Chuubyou Gekihatsu Boy – 03 – Having It Rough

Of the Hero Club members, the aloof and apathetic Tsukumo Rei remains the most mysterious and enigmatic. This week’s episode draws the curtain back on Rei and shows that while he may talk and act like serious or ominous things are going on or about to happen, the reality of the situation is a lot more…ordinary. In that regard, he’s not that different from the others—especially when he runs into a flock of pigeons and laughs!

After a cryptic phone call, Rei rushes off somewhere, and Mizuki and the others follow him, curious what might be up. Noda, Nakamura and Takashima all buy in to the fact that Rei can control walk signals and make merchants sell him things on sale, but Mizuki can tell the signals were a coincidence and Rei just…knows when to shop.

Then they encounter Rei with his three little siblings, who have lost their beloved pet cat in the forest, and accompany him onto the grounds of a shrine to track him down. Takashima jumps at the sight of anything from a fluttering banner to a rusty sign, but he’s so emphatic in his fear that Mizuki starts getting the creeps; it is dark after all.

After “Touga” ends up “sacrificing” himself to save the others from the “monster”, Takashima slips and falls down a hill into a ditch, leaving just Noda, Rei and Mizuki when the “monster” approaches. Turns out it’s just a very burly monk, carrying Takashima and Nakamura…and the cat. The mission is accomplished, but with a lot of completely unnecessary rigmarole along the way.

When Rei returns the cat to his little siblings, the club learns he has three older siblings—the proverbial Cerberus—who demand he make dinner immediately or else. It’s clear Rei’s too-cool demeanor at school and in club is merely a means of compensating for how trod-upon he is at home, having to shop for and feed six siblings despite three of them being older than him.

The others can’t hide their pity for Rei’s situation which is precisely the last thing Rei wants from there. Embarrassed, he’d much prefer to remain slightly threatening and inscrutable as before, but now that they know more about him and how he operates, it require “memory erasure” for that to be possible.

And there you have it: the chuuni kid who believes he’s above all the other chuuni kids, leading them on as a small escape from his put-upon position in his family.

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Chuubyou Gekihatsu Boy – 02 – Taking Out the Trash and Making Friends Along the Way

The culprit in the “throwing things at Mizuki” mystery turns out not to be Rei/Purple, but Sekiya, a third-year who asked class rep Watase Nanako out. She never outright rejected him but said she needed time to think about it, and in the meantime, Sekiya has been stalking her, while taking his frustrations out on Mizuki.

In a meeting Nakamura/Black’s house, the club determines that the best way to get Sekiya off Watase’s back is to make it appear she has a boyfriend, even if it’s a fake one for that purpose. While “pretty boy” Tomoki/Yellow is the most obvious choice, Watase picks a wild card in Nakamura, judging him the best guy to get the job done.

She doesn’t get Nakamura Kazuhiro, but Hououin Kyouma Ryushouin Touga, his chuuni alter-ego. This proves highly effective at the mall where Watase tells Sekiya she’s already dating someone. As Sekiya follows them while they go clothes shopping (Kaz gets soaked in the rain during his introduction), the stalker is constantly kept off balance by all of the chuuni jargon and Watase’s apparent fondness for it (and knack for translating).

By the time Touga whips out his “Lost Child Apocalypse” tome (at which which the others got a sneak peak while doing a room search) Sekiya is in full chuunibabble overload.

With the stalker dispatched, Watase expresses her gratitude to Nakamura for helping her out, along with Mizuki for giving her courage to deal with Sekiya face-on. For this, Watase asks if she and Mizuki can be friends, and if she’ll call her by her given name, Nanako. Thus the Hero Club completed two missions: ridding Watase of a pest, and getting Mizuki a new friend.

As for Rei/Purple, there’s still something shifty about him, like he’s hovering over all, controlling things. Mizuki’s suspicions were only intensified when he saw Rei with Sekiya outside the mall bathroom, discussing something. We’ll see if there’s anything to this, or if like last week, attention on Rei is directed to someone else. The preview indicates the latter.

Oresuki – 02 – Golden Sombrero

You’d be forgiven for thinking that Joro’s thankless parallel missions to help both Cosmos and Himawari win the heart of the same guy would continue on for a number of episodes, but this week that’s just a small part of a much bigger picture, as the plot progresses farther than I could have anticipated. Lesser shows might’ve have kept the cupid act going longer, but Oresuki sweeps it all aside in favor of something new. It has more to say. Much more.

It also reveals something I touched on last week: the intentional repetition of situations and dialogue that lend the show an appealing poetic rhythm. While Cosmos and Himawari are equally terrible in executing the plans Joro lays out for them (due mostly to how nervous they get around Sun), their particular ways of bombing are both unique to their characters. It takes a lot of hands-on involvement from Joro to get the two definite dates with Sun.

But it’s not just the girls’ ineptness that makes things hard for Joro. Either consciously or not, Sun is simply hesitant to go on a date with either Cosmos or Himawari, and on Pansy’s urging, learns that there’s a girl Sun already likes. In a third “Darth Bench” scene, Sun confesses to Joro that he’s in love with Pansy, adding further complexity to an already unwieldy love polygon. His story is also very similar to the girls’, as there was a third exit from which he encounter Pansy, who encouraged him after seeing him cry.

This scene with Sun features some subtle yaoi undertones, such that until he specifically said “girl” instead of the vaguer “someone,” I thought Sun might confess his love for Joro. Not only that, after the way Joro genuinely blushes when Cosmos and Himawari mentions his strong bond with Sun, I had to remind myself that Joro was interested (at least initially) in those girls…and hence not into Sun.

Joro refuses to help Sun with Pansy, claiming not to know her well enough (partly true, but also partly a lie) but when Sun brings up a baseball metaphor, Joro responds with advice as if it were about baseball and not love. Sun’s confession of love for Pansy ups the danger for Joro exponentially, since that bombshell renders not just one but both of his cupid missions futile.

When Sun sees Joro talking with Pansy about Sun, and Pansy gets angry for Joro cruelly pushing his friend on her when it’s him she loves,  he gets suspicious. But Pansy of all people bails Joro out, confirming Joro’s claim that they’re not close and were only talking about official school business.

Still, Joro keeps Cosmos and Himawari in the dark, clearly overestimating how much time he has before they find out on their own…which of course they do when Sun does the same thing to the two of them that they did to Joro: ask them to help him get closer to someone else…in this case, Pansy!

That brings us to the Golden Sombrero, a baseball term for when a batter strikes out four times in a game. In this episode, Joro strikes out once when he’s not entirely honest with Sun vis-a-vis Pansy, once when he’s callously dismissive of Pansy, and twice more when he tries to explain to Cosmos and Himawari why he kept Sun’s true feelings from them.

As a result of Joro’s Golden Sombrero, his friendships with both Cosmos and Himawari are in the toilet, all because he took Sun’s words about baseball literally and inadvertently advised him to do what he thought best, which was to ask the two girls he went on a date with about another girl. His friendship with Sun seems secure for now, but Joro is still keeping him in the dark about who Pansy really likes.

That brings us to his latest scheduled meeting with Pansy in the library after some time off, which I assumed was to get a possibly-still-suspicious Sun off their trail. Instead, Pansy comments about how “interesting” things have gotten now that Joro’s plans for the girls have gone up in smoke and the girls are now doing what Joro did for them: supporting someone they love in their quest to be with someone else.

Early in the episode, I wanted to take Joro to task for being so unceasingly hostile towards Pansy in all of their interactions, since we hadn’t really experienced enough of Pansy as a character to justify that attitude. And yet, here we are, with Pansy effortlessly manipulating people and having a gas doing it! She even brings Cosmos, Himawari, and Sun to the library in order to find out how much more interesting things can get.

While that final twist feels very Jerry Springer-esque, it’s entirely earned by the events that preceded it. Sun may be the school’s ace pitcher, but when it comes to twisting people into knots with change-ups and curveballs off the diamond, Pansy wins walking away!

Chuubyou Gekihatsu Boy – 01 (First Impressions) – Those Who are Wise Do Not Court Danger

Transfer student Hijiri Mizuki just wanted to blend into her new class quietly and make new friends. Too bad the day she transferred she has an eye infection necessitating an eyepatch. That eyepatch is a veritable target for precisely the opposite sort she wanted to be associated with: those afflicted with chuunibyou.

They include Noda Yamato, who is obsessed with superhero shows and considers himself a low-key hero. To be fair, he and his fellow members of the Hero Club are known for performing acts of kindness and assistance for people. When she can’t come out and tell the friendly class rep Wakase that she wants help making friends (and who can blame her?), Wakase sends Mizuki to their club, who make her their latest client, and she meets more weirdos.

Takashima Tomoki is handsome but only likes 2D girls. The theatrical Nakamura Kazuhiro dresses like Ikari Gendo and believes he’s the spawn of an angel and devil. Tsukumo Rei, well…aside from wearing bright clothes and cat-themed accessories, we don’t learn much about him, except that he’s by far the most standoffish.

Noda plants the seed that the others (excepting Rei) quickly adopt and embellish: Mizuki’s eyepatch is a result of her having yet to awaken the latent powers contained within, and instances of numerous projectiles thrown in Mizuki’s direction (a soccer ball, a rubber flamingo, and a shuttlecock) indicate that “the Agency” is hellbent on eliminating her before her powers awaken.

This is all delusional chuuni nonsense, but concurrent with that investigation, Noba is hard at work making hundreds of paper airplanes to launch from the roof during a school sports event, each with a call to make friends on Mizuki’s behalf. So Noba is trying to help—just in way she finds incredibly embarrassing. Mizuki also learns that Noba is popular due to his considerable sports acumen (and ability to jump from great heights without injury) and Tomoki also has lots of real guy friends.

Once she’s on the field for the sports event, the biggest object yet to threaten her, a basketball hoop, starts to come down after a gust of wind that blows up mere moments after she sneezes, unwittingly dodging another soccer ball, and her eyepatch falls off. From that point on, Noba & Co. believe she’s awakened, but the threat of the Agency lingers, and Nakamura fingering Tsukumo Rei as the mastermind behind the series of attacks. Rei, for his part, smirks as a found-out villain would.

But this is only the beginning! Mizuki didn’t get the group of friends she wanted, but they’re so damn sincere in their delusions, she actually starts to kinda-sorta believe some of their chuuni nonsense. I first heard Mizuki’s seiyu, Akasaki Chinatsu, in Kill Me Baby! a zany, rapid-fire adaptation of a 4-koma comic. In that she was usually the manic comic instigator, but here she expertly plays the exhausted straight-man.

The rest of the cast is equally game, and while their particular chuunibyou antics are nothing I haven’t seen before, I appreciated the various different styles of chuuni bouncing off each other, and the execution and attention to detail are above reproach.

If you’re kinda over depictions of chuunibyou, I wouldn’t blame you; this wasn’t on my initial Fall 2019 list for that very reason! Nvertheless, the heartening and charm-filled Outburst Dreamer Boys is a fun, breezy, better-than-average-looking show I’ll be watching more of, both to see what further antics Mizuki is subjected to, and to find out if she ever gets used to it or—lord forbid—participates in!

Oresuki: Are You Really the Only One Who Likes Me? – 01 (First Impressions) – Why is that Bench There?

Right off the bat, Oresuki looks good—and keeps looking good; there’s a lot of love in the animation and character design—but otherwise feels so damn boring. Ordinary high school kid narrating? Check. Childhood friend who likes him, unbeknownst to him? Check. Regal StuCo Prez who won’t give him the time of day? Check. Everyone has nicknames. Stop narrating! Show, don’t tell!

So, it’s not looking good. But then interesting things start happening. First, Regal StuCo Prez Akino “Cosmos” Sakura asks Ordinary high school kid Kisaragi “Joro” Amatsuyu out on a Saturday date…but it’s not what he thinks. When she sits him down on a bench, she doesn’t confess her love for him, but his best friend, Ooga “Sun” Taiyou. She wants him to help her go out with him.

The next day, Joro spends the day with his childhood friend, Hinata “Himawari” Aoi. She sits him down on a bench and confesses her love not for him, but for Sun! Even more hilarious, she fell in love with him at the same exact time Cosmos did—when they spotted him from opposite sides of a hall secretly crying after a big team loss.

Needless to say, Joro is pissed off; he was aware that Himawari had feelings for him, and no doubt saw her as a reliable Plan B. Instead, because he can’t resist either of the girls’ charms in the moment, he agrees to help both of them get with his best friend, whom Joro admits is quite a catch.

As all of this goes down, Joro shares his inner thoughts with us, the audience, like Fleabag in…Fleabag. And while he’s patient and dutiful to both Himawari and Cosmos as the two bomb in their attempts to naturally approach Sun, his Plan C is to help both of them and let Sun decide, and he’ll ask out whomever Sun rejects. I mean, Sun can’t date both of them…can he? (He totally can.)

But the sequence of twists in Joro’s carefully manicured bonsai of a plan for high school love is not yet finished: there’s a third bench. That bench is purchased on Amazon by the librarian’s aide Sanshokuin “Pansy” Sumireko, a girl who is quiet and meek to everyone but Joro, whom she teases and berates at every turn.

As Joro learns when she makes him sit on that third bench (to the tune of a modified arrangement of “The Imperial March”, hilariously enough), Sumireko is in love with him. Not Cosmos, not Himawari, but Pansy. Furthermore, she’s been stalking him for a while and the Joro she’s fallen for isn’t the Nice Joro he presents to everyone else. She wants Inner Thoughts Joro. Mean Joro. The Joro he only shows us, the odd slip-up aside.

Just like that, Mr. Calm, Cool, and Cynical is totally off-balance. Someone he’d never imagined would come close to liking him is the only one who likes him. Yet of the three young women, Pansy seems like the one best suited for him—I mean, she likes the guy beneath the surface! And though we saw her the least this week, I’m sure we’ll see a lot more of her, even as Joro tries to stick to his Plan C.

Oresuki starts out cliched and obvious on purpose, so when interesting things start happening and it flips the script on you not once or twice but three times, you’re that much more surprised and delighted. Or at least I was. But you don’t have to take my word for it…go watch it!

Asagao to Kase-san. (OVA) – The Sun is Always Shining Above the Clouds

Asagaro to Kase-san, an OVA released in the Summer of 2018, is a concise but solid piece of serious yuri storytelling in the vein of Aoi Hana, Sasameki Koto, and Sakura TrickIt strikes that delicate balance of covering a fair amount of material while never feeling like it’s trying to do too much. The stakes never stray from the future of a couple of young lovers who start dating in their final year of high school.

That they’re both girls, living in relatively conservative Japan, never comes up, because this isn’t about whether they can be together or not. It’s about their mutual love, plain and simple, and how they weather other challenges to remain together, a state neither of them at any point wish to leave.

Mild-mannered gardening fanatic Yamada Yui had never dated anyone before she and the athletic track star Kase Tomoka got together, but they’re together before the opening credits, which is a heck of a timesaver! Suffice it to say they liked each other to the extent they were equally enthusiastic about becoming a couple.

That mutual enthusiasm paid dividends, as before long the like turned to love. There’s never any doubt that Kase is as smitten with Yamada as vice-versa, even if the latter tends to feel inferior due to Kase’s social and literal stature at school. There are also times when she allows Kase to swept up by others, often interrupting potential time alone.

But while Yamada comes to realize she’ll have to be more assertive at times, the fact that Kase is so popular isn’t a problem for her; it serves to validate why she loves her so much in the first place: Kase’s a surpassingly kind and gregarious young woman.

In any case, in moments when Yamada might feel lonely due to indulging Kase’s natural gregariousness, Kase’s own desire to be alone with Yamada means it’s never that long before she seeks Yamada out, both grateful for her patience and relieved to have in her a kind of haven.

Time with Yamada is special to Kase; more special than time with anyone else. That’s whether they’re on an intimate nighttime phone call, alone together in Yamada’s room raising the temperature a bit, or on a beach in Okinawa making up and out after Yamada gets a bit too “surprised” seeing Kase nude.

The biggest threat to their relationship isn’t the fact that they’re both girls, which is refreshing. Instead, like any other relationship, it’s the unrelenting march of time and the changes it brings. Kase is on the fast track to Tokyo U on an athletic scholarship; Yamada’s inertia seems to be keeping her tethered to her hometown, commuting to the local college from home.

Especially when Kase calls to offer to turn down the scholarship and she essentially tells her not to, Yamada is on the cusp of relegating their relationship to a long-distance affair, with visits very few and far between. It’s only on the very day Kase leaves for Tokyo that Yamada wakes up and realizes she doesn’t want that at all. She wants as much Kase as she can get, and so she runs and keeps running until she’s in Kase’s arms aboard the Shinkansen.

How will Yamada manage to get into a Tokyo school? Ehh, she’ll figure it out! The most important thing is that they’re together, like they want to be. They’re also on the same wavelength; Kase really didn’t want to leave Yamada, but felt trapped by the circumstance of her athletic excellence. Fortunately for her, Yamada wasn’t going to let something like that cause what they had to fall apart.

Backed by gorgeous animation and superb voice work from Sakura Ayane and Takahashi Minami, Asagao to Kase-san delivers an elegant and captivating romance between two girls for whom simply no one else would do, and whose bond managed to withstand the winds of change. Give it a watch and your heart will grow at least three sizes!

HenSuki – 07 – Cupid Can Only Do So Much

HenSuki takes a break from Keiki’s Cinderella investigation to focus on his duties as Designated Cupid for Koharu and Shouma. After Keiki plays the third wheel, a double date is the next phase, with Keiki selecting Sayuki as the girl who’d least interfere with what they’re trying to do (Yuika might entice Shouma; Ayano might like his stink, and Mao won’t accept Shouma going out with a girl).

Everyone has a great time, except for Sayuki, who assumed Koharu would be bad a bowling (she isn’t). Koharu beats everyone, and gets to command Shouma to call her by her given name. Later, with Keiki, Koharu declares their contract complete (she deleted his photo long ago, knowing he’d keep his promise). What’s left to do, only she can do: tell Shouma the truth about her age, and confess her love.

Keiki cheers Koharu on, but as he knows Shouma so well, also has a pretty good idea how it will go. And so it goes: as soon as Koharu shows him that blue ribbon indicating she’s older, he dumps her on the spot, citing his lolicon as a disqualifying factor in dating her. Koharu runs off crying her eyes out, heartbroken.

Later, with Keiki, Shouma admits dumping Koharu broke his heart too, and was one of the hardest things he’d ever had to do. Keiki understands that Shouma can date whoever he likes for whatever reason, but still thinks it’s bullshit for him to give such a lame reason for utterly crushing Koharu’s dreams, after she spent a year mustering the courage to even speak to him.

As Koharu is about to start deleting her pics of her and Shouma, Keiki comes in to cheer her up, telling her only Shouma is at fault here for being such a rotten guy beneath his good looks. The Two Minutes Hate is interrupted by a contrite Shouma, who suggests a compromise: between getting over his lolicon and dating her, he needs a “rehab” period.

Koharu hits back at him by saying he’s essentially asking for his cake (not “Keiki”) and eating it too; he doesn’t want to be exclusive, but also isn’t willing to cut her loose for good. In other words, he’s the worst! Koharu dials it back, saying she’s just getting back at him for dumping her so harshly.

But then, Shouma wonders why it’s so dark in the club room and turns on the lights, revealing the hundreds of candid photos of him Koharu has collected since falling for him. With that, Shouma has a very good reason for not wanting to date her…such obsessive affection would quickly turn to hate if things ever went south.

Still, I wonder if, like Keiki with all his admirers, Shouma will make good on staying friends with her. She could help him get over his lolicon, and he could help her…stop so aggressively stalking him? ¯\_(ツ)_/¯

HenSuki – 06 – The Scent of Destiny

After Keiki rescues her on the stairs, StuCo vice-chair Fujimoto Ayano presents him with a token of her gratitude: some delicious homemade cookies. She also gets very close to Keiki and inhales deeply, which Keiki thinks is a little strange but also pretty cute. He has master stalker Koharu investigate Ayano, and comes up with nothing abnormal aside from a tendency to “gap moe”and of ending up in close-quarters situations with Keiki.

After Yuika accuses Keiki of doing terrible things—in her dream last night—Ayano invites Keiki to a clean-up session in town. Sayuki tags along as his self-appointed dog, and is soon up to mischief when she pounces on him under the bridge. Keiki, remembering what his grandfather said whenever their dog jumped on top of him, rubbing his butt is the way to show the dog who’s boss. It works on Sayuki, who has to withdraw due to overexcitement.

As for Ayano, she seems perfectly nice, neither interested in being Keiki’s slave nor making him her slave, nor writing about him and his best mate getting it on. She’s mostly just…normal. Unfortunately, the other shoe inevitably drops when she invites him to an otherwise empty StuCo office, where she’s adjusted the lighting, music, and accomodations to make Keiki very, very sleepy.

He wakes up to Ayano unzipping his pants, wanting to remove his sweaty underwear. Turns out her fetish is smell; specifically the body odor of boys. All the clues were there with her constant smelling of him and his clothes, but for her to take it to this extreme was still…deflating. Keiki himself imagined he’d finally found someone normal enough to complement his normalcy, after all.

Still, of all of the kinks the girls he’s encountered have had, Ayano’s seems the least egregious. After all, why is it so awful for Keiki if she likes his stink? People who like each other tend to be attracted to each other’s scents anyway. It’s not like she’s asking if she can punish him/if he can punish her. I daresay the ultra-normal girl Keiki says he’s after doesn’t actually exist, at least not at his school. The next best thing, then, is the most tolerable of the “weirdos”.

HenSuki – 05 – Beware the White Rabbit

In an effort to keep “Witch-senpai” from monopolizing Keiki, Yuika joins the Shodou club, even abiding by Sayuki’s directive that she dress as a bunny girl for a day. Mao also joins, but doesn’t have to wear a costume, as Sayuki is already a huge fan of her BL manga.

But Keiki has bigger problems than the three weirdos in his orbit joining forces: a fourth weirdo who took an incriminating picture of him. She intends to blackmail him, but isn’t interested in him, only his friend Shouta.

This fourth girl is Ootori Koharu, who despite being tiny and having a bunny-like aura, is actually older than Keiki, and a third-year. That makes her demand to Keiki difficult, as she’s obsessed with Shouta and wants to meet him, but Keiki knows his best mate only likes younger girls.

Thanks to some inspiration from Mizuha, Keiki crafts a plan: when the summer unis come out, which are all the same color regardless of year, he’ll have Koharu meet Shouta wearing a hoodie concealing the bow that indicates she’s older. She also addresses him as senpai. Shouta falls for it hook, line, and sinker.

Things bode well for Keiki having the photo of him groping Sayuki deleted from Koharu’s phone—though I hasten to note she didn’t actually do it yet. Instead, after another quick check on the shodou club (which is a bit too much concentrated weirdness for Keiki’s taste), he spots the vice-chairperson Fujimoto descending the stairs with a tall stack of printouts.

Predictably, one of the papers ends up under her shoe, and she slips and falls, but Keiki saves her, ending up underneath. In a subversion of cliche, Fujimoto is not mortified by their ensuing amorous position. On the contrary, she’d prefer if they stayed that way a little longer. Could Keiki have finally found his Cinderella?

HenSuki – 04 – The Desired Outcome

Last week, before I endured a week of high-altitude training, I presupposed that Nanjou Mao has a particular interest in Keiki, but considering she was neither a sadist or masochist, the particular peculiar shape that interest took remained up in the air.

Keiki gets a bit of a reprieve this week when both Yuika and Sayuki independently offer their apologies for “going too far” and urge him to “make up” with Mao. When he confronts Mao after class, she asks if he’ll hang out with her and Shouma at the arcade, like they used to.

There, we get the second hint of Mao’s interest—her first was the very characteristic Stressed Mangaka Girl Look (AKA the School Queen/Home Nerd Look popularized by Kare Kano, but I digress). When Keiki slips and is about to fall backwards, he’s caught in an inadvertent wall slam by Shouma, which excites Mao very much.

Later, while walking Mao home, Mao wonders out loud if he wants to be in a couple rather than a trio. Keiki also notices Mao staring intently at a photo of Shouma, and gets the wrong idea that she likes Shouma. But when he pries too deeply and too directly, she runs off on him, even in the pouring rain, leaving him with the rank of Sex Animal Sergeant.

Having made next to no progress, Keiki seeks advice from Mizuha, of all people, who was previously peeping at his porn stash, puts his head in her lap, and hides an annoyed look from her brother when he discusses other girls.

Still, she advises him to go all out, but act naturally, and if it doesn’t work, she’ll surely will be there to comfort him. When Keiki once more confronts a sleepy Mao after class and apologizes profusely for hurting her feelings, and unwisely offers to do “anything” to make things right.

Mao declares she wants Keiki in a relationship…not with her, but with Shouma. That’s right: Mao is a fujoshi, and her Shortcake series uses Shouma and Keiki as her character models. She wasn’t jealous that other girls were coming on to him; she was angry that they were ruining her image of Keiki as a BL model!

If he refuses to date Shouma, she threatens do everything in her power to impede all of his other romantic endeavors. So now all three of the non-sister girls in Keiki’s circle have some quirk he’s not sure he can live with. If that weren’t bad enough, someone leaves an envelope in his shoe locker containing a photo of him groping Sayuki…perhaps an prelude from one of the yet-to-be-introduced other girls?

HenSuki – 03 – The Third Way

With Sayuki and Yuika declaring themselves masochist and sadist and their intent to make Keiki their master/slave respectively, one thing becomes clear: Keiki isn’t that into this. He avoided dating girls because he felt himself to normal and boring, but now he’s having nightmares as a result of Yuika’s “punishment” last week. He doesn’t even want to go to school, but Mizuha makes him, since he’s not really ill.

Things don’t get any easier for Keiki, as he’s greeted by Yuika’s bra in his shoe locker, followed by a photo of him with his shirt open lying with Sayuki, with the implication it will be distributed if he doesn’t meet with her. When he gets there, Sayuki is dressed as a maid and handcuffed; he must fish the key out of her cleavage.

All the while, the third girl in his life (not counting his sister), Nanjou Mao, keeps watching silently from afar, her gentle blushing going completely unnoticed by Keiki. But when he tells his best mate he doesn’t believe Sayuki or Keiki are the Cinderella, that friend points out Mao’s staring, who it’s directed at, and what that entails.

Mao’s passive role thus far becomes more active by necessity when Keiki is once again summoned to the clubroom by Sayuki, but is intercepted by Yuika, who ties him up and orders him to kiss her foot or she’ll steal his first kiss on the lips. Sayuki barges in to put a stop to it, and the girls, who have known about each other’s proclivities since they met, start to bicker, with Keiki in the middle.

Enter Mao, who drags Keiki, chair, rope and all, into the hall, away from the two warring girls. He blames him for being so nice to both of them and indulging them too much, and in the process betrays that she’s been observing his interactions with them very closely (we dohear a camera click when he’s fishing out the handcuff keys…was that Mao?).

When Keiki asks why this concerns her at all, Mao has no choice but to be more direct: she just plain doesn’t like it when he’s with other girls. That could well be because she’s developed feelings for her childhood friend, but it also means a third girl has decided to try and assert control over him. Perhaps not as a formal master or slave, but it’s definitely possessive and unbidden by Keiki.

Considering how uncomfortable the other two girls’ antics have made Keiki, perhaps Mao is the “Goldilocks” answer, but first he has to determine whether her particular kink (stalking?) is more or less manageable.

BEM – 02 – It’s a Nice Face

Bela, or “Annabella”, as her high school friends call her, may be a youkai, but she has a human form and dreams of one day becoming a real human. So she “practices” by going to high school, having friends and interacting with them, including teasing a young man who likes making very nice drawings of her.

But when a woman in her late twenties recognizes Bela as Mary, someone she went to high school with, the question arises: where exactly did Bela get her human face? As it happens, she got it from the corpse of Mary Russell, which is now nothing more than a skeleton when Sonia and the police find it. But who killed her?

After a very weird (and animation-wise, pretty lazy) canvassing montage, Sonia is no closer to learning the actual truth, just that different people say the opposite things about Elaine, the blue-haired woman who recognized Bela. The next day, Bela is assaulted by three guys at the mall, but who comes to her rescue but Elaine.

Elaine then proceeds to tell Bela her side of the story, in which Mary was blamed by their mutual friend (and queen bee) Dominic Vali for stealing her jewelry, then punished by being forced to undertake a test of courage in the Outside, and ends up never returning. Elaine says the piece of jewelry Bela wore when they first met, along with the one she gifts to Bela, were made by Mary, who dreamt of becoming a jewelry-maker.

The more Bela thinks on it, the more she wants to tell Elaine the truth, since she seems like a nice person. That turns out not to be the case, as she has both Bela and Dominic meet up at the cemetery where Mary died, just so a hitman she hired can kill them both.

This entire scene feels like it comes out of the blue, but more importantly, it’s just patently silly that the bad guy is some kind of “bowling greaser monster.” Both Bela’s transformation, youkai design, and the ensuing battle that ends with Bela victorious, are pretty mediocre.

The disappointment continues when Bela (who doesn’t bother to change after transforming back into a human) pays Elaine a visit, and Elaine immediately drops the nice lady act and becomes a leering villain, complete with a “covering one eye” move. When she cops to having Mary and Dominic killed, Bela loses her cool and transforms into a kind of Alien Queen-type monster, only lamer.

Bem ends up intervening before Bela kills Elaine, and also calls Sonia to arrest Elaine, the culprit in the case of Mary and Dominic’s murders. Basically, by helping the cops clear homicides and assisting them in other ways, Bem hopes to one day become human. Bela shares that dream, and despite being very aloof about it, so does Belo (he does play video games with kids “his own age,” after all).

Bela comes away glad she learned more about Mary Russell, whose face she took, and hopes to honor her memory by leaving the youkai life behind. But who knows when or if that will happen. In the meantime, while BEM is pretty solid in some areas (the jazzy score for one), it seems odd that a show heavily featuring monsters would do such a bad job visualizing said monsters and their battles.

HenSuki – 02 – Kohai Master

Keiki flatly turns down Sayuki’s request that he make her his pet—he’s just not sure if he’s into S&M, and probably never thought about it. But that doesn’t stop her from hanging around him, even in the library, where she gets too close and draws the ire of their mutual kohai, Koga Yuika. When Keiki admits he took Sayuki out for a parfait and performed a romantic wall slam, she’s angry, but he can cure that anger by taking her on a date.

Keiki does everything right thanks to some pointers from his little sister Mizuha: Arrive early, compliment often, go to a movie she likes, have a relaxed lunch, match her pace, let her shop till she drops. He even has the opportunity to rescue her from some leering mall trolls. Yuika gives Keiki a pat and kiss on the head as thanks and then falls asleep on his shoulder on the train home. All in all, it’s a wonderful first date for the both of them.

Yuika always kept to herself in the library and was hard to approach (which he chalks up to her mixed heritage, which…okaaay), but he was persistent in his friendliness and kindness, and her suspicion and “ice in her eyes” gradually melted away to the point they’re now much closer. But is she “Cinderella” who included a pair of underwear with her love letter? The jury’s still out.

What becomes painfully clear, however, is that Yuika is not like Sayuki, and she does not want to be his pet. In fact, when she asks him to meet her in the library storage room, she reveals that she wants to be his master, and wants him to be her slave. As an incentive, she removes her underwear and offers them to him. When he doesn’t immediately take them, she punishes him by stuffing them into his mouth. Yikes!

Suffice it to say, this development comes as something of a shock to Keiki. He was so enchanted by their conventional date, he would have been content if he died the next day. Instead, he finds himself passed out in a closet with Yuika’s underwear in his mouth, and a commando Yuika sitting astride him. They’re tricky, those tides of fortune!