3D Kanojo: Real Girl – 22 – This Is Goodbye…Or Is It?

Hikari and Iroha make good on last week’s joint declaration not to go home, but their status as minors gets them turned away at every bed-and-breakfast. They come across a charming ryokan whose surly owner says is closed, but he reconsiders when he overhears them discussing what to do now that they’ve missed the last train.

Turns out the innkeeper was loath to host guests because his better half walked out on him—apparently not an uncommon occurrence—but his spirits (and boredom) are lifted by his brief glimpse of “first love in the present progressive”, as he grammatically puts it. He naturally doesn’t see why a hottie like Iroha is doing with a dweeb like Hikari, but hey, that’s the impression most get from just looking at the surface.

When Iroha sneezes and implies she may be coming down with a cold (echoing when they first got together), Hikari makes her bed, and then joins her in it. One thing leads to another, and the next thing you know it’s morning and neither of them are wearing clothes.

That’s right, it happened! And I appreciate how low-key and understated it was. The next day, after hanging out a little more, they part ways at the train station, but not before Hikari draws her in for a farewell kiss. But when she gets home, Iroha is hounded by Chika, warning her to end things immediately, not for her sake, but for Hikari’s.

Back at school, Hikari apologizes to Itou for being so out-of-sorts, but explains that it’s because he only has a month left with Iroha before she moves. He also tells him they did it, which bowls Itou over. As for Ishino and Takanashi, they just infer Hikari did it from his complete inability to hide the fact that he had his cherry popped.

But Iroha isn’t at school that day, or the next day, and Hikari worries she’s avoiding him (I assumed she caught a cold). Turns out Iroha is taking Chika’s advice to end things with Hikari. The only thing is, Chika didn’t quite mean to cut off all contact cold turkey. Hikari ends up staking out their house, and nothing Chika can say can convince him to leave.

Finally, Chika gives in when Hikari says he’s fine with her saying she doesn’t want to see him anymore, as long as he hears the words from Iroha herself. The two go back to school together for the last time, where Iroha informs Hikari of the situation: she has a “bug in her head” (read: brain tumor) for which she’s going to have risky surgery. She may not survive the operation, and even if she does, her memories may not.

Hikari treats this information with the gravity it deserves, and he’s well within his rights to descend into a pool of darkness…but is it just me or are both Hikari and Iroha jumping to conclusions and hedging way too early with this goodbye? Sure, one can fear the worst, but whenever the word “may” is used, there can and should always be some hope that things will work out! Maybe she won’t die, and maybe she won’t lose some or all of her memories.

Hikari and Iroha may not be married (and thus never made a vow to be together in sickness and in health), but it’s clear they both love each other; far more than when they first started dating and more now than ever. I understand Iroha wanting to shelter Hikari from the worst case scenario, but the ship has definitely sailed when it comes to coming out of this without any pain or anguish. If I were Hikari, I’d certainly ask more questions about the situation before resorting to despair.

Shouldn’t the choice of whether to stay by her side be Hikari’s to make? And isn’t he giving up too easily considering all the “mays” Iroha used? Will the show really ignore those “mays” and take her away from Hikari, and from us? I don’t want to believe that. But even if it does, I don’t want either of them giving up hope prematurely. There’s two whole episodes left…stay positive!

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3D Kanojo: Real Girl – 21 – What About Us?

I’ve never been particularly interested in 3DK’s longstanding ticking clock on Hikari and Iroha’s relationship. It’s a two-dimensional source of drama and dread on a show that’s proven itself capable of developing nuanced solutions to conflicts that rise organically from its cast of 3D characters.

Case in point: 3DK invested so much time and loving care to bringing Ishino and Takanashi together, yet the biggest threat to Hikari and Iroha’s relationship remains frustratingly murky.

There’s nothing unclear about the statuses of their friends, however: Ishino x Takanashi is very public, while Itou confirms to Hikari that he and Ayado made love. It’s quite on point for Itou to cry tears of joy afterwards, as well as to tell Hikari that it probably has changed his world, but a lot more changes are to come as he and Ayado share more experiences.

I kinda wish we’d gotten more of Ayado’s perspective—perhaps telling Ishino or Iroha about it—but still, kudos to the show for being both unambiguous and tasteful in the portrayal of a very common milestone in young people’s lives.

As their final year in high school begins to draw to a close, Takanashi, Ishino and Itou are all thinking about their futures…while Hikari hasn’t. Why would he? The future, to him, is just a place where there’s no Iroha.

Better to make the most of the present lest he come away with regrets. For Hikari, this means blowing off career surveys, studying and even some classes to spend maximum time with Iroha.

A side-effect of all the dating is a precipitous drop in his grades, something he keeps from both Itou and Iroha until the former hears it from the teacher. Like any best friend as kind as he is, Itou is concerned about Hikari, and urges him to be mindful of finding a school/romance balance.

However, Hikari doesn’t want to tell Itou why he’s neglecting his studies. He doesn’t want to tell Itou that Iroha is moving in a month, because that will only make that move—that future without her—more real.

Instead of getting back to his studies, Hikari takes Iroha out on more and more dates, even as she gets increased pressure from Mabuchi (the doctor) to stop what she’s doing presumably due to an undisclosed medical condition…but we just don’t absolutely know for sure!

One thing’s for sure: frolicking on a frigid beach in October isn’t going to help that condition…and I’d be very surprised if one or both of them didn’t come down with a cold next week.

But fine: Hikari doesn’t know the truth, and neither do we. Iroha doesn’t know about his bad grades until Itou tells her, and when she pulls out what she thinks are his notebooks for studying, they’re filled with things he’s planned for them to do together.

Seeing this note makes Iroha cry, because Hikari is planning a future for them that may not be possible. When he comes back with warm drinks, she tells him she lied: she’s not going to transfer schools. But that still doesn’t explain if and why they’ll separated in a month’s time.

Then again, perhaps Hikari’s request to his mom to loan him a large sum of money from his mom, and both his and Iroha’s reluctance to “go home” means they’re going to run away together, finally taking charge of their future.

But if Iroha’s real circumstances are so serious she’s yet to breathe a word of them to the man she loves, out of a reluctance to hurt him, what if those circumstances worsen, and there’s no longer any way to hide them…or avoid hurting Hikari anyway?

Domestic na Kanojo – 01 (First Impressions) – So That’s How It Is

One minute Fujii Natsuo is at an innocuous mixer, the next he’s sneaking out with the least enthusiastic of the girls, Tachibana Rui who asks him for a favor. She wants to have sex, so she knows what it’s like and so it won’t feel like people are talking down to her.

She correctly assessed that Natsuo was also a virgin, and so she wouldn’t be taken advantage of or anything else by a more experienced guy. They get undressed, do the deed, get dressed, and part ways. There was never supposed to be any passion or emotion of any kind, so Rui tells him that if they ever meet again, they’re strangers.

As Natsuo confides to his dorkier best friend (who make it a point to de-dorkify Natsuo before high school so at least one of them would have a chance, socially speaking), the experience doesn’t quite sit that well with him, the more time that passes after The Act.

For one thing, there’s someone he likes—a pretty young teacher at school—and while it’s most likely to remain unrequited (at least as long as he’s a minor and her student), a part of him laments that his first time was so…impersonal.

But if you think the chain of events Natsuo has experienced to this point was sudden, you ain’t seen nothin’ yet! One afternoon his father announces he’s going to remarry, ten years after Natsuo’s mother passed away. And oh yeah, she’s coming over right now, with her two daughters…who just happen to be Natsuo’s teacher Hina and Rui, with whom he had sex. OH, SNAP!

Natsuo faints from the shock, but when he comes to, Hina and Rui’s mother warmly introduces herself, and when asked, tells him why she likes him. She and his father really are a good match and both seem happier than any of the kids have ever seen them. It’s for that reason that Rui, who waits for Natsuo outside the toilet, is not going to get in the way of her mom’s happiness just for “some stupid reason” (read: their having sex that one time).

Natsuo gives his dad his blessing as well, and things only accelerate from there: his dad buys a new house big enough for the newly-combined family, and adding to Natsuo’s apparent woes. Hina insists on a dropping of formalities in the house, while Rui insists that Natsuo forget they ever did it, as it’s clearly still bothering him. Naturally, that’s not so easily done; Natsuo can’t get the images of making love to Rui out of his head.

Still, This Is All Happening and everyone has to make the best of it. For Hina’s part, she forgets she’s no longer in an all-women’s household and comes out of the bath half-naked, only to put on a loose tank and short shorts before drinking herself to sleep with Asahi Super Dry (not out of depression; she just likes to drink).

As she dozes on the couch, with everyone else in bed, Natsuo decides he’ll close the book on his one-sided crush on his teacher-now-stepsister once and for all…with a first and last kiss. But before his lips meet hers, Rui enters the room, and her expression isn’t one of total contempt, but something more like…a “how could you?” face.

Your enjoyment of a show like this (or Koi to Uso, or Kuzu no Honkai) will depend entirely on your stomach for love triangles (and other polygons) as well as your ability to swallow a premise this specific and weird. To its credit, because of the central reason for the new arrangement—his dad and their mom are truly in love and deserve happiness—helps temper the ridiculousness.

Because the dynamic between Hina and Natsuo and Rui and Natsuo are so different, it will be very interesting to see how the three navigate their new normal.

Kuzu no Honkai – 05

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Hana believes Kanai has abandoned her, so seeks her “safe space”—or at least a space where she feels she belongs and doesn’t feel the weight of life crushing her—elsewhere. When Ecchan turns to face her in bed, Hana sees Akane for a moment. Akane seems to enjoy taking advantage of men.

Hana doesn’t seem to enjoy what transpired with her and Ecchan. Hana doesn’t seem to be sure what she likes or wants, which must make Akane’s apparent certainty and staunch confidence all the more vexing.

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Last week was light on Mugi, but he returns to the forefront with the revelation he’s known about Akane’s dalliances since he was dating senpai, who he only realizes now might’ve bitten his ear out of jealousy.

He still has her number; she shows up for a booty call, from his perspective almost out of obligation, as she was the one who popped his cherry. According to her, it’s the first time they did it when he wanted to, but she still doesn’t spend the night at the love hotel with him, considering them even.

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Like Hana with Ecchan, Mugi seems unfulfilled and insufficiently stimulated by his encounter with his senpai. After a period of him and Hana drifitng apart, one day on the roof they come back together. Hana can tell Mugi slept with someone else, and he can tell she did too.

They did it for the same reason: to test if they really needed each other, or if they could get what they needed elsewhere. The results weren’t as conclusive as either had likely hoped. Hana’s thoughts say they’re both terrible. I just think they’re both profoundly lonely and unhappy.

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Shift to Akane’s POV, as she grudgingly asks Kanai out, despite the fact he’s super-boring to her. That boring-ness continues throughout most of their date, until she drinks too many to compensate and he catches her before she falls in the street, accidentally calling her “Hana-chan.”…“-chan.”

Those words, not the catch, are the first things that get Akane interested. When she gets him in a room, and he asks permission, she brings up Hana as an object of envy, and he responds by kissing her and getting things started. Too easy says Akane. Indeed. The implication is, when things are too easy for Akane, watch out.

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Hana decides she wants to have sex with Mugi at his place. He has reservations, but he can’t deny her beauty, her honesty, the directness of her gaze, and her “hysteric, fickle, recklessly egocentric remarks.” So the two of them decide to break the rules of their arrangement and do something that could upset the uneasy balance that had been maintained.

But it’s Hana’s first time, and it hurts, so they stop. She’s not into it at all, but is still frustrated they can’t do it. Mugi thinks it’s because she doesn’t really love him. Just saying she loves him doesn’t work, and then Mugi insults her. The mood ruined, she gets dressed and leaves.

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Mugi sleeps alone, frustrated and depressed. Hana sleeps alone, frustrated and depressed. She wants to sleep with someone. She wants to fill the void of loneliness, but nothing is currently working, and it’s becoming unbearable.

Akane almost seems to sense her frustration, because the next day at school she walks past Hana to twist the knife, reporting on her conquest of Kanai. Ice. Cold.

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Cross Ange: Tenshi to Ryuu no Rondo – 22

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This week somewhat inauspiciously begins with Salia being spanked like an insolent child by Embryo, for letting Ange get away. But as painful and humiliating as this experience is, there’s still a glint of defiance in Salia’s face and words. Chasing after Ange the Chosen One like an obedient errand girl is not what she signed up for; in fact, it’s one of the very reasons she defected from Arzenal in the first place.

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Aboard the Aurora, Embryo finally manipulates Emma Bronson to antagonize what looks like the beginning of a Norma/Dragon alliance, in the midst of Riza’s report that Embryo is trying to merge both their worlds to form a new one, destroying them in the process. Even if Salako & Co. are Dragons, Hilda can relate Salako’s friendship to Ange. Roselie, meanwhile, isn’t looking forward to killing Chris, but it’s her or them; something she laments with great sadness.

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Embryo expounds on his grand plans for the world by stating it will be ruled by “strong, intelligent women.” He leaves out “pliable women who will acknowledge his unlimited power and know their place below him.” At the same time, he takes no pleasure in watching Ersha grovel and beg him to restore the lives of her children. He really never intended those children to survive the merging at all. Rather, he intends Ersha to become the mother of the new world’s children, which has some pretty messed-up ramifications if you think too long about it, which, judging from Ersha’s expression, she does.

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Like Salia, Embryo essentially warns Ersha that she’s not acting like the “intelligent women” he needs for that world. Unlike Salia, he basically casts her aside and tells her to stay out of sight, whereas he at least gives Salia one more chance to prove her loyalty. Salia won’t be doing that, though.

It looks like her spanking was the straw that broke the camel’s back; she won’t prove her value to Embryo by finding Ange; she’ll prove she’s stronger by besting and killing her, going against Embryo’s wishes in a desperate bid to win his approval.

This is not the best plan, considering Embryo can bring people back from the dead at will, but even if her judgement-quashing inferiority complex is still as strong as ever, at least she now realizes how much of a sack of shit Embryo is. Ripping up her Pretty Salian cosplay is as strong a symbol as any that she’s done playing the heroine.

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Ersha, meanwhile, realizes how appallingly naive she’s been, and how easily she allowed Embryo to win her obedience by manipulating her powerful maternal instincts. In both her and Salia’s case, they were girls with ambitions (albeit very different ones) that got their way, and now that they’ve seen how thin the veneer of Embryo’s goodness extends, They’re both well and truly disillusioned, and will no longer follow him.

Chris is different, in that nothing happened to her this week that suggests she’ll be going against Embryo. Embryo is her best bud, after all; the one person who would simply be her friend the way no one else ever did. Her ambitions are far smaller by comparison, and so easier to both fulfill and maintain. Are Chris, Roselie, and Hilda doomed to try and kill one another without ever reconciling the often twisted shit they’ve all been through? Or will something Embryo does cause CHris to revolt as well? I hope it’s the latter.

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Meanwhile, Tusk’s chopper-thingy deposits Ange on his island and releases her, and it doesn’t take long for the same crushing loneliness Tusk must have felt in the years he was here to sink in for her, combined with her grief over losing both Tusk and Momoka. Ange can’t see the purpose of trying to save a world she can’t share with those two very important people.

She even considers taking her life, before remembering Tusk’s final words to her about her having to live. But reading Tusk’s diary, including the entry when she arrived (not Ange’s best outing), at which point he’d already chosen to be her knight, only makes Ange more upset. She may have spared her own life for now, but she still can’t see the point of sparing it indefinitely.

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And then, all of a sudden, as she remarks on how she’d have gone all the way with Tusk if she’d known he’d sacrifice himself, Tusk pops up behind her, alive and well! She thinks it’s another of Embryo’s illusions at first, but I had a pretty good idea it was Tusk. Am I going to defend this ridiculous plot twist? No, but I can understand it: You don’t know what you have until you’ve lost it; we never saw Tusk actually die in the explosion.

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Having tasted the bitterness of losing Tusk, Ange isn’t going to side-step the issue of the furtherance of their relationship any longer. On the contrary, she has sex with Tusk right then and there, under the stars, to prove it’s really him. Afterwards, it’s as if all of that sexual tension had simply melted away, leaving two far calmer, less distracted people.

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Momoka’s back too, because Hell, why not? She had a frying pan in her clothes that stopped a bullet. I’m more on the side of happy than angry they’re back, even if it’s very sudden. The why isn’t really important, only the that. And that Tusk and Momoka are alive means Ange has far stronger motivations to stop Embryo.

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I just don’t see how she’s going to do it considering how easily he dispatched them last time. Maybe these two finally getting laid was the key?

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Gokukoku no Brynhildr – 08

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After returning from Akiba, Ryouta drops Kazumi off and tells the other girls he’ll take care of the rest on his own. But in the wake of their “first date”, Kazumi isn’t satisfied. Under the pretense of helping him pinpoint the location on the device, she ends up at his house, ready to take the next step with him.

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While she rightfully tells him she doesn’t need a logical reason to want to sleep with him, the truth is she has one, and it’s the same reason she enjoyed their Akiba date so much: Her time on this world is cruelly short, and his could be too when he goes on the next wild goose chase. Going forward, her first time for many things could well also be her last, so she’s in a hurry to have them.

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Kazumi continues to cement her role as the most compelling and endearing of the girls, the one who embraces her mixed-up adolescent tendencies and raw humanity with abandon. She knows she may never reach later stages of life, and she’s clearly terrified. But she’s also scared of actually doing it, so when Ryouta accidentally causes her to make a strange, “freaky” sound, she halts the proceedings, admitting it’s all probably too much for him (and her too, if she’s honest).

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After a night of innocent spooning, Ryouta heads off on his own, and quickly finds he’s in over his head. Fortunately for him, the girls didn’t heed his call to hang back. For all his good intentions (and photographic memory) he’s still too weak to protect them on his own. So Kana gets a death vision, Neko storms in with her destructo-powers, Kazumi jams the radio, and when the chief has Ryouta pinned, Kotori teleports him away.

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It’s a good full team effort, but they were never going to struggle that mightily against normal humans. Nanami, the next girl sent after them (Neko, specifically), will be far tougher. Kazumi revels in her humanity and femininity by shedding clothes all the time, but Nanami’s status as a captive tool is accentuated by the belts and a hood she’s wrapped up in when not in use. Still, like the others, she wants to live, so she’ll obey her bosses. And because we know full well her bosses won’t let her live, you can’t help but empathize with her too.

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