Toaru Kagaku no Railgun T – 09 – The Thick of It

Mikoto and Misaki take different routes to get to Kihara Gensei, underscoring their very different methods of infiltration. Mikoto can blast her way in with her Railgun, but has to wear a suit and sunglasses as a disguise, but Misaki can stroll right in the front door and simply Mental Out anyone posing a threat, then use them to assist her search.

For all the buildup around the two girls teaming up, we don’t actually see them together as much as I’d expected, and they ultimately don’t have much to do at the facility (more on that later). Instead, the episode checks in on Kuroko and Uiharu’s investigation of Kozaku Mitori, who apparently faked her death at the reform school she was sent after committing acts of terrorism.

And then there’s Ruiko, who makes the mistake of letting Touma of all people borrow her good luck charm for his scavenger hunt! It’s a nice little cameo that is also a way of the show admitting with a shrug that “yeah, the Daihesai Festival doesn’t really matter anymore!” 

Ruiko could’ve used that charm on her impromptu trip to the abandoned liquid metal factory. She had a hunch that it might not be so abandoned after all, and she learns not only are the lights and security doors functioning, but the place is crawling with people probably up to no good.

Soon she’s lost and trapped and bumps into Xochitl (in her latest disguise), who is content to let a foolhardy civilian go unharmed until Kozaku Mitori shows up and demands Ruiko be disposed of after (likely harsh) interrogation.

Instead, Xochitl challenges Kozaku to a fight, condemning her as a traitor working outside the bounds of the Governing Board who basically used MEMBER’s services without the proper paperwork. Mitori decides to retreat rather than risk finding out what weird tricks Xochitl has up her sleeve, and Ruiko is free to go.

Meanwhile, Mikoto and Misaki’s infiltration efforts prove all for naught—if Kihara Gensei was ever in the building, he’s not there now. All they find is an underling disguised as Kihara, with memories that address Misaki by name. As powerful as Misaki’s Mental Out is, Kihara managed to troll her with it! That’s bound to stick in the craw of someone as prideful as Misaki.

Mikoto can only follow, shedding her fetching suit (which fit perfectly somehow!) and piling into another Mental Out Lyft with Misaki as she races to where the real Kihara might be. The old man also mentioned something called Exterior, but Misaki deflects Mikoto’s questions about it in the preview.

Just when I was quietly praising how relatively straightforward and character-driven Railgun T has been compared to its Index cousins, here comes the underworld organizations and their shadowy agents muddling everything up. Even so, characters still shined this week, especially Debonair Mikoto and the near-pathologically curious Ruiko.


Toaru Kagaku no Railgun T – 08 – Oil and Water

“YOU CAN’T HIDE FROM ME.” “Uhh, I’m not hiding?”

First of all, a heartfelt Arigatou gozaimasu to all producers and creatives involved in the continued production of Railgun T (and heck, all anime) even in the midst of the COVID-19 pandemic. I don’t take their efforts for granted, and hope they’re staying safe as they work. If they can’t proceed without putting themselves and/or others at risk, then production must obviously cease.

However, that is not currently the case, and we have finally been blessed with a new episode of Railgun T after two weeks off. It was worth the wait. The previous episode promised a showdown between Mikoto and Misaki, but it ends up being way more of an exchange of info, and thankfully Misaki doesn’t have to be “persuaded” by Mikoto to talk.

“What kind of LUNATIC wears long gloves and thigh-high stockings with a gym uniform?!” “Um…a STYLISH one!

Misaki is revealed not only as a more dimensional antagonist (and she’s undoubtedly hiding something from Mikoto), but someone who, either due to her life experience or ability or both, simply cannot fully trust others to help her out, as Misaka always has. It’s why she never came to Mikoto asking to join forces against Kihara Gensei and Kozaku Mitori.

She can’t read Mikoto’s mind like she can most others, but she does think it was choices by Mikoto, who once trusted everyone blindly, led to the Radio Noise and Level 6 Shift projects. Instead, she kept a chaotic element like Mikoto out of her plans, and made sure her chaotic friends wouldn’t interfere or get into danger.

Nothing like a spot-o-tea to center you…

Of course, even with their minds and memories manipulated, Kuroko, Ruiko and Uiharu are gradually piecing things together. While Mikoto told them to stay put at Judgment, that doesn’t mean Kuroko can’t track down Kozaku Mitori’s file (if any).

Even though Uiharu was unknowingly working at cross purposes, Kuroko and Ruiko are willing to trust her now to use her skills to help out. And even with their memories scrambled, Mikoto in turn trusts all of them. Compare that to Misaki, who bypasses trust altogether in making people into Mental Out minions to do her bidding.

Misaki Shoujo Pose, Meet Misaka Shounen Pose

Incidentally, Mikoto is able to chat with Misaki while the latter is already on her way to Kihara Gensei’s location (and assures Mikoto that neither MISAKA or the other Sisters are in any immediate mortal danger). It’s fun to see how Misaki gets around quietly—by simply Mental Out-ing a random truck driver into an impromptu Lyft.

She even tells Mikoto she can sit this one out if she doesn’t feel right about joining forces now. Of course, there’s absolutely no way Mikoto is turning down a change to “pull the plug” on Kihara. In fact, she rushes ahead so fast, she exposes Misaki’s abject lack of athleticism—something Mikoto hilariously mistakes as being set up. When Misaki chalks her slowness up to having a more mature feminine figure, Mikoto mocks her “shoujo manga” eyes, and the two start bickering like, well, two middle school girls.

The sudden pairing of the two rivals is immediately bursting with charm, comedy, and chemistry. I’m glad that unlike Baba, there’s no cruelty or sadism in her activities. Of course, she could show her ugly side once Kihara is dealt with. But if that’s the case, she’d better be prepared to tango with one pissed-off Railgun.

Toaru Kagaku no Railgun T – 07 – See No Evil, Hear No Evil

Biribiri scored her first big win of the arc against Shokuhou and whatever shadowy organization (*cough*MEMBER*cough*) she’s working for, but could she build on the momentum gained by sending Baba packing? Thankfully, her friends are helping connect the dots, even if in Saten’s case she doesn’t know they’re friends! The psychometric girl gleans a clue from reading MISAKA’s cat’s mind.

Saten is also the first to consider that Shokuhou may have altered her, Uiharu, and Kuroko’s memories, which would explain why she has Misaka’s number on her phone. Uiharu is still in the dark, and yet she knows Misaka’s Mama, and explains to her how everyone with an entrance pass also has a GPS so Judgment and Antiskill can keep tabs on them. Little do the two know they’re being stalked by Baba’s mysterious contact, a girl in purple (I went to the wiki to learn her name is Kouzaku Mitori).

In the middle of arranging to meet with Saten and Kuroko, Misaka’s phone call is interrupted by Kouzaku, who threatens Uiharu and Mama with a knife (in two different spots) unless Misaka tells her the locations of the Sisters clones. Likely still humming from her ownage of Baba, Misaka defiantly clams up, justifiably confident her currents are faster than Kouzaku’s knives.

Misaka saves Uiharu in a novel, very Railgun way: by launching her to safety using the metal supports of the bench, then disarming and neutralizing Kouzaku. This leaves Mama unprotected, but Kuroko teleports to her location and tosses her wheelchair at the second Kouzaku. Misaka has Kuroko teleport Uiharu and Mama to a safer place, but Kouzaku’s liquid metal puppet eventually melts, its operator apparently out of range.

When Kuroko asks Misaka why she chose Uiharu over Mama, Misaka tells her her Mama wouldn’t be happy to hear her daughter saved her before someone else. Misaka also knew Kuroko knew her location would be able to teleport there in under ten seconds, and had faith in Kuroko’s ability to save Mama.

This praise makes Kuroko blush despite herself, and she blushes more when Misaka insists on drawing close to help her walk. It’s immensely fun and hilarious to watch “Tsundere Kuroko” squirm with discomfort in the same situation where she’d normally shudder with bliss. It’s as if she’s falling in love with Onee-sama all over again! Arai Satomi is killing it.

With everyone safe for the time being (except of course for MISAKA), Misaka, Saten and Kuroko continue to try to piece things together at the Judgment office. There, Saten brings up the urban legends website that she and Uiharu were using to try to track the Shadow Metal. They discover that Shokuhou Misaki likely used her power to make Uiharu tamper with the site and alter her memories.

When Misaka reactivates Uiharu’s computer, the data on the site has been reconstructed, revealing a particularly inflammatory urban legend about a “DNA computer” that “generates abilities”, and a prominent photo of Misaki in a garage with men in white coats. Perhaps that’s where MISAKA is being held? If not, at least it’s a new lead, and more evidence with which to implicate Misaki.

Toaru Kagaku no Railgun T – 05 – Bow Before Your Ojou-sama

Like Biribiri herself, despite her personality quirks there are few people you’d want in your corner more than Kongou Mitsuko. This week on Railgun T she finally gets the much-deserved spotlight, demonstrating her value as a person, a young lady, and a friend, and that while three of Misaka’s best friends have been neutralized, there are plenty of others willing to help in her time of need.

After she overhears Kuroko talking like she doesn’t know who Misaka is, Mitsuko admits to Misaka that she knows it wasn’t her for the Balloon Hunter, but her “sister” who looks just like her; abilities aside, Mitsuko can just read people that way. When Misaka asks her to investigate the sister’s disappearance on her behalf, Mitsuko refuses.

This is because for all Misaka knows, Mitsuko could also be brainwashed. Therefore, rather than feed Misaka info that she has no way of knowing is genuine, Mitsuko takes it upon herself to personally find Misaka’s sister and bring her back safe and sound. All she asks is that Misaka keep Shokuhous minions off her back.

Mitsuko’s investigation is off to a good start when she locates Misaka’s frog mask and kitty. But in her rush to take the cat to Judgment so she can continue her sleuthing unfettered, she bumps into Wannai and blurts out exactly what she’s doing without a hint of subterfuge.

While ultimately Wannai is not compromised, one of Baba’s robotic recon dogs picks up the conversation. He wastes no time isolating Mitsuko and then demanding she tell him everything she knows about the Sisters, or else. He’s confident from watching her events that he knows her Aero Hand ability back to front and how to neutralize it.

That’s when Mitsuko proves him so very wrong, by unleashing Aero Hand in a manner and at an intensity of which he was totally unaware. We’re reminded that even a Level 4 can cause plenty of destruction if she wishes, as Mitsuko disperses the robo-dogs and brings down a huge parabolic antenna.

She’s not worried about collateral damage—she is exceedingly wealthy—only protecting Misaka’s sister’s innocent cat. It’s notable she’s also not particularly concerned with her own personal safety; despite her pompous manner, Mitsuko is True Blue when it comes to helping those she considers friends, as well as those whom those friends consider dear.

This ends up her undoing, however, as Baba decides to fight dirty by unleashing a robo-bug that delivers an immobilizing bite to her leg. When Mitsuko takes exception to Baba mocking her selflessness and insults Misaka for “using people”—even if she can’t stand, she’s not going to stand for that!—he starts kicking her until she’s bloody. But still, Mitsuko shields the kitty from harm.

Baba’s about to gather her up to his lair to conduct a drug-induced interrogation—dude is such a loathsome sack of shit—when Saten, Wannai, and Awatsuki arrive just in time. Baba insults Mitsuko as “human debris” their faces, so the latter two calmly ask Saten to take Mitsuko and the cat to safety so they can have some “words” with the dastardly scoundrel.

P.S. Misaka had some good moments this week, despite not being at the forefront. It was mostly just to add color to the group of minders, but I loved how their lilac-haired leader shares Misaka’s genuine love for all things Gekota, and that Misaka took note of how easily her passion could be used to lower her defenses. Her “accidental” train ride was also masterfully done, even if it was ultimately unsuccessful.

In / Spectre – 04 – Much More than Big Melons

Despite Saki’s hospitality in bringing Kotoko into her home to tend to her minor wounds and serving her coffee, it doesn’t take long for pleasantries to cease and for the barbs to start flying.

Saki is dubious that Kotoko and Kurou are really dating, and isn’t convinced by Kotoko’s obviously forced “couple” photos. Kotoko eventually reveals that Kurou disappeared a week ago and hasn’t answered her calls or texts—more fuel for Saki’s “he doesn’t like you” fire.

After Kotoko takes her leave (on the shoulder of an awesome giant skeleton!) Saki wastes no time diving into the internet to research the life of Nanase Karin, a well-endowed beauty who could also boast a sharp intellect.

She gained a flame-throwing lead role on a live-action drama (the OP for which we see in its entirety) and her fame grew, but her father, whom it’s believed she resented after he quit working, died under mysterious consequences.

An unscrupulous tabloid put forth the theory that she murdered her father to get him out of the picture (and collect on his life insurance), Karin took a kind of sabbatical. But the day after a bad storm an eyewitness found a body buried under fallen steel beams.

The head and face were completely pulverized, but the rest of the body, clothes, belongings all pointed to Karin as the victim of the accident. Some time after that the legend of a vengeful spirit grew in the town.

Both Saki and Kotoko arrive at the same point in their respective investigations, but only Saki has the benefit of police records and resources to support their case. The idea is planted in both their heads that there’s more to this Steel Lady Nanase than has been covered by news, reports, and the internet.

My take? The absence of her face could mean the body was that of Karin’s older (and similar-looking) sister, whose life Karin then took over…but that’s just one of several theories rattling around.

Before Kotoko and Saki meet to put their heads together (and make no mistake, Kotoko relishes being able to freak Saki out with youkai), Kotoko is informed that Steel Lady Nanase has reappeared, and finds Kurou dueling with her.

Toaru Kagaku no Railgun T – 04 – Starry Eyes

Saten’s quest to find Shadow Metal hits a dead end with a dull thud when she’s caught snooping by ominous men in isolation suits. Misaka and Kuroko teleport to her and zap the men, but it’s all a misunderstanding: they’re a deep-cleaning crew responsible for preventing the illegal acquisition of esper DNA. The girls were the ones who were somewhere they shouldn’t have been.

I doubt that’s the end of Saten’s search for the semi-mythical metal. But it may be a while before it’s mentioned again, at least not until after a brutal cascade of events that end up all but burying Misaka are dealt with. Before that, however, the quartet finds a prime viewing spot for the nightly Daihesai fireworks display. I didn’t know it would be the last time for a while that the four are together as friends!

The next day, Wannai meekly asks Misaka for her gym clothes back, and Misaka realizes MISAKA never gave them back. With no events on her schedule, she uses her free time to fly around the city checking cameras for signs of MISAKA’s whereabouts. That leads her to two ambulance drivers she eventually suspects to be under Shokuhou’s influence.

Frustrated over her lack of progress in finding MISAKA and unwilling to reveal the secret of the Sisters, Misaka loses her temper and nearly assaults one of the drivers, leading to a confrontation with Antiskill and a punitive ride back to school and lecture about comporting herself properly from Headmistress Watanabe. Meanwhile, Kuroko, Uiharu and Saten are all “paused” by Shokuhou’s remote when her accomplice distracts them.

Due in part to Misaka’s own actions and loss of her cool, Watanabe assigns members of Shokuhou’s clique to “keep an eye on her” henchforth. One of the members is a telepath who can track Misaka wherever she goes. She may be a more powerful esper than any one of them, but all of them will be tougher, especially when she has to try to undertake a coherent investigation.

The last straw is when she encounters her three best friends…and they have no idea who she is. You do NOT mess with Misaka’s friends. Now no matter what Shokuhou says or does from here on out, we can be assured she’ll be on the end of some shocking retribution. Misaka also still has a few allies not yet under Shokuhou’s web of control. Fun-and-games time is officially over.

Fire Force – 11 – Flowers of Edo

On Captain Oubi’s order, Hinawa regales the newer members of the 8th with the tale of how the 8th got started. Hinawa was a sergeant in the Imperial army at the time (as was Maki, a general’s daughter), and his lieutenant was a kind fellow named Tojo who had his sidearm “baptized” in case he has to put an Infernal to rest.

Well, Tojo is the one to be infernalized, and when the time comes to put him down, Hinawa can’t pull the trigger because his gun isn’t baptized. While off duty, he comes upon the scene of a fire where Oubi, head of the amateur firefighters, takes exception to the Fire Force soldiers who delay putting a docile Infernal to rest because it won’t “score enough points.”

Hinawa and Oubi decide to team up and put the docile Infernal to rest, and Oubi eventually starts the 8th Company as a different kind of Fire Force, one primarily concerned with putting Infernals to rest as respectfully and properly as possible while ensuring the safety of the living.

The company starts with just the two of them, but Hinawa urges Oubi to recruit Maki, whose work ethic, compassion and dedication to her duty make her the perfect match for the company they want to create. When Maki hears this in the present, she’s overcome with happiness, as she initially thought she was just brought in as a “meat shield.”

The reason for all this reminiscing? Aside from the fact it’s fun to learn about how the 8th got started, it was their first call that brings them to the present matter at hand, as it’s likely that the first Infernal they put to rest was artificially created by the Evangelist.

The location of that first call was Asakusa, the jurisdiction of the 7th Company, headed up by Captain Shinmon Benimaru. Beni does things a bit differently too, as his company doesn’t officially answer to the empire, and they dwell and work with traditional technology.

Oubi and the 8th visit the 7th’s HQ unannounced, and meet Benimaru, his lieutenant Sagamiya and two tiny twin fire soldiers Hinata and Hikage. But Beni doesn’t like another company stepping on his turf, and won’t hear them out. Just as Shinra is challenging him to a fight he’ll likely lose, fire bells sound outside—an Infernal has been spotted.

Shinra and the 8th then bear witness to the way Beni does things, as well as demonstrates his compound 2nd/3rd-gen abilities to both create and manipulate flames. He uses them in much the same way firefighters of the hikeshi system of old Edo: to demolish buildings and even entire blocks in order to stop the spread of the fire. His ability just enables him to do it on his own and with great efficiency (not to mention style).

The people in his jurisdiction, much like the people of Edo during those fires, aren’t outraged by the apparent wanton destruction. On the contrary, they know Benimaru is doing what must be done to protect the city, and hope that if they ever Infernalize, he’ll be the one to put them to rest. Fires and the destruction caused to stop them are a fact of life for them. For as the saying goes, “Fires and quarrels are the flowers of Edo.

Fire Force – 10 – Promises, Promises

With Arthur back, Hibana hanging around feeding Shinra, and Tamaki joining the 8th, the company has never seemed livelier, as noted by both Captain Oubi and Lt. Hinawa. Shinra and Tamaki join those to for a meeting of all eight company Captains before the Emperor of Tokyo.

This is made out to be such a big deal that there hasn’t even been such a meeting the whole time Oubi has been a captain, but like Rail Zeppelin’s Mystic Eyes auction in another show, the actual event itself is pretty underwhelming.

We get a quick peek at all the captains we’ve seen before, but nothing that’s discussed in the meeting couldn’t have been said in a phone conference or email thread. Basically, the emperor wants all the companies working together to find and stop the Evangelist.

What of Shinra? One thing Hoshimiya wasn’t lying about is that Shinra’s flames are what’s called an Adolla Burst, an extremely pure form of flame identical to the ones that power the Amaterasu power plant, as well as those that created the world in which they live (how flames create things, I do not know).

In any case, the captain of the 3rd Company wants to “secure” Shinra (i.e. make him a test subject) since the Evangelist is likely after Adolla Bursts like his. Oubi manages to assure everyone the 8th will continue to keep him safe, though right after saying that he leaves Shinra on his own.

The Joker shows up, but not for a fight. He tells Shinra that his brother Shou is not only still alive, but is the commander of the “white-clad” Knights of the Ashen Flame, who serve the Evangelist. After acting sullen and awkward for most of the day back at the station, he finally tells the rest of his company mates after a family meal.

Even if I’m not super-excited about Shinra having to go up against the brother he once thought to be dead (this kinda angle is done to death), what I did like about this episode is that it re-established the 8th as one big family, and I liked the warm quiet scenes where they’re all just working or eating.

I’m also glad Shinra didn’t keep the news about Shou secret, due in large part to the sense of family and trust he feels from everyone…even Arthur.  As for how Tamaki suddenly ended up naked but for a pink apron when she and Maki tried (and failed) to start dinner…I’ve got nothin’.

HenSuki – 11 – A Matter of Math

This week’s HenSuki is a pool episode, but the pool trip is only a means with which Keiki intends to expose and confront Cinderella once and for all. And hey, if he gets to see the girls in swimsuits, including one he brought for Mizuha (since the trip is a total surprise for her), that’s just a bonus as far as he’s concerned.

Sayuki and Yuika, whom he’s ruled out as the culprit, get up to their usual antics in fighting over him, while Mao keeps her tsundere schtick going when she gets him to herself. Amidst all the liveliness Mizuha is somewhat shuffled to the side, but Keiki tracks her down and carries her when she gets a cramp, like he used to do when they were both smaller (and about the same size).

When Koharu enlists the girls to participate in a girl confession competition with the audience as the judge, all four girls score 92 or higher, with Mizuha breaking the equipment with her very heartfelt confession of love for her brother.

All of these clues involving Mizuha add up to the revelation in the waiting area that she is Cinderella. Keiki arranged things so that she wouldn’t have a change of underwear except the pair that accompanied the love letter, which she reclaimed and kept in her bag at all times. Koharu’s photo also proves she was where Cinderella would have to be at the time the love letter was planet.

Mizuha accepts that she’s been caught, and appreciates that Keiki went so far to find out it was her, as it meant he had to obsess over her for the duration. That’s because she really is in love with him, and it’s not sibling love. When Keiki tells her he’s flattered but he’s not okay with a brother and sister having romantic feelings, she drops a bombshell: they’re not related by blood.

While it’s still somewhat dubious Keiki would be okay with suddenly regarding a girl he’d always treated like a sister (by blood or not) romantically, I’m more shocked that after all these years he never considered it odd that the two of them were only five months apart in age. Seems like a pretty big oversight!

With the central mystery solved and just one episode to go, Keiki has a choice to make: accept Mizuha’s feelings and adjust their relationship accordingly, or reject her and either choose one of the others or choose nobody. Decision time!

HenSuki – 10 – No Looking Away

Thanks to the photo of him rummaging through her underwear, Keiki is suddenly Yuika’s willing and attentive slave…and Sayuki is hurt to see her master brought so low, especially knowing it’s due to treachery. Still, Yuika manages to maximize her time with him, dressing him up in a butler outfit of her own design, then using him as a porter during a shopping spree.

After shopping, Yuika takes a bath, but screams when she sees a spider, making Keiki come running to her rescue. Yuika sentences him to death for seeing her naked, but quickly softens when, after she steps on his head, his stroking of her head reminds her of her late grandma. After she trips onto her bed, Keiki discovers she stole a pair of his boxers, so just like that, the blackmailing ceases.

As Keiki and Shouma lament another summer without girlfriends (clearly due to their lack of effort and nothing else) the focus shifts to Nanjou Mao, who first uses Keiki as a model for her boyfriend in a shoujo one-shot she’s working on, then proposes he become her “boyfriend” for research purposes…if he’s not dating anyone else.

Considering how strong she comes on and all the blushing, I wouldn’t be surprised if she actually does like him, though like him with his whole Cinderella investigation, or Shouma with his lolicon, she’s simply hiding from the truth; in her case, behind manga-related excuses. After a recharging hug and sniff, Ayano even proposes she and Keiki start dating, but he respectfully declines. As I said, if he doesn’t have a girlfriend this summer, it’s all his stinkin’ fault.

Perhaps, with a photo taken by Koharu on the day he received a love letter from Cinderella, he’ll finally crack the case open and learn which one of the girls in his life gave him her underwear…or if it’s someone new entirely.

Fire Force – 09 – Decisive Battle

“Second Sun” was my other choice to name this review, though I went with “Decisive Battle” in homage to the best battle theme in anime history. And this was a decisive battle, in that it dispensed with the enthusiastic but ultimately one-note villain of Lt. Rekka as quickly and efficiently as he was revealed.

My other reason for recalling Eva’s battle theme is that both the music and the visuals took on a decidedly Eva-esque flavor, while Rekka’s rants were full of “Evangelists.” Of course, with all the crosses and creative expliosions flying around, comparisons have been in-Eva-table from the start. Sure enough, one of Fire Force’s storyboarders did key animation on Eva.

While Shinra is quite different MC from Shinji, his hot/cold, love-hate relationship with Tamaki echoes that Shinji and Asuka. Tamaki’s Lucky Lechery ability means Shinra always has a soft body to land on when Rekka blasts him back. Rekka’s flames also conveniently burn most of her clothes off, while Shinra’s jumpsuit is unaffected.

Still, having been unable to fight Rekka herself, Tamaki offers Shinra support as she urges him to do what she couldn’t. Shinra rises to the occasion, exploiting his superior mobility in the warehouse and delivering an unpredictable parkour-style offense to Rekka’s more conventional two-feet-on-the-ground strategy. The battlemation is, as ever, bright, bold, and beautiful.

The times when Rekka knocks Shinra back, he makes sure to rant more about what his cult is trying to do: make the Earth a second sun. It’s your typical “villain wants to burn the world down to make a new one” position, and Rekka goes all out despite the fact that his friend Karim has always had his back, and today is no exception.

The only difference is, instead of backing him up, Karim freezes him out, converting his overheated flames into an ice prison. Karim kept him alive, hoping to get more info about who he works for out of him, but a fire sniper (clever concept) shoots a round straight through the frozen Rekka’s chest, killing him, then starts firing at Karim, Shinra, Tamaki, and the kids.

Karim has Shinra put up a smokescreen and locate the snipers, then freezes Tamaki’s twin fire tails as they point out the sniper’s location, causing them to wig out and retreat lest they get exposed. Their main objective of eliminating Rekka as a source of information was a success, but Karim vows to assits the 8th’s investigation of the Evangelist in any way he can.

In an after-credits sequence, we find Shinra has returned to the 8th, with his inter-company training suspended after the Rekka incident. He’s glad to be home with his fam, but finds that two people are out of place. Arthur “got lost” during the incident, and they can’t find him (to be continued).  Tamaki, suspended from the 1st for her role in the incident, is now on the 8th with Shinra, no doubt to be a source of both glee and woe—hopefully more of the former.

HenSuki – 09 – Boiling Over

In what must be a dream come true for Sayuki, Keiki takes her on a date to a theme park as his pet, and she must call him “master” and follow his commands. Of course, Keiki’s ulterior motive is to confirm whether Sayuki is Cinderella. The proof he seeks is whether she’s wearing the stolen underwear from his room originally gifted to him by Cinderella.

Sayuki wears a skirt for their date, but it’s long enough that none of the thrilling rides they take cause it to flip up in his field of vision. Like his date with Yuika earlier in the show, it actually goes quite well, aside from the investigation. After “being mean” with scary rides, he lets her decide to go on the Ferris wheel, and then he praises her shodou at an exhibition.

But while the Ferris wheel was definitely the place to do it, Keiki waits until the last second, at the end of the date, to order Sayuki to show him what’s under her skirt. As his dutiful pet she obeys, despite the embarrassment … because she’s not wearing any underwear at all. She went commando for the whole date.

In addition to neither confirming or denying whether Sayuki is Cinderella, Keiki finds that things are awkward at school the next day, with Sayuki not acting like herself. Yuika notices the change too, and the avowed sadist tries to make things worse by flirting with Keiki right in front of her.

Throughout Yuika’s initial attempts, Sayuki continues to write “patience” over and over on a parchment, until she runs off onto the table. By the time Yuika jumps into Keiki’s arms and they’re tumbling to the floor just as Mao enters, Sayuki has seemingly “hit her limit” and flees without a word.

When Keiki comes to them for advice , Ootori and Shouma can’t really say what’s bothering Sayuki, but the fact that it’s bothering Keiki means he must truly care about her, otherwise he wouldn’t be so worried about how she’s feeling.

The next day Keiki confronts Sayuki, and learns that she was acting the way she was because she thought he was playing “hard to get” after not doing anything to her after she lifted her skirt for him. She was hoping for a “healthy spanking,” and took getting nothing instead (and dealing with the rising anticipation) as a form of discipline in and of itself.

Keiki decides to ask her straight up if she stole the underwear, and she owns up to it. The only problem is, she didn’t steal Cinderella’s underwear, she stole—and is presently wearing—Keiki’s boxers. If only he’d asked the right question: Did she write him a love letter with the blue underwear?

So the mystery continues, because Keiki is an awful investigator. It’s raining after school, so he walks the umbrella-less Yuika home, but gets cold and wet so she invites him in. Rather than simply ask her directly, he rifles through her underwear drawer while she’s making tea, and gets an incriminating picture of himself snapped for his trouble.

That photo all but ensures he’ll be Yuika’s slave for as long as she has it in her possession. Why he thought the risk of getting caught in her underwear drawer was lower than the risk of alienating her for asking if she’s Cinderella, I have no idea. Keiki just can’t get out of his own way here!

Fire Force – 08 – The Starry-Eyed Villain

In the haze of dawn, a mysterious man in a Fire Force cloak promises the “Evangelist” over the phone about continuing his work infernalizing subjects. Captain Hibana’s reasearch indicates an insect is the catalyst for the artificial type. When the alarm sounds and the First is mobilized, Shinra and Arthur witness the infernalization in action, and chase the just-out-of-view culprit down the alley.

In the alley they encounter their lieutenant, Karim Flam, along with Hoshimiya Rekka and Tamaki. Shinra keeps quiet about any accusations. Instead, he and Arthur break into Flam’s quarters to search for clues, and find an insect. When he arrives, he explains he planted it there to test them; confirming his suspicion they were there to investigate someone in the First creating artificial infernals.

That person turns out to be Hoshimiya Rekka, which would be a great shock if I knew who the heck he was or cared. Apparently, Tamaki is extremely devoted to him; so much so that she lures children to meet with him, with him claiming he has a prayer to “protect” them from becoming Infernals. When she wants to witness this prayer, he hugs her so hard she passes out.

Rekka kills the woman who was with the kids, then injects an insect into one of the kids, and instead of becoming an Infernal, the bug and resulting flames are absorbed, which seems to be the result he wanted, in service of creating a “pilot light” for this mysterious Evangelist. Tamaki comes to, and is beaten to a pulp by Rekka, as she’s unable to raise up against a guy she respected and admired for so long.

Still, she’s able to send her pink cat-flames into the sky as a signal for someone, anyone to come and save her and the other kids. Shinra spots the signal, divebombs Rekka, and smashes his face through the ground with his foot in front of Tamaki, who is grateful but also an emotional wreck.

While I admire the show’s penchant for getting on with the plot without dilly-dally, revealing Rekka as the evil, unhinged bad guy feels over-rushed to the point of shrug-ness. I also found it annoying that Tamaki, a powerful and accomplished fire solider in her own right, was so thoroughly damsel-ized in order to give the big hero boy Shinra a chance to shine.