O Maidens in Your Savage Season – 10 – Maiden Abyss

God, where do I even start? I knew I’d be navigating an emotional minefield with a show like this, but in the spirit of one of this episode’s themes, the difference between thinking you know something and actually experiencing it in the moment is as vast as, well, the holes that threaten to swallow up every single character. Certainly far larger than the holes in the sexy underwear Kazusa is investigating on her phone.

Rika just happens to be hanging out with Amagi across the park where Hitoha gets picked up by Milo-sensei. Rika finds Hitoha’s underwear in the trash, freaks out for a minute, then calls a cab to follow them and hopefully save Hitoha and/or Milo from themselves/each other. She’s acting as a good friend would: as best she can with what little, highly concerning information she has.

Meanwhile, after all the hard work he did finding porn not set aboard trains, Niina has likely well and truly ruined them for him as anything pure and innocent, what with her placing his hand on her bum and keeping it there. Izumi pulls away and exits the train, but Niina follows him and demands to know why he’s going so far to refuse her.

Since he asked for advice, Niina offers to let him practice doing it on her. With all of her (not always consciously) honed powers of seduction in overdrive, she asks him straight up if he wants to do it with her, and he rejects her again, but not in the most convincing way.

Before leaving on the next train, Niina passes by and takes note of how hard he was—which is, of course, ludicrous: the hardness of one’s dick and one’s desire to sleep with someone are not the same thing at all. If Niina can’t ever get Izumi to love her like he loves Kazusa, she’ll do everything she can to make him desire her. She’s determined to kill that virginity of hers, and at the moment she has eyes only for him.

Momo plays Street Fighter alone in an empty arcade, and as she watches Chun Li get mercilessly wailed on by Ryu, she comes to a realization that had probably been gestating in her head and heart for some time. She texts Niina, asking to meet up and talk. Just then, Satoshi, a name I rather naively didn’t think I’d have to type again, texts her asking to meet up and talk.

Last week the window (or rather “hole”) seemed to be closing fast for Yamagishi-sensei to put a stop to a situation that, while not strictly illegal in Japan, is still a very bad idea for both parties involved. While yes, he picked up Hitoha, there’s still a possibility he’s just trying to scare her straight by only taking things so far.

Little does he know as he’s driving Hitoha is planning exactly what she’s going to do when they hit a red light: grab Milo’s hand and put it in her. It’s a bold plan to be sure, one I’m not sure she would have actually done, but we’ll never know, because they don’t hit another red light. Instead, Milo pulls in to a love hotel…the cheapest, seediest, least sexy love hotel he could find.

Rika arrives at the love hotel district, but there Hitoha’s trail goes cold, and Amagi really doesn’t want to hang around such a place, as it’s making him think and feel weird things when he’s committed to treating Rika right, a sentiment that makes her swoon when he expresses it.

To our unending relief, we finally learn definitively through his inner monologue that Milo has no intention whatsoever of going through with anything in that dingy lovenest, but makes the mistake of letting Hitoha go off to the bathroom (even more awful than the bedroom! They nailed the details on this shithole) to steel herself up, desperately swiping webpages on what to do in this situation.

She bursts out of the bathroom pounces on Milo, positions herself over his crotch, and starts unbuckling his belt and unzipping. Suddenly, a very stunned Milo has lost control of the situation. Hitoha is just as stunned, but feels if she’s gone this far there’s nowhere to go but forward.

But, once the zipper is down, and there’s no erection, Hitoha gives up and starts to cry, assuming it’s because she’s so “disgusting” to him. Always so condescending and rude in so many of their interactions, Milo drops that act, gently places his hand atop her head and tells her she’s wrong; this isn’t happening not because she’s ugly, but because he’s a coward.

As she cries in his arms, I breathe another sigh of relief. In the end, Yamagishi was the adult here, recognizing he had to to preserve her pride, and the best way to do that was to abandon his own for her sake. That may not satisfy or comfort her in the long run, but it stopped something very bad from happening for the wrong reasons.

Then comes an exchange I wish we didn’t have to witness, because it’s just so hard to watch and so gosh-darn realistic. Satoshi, “The Nice Guy,” didn’t take too kindly to being embarrassed in front of his friends at the cultural festival. He accuses Momo of leading him on, calls her a slut, and demands an apology lest he make it impossible for her to come back to cram school.

Momo isn’t apologizing, and she’s not going back to cram school either, and that’s that. But as she walks away, Satoshi grabs her arm, because he’s not done with her yet. She’s not showing him proper respect, you see? For that, Momo cries out so all the passersby can hear, and naturally Satoshi calls her weird and crazy and scurries off. What an apocalyptic boob. Maybe don’t grab girls who couldn’t be less interested in you and are trying to walk away, brah!

As Niina walks around the same district where we’ve already seen Rika, Amagi, Hitoha and Milo, she thinks about how she always, always gets comments and cat calls whenever she walks down this street…until now. It’s as if Izumi’s rejection of her has marked her as some kind of hideous creature from which all ment will keep their distance.

After years being looked at the wrong way, suddenly she no longer feels the attention…and she’s not feeling so great…like withdrawal from a drug you were forced to take. Then Momo calls her, again asking to meet up. After being touched by a guy, Momo wants Niina to touch her, to “purify” her, because she’s in love with her.

No longer feeling waves of desire from men in her radius, suddenly Niina is confronted by a woman, stating in no uncertain terms she wants to be touched by her. Niina isn’t sure how to respond, so she apologizes and ends the call.

And that, inexorably, brings is to Miss Smartphone Sexy Underwear Shopper. Kazusa is in a wonderful little bubble of bliss, as she has been ever since she and Izumi became a couple. That bubble only grows larger when Izumi gives her a quick “just calling to say I love you” call from the station where he’s still processing what happened with Niina.

It’s clear with this call Izumi is trying both to assuage the measure of guilt he feels and ease the swirling of confusing thoughts in his head by reiterating his feelings to Kazusa, clearly, out loud. He’s a mess, and the call does little to fix that.

After the call, Kazusa beams like we’ve never seen her before, then continues her underwear shopping. In voice-over, she states that at that time she had no idea what vast and widening holes her friends were staring down, nor that she’d soon be staring down her own once her blissful bubble inevitably bursts.

The next morning, Izumi can’t even hold hands on their walk to school for some vague fear of “the neighbors.” That last exchange with Niina really did a number on him, huh? Sure looks like it could be the beginning of the end for these two…before so much as a peck on the cheek.

That just leaves us with Rika and Amagi, the one couple that seems to actually, ya know, be okay! Just as Rika is starting to contemplate getting a little closer to him, the teacher (who is, let it be said, shitty for doing this) announces that her friend Sonoe got pregnant and is dropping out of school. As if the previous twenty minutes of carnage weren’t enough, one last savage dagger before the curtain.

I need a drink!

(Of Misery)

O Maidens in Your Savage Season – 09 – What Now?

At least, for a little while, we get to experience the pure initial jubilation of Kazusa and Izumi being a couple, meeting outside their adjoining houses, and walking to and from school together. Everything looks brighter and shinier, food smells and tastes better, and Izumi looks cuter to Kazusa’s eyes. They’re very much on cloud nine, but throughout it all there’s the underlying knowledge that it just can’t last.

Rika, too, admits she has changed, as a “victim of love”, but has also learned that boys are far more sensitive and nuanced than she thought, and tells the rest of the club to value them as humans—something only she didn’t do before.

While all five girls were in one way or another “losers,” now suddenly Kazusa and Rika are “winners,” having broken the plane of boy-girl romance, and their subsequent floating on clouds does not go unnoticed by those left behind. As a self-proclaimed “loser” himself, it’s Milo-sensei’s experience that winning stifles the imagination, which suits Hitoha just fine.

You could also say that winners are so busy winning their guards are down. Kazusa buys Niina’s half-hearted congratulations, but what Niina doesn’t tell her is that she’s still considering whether to steal Izumi from her, and if so, how. Momo isn’t okay with that, and promises Niina that losing two friends (her and Kazusa) for one boy isn’t worth it.

Niina begs to differ: after all, saying she can’t have sex with mere friends—something Momo doesn’t seem that sure about.

So as their destruction is plotted, Kazusa and Izumi go about their wonderful glittery romance…only the glitter gives way to awkwardness when they find themselves alone in Izumi’s house together. What’s the next step for them? They have no idea, not just what they want to do, but what the other person wants to do.

They aren’t communicating properly yet, nor have they set boundaries or lack thereof, so they make assumptions, some of which are right, like Izumi sitting beside her. They hold hands together, but they both get hung up on how sweaty their hands are, and then Izumi’s mom comes in and suddenly they’re six feet apart.

Ultimately, they won’t know what they want to do until they try something, and they won’t know what to try with each other until they discuss it. Right now, their deep, ten-year familiarity is clashing with the newness of their boyfriend-girlfriend status, and resulting in a bit of a short-circuit.

Meanwhile, the fact Kasuza is with Izumi and Rika is with Amagi means the lit club is suddenly taking a break, giving the recent festival as an excuse, but let’s not fool ourselves: Momo and Hitoha and especially Niina are only going to sit and listen to Rika and Kazusa talk about how great it is to be dating boys for so long.

So Momo goes home alone, not knowing quite what to do about the rift between Niina and Kazusa. Niina invites Izumi to “ride the train” with him assuming she’s willing to offer advice as a friend. Hitoha ambushes Milo-sensei in the clubroom with an “expose,” and give him an ultimatum: sleep with her, just once, or everyone, including his beloved Tomita-sensei, will find out about all the things he’s said to a high school girl.

While I doubt Hitoha was simply bluffing here, the fact remains, she wasn’t 100% prepared for him to not only say “okay” to an offer of sex, but set a time and place for him to pick her up. Milo is quickly approaching the point of no return, but his feelings for Tomita, and the threat of her knowing how deviant he’s been, are clearly clouding his judgment.

Later, Hitoha waits at the agreed-upon time and place, and gets in when Milo-sensei stops and tells her to, tossing her underwear into a nearby garbage can. No good can come of this!

In a nice bit of synergy, the same book that Rika and her new gal friend Sonoe (with whom she now interacts far more comfortably) bond over in the library is the book Niina presents to Izumi on the train, describing his relationship with Kazusa to the The Little Prince and the one rose on his planet. When he went to earth, he found that roses were commonplace, but a fox told him that the sum of his time and experiences with that first rose make it unique.

Saegusa tells Niina that she’s the fox, saying the words that will lead to the Prince living the rest of his days with that one special rose, while the fox itself is never mentioned again once they part ways. To not be forgotten like the fox in the story, Niina has to make a bold move.

Whether someone was actually touching her bottom on the train once it gets crowded is immaterial; the point is, Niina wanted a situation in which she could tell Izumi to place his hand on her bottom. Not only that, there’s now a record of their exchange on their phones she could potentially use against Kazusa.

So one of Izumi’s hands is sweatily, awkwardly clutching Kazusa’s as the ticking of the clock grows louder and louder, and the other hand is resting on Niina’s bottom, with Niina’s hand guiding and keeping it there. So, as is asked many times in the heads of the characters this week, What Now?

Trouble…that’s what!

O Maidens in Your Savage Season – 08 – Where Legends are Made

This week, with the cultural festival as the backdrop, every O Maiden decides they’re going to make a choice that will hopefully ensure them happiness and stability as they move forward.  Naturally, things don’t start out smoothly for anyone.

For Kazusa, it’s deciding to tell Izumi upfront how she feels. As her performance with Niina looms, Kazusa is mindul, and nervous, of the fact that Izumi is about to witness her essentially rehearse her confession to him with Niina on stage.

Momo decides she’s not going to entertain Sugimoto’s vapid attention any longer, something she’s even more sure of when he shows up with two of his friends. When Rika sees another girl flirting with Amagi, she starts to realize they can’t have relationship if she insists on keeping it secret from the world.

Then there’s Niina. She seems the most lost out of everyone, caught between feelings for Saegusa and Izumi, but neither sure what those feelings are or how to act on them. For his part, Izumi is taken aback when she puts her hand on his face, leading to her scurrying off while he struggles to hold three teapots—which I’m sure is a metaphor for something.

Hongou finds her encounters with Milo-sensei almost completely dominated by the presence of the modern Japanese teacher Tomita-sensei, who has clearly taken a liking to Milo. Tomita doesn’t see Hongou as a threat, she sees her as a child and a student, and there’s clearly the sense Milo appreciates having Tomita around, almost as a shield from Hongou’s potential mischief. But any discomfort he has comes out of his refusal thus far to set clear boundaries, a responsibility that’s his and his alone.

While wallowing in the rest area, Rika is joined by Sonoe, and the two get to talking about the latter’s boyfriend. Sonoe, who it should be said is clearly ready to move on from bullying Rika to a conventional friendship between hotties, tells Rika how her thing with her boyfriend was physical at first, but became romantic when she learned he was a nice guy. Also, that it’s only natural to want to show off and be proud of the person they like. There’s nothing to be ashamed of.

Izumi in the audience would be awkward enough, but Saegusa also joins the crowd, sitting right beside Izumi. Suddenly, it’s a rehearsal for Niina as well as Kazusa, in which to somehow prove to Saegusa that she’s not boring, that despite having become a woman, she can still be unpredictable like a child.

When nobody expects it, and just when Kazusa is starting to get into rhythm with Izumi less of a source of stress and more of a calming presence, Niina flips the script, walks out into the crowd, and puts her hand on Izumi’s chest, shocking everyone there (and no one more than Kazusa), but eliciting an impressed smirk from Saegusa.

Izumi takes Niina by the wrist to talk in private, whipping the crowd into a frenzy as they hoot and applaud what looks to all the world like two lovers shuffling off to be alone. In the moment, it looks like a heel turn for Niina (if you’re an KaZumi shipper, like me).

Izumi is surprised when Niina tells him even she didn’t really know what she was doing, he surmises that it may have been to make Saegusa jealous, and that if she still wants to do that kind of stuff because she still likes Saegusa, he’s willing to help her. The key is, she should focus on what she wants, not how others will see it. A tall task for someone all but defined by observers. But the one thing Izumi can’t see is the real reason Niina reached out to him: she likes him.

As for Kazusa, she also considered the fact that it may be game over for her and Izumi before she even took her shot, but she’s determined to take that shot anyway. Seeing how Niina looked when she touched Izumi clinched it for her: for someone who clearly likes him that much to still support Kazusa, who only ever thought about herself…that’s the person she’d want to be with Izumi, rather than some rando.

Everything comes to a head at the bonfire that concludes the festival. Due to the buzz caused by the performances—no doubt supercharged by Niina’s improvisation—the whole school is aware of the urban legend about standing in the shadow of the one you love, and people are trying it out.

It’s the first time Hongou’s work has reached an audience so large, and the pride in her accomplishment fuels her confidence in wanting to try it out on Milo-sensei. Unfortunately she doesn’t come close to getting a chance; Milo is well away from the bonfire’s flames, chatting with Tomita-sensei.

Rika fares better. Turns out Amagi wasn’t as close to giving up on them as it seemed last week, but Rika goes for broke and confesses to him in front of everyone, telling him she can now see the difference between romance and sexual desire, but more to the point, she doesn’t care anymore about anything other than Amagi knowing she’s in love with him. He responds by hugging her, telling her he’s never been so happy.

Momo was successful in getting Sugimoto to take a hike, but that leaves her alone at the bonfire when everyone else is busy with their respective love interests. Still, you get the feeling she’d rather be alone than have those annoying dudes buzzing around her, so it’s a win for her.

Niina tells Saegusa that she’s decided to let herself “obsess” over someone for the first time, and see where it goes, after a lifetime of keeping her distance. She’s pretty much asserting she has to look out for herself, even if it hurts Kazusa and ends up fruitless, as Izumi just doesn’t see her that way, and has—has always had—someone closer to him.

That brings us to Izumi, who beats Kazusa to the punch and and confesses to her first, moving her to tears of joy and relief. He references that day years ago when he first saw her as a girl, and after all those years of her protecting him, he decided he wanted to protect her too. Big sister, little sister, good friend…she’s been all of those things to him, but now he knows all of those characterizations are reflections of the love he’s always had for her.

The two walk to the riverfront hand-in-hand to admire the cityscape, at peace and happy as clams. So many weights have been lifted on this night, but the smooth sailing will only last so long with four episodes left. Storms lie ahead, and the strength of all of the night’s confessions and rejections place will be vigorously tested. I’m fist-pumpingly happy for Kazusa and Rika, but love and pain do go hand in hand!

Given – 04 and 05 – Roaring to a Stand Still

In a delicious twist, Sato rejects Uecchi’s offer to join the band. Uecchi is utterly befuddled, agitated, and his google-fueled antics put Harkuki and Kaji in hysterics. Perhaps oblivious to the meltdown he has caused, Sato does exactly what he was asked to do and gets a part time job at the live music venue.

When Uecchi finally goes to confront Sato, old friends interrupt and STRONG IMPLY Sato’s guitar belongs to some one very special and very tragically dead…

Thankfully, Uecchi shakes him out of it and demands to hear Sato sing. The following episode is largely dedicated to Uecchi creating a song for Sato to sing and the lead up to their first public gig.

…Also, the episode reveals revealing that Harkuki loves Kaji, that Kaji has a boy friend no one knows about, that Sato is pretty damn good at basket ball, and Uecchi learning that Sato was dating a boy in middle school but that boy may have suddenly killed himself in an extremely tragic way! Appropriate, this last bit of news comes amidst a deafening roar of white noise punctuated by a hard cut to black.

Given remains beautifully rendered, even when it’s being ‘lazy.’ Seriously! The backgrounds and colors and level of unnecessary detail are insane. Episode 5 did take a noticeable dip, but that is to be expected mid season and it didn’t hurt the narrative’s more introspective focus.

I’m really enjoying the idea that Uecchi is the only semi-straight member of the band, yet imperfect knowledge may prevent each member from realizing that. I’m finding it even more interesting to watch Sato, who seems like he’s characterized as having a spectrum disorder in addition to being gay. It makes for some curious takes on his scenes with Uecchi.

Sato strikes me as a sincere representation of a gay male who’s not romantically into the straight male who is pursuing him. He seems aware of that Ueechi may not realize he is even pursuing him, which seems ironically likely since Uecchi resorted to dating advice to get Sato into the band. Now that the sexuality angle is out in the open, we’ll see if Uecchi reconciles with his own obsessive feelings, or if his obsession is purely based in the art of music the way he previously seemed to think it was.

Given – 03 – Rejection!

In a delicious twist, Sato rejects Uecchi’s offer to join the band. Ue is utterly befuddled, agitated, and turns to google for advice on how to win over someone after they’ve rejected you. This goes about as well as you would expect, and Harkuki and Kaji think it’s hilarious!

Meanwhile, Sato does exactly what he was asked to do and gets himself a part time job working at a music events space. When Uecchi goes to confront him there, everything is interrupted when Sato’s old friends recognize him and STRONG IMPLY the guitar over his shoulder belongs to a dead friend.

Sato is a polite, if not slightly stereotypical take on a person with a spectrum disorder. He can not express himself well and the added trauma of death makes him aware that something is wrong. He doesn’t even realize he is already expressing himself, and that Ue is rocked by that expression down to the core.

Alone on the street, Ue grabs Sato and shouts that he wants to hear him sing. Ue needs to hear him sing and Sato agrees. Unseen, Kaiji has heard their exchange and knows their band is in for something special…

Another episode of Given is another episode possibly a hair short of Masterpiece level work. From framing, to color, to writing and emotional candor, if it connected with you before, it will do it again. Why on earth are you not watching it already?

Given – 02 – Insiders x Outsiders

Uenoyama struggles with the idea of being a good teacher. He’s not even sure what Sato wants out of the guitar. Uenoyama is stuck inside his own head, oblivious in class, and unabsorbent of his classmates’ growing curiosity over the nature of his relationship with Sato, even when they ask him about it directly.

Sato struggles with expressing his interests and objectives. He’s not even sure what he wants out of learning guitar. He’s not even sure he has a favorite song, though a melody keeps playing in his head. Sato is often oblivious to Uenoyama’s instruction and questions, but he absorbs the training quickly. Sato has a very keen ear.

These are the early days of training, where Sato’s newness and mystery is exciting. Pretty Harkuki feels a change towards a better, kinder man in Uenoyama but Tough Kaji insists it was already there. To himself, he wonders if Uenoyama’s kindness is something closer to that of a protector, which has broader implications he does not share.

Sato’s transition from outsider to insider begins with the learning the technicalities of music but effectively completes over dinner, when the band reveals they each have part time jobs. Kaji tends bar, delivers items on his bike, and even works security. Harkuki is a hair model in a video channel, and works with Uenoyama at a convenience store. Each boy’s job descriptions are playful but made with care. No matter what job Sato chooses, and he must choose one to support the band, he should consider one that feeds him during his service.

Given is a master class in framing and composition. Above, the criss-crossing shadow connects Uenoyama’s eyes up to his friends, and the sweep of the drum set sends our eyes around to the door. But the rigid green door, which completely encloses Kaji and Harkuki traps them there, stuck behind the drum set.

This fraction of a scene expresses hesitation. It implies Kaji and Harkuki are waiting for their friend to stand and join them emotionally. That waiting shows us they care, and emphasizes the conversation they share outside about Uenoyama comes from their caring.

And It reads equally well for western left right and eastern right left.

Given is also a master class in color, pattern, and skilled integration of 3D rendered backgrounds with traditional animation. It’s subtle at first, but the range of color (especially as it pertains to the the believability of lighting) and consistency of perspective in this show is fantastic. Yet, unlike the space ship in Astra Lost in Space, these 3D elements do not stick out.

Great care was used to control the pallet and soften edges. The over all effect makes Given believable looking, yet also dream like. A perfect aesthetic choice to match its cast introspective, dreamlike state.

This week ends with Uenoyama pressing Sato for direction. There must be a song he wants to play that Uenoyama can teach him. So Sato sings the music that is inside him. It has no title. It is only brief. It brings Uenoyama to tears.

Even though Uenoyama doesn’t officially ask Sato to join the band until after he hears Sato sink the secret song inside his head, the decision has all but been made official during their dinner. Weird, awkward, mysterious, and with much to learn, Sato is the change agent everyone needed. I can’t wait to see — and heard — where this is headed!

Given – 01 – Boys in the Band

Mafuyu Sato lives his life in a dream state. He wakes each day from the same nightmare, fear gripping Sato’s body only as tightly as his grips the neck of his guitar. The guitar he carries but has no idea how to play. He is a mystery.

Ritsuka Uenoyama lives a life of diminishing purpose. He commands great skill with his guitar, but as he sharpened his art, he dulled his passion. He is tired but awake. He lives with with his art-def sister and his father gave him his first guitar. There is no mystery in his life. Only routine.

Sato and Uenoyama meet by chance at Uenoyama’s favorite nap spot, nestled behind the gym. Then Sato witnesses Uenoyama play, and Uenoyama’s bandmates witness Uenoyama in rare form. Slowly, bonds begin to form…

Given is, by miles, the most interesting anime running this season. Given is very good looking, though this is more due to great use of color, lighting and character design than actual animation. Given is also very good sounding.

However, what makes Given sing and shine is solid crafting of characters and storytelling. The nuance of how Uenoyama and Sato are living opposite parts of life makes it special. The choices of how we see that play out, without dialog or other characters telling makes it masterful.

Given does not have the artcraft value of Yuri on Ice but Given nails the depression and challenge of being an artist, and of an artist feeling love, with an equally flawless sincerity. You owe it to yourself to check it out.

Mr. OldSchool’s Summer Season Quick-Fire Reviews

Granbelm – A kind girl stumbles into a magic girl battle royale with super deformed style Gundam. The art style is visually striking and the action is top shelf’ish. Too bad Granbleh’s kitchen sink of tropes is delivered in such a loveless and generic way. 7

Maou-sama, Retry! – A game developer is sucked into the fantasy MMO he created in the moments before the servers go dark! Now he is a super powerful demon lord and looks like a yakuza! Zap! Loli! Art with zero style and story without originality or substance! 5

Kanata no Astra – Space High schoolers get lost in space; must show grit (and team work) to overcome crisis. Crisp animation and competent narrative construction save it from an underwhelming cast and middle shelf art style. If a kid dies next week, my opinion will move higher. 8

UchiMusume – A young adventurer adopts an orphaned demon girl he finds in the woods. There’s a potty joke! It’s charming but very safe and gives all the hints that it wont go anywhere by the end of the season. 8

Joshikousei no Mudazukai – A girl realizes she picked an all girls high school and she just. can’t. even. The comedic timing is on the money… but humor kinda whiffs? Mid shelf artwork makes it watchable but not remarkable. 7

Araburu Kisetsu no Otome – The literature club tackles sex in literature… AND LIFE! Reading train schedules and draping penises on girls’ heads play out in this earnest, bashful, slow burn. Looks to be Summer’s sleeper hit. 9!

Dumbbell Nan Kilo Moteru? – A high school girl gains weight for comedy. Goes to gym for comedy. I got bored and stopped watching. 6

Sounan Desu ka? – Girls wash up on a beech. Panty shots. ¯\_()_/¯

Tejina-senpai – A boy must choose a school club and meets a girl into magic. 12 minutes of humorless antics ensue. #Skippable 5

Enen no Shouboutai – A boy with a tragic past starts his first day as a Magic Firemen fighting demoney fire people. There’s a churchy vibe and Soul Eater art style. The animated fire is fantastic but the production costs must have been too much for the studio. (scenes linger) Worth a watch though. 8

Katsute Kami Datta Kemono – A squad of super human monsters turn evil shortly after winning an alt US civil war. Bad guys laugh like evil bad guys and tragic love interests die for motivational purposes. It’s lower shelf animation and writing with some blood to tide viewers over. 5 #shitshow

Dr. Stone – Suddenly everyone turns to stone. 3,700 years later, two teens break out and start to figure out the stone-age world around them. With style so jarringly OTT my brain can’t tell if I love it or hate it, and a narrative construction so bat shit crazy I have to keep watching. 8 #WTFFTW

3D Kanojo: Real Girl – 21 – What About Us?

I’ve never been particularly interested in 3DK’s longstanding ticking clock on Hikari and Iroha’s relationship. It’s a two-dimensional source of drama and dread on a show that’s proven itself capable of developing nuanced solutions to conflicts that rise organically from its cast of 3D characters.

Case in point: 3DK invested so much time and loving care to bringing Ishino and Takanashi together, yet the biggest threat to Hikari and Iroha’s relationship remains frustratingly murky.

There’s nothing unclear about the statuses of their friends, however: Ishino x Takanashi is very public, while Itou confirms to Hikari that he and Ayado made love. It’s quite on point for Itou to cry tears of joy afterwards, as well as to tell Hikari that it probably has changed his world, but a lot more changes are to come as he and Ayado share more experiences.

I kinda wish we’d gotten more of Ayado’s perspective—perhaps telling Ishino or Iroha about it—but still, kudos to the show for being both unambiguous and tasteful in the portrayal of a very common milestone in young people’s lives.

As their final year in high school begins to draw to a close, Takanashi, Ishino and Itou are all thinking about their futures…while Hikari hasn’t. Why would he? The future, to him, is just a place where there’s no Iroha.

Better to make the most of the present lest he come away with regrets. For Hikari, this means blowing off career surveys, studying and even some classes to spend maximum time with Iroha.

A side-effect of all the dating is a precipitous drop in his grades, something he keeps from both Itou and Iroha until the former hears it from the teacher. Like any best friend as kind as he is, Itou is concerned about Hikari, and urges him to be mindful of finding a school/romance balance.

However, Hikari doesn’t want to tell Itou why he’s neglecting his studies. He doesn’t want to tell Itou that Iroha is moving in a month, because that will only make that move—that future without her—more real.

Instead of getting back to his studies, Hikari takes Iroha out on more and more dates, even as she gets increased pressure from Mabuchi (the doctor) to stop what she’s doing presumably due to an undisclosed medical condition…but we just don’t absolutely know for sure!

One thing’s for sure: frolicking on a frigid beach in October isn’t going to help that condition…and I’d be very surprised if one or both of them didn’t come down with a cold next week.

But fine: Hikari doesn’t know the truth, and neither do we. Iroha doesn’t know about his bad grades until Itou tells her, and when she pulls out what she thinks are his notebooks for studying, they’re filled with things he’s planned for them to do together.

Seeing this note makes Iroha cry, because Hikari is planning a future for them that may not be possible. When he comes back with warm drinks, she tells him she lied: she’s not going to transfer schools. But that still doesn’t explain if and why they’ll separated in a month’s time.

Then again, perhaps Hikari’s request to his mom to loan him a large sum of money from his mom, and both his and Iroha’s reluctance to “go home” means they’re going to run away together, finally taking charge of their future.

But if Iroha’s real circumstances are so serious she’s yet to breathe a word of them to the man she loves, out of a reluctance to hurt him, what if those circumstances worsen, and there’s no longer any way to hide them…or avoid hurting Hikari anyway?

3D Kanojo: Real Girl – 20 – Opening The Door To A Frightening World

“Never mind, I don’t care,” Takanashi lied. That’s where he finds himself at the beginning of this week: in denial of his feelings for Ishino and the feeling that he’s letting her slip away in his friend Sakurada’s arms. This week Sakurada is revealed as less of a character (or viable love interest to Ishino) and more of a catalyst for Takanashi to stop playing games.

When his mom ends up in hospital with a mild concussion, Takanashi hits the supermarket so he make hijiki for Anzu, and on his way out, he runs into Ishino, who can just tell something’s up. Takanashi resists the urge to tell her to butt out of his business (in fact she’s the one to bring up her meddling), but does tell her he doesn’t need her pity.

That grinds Ishino’s gears, as it should: forget never giving her the time of day: Takanashi has a serious habit of acting cool to hide his emotional struggles. He relents and asks Ishino to join him at his house, since she knows how to make hijiki.

Ishino also has a problem: it’s virtually impossible for her say “no” to Takanashi, no matter how selfish or mocking his request. But this isn’t about him playing games; it’s about him actually making some kind of effort, in his way, to let her know that her help at the house would be tolerated, appreciated…even preferred.

Meanwhile, someone who would prefer it if Hikari were to fall into a ditch and die is Iroha’s brother Chika, who has heard about the two of them going on an overnight trip. Hikari insists nothing will happen (which isn’t exactly fair to Iroha, if she wants something to happen!) and that the trip had to be postponed anyway; Chika gets his lick and death threat in anyway.

That feels like the first real ripple in Hikari and Iroha’s relationship in ages, and even then it’s due to a third party, not any conflict between the two of them. Back at Takanashi’s it’s pure domestic bliss—complete with spousal bickering, something Anzu probably isn’t used to considering they have a single parent.

Their argument is over whether Takanashi is justified in limiting Anzu’s exposure to Kaoru, or whether he’s just being  overprotective and even petty. Ishino and Takanashi make up in front of Anzu to calm her, but it isn’t long before they’re at it again, and this time it’s when he brings up Sakurada.

He asks, and almost orders Ishino not to go on the date with Sakurada, a serious request that he treats with his usual teasing jocularity (doesn’t want anyone taking his “pet”). While Takanashi is again trying his best to say what he wants to say, the fact is his best isn’t quite good enough. He has to be better.

He runs after a crying Ishino to apologize, and also properly explain his feelings: he feels like she’ll be an important part of his life, and if he lets her go on a date with his friend, he will regret it. So he asks if she’ll be his girlfriend, a question Ishino has been waiting for so long it barely feels real.

It’s been a recurring joke for him to immediately reject her when she asks him, but when he finally asks her, she’s just as quick in saying “yes.” Then he kisses her, daring to open a “door to a frightening world”, but opening it nonetheless. I have no doubt he’ll still tease her (and she’ll tease him back) but at least now there’s no doubt about his feelings.

Shifting from Newly-formed couples to Recently-formed couples, Itou ends up alone at Ayado’s house when something “comes up” with her parents. After four hours of wholesome video game-playing, Ayado can’t take it anymore: she wants to make out.

Itou worries that he’d be betraying her parents’ trust in him if he did anything with her, but Ayado disagrees. Ayado wants him to do something, and will be dejected and miserable if he doesn’t. You’re good, dude…Carry On. And carry on they do…though the episode is somewhat coy about how far.

Back to the couple that inspired all these new doors being opened: Iroha comes over for dinner with Hikari’s whole family again and has an absolute blast, as always. She loves how kind his family is, and how it explains why he’s so kind. Case in point: he offers to walk Iroha home, but she declines.

I can’t have been the only one to think that slightly awkward goodbye was foreboding, and what do you know, the next day Iroha is at the hospital talking with the doctor Hikari thought she was dating back in the beginning, telling her “it has to stop,” presumably due to her undisclosed health condition.

While new doors have been opened for the others, it looks like Iroha and Hikari’s is going to start closing. It’s something both of them have known would eventually come to pass. I just wish we had more of an explanation about why there’s such a seemingly firm clock on her life expectancy. At least Hikari deserves to know, even if it crushes him.

3D Kanojo: Real Girl – 19 – Tabasco In The Orange Juice

From Iroha slapping her brother with a wet towel when he accuses her geeky boyfriend of dragging her down to his level, to Hikari showing that he’s grown into a far better boyfriend than Iroha’s boyfriend could imagine, I loved every minute of this episode.

It was full of instances of friends leaning on one another in times of need, quickly sorting out misunderstandings, and, of course, Ishino gettin’ some legit attention from a guy other than Takanashi! The only major mark against this episode is that there’s no Ayado, but that allows the episode to maximize its time with everyone else.

First, a brief rift between Itou and Hikari emerges when Itou asks Takanashi for advice on how to proceed with Ayado. Hikari knows he’s not the one to go to for advice of that nature, but is still embarrassed enough to avoid Itou, until Itou himself calls him out and they sort it out together.

Itou assures him every couple goes at its own pace, and that if Hikari doesn’t even intend to go all the way with Iroha (as Itou suspects he will with Ayado, very soon), Itou respects and will support him. It’s some very mature conversation between best mates, clarifying that this isn’t a race!

Speaking of early bloomers, Kaoru comes to Takanashi’s house to apologize for keeping Anzu out late, but manages to pierce Takanashi’s innate distrust and loathing for All Things Tsutsui with a heartfelt monologue about why he loves Anzu and wants to help her big brother keep her safe. Still, Takanashi is frustrated enough with Kaoru’s shrewdness that he decides to take it out on Hikari, who after all only wants some of the same advice as Itou.

While heading back downstairs from the roof, Takanashi very clearly tries to get the attention of Ishino, and ask her if she’s free for…something. But his friend, who met Ishino at the maid cafe, asks her out first, having already gotten a half-hearted okay from Takanashi to pursue her. It’s clear despite his aloof attitude, Takanashi doesn’t like his friend spending all this time with Ishino. Sometimes you don’t know what you’ve had until you’ve lost it!

Hikari and Ishino have been just humming along, but with another three-day weekend coming up Iroha wants to go on a trip…an overnight trip—to eat and see the sights in another town. But Hikari is overwhelmed by the possibility that they may end up doing it, and gets so stuck in his head he appears outwardly opposed to and stressed out about going on the trip, and Iroha drops the issue and heads home.

For her part, Ishino told Hikari before he met with Iroha to just get fucking laid already…though at the same time no one reinforces Hikari’s own insecurities and sense of non-worth than Ishino, even though she’s just messing around.

But Ishino now finds herself in a bit of a love triangle. I doubt this new guy (I didn’t even hear his name) is anything other than a means to show Takanashi that he actually does requite Ishino’s feelings, at least to some degree, whether it’s true love or he’s simply pleasantly accustomed to having her around.

Ishino assumes the worst; that he’s some kind of playboy just trying to get in her pants. I’m not 100% convinced that’s not the case either. Good luck, Ishino! As for Takanashi, he should take after his friends and reconcile his feelings.

Hikari, good man that he is, doesn’t spend days worrying about what a shit he is, and corrects himself almost immediately, actually taking the time to look at the travel books Iroha marked, then running after her, embracing her from behind, and agreeing that it will be a fun time. He just had to get out of his own head, and put himself in her shoes: she must have been excited to tell him about the trip, and was looking forward to it since the last three-day weekend.

Unfortunately, due to Iroha’s poor test scores, she has to take remedial classes over the weekend, but Hikari assures her they’ll go the next time. Here’s hoping there is one—it would be a great step forward for their relationship.

Mahou Shoujo Site – 01 – NOPE (First Impressions)

In the episode’s first couple of minutes, the protagonist Aya is already ready to throw herself in front of an approaching train. I’m not going to pick the low-hanging fruit and say this episode made me feel like doing the same when it was over…but yeah, this was pretty fucked up. And it gets worse.

Aya’s life is hell. She gets cut by tacks and razors in her school shoes. She’s forced to sit in a puddle of glue. She’s punched and kicked and plunged into the toilets, then goes home and gets severely beaten and choked out by her frustrated older brother, pleading in vain for him not to keep her from getting her period by doing too much damage.

She takes a tiny measure of solace from taking care of a stray cat, but her tormentors at school find out and promptly kill it. Oh, and they describe how it died while the senpai they brought in to rape her starts closing in.

Have you had enough yet? I certainly did. Aya is pointed in the direction of the titular “Mahou Shoujo Site” which gives her powers to exact revenge—revenge she is overwhelmingly justified in using against the sorry excuses for demons in human skin that gnaw at her day after day.

Two of her bullies and her would-be rapist are gone, but because Aya’s a decent person, she thinks killing is wrong, to the point of keeping plenty of the remaining beasts alive, who will no doubt dole out more punishment in the coming weeks.

I won’t be there to watch it. I can appreciate the message the show is trying to send—somewhat—and it’s to the show’s credit that Aya is as reluctant to kill as she is despite how much she’s suffered; despite her new powers her basic morality remains unassailable. But MSS has all the subtlety of Stone Cold Steven Austin giving a promo while on PCP. It’s just a bit too much.

 

Itsudatte Bokura no Koi wa 10 cm Datta. – 02

“Summer, Fireworks, Color of Love” is this week’s title, and it pretty succinctly sums up what we get. If you’ve heard of these themes in romance anime before well…you’re not alone! But what this show lacks in original themes, it makes up for in solid execution and attention to detail, and variety.

We get looks not just into the budding romance of Miou and Haruki, but see how close Yuu and Natsuki are without officially dating, as well as Souta’s attentions towards Akari. The plot of making one last film together, starring a character who is an art student in love, is pretty hoaky, but super-charming if you can switch off the cynicism.

In her desire for her art (and not Akari’s) to be chosen by Haruki, Miou puts undue pressure on painting the perfect canvas, and ends up unable to paint anything at all. Haruki seems to get a bit jealous when he overhears that Miou will soon meet the man who saved her from drowning.

But they largely set aside those issue when the six friends gather for a fireworks festival. Natsuki sets things up so Miou and Haruki are alone, while Souta’s in the right position to catch a stumbling Akari, breaking the ice. All three couples have great chemistry and it’s fun to watch them interact.

Everything seems to be ruined when Miou faints and she and Haruki end up with an obstructed view of the fireworks, but they find a platform to get a better view. Haruki tells Miou he’s looking forward to seeing what art she comes up with (adding to the already high pressure of that project).

When he awkwardly offers to grab something for them to eat, Miou bravely, finally closes the 10cm distance by grasping his shirt. The two come this close to kissing, but are lamely interrupted by a couple of yappy dogs. LAME, I say. At least they can laugh about it.

Then the next day the thing I knew was coming came: Miou learns the man who saved her life is dead. Not only that, he’s Haruki’s big brother, Chiaki. She goes home, and rather than paint what love looks like for Haruki, she defaces the painting of her memory of being saved, ashamed that he lost his life, and Haruki lost his brother, all for her sake.