Horimiya – 13 (Fin) – Gifting the Sky

Like Yuru Camp, Horimiya ends with an ending, namely high school graduation, and all the bitter-sweetness that comes with such an event. Kyouko and Shuu had been gradually emptying out their lockers day by day, but no one else thought to do so, which means they’re forced by default to help Yuki, Izumi, and Tooru with her much larger loads.

While cleaning up the StuCo office, Remi, Kakeru, Sakura, and Akane all agree to go on a post-graduation trip once one of them gets a driver’s license. Remi momentarily feels a bit lonely about the prospect of her boyfriend being able to drive far away from her, but…he’d never actually do that!

Speaking of hypotheticals, while Kyouko is napping in Izumi’s lap (a cute quiet couple moment I wish there’d been more of), he ponders what might have been were it not for all of the little coincidences—like saving Souta—that led to him not only befriending and falling for Kyouko, but everyone else in their circle of friends.

He imagines an alternate reality in which no one ever approached him or interacted with him, but things simply happened around him. Remi has shorter hair for some reason, Sakura doesn’t know Tooru, while Kyouko and an unnamed friend ogle Akane.

Kyouko wakes up, snaps him out of his daydream, sits in his lap, and says it must be fate that brought them together. But even if fate didn’t exist, Izumi likes to think the world would gradually move in the direction he wanted.

Graduation Day arrives, and as StuCo president and class rep, Kakeru is ready to give his big speech, only for Izumi to sneeze loudly before he can get a full word out, causing the entire class to start snickering. After the speech, Kakeru chases a contrite Izumi, who hides up on the roof.

There, he encounters his old, lonely self, tells him how well things have gone and how happy he is, and then looks at his old self for the first time, promising he won’t look away again. The old Izumi, in turn, decides he’ll “disappear” for him, no longer needed.

A parade of farewells and see-you-laters ensue. Tooru stumbles over a goodbye with Sakura before she holds her hand out for him to shake, and tells him she genuinely had the most fun ever this year, and he was a part of that. Awww. Similarly, Akane tells Yuki how he wants to join everyone on a post-graduation trip, and Yuki preemptively thanks him for doing the driving.

Kyousuke arrives after school to see Izumi, much to Hori’s chagrin, and is momentarily mistaken for Izumi’s dad (as opposed to future dad-in-law). Finally, Motoko gets a taste of Iura’s loud, peppy high school persona, and it’s a shock to say the least, though no doubt she’s happy to see that side of her brother.

Finally, our cozy lovey-dovey titular couple walk together to get some sushi with Kyouko’s fam, hand-in-hand. Izumi remarks how he once feared all the boundaries between him and Kyouko, but no longer. The two are so close, they might as well share the name Horimiya…and that’s fine with him, because wherever she goes, sunny days follow.

The spring sky looks bluer and more beautiful than he’s ever seen—so much so that he wishes he could repay Kyouko for shattering his old reality and wanting a future with him…by gifting her that sky. The vivid colors, soft focus, and dancing sakura petals add to the sense that Kyouko and Izumi are on cloud nine. If this ends up being the last we see them in anime form, I couldn’t ask for a lovelier parting shot!

Horimiya was by no means perfect. I didn’t always agree with some of the narrative choices made after the couple slept together, and there were ultimately a few too many characters to juggle (with Shuu, Akane, and Sawada getting particularly short shrift) but at its best the central romance was as fun and electric as anything I’ve seen in the genre. It certainly won’t be a series I’ll be forgetting anytime soon.

Rating: 4/5 Stars

The Promised Neverland – 23 (Fin) – Easy Win

“It’s an ending, that’s enough!”—Marge Simpson

I thought of those sage words—spoken to end a discussion of whether another ending was happy or sad—after the end of The Promised Neverland. This finale was, without a doubt, a series of scenes where dialogue is exchanged and things happen.

Like the previous episode, in which every single thing that needed to go Emma’s way did go Emma’s way, not a lot of it holds up to even cursory scrutiny. Unlike the previous episode, it wasn’t packed with enough stuff to keep my mind from dwelling on just how goshdarn fast things are moving.

And yet, it’s also an episode that tends to drag and sag during lengthy dialogue scenes. Starting the episode with Peter’s backstory, such as it is, was an…interesting choice? It really did nothing to make me care about him one way or another; I’m not surprised in the least he had his own brother Minerva killed, or that he rejected Emma’s call to join her in building a new world.

Ratri would rather slit his own throat (which he does) then even try to live in such a theoretical world; going out as a “Ratri”, descended from those who originally negotiated the great pact that split the human and demon worlds in two. Isabella and the mothers, who all seem to speak with one united voice, are also initially reluctant to go with Emma, who manages to convince her to change her mind. All is forgiven!

Now for the journey to the gate to the human world. Wait, the elevator takes them right there? And the pen, already literal deus ex machina, also happens to unlock the completely unguarded gate? Oh, and Emma, along with Norman, Ray, and the Lambdas, decide not to go through that gate? I commend the composer for accompanying the gate scene with suitably epic music, but other than that it’s just a lot; all at once, and all too easily.

The decision to remain while Don, Hilda, the mothers and the kids all go ahead to the human world is simple: Emma’s job won’t be done until all the farms are shut down. With Mujika’s help, she intends to create a new pact that won’t allow demons to raise children for meat anymore. So I guess Sonju was just joking when he was hoping to eat some free-range kids in the near future?

I was also a little worried when Emma and the others not going through the gate simply left them without checking out if it’s even safe on the other side. Those worries were short-lived, as beyond the white void is…modern-day New York City, immediately followed by an unanimated slideshow of the kids gradually assimilating to life in such a world. Judging from the stills, they don’t have much difficulty at all!

We then switch to a slideshow of Emma & Co. on their crusade that for all I thought would take the rest of their lives. I mean, you’re talking about rescuing each and every child currently imprisoned in the demon world. It’s a herculean effort many times larger than the already ridiculous operation that liberated Grace Field House in a single night with zero casualties.

But nope, it only takes a couple years or so. Emma, Norman, and Ray just suddenly appear by Hudson Bay one day, their mission apparently accomplished. Phil’s happy about it, because he doesn’t have to make good on his promise to go back after her. It’s all a little sudden, and random, and rushed, and weird. All my goodwill was spent mindlessly enjoying last week’s all-too-easy victories.

So it’s a totally, completely, 100% happy ending for Emma and the kids, who’d basically ceased enduring serious hardship or encountering setbacks of any kind after being forced out of their bunker hideout. But for me, it just feels like an ending, and a blessed one, as my enthusiasm for the direction of the story was waning by the day. An ending is enough.


Read Crow and Irina’s discussion on the final episode of The Promised Neverland right here!

Re: Zero – 43 – Run Lia Run

From last week’s cliffhanger with Regulus we take a brief detour to a weakening Ryuzu Shima tell Subaru & Co. a tale about her progenitor, Ryuzu Meyer, who lived in the Sanctuary before it was a Sanctuary. There, she met Echidna, Witch of Greed, and her daughter, a young Beatrice.

Meyer endured Beako’s unyielding haughtiness and the two went on to have “quite a heartwarming friendship”. Meyer also met a generations-young Roswaal, whose eyes were the same color back then. Getting down to brass tacks, Shima says the former Sanctuary “collapsed”, and then the true reason for the Sanctuary’s existence came about.

Just when Shima’s story is getting good, we shift back to Emilia’s trial. Considering the trial isn’t even done introducing people, I would’ve probably preferred to pick up where we left off, since Shima’s story and Lia’s past don’t really connect (at least not yet). New to the stage and flanking Regulus is the Witch of Vanity, Pandora, who—surprise, surprise—resembles Echidna, Satella, and Emilia.

Pandora wants the seal, so the Witch’s Cult can “fulfill its long-cherished desire.” Regulus seems to be her muscle, but as always has his own agenda and is an exhausting stickler for “authority” and “permission”. As Fortuna runs off with Lia, Geuse stands his ground and whips out the Witch Factor he was holding onto for just such an occasion.

Apologizing to someone named Flugel-sama, he presses the factor to his heart and undergoes a painful transformation. Pandora grants him the title of Sloth, Geuse uses Unseen Hands to fight Regulus (and puts extra emphasis on “desu!” For the first time).

The resulting stalemate enables Emilia and Echidna to shift to young Lia’s perspective. Fortuna gets her as far away from the fight as she can before entrusting Archi to her care, but not before giving her a loving, tearful goodbye, insisting she loves her like a daughter. Indeed, present-day Lia comes to believe Fortuna is her “real” mother after all, though it’s still not crystal clear if she means biological.

Archi carries a weeping Lia, aiming to leave the forest as Fortuna commanded, but he’s tripped up by the Black Serpent, a plague-bearing mabeast. The wound quickly spreads across his leg, which he amputates and freezes, but the spread doesn’t stop, it only slows. With what time he has left he orders Lia to head to the field of flowers and keep running straight and forward.

Fortuna reunites with Geuse, and the two have a very lovey-dovey moment that tests Regulus’ already virtually non-existent patience for being ignored. When Pandora gently asks him to remain calm, he turns her into a bloody mist.

She returns without a scratch moments later, drives Regulus into the ground, and then uses her ability to rewrite reality itself.  The purpose for Regulus entering the forest has been achieved, so she returns him to his mansion, which also undoes all the wounds he inflicted on Geuse. It’s as if he was never there!

Considering that there’s nothing stopping the witch from turning that terrifying, reality-altering power onto Geuse and Fortuna, their chances feel so much more hopeless against her than Regulus, and yet they won’t run. Protecting Emilia and the Seal is everything, and if they have to die, they’ll die together. Of course, as we know, only Geuse ends up living to encounter the likes of Natsuki Subaru—albeit in a profoundly twisted form.

As for Lil’ Lia, left to her own devices, all the thoughts about everyone hating her and not wanting her around flow back, and she soon becomes lost. This despite the fact that Fortuna, Geuse, and Archi never stopped telling her how loved she is or how good a girl she is. She believes the only way to fix things is to give the pretty witch what she wants: the key. The lesser spirits guide her to the Seal.

When she arrives, Pandora is already there, which indicates not only that Fortuna and Geuse didn’t last long, but that Emilia is the key to the Seal (duh). Moreover, Pandora was expecting Emilia to come to the Seal. The shit has officially hit the fan in this trial…but it’s not over yet.

Attack on Titan – 65 – Empathy for the Devil

In last week’s big finale, Eren bursts on the scene as the Attack Titan. This week begins with Willy Tybur saying goodbye to his family, perhaps for the last time. His plan is to draw out the Titans with as many people from around the world watching in order to maximize the carnage. Commander Magath can’t promise he can protect Willy, but Willy doesn’t want protection. After all, the nations won’t unite against Paradis if he doesn’t survive.

Eren’s attack mirrors Braun and Bertoldt’s attack on Shiganshima many years ago, as we watch from the perspective of people on the ground as chaos reigns. Gabi turns to Zofia to find she’s been crushed by a giant boulder, while Udo is trampled to death. Colt keeps Gabi from suffering the same fate by holding her close against that same rock.

Of course, while Willy fully intended to sacrifice his own life on the alter of global cooperation, he also intended for whatever was left of the Marley military in the area to mount a counterattack. It is led by the Tybur family heirloom itself, the Warhammer Titan, but Willy isn’t its pilot—his younger sister Lara is.

When she transforms, the Warhammer immediately starts whaling on Eren, who can’t penetrate his foe’s hardened skin even with his hardened fists. He’s impaled on a giant spear. Meanwhile, Pieck and Porco are rescued by the Panzer Unit, whom Pieck instructed to follow them when she hugged one of them. As they emerge from the house, we hear that oh-so-familiar sound of zipping ODM gear overhead.

The Attack/Warhammer stalemate is seemingly broken when the military, led by Magath, starts firing at Eren anti-Titan rounds. He’s in trouble, so who should appear in the nick of time but his raven-haired guardian angel, Mikasa Motherfuckin’ Ackerman, sporting a new short hairdo and all-black Survey Corps uniform.

Mikasa attacks the Warhammer’s nape with a whole bunch of explosive missiles, disabling her temporarily and giving Mikasa time to ask Eren to come back home. He can’t undo what he’s done—including killing scores of innocent civilians—but he can stop continuing to kill them. Eren doesn’t seem interested in stopping what he’s started.

Despite her adoptive brother, best friend, soul mate, and one true love basically commencing his heel turn before her very eyes, Mikasa won’t leave Eren’s side or stop protecting him, as she must do when the Warhammer wakes up. But Eren noticed something fishy when the Titan constructed from the bottom-up rather than the usual nape-outward.

Colt and Gabi take Udo to the hospital, but they’re in triage mode and Udo is already dead. Gabi is still largely in shock, and doesn’t understand why Zofia and Udo just died, but decides she’s not going to run and hide, but join the military in the fighting.

Upon reaching the gate, the guards (who know and are fond of her) warn her to run, and are both shot dead…by Sasha Blouse. Sasha and Gabi lock gazes, but Sasha doesn’t kill her, instead joining Connie, Jean, Floch, and the rest of the Survey Corps in their operation.

As Mikasa distracts the Warhammer, Eren finds a hose-like extension from its feet, and locates Lara, who is encased in the same kind of extra-hard crystal as Annie Leonhart. Nevertheless, the egg-like “cockpit” is small enough for Eren to eat and thus inheret the Warhammer Titan’s powers. Before he can chow down, he’s interrupted by Jaws, piloted by Porco.

Porco, however, doesn’t have enough time to bite through Eren’s nape, because Levi swoops in and slices Porco’s nape, continuing the thrilling back and forth. Porco can only watch helplessly as dozens of Survey Corps soldiers descend upon him—mere humans not only unafraid of the fact he’s a Titan, but ready to end him. To paraphrase Magath, there are devils on both sides. There always were.

The war between Marley and Paradis has well and truly begun, and assuming enough foreign dignitaries escaped the carnage, it won’t be long before other nations answer Willy Tybur’s call. Meanwhile, Paradis has come in force to wreak havoc on Marley and, presumably, destroy its own force of Titans, while Eren may have his own, more nihilistic agenda. In any case, it’s great to see the old gang in action, looking much cooler—and more hardened—than the goofy kids we saw on the beach.

Magath ends up surviving a grenade attack, while Braun and Falco are missing for the entire episode. It will be interesting to see if Braun passes the Armored to Falco due to the fact he’s not certain Gabi survived Eren’s attack. Falco wants Gabi to live a full life, but Gabi wants revenge for Zofia, Udo, and all the other comrades and friends she’s lost.

The Day I Became a God – 09 – Higher Powers

Finally, Suzuki’s story fully merges with Hina and Youta’s, resulting in tragedy for all three—just as we’d suspected! Suzuki runs an analysis of Hina and Youta’s interactions and discovers that Dr. Korogi’s research has somehow enabled Hina to live healthy life despite her Logos Syndrome.

Under her influence the painfully ordinary Narukami Youta has achieved extraordinary things. This is all theoretically fascinating to Suzuki, but when his Handler reports his findings to the CEO, Hina’s Doomsday Clock’s hands accelerate towards midnight.

Before we’re invited to sow what we’ve reaped by fully emotionally investing in Hina and Youta’s relationship, we get a little context into where Suzuki Hiroto is coming from. A hacking prodigy from a young age, his parents exploited his talents for their own monetary gain. When he refused to continue on moral grounds, they beat him.

He now finds himself a virtual ward of a corporation and its CEO, likely as the result of a settlement that kept him out of prison—a glorified whitehat. He’s dreadfully frustrated to still find himself figuratively and literally under the heel of cynical humans who lack his intellect and imagination.

But while he may be smarter than virtually everyone, he’s not able to see how they’re exploiting his abilities and innate curiosity to basically dig Hina’s grave for them. He starts with a deep dive into the digital ether, visualized perhaps too on-the-nose-ly as a deep blue sea complete with dolphins, whales, and a very conspicuous red goldfish.

More than sticking it to the adults he hates so much and who have done nothing other than step on him, Suzuki above all wishes to have capital-W Worth, and at this stage in his existence he believes his hacking talent to be the sum total of that worth. So he can’t help but reach out and grab that which probably shouldn’t be touched, and as such, he seemingly achieves a digital connection with Hina.

That is, he’s able to access the quantum computer chip placed in Hina’s brain by Professor Korogi in order to cure her Logos Syndrome. Practically moments after his findings are presented to the CEO, they are run up the flagpole to Higher Powers, i.e. the government leaders of the world. Such people are concerned with far bigger pictures and longer games than the happiness of one boy, one girl, and one small circle of friends in Japan.

In fact, they believe that the continued existence of the quantum computer out in the world presents an unacceptable risk to global peace. They have decided—and have the power to enforce—the notion that the computer must be retrieved and hidden away until such a time that mankind is ready for it.

Once Hina is made aware of the order to apprehend her and take her computer, she apologizes to Youta, who thinks she’s trying to apologize for the sudden rainstorm she predicted before the drops fell. She isn’t; she’s apologizing for wrongfully assuming that because she in her omniscience could not see beyond thirty days, that it would be the end of the world…not simply the end of hers.

At no point does it occur to Hina that she could or should resist this fate; she is oddly detached and almost clinical in her confusion when Youta grabs her and runs out of the park pavilion as the film crew buys them time. Finally Youta stops and explains: He had fun this Summer with Hina, and doesn’t want to lose her. He wants to spend the rest of his life with her, because he loves her—something Hina never thought she’d hear from anyone other than her gramps.

He wants that to be enough of a reason for protecting her, but while Hina tearfully confesses she’s come to love him too, she still doesn’t believe there’s any sense in fighting that which her own omniscience has already decided cannot be fought. The pertinent governments of the world are unanimous: Her world is to end without delay.

The question is, will it really end? Suzuki managed to warn Hina, but only gave her enough time to say her rather rushed goodbyes. Could he somehow escape his handlers’ clutches and aid Youta & Co. in some way? Or will this outcome stand, Hina is doomed, and what comes next is Youta & Co. processing the grief and moving on with her memory in their hearts driving them to be better people?

Personally, I hope there’s still some way to save Hina despite the ridiculous odds stacked against the good guys. But I have to admit…It is not looking good!

Fate/Grand Order: Absolute Demonic Front – Babylonia – 21 (Fin) – A Small Story About Us

This week is essentially a nice, breezy extended epilogue, full of goodbyes and see-ya-laters. After waking up back in Babylon, Ritsuka and Mash are received by Quetzalcoatl and Jaguar Warrior, who took part in ensuring the two returned safe and sound. They exchange proper goodbyes, and Big Sis Kuku makes sure to give Ritsu a big ol’ hug before vanishing into the either.

From there, Ritsuka and Mash return to the Chaldean Embassy, where Ishtar and Merlin are waiting for them. Ishtar reports that Ereshkigal is resting in the underworld, which will take a half century to repair after the destruction Beast caused. (Sadly, there’s no update on Ushiwakamaru’s fate). After bickering with Romani a bit and giving Ritsuka a flower memento, Merlin returns to his Tower of Avalon.

Gilgamesh and Ishtar are the last two servants to bid the Chaldeans farewell before the Rayshift home. Gil marks the occasion by gifting them a Holy Grail (though since the kids are underage they can’t drink the wheat ale within, so Gil chugs it). Ishtar vows to remain in this land until the end of the first Uruk dynasty, and Ritsuka and Mash are transported away. Thus concludes the Absolute Demonic Front – Babylonia.

As we learn after the credits, Babylonia was only the seventh singularity in need of repairing to save humanity, not the final one. That, as Romani announces to a just-returned Ritsuka and Mash, is The Grand Temple of Time – Soloman. It would seem a Master and his Servant’s work is never finished.

And there you have it! It’s been a long journey since Episode 0 aired last August; certainly our own world has changed immensely since then. Grand Order was a fun and often exhilarating escape to a world where the small story of two people traveling between the pages of history, keeping those pages stitched together and ensuring humanity’s survival…with a little help from their friends. This ending made me again wish the previous six singularity arcs had been adapted to anime, but…c’est la vie.

TenSura – 23 (Fin*) – Problems Solved

Rimuru and the five students enter the Dwelling of Spirits and…pretty much absolutely everything goes swimmingly! Seriously, one by one Rimuru either creates a superior spirit from hundreds of inferior ones with the Great Sage’s help, or in the case of Kenya and Chloe, a spirit is summoned by the kids themselves.

Bottom line, with superior spirits within them, the immense magical power is now under control, and will no longer send them to early graves. Mission Accomplished! The only problem is, there’s a lot more runtime to the episode after that, but it’s clear that’s all the story TenSura cares to tell, so the remaining ten minutes or so basically runs out the clock.

We get montages of How Far We’ve Come, followed by a number of Long, Tearful Goodbyes, as well as hints of Challenges to Come Next Season. As fantasy/Isekai anime go, TenSura almost always kept things light, breezy, and above all nice and easy for Rimuru.

I don’t see a second season messing with that formula too much, but rather expanding Rimuru’s powers, understanding of his world, and of course, introducing a smorgasbord of new characters who will then interact with his already vast crew. The MAL score of 8.36 is definitely overzealous in my book, but colorful, upbeat, and full of charm and good humor: that’s been TenSura through most of its run, and it should continue to be so in the future.

*An “Extra” episode will air next week.

SSSS.Gridman – 12 (Fin) – Power of the Finite

“Anyone who can make kaiju is a kaiju themselves,” says Alexis Kerib, after transforming Akane herself into an enormous monster that wails out a terrible lament as it destroys what’s left of the city. Still temporary allies, Gridman (dwelling in Yuuta) asks Anti to deal with the Akane-kaiju, as he and Rikka have something else they need to do.

Akane isn’t feeling particularly good about herself, which is probably what enables Alexis to transform her and control her so easily: he thrives in the corruption of the heart, in hatred, disgust, and aloofness. He chortles when Rikka calls Akane “her friend” not because Rikka is only Akane’s programmed creation, but because he doesn’t believe there even is such a thing as friends.

Right on cue, Rikka’s friend Yuuta-Gridman picks her up in Sky Vitter (to Alexis’ bemusement), and they return to the hospital to snap Shou out of his funk. Regardless of how useless or normal he thinks he is, Yuuta tells him that Junk needs everyone there to work. The Gridman Alliance is more than just a cool nickname for their little circle, it’s the key to unlocking Gridman’s full power.

Anti succeeds in freeing Akane from her kaiju prison (which seemed to be filled with some kind of clear LCL), but Akane wonders why he bothered with someone as terrible as her. Anti fully owns his “failed creation,” since the fact he failed meant he’s more than just a kaiju, but a human.

Alexis makes no distinction between kaiju and human, or anything else, since to him it’s all below him. Because Akane is still in a bad state, he exploits her negative emotions and literally consumes her to become a kind of “Alexisman”—but the Alliance are back at the Junk Shop, and when they activate the new acceptors that appear on their wrists, a new, final form of Gridman appears: less armored and more like, well, a giant guy in a suit.

This new Gridman fights Alexis in order to free Akane once more, and has some success…until the halved Alexis simply auto-repairs. He is immortal and infinite, so however many times Gridman tries to destroy him, he will just keep coming back forever. Since Alexis has everything “of value” in Akane’s world—that is, Akane herself—he decides to head back to his realm…after killing Gridman.

But before he can skedaddle or kill Gridman, Gridman discovers a new power, and possibly his most important: The pink Grid Fixer Beam, which repairs not only the city Akane created and then destroyed, but succeeds in rescuing Akane’s heart from Alexis’ clutches. The Fixer Beam basically deletes him from the world.

Finally, free, Akane worries about what comes next. “A big world’s too much for me!” she laments, because she’s such a weak, pathetic coward. Rikka, Yuuta, and Shou tell her that no one’s perfect, which is why they—which is why everyone—relies on others.

Her world afforded her godhood and a kind of immortality, but it’s run it’s course, and now it’s time to return to the world of mortality and the finite. Akane’s grateful to Rikka for saving her, but also wracked with guilt over the things she’s done that cannot be undone with any Fixer Beam.

Rikka tells her not to sweat it, and gives her the gift of a wallet that matches her own (and also happens to be the same color as Akane’s hair). Rikka wants Akane to stay in the world and be together with her, but tells Akane not to let that wish come true. No one can force Akane to leave; she has to want to do it; to return to her real life.

With that, Akane disappears from Rikka’s side. Gridman & Co. say their goodbyes to Rikka and Shou before returning to the Hyper World, and not long after that Yuuta wakes up in the junk shop, the Gridman Alliance now just a friendship of three kids. The puckish humanoid kaiju who once guided Yuuta heals Anti, who is grateful, and now sports both a human and a kaiju eye—his past and present.

Finally, in the real world—as in, a live action world—a girl with long black hair much like Rikka’s slowly wakes up and rises from the bed, the Akane-colored wallet on her dresser. This, it seems, is the Real Akane, who left the world where she was a god (i.e., her dreams) and returned to the world she thought she couldn’t handle.

Now the ending with Rikka and Akane makes more sense: Akane made the purple-haired Akane to be her ideal avatar, and made Rikka, who more closely resembled her real-life self, to love her. Ergo, in her world, she loved herself. But Rikka taught her the power of friendship, and the need to wake up from dreams and not sink into Alexis-like abysses of darkness and despair.

A lot of this might sound corny, but the show expresses these well-worn ideals so earnestly and powerfully, it all comes together and works pretty well, which can be said of the show as a whole. Despite only catching a tiny portion of the references to Gridman and Gridman-esque works, SSSS was never not a pleasure to watch and listen to.

The ending could be said to be too neat and tidy, squandering a universe of potential alternate directions. But at the end of the day the lesson holds: just as friendships have value because we aren’t infinite or immortal beings, an imperfect finite ending will do just fine.

TenSura – 08 – An Extended Goodbye

Every week when I watch the OP and ED I wonder “When is Rimuru going to gain a human form?” Well, TenSura answers that question. There wasn’t much doubt that Shizu—or rather, Izawa Shizue—wasn’t going to get out of that bed in the hut. The curse was lifted, but her body, which had endured for decades, was at the end of its rope.

After giving Rimuru the full story of her eventful life after summoning, and learning his Japanese name, she asks him to eat her so she can rest in peace within him. Rimuru uses Predator as she requested, and has plans to meet and slug Leon Cromwell, even though that Demon Lord was the only reason Shizu lives as long as she did.

When Shizu’s former adventurers enter the hut, they’re shocked to see a kind of 3/4 scale Shizu with blue hair and yellow eyes: it’s Rimuru! Or rather, a new form Rimuru gained by absorbing Shizu, which he explains was her explicit wish.

They’re not mad, just sad they couldn’t say goodbye to Shizu. But after being supplied with some top-shelf gear from Kaijin and his friends (who are famous to the adventurers as masters of their craft) they say goodbye to Shizu through Rimuru’s human form, and then head home.

Having met and absorbed his “destined one”, Rimuru builds a simple grave for Izawa Shizue under a tree perched on a cliff with a view of the village, then prepares to gain more information on his new world before confronting Leon Cromwell.

Meanwhile, a pig-man is on his last legs in the desert, but is saved by an oddly well-dressed man named Gelmud who hides his face behind a Venetian mask. He names the pig-man and offers him food in exchange for his fealty. Gelmud has plans for his new “project” that relate to the Jura Forest, so no doubt they’ll be crossing paths with Rimuru and his crew.

Steins;Gate 0 – 12 – Paradox Song

There’s this song. It’s a song Mayuri sang to a young Kagari in the future, just when she finally became her legal mother. When the Kagari of the present hears the Mayuri of the present singing it, she loses consciousness. It’s not that Mayuri’s singing is just that bad—it’s quite lovely—but rather that Kagari’s brain is suddenly getting hit by some pretty profound aural stimuli.

But when Kagari makes the connection between the song and her fainting spell, the question becomes where did Mayuri learn the song? That takes us on a rather wild ride: She heard it from Suzuha, who heard it from Yuki, who heard it from a woman in her baking class who turns out to be…Rintarou’s mother. Yet Rintarou himself, apparently the source, can’t remember singing it. To quote Alice, “curiouser and curiouser.”

Rintarou’s mom said he used to sing it to Mayuri to cheer her up when she was in her “reaching up at the sky at a cemetery” part of her life. They visit Mayuri’s grandma’s grave to try to spark Rintarou’s memory, but get caught in the rain.

While seeking shelter by a shop window, Kagari hears “The Magic Flute” (K620) playing on the radio and goes into a kind of trance, remembering when she once walked along that same street in her bare feet and pajamas. She’s almost hit by a truck (of course), but Rintarou makes a diving save.

While she’s out this time, something happens. Kagari runs to her mother’s arms; a blurry figure that she discovers is Shiina Mayuri. Waking up in a hospital room, she sees Mayuri by her bedside and immediately recognizes her as her one and only mommy.

Mayuri protests that she’s not a mommy, but, well, she just is. Or rather, she will be…just as Suzu is Daru’s daughter. Rintarou nods assent, and Mayuri goes with it, providing Kagari with the affection she needs. The plain credits roll as a very lovely rendition of the song is sung, at it seems things will end on a pleasant note.

Of course, this is the twist-loving White Fox we’re talking about, so after the credits we find ourselves on a train platform where that same barefoot pajama’d Kagari is singing the song, and a teenaged boy overhears it—a teenaged boy with the same color hair and eyes as Rintarou.

I’ll admit, I was a little confused by this scene, but maybe that was the point. Here is Kagari, who will presumably be adopted by Mayuri in the future, in Rintarou’s past, singing the song he’ll sing to Mayuri to cheer her up. Seems an awful lot like a causal loop to me.

That would be fine, except there’s a creepy white van parked near the platform, confirming that “Runaway K-6205” has been found. Are we watching past events here, or is Kagari in danger no matter where or when she is? Will the next episode continue in this world line, with “Macho Psychologist” Rintarou helping Kagari out? I honestly have no idea, but I can’t wait to find out.

Steins;Gate 0 – 11 – WWIII Averted…For Now

The shadowy guy whom Maho hired to analyze Makise’s laptop turns out to be…Daru, working out of the back room of a cosplay store. He still needs three days to complete his work, but after telling her the whole story about the time machine and the horrors the secrets within the computer may unleash, Rintarou manages to convince Maho to destroy it.

Before they can, the “wrong hands” in which it would be so dangerous arrive in force. Daru has an escape route worked out, but they’re still cornered in a dark alley and Maho is nabbed and has a knife placed against her throat. That they were able to find Daru’s hideout so soon, or were watching listening for just the right time to move in, is disconcerting, to say the least.

However, they must not have been listening in, because after some negotiations they’re willing to let Maho, and Daru walk away unharmed in exchange for the laptop. Rintarou briefly switches places with Maho as their hostage, but then another masked group arrives and opens fire, making sure the laptop is destroyed.

It’s doubtless a harrowing ordeal for Maho; she may have been held up along with the others at the lab, but no shots were fired. Here, had Rintarou not pushed her flat to the ground, she might’ve died. Back at the lab, she’s so out of it she doesn’t notice she’s clutching one remaining shard from the laptop in her hand so tightly it’s drawing blood.

Rintarou takes Maho to Feyris’ to clean up, but the trauma from the shootout has a more pronounced effect than she thought, and after all that tension, every muscle in her body goes limp, making her practically a helpless doll. And just as Rintarou once walked in on Kurisu, he ends up facing Maho just as her towel falls off. The universe is keen to make him suffer, but also to make him accidentally see his love interests in the nude.

That night, Maho asks Rintarou to stay by her bedside a little longer, and he happily obliges. Returning to her Mozart-Salieri narrative, after hearing from Rintarou about the possibility she might “disgrace the dead” by unlocking Kurisu’s laptop’s secrets, Maho admits to herself that it wasn’t just a matter of honoring her friend’s legacy, but trying to subconsciously exorcise the frustration she felt.

Not just frustration over not being able to achieve the things Kurisu did, mind you, but frustration over the mere fact she’s so concerned about her as a rival; Mozart, she says, never wasted a moment concerned with Salieri; he only made great music (and drank and gambled…it’s all in the movie).

Rintarou disputes the similarities between the two pairs of gifted people from vastly different times. He’s convinced that Maho loved Kurisu and would never disgrace her. It’s why she agreed to break the laptop, it’s why she shed tears and apologized, and it’s why she clutched the fragment so tightly.

It’s such a quiet, tender scene filled with mutual respect and affection, with Mamoru Miyano wonderfully modulating Rintarou’s voice to a caring hush, matching the vulnerability of Yahagi Sayuri’s Maho. Very nice work here.

After Rintarou and Maho’s lovely night together, she and Leskinen head back to America, but not before inviting him to Viktor Chrondria University whenever he can make it. So it’s not goodbye, merely see ya later for the couple. That probably makes both Leskinen and Amakurisu happy; Ama also fully intends to see and hear from Rintarou again, expressing Kurisu’s tsundere mode.

Rintarou is also able to convince Suzuha that they’ve avoided a potentially WWIII-starting clash between America and Russia (the two powers he suspected he and Maho were caught between), though Suzu remains skeptical that they’ve eliminated the only cause of the war, only one of them. And she’s most likely right.

One of the last scenes is of Maho’s colleague Judy Reyes aboard a flight, hiding…something in her lap. Was she one of the masked people in black? Could it be salvageable remnants of the laptop? Whatever it is, it’s clear Rintarou’s work is far from done. Meanwhile Mayushii seems to harbor some conflicting feelings about Okarin leaving for America to join Leskinen, Maho, and the digital Kurisu.

Re:Creators – 22 (Fin)

With Altair, well, not defeated per say, but ceasing to be a threat to the world last week, Re:Creators can relax and do a leisurely victory lap. The five creators remaining on the battlefield accept their supporting roles in a story that ended up being primarily about Altair and Setsuna. The other creators congratulate Souta for his achievement, even if, especially for Matsubara and Takarada, it hurts that their heroines had to die in order to win.

But Meteora steps in to assure Matsubara that only one possible Selesia’s story ended there; there are countless others that remain alive, and more still as long as he’s committed to keep adding to her world…coffee, for instance.

After a celebratory feast at a down-home restaurant, Meteora also points out to the other creations that they will all have to return to their respective worlds soon, as her magic will eventually cease to work as the world restores its proper order (an order in which her magic doesn’t exist).

After the creations and their creators spend one last day together, saying what they want to say and suggesting what they want to suggest, Meteora opens a return gate.

One by one, the Creations say their final goodbyes and walk through the gate, disappearing from the world in physical form but not in the hearts and minds of their creators and fans. I was kinda wondering where Magane was in all of this, and I really wish we’d been able to see more of her…did she de-coalesce off-camera after using her ability to help Souta?

In any case, Meteora has one more plot twist in store: she’s staying. I mean, even if she wanted to go back, she can’t go through a gate she is keeping open any more than she can pick up and throw herself. But she loves this world, and has always seemed quite comfortable here. So while she loses the rest of her magic as soon as the gate closes, I have no doubt someone as strong and brilliant and charming as she will land on her feet.

A bit of time passes, marked by the emergence of several new advertisements around the city promoting new seasons of the creators’ creations, each with new stories that reflect their experiences during the Chamber Festival: Shou and Yuuya fighting side by side, Blitz with his daughter by his; Hikayu’s new martial-arts master alter-ego; Magical Slayer Mamika meeting Aliceteria.

Everyone continues to create. Whatever problems people had with the story of the Chamber Festival (and it did kinda go all over the place, if we’re honest), creators can’t look up to a standard they worry they’ll never approach; they can only keep moving forward, and keep creating. That’s the surest way to achieving happiness not just for themselves and those who consume their work, but for their creations too.

I’m also heartened to see Souta and Meteora exchanging texts in much the same way Souta used to do with Setsuna, only now he’s a little older, a lot wiser, and more importantly, confident enough in his ability as a creator in his own right, to be anything but proud and supportive of his friend’s efforts.

Meteora has pivoted to creation herself, and has decided to name her first work Re:CREATORS—the very work we just spent 22-plus weeks watching.

Shingeki no Bahamut: Virgin Soul – 20

The Demon assassin is eager to fight a dragon, as I assumed he’d killed one or two in his checkered past. However, his true beef is with the fact that Nina is a mongrel and a pathetic abomination for having a human parent. Nina transforms into the Red Dragon, but the assassin transforms into a bigger one. A much, much bigger one.

The resulting fight is one of the cooler, more impressive battle sequences—after all, two dragons are better than one—but Nina is completely outclassed and the assassin’s attacks quickly transform her back into human form.

Naked and beaten up, the Onyx Commander looms over her and tells her the order to kill her came from His Majesty himself, twisting the proverbial knife before killing her with a real one.

Favaro and Kaisar have heard enough, and spring into action, breaking free from their captors—but they’re pretty outmatched themselves, so it’s fortunate the cavalry arrives in a timely fashion, in the form of El, Sofiel, Azazel and Jeanne. The lads are…humbled by the sight of the surpassingly ethereal, angelic Sofiel, but she’s not here to dilly-dally.

Summoning a giant avatar to match the assassin dragon’s scale, she launches a devastating ice-based attack that turns the dragon into a solid chunk that shatters under its own weight. And to think: she is of those who have found themselves flummoxed and beaten back by Charioce.

With the dragon eliminated and the Onyx Soldiers tied up with magical binds, all that’s left is to finish saving Nina, who appears down for the count not due to any physical exertion, but because she’s suffering from a broken heart.

Kaisar leaves the Onyx Commander and his men alive, but the Commander makes sure he knows there’s nothing he or his friends can do to stop Charioce, so there’s no point in continuing to oppose him, aside, I supposed, from a death wish. Alessand also takes note of the fact that El is the “holy child.”

Back at base (which is surprisingly still intact and safe after all that) Sofiel insists that it’s time to go: Her, Jeanne…and El. But El is reluctant; he believes he was born for a greater purpose that can only be served on the surface world. Bacchus, for once given some dramatic meat, tells him he’s being foolish; that all he his at the moment is a child, a gift from his father to his mother. It’s enough to convince him to go with them.

Meanwhile, Nina whips herself into a rage and tosses aside the necklace Charioce gave her, trying and likely failing to get over the guy who not only rejected her, but tried to kill her. She neither needs nor wants these feelings, but unless Rita has a spell or potion for it, they’re not going anywhere. El stops by to say goodbye, and can tell Nina isn’t alright, even though she puts her usual cheerful face on in front of him.

The next morning, the Onyx Commander informs Charioce, who is headed to Eidos to finish opening the rift, that the dragon has been eliminated; Charioce, like Nina, may well be hiding his true feelings on the matter from the world. Ready to set off back to the Land of the Gods, Sofiel admits to Bacchus that she left without permission, and furthermore, can why he stayed on this world: there’s never a dull moment, after all.

After El says his final goodbyes to Azazel, he walks back through the caves alone, and is confronted by Alessand, who stabs him in the chest, making his holy blood pour onto the ground and surround his black ocarina. Alessand, who was humiliated and judged as worthless by the Onyx Commander, still wishes to prove the man wrong.

So Al chose to make himself worth something by eliminating a potential weapon of the Gods. Whether he’ll get any acknowledgment—or even get out of the caves with his life—remain to be seen.