3-gatsu no Lion – 44 (Fin) – From Darkest Depths to Highest Heights

The eight minutes that kick off 3GL’s final episode (for a while at least), in which Rei visits the Kouda household, were some of the most hauntingly beautiful, unsettling, and emotionally gutting eight minutes I’ve ever seen. He is received only by the mother, who narrates the entire segment.

Rei was always capable—more capable than her children, which is why he had to go—but she finds him even more so now; he’s become an adult. Meanwhile, Kyouko and Ayumu (seen but never heard here) continue to flounder; they remain children, seeking immediate enjoyment.

Rei’s visit confirms to Mother Kouda that it was for the best for Rei to leave, and she is grateful that he did it of his own volition. Rei was such a genuinely good boy, it was a weight the rest of the family could not bear. When she dreams of Rei being her real son, he’s a sassy layabout like the others.

I was already in tears before the OP, but this episode wasn’t done, as Rei takes Takahashi and Rina out for monja to congratulate their graduation and bid farewell to the brawny baseball kid. Going pro is no longer a dream for him, it’s a goal, and leaving the home he loves was something he had to do to achieve it.

As they talk about how there won’t be monja where Takahashi is going, and that he’ll simply bring it with him to represent March Town, it dawns on Hina that while people may move away, they remain children of the town.

As the minutes and seconds left with Takahashi tick implacably down to zero, Hina savors those remaining moments with everything she has before saying goodbye. Again I held back tears…watching her hold back tears.

Takahashi leaves for his new school the day of the cherry blossom festival, which means he’ll miss it, but Hina doesn’t see him off. For one thing, the previous night’s farewell was just fine; for another, she’s got work to do, working at the Crescent Moon food stall.

She, Akari and Gramps clean up, capitalizing on the slight remnants of the winter chill by selling hot red bean soup and dumplings. Like so much with the Kawamotos, it’s warm, tasty, cozy, and fun.

And as Hina remembers a younger, smaller Takahashi sitting on the steps with an ice cream bar in his baseball uniform, she commits to doing her best where she is, just as he’ll be doing his best farther away.

Soon thereafter, just before she starts high school, Hina decides she’s going to get her hair cut. Privately (or rather in the presence of their aunt), Akari has bittersweet pangs about Hina’s choice to give her childhood self a “proper sendoff” and take a step forward as “the new me.” Akari is sad that one stage of her little sister’s life is ending, but excited and even a little envious of the next; Hina’s “springtime of life.”

However, that first step forward seems to go horribly awry when only an older hair stylist was at the salon. Hina asked for an “adult-like bob”, but once she get it, Akari can barely contain her shock, while Gramps, in his most hilarious reaction to date, thought on first glance that Hina was the household deity. Momo thinks she looks like a kokeshi doll, while Akari asks her to pose with a box of candy.

But when’s all said and done and we get a decent look at it (from numerous intimate close-up angles) I’m in agreement with Rei’s first impression: it’s nice. It’s a really nice new look! Despite the references made by her family, she looks a little more mature and serious, especially in her new high school uniform.

The more Rei looks at it, the more he likes it…and the more embarrassed Hina gets. But let’s not forget what’s happening: the two are walking to school together! This is huge. What will his classmates think? What will they say? How will Rei and Hina handle the fact that they look like one of history’s most perfect couples, straight out of the gate?

Unfortunately, all of that must be left up to my imagination, because 3-gatsu no Lion closes the book on the life of Rei, Hina, the Kawamotos, the Koudas, and all of the shogi folk. Hopefully it will be back, but if this is truly the end of the anime, it couldn’t have ended on a higher, brighter note, rising from the sullen depths of the Kouda household.

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3-gatsu no Lion – 43 – Some are Gone, but Some Remain

Gramps’ doctor is impressed with how far he’s been able to lower his blood pressure, especially when he used to say things like “I don’t need doctors!” and “I’ll die when like!” which are, let’s face it, Big Time Granddad things to say. But when his wife and daughter left him with “three little ones” he resolved to stay alive until they were all married off, which he realizes is a big ask considering Momo is still in preschool.

One of those little ones, Hinata, is making fine progress with studying, and Rei is putting on a tutoring clinice…until he tells Hina that Takahashi is going to school all the way in Shikoku, something she didn’t know until Rei told her; something Rei immediately feels very shitty for doing.

The news totally throws her off her studying game and into a spiral of despair over yet another person suddenly vanishing from her life. She stays out in the cold and catches one, and since Akari has to work late it falls to Rei to take care of her and assure her she’s studied enough, won’t forget what she knows, and will be okay in time for the exams.

That night, Hina can’t hold back the flood of tears from thinking about everyone who is or will soon be gone from her life. But with Rei there by her side, even to walk her to exams, she realizes that things aren’t all bad; for as many people who have left her life, just as many remain, like Rei, to help her up when she slips. She takes comfort in that.

She passes the entrance exams, which means in April she’ll officially be Rei’s kohai at his high school. While her aunt was initially very skeptical of a second-year high schooler spending so much time alone with her young and vulnerable niece, her fears are met with chillingly identical reactions from Akari and Gramps…Kiriyama/”the Kid” isn’t going to do anything weird. I mean, he’s Kiriyama/”the Kid”! 

Indeed, even Hinata tells him he’s “like a mother,” to which he should say “what’s wrong with mothers? Mothers are great!”

While very pure and oblivious to some if not most of what is said about him and Hinata, he knows one thing for sure: when he heard she wanted to come to his high school, he did everything he could to help her achieve that goal, and didn’t worry about whether that was right or wrong.

When she showed up at home with mismatched slippers, and stayed utterly true to her heart even in the face of gross injustice, she lit a light within him he didn’t have before. She made a part of him.

Then Rei gets a surprise of his own: his father shows up, having avoided demotion, which means they’ll both be in B-2 next period, and he wants to pick up where they left off…which is just fine with Rei.

3-gatsu no Lion – 42 – High School Should Be Fun

It’s still summer vacation for Hina, and she was so inspired by the town festival that ideas for new sweets are exploding in her head…yet those dreams of expanding her confectionary repertoire are being deferred by summer homework and school days.

Hina proudly shows her adorably delicious designs to a duly impressed Rei. When he decided to get into shogi, he believed it was his only path; the only thing he could do at the time. It worked out, but that wasn’t guaranteed.

Hina, looking toward the future like few eighth graders do, has a lot more options, so Rei agrees with others who have told her she really should go to high school…even if she ultimately does decide to work at her gramps’ sweets shop she loves so much.

After a not-so-fun year in middle school, Hina is understandably weary of going to high school, particularly having to make all new friends. But Rei has an idea. He takes Hina (who also brings Momo) to his school, Hashi High, where Noguchi, Mr. Hayashida, and the Science Club have set up a bitchin’ flume noodle stream out of surplus bamboo.

On first sight, both Hina and Momo mistake the mustachioed Noguchi for a teacher (natch), while Hayashida spots Hina and understands instantly why Rei wanted to help this girl so much. When Akari, an older version of her, arrives, disheveled and sweaty, Hayashida is nearly blown away by smitten-ness.

The noodle bonanza commences, with the lads adjusting the stream angle and stream to help an overmatched Momo, and showing Hina the proper way to catch the noodles. They then play a little game where the color of the accent noodle they catch determines whether they get tempura; Hayashida runs into a streak of bad luck here.

In any case, everyone has a ton of fun, which leads Hina and Akari to wonder out loud if maybe she should try to get into Rei’s high school. It’s an idea I don’t think has ever come up before, but I like it. I like it a lot!

3GL is equally adept at portraying the sizzling summer heat as the warm, cozy interior of the Kawamoto house in winter, as a serious time leap takes place in the second half. It’s new years, and Hina and Rei are under the electric kotatsu.

Ever since Rei heard Hina’s intention to apply to his school, he’s (a notion by which he’s clearly elated), he’s been gung-ho about helping Hina study for the entrance exams, putting the same passion and diligence into it than he does while preparing for a shogi tournament.

When Akari was Hina’s age studying late for exams, their mother once asked if she wanted tempura or fried tofu in her udon. Akari couldn’t decide, so her mom put both in, and thus Kawamoto Pampering Udon was born.

By making the same udon for Hina and Rei, Akari is both passing on a tradition and remembering her mother’s love while paying it forward. Plus that shit looks guuuuud.

Hina takes a look back to when she was still weary of trying for Hashi High, mostly because it’s a fancy and thus expensive private school and she didn’t want to be a burden on Gramps or his sweet shop’s steady but modest revenue.

Gramps, not one who believes kids shouldn’t think about finances, is chuffed that Hina thought of him while considering her choice. But he believes they’ll be fine money-wise, and in any case, his granddaughter’s happiness is paramount. If she’ll have fun at “the kid’s” high school after suffering in middle school, her choice has his full blessing.

Back in the present, Hina asks Rei for help on a math problem, but he’s so absorbed in his shogi study he doesn’t notice. Far from being annoyed, Hina actually feeds off the infectiously incredible concentration. In another sign these two were destined for each other, they are completely at ease without saying any words. Hina pulls back her window curtain, and after noting how hushed it seemed, discovers the first snowfall of the year.

A masterpiece need not always contain shocking revelations, twists, or developments, although Hina trying to join Rei in high school is a pretty big deal. This was a quiet, peaceful episode filled with fun, love, and ambitious yet very achievable dreams to aspire to.

The show created little pockets of happiness one wants to wrap around oneself like a blanket, all while organically building the very close and loving bond between Rei and Hina, both souls beyond their years. Few shows do this kind of stuff better.

Itsudatte Bokura no Koi wa 10 cm Datta. – 06 (Fin)

After much cathartic yelling and crying last week, it’s all gravy as Miou, Haruki, and their friends graduate from high school on a positive, if bittersweet, note.

Miou and Haruki get the time they need alone together and write all their dreams on the chalkboard, emulating the promo art with one important difference: a tiny “I love you” Miou rights just out of Haruki’s sight.

The two also avoid closing that 10cm gap they’ve always had, knowing that if they did, they’d likely never let go. That is, they’d never give each other the time and space to realize their individual dreams. A very mature move by both, and one that pays dividends later on.

Much, much, much later on, as in SEVEN GODDAMN YEARS LATER. Sheesh, what is it with these Fall romances and their huge time jumps? And here I thought Just Because!’s month was a long time!

At any rate, Miou is a mostly content art teacher at her old school, Yuu proposes to Natsuki in one the most adorable scenes of the episode, and even Souta and Akari remain a strong item. Miou’s friends worry about Miou, but Miou said she’d wait for Haruki, and wait she does.

Fortunately, all her waiting doesn’t come to naught, as the moment Haruki wins a rookie director’s award in L.A., he’s on the first plane back to Japan to tell Miou first (though Miou already finds out through Natsuki).

Despite the well-known amount of, er, temptation in the Hollywood scene, Haruki kept his head down the whole time, and was there to work and realize one of his dreams. And he missed Miou as much as she missed him.

At the top of the steps where they always sat 10cm apart as kids, they confess their love as grownups, and finally, mercifully, close that infernal gap with a hand-hold and a smooch. Medetashi medetashi!

And that’s a wrap for Fall 2017! I should hope so; it’s literally Winter now, and frikkin’ freezing to boot. Thanks for reading! We’ll be back in action soon checking out the new shows Winter 2018 has to offer.

Just Because! – 12 (Fin)

Setting the final episode on the seniors’ final day of high school is an obvious touch, but a very effective one here on Just Because!. We can share that sense of accomplishment, relief, and anxiety the new grads are going through. There’s also the sense that everyone feels a bit out of place, from little details like flowers and parents to a completely different schedule of events from the usual routine.

Unfortunately, we have to wait quite a long time for the inevitable payoff of Izumi and Natsume meeting in college. That’s because they don’t see each other the entire episode. This seems at once a wry nod to viewers that such an inevitable payoff, while desired, isn’t something that can sustain an entire episode.

Rather than pad it out, JB! does a curtain roll of everything and everyone else, starting with the news that Izumi didn’t get into the fancy college he thinks Natsume is going to. She only texts him that she got in “her first choice”, without indicating that she changed it to his.

That profound misunderstanding threatened to mar all of the events in the episode that weren’t dedicated to resolving it, but it turned out to be an episode that rewarded patience. We also get an arguably superior scene to the episode’s final moments in Izumi and Komiya’s last scene together.

She won and lost the competition: lost because her photo of him didn’t win, but won because her fellow club member’s photo of her taking a picture of Izumi did win, which means the club, and her place of belonging survives. It’s little consolation for Izumi’s formal rejection, however, and both animators and seiyu LYNN really knock it out of the park with Komiya’s understandable reaction.

Speaking of dingers, we get a nice symmetry to the series when Izumi and Souma play ball in the yard again, only this time with their positions reversed. When Souma hands him the bat and says “hit a home run”, Izumi knows what he’s talking about, because of what hitting one meant for Souma.

That being said, Souma’s fiert first pitch immediately lets Izumi know he’s not lobbing a batting practice toss…Izumi has to earn his homer—and he does, making crisp contact that sends the ball flying, just as a jetliner screams overhead, the vapor trail imitating the ball’s path, making the homer seem that much more epic. Izumi runs off to Natsume.

Unfortunately, Natsume doesn’t wait on the hill long, as she assumes that Izumi won’t come, and a phone call from Yuriko and her celebrating friends lures her away before Izumi can get to the rendezvous point.

So that’s kinda that…and an entire month passes, without them speaking or even texting each other. To this, all I can say is, WTF, show? A month? Seriously? A longer period of time apart than the two have ever suffered, at so crucial a time in their lives? I’m not a fan of the choice, or the persistent lack of communication that caused it.

That being said, their encounter at college, in which both un-bottle that month of longing with quick confessions to one another, was very well done. Not as nice as Komiya’s scene, but still nice.

Some shows are about what happens after two people who really had to labor to end up with each other enter a romantic relationship, but this was just about how it happened. I’m always for at least a taste of seeing the new couple fall into a new rhythm together, but we didn’t get that here.

Oh well, what we did get was most enjoyable regardless. Just Because! is no Tsuki ga Kirei, but there were certainly moments when it came close.

Itsudatte Bokura no Koi wa 10 cm Datta. – 05

Just as Miou has come out of her funk and started to work on her painting of love anew, Haruki develops a profound crisis of identity. He stops coming to school snaps at Saku, and decides he won’t be going to America after all, because he’s now convinced filmmaking was his brother’s dream, not his.

Miou pulls out the ol’ “I’ll wait as long as it takes at the usual spot” to draw Haruki out, as when the snow starts coming down, he worries, correctly, that she’ll be standing out in the cold all alone. There, in their usual spot, the two have it out.

While in the moment I was frustrated with how mean Haruki was being, one has to consider how emotionally unmoored he is, as well as frustrated with how Miou wouldn’t talk or even look at him for so long, only to need to talk now.

Haruki really does need to just cool it with the angst and listen, because Miou has to tell him she was the one Chiaki saved, and to apologize for keeping it from him so long, worried he’d hate her.

Haruki is too busy hating himself to hate Miou, but when he starts talking about what an idiot he is to confuse his brother’s dream with his own, Miou gives him the front of her right hand, breaking the 10cm distance in an instant.

She reminds him two brothers can have the same dreams, and that in all her time watching him, she could tell that Haruki’s dream of directing films was his own, and a powerful one at that, so he should really lighten up!

Miou also shows Haruki her recently completed painting, one of a guy and a girl looking out a window in the classroom. I assume it’s meant to be the two of them, and so the painting serves as a kind of confession of sorts for Miou. Haruki is cheered up, and the two head to his place to get out of the cold.

There, after cocoa, Miou remembers she has a DVD Saku told her to watch with Haruki. It is footage recorded right after Chiaki saved the girl Haruki now knows was Miou; Chiaki tells his little brother he’s filming one of the best scenes a director can film: a person’s moment of victory for having achieved something great (in his case, saving Miou).

Young Haruki promises his brother right there that he’ll follow his dream—yes, his dream of directing—making the DVD video evidence that what Miou said to Haruki is true, and he really does love making films. I guess that means he’ll be heading to America after all…which is bittersweet, since it’ll mean being apart from Miou.

Just Because! – 11

Everyone in Just Because, it seems, requires certain seemingly unrelated conditions be met before taking action.

Souma wouldn’t ask Morikawa out unless he hit a home run. Natsume won’t “lay her feelings bare” unless she gets into Joei. Izumi won’t tell Natsume how he feels unless he gets into Suizan. Morikawa won’t go out with Souma until they settle into their respective futures at college and work.

Only Komiya confessed to Izumi before meeting her stated condition (winning the photo competition), but she’ll still wait for Izumi’s answer until after the exam, which she expects him to pass.

Mio’s sis is too good at imitating her sister’s face

This was a very practical, functional episode in which all of the members of the Natsume-Izumi-Komiya triangle meet their conditions, which in a way was the easy part. The toughest trials for the three come now that they no longer have those artificial boundaries in place. In the final episode, they’ll have no choice but to follow through on what they promised they’d do.

Between Natsume and Izumi’s simultaneous balcony sessions to their morning routines to their lengthy commutes to the colleges to their time at their desks taking the exams, there’s a great deal of thematic heft given to those exams, as befits the fact that passing them means far more than simply getting into those colleges. Both of them have assigned a lot more importance to them than that, but neither shrinks from the task at hand.

As they furiously put pens to paper, Morikawa and Souma enjoy each other’s company at school, too restless to be home, each worried about their friends. It’s here where Morikawa and Souma first pool their knowledge of both Izumi and Natsume both switching schools…but it’s “too late” to stop them.

Is this meant to suggest the would-be lovers are doomed to attend different schools? I hope that’s not the case and that with some paperwork wrangling they can align where they wish to go…if that’s what they both want.

While the buildup and the presentation of those exams was very deliberately paced, the results come in in the relative blink of an eye. Natsume’s letter definitely says she’s been accepted to Joei. Komiya’s smile most likely means her photo won. Izumi’s grin means he got into Suizan, meaning the conditions have been met. With all that paperwork out of the way, I’m looking forward to seeing these three proceed to sort things out.

Itsudatte Bokura no Koi wa 10 cm Datta. – 04

This ain’t ten centimeters!

Miou’s in a funk and a half, and really just wants to curl up and die, or at least switch places with Serizawa’s dearly departed brother, since she doesn’t deserve to live while he’s dead, and it’s all her fault for drowning. This is of course patently ridiculous…yet here we are.

Of course, Miou doesn’t tell any of this to Akari or Natsuki right away, but they don’t like her in this troubled state and do all they can to support and cheer her up. Such nice friends!

“My finger camera…broken?!”

Miou’s sudden disappearance from his life, compounded with the notice that he’s won the chance to study abroad in America, is also weighing on Haruki. Frankly, both protagonists are real mopey pains in the ass this week, and it was most unpleasant to watch.

I’d like to think I’d have the patience of Miou and Haruki’s friends, but some one can only snap at you, or tell you they’re no good, so many times before one has no choice but to throw their hands up and say “You know what, fine! You’re right! Now go suck someplace else!”

“There you go, quit being a whiny little brat and paint something!”

While Haruki sinks deeper into the muck, even questioning whether he really wants to be a filmmaker or if he’s just carrying on his brother’s dream, Miou thankfully comes to a sort of epiphany when Natsuki begs her and Akari to help her out at a community art class.

Echoing the cold open where a Lil’ Miou wowed her preschool-mates with her drawing, Miou interacts with an ornery little boy and gets him to cooperate and even have fun, then moves from person to person giving tips and encouragement. She clearly has a knack for talking about and teaching art.

“Let’s do this, canvas.”

She also later realizes she can’t keep the secret about Haruki’s brother inside forever or it will eat away at her like a sickness. So she comes clean, only it’s nothing to “come clean” or even blame oneself for; Natsuki can’t stress it to Miou enough: It’s not her fault, and staying away from Haruki out of fear he’ll hate her will only make him hate her.

Natsuki and Akari agree both Miou and Haruki are at their best when they’re on good terms, talking and hanging out together. So even though Haruki can’t see any future with Haruki in it (especially now that he’s headed for America), that isn’t going to stop her from imagining that future anyway—starting on the canvas, which she returns to with newfound desire to fill it with her vision of “love.”

Besides, Haruki may not end up going to America anyway. He just needs a reason to stay.

Just Because! – 10

In its third-to-last episode of the Fall, nobody has a particularly happy Valentines Day, both as a result of bad luck, poor timing, simple misunderstandings, and an inability to resolve those misunderstandings in a timely fashion (hence the two episodes remaining).

Komiya Ena—who may be the more charming and less passive of the two girls, but is nevertheless someone I don’t think Izumi should end up with—still wants to give him chocolates, but becomes dejected when she sees him with Natsume.

Meanwhile, Natsume seems on the cusp of giving Izumi chocolates as well, but a LINE message from Souma leads Natsume to glance at Izumi’s phone, and Chekhov’s Phone Background goes off, upsetting her to the point of running off with a face Izumi has never seen. THANKS A LOT, SOUMA.

Almost immediately after Natsume retreats, Komiya goes up to Izumi and gravely removes the background before running off herself. And when Natsume finally stops running, she beams, happy to be so “completely serious” about Izumi, even if he has no idea his love is requited.

Frankly, I found the need for Natsume to see the background a bit of a cheap stunt, even if it was telegraphed as a potential point of conflict as soon as Komiya made it Izumi’s background.

I get it: these crazy kids take their social media seriously, but they’ve also proven capable of using their words with one another in person. Sure, emotions ran high, but Izumi made no real effort to go after Natsume or explain the reason Komiya was on his phone.

Speaking of communication, Souma and Morikawa meet up, ostensibly so Morikawa can deliver her answer—which she does, but not before they do a kind of performance piece in which she’s playing the trumpet while Souma pantomimes hitting a home run and rounding the bases.

It was…odd, more than a little corny, and not really effective. That being said, their exchange after their little “dance” went better than Izumi’s triangle, even if Morikawa asks Souma to be patient and let her get settled with college before dating.

Asking for another delay is cruel, but hardly avoidable. The two being able to see each other regularly is practically impossible, no matter how gung-ho Souma claims to be, he’s not made out of travelling expenses, and it wouldn’t change the fact they’d be leaving the gate in a long-distance situation, which is never a good way to start.

Ultimately, I’m satisfied with Morikawa’s position evolving from “no way” to “I don’t know what I’m doing” to “yes, but later.” As Souma said, she gave it a lot of thought and consideration. Could he fall in love with someone else in the weeks and months he and Morikawa are apart? Perhaps, but that’s not presently the case. If it’s to be, it’s to be.

That’s kind of the attitude I have to take with Izumi and Natsume too; if it’s to be it’s to be. Komiya decided to bike to temples all over the place to grab as many amulets as she can. It’s a gesture simultaneously self-serving (to impress him with her dedication) and selfless (she got them to ensure he’ll pass the exam). She both wants him to fail so he won’t go off with Natsume, and wants him to succeed because he’s studied so hard.

Izumi likes that part of Komiya, and so do I. She also gives him chocolate—albeit one small store-bought bite rather than her homemade sweets—and he gives her one of her charms back, in hopes she’ll win her competition, something he didn’t use to care about, but now does because he considers Komiya a dear friend.

As for Natsume, she’s going for it. She’ll get into Joei and then “lay bare all her feelings” regarding Izumi. Here’s hoping she and Izumi don’t end up at different schools, thus having same problem of distance and time as Souma and Morikawa. Don’t do that to me, show. I’m warning you. DON’T YOU PUT THAT EVIL ON ME JUST BECAUSE!

Itsudatte Bokura no Koi wa 10 cm Datta. – 03

Miou and Haruki had started to grow just a little bit closer to one another, but the sudden revelation that Haruki’s brother died saving Miou throws their intercept course, as it were, way off, until Miou is suddenly sprinting in the opposite direction.

Even when Saku tells Miou Chiaki was always frail but nevertheless risked himself to save others. Miou living a good life for his sake is “how it should be”, and Miou shouldn’t feel any shame for being the one who was saved.

But she does. She blames herself for Chiaki’s death, and doesn’t see how she can even face Haruki, let alone talk to him, let alone close that 10cm distance.

So Miou suddenly disappears from the center Haruki’s life. She doesn’t get near him or talk to him, and flakes out on the painting competition.

Haruki wonders if there’s anything he did or said to cause Miou to change like this; and he can’t come up with anything, which only increases his frustration. That frustration makes it difficult to focus on editing the film.

When he finally catches her on the rooftop at lunchtime, Miou attempts to retreat wordlessly. Haruki bars her way, and tells her she has to tell him what’s wrong or he won’t understand.

Since there’s no way Miou can tell Haruki what’s really wrong, all she says is that “she’s no good”, and he shouldn’t talk to her anymore.

Haruki’s friends are worried about Haruki, and can immediately tell he’s distracted from the quality of his work. Haruki is mad, because he’s helpless to discern what’s wrong with Miou. Without revealing him the secret he and Miou share about Chiaki, Saku only tells Haruki that Chiaki would have “done what he believed was right.”

All well and good…Haruki doesn’t know what to do! That night Haruki reminisces about how kind and loving his big bro was, and how strong and brave he was, never letting Haruki see him so much as frown, despite his body continuing to deteriorate.

Honestly, I feel for Miou. I don’t know how you’d comfortably broach the topic to Haruki of who saved her from drowning and what happened to that person. I guess you simply don’t do it comfortably. It’s not a pleasant thing to do, but it’s the truth, and I’m of the mind that truth has to come to light if there’s going to be any future for Miou and Haruki.

Both Miou’s secret, how she handled it, and the sudden notice that Haruki has won the chance to study in America, conspired to make this episode feeling very somber, even fatalistic. Here’s hoping next week will bring a ray of light to cut through the gloom, if only a bit.

Just Because! – 09

Whew, there’s a lot to unpack this week. A lot happened!…or at least a lot seemed to happen. Morikawa’s new ‘do causes an unexpected sensation from just about everyone in her class, except for the one guy whose reaction mattered most to her—Souma, because he’s an idiot.

After her not-confession (which Izumi mutters to himself had the exact same effect as a not-not-confession), Komiya is awkward with him, and all the times they naturally bump into each other always end with her retreating wordlessly.

Souma and Natsume encounter one another at the shoe lockers justs as Morikawa starts to play her trumpet, which sounds like it’s beckoning Souma, particularly when Natsume tells him he should go to her. Souma doesn’t want to be a bother…but he is.

No matter, Natsume goes to Morikawa instead; she wants to know how she decided on her future. Morikawa answers earnestly as always, citing her devotion to her family and paying them back for their kindness, but also wanting to taste life on her own for a bit, hence a woman’s university.

Morikawa wonders if it’s just a matter of her not wanting to be an adult, but Natsume thinks Morikawa really has “her act together”, especially compared to her.

After some unintentional synchronization after school (after which she exclaims “this day sucks!” with a smile), the third time turns out to be the charm for Komiya, as she runs into Izumi again while he’s on a run. She runs into the konbini and buys him a cold tea; he goes in and buys her a hot one in return.

There’s a Valentine’s Day sign in sight, and Izumi tells Komiya it’s almost time for his least favorite time of the year. Komiya coyly replies that even if Natsume never got him chocolate, he should expect some this year. Did I mention how fun these two are to watch?

Before leaving hastily yet again, Komiya expresses hope they can “get along like this from here on out!”; after she leaves Izumi mutters that that’s impossible. I think Komiya kinda knows that; Natsume still probably enjoys a lead in Izumi’s heart, regardless of how few nice interactions they’ve had.

The next day, Morikawa’s brothers spot Souma on the baseball field and run out to meet him. Souma finally has the opportunity to compliment Morikawa, and while she seems grateful, there seems to be something on her mind.

That gets back to the continuation of her talk with Natsume, after she asked how Natsume if she had feelings for Souma. Natsume responds that she liked him, past-tense, in a one-sided middle school crush, but locked the feelings away, but they eventually dispersed naturally.

Natsume was satisfied with “nothing coming of it” and “not trying to let anything come of it.” She also says there’s someone else she likes anyway, and when on her way home, she can’t resist buying chocolates for that person…and has made the decision to change her university to Izumi’s recommended school.

That means, of course, Izumi’s now studying for enrollment to the wrong school! It’s an object lesson in why you should really be more open about their plans, especially with someone you has feelings for. It would have obviously been a nice surprise if Natsume had stayed put, but that’s no longer the case.

I definitely dig Natsume’s bold move in escaping her sister’s orbit, even if neither she nor Izumi are making it easy for each other to come together. Still, while I’ve instantly come to love the idea of Izumi and Komiya, that “impossible” from him certainly leads me to assume Natsume is the one he’ll choose, even if they attend different universities.

I’m okay with that; I like both girls but there has to be a winner and a loser. All I’m sure of is that the next two-three weeks are going to be a roller coaster.

Itsudatte Bokura no Koi wa 10 cm Datta. – 02

“Summer, Fireworks, Color of Love” is this week’s title, and it pretty succinctly sums up what we get. If you’ve heard of these themes in romance anime before well…you’re not alone! But what this show lacks in original themes, it makes up for in solid execution and attention to detail, and variety.

We get looks not just into the budding romance of Miou and Haruki, but see how close Yuu and Natsuki are without officially dating, as well as Souta’s attentions towards Akari. The plot of making one last film together, starring a character who is an art student in love, is pretty hoaky, but super-charming if you can switch off the cynicism.

In her desire for her art (and not Akari’s) to be chosen by Haruki, Miou puts undue pressure on painting the perfect canvas, and ends up unable to paint anything at all. Haruki seems to get a bit jealous when he overhears that Miou will soon meet the man who saved her from drowning.

But they largely set aside those issue when the six friends gather for a fireworks festival. Natsuki sets things up so Miou and Haruki are alone, while Souta’s in the right position to catch a stumbling Akari, breaking the ice. All three couples have great chemistry and it’s fun to watch them interact.

Everything seems to be ruined when Miou faints and she and Haruki end up with an obstructed view of the fireworks, but they find a platform to get a better view. Haruki tells Miou he’s looking forward to seeing what art she comes up with (adding to the already high pressure of that project).

When he awkwardly offers to grab something for them to eat, Miou bravely, finally closes the 10cm distance by grasping his shirt. The two come this close to kissing, but are lamely interrupted by a couple of yappy dogs. LAME, I say. At least they can laugh about it.

Then the next day the thing I knew was coming came: Miou learns the man who saved her life is dead. Not only that, he’s Haruki’s big brother, Chiaki. She goes home, and rather than paint what love looks like for Haruki, she defaces the painting of her memory of being saved, ashamed that he lost his life, and Haruki lost his brother, all for her sake.

Just Because! – 08

Komiya Ena took Izumi’s photo before getting his permission, but after an extensive yet completely organic charm campaign, she eventually got it…and developed feelings for Izumi along the way. Perseverance and optimism won the day.

Komiya does the right thing by asking Natsume permission to ask Izumi on a date, but Natsume’s stern “no” doesn’t discourage her. Komiya knows intrinsically that she’s responsible for her own happiness and can’t wait around for things to happen on their own.

Natsume may have thought she’d bought a little time with her “no”—itself a huge move for her that confirmed she’s at least not indifferent towards Izumi—but she does nothing with that time. Izumi even asks her what she wanted to talk about, but she gives him the “never mind, it’s nothing.”

Natsume and Izumi’s situation takes a back seat when they join Souma and Inui for lunch at Morikawa’s house, which could and probably should have been just a Souma-and-Morikawa (and her little brothers) lunch.

It’s a cordial meal, but there’s something distancing about the way Natsume speaks of the support she got from everyone when Izumi provided the lion’s share of said support during the snowy exam day. It’s like the warmth of that day has been replaced by the more familiar coolness of earlier episodes.

That said, it’s not all Izumi’s fault; Izumi is the one so stealthily demonstrating his feelings for her by applying to the same school, where they’ll presumably be able to see each other. But if that’s what he wants, what the heck is he waiting for? Like Natsume, he simply lacks the proper amount of gumption to act on his feelings, or even put them in forthright words to the necessary party.

Komiya, meanwhile, has a lot more gumption, which is why she comes so tantalizingly close to asking Izumi out via LINE. She wants to send something, but gets caught up on the structure, formality and perceived tone (another reason to just talk to someone).

She needs a little nudge—or in this case, the paw of her big fat cat—to send it, and when it’s read immediately, I really related to the waiting game she had to endure, as well as her elation upon getting a positive response from Izumi.

Komiya doesn’t know exactly what she’s feeling or what she wants, but she does want to move forward with exploring it, and more importantly, has the wherewithal to follow through in a timely, direct fashion. It would help her out a bit if Izumi wasn’t so dense—asking Siri (or a Siri equivalent)  what “date” means? Really?

Then we have Haruto, who like me, sees the wonderful chemistry Izumi and Komiya share, and see Komiya get so pumped about her date, and I just can’t help root for Komiya.

Naturally, on the morning of the date, Izumi runs into Natsume first, and Natsume is on to him; they’re so in sync, she even asked Siri the exact same question. Natsume’s on her way to cram school; she wasn’t trying to break up a date; but she looks awfully bitter when Komiya shows up, leading to one of the better-delivered exchanges of the episode, if not the whole show:

—”I told you no.”
—”Do I need your permission?”
—”Then, why did you ask?”
—”Well, just because.”

In addition to Komiya finally delivering the TITULAR LINEthis dialogue so nicely encapsulates the differences between Natsume and Komiya. Komiya didn’t ask permission just so she could do it anyway; she didn’t think Natsume would say no, or feel so strongly about Izumi at all.

After all, who’s spend more time with Izumi of late? Komiya. She’s not saying “shit or get off the pot,” but her way of doing things just naturally runs roughshod over Izumi’s more deliberate approach.

Also great? Natsume and Komiya having a moment of solidarity when they both tell Izumi that their cryptic discussion is “none of his business.”

Natsume doesn’t protest any further; she has to go to cram school. So Komiya carries on with her date with Izumi. And it’s such a nice, low-key date! She takes him places where she snaps photos…and he snaps a photo of her, which she then makes his wallpaper!

They look like they’re having so much goddamn fun, even sitting in the dark clubroom looking at photo albums. One of those albums show a first-year Natsume with her older sister Mina…

…Who we then segue to! Mina asks Mio why she wants to attend the same university as her, telling her she should go to the one she wants. Seems a bit late in the game to be telling her this, but it does expose a certain “running on inertia” style to Natsume’s life.

Right now, she defines her purpose, first and foremost, of entering college, which is the same one as her sister, probably just because! What’s wrong with just because?

The sisters don’t happen to spot Izumi walking Komiya home after their adorably awesome date…which is for the best; enough coincidences, already! But that album photo reminded both Izumi and Komiya that there’s another side to their triangle, and it’s a side Izumi is studying hard to stay beside in the future.

With that in mind, Komiya asks Izumi why the heck he doesn’t just confess to her. His answer—”I would if I could”, doesn’t satisfy anyone; particularly himself.

So Komiya does what she’s always done to reasonable good effect: go her own way, proceed, persevere, hope. Now winning a prize at the photo competition isn’t just about keeping the club alive, it will determine whether she confesses her love to Izumi.

And no, Izumi, she’s not making a funny joke, she’s picking a direction and going. If you don’t like it, say something; do something. Otherwise, enjoy the journey.

*****

With all this talk about the triangle, I almost forgot about Souma and Morikawa! It’s…fine, they’re fine; they’re just not quite as compelling. She still owes him an answer. It was good to see Souma continue to get along with the bros, and Morikawa’s little makeover, which Izumi of all people sees first (and does a double take), was a cute and unexpected way to close the episode.