to fall for the goading. Making matters worse, the mothers have charged Shikimi with monitoring Akane and Seiji, so she transfers to their school, just in time for the cultural festival. Holy anime cliches, Batman!

The love polygon Guri originally wrought continues to cause problems for Yuzu, who has always conditioned herself to love Akane and only Akane but clearly has feelings for Seiji as well; she just doesn’t know how/isn’t ready to deal with them. When opportunity knocks, she kisses Seiji in hopes of confirming she feels nothing, but can’t stop her heart from racing.

The class casts Akane and Guri as love rivals…for the heart of the “princess” played by Shikimi (Seiji plays a tree…which is actually very Seiji). The play is an absolute farce, descending into relationship drama between Akane, Guri, and Yuzu, but with Akane trying to be on her best behavior, since Seiji promised he’d kiss her if she got along with Guri.

At the end of the play, Akane has assured Yuzu that it’s okay to have feelings for others, though doesn’t linger on the fact that her sister’s object of affection is Seiji. Seeing Yuzu give an “I detest you but don’t hate you” spech to Seiji while Seiji is still a tree is a pleasant enough visual gag.

The manic energy is present throughout the episode, but my interest in the multi-sided love polygon, and all the “serious vibes” that come with it, is starting to flag, as it dulls the zany comedy that brought me to the show. Guri’s dilemma in particular, and Shikimi’s attempts to drive a wedge between the girls, just isn’t my thing. Still, with just three episodes left, I’ll power through.

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Renai Boukun – 08

Yuzu and Guri mount a daring rescue of Akane (armed with cosplay and retro dramatic music), only to find she doesn’t want to be rescued… naturally. The story is very standard issue, and on paper sounds like dozens of such rescue episodes. What makes Renai Boukun’s take on it fresh and watchable (if not outstanding) is its commitment to inserting punchy, often self-referential comedy wherever it can.

As the subtitle above demonstrates, Renai Boukun will often go to the trouble of pointing out the cliches it’s using, because characters like Guri are themselves knowledgable students of anime like the one they’re in. Guri’s status as a cupid, with her “love detection” ability, easily cuts through the stoic masks both Akane and her mother are wearing.

Akane’s mom may not ever break her stern, Vulcan calm, but when Akane herself has her blade pressed to Seiji’s neck, and he tells her he’d never be able to hate her no matter what, her eye highlights come back, and then some: shimmer, tears; the lot!

Renai is also shameless in its portrayal of Akane and Yuzu’s moms as aged-up versions of their daughters: they loved the same man, bearing the girls who now both love Seiji. Akane’s mom left her dad when her family calling beckoned, but she has to deal with the fact her daughter might not go down that very same path.

The moms are also even more powerful than their daughters, and their unhinged battle on the roof of Akane’s house surprises Seiji, even though at this point he’s used to getting stabbed (but likes the pain from Akane’s stabbing more than Shikimi’s).

As expected, by the end of the episode everything is back to the way it was, relationship-wise, only now Akane has the implicit approval to “do as she likes”, which is to keep loving Seiji. Seiji also feels closer to her now that he knows the whole truth about Akane and Yuzu’s family.

Akua got to fight some goons in suits. Coraly got to scare Akua shitless. Shikimi got to stab Seiji a bunch. Everybody’s happy! Well, until the very end, when Guri sees how close Seiji and Akane have grown, and no doubt ponders what, if anything, she can do to get Seiji to look at her the way he looks at Akane.

Renai Boukun – 07

After establishing its kooky cast, Love Tyrant has proceeded to explore more and more serious dramatic stuff with the trappings of a quirky comedy. Guri first attempts to test out Akane’s “heartache” theory about love by stabbing herself with one of Akane’s kukris.

But after her desire to go to the festival is rebuffed by Seiji, who already has plans with Akane, she goes off on her own and is approached by The Perfect Guy, who is kind, patient, and respects her interests—the opposite of Seiji, leading her to question whether Seiji’s even worth her time.

A lovely festival date with Mystery Guy leads to a romantic setting in which he leans in for the kiss, only to have his eyes shoved into his brain by Guri; a reflex, she says contritely. Nice Guy is nice, but isn’t Seiji, and kissing him feels wrong.

So when she happens to bump into Seiji, who came to festival as per her original wishes anyway, she kisses him, it feels right, and she proclaims that while Seiji may have his issues—not handsome, stubborn, quick to anger, boring, insensitive—but she doesn’t hate him after all.

It’s good to see Guri and the show point out Seiji’s flaws, but also demonstrate how love is more than an equation of pros and cons. As for Perfect Guy, he was under a spell from Maou as part of his larger plan to recruit Guri, which, sure, fine.

Someone else who loves Seiji deeply in spite of his flaws is Akane, but unlike the cupid Guri, she’s supposed to have no need for love. In fact, giving her heart to Seiji is a serious crime against her family, and her mother Suo soon has her captured and bound, and gives her an ultimatum: break up with Seiji, or else.

What ‘or else’ means, precisely, I don’t know, as Akane is technically immortal. As is Seiji, as demonstrated when a group of thugs try to kill him in broad daylight in the park. He’s rescued by his tough little sister Akua, who is then totally freaked out by Coraly, because who wouldn’t be?

(I for one actually have a soft spot for Coraly because my roommate’s cat looks just like him…without the human face of course.)

Shikimi arrives to tell Seiji and Akua what Suo has done with Akane.  In solitary confinement, Akane remembers not giving a hoot about anyone’s feelings and keeping her heart to herself, as her mother wanted. Until she met Seiji by chance in an alley, and for some reason when he says she’s kind, it resonates, and whether she liked it or not, she fell for him right then and there.

Though it definitely weighs down what had been a lightweight rom-com, I appreciate the show elaborating on Akane’s feelings and showing their origins and how she must choose between love and family. I also like Seiji (and Akua!) teaming up with Shikimi to rescue Akane (even though Shikimi is clearly up to something).

Meanwhile Guri and Yuzu don’t have much time together in the second half but they make the most of it, first with Yuzu’s takedown of the cat maid cafe Guri brought them to, then in planning a sleepover, then ditching that plan to join the fight to save Akane.

Renai Boukun – 06

It’s a half-beach, half test-of-courage episode, with Akane trying to befriend Seiji’s sister Akua in the former and warning Guri to stay away from Seiji in the latter, all while Guri goofs off as usual in both and Yuzu always finds herself closer to Seiji than her beloved Akane.

After he rejects her advances, Shikimi notifies Seiji what was hinted at last week; that Akane and Yuzu’s families serve as swords and shields, respectively, with her role as a branch family member being support of the other two.

Meanwhile Akua remains cold to Akane until she’s attacked by the rabid demon penguin Stolas, then rescued largely thanks to Akane’s brute strength. She concedes that her brother likes strong women, so she’s at least a good match in that regard, if no other.

The beach was little more than a fresh setting for the Akane’s violent lunacy, which is less instrumental in the second segment, in which a Ghostbuster-cosplaying Guri leads everyone on a test of courage through the school at the behest of a couple who wants her to make them a couple forever.

The lunacy here lies in the fast-paced gauntlet of all the typical things you worry about running into at school after dark, from the spirits of dead students to self-playing pianos, moving stone busts, and the ever-present anatomical model. There’s no shortage of energy, at least for a few bursts.

But both during and after the test, at the end of which it’s revealed the couple were dead to begin with and needed a little help passing on to the hereafter, Akane makes it clear to Guri that she’s only going to tolerate this lovey-dovey harem thing for so long, so if she wants to remain friends, she’d better stay away from Seiji.

As if to underscore her seriousness, Akane doesn’t whip out her knives to threaten Guri. She also tells the very naive cupid that love, happy or sad, causes one’s heart to ache, and if that’s not happening with Guri, maybe she should reconsider being her rival.

I knew things were eventually going to get more serious, but I’m still not convinced that’s the best move for a show that doesn’t have a lot going for it besides its rapid-fire comedy.

ACCA: 13-ku Kansatsu-ka – 12 (Fin)

Leave it to ACCA to save its best episode for last. And why not? Each of the eleven preceding episodes perfectly prepared us for this finale. Everything pointed towards a smooth, peaceful, and efficient coup, and that’s what we got—only it wasn’t a coup to unseat Schwan, but a coup to secure ACCA’s future and thwart the Liliums and Furawau’s plans to snatch hegemony from the Dowa Royal Family. That, my friends, is one surprising yet completely logical and satisfying twist.

At first, things seem to be going according to Lilium’s plan: Once it’s Schwan’s turn to take to the podium and speak, he and his outnumbered guards are surrounded by ACCA officers in riot gear, and Schwan’s plans to dissolve ACCA are exposed to the throng, which quickly sides with ACCA in the matter, as expected.

But then Schwan calls Jean out, knowing exactly why he’s on the dais with the Chief Officers. Just then, Lotta (and I for that matter) are relieved to find Niino by her side. This is the moment when Director-General Mauve completely flips the script and reveals that beneath ACCA’s plan was another plan that Lilium was not made aware of.

In this plan, Mauve, rather than Jean, steps forward. She explains the theatrics were only meant to demonstrate Schwan’s need for greater then very loudly and publicly proclaims Schwan as the one and only Crown Prince of Dowa, thanks Schwan for his continued support of ACCA once he ascends to the throne and into the future, then bends the knee. Knowing how unpopular dissolving ACCA would be (and would make him), Schwan can only affirm Mauve’s words and commit to preserving ACCA.

Mauve’s speech is one of, if not the most badass moments of the series, if not the Winter season as a whole, because of how much it changes, all of the careful preparation that gives it so much power, and the jazzy soundtrack that adds a cool gravitas.

Suddenly, Lilium finds himself on the wrong side of the river with a very weak hand. He was so focused on his own machinations he failed to realize there were counter-machinations going on behind his back. Jean had been strategizing with Mauve since he learned of his lineage, and informed Grossular of what would go down the night before.

Mauve and Jean arranged things so ACCA would win before Furawau would, making the continuation of “the game” pointless. Sure enough, Lilium folds, but he also takes his ball (being Furawau) and goes home (meaning secession). I will now cease the sports metaphors.

After all the drama subsides, Jean and Lotta encounter Prince Schwan and Magie, who reveals it was the prince himself who ordered him to warn her of the attack. Between agreeing not to kill ACCA and this, Schwan turned out to be not-such-a-bad-guy after all, which is more interesting than a petulant, one-dimensional villain. And since there’s no usurping going on, Jean and Lotta’s lineage can remain secret, even as they’re allowed to meet with Schwan and King Falke.

With Lilium and Furawau leaving the Dowa Kingdom to start their own, Grossular dissolves the remaining three of the anachronistic Five Chief officers, who then go home and become chiefs of their respective districts, and seem all the happier for it, while Grossular stays on in an advisory role for the new single leader of ACCA, Mauve. She certainly earned it.

In other good (if a bit convenient) news: Just as Furawau seceded, Pranetta finally hit paydirt, and a resource (presumably oil) rush leads to the district’s revitalization, Suitsu is finally allowed to develop to the level of the other districts and its people allowed to vote.

We even find out who Niino’s secret other contact was, and it’s who I expected: Abend, the ever-loyal servant of the Dowa Family, who had colored his hair and taken on the identity of Owl to watch Jean that much closer. With the family members reunited, Niino is formally relieved of his photographing duties. Mauve and Grossular seem to be spending a lot more time together, while Jean assumes the feelings he has for Mauve are unrequited.

But that doesn’t change the fact that he and Jean are best mates, something that hasn’t changed since they met in high school (the post credits flashback to their prom, which Niino won but gave Jean the crown, was a nice touch), and won’t change now. Jean takes comfort in knowing he’s not alone. And, no doubt, in being able to stay in his old job. For all that’s changed around them, Jean, Niino, and Lotta really haven’t, and that’s for the best, as they’re perfectly happy with the lives they have.

So ends one of the most thoughtful, detailed, and elegantly beautiful looking and sounding series in recent memory, which came completely out of nowhere. Those are my favorite kind of shows: ones about which neither I nor anyone else have any potentially corrupting preconceptions.

It’s also a show with eminent rewatch value; there’s enjoyment to be found in watching the story unfold again whilst knowing its resolution. It’s also a show for which I’d happily embrace a sequel. Until then, I say goodbye to ACCA, a well-crafted and engrossing anime if ever there was one.

Shouwa Genroku Rakugo Shinjuu 2 – 12 (Fin)

Its first season shows us the past, and most of its second season showed us the present. This week is all about the future, both of the Yakumo and Sukeroku names, the families connected to them, and of rakugo itself. In all cases, that future looks bright, thanks to the inspiration of those who came before.

First, we have a Shin in his late teens or early twenties, and he’s the spitting image of his grandfather Yakumo, even though they’re not related by blood…or are they? The resemblance is uncanny, Konatsu is committed to taking the truth to the grave, as is her prerogative.

In other news, Konatsu has become the first female rakugo performer in history, which is awesome, because it’s something we know she’s always wanted to do, and she’s also very very good at it (sadly though, we don’t get to see her perform).

Interestingly, it doesn’t seem her and Yotaro’s daughter (and Shin’s little sister) Koyuki is interested in following the path the rest of her family has walked, and is content to listen to them work their craft.

As far as Shin is concerned, Yotaro, now the Ninth Generation Yakumo, is his Dad—he helped raise him, after all. That is very clear in a quiet, private scene between the two. As it’s very possible he carries both the blood of Sukeroku and Yakumo, Shin seems to strike a nice balance between their two extreme styles. And the little boy Shin we’re accustomed to comes out when his dad encourages him before one of the biggest performances of his life.

That performance is part of the grand re-opening of the Uchikutei theater, which had burned down years ago but now has been completely rebuilt (only now, no doubt, is up to code). Seeing the new Yakumo IX on the stage with his wife and son (and Master Mangatsu) is a triumphant moment, and the full crowd suggests Yotaro has succeeded in restoring rakugo from the brink it was dangling from when Yakumo VIII died.

Now it’s a more inclusive, less stodgy, and more welcoming place, without sacrificing the things that made it unique. Even Konatsu realizes she was foolish in her earlier thinking that she’d upset some kind of “harmony” by entering the world of rakugo.

It must be that much more encouraging for Matsuda, the only character to inhabit all three timelines. He’s 95 and wheelchair-bound, but seems as warm and cheerful as ever.

After Shin opens with a very good performance that demonstrates why he will be an excellent Sukeroku and/or Yakumo one day, Yotaro performs “Shinigami”, a Yakumo VIII original, as a tribute. And what do you know, the old man visits him at the climax of his performance, leading me wondering momentarily if Yotaro had been taken to the far shore himself!

Thankfully, Yotaro is fine, and he and his family and friends celebrate after the show with a flower viewing by the riverside. Matsuda mentions how he saw his master to the far shore (apparently during a near-death experience of his own back then), and Higuchi waxes poetic on Yotaro’s contributions to helping prevent rakugo from dying with Yakumo.

Yotaro, however was never concerned that rakugo would go anywhere, with or without his help. It’s too good for that. And I tend to agree: various humans can argue over whether the art of rakugo is something that must be vigilantly protected from disappearing, like tending a delicate fire.

But fires can be rebuilt and reignited, and there will always be those who want to sit in an old theater (or a newly rebuilt theater) and hear someone tell a funny, raunchy, or moving story that will transport them somewhere else. Rakugo is eternal.

ACCA: 13-ku Kansatsu-ka – 11

ACCA: Jusan-ku Kansatsu-ka. I hadn’t really read the words until recently, but they roll right off the tongue in a very satisfying, elegant way, like ACCA the show itself.

I daresay ACCA is a sneaky show. It seems a bit slow and dull at first but the details keep you around. Then it becomes something you must watch at all costs. In this way, it’s like no other show airing this Winter, and its quality has been rewarded on MAL, rising from 6.97 on week one to 7.43 today, the biggest climb of any Winter ’17 show.

By the time Jean arrives in lavish, exotic Furawau for the thirteenth of thirteen district audits, nearly all pretense has fallen over his “job” as inspector, as Furawau is the district spearheading the coup.

Yet true to its name (“flower” in katakana), Furawau’s inhabitants are cheerful and elegant, and discreet in their welcoming of Jean for his true purpose.

But while it’s named for its flowers, the gleaming skyscrapers and lush palaces are paid for with oil. 90% of the entire nation of Dowa’s oil is supplied by Furawau. This makes them Arabia on steroids, which makes resource-poor Pranetta the comparatively oil-less Jordan.

When he leaves for his hotel, Jean does not give the Furawau chiefs a direct answer about whether he’ll rise up with them. But fortunately for Jean, Niino was listening in when the Princess’ assassins were loudly discussing their plan for slaying him.

When they draw their appropriately ornate golden revolver from the shadows, Niino is there not only to warn Jean, but take two bullets for him. He survives, but when he wakes up from surgery, he wonders out loud something I’ve wondered for many weeks now: whether Jean is merely being dragged into things by chance, or if he’s “prying into the whole mess” of his own accord.

Before leaving Furawau, Jean tells the chiefs he’s with them. Upon returning to Badon, he doesn’t stop by Mugimaki where Mauve continues to show up and wait. Instead, he visits Lilium as his brothers instructed, and shows him all thirteen cigarettes he’s collected.

I love how each one is  different in color and length, and how Pranetta’s is one of his own. Details that carry symbolism: Dowa is one big happy cigarette case. When Jean says anyone can ascend as long as it’s not him, Lilium counters that only he can protect both ACCA and the people.

What he isn’t telling Jean…could fill volumes. Like the fact he needs to present at least the air of proper succession, and probably needs the ACCA angle to strengthen their case. Lotta can’t fulfill either of those conditions…nor can Lilium himself.

When Rail first heard of him, he assumed Jean was an upper class snob who thought his own excrement did not emit odor. Turns out he was right about the “upper class” bit, but now that Rail knows who Jean is for sure, he thinks he’d probably be a better King than Schwan.

Rail tells Jean this while they smoke in the city night, after Jean thanks him for watching Lotta while he was away. And Jean appears to take Rail’s subtle endorsement to heart…maybe he will be better.

The next day, people from all thirteen districts start pouring into Badon for the upcoming ACCA centennial ceremony. This means we get all the ACCA agents Jean met on his travels in the same room, and of course they all know each other.

It’s a nice “lower decks” scene, watching subordinates shoot the breeze. The girls badger Eidar about her feelings for Jean, only to learn she’s dating Grus. One agent brings up the coup, and silence fills the room.

Every one of them seems generally on board with the plan…except Warbler, who, being stationed in Suitsu, is naturally the last agent to be informed of the coup. And while it’s easy to get all swept up in the excitement of dumping a harmful king for a better one, Warbler provides a much-needed voice of concern and reason.

He makes very good points about the risk ACCA’s leadership is taking by arranging such a coup. He also questions if the young, inexperienced Schwan would actually follow through on his threat to dissolve ACCA. He believes the royal family is aware that tipping the scales of power too far in their favor could break the whole system, and trusts them to be more pragmatic once Schwan ascends.

But no one can be certain Schwan won’t dissolve ACCA, and in any case, the decision has already been made by the brass, so Warbler’s protests go acknowledged but not acted upon. After Jean leaves a brief, almost curt meeting with Mauve (which has the air of a breakup), Warbler tries to tell him that this coup idea is ludicrous.

Jean responds by saying he’d really like Warbler to take his job, after “one final push”, then calls the prince a “real headache.” Could Jean be starting to get the feel for the power he’s about to attain?

Cut to the prince being a huge headache, acting petulant aboard his ornate royal plane, dismissing Magie’s advice to meet with his cousin (Jean) or get to know the people more. He’s only going to Badon to attend the ACCA ceremony, then leave.

Warbler might think Schwan’s position on ACCA is open to interpretation or subject to review by the rest of the royal family or the privy council. But Schwan probably doesn’t think any of that. When he’s king—and he’s going to be king, he tells himself—he can do as he pleases.

Lilium continues to uncork bottle after bottle of champagne in celebration of a total victory that is still yet to come. In another private one-on-one with Grossular, he lays out the plan I expected him and his district to have: install someone he can control, Jean, in order to control the nation. He hopes to act quickly and elegantly enough that by the time people notice what’s up it will be too late to do anything about it.

Now that he knows Lilium’s true intent, will Grossular continue to stand impotently by and let it happen, or is he intentionally appearing weak to lull Lilium into a false sense of security? Does Grossular have his own plans? And as Mauve asked both him and Jean before him: is he all right?

He responds the same way as Jean: with a simple ‘Yes.’ Here’s hoping that’s true, because some big things are going down next week.

ACCA: 13-ku Kansatsu-ka – 10

If it wasn’t before, it’s become plain that Lilium’s intentions with ACCA’s coup aren’t simply for the unity and good of the nation of Dowa, but for his district, Furawau, in particular. Things might even turn out to be worse with him than if Prince Schwan ascended; who knows?

Lilium seems like the kind of guy who wants more power, and being one of five head officers isn’t nearly enough. He’s already used Grossular as a pawn in his grander scheme, and installing Jean on the throne seems like more piece-moving. All I know is, the show wants me to think he’s being nefarious.

Jean, for his part, continues his auditing work. After Yakkara throws their lot in with Jean, noting they’ve always been a district of…ahem…gambling. Jean’s next stop is one of the more striking ones: Pranetta district, which is a hot and unforgiving desert on the surface, but whose population lives underground, working in the mines and kept entertained by a vibrant television industry.

This district doesn’t have much, however. They’re mining doesn’t seem to be the most fruitful, but the people seem to be living for their as-yet-unrealized dreams rather than a present rich in material things. Jean definitely seems to like the place.

These aren’t mole people, after all, and when it finally is cool enough to emerge from the caverns, it makes the evening sky seem that much more impressive and awe-inspiring. And like Yakkara and Peshi, Pranetta wants a Dowa in which ACCA is still around, so they’re with him. The chief formalizes his support by bumming a cigarette off of Jean, then giving it right back to him, in a really neat little moment that says a lot about Pranetta.

When he returns home, Jean has a chat with Lotta about her crazy day with Rail and the fact their mother was a princess, but before they can head out to eat, a special report comes in on the news: King Falke has taken a turn for the worse.

Suddenly everyone is scrambling to get their ducks in a row for what’s to come. Grossular manages to convince Mauve that the coup is what’s best for the nation and for ACCA, while the First Princess accelerates her plans to get rid of Jean and Lotta, who are nothing but usurpers in her eyes.

As for Jean, he sticks to his audit schedule, apparently unconcerned whether the king dies while he’s away. We only catch an establishing glimpse of Lilium’s home district of Furawau, but we can already discern many things from it. With gleaming skyscrapers among the sandy dunes, Furawau clearly has money, probably due to to fossil fuels. It looks like Dowa’s Dubai, so perhaps they’re also a big financial power.

In any case, Furawau is big and rich and impressive enough to be an alternate capital of the nation, should, say, the monarchy be done away with altogether or reduced in stature and importance. It also looks like a district that could take on any other district head-to-head and have the resources to come out on top (unlike poor Pranetta).

Will this be Jean’s ‘final audit’? Has he entered another friendly district, or a den of vipers? He may finally know who he truly is and what that means, but he still doesn’t know how he’ll be used…or how he’s already being used. We’re also not quite sure whether he’s actually going to claim the throne. The First Princess succeeding in offing him or Lotta, on the other hand, seems more solidly unlikely.

ACCA: 13-ku Kansatsu-ka – 09

So far ACCA has proven a success in the school of the classic slow-burn, in which those patient enough to stick around are lushly rewarded, like the high one gets when about to complete a huge, elaborate jigsaw puzzle (don’t judge).

Last week laid out the details of the show’s central mystery of what’s up with Jean and Lotta, and this week deals with the consequences for everyone once the truth is officially out there, and decide on a course of action. It also allows some previous bit players on the margins play significant roles.

Oh yeah, and a shared love of sandwich bread of all things proves absolutely vital in preventing Lotta’s assassination by the First Princess’ goons. The food isn’t just window-dressing.

As soon as Magie hears from the prince that the knives may be out for Lotta, he makes a call to his comrade-in-bread, Rail, who makes Lotta’s protection his top priority. Rail has his suspicions, but doesn’t know the whole picture, but that doesn’t matter, because he’s a decent dude, trusts his fellow bread-lover’s warning.

As for poor Lotta, no one’s told her anything, and with both Jean and Niino away, a part of her already feels vulnerable. So as out-of-the-blue (or blonde) as it seems, she seems happy to have Rail (a sworn ACCA officer) by her side.

Jean is away because he’s on a sprawling three-district trip starting in Peshi (the port district) and moving on to Yakkara (the casino district, and another instance of ACCA imitating Sonic The Hedgehog levels). And Jean is no longer oblivious like Lotta.

He knows what the score is, and even understands what all those cigarettes on his past inspection visits were about. It’s need to see the change in Jean’s overall demeanor. He seems more focused, alert, and suspicious…as he should. Peshi’s chiefs drop the pretense and pledge their support for Jean’s ascension, unaware that Jean himself has no such plans.

I like how ultimately, it’s only a matter of time before Rail, a good kid but not a professional bodyguard, and Lotta finally get surrounded by the ominous goons and shoved into a car. Unfortunately for the goons, the traffic in Badon flares up just when they need to make their getaway.

Also unfortunately for them, pure dumb luck is on Lotta’s side, as Chief Owl (whom Jean asked to keep an eye on her) happens to lean on the open window sill of the goons’ car, sees Lotta, and secures her and Rail’s release.

Like Rail, Owl doesn’t have the whole story, and unlike Rail, he isn’t a sandwich bread fanatic (though we’ve seen him indulge in the office treats du jour) but he does have Jean and Lotta’s bests interests at heart, and it’s gratifying to see how competently (yet without undue violence) Owlmanages to wrest the crazy kids from certain doom.

With Lotta and Rail nicely rescued, Owl suggests they—what else—go to grab a bite with his ACCA staff. Coups and assassination plots be damned—you gotta eat.

With Lotta out of immediate danger and surrounded by friends, we move on, somewhat relieved but still troubled, to the other major storyline of the episode: Grossular coming clean to the other chiefs, which takes such a crazy turn I’d have nearly fell out of my chair, had I not already been sitting on the carpeted floor.

Grossular lays out the plan that’s been in motion since the beginning, with the ultimate goal of instigating an ACCA-led coup d’etat to prevent Schwan from becoming King, thus preserving peace, democracy, an, well, ACCA itself.

Grossular has known about the danger of a King Schwan for some time, but gained a powerful barometer (whom he observed through Crow) for the attitudes (be they pro- or anti-coup) of the districts in Jean, which is why his inspection department was suddenly saved from oblivion.

Once it was clear a majority of districts were in favor of a coup, the time grows near for that coup to commence, but a coup led by ACCA, as an extreme expression of their ‘protect & serve’ credo. The coup will, Grossular promises, “pose no danger” to ordinary people. Allowing Schwan to dissolve ACCA and create an autocracy might.

Grossular asks his four colleagues whether they stand with him or not, and everyone to a man is with him, all thanks to Lilium, who speaks first in response.

Because Lilium and Grossular have never, to the others’ knowledge, ever agreed on anything before, it’s all the proof they need to know the right course (on top of their pride in their roles as leaders of ACCA, along with their existing awareness that, ya know, Schwan is bad news). This is to be an act of patriotism, not treason.

Later, we learn that Lilium and Grossular’s constant disagreements in front of the others masks the fact that Grossular is, in fact, Lilium’s servant. Always a fairly inscrutable guy, we finally see a hint of subservience when Lilium grabs him by the hair and promises him in a threatening tone that “he will manage” in his next objective: do something about Director-General Mauve.

It’s this huge, sudden, surprising, yet still well-supported (by both plot and character) shift in character dynamics, as well as the timely utilization of Rail and Owl, that propelled this episode into the ’10th district.’ It’s also a interesting episode in that many cards have been played, but many choice ones remain in the show’s hand.

It’s that ‘floating potential’, as it were, that makes episode nine feel special. Hopefully it can be properly harnessed in the tenth, which I eagerly await.

ACCA: 13-ku Kansatsu-ka – 08

ACCA had been teasing us for a while now about who exactly Jean and Lotta are, and last week finally answered that question: they are a prince and princess.

This week gives us more of what I yearned for—specifics—by taking us back 33 years, to when King Falke’s daughter Princess Schnee leaves the royal family and renounces her titles so that she can spread her wings and be, in her view, of more use to the nation, by traveling and learning more about it.

The four people who arrange Schnee’s “detatchment” from the family (complete with faked death) are the king, Privy Council President Qualm, Schnee, and her loyal aide Abend, who looks a lot like a young Grossular.

The twist is that Abend isn’t the one Schnee falls for: he fades into the shadows and receives reports and photos from Niino’s father, which he then relays to Qualm, who relays them to the king.

Everybody seems to win in this arrangement: Schnee gets to live her life (and fall in love with a commoner, resulting in the birth of Jean and Lotta) out in the world, the king never had to “clip her wings”, and the president rids the royal family of a member who he deemed might’ve caused undue, possibly republican (small r) disruption to the crown.

After she’s ensconced in Bodan and starts a family, Schnee and her kids are largely on the margins, Abend disappears altogether, and Niino and his dad are front-and-center. Niino’s dad is fiercely loyal to Abend, who in turn is fiercely loyal to Qualm and Falke.

He takes his duty to keep an eye on Schnee and her fam very seriously, but because it is essentially his life, he also takes the time to enjoy it, and imbues that sense of duty, and sense of enjoying one’s duty, into his trusty son. That, and we see where Niino got his sweet tooth.

The idea is that King Falke was perfectly fine with his daughter leaving the palace, as long as tabs were kept on her. It doesn’t seem like he intended for Schnee and her issue to be some kind of “backup plan” in case his younger daughter’s issue (Schwan) wasn’t up to snuff.

When Jean enters high school, Niino’s dad sends him there to befriend him…even though Niino is ten years older (chalk it up to good genes). Niino also joins the photography club and makes use of the camera given to him by “Master” (Abend). It’s clear both Abend and Niino’s dad are grooming him for the role of Jean and Lotta’s next “royal observer.”

When tragedy strikes, it isn’t just Schnee and Jean and Lotta’s father who perish, but Niino’s father, who was traveling with them, as well. Just like that, the torch has been passed. The episode then fast-forwards back to the present, where Niino is telling the adult Jean all of this, and Jean is trying to process it.

Jean doesn’t care about whether he’s eligible to the throne (technically he isn’t); he just remembers how Niino cheered him up back in high school after his parents died, and how that helped him be strong for his little sister, who looks more and more like their gorgeous mother by the day.

The end credits play as they always have, but finally in context: the woman isn’t Lotta, but Schnee, barefoot, plainly clothed, and free from the isolation of the royal palace. She gave up everything, but gained freedom and the run of the whole nation, both for her and her children.

Now that Jean (though, notably, not Lotta) knows the truth, what will he do now?

ACCA: 13-ku Kansatsu-ka – 07

All the clues and hints have been laid out, ready to be taken and fitted together to get the larger picture around Jean Otus, who for a protagonist halfway into a show remains either deliciously inscrutable or, as Franklin has said, exactly as vapid as his surface indicates.

Mind you, the larger picture of Jean and his sister Lotta only seem to be part of a yet larger picture, one that both Grossular, Niino, and his second mystery contact would seem to know about.

For the whole run of the show, I’d been trusting my instincts, which told me Lotta was important. Why else would the King and prince be so naturally drawn to her, and why else would someone who looks an awful like her be the dancer in the end credits?

The blonde hair; the blue eyes, the affinity for sweets and the royal district of Dowa, and of couse, all the swirlings of a coup—all of it points to Lotta and Jean Otus being themselves royalty. The flashback threw me off the scent, but their parents who died on the train were the second princess and her guard Abend.

That, as Mauve reports to Jean in her home district of Korore (which is both a strong matriarchy and a chocolate superpower) makes Jean Otus first in the line of succession for the throne of Dowa.

It also explains a great many things about how people have been treating him all this time. Naturally, Jean, who “never asks questions about himself” but merely carries on, didn’t have a clue.

While this revelation is delivered the same way any information is—in a suble, natural, understated fashion—it still raises the stakes considerably. Even if Jean doesn’t care about his lineage and won’t get in Prince Schwan’s way, Schwan is still gunning for him, big-time.

Assumptions and suspicions will play a larger role than Jean’s actual intent or desires. Jean and Schwan are opposites when it comes to how much they care about how they’re regarded by others. And then there’s the fact that Prince Schwan has (probably) never left Dowa, but Jean has traveled all across the nation, never knowing it was, in effect, a royal tour.

Now that Jean knows one more thing Niino knows, their relationship doesn’t seem to change much. Jean still relies on him to tell him the specific bakery where he can get snowballs Lotta requested (which happens to be where the King himself stops by for some sweets), or the best chocolatier in Korore.

But while the mystery of Jean and Lotta may be solved, the bigger mystery is what comes next. What will Jean do with this information, once it inevitably gets out? Who will be on his side, and who (presumably anti-ACCA parties) will support the more malleable Schwan?

Things are finally starting to heat up in Dowa…and I’m not talking about the warmth of fresh-baked pastries.

ACCA: 13-ku Kansatsu-ka – 06

If it were one of many other slow-burn shows, I might be itching for something to happen already near the show’s midpoint (assuming this only gets 13 eps – I may be wrong), even to the point of starting to hand out 7’s for lack of forward momentum.

And yet, ACCA continues to avoid such scrutiny with its unassuming, calm, quiet competence, all but unique this Winter as a show all about stopping to smell the roses…or freshly-baked bread.

One of the most eventful things to happen happens right at the start, where Jean not only goes up to Grossular, but tells him he knows he’s being followed, denies any involvement in a coup, and expresses his certainty Gross isn’t involved either. Grossular, after all, was the ACCA officer in Rokkusu who made things right when a horrific train accident claimed, among many others, Jean and Lotta’s parents.

Jean meets Mauve at the bakery, but claims to have “nothing of note” to report to her. If he’s trying to stay in the director-general’s good graces, he could have at least told her about the attempted coup in Suitsu. I’d say that was pretty “of note.” Mauve immediately starts to doubt Jean’s usefulness…and loyalty.

Things largely quiet down from there, as both the show, the nation of Dowa, and most of its inhabitants kick back and enjoy a New Year’s shindig in Jean and Lotta’s apartment building.

We learn about the businessmen Jean seems to help out during his auditing duties, and Lotta receives a cake from Rail, only for Owl to give her another cake minutes later.

People seem drawn to Lotta, but there’s still no indication she’s anyone super-special…yet (the flashbacks also seem to eliminate some possibilities in that arena).

Officers note that the start of ACCA’s hundredth year in operation isn’t all that different from the start of previous years. Mauve has a pretty standard speech at an all-hands, and that’s pretty much it.

Something notable does happen: Grossular joins the other four Top 5 officers in their common room, to ask Lilium why he leaked Crow to Jean. Lilium wanted Jean “to do something,” and while Gross may be right that such an action was reckless, Lilium does seem to win the argument by calling for a meeting of the five to discuss what Gross knows and how they’ll proceed together, no longer unilaterally. He gets that meeting; it should be a good one.

Jean then heads to Hare, the tropical district where the ACCA uniforms are short-sleeved and informal and the district inhabitants live the longest lives in the nation, and live life with gusto accordingly.

After striking out with Mauve last time, Jean redoubles his efforts to get something, anything out of Hare’s chiefs. Yet, when he goes to meet Mauve at the bakery, she’s not there. Is it too late?

After Hare (one of Jean’s shorter audits), Jean heads to Dowa again, this time for an audit. Prince Schwan continues to try to force his grandfather’s hand in subtle ways like hanging his portrait in a place he spends lots of sittin’ time. Perhaps Jean will get more juicy info in Dowa.

ACCA: 13-ku Kansatsu-ka – 05

Two of Lotta’s stalkers bond over sandwich bread

I continue to be both bemused and delighted by the sheer obsession with food, eating, and dining in ACCA and the culinary minutiae therein. The fact that these characters need their three squares a day, plus the occasional snacks, really anchors them in the land of reality. It also mirrors real life in its lack of traditional “action”, but that lack hasn’t dimmed my enthusiasm for the show in the slightest.

One of the most important moments of the episode—and of the show as a whole—surprisingly happens not during a meal, but during a car ride (which is also, in its utilitarian practicality, a tether to reality). In that car, Lilium basically lets slip to Jean that he has a tail, and the reason he can’t detect him is that he’s someone by whom he’s used to being watched.

Jean’s a sharp guy, so it doesn’t take long for him to narrow it down to his friend the photog. And when he arrives in the wintry, hearty Birra district and Crow is already there with his camera, we finally see a look of shock on his face as Jean stops and turns back to look for…him. It’s not clear whether he sees him or not (Crow seems pretty far away, though he’s wearing black in the snow), but that look back is all Crow needs to know he’s been found out.

“Could you two young brats flirt somewhere else? I’m trying to run a bakery here.”

Two elements of the episode that are a little more obscure in their intentions were the plotlines of Eidar very unsubtly showing up to see Jean, only to be crushed when he’s not there, and Maggie pursuing Lotta, only to learn where she lives, that her parents are deceased, and that she loves sandwich bread. I’m hoping we’ll find out soon what Lotta’s significance is, if there turns out to be any, of course.

After a rather stern dinner with Birra’s ACCA supervisor, Jean walks into the tranquil, snow-covered forest to confront his tail, and the resulting confrontation is wonderfully offbeat. Jean doesn’t seem betrayed; on the contrary, he seems like he could care less…though he doesn’t wonder if all those times Niino got him drunk he was pumping him for information.

Back home, Jean and Niino share a meal with Lotta like nothing happened, and Jean even makes him promise to stay with Lotta and take her out to eat every day he’s off on his next audit, this time of the Western-style Rokkusu District. Niino obeys, likely hoping he doesn’t miss anything good.

The final scene during sunset in Rokkusu is full of intrigue, as is the little chat between Lilium and Pastice at the airport. Is Jean simply saying hello to a vaunted superior in his hometown, or is something else going on? Something…coup-y?

For the first time it looked like Jean was doing something counter to the person we’d seen up to that point; that he was finally showing us something he’d been hiding. I may be dead-wrong, but I’m having fun guessing as I enjoy the food-filled ride.